Garsnas Collection
-
Upload
lifeng-furniture -
Category
Documents
-
view
217 -
download
0
Transcript of Garsnas Collection
-
8/13/2019 Garsnas Collection
1/60
-
8/13/2019 Garsnas Collection
2/60
22
AKUSTIKKE AXELSSON
-
8/13/2019 Garsnas Collection
3/60
I GRSNS MBELFABRIK p sterlen blirplankor till stolar, bord och skp i en sammanhllenprocess. Blonda trslag som ask, bok, bjrk ochlnn hr till de material vi arbetar mest i, men ek
och ven valnt har med tiden kommit att bli alltvanligare. Det nra samarbete vi har med vraformgivare, det gedigna hantverkskunnandet ochavancerade trtekniska lsningar, har givit oss ensrstllning och en mjlighet till ett helt eget uttryck.
Mtesplatser, fretagsmiljer, bibliotek, aulor ochrestauranger inreds med mbler som br vrspeciella prgel. Men med sin trygga lgmldhet,och den integritet som inte tillter ngot tummandep kvaliteten, vinner vi ocks terrng utanfr denoffentliga miljn. Grnserna mellan det allmnnaoch det privata suddas ut, liksom handelsgrnserna.P den nya globala marknaden vxer intresset frde tidlsa, stndigt moderna kvalitetsmbler somsedan lnge r en del av vr svenska vardag.Och fr vrt stt att gra dem.
P senare tid har termen hllbarhet laddats mednya valrer. Fr Grsns var det ledordet redand bolaget etablerades, fr 116 r sedan. Viarbetar alltjmt enligt vertygelsen att hllbarhet imngt och mycket r precis vad kombinationen
form och funktion handlar om.
Kunskapen om materialet, om ekologi och denmsesidiga respekten yrkesmn emellan, r enfrutsttning fr resultatet; mbler som tl att sesp och att brukas. Vitalitet, mod, egensinne ochlyhrdhet r ngot Grsns alltid sttt fr ochdet som gr det mjligt.
AT THE G RSNS FURNITURE FACT ORYisterlen in south-east Sweden, boards aretransformed into chairs, tables and cupboards inclosely linked process. We work most in blondwoods like ash, beech, birch and maple, but oaand even walnut have become increasinglycommon over time. Our close cooperation with designers, expert craftsmanship and advancedwood technology solutions have given us a uniqposition and the opportunity to develop a
completely individual design style.
Meeting places, corporate environments, librarieauditoriums and restaurants are equipped withfurniture that carries our own special look. Butthanks to our quiet unobtrusiveness and an integthat rejects any compromises on quality, we arealso gaining ground outside the contract furnitursector. The boundaries between public and privspaces are being erased, as are the boundariesbetween the two trade segments. In the new
global market there is growing interest in thetimeless, perpetually modern quality furniture thahas been part of Swedish everyday life for a lontime. There is also growing interest in the Grsnway of making that furniture.
Recently the term sustainability has been chargwith new values. Sustainability was already theguiding star when Grsns was founded 116years ago. Today we still work according to theconviction that sustainability on many levels isprecisely what the combination of form andfunction is all about.
