FINE ART AND ANTIQUES INCLUDING SILVER Bonhams...A RUSSIAN SILVER FILIGREE CIGARETTE CASE maker’s...

FINE ART AND ANTIQUES INCLUDING SILVERTuesday 14 October 2014Wednesday 15 October 2014Oxford

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BonhamsBanbury RoadShipton on CherwellKidlingtonOxford OX5 1JH +44 (0) 1865 853 640+44 (0) 1865 372 722 (fax)

International Auctioneers and Valuers – bonhams.com

Bonhams 1793 LimitedRegistered No. 4326560 Registered Office: Montpelier Galleries Montpelier Street, London SW7 1HH +44 (0) 20 7393 3900 +44 (0) 20 7393 3905 fax

Bonhams 1793 Ltd DirectorsRobert Brooks Co-Chairman,Malcolm Barber Co-Chairman, Colin Sheaf Deputy Chairman, Matthew Girling Global CEO, Patrick Meade Global CEO,Geoffrey Davies, Jonathan Horwich, James Knight, Caroline Oliphant, Hugh Watchorn.

Bonhams UK Ltd DirectorsColin Sheaf Chairman, Jonathan Baddeley, Antony Bennett, Matthew Bradbury, Harvey Cammell, Simon Cottle, Andrew Currie, David Dallas, Paul Davidson, Jean Ghika, Charles Graham-Campbell, Miranda Grant, Richard Harvey, Robin Hereford, Asaph Hyman, Charles Lanning, Sophie Law, Fergus Lyons, Paul Maudsley, Gordon McFarlan,

Andrew McKenzie, Simon Mitchell, Jeff Muse, Mike Neill, Charlie O’Brien, Giles Peppiatt, Peter Rees, Julian Roup, Iain Rushbrook, John Sandon, Tim Schofield, Veronique Scorer, James Stratton, Roger Tappin, Ralph Taylor, Shahin Virani, David Williams, Michael Wynell-Mayow, Suzannah Yip.

FINE ART AND ANTIQUES INCLUDING SILVERAntique and Modern Silver and PicturesTuesday 14 October 2014 at 10.00

Furniture, Clocks and Works of ArtWednesday 15 October 2014 at 10.00Oxford

BONHAMSBanbury RoadShipton on CherwellKidlingtonOxford OX5 1JHbonhams.com

VIEwINGSaturday 11 October 09.00 to 12.00Monday 13 October 09.00 to 17.00Tuesday 14 October 09.00 to 17.00Wednesday 15 October 09.00 to 10.00

BIDS+44 (0) 20 7447 7448+44 (0) 20 7447 7401 faxTo bid via the internet please visit bonhams.com

Please note that bids should be submitted no later than 24 hours prior to the sale.

TELEpHONE BIDDINGBidding by telephone will only be accepted on lots with a low estimate in excess of £500

New bidders must also provide proof of identity when submitting bids. Failure to do this may result in your bid not being processed.

Live online bidding is available for this salePlease email [email protected] with ‘live bidding’ in the subject line 48 hours before the auction to register for this service

ENQUIRIES

Furniture, Carpets & Works of ArtMichael Wynell-Mayow [email protected]

Furniture and Works of Art Simon Davies [email protected]

Toby Messenger [email protected]

Frances Robinson [email protected]

Clocks Michael Welch [email protected]

Pictures Alicia Rogers [email protected]

Lizzie [email protected]

Silver Francesca Garvey [email protected]

CUSTOMER SERVICESMonday to Friday 8.30 to 18.00 +44 (0) 20 7447 7447

SALE NUMBER21837

CATALOGUE£10

Please see page 2 for bidder information including after-sale collection and shipment

Please see back of catalogue for important notice to bidders

pLEASE NOTEWe reserve the right to refuse entry into the saleroom. No coats or bags will be allowed into the saleroom and are left at owners’ risk.

ILLUSTRATIONSFront cover: Lot 283Back cover: Lot 191Inside front cover: Lot 661Inside back cover: Lot 298

IMpORTANT NOTICE TO ALL BUyERSPlease note in this catalogue there is no reference in the catalogue description of any presence of damage, repair or restoration. Condition reports on any lot with a low estimate of £500 or above are available by request from the department. In providing condition reports we do not guarantee or imply that there are no other defects present, which have not been mentioned. Please see the full conditions of sale printed in this catalogue.

IMpORTANT INFORMATIONThe United States Government has banned the import of ivory into the USA. Lots containing ivory are indicated by the symbol Ф printed beside the lot number in this catalogue.

