FORM & STRUCTURE
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Transcript of FORM & STRUCTURE
FORM & STRUCTURE
trope
allegory
frame
metanarrative
Implied reader
narrator
indeterminacy
coming-of-age
bildungsroman
soliloquy
monologue
duologue
chronology
internal analepsis
external analepsis
prolepsis
tragedy
comedy
realism
Reflexive fiction
parody
farce
satire
ballad
lyric
burlesque
carnivalesque
lampoon
ridicule
sarcasm
canonical
epistolary
eponym
characternym
pseudonym
first-personsecond-personthird-person
(limited) omniscience
objective narrator
unreliable narrator
rising action
falling action
crisis
climax
anti-climax
denouement
bathos
pathos
episodic
intertextuality
foreshadowing
Deus ex Machina
parallelism/mirroring
MOVEMENTS
Renaissance
Gothic
Romantic
Pastoral
Humanistic
Marxist
Structuralist
Aesthetic
Formalist
Feminist
SOUND TERMS
alliterative
sibilant
plosive
assonant
consonant
onomatopoeic
rhyme:feminine – syllable soundhalf-rhyme – final consonants same, preceding vowels noteye rhyme – look the same but not (wind/kind)
heroic couplet
rhythm/meter
prosody
feet:iamb ( )(/) – ‘about’trochee (/) ( ) – ‘golden’anapest ( ) ( ) (/) – ‘underneath’dactyl (/) ( ) ( ) – ‘fantasy’spondee (/) (/) pyrrhic ( ) ( )
stress
cadence
pace
TECHNICAL/LANGUAGE
caesura
enjambment
elision
monosyllabic
polysyllabic
Irony:Dramatic, verbal, situational
anaphora
epistrophe
stichomythic
hamartia
epiphany
anagnorisis
peripateia
semantic field
grandiloquence
euphemistic
metonymy
setting/milieu
asyndeton
polysyndeton
antithesis
oxymoron
hyperbole
imagery:Visual, auditory, kinetic, tactile, olfactory, gustatory, synesthetic
neologism
paradox
periphrasis
pun
METAPHORICAL
metaphor
simile
personification
mixed metaphor
pathetic fallacy
metonymy
synecdoche
allusion
analogy
CHARACTERISATION
archetypes
stock character
flat
static
dynamic
round
protagonist
antagonist
caricature
persona
GOTHIC
portentous
bewitching
ominous
ancestral curse
(anti) Catholicism
body-snatching
revenant
claustrophobia
gothic counterfeit
Doppelgänger
entrapment/imprisonment
prophecies/prophetic dreams
the Uncanny/ the Explained Supernatural
exorcism
Female Gothic
the Sublime
grotesque
incubus/succubus
The Inquisition
necromancy
tragic necrophilia
necrosadism
gothic parody
possession
the pursued protagonist
The pursuit of the heroine
revenge
link between Romanticism and the dark side of nature
sadism
“One must do violence to the object of one’s desire; when it surrenders, the pleasure is greater . . . The degradation which characterizes the state into which you plunge him by punishing him pleases, amuses, and delights him. Deep down he enjoys having gone so far as to deserve being treated in such a way . . . It has, moreover, been proven that horror, nastiness, and the frightful are what give pleasure when one fornicates. Beauty is a simple thing; ugliness is the exceptional thing. And fiery imaginations, no doubt, always prefer the extraordinary thing to the simple thing.”--Marquis de Sade, 120 Days of Sodom
somnambulism
The Sublime
supernatural
superstition
transformation
villain-hero:Byronic,Satanic, Promethean