Hannah, Clem, Gabriella, Lucy and Lalita

Fischli and Weiss

*Peter Fischli (born in 1952)*David Weiss (born in 1946)

- Started in the late 1970s and worked with a wide range of media including sculpture, installation, moving image and photography.

- In their work everyday objects take on a lifelike quality, they play off each other and collide in unexpected ways that are often witty.

Main information on the artists

Outlaws, 1984

Materials, composition and colours

* Two chairs balanced on top of a long tube, an empty glass bottle and a pot

* Worn, recycled

* Mundane and bland, colours, something you’d come across really regularly

*Interesting use of shadow through the gaps of the chairs

A quote about this artwork

“These two astute observers collect objects and impressions, which they then transform in their work in order to present an altered view of reality. “From a book by Fischli and Weiss Flowers and Questions: A retrospective

Is this a surrealist piece?Is this piece:

Photo-shopped?-It seems impossible for the objects to remainin that specific position.

Reinforced by an invisible material?- string perhaps? Adhesive?

Something real made to look unreal?

Flowers and questions

“A number of the sculptures give physical form to contrary states, but blur the distinction between

them in the process, suggesting that difference is not innate, but lies, rather, in perception.” p. 126

Outlaws - could refer to the way in which the sculpture defies the laws of gravity - it is an ‘outlaw’ in the sense

that it is going against the rules.

Social implications?

Is this a commentary of everyday household life?

- Things may always seem to be out of place in a household but that’s what makes it a home to people in

various ways.

What does the title mean?!?!

Another piece from their series “A Quiet Afternoon” - when these objects collapse it won’t be quiet.

Perfectly balanced – kitchen items.

Reality of this piece - Outlaws

This piece uses the camera’s ability to elasticate time,

presenting a split-second of the sculpture. This creates a sense of preservation even

though the photograph foretells what happens

(crashing down of objects).

Influences of other artists

One and three chairs, 1965

M.C Escher?

•A distortion of reality•Playing with concepts as he created vanishing points as an equilateral triangle

Relativity, 1953

Bert Loeschner?

•Chairs are given human personas

The dudes

Joseph Kosuth?

•Real chair, image of a chair, definition of a chair.•What’s a chairs main purpose?

The Way Things go -https://www.youtube.com/watch?v=GXrRC3pfLnE&t=74s

An Article by Rachel Wells in Art history (volume 36 June 2013)

• I will argue that the cleverness of improbable balance in Equilibre/Quiet Afternoon suggests a different alignment: one which counters a Baudrillardian resignation at both the omnipotenceof the ‘principle of equivalence’ and the subsequent ambivalence that results from the asymmetry of his diagnosed ‘impossible exchange barrier’

•Fischli, Peter, Tate, Kunsthaus Zürich, and David Weiss. Fischli Weiss: Flowers and Questions - A Retrospective. 2nd ed. Edited by Bice Curiger. London: Tate Gallery Pubn, 2006.

•Wells, Rachel. “Fischli and Weiss’s Equilibre/quiet Afternoon (1984-5).” Art History 36, no. 3 (May 16, 2013): 626–39. doi:10.1111/1467-8365.12020.

References