Bids+44 (0) 20 7447 7448 +44 (0) 20 7447 7401 fax To bid via the internet please visit www.bonhams.com

PaymentsBuyers+44 (0) 20 7447 7447+44 (0) 20 7447 7401 fax

SellersPayment of sale proceeds+44 (0) 20 7447 7447+44 (0) 20 7447 7401 fax

Valuations, taxation and heritage+44 (0)20 7468 8340+44 (0)20 7468 5860 [email protected]

Catalogue subscriptionsTo obtain other catalogues or take out an annual subscription:Subscriptions Department+44 (0) 1666 502200+44 (0) 1666 505107 [email protected]

ShippingShipping Information (Excluding Book Sales)Unless you wish to use your own shipping company, please contact either of the below:

Mailboxes Etc. (Small Items Only)266 Banbury Road, Oxford, OX2 7DL+44 (0) 1865 514 655. [email protected]

Pack & Send3 Botley Road, Oxford, OX2 0AA+44 (0) 1865 260 [email protected]

SaleroomBanbury RoadShipton on CherwellKidlingtonOxford OX5 1JH

+44 (0) 1865 853 640 +44 (0) 1865 372 722 fax

Regional DirectorMichael Wynell-Mayow

Valuation EnquiriesAnna Pelly-FryCarol Knight

Furniture & Works of ArtToby MessengerFrances RobinsonSimon Davies

Oak Vernacular Furniture & Related Works of Art David HoulstonMegan Wheeler

SilverMichael Welch

PicturesAlicia RogersLizzie Collins

BooksJohn Walwyn-Jones

JewelleryFrances Noble Louise Dennis Hannah Ibison

Condition Reports

We highly recommend thatpotential buyers make efforts to inspect the lots in Oxford inperson, during our public viewing.

We expect that there may be a large number of condition enquiries, and the effect will be that clients submitting long and elaborate requests are likely to be dealt with after those with short and specific requests.

SALE INFORMATION

By Rail: Oxford train station

Oxford Rd

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Banbury Rd

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Shipton Rd

Oxford and A40A44

A4095

A4260Woodstock

Oxford

A409

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Shipton on Cherwell

Kidlington

FINE ART AND ANTIQUES INCLUDING SILVER | 3

ANTIQUE AND MODERN SILVERLots 1 - 235

4 | BONHAMS

OLD SHEFFIELD pLATE

1AN OLD SHEFFIELD pLATE pAIR OF wINE COASTERSThe lobed sides with fruiting vine borders to turned wooden bases, together with, another pair with gadrooned borders, a further pair with acanthus borders, a Victorian electroplated decanter stand, trefoil shape with central entwined tubular handle, a Victorian dessert stand, lacking glass liner in the form of a goat standing beneath three palm trees, with remaining electroplated wares. (Qty)

£250 - 350

ELECTROpLATE

2AN ELECTROpLATED wINE COOLEROf campana form, borders and handles embellished with fruiting vines, body part lobed, raised on a spreading circular base, height 25.5cm.

£500 - 600

3A VICTORIAN pAIR OF ELECTROpLATE ON COppER TwIN BRANCH, THREE LIGHT CANDELABRAcirca 1860 Of tapering stems with leafy cast borders, 49cm, a square cut corner salver, oval serving dishes, an oval shaped soup tureen with reeded loop handles, 42cm and other items of plated ware.

£400 - 600

4A VICTORIAN ELECTROTypE CELLINI pATTERN EwERby Elkington & Co Embossed with classical figure panels, height 31cm, and an Indian silver filigree work octagonal dish, late 19th Century, with segmented panels of scrolling foliate design, 24cm across, weight of weighable silver 13oz. (2)

£250 - 350

5A VICTORIAN ELECTROpLATED MIRROR pLATEAUby Elkington & Co., circa 1890 Of circular form with fluted sides and gadrooned border, diameter 42cm and a George IV set of four Old Sheffield plate candlesticks, circa 1820 with gadrooned borders.

£300 - 500

FOREIGN SILVER

6A DUTCH SILVER BACkED THREE pIECE BRUSH SET,small article mark and date letter for 1859 Each oval shaped brush decorated with standing classical figures within shield and scroll border, together with, a silver mounted pair of gents hair brushes, marks rubbed, three silver topped glass jars and a paper clip engraved ‘Xmas 1888’. (Qty)

£150 - 200

9


7A COLLECTION OF LATE 18TH CENTURy DUTCH SILVER AND SILVER-GILT FIGURAL SpOONSComprising: the following with tapering stems with loop detail: a spoon with a figural terminal of a baker, maker’s mark distorted, reverse of bowl initialled and dated 1769; a pair with crowned figures with shields, both with floral device maker’s mark only; another similar spoon, with same figural terminal, indistinct maker’s mark; two similar spoons, both with the same maker’s mark only, possibly by Ate Jorritsma, Bolsward, reverse of one bowl with inscription and dated 1779; and other spoons. (11)

