GADI LUHAR TRIBE AND HERITAGE OF PUNJAB: A...
Transcript of GADI LUHAR TRIBE AND HERITAGE OF PUNJAB: A...
Copyright © Universal Multidisciplinary Research Institute Pvt Ltd
55 South -Asian Journal of Multidisciplinary Studies (SAJMS) ISSN:2349-7858:SJIF:2.246:Volume 4 Issue 3
GADI LUHAR TRIBE AND HERITAGE OF PUNJAB: A STUDY
Anita Chahal
Senior Research Fellow
Dept. of Journalism and Mass Communication
Punjabi University, Patiala
E-mail: [email protected]
ABSTRACT
In northern India, tribes are further categorized in north-west border tribes, north-east
border tribes and tribes of central India. Punjab being the important gate of India, many people
entered and lived here. Punjab being agricultural state, opens doors for many people migrated
from other regions in search of daily wages. Like other migrated people, Gadi Luhar Tribe came
here from Chitorhgarh, Rajasthan. Social declination of this tribes is said to be the triumph of
Allahudin Khilji over Chitorh in 1308. At that time, they took oath to not to live in houses, not to
sleep on bed and not to live at a particular place. Due to this, all the places they pass through,
different areas they stayed in, could not affect their identity. Their culture is being held by
generations. Their culture is not personal but united in nature. This is a culture born from war and
tragedy so it is a culture of escapism, fear and taboos. Industrialization, mechanization and
urbanization affected their occupation but it could not affect their culture and identity. The cultural
revivalism, reincarnation of traditional values did not change their style of living at large. The
objective of this research work is to study these parameters in context of Gadi Luhar tribe with
respect to Punjabi culture and heritage. The studies and literature of Gadi Luhar tribe is followed
in this research work and interviews will be conducted from people of tribe.
KEYWORDS: Gadi Luhar Tribe, Heritage, Culture, Occupation, cultural signifiers, identity.
Copyright © Universal Multidisciplinary Research Institute Pvt Ltd
56 South -Asian Journal of Multidisciplinary Studies (SAJMS) ISSN:2349-7858:SJIF:2.246:Volume 4 Issue 3
INTRODUCTION:
Punjabi culture accepts the existence of various tribes into itself. The geographical location
of Punjab is such that many castes and communities in the forms of warriors, dacoits and forces had
entered here. Due to this, many changes occurred in this land. Thus, culture of Punjab is named as
‘Mixed Culture’.
Tribal life means the life style of 'such' a group of people who lives in the common field or
area and run their social groups, themselves. These people have common language, common
religious structure, law, costume and they follow their own cultural traditions. 1
Tribal community is
defined as small or big groups, living in the bounded parameters that participate in and fulfill the
moral conditions of ‘common life’ than saving ‘personal welfare’, such family groups are named as
tribal community.2 In nomadic Tribe, occupation at a particular place is not always possible. Every
nomadic Tribe is found to be scattered in small units in any place. To maintain an organization in a
tribe, communal efforts are found more useful than the individual struggle. It is said that the
organization, oneness, and uniqueness is formed from the need to share mutual experiences. 3
The
Tribal councils are formed on the basis of Tribal norms, traditional accreditations, religious taboos,
and rules for the mutual welfare. These all are not forced or by any ruling class but is natural in
entire life style of any tribe. 4
For Dr. Rivers, Geographic specificity is not the basic indicator of
tribes as many tribes are migrating. These migratory habits are concerned with the tribal lifestyle.
As this lifestyle is the specification and origin of various tribes.5
HISTORY OF GADI LUHAR TRIBE:
The earliest human inhabitants of Indians are pre-Dravidians, proto-Australiods, or Veddids,
who entered from north-west in two or more waves.6
As per popular affirmation, the ancestors of
Tribe consider themselves from high communities, as castes of Rajput because people of Gadi
Luhar Tribe say their caste is higher than ‘Malvia’ and ‘Maru’ Luhars of Rajasthan.7
The historical evidences are found of Tribal people to be the followers of Maharana Pratap.
