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C H E C K L I S T

Vito Acconci, American, born 1940Command Performance, 1974

DVD BetaSP NTSC; 56:40; black and white with sound

Purchased through the Hood Museum of Art Acquisitions Fund;2005.23

Documentation of the Performance Command Performance, 1974Photographs and white crayon on paper

Gift of Monroe A. Denton Jr., Class of 1968; 2006.100.1

Dennis A. Oppenheim, American, born 1938Lead Sink for Sebastian, number 6 of 10

Rocked CircleFear, number 7 of 10From the portfolio Projects, 1970, printed 1973

Photolithographs in black and blue on Arches Cover White paperPurchased through the Adelbert Ames Jr. 1919 Fund; PR.975.10.67

Nam June Paik, American, 19322006Zen for TV, 1963/1978

Altered Sylvania Dualette television set,originally manufactured c. 1959Gift of the artist; GM.978.211

Ben Vautier, Swiss, born 1935A Flux Suicide Kit, 1963

Plastic, box, paper, straight pin, matches, razor, hook, rope, and plugGift of Dr. Abraham M. Friedman; GM.986.80.235

A Space for Dialogue, founded with support from the Class of 1948,

is made possible with generous endowments from the Class of 1967

and the Bonnie and Richard Reiss Jr. 66 Education Access Fund.

Designed by Christina Nadeau, DPMS

www.hoodmuseum.dartmouth.eduHOODM U S E U M O F A R TNam June Paik, Zen for TV, 1963/1978, altered Sylvania Dualette te

Gift of the artist; GM.978.211. Photo by Jeffrey Nintzel.

A SPACE for DIALO

S E L E C T E D B I B L I O G R A P H Y

Baas, Jacquelynn. Smile of the Buddha: Eastern Philosophy andWestern Art from Monet to Today. Berkeley: University of CaliforniaPress, 2005: 18283.

Blom, Ina. Fluxfutures. Visible Language 39 (2005): 278307.

Hanhardt, John G. Nam June Paik. New York: Whitney Museum ofAmerican Art and W. W. Norton, 1982.

Hapgood, Susan, and Jennifer Rittner. Neo-Dada: Redefining Art,19581962. Performing Arts Journal17 (1995): 6370.

Heiss, Alanna. Dennis Oppenheim, Selected Works 1967-90. NewYork: The Institute for Contemporary Art, P.S. 1 Museum, in associa-tion with Harry N. Abrams, 1992.

Kaplan, Janet A., Bracken Hendricks, et al. Flux Generations.Art Journal 59 (2000): 717.

Marino, Melanie. Body as Place: Vito Acconcis Gaze PAJ:A Journal of Performance and Art21 (1999): 6374.

National Gallery of Art. Dada: Introduction. 2006. Available at

.

FRESH PERSPECTIVES on the Permanent Collection from DARTMOUTHS STUDENTS

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