£500 - 600

8AN AMERICAN pAIR OF LATE 19TH/EARLy 20TH CENTURy SILVER BON BON DISHESincuse mark of Black, Starr & Frost, New York Of boat form, wavy rim embellished with lillies and stylised interlocking branches, together with, two similar late 19th/early 20th century German sauce boats, one apparently unmarked, with wavy rims, raised on a circular foot, a silver fruit basket with swing handle, incuse mark Sterling, boat form, pierced foliate scroll body, weight 41oz. (4)

£300 - 350

9A DANISH SILVER OVAL FRUIT BOwLby A N Dragsted, Copenhagen 1900 In the neo-classical style, with raised angular side handles and laurel leaf border, the sides embossed with lobes and flutes and raised on four leaf scroll and claw feet, inscribed and dated, a cased set of six Swedish silver tot cups, by K Anderson, Stockholm, tapering cylindrical, gilt lined, with remaining wares, weight of weighable silver 31oz. (14)

£500 - 600

10A BURMESE wHITE METAL SCROLL CASEunmarked Of conventional form, with embossed scroll decoration, the cartouches depicting working elephants and an oxen on a farm, with farmers collecting the harvest, length 35cm.

£300 - 400

11A SET OF SIx SMALL LATE 19TH / EARLy 20TH CENTURy TURkISH SILVER zARFSwith Tughra marks Of conventional forms, plain bodies embellished with an upper engine-turning band, raised on screw fitted square foot, another example, with indistinct Tughra and Sah marks, with spiral lobed sides embellished with engraved stylised tulips, together with two Continental silver and silver-gilt zarfs, possibly Turkish, weight 11oz. (9)

£500 - 600

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12AN 18TH CENTURy GERMAN SILVER-GILT DISHBreslau, impressed “KYSCHKY”, probably Christoph Gottlieb Kyschky, circa 1770 Of shaped-circular form with acanthus scroll border, only the front gilded, underside initialled R O, diameter 24cm.

£300 - 400

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13A LATE 19TH / EARLy 20TH CENTURy GERMAN SILVER MODEL OF A CAMELwith pseudo German marks, possibly for Nerescheimer & Sohne, Hanau, circa 1900 Realistically modelled, standing form with detachable head, height 10cm, together with a late 19th / early 20th century German silver table bell, modelled as a medieval queen, by Neresheimer & Sohne, Hanau, circa 1900, realistically modelled with ruffed neck-piece and flaring dress, height 8cm, weight total 9oz. (2)

£300 - 400

14A 19TH CENTURy RUSSIAN SILVER FILIGREE CASkETmakers mark AB possibly Andrey Weckmann, Moscow 1874 also stamped with assay mark for Victor Savinsky Of pierced rectangular form, domed cover embellished with foliate scrolls, with floral finial, body similarly decorated as cover, raised on four pierced globular feet, length 6.5cm, weight 2.5oz.

£300 - 400


15A RUSSIAN pAIR OF MID 18TH CENTURy SILVER SHELL DISHESby Johann Lamourex, Riga, Elderman’s mark incuse A for Johans Didrihs Revalds (1749 - 1756) Shell form bowls with applied scroll handles, on three scroll feet, length 8.3cm, weight 6.7oz.

£300 - 400

16A RUSSIAN SILVER FILIGREE CIGARETTE CASEmaker’s mark AГ, Moscow 1866 Rectangular, cover and underside of pierced diamond pattern, both embellished with a central stylised foliate scroll, together with, two 20th century Russian cigarette cases, Moscow 1908-1927 Kokoshnik, rectangular, cover embellished with three phoenix surrounded by floral scrolls, the second Moscow 1908-1927 Kokoshnik, weight total 13oz. (3)

£500 - 600

17A MIxED QUANTITy OF EARLy 20TH CENTURy CHINESE AND JApANESE SILVER ITEMSvarious makers Comprising: a Chinese export basket, by Zee Sung, Shanghai, circa 1920, oval form, the flaring sides profusely pierced with bamboo plants, initialled, length 23cm, a set of twelve Chinese export silver coffee spoons, makers mark ‘ZS’, probably for Zee Sung, Shanghai, circa 1920, the terminals embellished with chrysanthemum sprays, gilded bowls, length 10.5cm, a model of a Chinese gondola, stamped with character marks only, with a Chinese figure supporting the tiller, length 13cm, three varying Chinese export silver napkin rings, an egg cup, a pepper pot, three Chinese metalware coin set dishes, a Japanese silver ash tray and a small quantity of flatware, weight 29.5oz. (Qty)