The knowledge of materials, ecology, and themutual respect among professional craftsmen is prerequisite for the result: furniture that is enjoyato look at and durable to use. Vigour, courage,independence of thought and responsiveness arvalues that Grsns has always stood for andthat lie behind the companys continued success
-
8/13/2019 Garsnas Collection
4/60
4
USTIK ANSELMBIRD GREITZBUTTON
RIUS HUGMOSES XLN LIGHT&EASYINGA ZEN
ENCE BIG HUGEO LONDONENIT BUSS CITINEPTUNUS
D COMBIOTOR VINGAUTLINE PIA
ID NILEN
ME DRESSBIRD BONDTWIST CLUBILT LOOP
GHT&EASY
-
8/13/2019 Garsnas Collection
5/60
-
8/13/2019 Garsnas Collection
6/60
6
DRESS ANNA VON SCHEWEN
-
8/13/2019 Garsnas Collection
7/60
DRESS ANNA VON SCHEWE
-
8/13/2019 Garsnas Collection
8/60
8
OUTLINE DAMIAN WILLIAMSON
-
8/13/2019 Garsnas Collection
9/60
-
8/13/2019 Garsnas Collection
10/60
10
LOOP NINA JOBS
-
8/13/2019 Garsnas Collection
11/60
KVILT NINA JOBS
-
8/13/2019 Garsnas Collection
12/60
12
CITI RALF LINDBERG BOND MRTA FRIMANCITI RALF LINDBERG BOND MRTA FRIMAN
-
8/13/2019 Garsnas Collection
13/60
-
8/13/2019 Garsnas Collection
14/60
14
BOND MRTA FRIMAN
-
8/13/2019 Garsnas Collection
15/60
BUTTON PIERRE S
-
8/13/2019 Garsnas Collection
16/60
16
BIG HUG ANNA VON SCHEWEN
-
8/13/2019 Garsnas Collection
17/60
HUG ANNA VON SCHEWEN BOND MRTA FRIMAN NAPOLEON VID NILEN TORE AHLSN
-
8/13/2019 Garsnas Collection
18/60
18
BIRD RALF LINDBERG ROTOR KE AXELSSON
-
8/13/2019 Garsnas Collection
19/60
ROTOR KE AXELSSO
-
8/13/2019 Garsnas Collection
20/60
20
BIRD RALF LINDBERG ROTOR KE AXELSSON
-
8/13/2019 Garsnas Collection
21/60
BIRD RALF LINDBER
-
8/13/2019 Garsnas Collection
22/60
22
AKUSTIKKE AXELSSON
-
8/13/2019 Garsnas Collection
23/60
AKUSTIKKE AXELSSON ROTOR KE AXELSSO
-
8/13/2019 Garsnas Collection
24/60
24
-
8/13/2019 Garsnas Collection
25/60
OUTLINE DAMIAN WILLIAMSON FRAME T THOMAS ERIKSSON CECILIA ANDREASSON ELISABETH ANCKERSWING BIRD RALF LINDBERG
-
8/13/2019 Garsnas Collection
26/60
26
ZEN KE AXELSSON ROTOR KE AXELSSON
-
8/13/2019 Garsnas Collection
27/60
-
8/13/2019 Garsnas Collection
28/60
28ZENIT I KE AXELSSON BOND MRTA FRIMAN PIATORE AHLSN
-
8/13/2019 Garsnas Collection
29/60
ZENIT I I KE AXELSSO
-
8/13/2019 Garsnas Collection
30/60
30
VINGAKE AXELSSON FRAME THOMAS ERIKSSON CECILIA ANDREASSON ELISABETH ANCKER VINGAKE AXELSSON
-
8/13/2019 Garsnas Collection
31/60
-
8/13/2019 Garsnas Collection
32/60
32
-
8/13/2019 Garsnas Collection
33/60
LONDON KE AXELSSON BOND MRTA FRIMAN PIATHORE AHLSN BUSS ANNA VON SCHEWE
-
8/13/2019 Garsnas Collection
34/60
34
ZEN CONFERENCE KE AXELSSON FRAME THOMAS ERIKSSON CECILIA ANDREASSON ELISABETH ANCKERBUSS ANNA VON SCHEWEN
-
8/13/2019 Garsnas Collection
35/60
-
8/13/2019 Garsnas Collection
36/60
36
LOOP NINA JOBS M BORD KE AXELSSON
-
8/13/2019 Garsnas Collection
37/60
-
8/13/2019 Garsnas Collection
38/60
38
TWIST ANNA VON SCHEWEN
-
8/13/2019 Garsnas Collection
39/60
TWIST ANNA VON SCHEWE
-
8/13/2019 Garsnas Collection
40/60
40
PIATORE AHLSN
-
8/13/2019 Garsnas Collection
41/60
CLUB PETER CELSING FRAME THOMAS ERIKSSON CECILIA ANDREASSON ELISABETH ANCKER BUSS ANNA VON SCHEWE
-
8/13/2019 Garsnas Collection
42/60
42
ANSELM, RIKSDAGEN, GSTIS KE AXELSSON
-
8/13/2019 Garsnas Collection
43/60
VAXHOLMAREN, KB, NEPTUNUS KE AXEL
-
8/13/2019 Garsnas Collection
44/60
4444
ORE AHLS NLISABETH ANCKER
CECILIA ANDREASSON
KE AXELSSONOHAN CELSINGETER CELSINGHOMAS ERIKSSON
MRTA FRIMANBJRN HULTNNINA JOBSEO JOHANNSSON
KEMPE/LJUNGLFALF LINDBERGANNA VON SCHEWENIERRE SINDRE
DAMIAN WILLIAMSONORE AHLSNLISABETH ANCKER
CECILIA ANDREASSON
KE AXELSSON
-
8/13/2019 Garsnas Collection
45/60
GRSNS HAR TILLVERKATmbler sedan 1893. Det frstahalvseklet bestod produktionen till strsta del av stilmbler frexpediering till vlbestllda hushll, framfr allt i det sknskanromrdet. Med de mnga bokskogarna inom rckhll fll det
sig naturligt att mnga av mblerna tillverkades i just rdbok. Detvar ocks i den som avstampet till det moderna Grsns skullekomma att tas.
