images.exhibit-e.comimages.exhibit-e.com/ · GEORGE: so obvious . . And the other impression was...

16

Transcript of images.exhibit-e.comimages.exhibit-e.com/ · GEORGE: so obvious . . And the other impression was...

Page 1: images.exhibit-e.comimages.exhibit-e.com/ · GEORGE: so obvious . . And the other impression was extraordinary. A private viewing was at seven o'clock, but nobody was allowed in.
Page 2: images.exhibit-e.comimages.exhibit-e.com/ · GEORGE: so obvious . . And the other impression was extraordinary. A private viewing was at seven o'clock, but nobody was allowed in.
Page 3: images.exhibit-e.comimages.exhibit-e.com/ · GEORGE: so obvious . . And the other impression was extraordinary. A private viewing was at seven o'clock, but nobody was allowed in.
Page 4: images.exhibit-e.comimages.exhibit-e.com/ · GEORGE: so obvious . . And the other impression was extraordinary. A private viewing was at seven o'clock, but nobody was allowed in.
Page 5: images.exhibit-e.comimages.exhibit-e.com/ · GEORGE: so obvious . . And the other impression was extraordinary. A private viewing was at seven o'clock, but nobody was allowed in.
Page 6: images.exhibit-e.comimages.exhibit-e.com/ · GEORGE: so obvious . . And the other impression was extraordinary. A private viewing was at seven o'clock, but nobody was allowed in.
Page 7: images.exhibit-e.comimages.exhibit-e.com/ · GEORGE: so obvious . . And the other impression was extraordinary. A private viewing was at seven o'clock, but nobody was allowed in.
Page 8: images.exhibit-e.comimages.exhibit-e.com/ · GEORGE: so obvious . . And the other impression was extraordinary. A private viewing was at seven o'clock, but nobody was allowed in.
Page 9: images.exhibit-e.comimages.exhibit-e.com/ · GEORGE: so obvious . . And the other impression was extraordinary. A private viewing was at seven o'clock, but nobody was allowed in.
Page 10: images.exhibit-e.comimages.exhibit-e.com/ · GEORGE: so obvious . . And the other impression was extraordinary. A private viewing was at seven o'clock, but nobody was allowed in.
Page 11: images.exhibit-e.comimages.exhibit-e.com/ · GEORGE: so obvious . . And the other impression was extraordinary. A private viewing was at seven o'clock, but nobody was allowed in.
Page 12: images.exhibit-e.comimages.exhibit-e.com/ · GEORGE: so obvious . . And the other impression was extraordinary. A private viewing was at seven o'clock, but nobody was allowed in.
Page 13: images.exhibit-e.comimages.exhibit-e.com/ · GEORGE: so obvious . . And the other impression was extraordinary. A private viewing was at seven o'clock, but nobody was allowed in.
Page 14: images.exhibit-e.comimages.exhibit-e.com/ · GEORGE: so obvious . . And the other impression was extraordinary. A private viewing was at seven o'clock, but nobody was allowed in.
Page 15: images.exhibit-e.comimages.exhibit-e.com/ · GEORGE: so obvious . . And the other impression was extraordinary. A private viewing was at seven o'clock, but nobody was allowed in.
Page 16: images.exhibit-e.comimages.exhibit-e.com/ · GEORGE: so obvious . . And the other impression was extraordinary. A private viewing was at seven o'clock, but nobody was allowed in.

SOUR TORIES - prod-images.exhibit-e.comprod-images.exhibit-e.com/ · boarding school in Himachal Pradesh when her father, who was in the civil service, was based in Nigeria. “My

SOUR TORIES - prod-images.exhibit-e.comprod-images.exhibit-e.com/ · boarding school in Himachal Pradesh when her father, who was in the civil service, was based in Nigeria. “My

prod-images.exhibit-e.comprod-images.exhibit-e.com/ · of C G, Jung's paintings, the difficulty of mastering Mongolian thrc singing, the humor in boiling milk, and the art of stepping

prod-images.exhibit-e.comprod-images.exhibit-e.com/ · of C G, Jung's paintings, the difficulty of mastering Mongolian thrc singing, the humor in boiling milk, and the art of stepping

prod-images.exhibit-e.comprod-images.exhibit-e.com/ · the top of the museum was the Gauguin Room, with tapestries å la Gauguin, where you could dine on (then) rare Polynesian cuisine

prod-images.exhibit-e.comprod-images.exhibit-e.com/ · the top of the museum was the Gauguin Room, with tapestries å la Gauguin, where you could dine on (then) rare Polynesian cuisine

Boucher, Brian. ÒRereading Anastasi.Ó Art In Americaprod-images.exhibit-e.com/ was moved by a scientist's characterization of rusting as the metal's reuniting with the impurities

