American & European Prints & Photography | Skinner Auction 2727B
Fine Prints & Photography | Skinner Auction 2655B
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Transcript of Fine Prints & Photography | Skinner Auction 2655B
FinePrints & Photography
Fine Prints &Photography
View all lots online at www.skinnerinc.com
cover: 164; frontispiece: 70;
back cover: 149
Auction Information
Auction 2655B Friday, May 1712PMfollowed by Fine Paintings & Sculpture at 4PM
63 Park PlazaBoston, MA
Robin S.R. StarrDepartment Director508.970.3259
Absentee Bidding
T: 617.874.4318F: 617.350.5429
General Inquiries: 617.350.5400
SkinnerLive!: skinnerinc.com
Kathy Wong508.970.3297
Elizabeth C. Haff508.970.3258
Specialists
Preview
Wednesday, May 1512 to 5PM
Thursday, May 1612 to 8PM
Friday, May 17 9 to 10AM
Department Inquiries: 508.970.3206
Annie Claflin508.970.3264
Skinner is pleased to announce the new skinnerinc.com
Skinner is proud to announce the roll-out of our new website www.skinnerinc.com.
The newly redesigned Skinner website provides the robust set of interactive features you’re accustomed to…online auction previews, lot alert, live online bidding with SkinnerLive!, and more. You’ll experience
• Richer imagery, from the homepage to lot details
• A dedicated auction page for every sale
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• A more powerful suite of online services to ensure your experience with Skinner, whether with a mouse, a phone, or a paddle, surpasses your expectations every time.
The new skinnerinc.com is a key component in a thoroughly modern communications platform that will enhance your experience as a buyer, and will work to maximize the value of your fine objects in the auction marketplace.
What isn’t changing? The personalized service, expertise, and integrity you’ve come to expect from Skinner. We’re excited about the new skinnerinc.com—and confident that it will add even more value to your experience with Skinner, now and into the future.
www.skinnerinc.com
Table of Contents
1 Auction & Specialist Information
2 Web Site & Online Bidding
4 Glossary of Terms
5 Lots 1–207
133 Artist Index
135 Event Announcement
136 Conditions of Sale
137 Absentee Bid Form
138 Company Directors & Specialty Departments
139 Administrative Staff & Client Services
140 Map & Driving Directions
141 Parking & Accommodations
143 Catalog Subscription Form
Please Note: All lots sold subject to our Conditions of Sale.
Please refer to page 136 of this catalog for the full terms and conditions governing your purchase.
Copyright © Skinner, Inc. 2013
All rights reserved
MA/Lic. #2304
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All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.
Authorship will be described in the following ways:
John Joseph EnnekingIn our judgment, the work is by the artist.
Attributed to John Joseph EnnekingIn our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship.
School of John Joseph EnnekingIn our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period.
Manner of John Joseph EnnekingIn our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period.
After John Joseph EnnekingIn our judgment, an intended copy of the work of the artist.
American School, 19th CenturyIn our judgment, the work of an unknown hand that can only be identified as to period and culture.
Other terms:
Bears SignatureIn our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.
Measurements are given as height x width and refer to the size of the support unless otherwise indicated.
Glossary of Terms
FinePrints &MultiplesLots 1–175
1Yaacov Agam (Israeli, b. 1928)
END TO END Suite, 1991, from the proof edition of 18. Each signed “Agam” in whiting or similar (within the image) l.r., numbered “EA/14/18” in whiting or similar (within the image) l.l., and signed in marker or similar on the backings. Color screenprints on paper, sight sizes approximately 28 3/4 x 28 3/4 in. (72.9 x 72.9 cm), framed.Condition: Not examined out of frames.
Provenance: Purchased from the Circle Gallery, San Diego, in 1996, through to the present owner.$2,000-3,000
2Ivan Le Lorraine Albright (American, 1897-1983)
Show Case Doll, 1954, edition of 44 (Grayson, 15). Dedicated and signed “To Matt with Love Ivan/Ivan Albright” in pencil l.r., titled and inscribed “...Litho on Stone” in pencil l.l. Lithograph on paper, image size 17 1/4 x 25 3/8 in. (43.7 x 64.3 cm), framed.Condition: Rippling, not examined out of frame.
Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$400-600
3Ivan Le Lorraine Albright (American, 1897-1983)
Hail to The Pure (Portrait of Maria Piedra), 1977, edition of 100 (Grayson, 22). Signed “Ivan Albright” in pencil l.r., titled in pencil l.l. Lithograph on cream wove paper, image size 18 1/8 x 13 1/4 in. (46.0 x 33.5 cm), unmatted, unframed.Condition: Deckled edges, very minor handling creases.
Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$300-350
6 Additional information and photos at www.skinnerinc.com
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4Ivan Le Lorraine Albright (American, 1897-1983)
Appears the Man, 1980. Titled, signed, and dated “...Ivan Albright 1980” in pencil l.r., dedicated “To Matt my great friend/Ivan” in pencil l.r. Lithograph on cream wove paper, image size 18 3/8 x 14 1/2 in. (46.5 x 36.7 cm), unmatted, unframed.Condition: Deckled edges, staining to very edges, fox marks u.r., very minor handling creases
Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$300-350
7Online bidding at www.skinnerinc.com
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5Richard Anuszkiewicz (American, b. 1930)
6 SERITYPIEN/A Portfolio of Six Works, 1965, edition of 125. Each signed “ANUSZKIEWICZ” in pencil (within the image) l.r., numbered “91” and dedicated “To Matt Wysocki Richard/Anuszkiewicz 1968” on the colophon page. Color screenprints on paperboard, sheet sizes 24 3/8 x 24 1/4 in. (61.8 x 61.5 cm), presented in the original clamshell box.Condition: Good.
Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$1,500-2,500
8 Additional information and photos at www.skinnerinc.com
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6Richard Anuszkiewicz (American, b. 1930)
Untitled, 1968. Signed, inscribed, and dated “ANUSZKIEWICZ A.P. 1968” in pencil l.l. Color screenprint on paper, image size 33 x 23 in. (83.6 x 58.3 cm), framed.Condition: Not examined out of frame.$500-700
7Karel Appel (Dutch, 1921-2006)
Untitled, 1969, edition of 75. Signed and dated “Appel 69” in pencil l.r., numbered “37/75” in pencil l.l. Color lithograph on paper, image size 25 1/4 x 19 5/8 in. (64.0 x 49.8 cm), framed.Condition: Toning, water staining to lower edge, not examined out of frame.$400-600
9Online bidding at www.skinnerinc.com7
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8Avigdor Arikha (French/Israeli, 1929-2010)
Samuel Beckett in Profile, 1970, printed in 1976, edition of 75 (Thomson & Coppel, 10). Signed “ARIKHA...” in pencil l.r., numbered “30/75” in pencil l.l., dated within the plate. Etching on paper, plate size 9 1/4 x 6 7/8 in. (23.4 x 17.4 cm), framed.Condition: Not examined out of frame.
Provenance: From a private New England collection, sold to benefit a philanthropic organization.$2,000-2,500
9Arman (French/American, 1928-2005)
Chessboard in Hommage to Marcel Duchamp’s L.H.O.O.Q., 1973, edition of 100. Numbered and signed “89/100 Arman” in felt-tip pen (within the image) l.l. Screenprint on Skivertex leather chessboard, sight size 16 x 15 7/8 in. (40.5 x 40.1 cm), framed.Condition: Not examined out of frame.$500-700
10John Taylor Arms (American, 1887-1953)
U.S.S. Columbia under Construction at New York Shipbuilding Corporation, Camden, 1945, second state, edition of 766 (Fletcher, 390). Signed and dated “John Taylor Arms 1945” in pencil l.r., inscribed “II” in pencil l.l., identified on a label from Kennedy & Co., New York, affixed to the backing. Etching and drypoint on paper, plate size 12 3/8 x 17 1/4 in. (31.3 x 43.8 cm), framed.Condition: Mat burn, unobtrusive toning and rippling, not examined out of frame.$250-300
10 Additional information and photos at www.skinnerinc.com
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11Donald Baechler (American, b. 1956)
Untitled (Arithmetic Head), 1993, edition of 75, published by Pace Editions, New York. Numbered, signed, and dated “6/75 Donald Baechler ‘93” in pencil (within the image) l.l. Color screenprint with collage on paper, image/sheet size 36 x 28 in. (91.4 x 71.1 cm), framed.Condition: Deckled edges, gentle rippling, sheet floated in frame, not examined out of frame.$2,000-3,000
12Donald Baechler (American, b. 1956)
Untitled (Green Flower), 1993, edition of 75, published by Pace Editions, New York. Numbered, signed, and dated “6/75 Donald Baechler ‘93” in pencil (within the image) l.l. Color screenprint with collage on paper, image/sheet size 36 x 28 in. (91.4 x 71.1cm), framed.Condition: Deckled edges, gentle rippling, sheet floated in frame, not examined out of frame.$2,000-3,000
13Donald Baechler (American, b. 1956)
Untitled, 1993, edition of 75, published by Pace Editions, New York. Numbered, signed, and dated “6/75 Donald Baechler ‘93” in pencil (within the image) l.l. Color screenprint with collage on paper, image/sheet size 36 x 28 in. (91.4 x 71.1 cm), framed.Condition: Deckled edges, gentle rippling, sheet floated in frame, not examined out of frame.$2,000-3,000
12 Additional information and photos at www.skinnerinc.com
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14Will Barnet (American, 1911-2012)
Mary, alternatively titled Portrait of Mary, 1938, edition of 12 (Cole, 56). Signed “Will Barnet” in pencil l.r. Lithograph on paper, image size 13 5/16 x 10 3/4 in. (33.7 x 27.2 cm), framed.Condition: Mat burn, unobtrusive toning, not examined out of frame.
N.B. Mary was Barnet’s first wife.$250-300
15Leonard Baskin (American, 1922-2000)
The Poet Laureate, 1955 (Fern & O’Sullivan, 257). Signed “Baskin” in pencil l.r., titled in pencil l.l. Woodcut on Japan paper, 23 1/8 x 48 1/4 in. (58.5 x 122.5 cm), unmatted, unframed.Condition: Toning to edges of sheet, old hinges to verso at edges.$600-800
16Leonard Baskin (American, 1922-2000)
Two Floral Works: Untitled (Sunflower) 1998, edition of 20; and Untitled (Mum), 1998. Both signed “Baskin” in pencil in the lower margin. Color woodcuts on paper, image sizes to 11 x 7 1/2 in. (27.7 x 19.0 cm), framed.Condition: Not examined out of frames.$250-300
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17Jean-Michel Basquiat (American, 1960-1988)
Beat Bop. Test Pressing, Version One, Volume One, 1983, white vinyl edition of unknown size, published by Tartown Record Co., New York. Identified on the cover and record label. Screenprinted jacket and label, 12 1/4 x 12 1/4 in. (31.0 x 31.0 cm), unframed.Condition: Minor wear to spine and corners of jacket, the record has not been played to confirm its condition.
N.B. The lot is accompanied by a copy of the album Emotions in Motion by Billy Squier, cover by Andy Warhol; Emanon’s The Baby Beat Box, cover by Keith Haring, 1986; and David Bowie’s 45/single Without You/Criminal World, with cover sleeve by Keith Haring, 1983.$600-800
16 Additional information and photos at www.skinnerinc.com
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18Max Beckmann (German, 1884-1950)
Der Morgen, 1923, plate 6 from VIERTE JAHRESGABE DES KREISES GRAPHISCHER KUNSTLER UND SAMMLER, published 1924 (Hofmaier, 299). Signed “Beckmann” in pencil l.r. Etching and drypoint on paper, plate size 10 x 12 in. (25.4 x 30.4 cm), framed.Condition: Subtle toning and mat burn, not examined out of frame.$400-600
19Hans Sebald Beham (German, 1500-1550)
Adam and Eve Expelled from Paradise, 1543. Monogrammed and dated within the plate, identified on a label from E. Weyhe, New York, affixed to the backing. Engraving on paper, image/sheet size 3 1/4 x 2 1/4 in. (8.2 x 5.6 cm), framed.Condition: Trimmed on and/or just outside of the borderline, good impression, not examined out of frame.$300-500
17Online bidding at www.skinnerinc.com
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19AThomas Hart Benton (American, 1889-1975)
Aaron, 1941, edition of 250, published by Associated American Artists, New York (Fath, 42). Signed “Benton” in pencil l.r. and within the matrix, identified on a label from AAA affixed to the backing. Lithograph on paper, image size 12 7/8 x 9 1/2 in. (32.6 x 24.0 cm), framed.Condition: Subtle toning, not examined out of frame.$800-1,200
18 Additional information and photos at www.skinnerinc.com
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20Albert Besnard (French, 1849-1934)
La mère malade, 1889, final state of 6 (Delteil, 90). Signed “ABesnard” in pencil l.r. Etching and drypoint on wove paper, plate size 7 13/16 x 11 3/4 in. (19.8 x 29.8 cm), matted, unframed.Condition: Break along lower edge of plate mark, stabilized with a backing of fine Japan paper, pencil annotations to the lower edge.$300-350
19Online bidding at www.skinnerinc.com
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21Isabel Bishop (American, 1902-1988)
Two Girls Outdoors, alternatively titled Helping with the Veil, 1953, edition of 50 published in 1981 by Associated American Artists, New York, printed by Stephen Sholinsky (Teller & Hyman, 49; AAA/Czestochowski, 1981.009.07). Signed “Isabel Bishop” in pencil l.r., numbered “24/50” in pencil l.l., printer’s dry stamp l.r., identified on a labels from the Midtown Galleries, Inc., New York, affixed to the back of the mat. Etching on wove paper, plate size 7 3/8 x 4 7/8 in. (18.6 x 12.5 cm), framed.Condition: Deckled edges.$300-500
22Edmund Blampied (British, 1886-1966)
Three Genre Scenes: Resting, 1923, second state of two, edition of 100 (Arnold & Appleby, 93) signed in pencil and within the plate; The Cider Barrell, 1928-1929, edition of 100 (A&A, 134), signed (multiple times) and dated within the plate; and Galloping, 1932-1933, edition of 100 (A&A, 165), signed in ink and within the plate. Drypoints on paper, plate sizes to 10 1/2 x 10 3/8 in. (26.6 x 26.3 cm), framed.Condition: Subtle toning, not examined out of frames.$800-1,200
20 Additional information and photos at www.skinnerinc.com
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23Maurice Bompard (French, 1857-1936)
Quiet Canal. Unsigned. Color etching and aquatint on paper, plate size 13 3/8 x 18 1/8 in. (33.9 x 45.9 cm), framedCondition: Minor breaks to paper fibers along the platemark, not examined out of frame.$300-350
24Pierre Bonnard (French, 1867-1947)
La grand-mère, 1895, for L’ÉPREUVE, possibly a later printing (Roger-Marx, 30). Signed within the matrix. Lithograph on Japan laid paper, image size 8 1/8 x 9 1/8 in. (20.5 x 23.2 cm), framed.Condition: Margins 1 inch or more, subtle toning, pale foxing, masking tape to upper corners.$300-500
21Online bidding at www.skinnerinc.com
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25Félix Bracquemond (French, 1833-1914)
La nuée d’orage, c. 1880 (Beraldi, 219). Signed “Bracquemond” in pencil l.r., signed and initialed within the plate. Etching and drypoint on fine laid paper with MBM watermark, plate size 10 x 13 3/4 in. (25.4 x 34.8 cm), matted, unframed. Condition: Deckled edges, pale staining and mat burn to margins.$500-700
26William Bradford (American, 1823-1892)
Arctic Explorers Cutting a Channel, 1890. Signed “William Bradford” in pencil l.r., signed and dated within the plate. Etching on paper, sight size 16 5/8 x 26 3/4 in. (42.2 x 67.8 cm), framed.Condition: Not examined out of frame.$1,000-1,500
22 Additional information and photos at www.skinnerinc.com
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26AGeorges Braque (French, 1882-1963)
Les trois oiseaux en vol, 1961, edition of 75 (Vallier, 168). Signed “G Braque” in pencil (within the image) l.r., numbered “32/75” in pencil l.l. Color etching with aquatint on Rives paper with watermark, plate/sheet size 29 x 22 1/2 in. (73.5 x 57.0 cm), framed.Condition: Deckled edges, pale staining l.r., pale fox marks, hinged near the upper corners.$4,000-6,000
23Online bidding at www.skinnerinc.com
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27Georges Braque, illustrator (French, 1882-1963)
Braque Lithographe, preface by Francis Ponge, catalogue and notes by Fernand Mourlot, edited and published by André Sauret, Monte Carlo, 1963 in an edition of 4,125, with three original lithographs by the artist (cover, frontispiece and title page). Identified and numbered “2,189” on the justification page. 12 1/2 x 9 3/4 in. (31.6 x 24.6 cm), paper covers with wax paper jacket cover (tears) and slipcase (wear).Condition: Extremely minor wear.$250-350
28George Elbert Burr (American, 1859-1939)
Two Desert Views: Indian Home - Salt River Mountains Arizona (Seeber, 292) and (On) Road to Apache Reservation, Arizona (Seeber, 295). Both signed “George Elbert Burr” in pencil l.l., titled in pencil l.r., and monogrammed within the plate. Etchings with drypoint on paper, plate sizes to 7 3/4 x 9 5/8 in. (19.5 x 24.3 cm), framed.Condition: Subtle mat burn, Road with minor pale stains, not examined out of frames.$600-800
24 Additional information and photos at www.skinnerinc.com
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29Paul Cadmus (American, 1904-1999)
Two Boys on a Beach, No. 2, 1939, edition of 157, published by the Albany Print Club (Johnson, 86). Signed “Paul Cadmus” in pencil l.r., initialed within the plate. Etching on laid G. WILMOT paper with watermark, plate size 6 3/8 x 9 1/16 in. (16.1 x 22.9 cm), matted, unframed.Condition: Margins over 1 1/4 inches.