This includes the affirmations of the follower Rajputs of Maharana Pratap like not to go to Chitorh
until the lost prestige of Rajputs and Chitorh is not achieved. To fulfil this affirmation, these
Rajputs left homes, took their families into forests, made arms for Maharana Pratap and fight
against Muslim rulers. As they lost the war, and could not regain the prestige of Chitorh, that Rajput
lineage of Gadi Luhar Tribe will never go to Chitorh.8
For Colonel James Tod, the sand of Mewar consist of bloodshed of Rajput warriors, the
situations in which Maharana Pratap occupied the empire of Mewar, the stigma of anti-state
interests of father Uday Singh, the declination of Chitorh and the feeling of prestige. Thrice attacks
on Chitorh had destroyed everything except the Rajput prestige.9
The tragic connection between the tragedy of Tribal ancestors and the victory of Akbar
occurred. Few moments before Akbar’s imperial victory, a custom of gimmick presentation held in
Chitorgarh fort. As per Rajinder Shankar Bhatt, as per the royal force entered in the fort after the
Copyright © Universal Multidisciplinary Research Institute Pvt Ltd
57 South -Asian Journal of Multidisciplinary Studies (SAJMS) ISSN:2349-7858:SJIF:2.246:Volume 4 Issue 3
victory, all the alive Rajputs were ordered to be killed. The people were burned or killed in that
mutiny, the weight of sacred thread is found to be 74½ mann (A weighing Unit). Till today, the
people of Gadi Luhar Tribe during some aggrement, writes the figure 74½ and write ‘At the sin of
killing Chitrh’.
Meaning: One who does not obey will be named of all the soldiers died in Chitorh.10
DIFFERENT KINDS OF TRIBES IN PUNJAB :
As per the book ‘Punjab da Lok Virsa part-1’ by Dr. Karnail Singh Thind, there are 27 Nomadic
Tribes in Punjab. These tribes include Sansi, Boriya, Bazigar, Barar, Gandhile, Nat, Gujjar,
Madari, Gadi Luhar, Sikligar and Mahatam.
LANGUAGE :
The language of Gadi Luhar tribe is ‘Pijin’, said to be formed by the Business English, a mixture of
English and Chinese. This language formed ‘Kiryol’ as the mother language.11
The migrating and
refugee traditions of tribe in different areas of Punjab and Rajasthan, never affected their language.
Either not being a geographical language, they retain the existence of the language. Many criminal
tribes have the code language.12
The fertilized soil of Punjab paves way for various people involved in direct or indirect agricultural
tools. They left Chitorh in particular and Rajasthan in general. They had limited sources and could
not face the attackers. They were separate from their origin and had lived a nomadic life.13
IDENTITY OF GADI LUHAR TRIBE: A SPECIFICATION OF CULTURE AND
HERITAGE
HISTORICAL SIGNIFICANCE OF CHITORH
For Rajinder Bhatt, Chitorh is named after Raja Chitrakut. Bappa Raval was the first emperor to
establish rule over Chitorh in 8th
century.14
Different affirmations are made at the name of Chitorh.