£300 - 400

18A LATE 19TH / EARLy 20TH CENTURy CHINESE ExpORT SILVER TAzzAby Tuck Chang & Co Ltd, Shanghai, circa 1900 Circular form with shaped flower-head and scroll rim, the bowl pierced with four panels of chrysanthemum sprays on a mottled ground, the waisted stem on a spreading circular base, diameter 22.5cm, together with a late 19th/early 20th century Chinese export swing-handled basket, by Tuck Chang & Co Ltd, Shanghai, circa 1900, with remaining silver wares, height 11cm, weight total 26.5oz. (3)

£400 - 500

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19A CHINESE SILVER TEA CADDyby Luen Wo, circa 1900 Of inverted baluster form, with pull-off cover, the sides embossed with scenes of figures and warriors on terraces before buildings, on a mountainous ground with flowering trees, height 13cm, weight 7oz.

£300 - 500

20A LATE 19TH CENTURy CHINESE SILVER MINIATURE TRAymakers mark ‘WA’, Canton, circa 1880 Rectangular form with incurved sides and canted corners, the gallery pierced with rampant dragons among clouds, the centre engraved with a mountain scene with a man standing on a bridge, raised on four ball feet, length 11.5cm, weight 4.2oz.

£300 - 400

21A pAIR OF 19TH CENTURy INDIAN SILVER CASTORSby Charles Nephew & Co, Calcutta or Simla circa 1850 - 1870, covers apparently unmarked Baluster forms, pierced domed pull-off covers with bell finials, body embellished with rocaille-’C’ scroll cartouches and flower heads on a foam ground, raised on a spreading circular foot, height 13cm, weight 8oz. (2)

£300 - 400

22A SwEDISH SILVER SET OF SEVEN TOASTING CUpSby K & E Carlson, Goteburg 1973 Of pedestal form with hammered finish, gilt interior, weight 7oz. (7)

£300 - 400

To be offered for sale on behalf of Cancer Research UK.

BOxES & MISCELLANEA

23AN EDwARDIAN SILVER CIGAR CASEby W.M Hayes, Birmingham 1905 Curved rectangular form with floral and foliate scrolls, length 13cm, together with a quantity of silver and plated items, weight of weighable silver 32 oz. (Qty)

£500 - 700

24Y

A SILVER AND MOTHER OF pEARL FRUIT SERIVICE FOR TwELVE SETTINGSby Henry Wigfull, Sheffield 1921 Of conventional form, together with, six grapefruit spoons, London 1911, ornate stems, a George III silver pair of cauldron salts, London 1760, of conventional form with blue glass liners, a silver pair casters, London 1964, with remaining wares. (Qty)

£500 - 600

25A SILVER SUGAR CASTERby William Hutton & Sons Ltd., Birmingham 1931 Of circular conventional form, with a pull off pierced lid, together with, a silver bon bon dish, London 1918, with an embossed beaded rim, raised on a pedestal foot, an Edwardian silver two-handled cup, Sheffield 1905, with a part fluted lower body, with remaining silver and plated wares, weight of weighable silver 14oz. (Qty)

£400 - 500

26A SILVER THREE pIECE TEA SERVICEby Walker & Hall, Sheffield 1937 Of circular form, with a stepped border, raised on pedestal feet, comprising; tea pot, sugar bowl, milk jug, together with, an Edwardian silver pedestal bowl, London 1906, embossed ribbon and swag decoration, with a wooden stand, a silver armada dish, Sheffield 1974, of conventional form, with remaining silver wares, weight of weighable silver 52oz. (Qty)

£400 - 500

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27A SILVER CAkE STANDby R F Mosley & Co., Sheffield 1913 With pierced and applied swag and festoon decoration, raised on a pedestal foot, together with, a Victorian silver mug, London 1880, of tapering form, monogrammed and inscribed, a silver set of three wine labels, Birmingham 1964, comprising; gin, sherry, whisky, a silver sauce boat, London 1923, of conventional form, weight combined 31oz. (6)

£300 - 500

28A GEORGE III SILVER FIDDLE AND THREAD pATTERN BASTING SpOONby William Eley & William Fearn, London 1804 Double struck, engraved with a crest, together with, three George III silver Old English pattern tablespoons, London 1809, a Victorian silver pair of fiddle pattern sauce ladles, London 1863, a silver toast rack, Sheffield 1912 with remaining silver and electroplated wares, weight of weighable silver 44.5oz. (Qty)

£600 - 700

29A SILVER CASTERby Selfridge & Co. Ltd., Birmingham 1939 Baluster body, with pierced pull-off cover, together with, a silver sauce boat, Birmingham 1946, of oval bellied form on three shell capped hoof feet, a silver cigarette box, Birmingham 1923, rectangular with engine turned cover, with remaining silver wares, weight of weighable silver 20oz. (Qty)