Boucher, Brian. ÒRereading Anastasi.Ó Art In Americaprod-images.exhibit-e.com/ was moved by a scientist's characterization of rusting as the metal's reuniting with the impurities

prod-images.exhibit-e.comprod-images.exhibit-e.com/ · objets d'art. In the 1950's she became increasingly interested in the decorative arts of the Art Nouveau period. Mrs. Nassau

prod-images.exhibit-e.comprod-images.exhibit-e.com/ · objets d'art. In the 1950's she became increasingly interested in the decorative arts of the Art Nouveau period. Mrs. Nassau

prod-images.exhibit-e.comprod-images.exhibit-e.com/ · The London Sunday Times Cage girls of Bombay Text 10/28/2005 10:22 AM Page 2 of 7

prod-images.exhibit-e.comprod-images.exhibit-e.com/ · The London Sunday Times Cage girls of Bombay Text 10/28/2005 10:22 AM Page 2 of 7

prod-images.exhibit-e.comprod-images.exhibit-e.com/designers working on creating quality contemporary rugs. Flowers, traditionally a popular subject for carpets, still continue to

prod-images.exhibit-e.comprod-images.exhibit-e.com/designers working on creating quality contemporary rugs. Flowers, traditionally a popular subject for carpets, still continue to

prod-images.exhibit-e.comprod-images.exhibit-e.com/€¦ · —Marcel Duchamp drew a mustache on a print of the Mona Lisa, and Michelangelo Pistoletto placed a statue of Venus before

prod-images.exhibit-e.comprod-images.exhibit-e.com/€¦ · —Marcel Duchamp drew a mustache on a print of the Mona Lisa, and Michelangelo Pistoletto placed a statue of Venus before

2008 Serpentine Gallery - prod-images.exhibit-e.com

2008 Serpentine Gallery - prod-images.exhibit-e.com

Pioneering Gallerist Betty Parsons Was Also an Important ...prod-images.exhibit-e.com/€¦ · she provided the first launchpad for Abstract Expressionism’s “Four Horsemen,”

Pioneering Gallerist Betty Parsons Was Also an Important ...prod-images.exhibit-e.com/€¦ · she provided the first launchpad for Abstract Expressionism’s “Four Horsemen,”

images.exhibit-e.comimages.exhibit-e.com/...mer husband of painter and relief maker Adriana Varejäo. VAREJÄO (B. 1964, RIO) IS ONE of the two women artists who most impressed me

images.exhibit-e.comimages.exhibit-e.com/...mer husband of painter and relief maker Adriana Varejäo. VAREJÄO (B. 1964, RIO) IS ONE of the two women artists who most impressed me

NDP #2 - images.exhibit-e.comimages.exhibit-e.com/ · NDP #2 JUNE 2005. carol bove & sara ... Carol: I definitely see ... Carol: That's funny. It reminds me of how my husband describes

NDP #2 - images.exhibit-e.comimages.exhibit-e.com/ · NDP #2 JUNE 2005. carol bove & sara ... Carol: I definitely see ... Carol: That's funny. It reminds me of how my husband describes

David LaChapelle - prod-images.exhibit-e.comprod-images.exhibit-e.com/€¦ · Earth Laughs in Flowers series could just as well be images of Baroque still life. Then you discover

David LaChapelle - prod-images.exhibit-e.comprod-images.exhibit-e.com/€¦ · Earth Laughs in Flowers series could just as well be images of Baroque still life. Then you discover

prod-images.exhibit-e.comprod-images.exhibit-e.com/ · that takes the tools of conceptual art to a borderline, where it ... if the aura of the signature is enhanced or reduced by

prod-images.exhibit-e.comprod-images.exhibit-e.com/ · that takes the tools of conceptual art to a borderline, where it ... if the aura of the signature is enhanced or reduced by

prod-images.exhibit-e.comprod-images.exhibit-e.com/€¦ · self-portraits of the artist maneuvering an Escher-like cubic shape allude at the same time to Gestalt theories, magic

prod-images.exhibit-e.comprod-images.exhibit-e.com/€¦ · self-portraits of the artist maneuvering an Escher-like cubic shape allude at the same time to Gestalt theories, magic

JULIO LE PARC-CV - prod-images.exhibit-e.comprod-images.exhibit-e.com/ · Experiments in Visual Kineticism- The State Hermitage Museum- Saint Pétersbourg, ... Arte del Siglo XX -

JULIO LE PARC-CV - prod-images.exhibit-e.comprod-images.exhibit-e.com/ · Experiments in Visual Kineticism- The State Hermitage Museum- Saint Pétersbourg, ... Arte del Siglo XX -

Pioneering Gallerist Betty Parsons Was Also an Important ...prod-images.exhibit-e.com/...she provided the first launchpad for Abstract Expressionism’s “Four Horsemen,” as Parsons

Pioneering Gallerist Betty Parsons Was Also an Important ...prod-images.exhibit-e.com/...she provided the first launchpad for Abstract Expressionism’s “Four Horsemen,” as Parsons

prod-images.exhibit-e.comprod-images.exhibit-e.com/ · 138 Graciela Hasper or the Joyful Sequences in the Geometries of Art and in Life by José Emilio Burucúa Hasper developed her

prod-images.exhibit-e.comprod-images.exhibit-e.com/ · 138 Graciela Hasper or the Joyful Sequences in the Geometries of Art and in Life by José Emilio Burucúa Hasper developed her

SMcK CV 17 - images.exhibit-e.comimages.exhibit-e.com/ · Idol, Raad Galerie, Berlin/Köln 1984 The Hard Won Image, Tate Gallery, London ... Crawford Gallery, Cork Fries Museum, Leeuwarden,

SMcK CV 17 - images.exhibit-e.comimages.exhibit-e.com/ · Idol, Raad Galerie, Berlin/Köln 1984 The Hard Won Image, Tate Gallery, London ... Crawford Gallery, Cork Fries Museum, Leeuwarden,

prod-images.exhibit-e.comprod-images.exhibit-e.com/ · the ground rules have changed. ... In the high-ceilinged, second-floor drawing room where he paints, the ... level, he used

prod-images.exhibit-e.comprod-images.exhibit-e.com/ · the ground rules have changed. ... In the high-ceilinged, second-floor drawing room where he paints, the ... level, he used