Giuseppe Verdi · Giuseppe Verdi. Originally commissioned to celebrate the completion of the Suez...

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KRISTIN LEWIS ANITA RACHVELISHVILI MARCO BERTI MARK S. DOSS CONDUCTED BY GIANANDREA NOSEDA STAGED BY WILLIAM FRIEDKIN TEATRO REGIO TORINO GIUSEPPE VERDI

Transcript of Giuseppe Verdi · Giuseppe Verdi. Originally commissioned to celebrate the completion of the Suez...

Page 1: Giuseppe Verdi · Giuseppe Verdi. Originally commissioned to celebrate the completion of the Suez Canal and the opening of Cairo’s new opera house, Verdi’s Egyptian epic Aida

Kristin Lewis AnitA rAchveLishviLi MArco Berti MArK s. DossconDucteD By GiAnAnDreA noseDA stAGeD By wiLLiAM FrieDKin

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G i u s e p p e V e r d i

Page 2: Giuseppe Verdi · Giuseppe Verdi. Originally commissioned to celebrate the completion of the Suez Canal and the opening of Cairo’s new opera house, Verdi’s Egyptian epic Aida

Originally commissioned to celebrate the completion of the Suez Canal and the opening of Cairo’s new opera house, Verdi’s Egyptian epic Aida is here seen in a spectacular new staging specially mounted by the Teatro Regio Torino to celebrate the re-opening of Turin’s historic Museo Egizio, home to the world’s largest collection of Egyptian antiquities outside of the Cairo Museum.

Conducted by the Teatro Regio’s Music Director, Gianandrea Noseda – one of the world’s finest Verdians and Musical America’s Conductor of the Year 2015 –, Turin’s authentically Egyptian staging is directed in true Hollywood style by the Oscar-winning American film director William Friedkin, creator of such famous movies as The Exorcist and The French Connection.

Aida is perhaps best-known for the sonic splendour of its famous “Triumph” Scene – a rousing military march-past, complete with onstage “Egyptian trumpets”. But Verdi’s grandest opera is also amongst his most intimate, focusing as it does upon the private emotions experienced by the three victims of a tragic love-triangle: Radamès, Egypt’s victorious general, and the two rival princesses who adore him, the Pharaoh’s daughter Amneris and her Ethiopian slave Aida.

Amongst the first-rate cast, critics singled out the American soprano Kristin Lewis, who exhibits “a remarkable voice, which she uses with powerful dramatic instinct” (La Stampa), and the Georgian mezzo-soprano Anita Rachvelishvili, whose Amneris “dominates the stage with her dark, rounded, irrestistible voice and extraordinary stage presence” (La Gazzetta Musicale).

And all were united in praise of Noseda: “he controls everything – orchestra, singers, chorus, dancers, acrobats – with an all-encompassing overview” (La Stampa); “he knows exactly when it’s time to linger over a timbre, a colour, an expressive chord” (Corriere della Sera); “he draws from the score colours of a rare beauty, creating magnificent carpets of sound” (ResMusica); and, in the final scene in particular, “he resolves the expressive contrasts and the vocal-instrumental dialogue with remarkable dramatic insight and orchestral refinement” (La Repubblica).

Length: approx. 150' Cat. no. A 000 50035

A production of Fondazione Teatro regio Torino in cooperation with uNiTeL CLAssiCA

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Orchestra Orchestra and Chorus Teatro regio Torino

Conductor Gianandrea NosedaStage Director William Friedkin

Aida Kristin LewisAmneris Anita rachvelishvili

Radamès Marco BertiAmonasro Marc s. doss

Ramfis Giacomo prestiaThe King in-sung sim

A Messenger dario prolaA High Priestess Kate Fruchtermann

Produced by Metis FilmVideo Director Tiziano Mancini

G i u s e p p e V e r d i

AidA

shot in

(3840 × 2160) uLTrA Hd

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unitel GmbH & Co. KG, Germany · Tel. +49.89.673469-630 · [email protected] www.unitelclassica.com