1963 utlystes en mbeltvling dr rdbok var arbetsmaterialet.Bokskogarna hotades av skvling och trslagets goda egen-skaper behvde en rejl puff. Med sitt stt att anvnda bokensfina egenskaper vad gller massivbjning och basning, tog keAxelsson hem andrapriset. Stolen som fick namnet S217,produceras n idag av Grsns.
ke Axelsson kom in i bilden precis i den veva d kvalitetsmbel-
producenterna brjade f mer avsttning fr sina mbler i denoffentliga, n i den privata sfren. De nya statliga rummen ropadeefter inredning och bestllarna hade hgt stllda krav p slitstyrkaoch finish och valde arkitekter och tillverkare drefter. Bland mycketannat kom s Grsns att i brjan av 80-talet leverera 90 procentav inredningen i det nya Riksdagshuset. De allra flesta av mblernahade skapats av ke Axelsson. Det var ocks vid den hr tiden somGrsns fick sitt nuvarande namn.
I dag samgs Grsns av en liten grupp privata delgare.Huvudgare r ke Axelsson, hans dotter Anna och mgen
Dag Klockby, som ocks r bolagets vd. Drygt tio namnkunnigaformgivare och arkitekter r knutna till fretaget som har ett femtiotalanstllda. De allra flesta av dem arbetar p plats i Grsns psterlen.
Sedan 2003 har Grsns ocks tv showrooms, ett i anslutningtill fabriken i Grsns, det andra inrymt i Konstakademiens hus vidRdbodtorget i centrala Stockholm.
GRSNS HAS BEEN MAKING furniture since 1893. For thefirst fifty years the company mainly produced reproduction furniturefor well-off homes, especially ones close by in Skne. The manybeech forests nearby made copper beech a natural choice as a
material for much of the furniture, and beech wood was also thestarting point for the Grsns company as it is today.
In 1963 there was a furniture competition in which the entries hadto be made of copper beech. The beech forests were threatenedwith destruction and it was important to showcase the good qualitof the wood. ke Axelsson won second prize thanks to histechnique of using beech woods excellent steaming and bendingproperties to create solid bentwood. His chair, named S217, is sbeing made today by Grsns.
ke Axelsson entered the picture just when the producers of quality
furniture began to find a better market for their furniture in the publsphere of contract furniture rather than in the private home market.Swedens many new public sector offices were crying out to bedecorated. The purchasers had high demands on durability andfinish, and chose their architects and manufacturers accordingly.Among its many other commissions, at the beginning of the 1980Grsns supplied 90 per cent of the furniture for Swedens newRiksdag building. Most of this furniture was designed by keAxelsson. It was also at this time that Grsns acquired its presentname.
Today Grsns is co-owned by a small group of partners. Theprincipal owners are ke Axelsson, his daughter Anna, and herhusband Dag Klockby, who is also the companys CEO. About adozen well-known designers and architects are associated with thcompany, which has some fifty employees, most of whom work inthe village of Grsns in sterlen, south-east Skne.
Since 2003 Grsns has also had two showrooms, one adjoiningthe factory in Grsns and the other housed in the Royal Academof Fine Arts building at Rdbodtorget in central Stockholm.
