FIT FOR MARKET TRAINING - eTransFair.eu · and the hard of hearing (SDH), sign language...
Transcript of FIT FOR MARKET TRAINING - eTransFair.eu · and the hard of hearing (SDH), sign language...
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FIT-FOR-MARKET AVT
TRAINING:
REQUIREMENTS, METHODOLOGIES AND
STRATEGIES
Dr. Emília Perez
Department of Translation Studies
Constantine the Philosopher University in Nitra
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AVT TRANSLATORS: FIT-FOR-MARKET
TRAINING
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MOTIVATION
Changing media practice
Changing requirements
Changing profession
Szarkowska, A. – Wasylczyk, P. (2018):
Apart from interlingual subtitling, dubbing, and voice-over, AVT has eagerly embraced other modalities, including audio description for the blind (AD), subtitling for the deaf and the hard of hearing (SDH), sign language interpreting, live subtitling, audio subtitling, opera surtitling, to name just a few.
Some scholars even call for a departure from the term audiovisual translation towards media accessibility, arguing that translating a film makes it accessible to viewers who otherwise could not have access to the dialogue. In this sense, media accessibility can be considered a higher-level umbrella term encompassing audiovisual translation (Greco, 2018; Jankowska, forthcoming; Romero-Fresco, 2018)
need to address AVT market developments in university AVT training
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AVT: TRANSLATORS IN EUROPE
Who are they, how do they work and what can it
tell us about the profession?
What are their strengths and weaknesses?
What is their training background?
How to reflect current issues, developments and
trends in AVT training in university
environment?
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AVT: TRANSLATORS IN EUROPE
304 AVT translators in Europe (online survey)
FR IT SK UK ES CR FI DK PT GR PL RU NO RO SE DE BE NL HR LT A S BG IS MV
58 49 37 27 26 15 11 10 9 8 7 7 6 6 6 5 5 3 2 2 1 1 1 1 1
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AVT: TRANSLATORS IN EUROPE
89.5% freelancers
9.5 % full-time
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AVT: TRANSLATORS IN EUROPE
28% of translators work with domestic clients
only
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AVT: TRANSLATORS IN EUROPE
TV broadcasting only: 15.8%
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AVT IN EUROPE: PRACTICE REFLECTION
Translation (and specializations):
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AVT IN EUROPE: PRACTICE REFLECTION
Language, culture and translation
(Only) 36% of translators indicated only one
specialization
Most common combinations of specializations:
interlingual subtitling + SDH, dubbing + AD, voice-
over + AD, interlingual subtitling and dubbing
97% of respondents work with English
(Only) 33% of translators work with up to 2 languages
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PRACTICE REFLECTION AND AVT TRAINING
(AND VICE VERSA)
Highest evaluation for translation and language
competence
Technology, P/I and TSP lower evaluations also
in relation to beginning of profession and higher
in evaluating need for improvement
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PRACTICE REFLECTION AND AVT TRAINING
(AND VICE VERSA)
TOP ISSUES:
➢ LANGUAGE AND CULTURE,
TRANSLATION AND TECHNOLOGY
➢ Machine translation
➢ Project management and workflow software
➢ PERSONAL AND INTERPRESONAL
COMPETENCE
➢ Planning, time, stress management
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PRACTICE REFLECTION AND AVT TRAINING
(AND VICE VERSA)TOP ISSUES – TRANSLATION SERVICE PROVISION
COMPETENCE
➢ Finding and approaching new clients
➢ Organizing budgeting, managing projects
➢ Reacting to market demands
➢ Negotiation with clients (working conditions, contracts,
tenders)
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PRACTICE REFLECTION AND AVT TRAINING
(AND VICE VERSA)
TRANSLATION SERVICE PROVISION
COMPETENCE – PARTICULAR ISSUES
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PRACTICE REFLECTION AND AVT TRAINING
➢ 88.7 % university degree in translation and interpreting
and/or languages
➢ 143 translators trained in uni environment
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AVT TRAINING AND PROFESSIONALIZATION
Thelen (2016, p. 123):
“[the process to] give a student the qualities,
competences and skills worthy of and
appropriate to a person engaged in the paid
occupation of translation by means of a
prolonged training and a formal qualification, so
as to gain initial employment in translation,
to maintain employment, and to be able to
move around within the translation labour
market”.
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AVT TRAINING AND PROFESSIONALIZATION
Competence-based training (identification oflearning objectives)
four key AVT training dimensions: generalconsiderations, technical considerations, linguistic considerations, and professionalconsiderations (Díaz Cintas, 2008, p. 92 and Cerezo Merchán, 2017)
open-structured learning environment where “theory, descriptive research, practice, and training productively interact with each other”(Gentzler, 2003, p.13)
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COLLABORATIVE LEARNING APPROACH
instructional strategy
small-group learning
teamwork with shared output
simulation vs. real experience
a client and a task
a translator / a team
a reward
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HOW DOES IT WORK?
real client
(film festivals, film institutes, young film-makers,campaigns, NGOs, MA projects, universitymaterial, ...)
real translation task
working in translation teams (management, translation, dialogues, subtitling, proofreading, revision) + teacher’s role
communication with the client (requirements, problems, real-scenario experience)
final self-evaluation
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THE REWARD
Learning is its own reward.
Real-scenario experience
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THE REWARD
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THE REWARD
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Award-winning short films MAMA and LOST CHILDREN, subtitled in cooperation
with young film makers
The reward
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THE REWARD
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TRANSLATION SERVICE PROVISION
COMPETENCE (2017)
Skills relating to implementation of translation services in
professional context – from client awareness and
negotiation through to project management and quality
assurance
9 subcompetences related to market demands and
requirements, job profiles, client gaining and
communication / negotiation with client, professional
ethics, administration, standards and quality control,
project management, teamwork and professional
networking
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Strengthening links with media industry
Creating links with potential clients
Providing real-scenario experience and references
Leading trainees (and clients) towards good
practice
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Emília Perez, PhD.
Department of Translation Studies
Faculty of Arts
Constantine the Philosopher University in Nitra, Slovakia
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WHERE TO SEEK MORE INFO?