£250 - 350

30A VICTORIAN SILVER FIDDLE pATTERN SOUp LADLEby JR ER, Sheffield 1868 Engraved with a crest, together with, a Victorian silver pair of sweetmeat baskets, Sheffield 1898, length 11.75cm, weight combined 8oz. (3)

£200 - 250

31A VICTORIAN SILVER pAIR OF SALT CELLARSby Martin Hall & Co, Sheffield 1866 Cauldron shape, foliate embossed, raised on three hoof feet, together with, an Edwardian silver milk jug, Sheffield 1908, a silver christening mug, London 1928, a silver pair of napkin rings, Sheffield 1917, with remaining silver and plated wares, weight of weighable silver 23oz. (Qty)

£300 - 350

32A SMALL QUANTITy OF SILVER ITEMSvarious dates and makers Comprising: coffee pot, hot water pot, hip flask, mustard pot, cream jug, sugar bowl, pepper mill, cased porringer & spoon, and six cased teaspoons, weight total of weighable silver 46oz. (Qty)

£500 - 700

33A VICTORIAN SILVER THEAD SHELL AND DROp pATTERN STILTON CHEESE SCOOpby Elizabeth Eaton, London 1856 Crested, together with, a George III silver punch ladle, Birmingham 1911, with twist whalebone handle, with remaining silver wares, flatware and cutlery, weight of weighable silver 21oz. (Qty)

£350 - 400

34A VICTORIAN SILVER NOVELTy TOAST RACkby Heath & Middleton, London 1898 The four divisions as the letter spelling ‘TOAST’, on oval base and four bun feet, together with, a silver quaiche shaped bowl and matching spoon, London 1930, a silver pair of sweetmeat dishes, London 1924, circular pierced on three pierced feet, 11cm, with remaining silver wares, weight of weighable silver 20oz. (Qty)

£350 - 450

36 (part)

10 | BONHAMS

35AN EDwARDIAN SILVER THREE pIECE BACHELOR TEA SERVICEBirmingham 1904 Of baluster form, comprising tea pot, sugar bowl and milk jug, together with a Victorian silver tea pot, Sheffield 1899, of oval half-fluted form, a Victorian silver card case, Birmingham 1899, with fitted interior and various silver and electroplated wares to include two student lamps, weight of weighable silver 44oz.

£500 - 600

36AN INDIAN SILVER FRUIT BOwLstamped T.90, possibly Calcutta, circa 1900 The circular bowl embossed with hunting scenes involving tigers, lions, elephants, together with, a William IV silver tea caddy, Chester 1834, inscribed, an Edwardian silver covered candle holder, London 1834, with a two handled circular pierced tray with a pierced cover and red glass liner, with remaining silver wares, weight of weighable silver 35oz. (Qty)

£400 - 500

37A SILVER THREE pIECE CRUET SETby Nayler Brothers, London 1945 & 1946 With a cauldron shape salt cellar and mustard pot, raised on hoof feet, with salt spoons, together with, a Victorian silver mounted porcelain perfume bottle, the screw off cap Chester 1892, various silver mounted glass bottles and jars, a chick silver pin cushion, stamped ‘925’, with remaining silver and electroplated wares. (Qty)

£250 - 300

38A wILLIAM IV SILVER MILk JUGby Richard Pierce & George Burrows, London 1833 Of squat circular form, embossed with foliate decoration, raised on four shell feet, together with, a George III silver milk jug, London 1800, an applied gadrooned border and an angular handle, a George III Irish silver milk jug, Dublin 1863, engraved with scrolls raised on four ball feet, with three remaining silver milk jugs, weight combined 29oz. (6)

£300 - 400

39Y ФAN EDwARDIAN NOVELTy pIN CUSHIONby Adie & Lovekin, Birmingham 1905 Fashioned as a shoe with ‘cut steel’ decoration, together with, a George III silver scent bottle holder Birmingham 1785, tapering octagonal with bright cut borders, a Dutch silver comfit box, makers J K, in the form of an armoire, lift cover with gilt interior, with remaining silver wares. (Qty)

£400 - 500

40AN EDwARDIAN SILVER LADIES DRESSING TABLE SETby William Hutton & Sons Ltd., Birmingham 1908 With spot-hammered decoration, comprising; two hair brushes, two clothes brushes and a hand mirror, together with, a silver cigarette box, Birmingham 1934, with engine turned decoration, a silver case electroplated pocket watch (a.f.), Birmingham 1916, with remaining silver and plated wares, weight of weighable silver 3oz. (Qty)