-
8/13/2019 Garsnas Collection
46/60
-
8/13/2019 Garsnas Collection
47/60
DESIGNE
KE AXELSSONOM LIGHT & EASY:
I Light & Easy har jag samlat allamina erfarenheter av mitt arbetemed mbler, i en enda stol. Jagtycker en stol ska vara bekvm attsitta p, det har brukaren rtt att
begra. Eftersom den ofta flyttasfr att tillgodose olika behov,mste den vara ltt att hantera.Den ska vara s stark att den tlde pfrestningar och det slitageen offentlig milj utstter den fr.Den ska dessutom ha en tilltalandegestaltning som gr att den passarin i de mest skiftande miljer.
In Light & Easy I have broughttogether in a single chair all myexperiences of my work with
furniture. I believe a chair shouldbe comfortable to sit on its userhas the right to demand that.Since chairs are often movedabout to meet different needs,a chair must be easy to handle.It must be strong enough towithstand the demands and wearand tear placed on it by a publicenvironment. It must also have anappealing form that allows it to fitinto very varied settings.
RALF LINDBERGOM BIRD:
Bird r en stolsfamilj med sexmodeller, var och en med sinkaraktr och sina egenskaper.Genom att vlja modell efterfunktion och behov, variera kldseloch ytbehandling kan jag i minamiljer stadkomma bde egen-art och sammanhllning.
Grundmnet, den lilla karm-stolen, r nog min favorit, den harlite danskt 50- och 60-tal ver sig,en tid som finns med i mittbagage.
Bird is a chair family with sixmodels, each with its owncharacter and features. Byselecting a model according tothe required function and otherdemands, and varying theupholstery and surface treatment,I can achieve both individualityand cohesion in my environments.The basic element the smallarmchair is my favourite. It hasan air about it of the Danish1950s and 60s an era that ispart of my own history.
JOHAN CELSINGOM MOSES:
Avsikten med Moses var att gra
en elementr stol, stolen stol, idet fr Grsns typiska materialettr. Mest uppenbart r det iutfrandet i obehandlad bok. Somen rationell och smcker lsningav karminfstningen kompletterastret av stldetaljer, och s valdejag en intressant textil med relief,Xorel Speed Bump. Jag har justkompletterat den lilla och lttaMoses med en Moses XL.
My aim with Moses was to make
an elementary chair a kind ofchairs chair in that typicalGrsns material, wood. Theresult is most apparent in theversion made of untreated beech.In a rational and elegant solution,the wood is complemented bysteel fittings that function as frameattachments. I then chose aninteresting raised fabric, XorelSpeed Bump. I have justcomplemented the small, slimMoses with a Moses XL.
-
8/13/2019 Garsnas Collection
48/60
48
DESIGNERS
MRTA FRIMANOM BOND:
Det r den lilla detaljen som grdet, det frsta spret dr benmter sarg. Tanken r att Bond som ursprungligen ritades som ett
soffbord men vars familj nu vxer ska vara elegant, klassiskt ochsamtidigt modernt. Att p plats ifabriken f arbeta frn skiss tillverklighet tillsammans medmnniskor som kan s mycketom tr, har varit vldigt roligt.
Its the small detail that makes it the milled groove where the legsmeet the apron. The idea is thatBond which was originallydesigned as a coffee table but
whose family is now growing should be elegant and classic butalso modern. It has been reallyfun to work at the factory togetherwith people who know so muchabout wood, and transform theblueprint into reality.
PIERRE SINDREOM BUTTON:
Tanken med Button var att skapaen stol som knns bde klassisk
och modern. Att anvnda sig avtraditionellt hantverk och tillfrangot nytt. Jag ser stolen som enuppkldd figur dr ryggen av filthar formen av en skjortkrage,benen har ftt pressveck som ettpar byxor. Button r lite snobb.
My idea with Button was tocreate a chair that feels bothclassic and modern. To usetraditional craftsmanship and addsomething new. I see the chair as
a clothed figure, where the feltback is shaped like a shirt collarand the legs have pressed trousercreases. Button is a bit of asnob.
THOMAS ERIKSSON,CECILIA ANDREASSONOCH ELISABETH ANCKEROM FRAME:
Frame r en mbelfamilj somvuxit fram ur en lngtan efter
klassisk elegans i moderntappning. Det r ett experimentmed lttare dimensioner ochfrfinade detaljer. Vr strvan harvarit att skapa ett modulsystemmed mnga kombinations-mjligheter. Frame passar likabra p kontoret som hemma.
