futuristic architecture

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SUBMITTED BY : ARMAN TUGNAWAT (11110014) Jan Kaplicky Jean Prouve Pierre Chareau

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works of Jan Kaplicky,Jean Prouve &Pierre Chareau

Transcript of futuristic architecture

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SUBMITTED BY : ARMAN TUGNAWAT (11110014) DIVYA KHANDELWAL (11110020)Jan Kaplicky

Jean ProuvePierre Chareau

Czech-born architect Jan Kaplick

Best known for his sensuous, high-tech buildings

Collaborated with Richard Rogers, Norman Foster and Renzo Piano, setting up the Future Systems practice in 1979

Apart from his design work, Kaplick was active in the education of architects. He taught from 1982 to 1988 at theArchitectural Association School of Architecture

developed his ideas about an architecture in which boxes, flat planes and right angles of any kind played very little part.

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Jan Kaplicky

Birmingham - Selfridges Department Store

The landmark Selfridges store in Birmingham embodies Future System's machine aesthetic and dominates the city's Bullring shopping centreKaplick's design incorporated 15,000 aluminium discs bolted to a blue, concrete-rendered shellThe building, which took four years to complete at an approximate cost of 40m, was opened In 2003Length: 76.69 m.Width: 95.73 m.Ridge height: 30 m.Architectural Style: New Organic Architecture, High-tech, Blobitecture

DESIGN InspirationGesu nuova church, 16th centuryDesignerdress by Paco RabanneThe beauty of the aluminium is that it reflects the colour of the skyThe 660 mm diameter outer cover was pressed into shape and the edge folded around to form a flange by spinning the disc and folding the edge around, like a pottercreating an edge on a wheel3

Each band acts like a curtain from the floor slab edge and laterally support it at the bottom edge. This avoids thick walls as each floor is supporting the facade.

Selfridges Department Store, Birmingham

Selfridges Department Store, Birmingham The new building hybrid (mixed use) contrasts sharply with its urban environment, immediately differentiating with respect to existing traditional architecture around it. Centre of attraction for tourists

Lords Media Centre, London

futuristic building that provides journalists and commentators with an enviable view of the game. unconventional form and structure the giant pod that sits above the stands was built in a boatyard then dismantled and reassembled on site. The pod is made from 26 three-metre aluminium sections that are welded together, sanded down and spray-painted. Advantage-

waterproof shell and the structural elements in one material The window wall that looks out onto the pitch is made from toughened laminated glass, inclined at 25 degrees so that it does not reflect sunlight into the eyes of the players.Future Systems designed a concept for all of the Marni standalone shops across the globe. Aim was to 'create an abstract interior landscape. The clothes becoming part of an overall composition

Popular Works by Jan Kaplicky

Design for the Prague's National Library Design of a sofa for a club house Pierre Chareau (1883 - 1950)created works that combined Art Deco with Classic Modernism

celebrated architect, interior designer, and furniture designer of the modern movement.

born in Bordeaux in 1883 to a family of shipbuilders and studied architecture at the Ecole des Beaux Arts in Paris from 1900 to 1908.

Chareaus primary interest was in furniture design and was famous for his unique design

Consistent design ideals and materials were used throughout the entire house.

The grey and black house seems to be monochromatic at first glance, but it also contains colours.

The orange columns, the tapestry-covered furniture, the warm mahogany wood, and the books on the bookshelf wall all give off signs of life, sparks of joy. Colours burst forth.

The glass wall of the great room, forming the outer facade, absorbs and refracts the light. Diffused by the massive glass wall, light invades the entire room, illuminating the space

Maison de Verre / The Glass House , 1927-32, Pierre Chareau, Architect

The house is constituted by 3 floors, where the inferior floor was the Doctors work space and the 2 superior floors, that were for his private habitation, appear suspended creating a spatial interrelation between the 2 different types of space.

The facade of glass bricks is an element of separation, instead of integrationFurniture designs BY Pierre Chareau

His furniture was unique in that it was often designed to perform multiple functions, and was dynamic and transformable so that it could take different forms to perform different functions.

Pivoting and expanding fan-shaped configurations are a hallmark of Chareaus work.

He worked frequently with steel, glass, and hammered metals, which were very uncommon at the time. The influence of Neoplasticism, Cubism, De Stijl can be seen in his work.

Chareaus designs demonstrates a fascination with the relationship between body and space, and appear to be ergonomic in their conceptionJean Prouve(8 April 1901 - 23 March 1984)

never design anything that cannot be made.

Maison De Jean ProuveFramed Structure, Column Free Spaces , Use of Panels made of Steel and Timber ,1m widhth panels as building units. Industrial and Practical Approach

Maison De TropicalePrefabricated Modular Units, Can be assembled by 4-5 persons, Central Structural Column is Derived from Compass Table, Extensive use of Glass , Slender structural Members.

Metropole-Aluminium

Total Gas StationFerembal House

Design PrinciplesThe machine age and industrial engineered modern design aesthetic to interiors in the steel, aluminum and architecture.Introduced modular units having 1m as unit.Derived Structural Elements from support members of furniture.Philosophy Buildings should reflect era in which they are made in , Hence utilized steel, glass along with timber.Planning should be functional.Hence most buildings have linear arrangement of plans.

References

http://www.architonic.com/ntsht/remembering-jan-kaplicky-architect-of-future-systems/7000368WikipediaGoogle imageshttp://www.theguardian.com/artanddesign/2009/jan/15/architect-jan-kaplicky-dies