Tribal people are very much associated with the Chitorh Fort. For their folk tales, the stories told by
ancestors, Chitorh is formed and built by them. According to Tribal myth, Chitorh is built by Bhim,
the Pandava son, in the Mahabharata period. One pond associated with this is called ‘Bhimtal’ and
the second is called ‘Bhimgodi’.15
In Jahangir period, the renovation of Chitorh fort was refused
and not only Aurangzeb established his fort army but also destroyed 63 historical temples of
Chitorh. In 1941, when William Welferd Web was collecting historical evidences related to
Rajputana, he did not consider the popular affirmation of Tribe to be logical and kept silent for any
comment about tribe in the historical facts. Opposite to above, during the ‘Gadi Luhar Seva Sangh
Convention’ held in 1975 in Chitorgarh, the writers like Ram Singh, G.K. Pawar, Mohinder Saxena
and Sh. B. D. Sharma etc proved Gadi Luhar tribe to be related with Maharana Pratap and gave
strong argument on this.16
Copyright © Universal Multidisciplinary Research Institute Pvt Ltd
58 South -Asian Journal of Multidisciplinary Studies (SAJMS) ISSN:2349-7858:SJIF:2.246:Volume 4 Issue 3
LAKHOTA BARI :
According to Mohan Kumar, Harbu Chauhan and Chimni Bai, guides from Chitorgarh, For
centuries, the ancestors of Gadi Luhar Tribe were living in Chitorgarh. For them, when first Mughal
emperor, Babar defeated Sangram Singh alas Rana Sangha in war, then tribal ancestors were with
Rana Sangha. In this war of swords with guns and tanks, Rana was brutally injured and his
companions brought him out of the field. Disturbed knowing this, he criticized them and took an
oath to not to go back to Chitorh without his victory. Being stubborn to his decision, they killed him
with a poison. His death enrooted the Muslim empire and was a reason of Gadi Luhar’s decline.17
WOMEN OF GADI LUHAR TRIBE:
Facing problems related to health, security and existence while living and shifting
in various places, the women of tribe were supposed to be strong, both physically and
psychologically. The women have more freedom in Gadi Luhar Tribe. And the tribe is women
specific. There is no difference between son and daughter. The families without daughters face
difficulties for boy and girl’s interchange marriage proposal between two families. The families
with equal proportion of boys and girls are found to be prestigious in the tribe. As per tribal
affirmation, many families do not accept marriage proposals from the family with no daughter.
During pregnancy, they don’t bother if the woman is giving birth to a daughter or son. They take
care of her equally. The tribe woman is expected to give birth to a child without help of another
woman.
Following taboos in the tribe represent the women power:
To shout during delivery
To ask for water
To eat anything till mid noon after delivery
To insist to see the face of dead child18
In common with Hindu lower castes, the tribes emphasize equality in social
behavior with ethnic group, greater equality of status for women, more liberal relations between
sexes as the men and women work together, a more personal relation between husband and wife, a
more ‘romantic’ type of courtship, love adventures and love feuds.19
TABOOS :
Taboos are more helpful to differentiate and see any tribe from a (Jati Samuh) caste
community. Taboos like sacrifice of kingdom till the freedom of Mewar, prohibition of using pots
made of five metals like Gold, Silver, Copper, Brass and Kenh for food, prohibition of beds,
prohibition to shave, and prohibition of using war nagara (drum). In 1891 survey, these facts were
Copyright © Universal Multidisciplinary Research Institute Pvt Ltd
59 South -Asian Journal of Multidisciplinary Studies (SAJMS) ISSN:2349-7858:SJIF:2.246:Volume 4 Issue 3
specified that Rajputs were the ancestors of Gadi Luhar Tribes and they transformed into Gadi
Luhar Tribes after Chitorh defeat.20
The tribe people don’t use Lajj (The rope to fetch water from well) to get water. It is said
that Muslim soldiers mixed poison in all the wells of Chitorh. Due to which, Maharana Pratap
denied his followers to use the rope. According to Colonel Tod, when Maharana Pratap and his
companions were overpowered by Muslim soldiers at Kalamgir hill, a rajput faithbreaker named
Devraj mixed poison in a well named ‘Nagan’ in Kamalmeer.21
Taboos are found to stay away from the people, not belonging to the Tribe since they have
only economic relations with them.
Following taboos are found:
To fetch water from the Shudra’s waterhole or tap
To accept the clothes or food of other people
To sit on the others’ bed or seater
To participate in bullock or cart race with a shudra
To call another outer woman as nurse during delivery
Sexual freedom of tribal women for sale purposes
To take shelter in a mosque
To stop cart near cementry
To participate in the outer people’s birth or death ceremonies
Physical relations with outers
To take photograph with outers
To accept gift or any present from the outers
To let outers participate in decision making of panchayat
To be associated with Muslim community
To give others’ shelter in camp
To drink with outer or to be part in crime with them22
TABOOS FOR WOMEN :
Copyright © Universal Multidisciplinary Research Institute Pvt Ltd
60 South -Asian Journal of Multidisciplinary Studies (SAJMS) ISSN:2349-7858:SJIF:2.246:Volume 4 Issue 3
Tribal families are women specific so, the income and spending along with all the decisions
are taken by the women. Men are supposed to make women comfortable and help them out in
upbringing children, household chores and occupation.23
As women used to sell things, gather iron utensils from houses for repair, specific taboos
were mentioned for them with the fear of losing the Tribal prestige. A Tribal woman could take any
freedom inside the tribe but not outside.24
Keeping in mind the tribal women are allowed for physical freedom for selling things to the
outsiders. This has been done to decrease the distance between the seller women and the customer.
