FLAMENCO-PARTITURAS-Martín, Juan - Soleá (Simple Falsetas) Guitar
3
Soleá (Simple Falsetas) by Ju an Mar tín from Play Solo Flamenco Guitar with Juan Martín There is much use of the fourth finger of the left hand, to stop the fourth fret on the third string, playing a ligado at the third fret on the fourth string and adding an F to the E major chord in the rasgueados near the end to provide a very flamenco dissonance. The use of the capo facilitates the little finger of the left hand, reducing its stretch. the piece introduces simple arpeggios with p, i, and m and also takes your left hand briefly to the third position, indicates by a III above the notation. In this position the whole hand has moved upwards two frets, so that the first finger stops the D at the third fret on the second string. The falsetas are traditional.
Transcript of FLAMENCO-PARTITURAS-Martín, Juan - Soleá (Simple Falsetas) Guitar
7/27/2019 FLAMENCO-PARTITURAS-Martín, Juan - Soleá (Simple Falsetas) Guitar
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Soleá (Simple Falsetas)
by Juan Martín
from Play Solo Flamenco Guitar with Juan Martín
There is much use of the fourth finger of the left hand, to stop the fourth fret
on the third string, playing a ligado at the third fret on the fourth string and
adding an F to the E major chord in the rasgueados near the end to provide a
very flamenco dissonance. The use of the capo facilitates the little finger of
the left hand, reducing its stretch. the piece introduces simple arpeggios with
p, i, and m and also takes your left hand briefly to the third position,
indicates by a III above the notation. In this position the whole hand has
moved upwards two frets, so that the first finger stops the D at the third fret
on the second string. The falsetas are traditional.
7/27/2019 FLAMENCO-PARTITURAS-Martín, Juan - Soleá (Simple Falsetas) Guitar
http://slidepdf.com/reader/full/flamenco-partituras-martin-juan-solea-simple-falsetas-guitar 2/3
7/27/2019 FLAMENCO-PARTITURAS-Martín, Juan - Soleá (Simple Falsetas) Guitar
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