£300 - 400

41A DUTCH SILVER TOy STEINby SBL, import marks for London 1899 Cylindrical, the hinged cover with cherub finial, together with, an Edwardian silver preserve spoon, London 1902, the pierced handle set with Maundy set 1d-4d, 1902, with remaining silver wares, weight of weighable silver 9oz. (Qty)

£150 - 200

42AN EDwARDIAN SILVER SET OF FOUR SALTSSheffield 1902 Of circular with gadrooned borders, chased with scrolls and flowers, on three pad feet, together with, a Victorian silver gilt christening mug, London 1856, with cast ram’s mask scroll handle, with engraved decoration, on scroll cast feet, initialled, height 7.5cm , and a silver mounted aneroid barometer, Birmingham 1904 , weight of weighable silver 19oz. (6)

£500 - 700

40 (part)


43A VICTORIAN SILVER NOVELTy pIN CUSHIONby Adie & Lovekin Ltd, Birmingham 1891 In the form of a shoe with polished granite inset panels and enamel tied bow, 9cm long, together with a cased Cross fountain pen, pencil and ballpoint writing set the nib stamped 585 and a Danish polished cedar lined cigarette box, a Dupont ballpoint pen and a small oval pill box, height 7cm, length 19cm.

£250 - 300

44A SILVER SET OF THREE ARMADA DISHESby the Royal Irish Company, Sheffield 1981 Of conventional form, two similar silver armada dishes, a silver presentation hip flask, Sheffield 1954, and a silver topped glass perfume dispenser, Birmingham 1925, or circular form, with remaining silver wares, weight of weighable silver 22oz. (Qty)

£300 - 350

45Y

A GEORGE III SILVER CASTERby R. Peaston, London 1769 Plain baluster form, height 13cm, together with a pair of George III peppers, London 1797, ovoid form, height 6cm, also including seven silver mounted mother of pearl table knives, unmarked, steel blades, weight of weighable silver 5oz. (10)

£300 - 400

46A SILVER SIx pIECE DOUBLE CONDIMENT SETby F C Richards, Birmingham 1925 & 1926 Comprising: a pair of drum mustard pots, pair of cauldron salt cellars and a pair of bun top pepperettes, four with blue glass liners, an Edwardian three piece silver tea service, London 1905, of panelled oval outline, comprising; teapot, sugar bowl, milk jug, with remaining silver wares, weight of weighable silver 59oz. (Qty)

£600 - 700

47A SILVER DOUBLE CRUET SETby Deakin & Francis, Birmingham 1917 Cased, with four silver spoons and blue glass liners, a collection of fourteen silver napkin rings, various dates and makers with four silver spoons and blue glass liners, a collection of fourteen silver napkin rings, various dates and makers a Victorian silver set of apostle coffee spoons, Birmingham 1877, an engraved Victorian silver needle case, Birmingham 1900, with remaining items of silver, weight of weighable silver 17oz. (Qty)

£400 - 500

48AN EDwARDIAN SILVER RECTANGULAR INkSTANDby Walter Keith, London 1903 With pierced galleries and mounted glass inkwell, raised on four feet, inscribed, a silver muffin dish, cover and liner, London 1924, crested, a silver drum mustard pot, London 1927, a silver tea caddy, Birmingham 1910, of lozenge shape with ring side handles with remaining silver and plated wares, weight of weighable silver 48oz. (Qty)

£750 - 850

49A VICTORIAN SILVER TEA pOTby Daniel & Charles Houle, London 1854 Of circular form, with engraved scroll decoration and ivory insulators, together with, a carriage clock, P. Orr & Sons, Madras, in a leather case, an open face pocket watch and silver cased goliath electroplated pocket watch, with an electroplated milk jug, weight of weighable silver 24oz. (5)

£500 - 600

50A SILVER TwO pART HIp FLASkSheffield 1920 Of rectangular arched form with bayonet action lid, initialled, a silver pair of candlesticks, by Aspreys, London 1977, Silver Jubilee mark, of baluster form, loaded, a silver mounted horn mug, a cold painted bronze owl, a French desk clock with paste border and a quantity of silverwares.

£700 - 900

50 (part)

12 | BONHAMS

51A SILVER FRAMED CLOCkby Keyford Frames Ltd., London 1990 Of square form, with ribbon and reed borders, the white dial with black roman numerals, together with, a silver framed clock, London 1989, of circular form, heavily embossed with grape and vine decoration, an electroplated swing handle basket, of lobed form, with pierced decoration raised on four ball feet, with remaining plated wares. (Qty)

£300 - 350

52AN EDwARDIAN SILVER TwO HANDLED pORRINGERLondon 1910 Of baluster form with embossed floral decoration, a Victorian silver beaker, London 1882, monogrammed and cased, an Edwardian silver pair of sugar castors, London 1907, of octagonal baluster form, silver lidded container and a silver letter opener, weight combined 31oz.