N.B. The original publication text from the Albany Print Club accompanies the lot.$3,500-5,500
25Online bidding at www.skinnerinc.com
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30Alexander Calder (American, 1898-1976)
Untitled (Helix), edition of 125. Signed “Calder” in pencil l.r., numbered “48/125” in pencil l.l. Color lithograph on paper, image size 14 3/8 x 11 in. (36.4 x 27.8 cm), framed.Condition: Floating within the mat, not examined out of frame.$300-500
26 Additional information and photos at www.skinnerinc.com
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31Alexander Calder (American, 1898-1976)
Circus. Signed “Calder” in pencil (within the image) l.r., inscribed “E.A.” in pencil (within the image) l.l. Color lithograph on paper, image/sheet size 26 1/8 x 38 1/8 in. (66.3 x 96.7 cm), unmatted, unframed.Condition: Deckled edges, toning, staining u.c., rub to image l.r.
Provenance: Purchased from the Brewster Gallery, New York, 1977.$1,500-2,000
27Online bidding at www.skinnerinc.com
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32Alexander Calder (American, 1898-1976)
Two Different Versions of McGovern for McGovernment, 1972, editions of 200, both published by Styria Studios Ltd., New York. Both signed “Calder” in pencil l.r. and numbered “54/200” in pencil l.l. Lithographs (one in color) on BFK Rives paper with watermark, image sizes approximately 30 x 22 3/4 in. (76.2 x 57.7 cm), unmatted, unframed.Condition: Minor unpressed handling creases.
Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$600-800
33Alexander Calder (American, 1898-1976)
Beastie, 1974, from THE FLYING COLORS COLLECTION, published 1975. Monogrammed and dated within the matrix, Flying Colors dry stamp l.r. Color lithograph on paper, image size 16 3/4 x 22 5/8 in. (43.4 x 57.3 cm), framed.Condition: Pale foxing, not examined out of frame.
Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$400-600
34Alexander Calder (American, 1898-1976)
Two Prints from THE FLYING COLORS COLLECTION: Sky Bird, 1974; and Sunburst, 1974, both published 1975. Monogrammed and dated within the matrix, Flying Colors dry stamp l.r. Color lithographs on paper, sheet sizes 20 1/8 x 26 in. (51.0 x 66.0 cm), unmatted, unframed.Condition: Toning, old hinges along upper edges.
Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$300-500
28 Additional information and photos at www.skinnerinc.com
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35Alexander Calder (American, 1898-1976)
Untitled, edition of 150. Signed “Calder” in pencil l.r., numbered “60/150” in pencil l.l. Color lithograph on paper, image/sheet size 21 1/4 x 17 in. (53.9 x 43.1 cm), framed.Condition: Rubs/abrasions to image, staining to image.
Provenance: Purchased from the Brewster Gallery, New York, 1976.$800-1,200
30 Additional information and photos at www.skinnerinc.com
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36Mary Cassatt (American, 1843-1926)
Margot Wearing a Large Bonnet, Seated in an Armchair, c. 1904, edition probably of 50 (Breeskin, 192). Signed and inscribed “Mary Cassatt no 9.” in pencil l.r. Drypoint on laid paper with VANDERLEY and crest-form watermarks, plate size 11 7/8 x 9 1/2 in. (30.2 x 24.0 cm), framed.Condition: Margins 1 1/2 inches or more with deckled edges, toning, mat burn, scattered fox marks, losses to edges near upper corners, repaired tears, printing flaws, pencil annotations along the lower edge.$1,000-1,500
37Mary Cassatt (American, 1843-1926)
The Manicure, c. 1908, second state of two, possibly printed by Delâtre c. 1926 (Breeskin, 199). Unsigned. Drypoint on white/blue laid paper, plate size 8 x 5 3/4 in. (20.3 x 14.4 cm), unmatted, unframed.Condition: Margins 1 1/4 inches or more, pale toning and pinpoint fox marks (primarily to verso).$1,200-1,800
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38Marc Chagall (Russian/French, 1887-1985)
Village à l’âne rouge, 1984, edition of 50 (Mourlot, 1025). Signed “Marc Chagall” in pencil l.r., numbered “38/50” in pencil l.l. Color lithograph on paper, image size 10 7/8 x 13 1/2 in. (27.4 x 34.2 cm), framed.Condition: Margins 2 inches or more, not examined out of frame.$6,000-8,000
32 Additional information and photos at www.skinnerinc.com
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39John Chamberlain (American, 1927-2011)
Flashback VII, 1981, edition of 175. Signed “Chamberlain” in pencil l.r., numbered “21/175” in pencil l.l., publisher’s and/or printer’s dry stamps l.l. Color lithograph on Arches paper with watermark, image size 19 3/4 x 15 1/2 in. (50.1 x 39.3 cm), unmatted, unframed.Condition: Margins over 1 1/2 inches with deckled edges, toning.
Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$400-600
40Roland Clark (American, 1874-1957)
Evening Flight. Signed “Roland Clark” in pencil l.r. Etching and drypoint on paper, plate size 12 x 14 7/8 in. (30.4 x 37.7 cm), framed.Condition: Not examined out of frame.$300-350
33Online bidding at www.skinnerinc.com
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41Chuck Close (American, b. 1940)
Phil, 1976, edition of 1,000, published by Parasol Press, Ltd., New York. Unsigned, numbered “437” in pencil and identified in text on the reverse. Offset print on heavy paper, image size 7 x 5 5/8 in. (17.7 x 14.3 cm), framed.Condition: Minute wear to corners of sheet.$700-900
42Jean Cocteau (French, 1889-1963)
Sur la plage, 1958, edition of 220. Signed and dated “Jean Cocteau * 58” in pencil l.r., numbered “212/220” in pencil l.l. Color lithograph on paper, image size 14 x 11 1/4 in. (35.5 x 28.5 cm), framed.Condition: Not examined out of frame.$400-600
34 Additional information and photos at www.skinnerinc.com
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43Lovis Corinth (German, 1858-1925)
Selbstbildnis, 1922-1923, plate 2 from VIERTE JAHRESGABE DES KREISES GRAPHISCHER KUNSTLER UND SAMMLER, published 1924. Signed “Lovis Corinth” in pencil l.r. Etching and drypoint on paper, plate size 6 1/2 x 4 1/4 in. (16.4 x 10.8 cm), framed.Condition: Subtle toning and mat burn, not examined out of frame.$300-350
44Joseph Cornell (American, 1903-1972)
Untitled (Landscape with Figure), 1972, edition of 125. Estate stamped l.r., numbered “30/125” in pencil l.l. Color heliogravure on paper, plate size 13 x 10 1/4 in. (33.0 x 26.0 cm), framed.Condition: Not examined out of frame.
Provenance: The estate of Elizabeth A. Straus, New York and Maine. $200-300
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45Two Works from the Publication PAN, volume iv, number 1:
Henri Edmond Cross (French, 1856-1910), Les Champs-Elysees, 1898; and Paul Signac (French, 1863-1935) Le soir (La jetée de Flessingue), 1898 (Kornfeld & Wick, 20). Both unsigned. Color lithographs on paper, image size approximately 8 x 10 1/4 in. (19.9 x 25.9 cm), framed.Condition: Not examined out of frames.
Provenance: The estate of Elizabeth A. Straus, New York and Maine.$1,000-1,500
46José Luis Cuevas (Mexican/American, b. 1933)
Three Prints from CRIME BY CUEVAS, 1968, edition of 100: Jack the Ripper, History of Crime, and From My Sketchbook. Each signed and dated within the plate and in pencil, each marked “artist proof” in pencil. Lithograph on paper, sheet sizes 21 3/4 x 29 3/4 in. (55.5 x 75.8 cm), unmatted, unframed.Condition: Very minor handling marks at edges.$700-900
36 Additional information and photos at www.skinnerinc.com
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47Salvador Dalí (Spanish, 1904-1989)
The Agony of Love (Unicorn), from the DALÍ RETROSPECTIVE Portfolio, 1978-1979, from the edition of 350 (Michler & Löpsinger, 1556). Signed “Dalí” in pencil l.r., numbered “E 53/350” in pencil l.l. Color lithograph on paper, image size 22 3/4 x 17 in. (57.6 x 43.0 cm), framed.Condition: Not examined out of frame.$400-600
37Online bidding at www.skinnerinc.com
47
48Alan Davie (British, b. 1920)
Three Images from ZURICH IMPROVISATIONS: VI, XII, and XXVI, 1965, editions of 25, published by Edition Alecto, London. Each signed and dated “Alan Davie/65” in pencil l.r., each numbered and titled in pencil l.l., each with publisher’s dry stamp l.r. Color lithographs on BFK Rives paper with watermarks, image sizes approximately 21 1/4 x 30 1/2 in. (53.8 x 77.4 cm), unmatted, unframed.Condition: Deckled edges, unobtrusive soiling, and staining (primarily to margins), several minor nicks and creases to the edges of the margins.
Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$400-600
38 Additional information and photos at www.skinnerinc.com
48
49Edgar Degas (French, 1834-1917)
Au Louvre, la peinture, Mary Cassatt, c. 1879-1880, impression from the cancelled plate (Adhémar & Cachine, 54). Unsigned. Etching with aquatint and drypoint on heavy laid paper, plate size 12 x 5 in. (30.4 x 12.6 cm), matted, unframed.Condition: Gently light-struck.$1,500-2,000
39Online bidding at www.skinnerinc.com
49
50Jim Dine (American, b. 1935)
Allum, 1978. Inscribed, signed, dated, and dedicated “A/P Jim Dine 1978 For Matt with Thanx J.D.” in pencil beneath the image. Etching and drypoint on paper, plate size 8 1/4 x 6 3/4 in. (20.8 x 17.1 cm), framed.Condition: Margins 7 inches or more, not examined out of frame.
Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$1,000-1,500
40 Additional information and photos at www.skinnerinc.com
50
51Otto Dix (German, 1891-1969)
Mutzli (Bildnis von Frau Dix), alternatively titled Frauenbildnis, 1923, plate 8 from VIERTE JAHRESGABE DES KREISES GRAPHISCHER KUNSTLER UND SAMMLER, published 1924. Signed “Dix...” in pencil l.r. Etching and drypoint on paper, plate size 9 1/2 x 7 1/2 in. (24.1 x 19.0 cm), framed.Condition: Subtle toning, not examined out of frame.$400-600
52César Domela (Dutch, 1900-1992)
Untitled, edition of 175. Signed “Domela” in pencil (within the image) l.r., numbered “49/175” in pencil (within the image) l.l. Color lithograph on Arches paper with watermark, image/sheet size 29 x 21 5/8 in. (73.5 x 54.8 cm), unmatted, unframed.Condition: Minor handling creases, minor indentation into image l.r., staining to verso.$300-500
53Raoul Dufy (French, 1877-1953)
Petite Baigneuse aux Papillons, c. 1930. Signed in the plate. Etching on paper, plate size 8 5/8 x 12 1/4 in. (21.8 x 31.0 cm), framed.Condition: Mat burn, not examined out of frame.$300-350
41Online bidding at www.skinnerinc.com
5152
53
54Albrecht Dürer (German, 1471-1528)
Ecce Homo, from THE LARGE PASSION, c. 1511 (Bartsch, 9; Meder, 188 a/c; Hollstein/Boon & Scheller, 118 before text). Monogrammed in the block. Woodcut on paper (no watermark), image size 15 5/16 x 10 7/8 in. (38.8 x 27.5 cm), framed.Condition: Trimmed to or just into the borderline, a good impression with staining to all four corners plus additional pale water staining, horizontal surface abrasion just below the center of the image, tear to corner u.r.$800-1,200
55Kerr Eby (American, 1889-1946)
The Doryman, 1940, edition of 100 (Giardina, 200). Signed “Kerry Eby imp.” in pencil l.r., identified on a label from Harlow, Keppel & Co., Inc., New York, affixed to the backing. Etching and sandpaper ground on paper, plate size 9 7/8 x 14 7/8 in. (25.0 x 37.6 cm), framed.Condition: Not examined out of frame.