For the women’s physical freedom has been divided, dividing her body into three parts (bottom to
top):
The part of body from waist or from the belt of ghagra to feet is for husband.
The Part of body from waist to chin is for child.
The part from chin to forehead is for occupation.25
OCCUPATION:
The ancestors of Gadi Luhar Tribe lived in Chitorhgarh and they used to make weapons for
emperors. Later, leaving Chitorh they used to build soles to buffaloes’ feet and poke horses’ nose
for riding. During British government, the tribes like Gadi Luhar, Sikligar and Luhar castes used to
make weapons and swords. Some People of Gadi Luhar Tribe used to bring bullocks from Bangar
area, serve them and later sell them. These were called as ‘Bangariya Luhar’. The villagers used to
wait for them to buy bullocks. Another occupation remains the agricultural tools made of iron. E.g.
Datari, daat, gandasi fal, kahi, kuhari, fala, sangal, dubki kanda, ramba, rambi, tangali sutan, toke,
sangala sut, kalpa, jang etc. Along with these, the iron bowls used to fetch water from well were
constructed.26
Along with agricultural tools, women use to sell the iron utensils for kitchen and
home. They used to collect utensils like iron boxes, knives, digging tools for repairing too. The
tribal occupation is both in hands of men and women. Men have to build things and women have to
sell them door to door.
ART AND CRAFT FOR OCCUPATION: IMPORTANCE OF PUNJAB
Punjabi being art loving, emerged every art into its culture. For survival, many Tribes
utilized their art to entertain people. Madari entertain with monkeys’ dance, baazigar with the baazi
(jumping and stunt) art, Bhand with their mimicry, Sansi and Marasi with singing and Banjaras
with art of dance etc. Becoming a part of lifestyle of Punjabi people, these arts became the
inseparable part of Punjabi literature and culture. Which are the representatives of Punjabi heritage.
Among all these, Gadi Luhar Tribe comes with its skill of crafting and manufacturing iron tools. All
these arts, performing and manufacturing, were being embedded into cultural heritage of Punjab.
Copyright © Universal Multidisciplinary Research Institute Pvt Ltd
61 South -Asian Journal of Multidisciplinary Studies (SAJMS) ISSN:2349-7858:SJIF:2.246:Volume 4 Issue 3
Being independent for living and sources, with artisan apecializations, the tribal people were
skilled, talented and creative. The sand of Punjab is fertilized enough for agricultural end products
and raw materials to be used by Tribal people in crafting. As they needed to earn for their survival
from these things so, they used to go to markets to sale them. The unique work by them added
Punjabi Cultural value. Their this art introduced them with the culture and heritage of Punjab. Their
art has been emerged as the heritage of the state. And their artistic work contributed in the richness
of heritage.
COSTUMES, ORNAMENTS AND TATOOS:
Along with the Customs, traditions and taboos being invisible signifiers, the costumes, ornaments
and tattoos on the bodies of Tribal people work as their culture signifiers.