£400 - 500

53A VICTORIAN SILVER BUCkLEby Turnbull Brothers, Birmingham 1897 Cast and pierced with leafy scrollwork, another pricked with the date 1803, together with, a silver pair of menu Holders, Birmingham 1912, modelled as Partridge, a silver toast rack, Sheffield 1928, the base of a Victorian silver gilt vase, London 1899, a gold thimble, second half 19th Century, turquoise set, another inscribed, with remaining silver and electroplated wares, weight of weighable silver 25oz. (Qty)

£500 - 600

54A GEORGE III SILVER pAIR OF SAUCE BOATSmakers marks indistinct, London 1774 Of conventional form, raised on three hoof feet, together with, a George III silver milk jug, London 1761, of bellied form raised on three paw feet, a Victorian silver christening mug, Sheffield 1870, engraved decoration, a Continental silver goblet, marks indistinct, of knopped form, weight combined 19oz. (5)

£300 - 400

55A VICTORIAN SILVER DESk NOTE CLIpby William Richard Corke, London 1893 In the form of a horse shoe, on an ebonised base, together with, a Victorian silver pair of cauldron salt cellars, London 1869, foliate embossed, raised on three hoof feet, another similar pair of silver salt cellars, London 1872, with remaining silver wares, weight of weighable silver 16oz. (Qty)

£500 - 600

56A SILVER CIRCULAR SALVERby James Deakin & Sons, Sheffield 1933 Raised on scroll feet, together with, a silver flower vase, Sheffield 1913, pierced gallery and spreading hexagonal foot, a silver pierced tazza, London 1906, with remaining silver wares, weight with total 74oz. (Qty)

£700 - 800

57FIVE GEORGE III SILVER HOURGLASS pATTERN TABLESpOONSvarious dates and makers Engraved with a crest, together with, a Victorian silver inkstand, London 1899 with shell leaf scroll and gadroon borders, with associated silver mounted glass inkwell, a silver mug, London 1938, tapering cylindrical, inscribed, weight of weighable silver 32oz. (7)

£350 - 400

58A SILVER pAIR OF wINE TASTERSby Vander & Hedges; Tessiers Ltd., London 1936 - 1937 Of conventional form, together with, a silver wine coaster, London 1994, of plain form to a turned wooden base, a silver snuff box, London 1960, with engine turned decoration, with remaining silver wares, weight of weighable silver 29oz. (Qty)

£500 - 600

58 (part) 58 (part)


59A SILVER pAIR OF SAUCE BOATSby Carrington & Co., London 1936 Raised on three shell capped hoof feet, together with, a silver sugar caster, Sheffield 1937, of octagonal panelled form, with a pierced pull off lid, a silver set of four peppers, Birmingham 1937, of cylindrical form with bun lids, with remaining silver wares, weight of weighable silver 37oz. (Qty)

£500 - 600

60A GEORGE III SILVER CHRISTENING MUGby Rebecca Emes & Edward Barnard I, London 1815 Of barrel form, inscribed, together with, a Victorian christening mug, London 1847, of octagonal panelled form, with figures and a fountain engraved, a Victorian christening mug, London 1848, with remaining silver wares, weight combined 39oz. (Qty)

£750 - 850

61A VICTORIAN GLASS AND SILVER MOUNTED SCENT BOTTLEincused stamped A.W.P, Birmingham 1885 Triangular, plain knop with glass stopper, blue glass body painted with stylised leafs and flowers, with remaining silver wares, weight total of weighable silver 31oz. (Qty)

£600 - 800

62Y ФA GEORGE III SILVER AND IVORy HANDLED STILTON CHEESE SCOOpby Joseph Willmore, Birmingham 1811 Engraved with a crest and initial, together with, a George III silver Old English thread pattern marrow scoop, London 1811, a George IV silver fiddle pattern fish slice, London 1826, four pairs of George III & William IV silver sugar tongs, with remaining silver flatware and cutlery, weight of weighable silver 26oz. (20)

£500 - 600

63A VICTORIAN SILVER MOUNTED CLARET JUGby Thomas Henry Francis & Frederick Francis, London 1855 Ovoid form, beaded loop handle, glass body engraved with stylised flowers and foliage, height 27cm, together with a small quantity of German silver items, with remaining silver wares, weight of weighable silver 35oz. (Qty)

£500 - 600

64AN EDwARDIAN SILVER THREE pIECE TEA SERVICEby Atkin Brothers, Sheffield 1907 - 1908 Of oval part reeded form, together with, a silver pair of vases, Sheffield 1912, with applied decoration, a Dutch silver twin handled bowl, marks indistinct, chased with figures, scrolls and flowers, a Dutch straining spoon, six silver knife rests with windmill terminals, with remaining silver wares, weight combined 52oz. (Qty)