Frame is a furniture family thathas emerged from a longing forclassic elegance in a modernformat. It is an experiment with
slimmer dimensions and refineddetails. Our aim was to create amodular system that can becombined in many ways. Frameis equally suited to the office andthe home.
-
8/13/2019 Garsnas Collection
49/60
DESIGNE
NINA JOBSOM KVILT:Kvilt bestr av soffa, ftlj ochpuff. Utsidan r stram medan denmatelasserade insidan r genersoch ger skn komfort som attsitta i en tckjacka. Kollektionen
finns att f p sockel alternativt prunda trben, med hg rygg somknns cosy och intim eller med lgsom ger en sportigare knsla. Fratt underltta mbelns sktsel, rkldseln avtagbar. I mtet mellantraditionellt hantverk och svenskindustri har mlet varit att arbetamed ett uttryck som knns p engng modernt och classy.
Kvilt consists of a sofa, easy chairand pouffe. The outside is austere
whilst the quilted interior isgenerous and very comfortable like sitting in a down jacket. Thecollection is available on either abase or round wooden legs, andwith either a high back that feelscosy and intimate or a low backthat has a sportier feel. To make iteasier to care for the furniture, thecover is removable. In combiningtraditional craftsmanship andSwedish industry, my aim has
been to work with a style that feelssimultaneously modern andclassy.
ANNA VON SCHEWENOM HUG:Hug r en stiliserad omfamning,en kram kring den sittande.Utvecklingsarbetet som ledde framtill att det blev mjligt att tillverkastolen industriellt, var mycketintressant. Jag ville f fram en starkmaterialknsla, samtidigt ville jagutmana tillverkningsprocessen. Frmig var det ocks spnnande attrita en stol till ett fretag medsdan fin tradition av trmblersom Grsns. Drfr r Hugsrskilt viktig fr mig.
Hug is a stylised embrace ahug around the person who sits onit. The development work thatmade it possible to manufacturethe chair on an industrial scalewas very interesting. I wanted topresent a strong feeling of the
material, while also wanting tochallenge the manufacturingprocess. It was also exciting forme to design a chair for acompany like Grsns that hassuch a fine tradition of woodenfurniture. Thats why Hug isespecially important to me.
DAMIAN WILLIAMSONOM OUTLINE:Min tanke med Outline r att
mnniskor med hjlp av den kanrita sig en outline, en linje somskapar intimitet och avskildhet.Den ger ett slags flytande kontursom genom sina hlrum tillter ljus,frg och rrelse frn det somhnder p andra sidan om den,att trnga igenom.
My idea is to draw an outlinearound people, an outline thatinspires a sense of privacy andintimacy. A floating outline that
allows light to flow throughopenings in the surface whilecapturing color and movementfrom activity on the other side.
-
8/13/2019 Garsnas Collection
50/60
-
8/13/2019 Garsnas Collection
51/60
A COUPLE OF YEARS AGOone of Swedens best and mostspectacular restaurants, Pontus at Brunnsgatan 1 in Stockholm,chose to furnish its dining rooms with tables and three different kindsof chairs from Grsns. That says something about where ourstrengths lie in the combination of function and form, of durabilityand timeless, self-evident aesthetics.
Our furniture is recognisable by its quality, which is the basis of ourstrong brand. Quality is also what comprises the heritage of whichwe are stewards. But despite or perhaps thanks to our 116 yearsin the industry, Grsns is also one of Swedens most moderncompanies. Today, when ecology, sustainability and control over theentire manufacturing chain are so crucial, we have an enormousadvantage. This is how we have operated since the very beginning.Our furniture lasts for several generations (and, after renovation, fora couple more!). We also know the origins of all the components inour process: where the beech or oak originally grew. And ourdelivery driver knows our furniture just as well as the designers and
craftsmen who created it.
A furniture company must be continually in motion thats just theway it is. This is where a lot of the enjoyment in our work is found in following current developments, in being flexible and humble inthe face of change. The trends of recent years have been towardswhat is individual and personal. Having a relationship with objectsand knowing something about their background has becomeincreasingly important. Our furniture already has a story to tell the
friska sjlvskerhet skapar mbler som bidrar till den positiva kraftsom just nu genomsyrar svensk mbelformgivning. Mbler sominfrlivar mer mjuka vrden har ltit hra tala om sig och ocksblivit frsljningsframgngar. Vra mbler blir med tiden mjukare,
mer taktila, ocks rent bokstavligt.
