From the editor

2
From the editor Author(s): Beryl Smith Source: Art Documentation: Journal of the Art Libraries Society of North America, Vol. 14, No. 3 (Fall 1995), p. 2 Published by: The University of Chicago Press on behalf of the Art Libraries Society of North America Stable URL: http://www.jstor.org/stable/27948752 . Accessed: 14/06/2014 12:59 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . The University of Chicago Press and Art Libraries Society of North America are collaborating with JSTOR to digitize, preserve and extend access to Art Documentation: Journal of the Art Libraries Society of North America. http://www.jstor.org This content downloaded from 185.2.32.89 on Sat, 14 Jun 2014 12:59:29 PM All use subject to JSTOR Terms and Conditions

Transcript of From the editor

From the editorAuthor(s): Beryl SmithSource: Art Documentation: Journal of the Art Libraries Society of North America, Vol. 14,No. 3 (Fall 1995), p. 2Published by: The University of Chicago Press on behalf of the Art Libraries Society of NorthAmericaStable URL: http://www.jstor.org/stable/27948752 .

Accessed: 14/06/2014 12:59

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

The University of Chicago Press and Art Libraries Society of North America are collaborating with JSTOR todigitize, preserve and extend access to Art Documentation: Journal of the Art Libraries Society of NorthAmerica.

http://www.jstor.org

This content downloaded from 185.2.32.89 on Sat, 14 Jun 2014 12:59:29 PMAll use subject to JSTOR Terms and Conditions

2 Art Documentation, Fall 1995

From the editor: This issue contains the collected papers from the confer

ence session on Canadian periodicals, and there are an amazing number that I, for one, have never seen. It is frustrating, perhaps, for those with limited serials budgets to learn of this large trove of work being produced to the north of a good many of us. And al

though we may not now be in a position to initiate new subscrip tions, it is heartening to see the unique coverage and individual orientation of so many of these publications.

For these papers, and for the research necessary to allow us this expanded perspective, a debt is owed to the Serials Roundtable, sponsors of the session, and to the moderators, Alexandra de Luise and Gis?le Guay. Alexandra de Luise deserves

special acknowledgement for contacting the authors, arranging for the publication of their papers, and then doing the herculean task of transcribing at least one paper from a tape of the session and, with Gis?le Guay, translating to English the paper presented in French. I, for one, am extremely grateful for their efforts.

I also felt some urgency to include the paper by Susan Day, although not a part of the serials session. As Day herself rues, the changing electronic scene makes today's timely tomorrow's

dated. And so many who attended the session at which this paper was presented asked to have it included in Art Documentation that I feel certain this will serve as a useful resource for many and will be consulted often, even as new developments augment her

offerings. And for anyone who has a yearning for more, may I sug

gest FYlFrance, a monthly electronic newsletter, compiled by Jack Kessler, in which France and French are the key words. Each is sue contains updates of MINITEL numbers, and access and de

scriptive information for sources and sites are also given with telnet, gopher, and/or WWW URLs. To access the archives: gopher:// library.berkeley.edu:71/ll/ejrnls/FYIFrance.

Beryl Smith

Rutgers University

Emmett

Publishing The finest collections on microfiche

we aim to supply quality products via a service second to none

microfiche produced to the highest standards at every stage all orders are processed within two working days all our published titles are held in stock

all publications are dispatched by express carrier at our cost

we offer flexible purchase plans and discounts for series orders

many titles contain printed catalogue details unavailable elsewhere

all publications reproduce entire collections for the first time

microforms have an archival life of many hundreds of years we are happy to advise on the purchase of microfiche readers and printers

Emmett Publishing, 1683 Toll-free: 1-800-898-EMET

Catalogues of the Collection of

Prints, Drawings and Paintings in the Victoria & Albert Museum

The catalogues of the V&A's Collection of

Prints, Drawings and Paintings are now

available for general reference on black &

white microfiche.

The catalogues give details of one of the

world's foremost collections of graphic material; Emmett Publishing^ microfiche

edition allows greater access to a vast amount

of research information.

Part 1 reproduces the catalogues of paintings,

drawings, posters and papers, arranged by artist.

Part 2 reproduces the catalogues of prints and

photographs, arranged by artist or photographer.

Part 3 reproduces the subject and topographic indexes to all media.

The complete set (Parts 1 to 3) is available now.

isbn: 1 869934 56 3

price: ?2,873 ? $4,366

COUNTRY LIFE

Photograph Archive I8?7-I950 For over 90 years, Country Life magazine has

photographed important private and public

buildings and gardens in Britain and abroad.

A total of over five thousand locations have

been recorded, some many times, since 1897.

Many of the photographs remain unpublished; however, all the pictures are gathered into an

archive that spans two world wars, illustrating the best in classical and modern architecture

and chronicling changing tastes in decoration.

The entire Country Life Picture Library from

1897 to 1950 is now reproduced in a new

black & white microfiche publication from

Emmett Publishing.

An accompanying printed guide contains a

new cumulated index of every location

featured on the microfiche.

754 microfiche ? new cumulated index

isbn: 1 869934 65 2

price: ?5,480 ? $8,330

For more details on these publications, please contact:

Novato Boulevard Suite 5, Novato CA 94947 Fax: (415) 898-3180

This content downloaded from 185.2.32.89 on Sat, 14 Jun 2014 12:59:29 PMAll use subject to JSTOR Terms and Conditions