Provenance: The estate of Elizabeth A. Straus, New York and Maine.$200-250
56Hans Erni (Swiss, b. 1909)
Figure and Pears, edition of 60. Signed “Erni” in pencil l.r., numbered “33/60” in pencil l.l., erased pencil inscription l.r. Lithograph on paper, image size 14 1/4 x 20 7/8 in. (36.0 x 52.8 cm), matted, unframed.Condition: Several fox marks, pale toning to edges, minor nicks top lower edge.$500-700
42 Additional information and photos at www.skinnerinc.com
54
43Online bidding at www.skinnerinc.com
56
55
57Romain de Tirtoff, called Erté (French, 1892-1990)
Fantaisie, 1976, edition of 300 (Lee, 73). Signed “Erté” in pencil l.r., numbered “230/300” l.l. Color screenprint on paper, image size 7 x 6 1/4 in. (17.5 x 15.6 cm), framed.Condition: Faint mat burn, not examined out of frame.$300-350
44 Additional information and photos at www.skinnerinc.com
57
58Shepard Fairey (American, b. 1970)
Four Prints: OBEY: Never Trust Your Own Eyes..., 2011; VOTE, 2008, edition of 5,000; Head, 2006, edition of 300; and Flag, 2011. All but VOTE signed and dated in pencil l.r. Offset lithographic posters on various papers, sheet sizes to 38 1/2 x 25 in. (97.6 x 63.4 cm), unmatted, unframed.Condition: Very minor handling creases.$1,500-2,000
59Shepard Fairey (American, b. 1970)
Three Skate Decks. Identified within the matrix. Color screenprints on curved laminated boards, lengths 32 in. (81.2 cm). Condition: Extremely minute wear.$500-700
45Online bidding at www.skinnerinc.com
58
59
60Aaron Fink (American, b. 1955)
Poker Player, 1986, edition of 35. Signed and dated “Aaron Fink ‘86” in pencil l.r., numbered “19/35” in pencil l.l. Etching and aquatint in red and black on cream Arches paper with watermark, plate size 29 5/8 x 23 5/8 in. (75.2 x 59.9 cm), unmatted, unframed.Condition: Margins over 2 1/2 inches with deckled edges, handling creases to margins.
Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$250-300
61Aaron Fink (American, b. 1955)
Glass of Water, 1987, edition of 50. Signed and dated “Aaron Fink ‘87” in pencil l.r., numbered “20/50” in pencil l.l. Color etching and aquatint on Arches paper with watermark, plate size 23 7/8 x 17 5/8 in. (60.5 x 44.7 cm), unmatted, unframed.Condition: Margins over 2 inches with deckled edges, handling creases to right margin.
Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$200-250
62Michiel Gloeckner (American, 1915-1989)
Two Abstract Compositions: Untitled (Curves), 1974, edition of 100, published by Michel Cassé, Paris; and Untitled (Quadrilaterals), 1974, edition of 125. Both signed and dated “Michiel Gloeckner 1974” in pencil l.r. and numbered in pencil l.l. Color lithographs on paper, image sizes to 26 3/4 x 19 3/4 in. (67.8 x 50.0 cm), unmatted, unframed.Condition: Margins 1/2 inch or more, subtle toning to latter.$300-500
46 Additional information and photos at www.skinnerinc.com
60
61
63Francisco José de Goya y Lucientes (Spanish, 1746-1828)
Three Plates from LOS CAPRICHOS, 1799: Que sacrificio, plate 14, from the third edition, 1868 (Harris, 49); Dios la perdone: Y era su madre, plate 16, from the tenth edition 1918-1928 (Harris, 51); and Correccion, plate 46, from the tenth edition 1918-1928 (Harris, 81). Each identified within the plate. Etchings with aquatint on paper, plate sizes approximately 7 7/8 x 5 7/8 in. (19.8 x 14.8 cm), framed.Condition: Pale staining, small repair to lower margin of Dios, not examined out of frames.$1,000-1,500
64Francisco José de Goya y Lucientes (Spanish, 1746-1828)
Los Moros establecidos en España, plate 3 from LA TAUROMAQUIA, 1816, from the fourth edition, 1905 (Harris, 206). Unsigned, identified with plate number within the plate. Etching with aquatint on paper, plate size 9 5/8 x 13 5/8 in. (24.4 x 34.5 cm), framed.Condition: Margins 1 1/2 inches or more, not examined out of frame.$250-350
47Online bidding at www.skinnerinc.com
64
63
62
65Keith Haring (American, 1958-1990)
Kutztown Connection, 1984. Signed “K.Haring” in red felt-tip pen l.r., signed and dated within the matrix. Offset lithographic poster on paper, image size 21 3/4 x 18 1/2 in. (55.2 x 46.8 cm), framed.Condition: Not examined out of frame.$1,500-2,000
66After Keith Haring (American, 1958-1990)
Three Skate Decks from the Alien Workshop. Identified within the matrix, and authorized by Keith Haring Foundation and Artestar, New York. Color screenprints on curved laminated boards, lengths 32 in. (81.2 cm), in original shrink-wrap, containing original stickers.Condition: Not examined out of wrap.$400-600
48 Additional information and photos at www.skinnerinc.com
66
65
67Frederick Childe Hassam (American, 1859-1935)
Union Square, 1896 (Cortissoz & Clayton, 89). Monogrammed and inscribed “CH imp” in pencil l.r., monogrammed, inscribed, and dated within the plate, identified on a label from William Macbeth, Inc., New York, affixed to the backing. Etching and drypoint on paper, plate size 4 1/4 x 5 3/4 in. (10.5 x 14.5 cm), framed.Condition: Pale mat burn, image gently light-struck, margins very uneven, but measuring 1/4 inch at the narrowest point and just over 1 inch at the broadest (including some creases and tears; none closer than 1/4 inch to the plate mark), masking tape to margin l.r.
Provenance: Skinner, Inc., Boston, Sale 1832, Lot 48, March 13, 1998.$7,000-9,000
49Online bidding at www.skinnerinc.com
67
68Stanley William Hayter (British, 1901-1988)
Scorpio, 1968, from the edition of 150 printed by Etablissements Guillard, Cachan, France, published by La Vision Nouvelle, Paris (Black & Moorhead, 321). Signed and dated “SWHayter 68” in pencil l.r., titled in pencil l.c., numbered “IL/CL” in pencil l.l. Color lithograph on paper, image size 22 3/4 x 18 1/8 in. (57.7 x 46.0 cm), framed.Condition: Subtle toning, not examined out of frame.$400-600
69Stanley William Hayter (British, 1901-1988)
Swimmers, 1970, edition of 100 published by A.B. Lublin, New York (Black & Moorhead, 344). Signed and dated “SWHayter 70” in pencil l.r., titled in pencil l.c., numbered “53/100” in pencil l.l. Color etching and aquatint on paper, plate 19 1/8 x 23 1/4 in. (48.4 x 59.1 cm), framed.Condition: Gentle rippling, not examined out of frame.$400-600
50 Additional information and photos at www.skinnerinc.com
69
68
70Howard Hodgkins (British, b. 1932)
Red Palm, 1986-1987, edition of 85 plus proofs (Heenk, 75). Initialed and numbered “H.H. A P 15” in pencil (within the image) l.c. Color lithograph with pochoir on paper, image/sheet size 42 1/4 x 53 1/4 in. (107.3 x 135.1 cm), framed.Condition: Deckled edges, sheet floated in frame, not examined out of frame.
Provenance: The estate of Elizabeth A. Straus, New York and Maine.$5,000-7,000
51Online bidding at www.skinnerinc.com
70
71Louis Icart (French, 1888-1950)
Petite Prisonniere, 1924 (Holland et al., 205). Signed “Louis Icart” in pencil l.r., numbered “723” in pencil l.l., identified within the plate. Color etching with aquatint and stencil coloring on paper, oval format, plate size 15 5/8 x 19 1/2 in. (39.3 x 49.1 cm), framed.Condition: Light toning, not examined out of frame.$400-600
72Louis Icart (French, 1888-1950)
Coup de Vent, 1925 (Holland et al., 235). Signed “Louis Icart” in pencil l.r., numbered “300” in pencil l.l., identified in publication text within the plate. Etching with aquatint and hand-coloring on paper, plate size 22 1/8 x 18 1/2 in. (56.0 x 47.0 cm), framed.Condition: Toning, foxing.$800-1,200
73Louis Icart (French, 1888-1950)
New Friends, 1925 (Holland et al., 238). Signed “Louis Icart” in pencil l.r., numbered “245” in pencil l.l., identified within the plate. Color etching with aquatint and stencil coloring on paper, oval format, plate size 15 x 18 in. (38.0 x 45.5 cm), framed.Condition: Subtle toning, not examined out of frame.$400-600
74Louis Icart (French, 1888-1950)
Fanny & Cat, 1926 (Holland et al., 260). Signed “Louis Icart” in pencil l.r., numbered “207” in pencil l.l., identified within the plate, artist’s dry stamp l.l. Color etching with aquatint and stencil coloring on paper, plate size 14 3/8 x 13 1/8 in. (36.7 x 33.3 cm), framed.Condition: Light toning, faint water stains in right margin, not examined out of frame.$400-600
75Louis Icart (French, 1888-1950)
Lettres D’Amour, 1926 (Holland et. al., 289). Signed “Louis Icart” in pencil l.r., inscribed “Ep d’artiste” in pencil l.l., identified within the plate, artist’s dry stamp l.l. Color etching with aquatint and stencil coloring on paper, oval format, plate size 14 x 18 3/8 in. (35.7 x 46.8 cm), framed. Condition: Toning, not examined out of frame.$400-600
52 Additional information and photos at www.skinnerinc.com
72
71
53Online bidding at www.skinnerinc.com
75
73
74
76Louis Icart (French, 1888-1950)
Two Images of Young Women with Pets: Les Chatons, 1926 (Holland et al., 299); and La Jalousie, 1927 (Holland et al., 301). Both signed “Louis Icart” in pencil l.r., numbered “277” and “228” in pencil l.l., respectively, both identified within the plates, both with artist’s dry stamp l.l. Color etchings with aquatint and stencil coloring on paper, plate sizes 10 x 10 1/2 in. (25.0 x 27.0 cm), framed.Condition: Small inclusion below image and slight mat burn on Les Chatons, neither examined out of frame.$500-700
77Louis Icart (French, 1888-1950)
La Belle Au Bois Dormant, 1927 (Holland et al., 323). Signed “Louis Icart” in pencil l.r., numbered “424” in pencil l.l., identified within the plate, artist’s dry stamp l.l., titled within a separate plate printed in the l.l. corner of the sheet. Color etching with aquatint and stencil coloring on paper, plate size 15 1/2 x 18 1/2 in. (39.7 x 47.0 cm), framed.Condition: Toning, small stains in l.r. corner of sheet, not examined out of frame.$400-600
54 Additional information and photos at www.skinnerinc.com
77
76
55Online bidding at www.skinnerinc.com
78Johan Barthold Jongkind (Dutch, 1819-1891)
Moulins en Hollande, 1867, final state of three (Delteil, 14). Inscribed, dated, and signed within the plate, identified in text within the plate. Etching on laid paper, plate size 5 3/4 x 7 5/8 in. (14.7 x 19.3 cm), matted, unframed.Condition: Margins 1 inch or more, pale staining, several small thinned spots within the margins.$300-350
78
78ADonald Judd (American, 1928-1994)
Untitled, from TEN FROM LEO CASTELLI, 1967, edition of 200 published by Tanglewood Press Inc., New York (Schellmann, I). Signed and numbered “Judd 11/200” in ink on a sticker affixed to the underside. Folded stainless steel, 20 1/8 x 24 x 2 1/2 in. (51.0 x 60.9 x 6.3 cm).Condition: Minor rubs and soiling.
Provenance: Sold to benefit the acquisition fund of the Hood Museum of Art, Dartmouth College, Hanover, New Hampshire.$6,000-8,000
56 Additional information and photos at www.skinnerinc.com
78A
79John Melville Kelly (American, 1879-1962)
Moi Water, Hawaii, c. 1930. Signed “John Kelly” in pencil l.r. and within the plate, titled in pencil l.l. Etching on paper, plate size 9 7/8 x 7 7/8 in. (25.0 x 20.0 cm), framed.Condition: Mat burn, unobtrusive toning, not examined out of frame.