Helt avgrande fr fretagets utveckling r den kompetens vi har ifabriken i Skne. Det r dr, i modellverkstaden som de allraviktigaste mtena sker. Dem mellan formgivare och hantverkare,men ocks dem mellan materialen, de material som med sdanprecision fogas samman till mbler. I en slags symbios mellan dethantverksmssiga och det industriella dr mnniskan nd alltid rverordnad, erbjuder samspelet hela tiden mjligheten attytterligare finputsa ider och material. Att frdla, att stndigtarbeta vidare och att inte ngonsin lmna ngot t slumpen, varesig det gller konstruktion, hllfasthet eller estetik. I slutndan
handlar det frsts ocks om de mten som uppstr nr en mbeltas i bruk i arbetet, hemmet eller i det offentliga rummet hr iSverige och utomlands.
moment it leaves the factory. Its high quality means that it ages wa rare dignity, and even when second hand is a fine investment, least from an environmental perspective.
Most Swedes have sat on a chair or at a table from Grsns at otime or another. Every year our furniture is used to decorate newlibraries, meeting rooms, hotels and many restaurants. Goodfurniture deserves to be public property. Our products have auniversality that means they function equally well in public andprivate spheres. We are glad to see that they are increasinglyfinding their place in a home environment as well. Many visitorscome to our showrooms one on the spot in Grsns and the othin Stockholm. They include architects, of course, but also privateindividuals and they come from around the world. Now, asGrsns enters a new phase, these are the two areas in which wwill invest a lot of energy: reaching out into peoples homes and
strengthening the position we already enjoy on the internationalmarket, especially in Europe but also in Japan and the UnitedStates.
Over the past five or six years a number of new designers havebecome associated with Grsns, each with their own personalvalues and styles. A playfulness and sensuality is emerging in thecontemporary design idiom. This is perhaps especially true of theyounger Swedish designers, who with their healthy self-confidenceare creating furniture that is contributing to the positive energycurrently permeating Swedish furniture design. Furniture that
embodies soft values has made its presence felt and also becomea sales success. Over time our furniture is becoming softer and motactile literally as well.
The expertise at our factory in Skne is completely crucial to ourcompanys development. It is there in the joiners shop where themost important encounters happen. Encounters between designersand craftsmen, but also between the materials that are combinedwith such precision to create furniture. In a kind of symbiosisbetween the traditions of handcrafting and industry, where thehuman hand is still always in control, this collaboration constantlycreates the opportunity to further refine ideas and materials. Torefine, to continually advance, and never to leave anything tochance, whether it has to do with construction, design or aestheticIn the final analysis, this creative process is also about thoseencounters that arise when a piece of furniture is put into use atwork, at home, or in the public sphere here in Sweden orelsewhere in the world.
