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German cinema 1920-1940
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Transcript of German cinema 1920-1940
German Cinema
German CinemaExpressionismBold GraphicsArtificial worldsMise en sceneControlled environmentMax RinehartKammerspielfilm:Psychological/small dramasDie neue sachlichkeit(new objectivity)Fantasy and horror popular Caligari
Abstract set designAngled structures
NosferatuHorrorBased on Dracula(obtain rights from Stoker’s widow)Count OrlackF N MurnauLocation shootingAnglesDarknessShadowsInfluence American Horror cinemaHammerRecent blood and gore
MetropolisFritz Lang1926Fantastic setsBrutal regimeWorkers versus societyRobotsFlying carsAnglesSci-Fi
The End Hitler’s tyranny Exodus of most major directors Transformation to sound Use of documentary style
Hollywood’s Germans
Fritz Lang: thrillers/noirs Design/horror film Universal expressionism Lighting/claustrophobic interiors Karl Freund: Dracula/Murders Rue Gregg Toland: lens Kane Noir legacy
Leni Riefenstahl Hitler’s babe? Independent woman Actress Traitor Propagandist Nazi or artist Triumph of the Will/Olympiad Post war work/documentarian Worked with African tribes
Images
A legacy of German cinema in film noir design and shadowy gothic imagery: changed American film