Copyright © Universal Multidisciplinary Research Institute Pvt Ltd
62 South -Asian Journal of Multidisciplinary Studies (SAJMS) ISSN:2349-7858:SJIF:2.246:Volume 4 Issue 3
IMG 1
Costumes and Ornaments- Gadi Luhar Tribe in Donn Kalan Village, Patiala
Copyright © Universal Multidisciplinary Research Institute Pvt Ltd
63 South -Asian Journal of Multidisciplinary Studies (SAJMS) ISSN:2349-7858:SJIF:2.246:Volume 4 Issue 3
IMG 2
Artisan tool making: Gadi Luhar Kabika in Donn Kalan Village, Patial
Copyright © Universal Multidisciplinary Research Institute Pvt Ltd
64 South -Asian Journal of Multidisciplinary Studies (SAJMS) ISSN:2349-7858:SJIF:2.246:Volume 4 Issue 3
IMG 3
Life Style: Gadi Luhar Kabika in Donn Kalan Village, Patiala
THE PHENOMENON OF EMERGENCE OF TRIBES INTO CASTES:
The entire Indian history shows the tribal elements being fused in general society. The
fusion should be viewed in accordance with the rules Antipodes have played in the development of
Indian culture by the fact of separateness and their difference from caste society. These Antipodes
Copyright © Universal Multidisciplinary Research Institute Pvt Ltd
65 South -Asian Journal of Multidisciplinary Studies (SAJMS) ISSN:2349-7858:SJIF:2.246:Volume 4 Issue 3
consist of two layers: pure tribal remnants, who have not taken to regular food production, little
bands of tribal or partially detribalized people living on the fringes of society even in the
neighborhood of well developed modern cities.
The most important difference between tribe and caste is the non specialization of the tribe.
If a tribe is linked with a specialized occupation, it becomes a caste. For such specialization, the
tribes start emerging into castes on the basis of primitive economies. Gadi Luhar Tribe worked as
lower castes in various areas or Rajasthan, Gujrat and Punjab while leaving Chitorh.Verrier Elwin
describes in ‘The Religion of Indian Tribe’ that how the Saros of Orissa are married to Hindu
Ghosts. This specifies the King Lavana theme in ‘Yoga Vasishtha’, suggesting a similar emotional
need among tribes in reverse direction. This would safeguard their independence and separate
identity. The tribe is a complete, self-contained, integral society, but a caste is the part of society.
Endogamy, being the acceptance of tribes into castes, accepts the difference between itself and
tribes as natural and immutable. It is not only for providing the shelter or space to live tribal
communities but a life-long, a generation long concept. Until the population pressure in any given
area become too acute, tribe and caste lived at peace.27
The annual report of Union Ministry of Tribal Affairs 2003-2004 said Punjab has no tribal
population. The ethnographic study of the de-notified and nomadic tribes of Punjab was entrusted
to the department of sociology and social anthropology of the Punjabi University, following several
representations to the Centre from these communities that they be recognized as STs and SCs.28
There are a numerous ways in which tribes have contributed to the institutional pattern of
the majority society. ‘Totemism’ is a system of classification or cosmology whereby a tribe orders
the species of nature and sees itself in relation to that order. As per Geza Roheim, totemism is an
intimate relation supposed to exist between a group of kindred people on the one side and species of
natural or artificial objects on the other side, or expressed more psychologically, the self-projection
of a social unit into a natural unit. According to Claude Levi-Strauss, totemism is a particular
expression, by means of a special nomenclature formed of animal and plant names, which is its sole
distinctive characteristic, of correlations and oppositions. For him, it is a way to make opposition,
instead of being an opposition, instead of being an obstacle to integration, serve rather than to
produce it. He says, man originally felt himself identical to all those like him, plants and animals,
and he come to acquire capacity to distinguish himself as he distinguishes them, i.e. to use the
diversity of species as conceptual support for social differentiation.29
CULTURAL ASSIMILATIONS OF GADI LUHAR TRIBE:NEMERGENCE INTO
PUNJABI CULTURE
According to experts, cultural assimilation is the embedment of one cultural