Provenance: The estate of Elizabeth A. Straus, New York and Maine.$200-250
80Rockwell Kent (American, 1882-1971)
The Lovers, 1928, edition of 100 (Jones, 23). Signed “Rockwell Kent” in pencil l.r. Wood engraving on paper, image size 6 1/2 x 10 1/8 in. (16.4 x 25.5 cm), framed.Condition: Unobtrusive toning, gentle rippling, not examined out of frame.$1,200-1,800
57Online bidding at www.skinnerinc.com
80
79
81Rockwell Kent (American, 1882-1971)
Starry Night, 1933, edition of 1,750 (Jones, 103). Signed “Rockwell Kent” in pencil l.r. Wood engraving on paper, image size 7 x 4 7/8 in. (17.5 x 12.4 cm), framed.Condition: Foxing, not examined out of frame.$700-900
82Rockwell Kent (American, 1882-1971)
Adirondack Cabin, 1946, edition of 100 (Jones, 140). Signed “Rockwell Kent” in pencil l.r. Lithograph on paper, image size 9 1/2 x 12 1/2 in. (24.2 x 31.6 cm), matted, unframed.Condition: Margins approximately 3/8 inches, very subtle soiling to lower margin.$700-900
58 Additional information and photos at www.skinnerinc.com
82
81
83Marguerite Kirmse (American, 1885-1954)
All to the Good. Signed “Marguerite Kirmse” in pencil l.r., titled in pencil l.l., identified on a label from The Potter Studio, Cleveland, affixed to the backing. Etching on paper, plate size 6 3/8 x 10 5/8 in. (16.2 x 26.9 cm), framed.Condition: Not examined out of frame.$300-350
84Marguerite Kirmse (American, 1885-1954)
Flushed. Signed “Marguerite Kirmse” in pencil l.r., titled in pencil l.l., monogrammed within the plate. Etching on paper, plate size 7 1/4 x 11 1/8 in. (18.5 x 28.3 cm), framed.Condition: Mat burn, unobtrusive toning, not examined out of frame.$200-300
85Jeff Koons (American, b. 1955)
WOW (Works on Whatever) Plate Edition, 2012, made by Bernardaud, France. Identified on the reverse. Transfer-decorated porcelain plate, diameter 9 3/4 in. (24.5 cm), presented in its original box.Condition: Good.$300-500
59Online bidding at www.skinnerinc.com
84
83
85
86Armin Landeck (American, 1905-1984)
Moonlight in the Country, 1951, proof outside of the edition of 250 (Kraeft, 108). Signed “Landeck” in pencil l.r., inscribed “Proof for printing” in pencil l.l. Engraving on paper, plate size 10 1/8 x 11 15/16 in. (25.6 x 30.2 cm), framed.Condition: Mat burn, gentle toning, not examined out of frame.$200-250
87William Lee-Hankey (British, 1869-1952)
Two Images of Mothers and Children: Lizette and Pierre, 1918, and A Distraction, 1920 or later. Both signed “W. Lee-Hankey imp...” in pencil l.c., with artist’s dry stamp, and with artist’s monogram within the plate. Etching with drypoint on paper, plate sizes to 10 7/8 x 9 1/16 in. (27.5 x 23.0 cm), framed.Condition: Toning (more prevalent to Distraction), mild mat burn, not examined out of frames.$300-500
60 Additional information and photos at www.skinnerinc.com
87
86
88Rita Leff (American, 1907-1979)
Two Works: Nexus and Citadel. Both signed “Rita Leff” in pencil l.r. and titled in pencil l.l. Color woodcuts on paper, image sizes to 22 3/4 x 9 1/2 in. (57.5 x 24.0 cm), matted, unframed.Condition: Pale mat burn and light-struck.$300-500
89Martin Lewis (American, 1881-1962)
R.F.D., 1933, total edition of 148 (McCarron, 106). Signed “Martin Lewis-” in pencil l.r., signed within the plate, identified on a label from Kennedy & Co., New York, affixed to the backing. Etching on paper, plate size 9 7/8 x 11 3/4 in. (25.0 x 29.7 cm), framed.Condition: Margins 1 3/4 inches or more, with white cloth tape and/or residue to the edges of the sheet, foxing, faint mold or similar residue to image.
N.B. The name on the mailbox refers to the artist’s friend Armin Landeck, with whom Lewis opened the School of Printmakers in the early 1930s in New York. The scene is in southern Connecticut.$800-1,200
61Online bidding at www.skinnerinc.com
89
88
90Sol LeWitt (American, 1928-2007)
Arcs, Circles, and Grids, 1972, edition of 144 plus proofs published by Lincoln Center/List Art Posters, New York (Tate, S16). Signed and numbered “LeWitt 115/144” in pencil l.r. Screenprint on heavy wove paper, image size 68 x 36 3/8 in. (172.7 x 92.3 cm), unmatted, unframed.Condition: Margins over 1 1/2 inches, minor creases and soiling to very edges, crease to lower edge.
Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$2,500-3,500
62 Additional information and photos at www.skinnerinc.com
90
90
91Sol LeWitt (American, 1928-2007)
All Double Combinations (Superimposed) of Geometric Figures (Circle, Square, Triangle, Rectangle, Trapezoid, Parallelogram), 1977, edition of 25 printed by Patrice Foy at Crown Point Press, Oakland, published by Parasol Press, New York (Krakow/LeWitt, 1977.08). Each indistinctly signed and numbered in pencil l.r., identified on colophon page. Sixteen aquatints (including the colophon page) on paper mounted onto paperboard, sheet sizes 6 x 6 in. (15.2 x 15.2 cm), fourteen framed.Condition: Subtle surface rubs to the two unframed images.$3,000-5,000
63Online bidding at www.skinnerinc.com
91
92Roy Lichtenstein (American, 1923-1997)
Shipboard Girl, 1965, published by Leo Castelli Gallery, New York (Corlett, II.6). Signed “roy Lichtenstein” in pencil l.r. Offset color lithograph on paper, image size 26 x 19 1/8 in. (66.0 x 48.4 cm), framed.Condition: Fading, water staining to lower edge (slightly into image), not examined out of frame.$5,000-7,000
64 Additional information and photos at www.skinnerinc.com
92
93Roy Lichtenstein (American, 1923-1997)
As I Opened Fire.../A Triptych, 1966, large open edition (Corlett, App. 5). Unsigned, identified in text on the reverse of each sheet. Offset color lithographs on paper, sheet sizes 25 1/4 x 20 3/4 in. (64.1 x 52.7 cm), unmatted, unframed.Condition: Very minor toning and handling marks and creases.$500-700
94Roy Lichtenstein (American, 1923-1997)
Pyramids, 1969, edition of 101 plus proofs printed by Atelier Mourlot, New York (Corlett, 87). Signed and dated “Roy Lichtenstein ‘69” in pencil l.r., numbered “7/101” in pencil l.l. Color lithograph on paper, image size 11 1/2 x 34 7/8 in. (29.3 x 88.4 cm), framed.Condition: Rippling, visible margins of 1 3/4 inches or more, not examined out of frame.
N.B. This work was commissioned for the Print Collectors of the Friends of Art, Kansas City, Missouri, a group associated with what is now the Nelson-Atkins Museum of Art, Kansas City.$7,000-9,000
65Online bidding at www.skinnerinc.com
94
93
95Kyra Markham (American, 1891-1967)
The Silver Trumpets of the Rain, 1936, edition of 50. Signed and dated “Kyra Markham ‘36” in pencil l.r., titled and numbered “...11/50” in pencil l.l. Lithograph on paper, image size 13 7/8 x 10 3/8 in. (35.2 x 26.3 cm), framed.Condition: Gentle rippling, not examined out of frame.$800-1,200
96André Masson (French, 1896-1987)
Three Nudes, c. 1950, edition of 150. Signed “André Masson” in pencil l.r., numbered “3/150” in pencil l.l. Color lithograph on Japan paper, image size 16 3/4 x 22 1/8 in. (42.4 x 56.1 cm), framed.Condition: Not examined out of frame.$400-600
66 Additional information and photos at www.skinnerinc.com
96
95
97André Masson (French, 1896-1987)
Formes féminines, edition of 50. Signed “André Masson” in pencil l.l., numbered “9/50” in pencil l.r. Lithograph in ocher and brown on paper, image size 15 1/4 x 20 1/4 in. (38.5 x 51.3 cm), framed.Condition: Toning, mat burn, not examined out of frame.$300-500
98André Masson (French, 1896-1987)
Les nymphes de Fontainebleau, 1973-1975, edition of 50. Signed “André Masson” in pencil l.r., numbered “33/50” in pencil l.l. Etching and aquatint in violet and black on paper, plate size 15 1/2 x 11 1/4 in. (39.3 x 28.5 cm), unmatted, unframed.Condition: Margins 3 inches or more with deckled edges, pencil annotations to verso.$250-350
67Online bidding at www.skinnerinc.com98
97
99Joan Miró (Spanish, 1893-1983)
Hommage à Rimbaud, 1960, outside of the edition of 97 (Mourlot, 336). Signed “Miró” in pencil l.r., inscribed “H.C.” in pencil l.l. Color lithograph on fibrous gray paper, image size 11 1/8 x 8 5/8 in. (28.2 x 21.7 cm), framed.Condition: Margins 3 inches or more, pale mat burn.$1,000-1,500
100Joan Miró (Spanish, 1893-1983)
Plate from the CATALOGUE DE L’EXPOSITION “CARTONES,” 1965, edition of 75 published by Pierre Matisse Galerie, New York (Mourlot, 383). Signed “Miró” in pencil l.r., numbered “XLVIII/LXXV” in pencil l.l. Color lithograph on paper, image size 11 3/4 x 7 7/8 in. (29.8 x 19.8 cm), framed.Condition: Mat burn, not examined out of frame.$400-600
101Joan Miró (Spanish, 1893-1983)
Tête de Flèche, 1968, published by Maeght, Paris (Dupin, 460). Signed “Miró” in pencil l.r., numbered “10/75” in pencil l.l. Color etching with aquatint and carborundum on cream Arches wove paper with watermark, plate size 15 1/2 x 11 11/16 in. (39.3 x 29.5 cm), framed.Condition: Margins over 4 inches with deckled edges, light-struck, pale mat burn and fox marks to margins, hinged along upper edge of sheet, pencil annotations to verso.$6,000-8,000
68 Additional information and photos at www.skinnerinc.com
10099
69Online bidding at www.skinnerinc.com
101
102Joan Miró (Spanish, 1893-1983)
Untitled (Soleil Rouge), from MIRÓ LITHOGRAPHS I, 1972, edition of 80 (Mourlot, 859). Signed “Miró” in pencil l.r., numbered “V/LXXX” in pencil l.l. Color lithograph on Arches paper with watermark, image size 12 3/4 x 10 in. (32.3 x 25.5 cm), framed.Condition: Deckled right and lower edges, floated within the mat, not examined out of frame.$600-800
103Robert Motherwell (American, 1915-1991)
Capriccio, 1961, edition of 200 plus proofs published by Berggruen & Cie, Paris (Terenzio & Belknap, App.1). Signed “Robert Motherwell” in pencil l.r., numbered “33/200” in pencil l.l., initialed within the matrix. Color collotype with pochoir coloring on Arches paper, image size 20 3/8 x 15 3/4 in. (51.5 x 40.0 cm), unmatted, unframed.Condition: Margins 2 inches or more with two deckled edges, old hinges at upper corners, minor handling creases to sheet.$800-1,200
70 Additional information and photos at www.skinnerinc.com
103
102
104Alphonse Mucha (Czech, 1860-1939)
JOB, 1898, published by F. Champenois, Paris (Bridges et al., A36). Signed and identified within the matrix. Color lithographic poster on paper, image size 56 x 36 3/4 in. (142.2 x 93.3 cm), framed.Condition: Unobtrusive toning, handling creases, not examined out of frame.
Provenance: Purchased from Merrill Chase Galleries, Ltd., Chicago, through to present owner.$7,000-9,000
71Online bidding at www.skinnerinc.com
104
105LeRoy Neiman (American, 1921-2012)
Stud Poker, 1980, edition of 300 published by Styria Studio, Ltd., New York. Signed “LeRoy Neiman” in pencil l.r., numbered “95/300” in pencil l.l., publisher’s dry stamp l.c. Color screenprint on paper, image size 31 1/2 x 38 in. (80.0 x 96.4 cm), framed.Condition: Toning, not examined out of frame.$1,500-2,500
106LeRoy Neiman (American, 1921-2012)
Elephant Family, 1983, edition of 300. Signed “LeRoy Neiman” in pencil l.r., numbered “286/300” in pencil l.l. Color screenprint on paper, image size 29 1/2 x 37 3/4 in. (74.8 x 95.8 cm), framed.Condition: Not examined out of frame.$800-1,200
72 Additional information and photos at www.skinnerinc.com
105
106
107Ray Parker (American, 1922-1990)
Untitled, edition of 250. Signed “R. Parker” in pencil l.r., numbered “28/250” in pencil l.l., dry stamp l.l. Color screenprint on paper, image size 20 1/4 x 26 1/2 in. (51.4 x 67.3 cm), framed.Condition: Minor handling creases, not examined out of frame.$300-350
108Jules Pascin (French, 1885-1930)
Charmante soirée, 1929, edition of 100. Signed “pascin” in pencil l.r. Etching, aquatint, and drypoint on paper, plate size 12 7/8 x 9 3/4 in. (32.6 x 24.6 cm), framed.Condition: Minor breaks to paper fibers along the plate mark, gentle toning, not examined out of frame.$400-600
109Margaret Jordan Patterson (American, 1867-1950)
Main Street, alternatively titled Nantucket, c. 1918, edition of 100 (Bakker, 60). Signed “Margaret J. Patterson” in pencil (twice) l.r., titled in pencil l.c., numbered “no 33/100” in pencil l.l. Color woodcut on paper, image size 7 7/16 x 10 7/16 in. (18.8 x 26.3 cm), framed.Condition: All but the lower margin trimmed just to the image, faint water staining l.c.$800-1,200
73Online bidding at www.skinnerinc.com
109
107
108
110Philip Pearlstein (American, b. 1924)
Nude in Rocker, from a proof edition of 10. Signed and numbered “Philip Pearlstein VII/X” in pencil (within the image) l.r. Color lithograph on paper, image/sheet size 23 1/4 x 33 3/4 in. (59.0 x 85.5 cm), framed.Condition: Deckled edges, floated (but partially loose) in the frame, not examined out of frame.$300-500
111Gabor F. Peterdi (American, 1915-2001)
Arctic Night II, 1964, edition of 25 (Johnson, 224). Signed and dated “Peterdi 64 Imp” in pencil l.r., titled in pencil l.c., numbered “8-25” in pencil l.l. Color etching with aquatint on paper, plate size 35 5/8 x 22 3/8 in. (90.3 x 56.6 cm), framed.Condition: Not examined out of frame.$300-350
74 Additional information and photos at www.skinnerinc.com
111
110
112Pablo Picasso (Spanish, 1881-1973)
Amnistia, 1959. Signed, dated, and identified within the matrix. Color lithographic poster on paper, sight size 28 3/4 x 19 3/4 in. (72.8 x 50.1 cm), framed.Condition: Not examined out of frame.$500-700
113Pablo Picasso (Spanish, 1881-1973)
Le Picador II, from A LOS TOROS AVEC PICASSO, 1961 (Bloch, 1017). Unsigned, dated (twice) within the plate. Color lithograph on paper, image size 8 1/8 x 10 1/2 in. (20.5 x 26.5 cm), framed.Condition: Toning, not examined out of frame.$500-700
75Online bidding at www.skinnerinc.com
112
113
114Pablo Picasso (Spanish, 1881-1973)
Artiste et modèle, plate 2 from SABLE MOUVANT, 1964-1965, from the edition of 50 (Bloch, 1184; Cramer, 136). Signed “Picasso” in pencil l.r., numbered “3/50” in pencil l.l., dated within the plate. Aquatint on wove paper with “PABLO PICASSO” watermark, plate size 15 1/8 x 10 7/8 in. (38.3 x 27.7 cm), framed.Condition: Margins 3 inches or more with deckled edges, light-struck, several pale fox marks, old hinge to left edge on verso.$4,000-6,000
76 Additional information and photos at www.skinnerinc.com
114
115Pablo Picasso (Spanish, 1881-1973)
Tête d’Homme Barbu, plate 7 from SABLE MOUVANT, 1964-1965 (Bloch, 1189; Cramer, 136). Signed “Picasso” in pencil l.r., numbered “H.C. 4/7” in pencil l.l., dated within the plate. Aquatint with drypoint on fine laid Japan paper, plate size 14 7/8 x 10 3/4 in. (37.7 x 27.3 cm), framed.Condition: Margins 2 1/4 inches or more with deckled edges, very gently light-struck, several pale fox marks, old waxed paper hinges to upper corners, left edge formerly bound or reinforced.$5,000-7,000
77Online bidding at www.skinnerinc.com
115
116Pablo Picasso (Spanish, 1881-1973)
Télévision - Course de chars à l’antique I, 1968, from SÉRIES 347, published in 1969 by Galerie L. Leiris, Paris, edition of 50 (Bloch, 1514; Baer, 1530Bb1). Signed “Picasso” in pencil l.r., numbered “21/50” in pencil l.l., dated within the plate. Etching with aquatint on BFK Rives paper with watermark, plate size 12 3/8 x 15 3/8 in. (31.3 x 38.9 cm), framed.Condition: Margins over 2 1/2 inches with deckled edges, pencil annotation to verso, old glue residue along upper edge to verso.$5,000-7,000
117After Pablo Picasso (Spanish, 1881-1973)
Visage, 1967, edition of 100. Signed “Picasso” in pencil l.r., numbered “66/100” in pencil l.l., dated within the matrix. Lithograph in black and tan on BFK Rives paper with watermark, image size 15 7/8 x 12 5/16 in. (40.3 x 31.1 cm), unmated, unframed.Condition: Margins over 2 1/2 inches or more with deckled edges to two sides, very gentle handling creases.$1,500-2,000
78 Additional information and photos at www.skinnerinc.com
117
116
118Edouard Pignon (French, 1905-1993)
Untitled, edition of 175. Signed “Pignon” in pencil (within the image) l.r., numbered “120/175” in pencil (within the image) l.l. Color lithograph on Arches paper with watermark, image size 21 3/4 x 29 1/2 in. (55.2 x 74.8 cm), unmatted, unframed.Condition: Deckled edges to two sides, pale foxing.$300-500
119Serge Poliakoff (Russian, 1906-1969)
Composition in Blue, Green, and Red, 1968, edition of 75 (Schneider, XXXIV). Signed “Segre Poliakoff” in pencil l.r., titled in pencil l.c., numbered “46/75” in pencil l.l. Color aquatint on paper, plate size 16 3/4 x 25 1/2 in. (42.4 x 64.6 cm), framed.Condition: Margins over 2 inches with deckled edges, gentle toning and possible fading, not examined out of frame.$800-1,200
120Chester B. Price (American, 1885-1962)
Barge and Tug, c. 1934. Signed “Chester B. Price imp.” in pencil l.r., dedicated “To Jos. Gamble Rogers, with every good wish from -- Christmas 1934” in pencil l.l. Etching and drypoint on paper, plate size 5 7/8 x 8 3/8 in. (14.9 x 21.2 cm), framed.Condition: Gentle rippling, not examined out of frame.$200-250
79Online bidding at www.skinnerinc.com
119
118
120
121Mel Ramos (American, b. 1935)
Miss Comfort Crème, from 11 POP ARTISTS, VOLUME III, 1965, edition of 200. Signed and dated “MelRamos 65” in pencil l.r., numbered “133/200” in pencil l.l. Color screenprint on paperboard sheet/image size unmatted, unframed.Condition: Unobtrusive surface rubs, nicks to edges.
Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$700-900
122Robert Rauschenberg (American, 1925-2008)
Cardbird III, from the CARDBIRD Series, 1970-71, edition of 75 plus proofs, published by Gemini G.E.L. (Gemini G.E.L., 41.54). Purportedly signed and numbered “...52/75...” on verso, identified on labels from the Fenway Gallery, Lakeside, Michigan, affixed to the frame. Offset lithograph and screenprint in colors with collage on cardboard, 33 1/2 x 44 in. (85.0 x 111.7 cm), presented in a shadow box.Condition: Good, not examined out of frame.$2,500-3,000
80 Additional information and photos at www.skinnerinc.com
122
121
123Ad Reinhardt (American, 1913-1967)
Untitled (Black Square), from the NEW YORK INTERNATIONAL PORTFOLIO, 1966, edition of 225, published by Tanglewood Press, New York. Initialed “AR” (engraved) l.r., numbered “169/225” (engraved) l.l. Silkscreen on abraded Plexiglas sheet, 12 x 12 in. (25.4 x 25.4 cm), matted, unframed.Condition: Possible additional subtle surface rubs/abrasions.
Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$2,000-2,500
81Online bidding at www.skinnerinc.com
123
124Rembrandt van Rijn (Dutch, 1606-1669)
Saint Jerome Reading, 1634, only state, a late impression (Hind, 119; Hollstein/White & Boon, 100). Signed and dated within the plate. Etching on paper, image/sheet size 4 5/16 x 3 1/2 in. (10.8 x 8.9 cm), framed.Condition: Trimmed irregularly inside of the plate mark, slightly worn impression, pale foxing, not examined out of frame.$400-600
125Rembrandt van Rijn (Dutch, 1606-1669)
Nude Man Seated and Another Standing, with a Woman and Baby Lightly Etched in the Background, c. 1646, an 18th century impression (Bartsch & Hollstein, 194 iii/iii). Unsigned. Etching on cream laid paper, plate size 7 5/8 x 4 15/16 in. (19.3 x 12.5 cm), unmatted, unframed.Condition: Trimmed to plate mark along the upper edge, thread margins to other three sides, several fox marks and minor stains, subtle toning or soiling.
N.B. Sold for the benefit of the collections of the Smith College Museum of Art.$300-500
82 Additional information and photos at www.skinnerinc.com
125
124
126Rembrandt van Rijn (Dutch, 1606-1669)
Self-Portrait Drawing at a Window, 1648, fifth state of five (Hind, 160; Hollstein/White & Boon, 22v). Signed and dated within the plate. Etching on fine laid Japan paper, plate size 6 1/4 x 5 1/8 in. (15.8 x 13.0 cm), matted, unframed.Condition: Margins 1/16 inch or more, pale toning, several pale fox marks, several pinprick holes to sheet, strong impression.$800-1,200
83Online bidding at www.skinnerinc.com
126
127Frederic Remington (American, 1861-1909)
Five Images from A BUNCH OF BUCKSKINS, published 1901: Arizona Cowboy; A Trapper; A Breed; Army Packer; and A Sioux Chief. Each signed and identified within the matrix. Chromolithographs on paper, sheet sizes 20 x 15 in. (50.6 x 38.1 cm), framed.Condition: Toning, staining, not examined out of frames.$4,000-6,000
84 Additional information and photos at www.skinnerinc.com
127
128Félicien Joseph Victor Rops (Belgian, 1833-1898)
Le gandin ivre, 1910, edition of 150. Signed “Felicien Rops” in the plate, stamped indistinctly l.r. Color soft-ground etching on paper, image size 12 x 17 3/8 in. (30.5 x 44.0 cm), framed.Condition: Light-struck, toning, soiling to edges of sheet, sheet trimmed above plate mark at lower edge.$400-600
129Georges Rouault (French, 1871-1958)
Courtisane en profil à droite, 1927, from LES FLEURS DU MAL I, published in 1966, edition of 425 plus proofs (Wofsy, 227). Initialed and dated within the plate, numbered “422/425” in pencil l.r. Etching and aquatint on paper, plate size 13 3/8 x 9 3/8 in. (33.9 x 23.7 cm), framed.Condition: Not examined out of frame.$400-600
85Online bidding at www.skinnerinc.com
128
129
130Wilhelm Rudolph (German, 1889-1982)
Arbeiterkopf (Porträt eines Schusters), plate 2 from VIERTE JAHRESGABE DES KREISES GRAPHISCHER KUNSTLER UND SAMMLER, 1924. Signed “Wilhelm Rudolph” in pencil l.r., inscribed in pencil l.l. Woodcut on paper, image size 13 1/2 x 9 3/4 in. (34.2 x 24.6 cm), matted, unframed.Condition: Tear to corner l.l., unobtrusive toning and staining, Scotch tape to upper corners.$300-350
131Niki de Saint Phalle (French, 1930-2002)
Three Works: The Witch’s Tea Party, 1972, edition of 115, published by Editions Essellier Serigraphie Michel Caza; My Love What Shall I Do Next Year?, edition of 115; and My Love What Shall I Do if you Die?, edition of 115. Each signed “N. de St. Phalle” in pencil l.r. and numbered “17/115” in pencil l.l. Color screenprints on Arches paper with watermarks, sheet sizes 29 3/4 x 22 in. (75.4 x 55.8 cm), unmatted, unframed.Condition: Various amounts of toning and/or staining, old hinges to verso.
Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$400-600
132Kiyoshi Saito (Japanese, 1907-1997)
Maiko. Signed “Kiyoshi Saito” in pencil (within the image) l.l. Color woodcut on paper, sight size 15 1/2 x 10 1/8 in. (39.3 x 25.5 cm), framed.Condition: Not examined out of frame.$250-300
86 Additional information and photos at www.skinnerinc.com
131
130
133Emilio Sanchez (Cuban/American, 1921-1999)
La Casa Nueva, edition of 100. Signed “Emilio Sanchez” in pencil l.r., titled in pencil l.c., numbered “17/100” in pencil l.l., identified on a label from Galeria San Diego, Bogota, affixed to the backing. Lithograph in black and yellow on paper, image size 30 x 22 in. (76.2 x 55.8 cm), framed.Condition: Not examined out of frame.
Provenance: The estate of Elizabeth A. Straus, New York and Maine.$200-250
134Louis Schanker (American, 1903-1981)
Circle Image, edition of 25. Numbered and signed “14/25 Schanker” in pencil l.r., monogrammed in the block. Color woodcut on paper, image size 14 1/2 x 18 5/8 in. (36.8 x 47.1 cm), framed.Condition: Subtle toning, not examined out of frame.$500-700
87Online bidding at www.skinnerinc.com
134
133132
135Fritz Scholder (Native American, 1937-2005)
Night Pueblo, 1974, edition of 50 published by the Tamarind Institute, Albuquerque. Signed “Scholder” in pencil l.r., numbered “15.50” in pencil l.l., artist’s and publisher’s dry stamps to lower edge. Lithograph printed in brown on paper, image size 6 1/4 x 4 1/4 in. (15.5 x 10.5 cm), framed.Condition: Margins 2 3/4 inches or more with deckled edges, not examined out of frame.$500-700
136Fritz Scholder (Native American, 1937-2005)
Red Indian, edition of 100. Signed “Scholder” in pencil (within the image) l.r., numbered “84.100” in pencil (within the image) l.l. Color lithograph on paper, image/sheet size 33 1/2 x 22 1/8 in. (85.0 x 56.0 cm), unmatted, unframed.Condition: Minor nicks to edges, shrink-wrapped.$250-300
88 Additional information and photos at www.skinnerinc.com
136135
137Toko Shinoda (Japanese, b. 1913)
Friendship, 2004, edition of 50. Numbered, dated, titled, and signed “42/50...Toko Shinoda” in pencil l.l. Lithograph with hand-coloring on paper, image size 10 7/8 x 8 1/4 in. (27.5 x 20.8 cm), framed.Condition: Not examined out of frame.
Provenance: The Tolman Collection, Tokyo, 2006, to the estate of Elizabeth A. Straus, New York and Maine.$200-250
138Paul Signac (French, 1863-1935)
Paris: Le Pont des Arts avec Remorqueurs, from DIX PEINTRES AU XXè SIÈCLE, 1927 (Kornfeld & Wick, 24). Signed within the plate. Etching with aquatint on paper, plate size 5 x 7 1/2 in. (12.6 x 19.0 cm), framed.Condition: Toning, not examined out of frame.$400-600
89Online bidding at www.skinnerinc.com
137
138
139Lorna Simpson (American, b. 1960)
III, alternatively titled Wish #1 Wish #2 Wish #3, 1994, edition of 5,000 published and printed by The Peter Norton Family Christmas Project/21 Steps, Portland, Oregon. Identified on the inside of the lid. Molded felt printed with waterless lithography, a ceramic, a bronze, and a rubber wishbone contained in the original cedar wood box, 13 5/8 x 5 3/8 x 2 1/8 in. (34.5 x 13.5 x 5.3 cm).Condition: Extremely subtle wear.
Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$700-900
90 Additional information and photos at www.skinnerinc.com
139
140David Alfaro Siqueiros (Mexican, 1896-1974)
Meditation, from the MEXICAN Suite, 1968-1969, edition of 250. Signed “DASiqueiros” in pencil l.r. Color lithograph on paper, image size 21 x 16 1/2 in. (53.4 x 41.8 cm), unmatted, unframed.Condition: Deckled edges to two sides, tear to left margin.$500-700
141David Alfaro Siqueiros (Mexican, 1896-1974)
Fugo, from the MEXICAN Suite, 1968-1969, edition of 250. Signed “DASiqueiros” in pencil l.r., numbered “67/250” in pencil l.l. Color lithograph on paper, image size 21 1/8 x 15 5/8 in. (53.5 x 39.5 cm), framed.Condition: Toning, mat burn, not examined out of frame.$300-500
91Online bidding at www.skinnerinc.com
141
140
142David Alfaro Siqueiros (Mexican, 1896-1974)
Mascara, from the MEXICAN Suite, 1968-1969, edition of 250. Signed “DASiqueiros” in pencil l.r., numbered “67/250” in pencil l.l. Color lithograph on paper, image size 22 3/8 x 18 3/4 in. (56.7 x 47.5 cm), framed.Condition: Toning, mat burn, not examined out of frame.$300-500
92 Additional information and photos at www.skinnerinc.com
142
143Raphael Soyer (American, 1899-1987)
In the Studio, 1935, edition of 100 (Gettings, 28). Signed “Raphael Soyer” in pencil l.r., titled in pencil l.l. Lithograph on paper, image size 13 1/2 x 9 3/8 in. (34.3 x 23.7 cm), framed.Condition: Not examined out of frame.$500-700
144Pat Steir (American, b. 1938)
Untitled (Waterfall), 1991, edition of 125 published by Crown Point Press, San Francisco. Numbered, initialed, and dated “58/125 PS 91” in pencil l.r., publisher’s dry stamp l.r. Drypoint on Somerset wove paper with watermark, plate size 9 7/8 x 9 7/8 in. (25.0 x 25.2 cm), unmatted, unframed.Condition: Margins 3 inches or more with deckled edges, minor creases to corner l.r., annotations and soiling to verso. $400-600
93Online bidding at www.skinnerinc.com
143
144
145Frank Stella (American, b. 1936)
Black Stack, from the STACKS Series, 1970, edition of 56 plus proofs, published by Gemini G.E.L. (Axsom, 47). Numbered and signed “25/56 F. Stella” in pencil (within the image) l.r., copyright and publisher’s dry stamps l.r. Lithograph on paper, sight size 40 1/4 x 28 3/4 in. (102.2 x 73.0 cm), framed.Condition: Not examined out of frame.