Dag Klockby, vd/CEO
-
8/13/2019 Garsnas Collection
52/60
52
PIATORE AHLSN
-
8/13/2019 Garsnas Collection
53/60
THE GRSNSCOLLECTION
-
8/13/2019 Garsnas Collection
54/60
54
STOLAR/PALLAR CHAIRS/STOOLS
BIRDRALF LINDBERG
BIRDRALF LINDBERG
ANSELM IIKE AXELSSON
ANSELM IKE AXELSSON
AKUSTIKKE AXELSSON
AKADEMIKE AXELSSON
CENTURYKE AXELSSON
BIRD ON THE ROCKSRALF LINDBERG
SWING BIRDRALF LINDBERG
BIRDRALF LINDBERG
BIRDRALF LINDBERG
GSTISKE AXELSSON
GSTISKE AXELSSON
GREITZKE AXELSSON
EPOKKE AXELSSON
GUSTAVKE AXELSSON
LIGHT & EASYKE AXELSSON
MERCURIUSKE AXELSSON
KBKE AXELSSON
HUGANNA VON SCHEWEN
INGARKE AXELSSON
MOSESJOHAN CEL SING
LIGHT & EASYKE AXELSSON
BUTTONPIERRE SINDRE
BIRDRALF LINDBERG
I
I
I
II I
I
I I
I
-
8/13/2019 Garsnas Collection
55/60
I
II
STOLAR/PALLAR CHAIRS/STOOLS
PIATORE AHLSN
PIATORE AHLSN
MOSES XLJOH AN CELSING
TWISTANNA VON SCHEWEN
SARKE AXELSSON
S234KE AXELSSON
S217KE AXELSSON
RIKSDAGENKE AXELSSON
ZEN CONFERENCEKE AXELSSON
ZENKE AXELSSON
VINGAKE AXELSSON
VAXHOLMARENKE AXELSSON
CLUBPETER CELSING
CITIRALF LINDBERG
BIG HUGANNA VON SCHEWEN
DRESSANNA VON SCHEWEN
ZENIT IKE AXELSSON
NEPTUNUS IIKE AXELSSON
NEPTUNUS IKE AXELSSON
LONDONKE AXELSSON
LEOLEO JOHANNSSON
ZENIT IIKE AXELSSON
FTLJER EASY CHAIRS
-
8/13/2019 Garsnas Collection
56/60
56
SOFFOR/BNKAR SOFAS/BENCHES
CITIRALF LINDBERG
BUSSANNA VON SCHEWEN
CITIRALF LINDBERG
NEPTUNUSKE AXELSSON
KVILTNINA JOBS
BONDMRTA FRIMAN
BONDMRTA FRIMAN
BJRNBORDBJRN HULTN
COMBIKE AXELSSON
CITIRALF LINDBERG
ROTORKE AXELSSON
PIATORE AHLSN
MOSESJOH AN CELSING
M BORDKE AXELSSON
KL BORDKEMPE/LJUNGLF
FRAME XTHOMAS ERIKSSON CECILIA ANDREASSON
ELISABETH ANCKER
FRAME TTHOMAS ERIKSSON CECILIA ANDREASSON
ELISABETH ANCKER
VINGAKE AXELSSON
BORD TABLES
I
I I
II I
I
I I I
II I I
I
-
8/13/2019 Garsnas Collection
57/60
I
I I I
I I I I
BUSS SPEGELANNA VON SCHEWEN
BUSS HATTHYLLAANNA VON SCHEWEN
BUSS PALLANNA VON SCHEWEN
BUSS SKOHYLLAANNA VON SCHEWEN
NAPOLEON VID NILENTORE AHLSN
LOOPNINA JOBS
PIA PLAFONDTORE AHLSN
PIATORE AHLSN
OUTLINEDAMIAN WILLIAMSON
FRVARING/HYLLOR STORAGE/SHELVES
AC CESSOARE R AC CESSOR IES
SKRMAR/LAMPOR ROOM DEVIDERS/LAMPS
FRAMETHOMAS ERIKSSON CECILIA ANDREASSON ELISABETH ANCKER
-
8/13/2019 Garsnas Collection
58/60
58
Lampor (frutom Grsns egna) Lamps (in addition to those of Grsns):Fine Stockholm, www.finestockholm.se, Nordiska Galleriet, w ww.nordiskagalleriet.seGlas och porslin Glass and porcelain:Carina Seth Anders son, www.csa.nu
Gaengerdesign Foto/Photos:Lennart DurehedTryck/Printing:Trosa Tryckeri, Trosa, Sweden 2009
HEAD OFFICE PRODUCTION AND SHOWROOM:
Box 26 SE-272 03 GrsnsMalmvgen 16 18Phone +46 414 530 00 Fax +46 414 506 16
OFFICE AND SHOWROOM:
Rdbodtorget 2 SE-111 52 StockholmPhone +46 8 442 91 50 Fax +46 8 442 91 51
[email protected] www.garsnas.se
-
8/13/2019 Garsnas Collection
59/60
-
8/13/2019 Garsnas Collection
60/60
HEAD OFFICE PRODUCTION AND SHOWROOM: BOX 26 SE-272 03 GRSNS MALMVGEN 16 18 PHONE +46 414 530 00 FAX +46 414 506 16
OFFICE AND SHOWROOM: RDBODTORGET 2 SE-111 52 STOCKHOLM PHONE +46 8 442 91 50 FAX +46 8 442 91 51
[email protected] WWW.GARSNAS.SE