traditions into dominating one. In this process, every individual of assimilated culture owns the
traditions and habits of other one. In other words, they sacrifice their own cultural identity and
adopt the other.30
Copyright © Universal Multidisciplinary Research Institute Pvt Ltd
66 South -Asian Journal of Multidisciplinary Studies (SAJMS) ISSN:2349-7858:SJIF:2.246:Volume 4 Issue 3
For this process, the tribal existence is seen as- Independent, Inter dependent and
dependent. In the first stage, they are nomadic, in second, semi-nomadic and in third they are
assimilated simultaneously. The condition evolves from the modernization and social, economic
and political changes. Since such socio economic dependence plays major role in changing their life
style. If they own technologically run and industrial occupations leaving the traditional, they have
to wear the costumes, change their life style accordingly. Which slowly lead to their cultural
decline.31
EDUCATION OF GADI LUHAR’S CHILDREN:
The education of tribal people began with 1871 Criminal Tribes Act by British
govt. As per this act, there was a provision to educate the children of tribal people. So, the
arrangements were made to teach them while their parents were imprisoned. Under this act, many
families were relieved so that they could teach atleast one child. During schooling, the involvement
of children with non-tribal children started which affected their though and behavior. In 1952,
Indian Govt. demolished Criminal Tribes Act and many plans were made for the social up gradation
of Tribal people in order to disconnect them from the illiteracy and to connect with the developed
life. In context with Punjab, the tribes could not utilize the reservation quota as Punjab was
announced to be a state without tribes as all the quota was provided at the name of other scheduled
castes.32
CONCLUSION :
More than the religion, tribe has set of rules which are holding the culture within. Their
heroes did not challenge the customs, and if they did, they had to sacrifice with their lives. Such
stories increase the tribal people’s firm belief into the tribal norms, affirmations, traditions and
customs. These are the stories of fear which does not let them go out of the limitations.
If they were manufacturing or repairing agricultural tools, they were using their artisan
capabilities, they were living in a free lifestyle and were not bounded to work under anyone. If they
are working in fields now, they are slaves of landlords. The occupation is lowering their Rajputana
self-esteem but they have no choice. The taboos, stories and punishments of the story rise from
mythology. So they become affirmation to be never proved right or wrong, trust to be never formed
or broken. They no more follow the taboos of not using steel, copper or silver pots. It seems, there
is no longer any historical pride, any heritage value, specific identity or the Chitorh prestige. They
wish to live their lives as a common citizen of country. They believe as if their residence is possible
in Punjab. The researcher appreciates their decision. As the heritage should not be a burden on
people’s lives. More than being following their prestige, now they have become insecure, needy
and poor. Their survival is difficult and if they are unable to survive, the taboos and tribal identity
cannot be restricted. Their distinct identity is becoming a big obstacle for their survival. Their right
to live should be definitely saved. They are the rule makers of their own, if they wish to break it as
a whole, they could.
Copyright © Universal Multidisciplinary Research Institute Pvt Ltd
67 South -Asian Journal of Multidisciplinary Studies (SAJMS) ISSN:2349-7858:SJIF:2.246:Volume 4 Issue 3
Their culture gave a lot to the heritage, to the art and culture of Punjab. The performing arts
influence the folklore, folk songs and folk dances of Punjab. The manufacturing arts influenced the
Punjabi women of making Pakhi, bedsheets, table sheets, curtains, mirror covers, cousins for house
utensils and ghagras, kurtis and shirts in costume and followed the designs of ornaments. The
culture of Gadi Luhar Tribe influence Punjabi heritage directly or indirectly. All these traditions
travelled generations to generations and shadowed the literature and cultural heritage of Punjab.