Provenance: Purchased from the O.K. Harris Gallery, New York, in 1970, then through to the present owner.$700-900
146Graham Sutherland (British, 1903-1980)
The Meadow Chapel, 1928, probably from the 7th (published) state of 11, edition of 83 (Tassi, 26). Signed “GrahamSutherland-” in pencil l.r., identified on a label from The Closson Galleries, Cincinnati, affixed to the backing. Etching on paper, plate size 4 1/2 x 6 1/8 in. (11.4 x 15.2 cm), framed.Condition: Toning, gentle rippling, not examined out of frame.$1,500-2,000
94 Additional information and photos at www.skinnerinc.com
146
145
147Rufino Tamayo (Mexican, 1899-1991)
Retrato de Mujer, 1969, edition of 150 (Pereda, 105). Signed “R Tamayo” in pencil l.r., numbered “67/150” in pencil l.l. Color lithograph on paper, image size 27 1/4 x 21 in. (69.1 x 53.3 cm), framed.Condition: Not examined out of frame.$800-1,200
148Rufino Tamayo (Mexican, 1899-1991)
Medio Pescado, 1969, edition of 150 (Pereda, 117). Signed “R Tamayo” in pencil l.r., numbered “67/150” in pencil l.l. Color lithograph on paper, image size 20 7/8 x 27 3/8 in. (52.8 x 69.4 cm), framed.Condition: Not examined out of frame.$800-1,200
95Online bidding at www.skinnerinc.com
148
147
149Henri de Toulouse-Lautrec (French, 1864-1901)
May Belfort, 1895 (Wittrock, P14Biii; Adriani, 126iv/v). Monogrammed, titled, and with publisher “Edw. Ancourt . Paris” within the matrix. Color lithograph on paper, sheet size 30 1/2 x 23 1/4 in. (77.3 x 59.0 cm), framed.Condition: Mounted on linen, two repairs near the upper edge, even toning, areas of lifting off of the linen support including some small breaks, loss l.r.$15,000-25,000
96 Additional information and photos at www.skinnerinc.com
149
150Mark Tobey (American, 1890-1976)
Composition, 1961, edition of 100. Signed and dated “Tobey 61” in pencil l.r., numbered “100/100” in pencil l.l., identified on a labels from the Art Lending Service at the Museum of Modern Art, New York, affixed to the backing. Color lithograph on paper, image size 9 1/8 x 12 1/2 in. (22.8 x 31.6 cm), framed.Condition: Unobtrusive mat burn, not examined out of frame.
Provenance: The estate of Elizabeth A. Straus, New York and Maine.$400-600
151Jacobus Gerardus Veldheer (Dutch, 1866-1954)
Modderman Volendam. Signed “J.G. Veldheer” in pencil l.r., inscribed “No XII” in pencil l.l., titled within the block. Color woodcut on paper, image size 12 1/8 x 10 in. (30.7 x 25.4 cm), framed.Condition: Not examined out of frame.$300-350
152Esteban Vicente (American, 1903-2001)
Untitled. Signed “Esteban Vicente” in pencil l.r., inscribed “Artist Proof III” in pencil l.l. Color screenprint on paper, image size 25 7/8 x 20 3/4 in. (65.5 x 52.6 cm), framed.Condition: Not examined out of frame.$500-700
97Online bidding at www.skinnerinc.com
150
151
152
153Jacques Villon (French, 1875-1963)
Suzanne, c. 1904, edition of 25 (Ginestet & Pouillon E87). Signed “Jacques Villon” in pencil l.r., numbered “5/25” in pencil l.l., signed and dated “Jacques Villon...04” in the plate. Drypoint on paper, plate size 15 3/4 x 11 7/8 in. (40.0 x 30.0 cm), framed.Condition: Faint scattered foxing, not examined out of frame.$1,000-1,500
154Jacques Villon (French, 1875-1963)
Manège rue Caulaincourt ou Le petit manège aux chevaux de bois, 1904, edition of 50 (Ginestet & Pouillon, E111). Signed “Jacques Villon” in pencil l.r., numbered “46/50” in pencil l.r., signed and dated “Jacques Villon/04” in the plate. Etching and aquatint in sanguine on paper, plate size 15 1/4 x 19 1/2 in. (38.5 x 49.5 cm), framed.Condition: Subtle rippling, not examined out of frame.
Provenance: Ex-collection of Louis Carré, Paris.$1,200-1,800
98 Additional information and photos at www.skinnerinc.com
154
153
155Jacques Villon (French, 1875-1963)
Minne appuyée au fauteuil, 1907 (Ginestet and Pouillon, E198). Signed “Jacques Villon” in pencil l.r., inscribed “...épreuves sur velum de Chine...” in pencil l.l. Etching and drypoint on chine, image size 9 5/8 x 6 5/8 in. (24.5 x 17.0 cm), unframed.Condition: Margins 3/4 in. or more, left edge of sheet lightly toned, small fold to l.r. corner, smudges and annotations to margins.$700-900
156Jacques Villon (French, 1875-1963)
Les Trois Parques, 1937, edition of 40 (Ginestet & Pouillon, E408). Signed “Jacques Villon” in pencil l.r., numbered “8/40” in pencil l.l., inscribed “Bon à tirer/Jacques Villon” in pencil l.r. Etching on paper, plate size 6 x 9 3/8 in. (15.1 x 23.8 cm), framed. Condition: Not examined out of frame.$400-600
99Online bidding at www.skinnerinc.com
156
155
157Jacques Villon (French, 1875-1963)
Camille Renault, 1945, edition of 100 (Ginestet & Pouillon, 494). Signed “Jacques Villon” in pencil l.r. Etching with burin on paper, plate size 15 3/4 x 12 1/4 in. (40.0 x 31.2 cm), framed. Condition: Not examined out of frame.$400-600
158Jacques Villon (French, 1875-1963)
Untitled (Interior), from LES BUCOLIQUES, 1953 (Ginestet & Pouillon, E576). Signed “Jacques Villon” in pencil l.r., inscribed “E.A.” in pencil l.l. Lithograph printed in colors on paper, image size 8 1/2 x 19 1/8 in. (22.0 x 48.5 cm), framed.Condition: Subtle toning, faint foxing in margins, not examined out of frame.$500-700
100 Additional information and photos at www.skinnerinc.com
158
157
159Jacques Villon (French, 1875-1963)
Untitled (Nude), from LAUX VENERIS, 1956, from Chine-collé edition of 20 (Ginestet & Pouillon, app. 2). Signed “Jacques Villon” in pencil l.r., numbered “XVI/XX” in pencil l.l. Etching on chine-collé, chine size 8 x 5 1/8 in. (20.3 x 13.0 cm), framed. Condition: Faint spotting in margins, delamination in u.r. corner, not examined out of frame.$400-600
160Jacques Villon (French, 1875-1963)
La Tête, from POEMES DE CE TEMPS, 1958, edition of 70 (Ginestet & Pouillon app.105). Signed “Jacques Villon” in pencil l.r., numbered “32/70” in pencil l.l., Helmar Nielsen (Boston) label affixed to backing. Lithograph printed in color on paper, 4 1/4 x 4 in. (10.7 x 10.3 cm), framed. Condition: Not examined out of frame.$400-600
101Online bidding at www.skinnerinc.com
160
159
161After Andy Warhol (American, 1928-1987)
The Souper Dress, c. 1965. Identified on a label affixed at the neckline. Screenprinted cellulose and cotton dress, length approximately 37 in. (93.8 cm).Condition: Small hole and minute wear to right shoulder.
Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.
N.B. The lot is accompanied by an original ordering form.$1,000-1,500
162Andy Warhol (American, 1928-1987)
Cow, 1966 (Feldman & Schellmann, II.11). Signed in the matrix. Color screenprint on wallpaper, image size 46 x 28 1/8 in. (116.5 x 71.3 cm), unmatted, unframed.Condition: Minor handling mark and creases, minor soiling to upper and lower edges.$1,500-2,000
102 Additional information and photos at www.skinnerinc.com
161
162
163Andy Warhol (American, 1928-1987)
Lincoln Center Ticket, 1967, edition of 500 (Feldman & Schellmann, II.19 & app.). Unsigned, identified within the matrix. Color screenprint on acrylic film, sheet/image size 44 x 23 3/8 in. (111.8 x 59.4 cm), unmatted, unframed.Condition: Minor unpressed crease to corner l.l., subtle surface rubs.
Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$1,000-1,500
103Online bidding at www.skinnerinc.com
163
164Andy Warhol (American, 1928-1987)
Plate 1 from MUHAMMAD ALI, 1978, edition of 175 published by Andy Warhol Enterprises, Inc., New York (Feldman & Schellmann, II.179). Numbered and signed “147/150 Andy Warhol” in felt-tip pen or similar (within the image) l.l., publisher’s stamp on the reverse, Strathmore dry stamp l.r.
Color screenprint on Strathmore paper, image/sheet size 40 x 29 7/8 in. (101.5 x 75.8 cm), framed.Condition: Line of flaking u.c., rubs and scuffs to surface (primarily near the edges), floated in frame.$15,000-20,000
104 Additional information and photos at www.skinnerinc.com
164
165After Andy Warhol (American, 1928-1987)
Marilyn Monroe, 1998, edition of 5,000. Identified and numbered “Block/China/Marilyn Monroe/©Copyright Licensed by AWF. TM 1998 The Estate of Marilyn Monroe by CMG Indpls., IN/All Rights Reserved. Made in China/Limited Edition Plate No. 830/5000” on the reverse. Transfer-printed porcelain plate, diameter 10 5/8 in. (26.9 cm).Condition: Good.$500-700
166After Andy Warhol (American, 1928-1987)
Three Skate Decks from the Alien Workshop. Identified within the matrix, and authorized by The Andy Warhol Foundation for the Visual Arts, Inc. Color screenprints on curved laminated boards, lengths 32 in. (81.2 cm), in original shrink-wrap, containing original stickers.Condition: Not examined out of wrap.$500-700
105Online bidding at www.skinnerinc.com
166
165
167Ferol Sibley Warthen (American, 1890-1986)
Sailboat and Gull, 1974. Signed “Ferol Sibley Warthen-” in pencil l.r., titled, numbered, and dated “...-53-1974” in pencil l.l. Color woodcut on paper, image size 7 1/8 x 7 3/16 in. (18.0 x 18.2 cm), framed.Condition: Pale foxing, not examined out of frame.$400-600
168Neil Welliver (American, 1929-2005)
Synthetic Blue - St. John, 2000, edition of 80. Signed “Welliver” in pencil l.r., inscribed “AP” in pencil l.l. Color aquatint on paper, plate size 17 7/8 x 17 5/8 in. (45.3 x 44.6 cm), framed.Condition: Margins over 2 inches, gentle rippling to sheet, not examined out of frame.$800-1,200
106 Additional information and photos at www.skinnerinc.com
168
167
169James Abbott McNeill Whistler (American, 1834-1903)
La Rétameuse, 1858, second state of two (Kennedy, 14). Signed and identified within the plate. Etching with drypoint on paper, plate size 4 1/4 x 3 3/8 in. (11.0 x 8.7 cm), framed.Condition: Not examined out of frame.$300-500
170James Abbott McNeill Whistler (American, 1834-1903)
Street at Saverne, 1858, third state of five, (Kennedy, 19). Signed (partially obscured) in the plate. Etching on paper, plate size 8 1/8 x 6 1/4 in. (25.5 x 15.7 cm), framed. Condition: Not examined out of frame.$600-800
107Online bidding at www.skinnerinc.com
170
169
171James Abbott McNeill Whistler (American, 1834-1903)
Soupe à Trois Sous, 1859 (Kennedy 49). Signed in the plate. Etching and drypoint on paper, plate size 6 x 9 in. (15.7 x 22.6 cm), framed.Condition: Not examined out of frame.$700-900
172James Abbott McNeill Whistler (American, 1834-1903)
Becquet, 1859, final state of four (Kennedy, 52). Unsigned. Etching on paper, plate size 10 x 7 1/2 in. (25.4 x 19.0 cm), framed.Condition: Subtle toning, not examined out of frame.$2,000-3,000
108 Additional information and photos at www.skinnerinc.com
171
172
173Zao Wou-Ki (Chinese, 1921-2013)
La théière, 1952, from the edition of 60 (Ågerup, 75). Signed (in Chinese characters) in pencil l.l., numbered “II/LX” in pencil l.r. Color lithograph on paper, image size 13 1/8 x 19 3/4 in. (33.2 x 49.8 cm), framed.Condition: Prevalent staining and toning, not examined out of frame.$500-700
174Zao Wou-Ki (Chinese, 1921-2013)
Untitled, 1968, printed by Imprimerie Arte, Paris, published by Al Lublin, New York (Ågerup, 192). Signed and dated “...68” in pencil l.r., numbered “36/95” in pencil l.l. Color etching and aquatint on paper, plate size 17 3/8 x 21 in. (44.0 x 53.0 cm), framed.Condition: Gentle rippling, not examined out of frame.$800-1,200
109Online bidding at www.skinnerinc.com
174
173
175William Lionel Wyllie (British, 1851-1931)
Two Thames Views: Barges on the Thames and River Traffic at the Southwark Bridge. Both signed “W.L. Wyllie” in pencil l.l. Etchings with drypoint (the latter with aquatint) on J. Whatman papers with watermarks, plate sizes 6 3/8 x 14 7/8 in. (16.0 x 37.7 cm), unmatted, unframed.Condition: Margins 1 1/2 inches or more, pale light-striking to Barges, mat burn and toning to margins of Southwark.$300-500
110 Additional information and photos at www.skinnerinc.com
175
FinePhotography Lots 176–207
176Ansel Adams (American, 1902-1984)
Moon and Half Dome, Yosemite National Park, California, c. 1960, a later printing from a special edition of prints, Photographs of Yosemite. Signed “Ansel Adams” in ink on the mount l.r., identified with Yosemite special edition stamp, numbered “1016 of S.E.Y. No 12” in ink on the reverse. Gelatin silver print mounted to paperboard, image/sheet size 9 3/4 x 7 3/8 in. (24.8 x 18.6 cm), unmatted, unframed.Condition: Good.$4,000-6,000
112 Additional information and photos at www.skinnerinc.com
176
177Harold Eugene Edgerton (American, 1903-1990)
Milk-Drop Coronet, 1936, probably a later printing. Signed “Harold Edgerton” in pencil on verso. Gelatin silver print, sheet size 20 x 16 in. (40.6 x 50.8 cm), unmatted, unframed. Condition: Unmounted.$1,200-1,800
178Harold Eugene Edgerton (American, 1903-1990
Antique Gun Firing, 1936, artist’s proof. Signed and inscribed “Harold Edgerton/...A/P” in pencil on verso. Gelatin silver print, sheet size 16 x 20 in. (40.6 x 50.8 cm), unmatted, unframed. Condition: Unmounted.$1,000-1,500
113Online bidding at www.skinnerinc.com
178
177
179Harold Eugene Edgerton (American, 1903-1990)
Two Athletic Studies: Moving Skip Rope, 1952, artist’s proof, and Densmore Shute Bends the Shaft, 1939. Both signed “Harold Edgerton” in pencil on verso, Skip inscribed “A/P” in pencil on verso. Gelatin silver prints, sheet sizes 16 x 20 in. (40.6 x 50.8 cm), unmatted, unframed.Condition: Unmounted.$1,200-1,800
180Harold Eugene Edgerton (American, 1903-1990)
Cutting the Card Quickly, 1964, artist’s proof. Signed and inscribed “Harold Edgerton/...A/P” in pencil on verso. Gelatin silver print, sheet size 16 x 20 in. (40.6 x 50.8 cm), unmatted, unframed.Condition: Unmounted.$1,200-1,800
114 Additional information and photos at www.skinnerinc.com
180
179
181Harold Eugene Edgerton (American, 1903-1990)
Cranberry Juice Dropping into Milk, 1978. Signed, dated, and inscribed “Harold Edgerton/1983 M.I.T.” in pen on verso. Chromogenic print, sheet size 20 x 16 in. (50.8 x 40.6 cm), unmatted, unframed.Condition: Unmounted.$1,800-2,200
182Harold Eugene Edgerton (American, 1903-1990)
Bullet through Apple, 1978. Signed “Harold Edgerton” in felt-tip pen in the margin l.r. Chromogenic print, sheet size 16 x 20 in. (40.6 x 50.8 cm), unmatted, unframed.Condition: Unmounted.$1,800-2,200
115Online bidding at www.skinnerinc.com
182
181
183Elliott Erwitt (American, b. 1928)
The Alchan Edition/Portfolio of Fourteen out of Fifteen Photographs. Each signed “Elliot Erwitt” in pencil on verso, identified “...The Alchan Edition 1980” on the colophon page. Gelatin silver prints, sheet sizes to 16 x 20 in., unmatted, unframed.Condition: Water and/or chemical staining to left side of portfolio and corresponding print edges, one with abrasions to left side.$3,000-5,000
116 Additional information and photos at www.skinnerinc.com
183
184Walker Evans (American, 1903-1975)
New York City Tenement Kitchen, 1931. Signed and dated “Walker Evans...” in pencil on the mount l.r., inscribed, titled, and dated “P58...” in pencil and identified with an artist’s stamp, Lyme, Connecticut, on verso. Gelatin silver print mounted to matboard, 6 3/4 x 9 1/4 in. (17.1 x 23.5 cm), unmatted, unframed.Condition: Good.
Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$1,000-1,500
117Online bidding at www.skinnerinc.com
184
185Walker Evans (American, 1903-1975)
Two Gelatin Silver Prints: Eagle’s Store, Selma, Alabama, 1935, and Window, Mystic, Connecticut, 1942Both signed and dated “Walker Evans...” in pencil on the matboard l.r., both identified with an artist’s stamp, Lyme, Connecticut, on verso, Window inscribed “Mystic, Conn.” and dated in pencil on verso. Gelatin silver prints mounted to matboard, sheet/image sizes to 7 1/4 x 9 1/2 in. (18.4 x 24.1 cm), unmatted, unframed.Condition: Eagle’s with minor lifting from mount l.r.
Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$2,500-3,500
186Walker Evans (American, 1903-1975)
Two Photographs of Buildings: Cherry Valley Home, 1934, and Uncle Sam Plantation, Louisiana, 1935. Cherry Valley signed and dated “Walker Evans...” in pencil on the mount l.r., both titled in pencil and identified with an artist’s stamp, Lyme, Connecticut, on verso. Gelatin silver prints mounted to matboard, sheet/image sizes to 6 1/8 x 9 1/4 in. (15.6 x 23.5 cm), unmatted, unframed.Condition: Good.
Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$2,500-3,500
118 Additional information and photos at www.skinnerinc.com
186
185
187Walker Evans (American, 1903-1975)
Post Office, Sprott, Alabama, 1936. Signed “Walker Evans” on the mat l.r. Gelatin silver contact print, sheet size 8 x 9 3/4 in. (19.0 x 23.5 cm), matted, unframed. Condition: Slight handling creases to u.l. quadrant.
Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$1,000-1,500
119Online bidding at www.skinnerinc.com
187
188Peter Hutchinson (British, b. 1930)
Venice at High Tide, c. 2000. Signed, titled, and inscribed in felt-tip pen on the mat. Photographic collage and mixed media on artist board, sight size 18 3/4 x 14 1/2 in. (47.7 x 46.8 cm), matted, framed.Condition: Floated in frame, not examined out of frame.
Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$1,000-1,500
189Peter Hutchinson (British, b. 1930)
Sketch for Rye Bread. Signed and inscribed in felt-tip pen on the mat. Photographic collage and mixed media on matboard, sight size 14 x 15 3/4 in. (35.6 x 40.0 cm), matted, framed. Condition: Not examined out of frame.
Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$1,000-1,500
120 Additional information and photos at www.skinnerinc.com
189
188
190Paul Ickovic (Czech, b. 1944)
PRAGUE/Portfolio of Nine Photographs, 1981, edition of 25. Each titled, dated, numbered, initialed, and embossed with a limited edition dry stamp “...16/25...,” identified on a colophon page. Gelatin silver prints, image sizes approximately 7 x 9 in. (17.8 x 22.9 cm), matted, unframed.Condition: Unmounted, housed in a linen-lined gray clamshell box.
N.B. Additional portfolio pages including an original wood engraving by Michael McCurdy and associated text accompany the lot.$2,500-3,000
121Online bidding at www.skinnerinc.com
190
191Klaus Knaup (German, 20th Century)
Portfolio of Thirty Tree Photographs, 1977-1980. Each signed and dated “Klaus Knaup...” in pencil in the margin l.r. Gelatin silver prints mounted to Schoellershammer paper mat, sheet sizes 7 x 9 1/2 in. (17.8 x 24.1 cm), matted, unframed, in a gray linen-lined clamshell box. Condition: Mounted.$800-1,200
192Heather Lin (American, 20th/21st Century)
Two Black and White Photographs: Arms and Legs, c. 2005. Unsigned. Inkjet prints on paper, sight sizes 19 1/2 x 20 1/2 in. (49.5 x 52.1 cm), matted, framed. Condition: Not examined out of frames.$300-500
122 Additional information and photos at www.skinnerinc.com
192
191
193Aaron Siskind (American, 1903-1991)
Four Photographs from HARLEM DOCUMENT, 1932-1940: Lafayette Theater, Church Singer, Cabaret Strip Dancer, and Cabaret Dancers. Each signed “Aaron Siskind,” Lafayette and Strip Dancer signed in felt-tip pen in the margin l.r., Strip Dancer titled and dated “Harlem 1937” in felt-tip pen in the margin l.l., Church and Cabaret Dancers titled and dated in pencil on verso. Gelatin silver prints, sheet sizes to 14 x 11 in. (35.6 x 27.9 cm), unmatted, unframed. Condition: Unmounted.$2,000-2,500
123Online bidding at www.skinnerinc.com
193
194Aaron Siskind (American, 1903-1991)
Four Street Scenes from HARLEM DOCUMENT, 1932-1940, including Pawn Broker Sign over Market, Bootblacks, Boys Selling Bags, and Furnished Room to Let. Each signed “Aaron Siskind,” Room in felt-tip pen in the margin l.r., three signed, titled, and dated “Harlem...” in pencil on verso. Gelatin silver prints, sheet sizes to 14 x 11 in. (35.6 x 27.9 cm), unmatted, unframed.Condition: Unmounted.$2,000-2,500
195Aaron Siskind (American, 1903-1991)
Lima 89, 1975, from HOMAGE TO FRANZ KLINE, edition of 50. Signed “Aaron Siskind” in the margin l.r., titled and dated “LIMA 89 1975” and numbered “47/50” in the margin l.l., identified with a Powers Gallery, Acton, Massachusetts, label on verso. Photogravure, image size 15 x 14 3/4 in. (38.1 x 37.5 com), matted, framed. Condition: Slight rippling, not examined out of frame.$800-1,200
124 Additional information and photos at www.skinnerinc.com
194
195
196Aaron Siskind (American, 1903-1991)
Portfolio of Six Photogravures: HOMAGE TO FRANZ KLINE, #2, 1982. Each titled, dated, inscribed, and signed “2/50...Aaron Siskind” in pencil in the margin, identified on colophon and within accompanying text. Photogravures, sheet sizes 26 x 22 in. (66.0 x 55.9 cm), unmatted, unframed. Condition: Unmounted, deckled edges.
N.B. Original text accompanies the lot.$2,000-3,000
197Aaron Siskind (American, 1903-1991)
Volcano 6, 1980. Titled, dated, and signed “...Aaron Siskind” in felt-tip pen in the margin, inscribed “V6-80...” in pencil on verso. Gelatin silver print, sheet size 20 x 16 in. (50.8 x 40.6 cm), unmatted, unframed. Condition: Unmounted.$1,800-2,200
125Online bidding at www.skinnerinc.com
197
196
198Joel Sternfeld (American, b. 1944)
After a Flash Flood, Rancho Mirage, California, July 1979, printed 1980, edition of 100. Titled, dated, numbered, and signed “...P - August 1980...print number ten...ektacolor RC 74...” in felt-tip pen on the reverse. Chromogenic print, sheet size 16 x 20 in. (40.6 x 50.8 cm), unmatted, unframed.Condition: Unmounted.$1,000-1,500
126 Additional information and photos at www.skinnerinc.com
198
199Jock Sturges (American, b. 1947)
Lidwine, Orleans, France, 1985, artist’s proof, edition of 4, printed 1985. Signed, dated, titled, and numbered “A084/Sturges ‘85/©/A.P. 1/4/...” in pencil on verso. Vintage gelatin silver print, 19 3/4 x 15 7/8 in. (50.2 x 40.3 cm), unmatted, unframed. Condition: Unmounted, slight tear at c.r. edge.$600-800
200Jock Sturges (American, b. 1947)
Anike, Gaelle et Marine; Montalivet, France, 1989, edition of 40, printed 1989. Signed, monogrammed, titled, dated, numbered, and inscribed “A009/JSturges ‘89/©/6/40...” in pencil on the reverse. Vintage gelatin silver print, sheet size 19 7/8 x 15 7/8 in. (50.5 x 40.3 cm), unmatted, unframed. Condition: Unmounted.
Provenance: From Paul Cava Fine Art, Bala Cynwyd, Pennsylvania, to the current owner.
N.B. A sale receipt from Paul Cava Fine Art dated August 10, 1989, accompanies the lot.$700-900
127Online bidding at www.skinnerinc.com
200
199
201Jock Sturges (American, b. 1947)
Marie, Montalivet, France, 1990, printed 1990, edition of 10. Signed, dated, numbered, and titled “Sturges ‘90/ © 1/10...” in pencil on verso. Vintage gelatin silver contact print, image/sheet size 10 x 8 in. (25.4 x 20.3 cm), unmatted, unframed. Condition: Unmounted.$600-800
202Jock Sturges (American, b. 1947)
Alice, Mylene et Coralie; Tuscany, Italy, 1998, edition of 40, printed 1998. Signed, monogrammed, dated, numbered, and titled “(B587) JSturges ‘98/©/6/40/...” in pencil on verso. Vintage gelatin silver print, 15 7/8 x 19 7/8 in. (50.2 x 40.3 cm), unmatted, unframed. Condition: Unmounted, handling creases c.l. and u.l.
Provenance: From Paul Cava Fine Art, Bala Cynwyd, Pennsylvania, to the current owner.
N.B. A sale receipt from Paul Cava Fine Art dated August 17, 1989 accompanies this lot.$700-900
128 Additional information and photos at www.skinnerinc.com
202
201
203Jock Sturges (American, b. 1947)
Vanessa, Montalivet, France, 2001, edition of 40, printed 2001. Signed, monogrammed, dated, numbered, and titled “C098/JSturges ‘01©/4/40...” in pencil on verso. Vintage gelatin silver print, sheet size 16 x 20 in. (40.6 x 50.8 cm), unmatted, unframed.Condition: Unmounted.$800-1,200
204Jock Sturges (American, b. 1947)
Eva, La Jenny, France, 2004, edition of 40, printed 2004. Signed, monogrammed, dated, titled, and numbered “C877/JSturges/’04/©/2/40...” in pencil on verso. Vintage gelatin silver print, sheet size 15 7/8 x 19 3/4 in. (40.3 x 50.2 cm), unframed.Condition: Unmounted.$800-1,200
129Online bidding at www.skinnerinc.com
204
203
205Jerry Uelsmann (American, b. 1934)
Untitled (Floating Tree), 1969. Initialed and dated “J.N.U. 1969” in pencil on the mount l.r., signed and dated in ink on the reverse of the mount, and with artist’s mailing label. Gelatin silver print mounted to matboard, image/sheet size 9 3/4 x 12 1/2 in. (24.7 x 31.5 cm), framed.Condition: Good.$1,000-1,500
130 Additional information and photos at www.skinnerinc.com
205
206David Vestal (American, b. 1924)
Broadway and 72nd Street, New York, 1961, printed 1971. Signed, titled, and dated in pencil on print verso, identified on a label from Robert Mann Gallery, New York, affixed to the reverse. Gelatin silver print, sight size 7 3/4 x 5 1/4 in. (19.7 x 13.3 cm), matted, framed. Condition: Mounted with photo corners to mat back.$400-600
207Katherine White (American, 20th Century)
Seven Works: Places, including Mulholland Drive. Each titled, numbered, and signed “.../5...Katherine White” in felt-tip pen on the mount. Chromogenic prints mounted to Crescent board, image/sheet sizes 12 x 12 in. (30.5 x 30.5 cm), unmatted, unframed.Condition: Slight fading.
Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $400-600
End of Fine Prints & Photography
131Online bidding at www.skinnerinc.com
207
206
132
Adams, Ansel ........................................... 176Agam, Yaacov .............................................. 1Albright, Ivan Le Lorraine ...........................2-4Anuszkiewicz , Richard .............................5, 6Appel, Karel .................................................. 7Arikha, Avigdor ............................................. 8Arman .......................................................... 9Arms, John Taylor ...................................... 10
Baechler, Donald ...................................11-13Barnet, Will .................................................14Baskin, Leonard ...................................15, 16Basquiat, Jean-Michel ................................ 17Beckmann, Max ......................................... 18Beham, Hans Sebald ................................. 19Benton, Thomas Hart ...............................19ABesnard, Albert .......................................... 20Bishop, Isabel ............................................. 21Blampied, Edmund ..................................... 22Bompard, Maurice ...................................... 23Bonnard, Pierre ..........................................24Bracquemond, Félix .................................. 25Bradford, William ........................................ 26Braque, Georges ................................26A, 27Burr, George Elbert .................................... 28
Cadmus, Paul ............................................. 29Calder, Alexander .................................30-35Cassatt, Mary ...................................... 36, 37Chagall, Marc ............................................. 38Chamberlain, John ..................................... 39Clark, Roland..............................................40Close, Chuck ..............................................41Cocteau, Jean ............................................42Corinth, Lovis .............................................43Cornell, Joseph ..........................................44Cross, Henri Edmond .................................45Cuevas, José Luis ......................................46
Dalí, Salvador .............................................47Davie, Alan .................................................48Degas, Edgar .............................................49Dine, Jim .................................................... 50Dix, Otto ..................................................... 51Domela, César ........................................... 52Dufy, Raoul ................................................. 53Dürer, Albrecht ...........................................54
Eby, Kerr .................................................... 55Edgerton, Harold Eugene ..................177-182Erni, Hans................................................... 56Erté, Romain de Tirtoff................................ 57Erwitt, Elliot............................................... 183Evans, Walker....................................184-187
Fairey, Shepard ....................................58, 59Fink, Aaron ...........................................60, 61
Gloeckner, Michiel ...................................... 62de Goya y Lucientes, Francisco José ...63, 64
Haring, Keith .............................................. 65Haring, Keith (After) .................................... 66Hassam, Frederick Childe ........................... 67Hayter, Stanley William .........................68, 69Hodgkins, Howard ..................................... 70
Hutchinson, Peter .............................188, 189
Icart, Louis ............................................71-77Ickovic, Paul ............................................. 190
Jongkind, Johan Barthold........................... 78Judd, Donald ............................................78A
Kelly, John Melville ..................................... 79Kent, Rockwell ......................................80-82Kirmse, Marguerite ...............................83, 84Knaup, Klaus ............................................ 191Koons, Jeff ................................................. 85
Landeck, Armin .......................................... 86Lee-Hankey, William ................................... 87Leff, Rita ..................................................... 88Lewis, Martin .............................................. 89LeWitt, Sol ............................................90, 91Lichtenstein, Roy ...................................92-94Lin, Heather .............................................. 192
Markham, Kyra ........................................... 95Masson, André ......................................96-98Miró, Joan ...........................................99-102Motherwell, Robert ................................... 103Mucha, Alphonse .....................................104
Neiman, LeRoy ................................105, 106
Parker, Ray .............................................. 107Pascin, Jules ............................................ 108Patterson, Margaret Jordan ...................... 109Pearlstein, Philip ....................................... 110Peterdi, Gabor F. ...................................... 111Picasso, Pablo (After) ............................... 117Picasso, Pablo ..................................112-116Pignon, Edouard ...................................... 118Poliakoff, Serge ........................................ 119Price, Chester B. ...................................... 120
Ramos, Mel .............................................. 121Rauschenberg, Robert ............................. 122Reinhardt, Ad ........................................... 123Remington, Frederic ................................. 127Rijn, Rembrandt van ..........................124-126Rops, Félicien Joseph Victor .................... 128Rouault, Georges ..................................... 129Rudolph, Wilhelm ..................................... 130
de Saint Phalle, Niki .................................. 131Saito, Kiyoshi ............................................ 132Sanchez, Emilio ........................................ 133Schanker, Louis........................................134Scholder, Fritz ..................................135, 136Shinoda, Toko .......................................... 137Signac, Paul ............................................. 138Simpson, Lorna ........................................ 139Siqueiros, David Alfaro ......................140-142Siskind, Aaron ...................................193-197Soyer, Raphael .........................................143Steir, Pat ..................................................144Stella, Frank .............................................145Sternfeld, Joel .......................................... 198Sturges, Jock ....................................199-204Sutherland, Graham .................................146
Tamayo, Rufino ................................147, 148Tobey, Mark ............................................ 150Toulouse-Lautrec, Henri de ......................149
Uelsmann, Jerry ....................................... 205
Veldheer, Jacobus Gerardus .................... 151Vestal, David ............................................ 206Vicente, Esteban ...................................... 152Villon, Jacques ..................................153-160
Warhol, Andy .....................................162-164Warhol, Andy (After) ..................161, 165, 166Warthen, Ferol Sibley ............................... 167Welliver, Neil ............................................. 168Whistler, James Abbott McNeill .........169-172White, Katherine ....................................... 207Wou-Ki, Zao .....................................173, 174Wyllie, William Lionel ................................ 175
Artist Index
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134
Upcoming Auction
Sybil Andrews (Canadian/British, 1898-1992), Haulers, 1929, linocut
September 20, 2013, Boston, MA
Consignment Deadline: June 21st, 2013
For more information, please contact the American & European Works of Art department at 508.970.3206, or email [email protected] or [email protected]
American & European Works of Art
136
Conditions of Sale1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.
2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.
3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate.
4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale.
Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.
5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.
6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.
7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item.
8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots.
9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston.
10. Except for property purchased via On-line Auctions, a premium equal to 20% of the final bid price up to and including $500,000, plus 12% of the final bid over $500,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyer’s premium on property purchased via On-line Auctions will be in an amount up to 23% of the final bid price.
11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.
12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent.
13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.
Revised December 17, 2012
Name (Please Print) Business Name
Address check if change in address
City State Zip Code
Phone # Alternate # email
Sale Title Sale Date
I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalog of this sale.
Absentee Bid Form
Marlborough Boston Phone Fax Mail Person Employee:
FOR OFFICE USE
Lot # Description Bid Price
Signature (Required) Date
63 Park PlazaBoston, MA 02116617.350.5400Fax 617.350.5429
274 Cedar Hill StreetMarlborough, MA 01752508.970.3000Fax 508.970.3100 www.skinnerinc.com
First Time Bidder? YES NO Customer #
Bid confirmation via email? YES NO
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63 Park PlazaBoston, MA 02116617.350.5400Fax 617.350.5429
274 Cedar Hill StreetMarlborough, MA 01752508.970.3000Fax 508.970.3100
www.skinnerinc.com
Board of Directors
Administration
Expert Departments
Chairman of the Board - Nancy R. SkinnerRichard AlbrightJohn DeightonBarnet FainStephen L. FletcherKaren M. KeaneAndrew Payne
President/Chief Executive Officer - Karen M. Keane
Chief Financial Officer - Don Kelly
Executive Vice President - Stephen L. Fletcher
Vice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr
20th Century Design - Jane D. PrentissAssistant: Shannon M. Ames
American & European Paintings & Prints - Robin S.R. StarrAssistants: Kathy Wong, Elizabeth C. Haff, Annie Claflin
American Furniture & Decorative Arts - Stephen L. FletcherDeputy Director: Chris Barber; Assistants: Karen Langberg, Kelli Lucas Stewart
American Indian & Ethnographic Art - Douglas Deihl
Antique Motor Vehicles - Jane D. Prentiss
Asian Works of Art - Judith DowlingAssistants: Karen Mak, Suhyung Kim
Books & Manuscripts - Devon Gray
Bottles, Flasks & Early Glass - Stephen L. Fletcher
Ceramics - Stuart G. Slavid
Clocks, Watches & Scientific Instruments - Robert C. CheneyAssistant: Jonathan Dowling
Couture - Anne Fallon
Discovery Auctions - Anne FallonAssistant: Melissa Riebe
European Furniture & Decorative Arts - Stuart G. SlavidAssistants: Leah Kingman, Stephanie Opolski
Fine Wines - Marie KeepAssistant: Michael J. Moser
Historic Arms & Militaria - Joel Bohy
Jewelry - Victoria BratbergAssistants: John Colasacco, Julie Khouri
Judaica - Kerry Shrives
Musical Instruments - David BonseyDeputy Director: Jill Arbetter
Oriental Rugs & Carpets - Gary RichardsAssissant: Erika Jorjorian
Silver - Stuart G. Slavid
Toys & Dolls - Anne Fallon
Auctioneers - LaGina Austin, Chris Barber, Robert C. Cheney,John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep,Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid,Robin S.R. Starr, Laura V. Sweeney
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Marlborough: Warehouse Manager - Fred Trottier, 508.970.3261
Boston: Property Distribution Manager - Jessica R. Lincoln, 617.874.4308
Auction Coordinator - Benjamin Evans, 617.874.4329
Marlborough: Accounts Receivable - Denise Johnson, 508.970.3269
Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268
Accounts Payable, Trade - Kevin Rota, 508.970.3283
Marlborough: Heather Retzke, 508.970.3240
Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Rachel Kingsley
Advertising Production - Pamela Van de Houten
Boston Gallery Director - Laura V. SweeneyAssistant Gallery Director: Paige LewellynGallery Assistant: Jessica Turner
Catalog Production - Pamela Van de Houten, Kristina Harrison
Consignment Services - Patricia Walker King, Megan J. Blomgren, Carol Zeigler
Customer Relations - Carol McCaffrey
Institutional Relations - L. Emerson Tuttle
Human Resources - Carol McCaffrey
Information Technology & Internet Auctions - Kerry ShrivesAssistants: Timothy Shaughnessey, Melissa Riebe
Managing Director - Marie C. Keep
Marketing & Public Relations - Kate de Bethune, Kathryn Gargolinski, Heather Retzke
Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, John Cornelius
Receptionists - Marlborough: Kealyn Garner
Boston: Sarah L. Collins
Staff Portraits - Cheryl Richards Photography
Transportation - Eric JonesAssistant: Mark McCaffrey
Service Departments
Exhibitions & Property Distribution
Finance Department
Subscriptions
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Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA 02116617.350.5400
From the West:Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.
From the South:Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.
From Logan Airport:Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.
From the North:Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.
Boston Hotels with SkinnerCorporate Rates
Parking
Boston Hotels
Indoor Parking
City Place Parking Garage8 Park Plaza (access on Charles Street)Mon.-Fri.: up to 1 hr.-$8, $4 each additional hr., to max $20Evenings (5pm-2:30am): $20 flat rateSat & Sun (6am-5pm): $5 per 1/2 hr.
MCCA Boston Common GarageZero Charles Street (between the Boston Common & Public Garden)Mon.-Fri.: up to 1 hr.-$10, $4 each additional hr., up to 10m hrs. $23, to max $28Evenings & Weekends: $12 flat rate
The Four Seaons Hotel Parking Garage200 Boylston Street$26 up to 2 hrs., $30 up to 3 hrs.,$35 up to 6 hrs., $49 all day
The Taj Hotel Parking Garage15 Arlington StreetUp to 24 hrs.-$44
LAZ Parking Back Bay Garage500 Boylston Street (222 Berkeley Street)617.266.7006Night & Day rates: 1/2 hr.- $8, 1 hr.- $10, 1 1/2 hr.- $18, 2 hrs.- $20, 2 1/2 hrs.- $26,3-24 hrs.- $37Weekend Rates: 1/2 hr.- $8, $2 each additional 1/2 hr., to max $22
Motor Mart Garage201 Stuart StreetUp to 1 hr.-$8, 1 to 2 hrs.-$12,2-3 hrs-$16/3-12 hrs.-$20/12-24 hr.-$31 weekends up to 3 hrs/$8
200 Stuart Street GarageAt Revere Hotel Boston Common200 Stuart Street 3-12 hrs.-$2212-24 hrs.-$40
Outdoor Parking(recommended for trucks)
LAZ Parking 130 Arlington Street617.426.0604$7 per 1/2 hr.$20 all day (weekdays only)$15 nights (starting at 4pm) and weekends
Billy’s Parking222 Stuart Street617.632.2881Mon-Fri 7:30am-5pm-$6 each 1/2 hr., $20 max$30 vans or trucks$25 during events in areaSat., Sun. & evenings $20 flat fee
Beacon Hill Hotel & Bistro25 Charles StreetBoston, MA 02114617.723.7575
The Colonnade120 Huntington AvenueBoston, MA 02116617.424.7000
Eliot Hotel370 Commonwealth Ave. Boston, MA 02215617.267.1607
Loews Boston Back Bay Hotel350 Stuart StreetBoston, MA 021161.855.495.6397
The Park Plaza64 Arlington StreetBoston, MA 02116617.426.2000
The Revere Hotel Boston Common200 Stuart StreetBoston, MA 02116Tel: 617.482.1800 Fax: 617.451.2750
Boston Harbor Hotel70 Rowe’s WharfBoston, MA 02110Tel: 1.800.654.2000Fax: 617.345.6799
Fairmont Copley Plaza138 St. James AvenueBoston, MA 02116Tel: 617.267.5300Fax: 617.375.9648
Four Seasons200 Boylston StreetBoston, MA 02116617.351.2036
The Liberty Hotel215 Charles St.Boston, MA 02114617.224.4000
Marriott Copley Place110 Huntington AvenueBoston, MA 02116Tel: 1.800.228.9290Fax: 617.236.5885
Nine Zero Hotel90 Tremont St.Boston, MA 02108617.772.5800
The Ritz-Carlton Boston Common10 Avery Street Boston, MA 02111Tel: 617.912.3315 Fax: 617.912.3375
Taj Boston15 Arlington St.Boston, MA 02116617.536.5700
Westin-Copley Plaza10 Huntington AvenueBoston, MA 02116Tel: 1.800.228.3000Fax: 617.424.7483
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Name Business Name
Mailing Address
City State Zip
email address Tel: ( )
Quarterly Brochure No charge No charge
(Included with catalog subscription)
American Furniture & Decorative Arts $120 $143
European Furniture & Decorative Arts $120 $143
American & European Works of Art $120 $143
Fine Jewelry $120 $143
20th Century Design $60 $73
Asian Works of Art $60 $73
Fine Oriental Rugs & Carpets $18 $25
American Indian & Ethnographic Art $60 $73
Fine Books & Manuscripts $30 $36
Fine Ceramics $60 $73
Fine Musical Instruments $60 $73
Science, Technology & Clocks $60 $73
Fine Wines $60 $73
All Above Departments $750 $915
Subtotal
MA residents 6.25% sales tax
Total
Please enclose payment with subscription form and mail or fax to:
Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100
Please check the appropriate boxes: U.S./Canada Foreign (payable in U.S. dollars only)
Catalog Subscription FormPrices effective July 1, 2010. Catalog subscription price includes quarterly brochure.
Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration.
Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com
MasterCard/VISA # Exp. Date
Signature Check enclosed
Fine Works of Art
508.970.3206
Leon Bakst (Russian, 1866-1924)
Costume for the Marchinesse (Hunting), 1921 for THE SLEEPING BEAUTY
The Robert Bunting Collection of Dance-related Art
September 20, 2013
in conjunction with
the Fine Prints and
Paintings auctions