References:
1. Dariya. 2014. Punjab de atit te vartaman kabile. Amritsar: Ravi Sahit Prakashan. pp. 36
2. Kazak, Kripal. 2005. Gadi Luhar Kabile da sabhyachar. Patiala: Publication Bureau,
Punjabi University. pp. 24
3. Kazak, Kripal. 2005. Gadi Luhar Kabile da sabhyachar. Patiala: Publication Bureau,
Punjabi University. pp 27-28
4. Kazak, Kripal. 2005. Gadi Luhar Kabile da sabhyachar. Patiala: Publication Bureau,
Punjabi University. pp. 33
5. Singh, Baldev, 1975. Bharti Sanskriti ate Jatiya. (Majumdar, D. N., Trans.). Patiala: Punjabi
University. pp. 415
6. Lannoy, Richard. 1971. The Speaking Tree: A Study of Indian Culture and Society. pp. 177
7. Kazak, Kripal. 2005. Gadi Luhar Kabile da sabhyachar. Patiala: Publication Bureau,
Punjabi University. pp. 1
8. Paliwal, Devi Lal (ed). 2005. Maharana Pratap Samriti Granth. Udaypur: Sahit Sansthan
Rajasthan, Vidyapith. pp. 169
9. Tod, Colonel James. Rajasthan ka Itihas. (Keshav Kumar, Trans.). Allahabad: Adarsh Hindi
Pustkalya. pp. 192
10. Kazak, Kripal. 2005. Gadi Luhar Kabile da sabhyachar. Patiala: Publication Bureau,
Punjabi University. pp. 8
11. Kazak, Kripal. 2005. Gadi Luhar Kabile da sabhyachar. Patiala: Publication Bureau,
Punjabi University. pp. 121
12. Kazak, Kripal. 2005. Gadi Luhar Kabile da sabhyachar. Patiala: Publication Bureau,
Punjabi University. pp. 122
13. Dariya. 2014. Punjab de atit te vartaman kabile. Amritsar: Ravi Sahit Prakashan. pp. 79
14. Mewar ke Maharana aur Shenshah Akbar. pp. 53
15. Kazak, Kripal. 2005. Gadi Luhar Kabile da sabhyachar. Patiala: Publication Bureau,
Punjabi University. pp. 9
16. Ruhela, Satpal. 1968. The Gudiala Luhar of Rajasthan. Delhi: Inspex Indian Publishers.
pp.12-13
17. Kazak, Kripal. 2005. Gadi Luhar Kabile da sabhyachar. Patiala: Publication Bureau,
Punjabi University. pp. 12
18. Kazak, Kripal. 2005. Gadi Luhar Kabile da sabhyachar. Patiala: Publication Bureau,
Punjabi University. pp. 38-42
Copyright © Universal Multidisciplinary Research Institute Pvt Ltd
68 South -Asian Journal of Multidisciplinary Studies (SAJMS) ISSN:2349-7858:SJIF:2.246:Volume 4 Issue 3
19. Lannoy, Richard. 1971. The Speaking Tree: A Study of Indian Culture and Society. pp. 183
20. Ruhela, Satpal. 1968. The Gudiala Luhar of Rajasthan. Delhi: Inspex Indian Publishers. pp.
12
21. Tod, Colonel James. Rajasthan ka Itihas. (Keshav Kumar, Trans.). Allahabad: Adarsh Hindi
Pustkalya. pp. 200
22. Kazak, Kripal. 2005. Gadi Luhar Kabile da sabhyachar. Patiala: Publication Bureau,
Punjabi University. pp. 36
23. Kazak, Kripal. 2005. Gadi Luhar Kabile da sabhyachar. Patiala: Publication Bureau,
Punjabi University. pp. 83
24. Kazak, Kripal. 2005. Gadi Luhar Kabile da sabhyachar. Patiala: Publication Bureau,
Punjabi University. pp. 68-70
25. Kazak, Kripal. 2005. Gadi Luhar Kabile da sabhyachar. Patiala: Publication Bureau,
Punjabi University. pp. 14
26. Kazak, Kripal. 2005. Gadi Luhar Kabile da sabhyachar. Patiala: Publication Bureau,
Punjabi University. pp. 156
27. Lannoy, Richard. 1971. The Speaking Tree: A Study of Indian Culture and Society. pp. 180-
181
28. Singh, IP . 8 tribes in Punjab match Scheduled Tribe category: Report
http://timesofindia.indiatimes.com/city/chandigarh/8-tribes-in-Punjab-match-Scheduled-Tribe-
category-Report/articleshow/4961528.cms
29. Levi Strauss, Claude, Jacobson, Claire & Grundfest, Brooke.1963. Structural Anthropology.
New York: Basic Books. pp. 89
30. Dariya. 2014. Punjab de atit te vartaman kabile. Amritsar: Ravi Sahit Prakashan. pp. 116
31. Dariya. 2014. Punjab de atit te vartaman kabile. Amritsar: Ravi Sahit Prakashan. pp. 82
32. Dariya. 2014. Punjab de atit te vartaman kabile. Amritsar: Ravi Sahit Prakashan. pp. 97