£500 - 800

65A SILVER HOT wATER pOTby Goldsmiths & Silvesmiths Co. Ltd., London 1938 Of baluster form, with an applied gadrooned border, raised on a pedestal foot, together with, a William IV silver pair of sauce ladles, Exeter 1834, monogrammed, a silver set of five teaspoons, Birmingham 1927, with remaining silver flatware, weight combined 32oz. (Qty)

£300 - 350

66A GEORGE III SILVER SALT pOTby Robert Hennell II, London 1816 Of pierced decoration, raised on a pedestal foot, with blue glass liner, together with, a George III silver set of three table spoons, London 1799, a George II/III silver matched pair of sauce boats, London 1755/1764, with wavy edges, with remaining silver flatware, weight combined 22oz. (Qty)

£350 - 450

67A SILVER THREE pIECE TEA SERVICEby J Gloster Ltd, Birmingham 1910 Of shaped outline, raised on bun feet, comprising; teapot, sugar basin and milk jug, together with, a Victorian silver mounted crocodile cigar case, London 1885, a Victorian oval silver locket and chain, a cased set of six silver grapefruit spoons and a Victorian silver cream jug, weight of weighable silver 37.5oz. (7)

£500 - 600

64 (part)

14 | BONHAMS

68A SILVER pAIR OF SAUCE BOATSby Horace Woodward & Co, London 1913 Helmet shape with serpentine rims, raised on hoof feet, a silver drum mustard pot, Sheffield 1918, two silver pepperettes, a George III silver caddy spoon, Birmingham 1810, bright cut engraved, set of six similar teaspoons, London 1799, and remaining items of silver and electroplate, weight of weighable silver 30oz. (Qty)

£350 - 450

69A CONTEMpORARy SILVER VASEby Asprey, London 1971 of tapering cylindrical form with textured sides, together with, a pair of silver cafe au lait pots, Sheffield 1909 & 1912, plain cylindrical tapering, a silver mounted glass whiskey noggin, together with a large Victorian electroplate circular salver, diameter 45cm, weight of weighable silver 20oz. (5)

£300 - 400

70A GEORGE II SILVER pAIR OF CAULDRON SALT CELLARSby William Hutchinson, date letter unclear, possibly London 1738 With moulded rims, raised on cast lion mask headed claw feet, crested and initialled, a similar silver salt cellar, London 1750, a Victorian silver pair of oval salt cellars, Sheffield 1886, part lobed and fluted and a Victorian silver breakfast cruet Sheffield 1896, weight combined 15oz. (6)

£350 - 450

71Y ФAN EDwARDIAN SILVER SUGAR SIFTERby Alexander Clarke & co., Birmingham 1906 Of octagonal panelled form, with a pull off lid, together with, a silver tea pot, Chester 1981, of oval form, raised on four paw feet, a Victorian ivory page turner, London 1894, the handle embossed with shells and scroll, with remaining silver wares, weight combined 41oz. (Qty)

£300 - 500

72A VICTORIAN pAIR OF SILVER TABLE STICkSby Walker & Hall, Sheffield 1900 Loaded, leaf moulded capitals on spiral columns and square stepped bases, a silver easel photograph frame, Birmingham 1929, a silver three piece bachelors tea service, Sheffield 1897, oval half gadrooned, with remaining silver wares, weight of weighable silver 20oz. (Qty)

£500 - 600

73A VICTORIAN SILVER HOT wATER pOTby John Angell II & George Angell, London 1841 Of panelled baluster form, with engraved scroll decoration, together with, a Victorian silver tea pot, Sheffield 1888, of oval part fluted form, with bright-cut decoration and beaded rims, a Victorian milk jug, London 1896, with remaining silver wares, weight combined 45oz. (6)

£500 - 600

74AN EDwARDIAN SILVER TEA pOTby George Nathan & Ridley Hayes, Chester 1906 Of circular form, embossed a swan amongst reeds the frieze embossed with a swan, greyhound and a fox surrounded by vine decoration, raised on four lion head capped paw feet, together with, an Edwardian silver pair of two handled bon bon dishes, London 1902, an Edwardian silver pedestal bowl, Sheffield 1905, with remaining silver wares, weight combined 70oz. (Qty)

£600 - 800

75A VICTORIAN SILVER pHOTOGRApH FRAMEby William Comyns, London 1887 Cast with two cherubs flanking on scroll framed aperture, together with, another silver faced photograph frame Birmingham 1899, circular with tied ribbon crest, with remaining silver ware. (14)

£150 - 200

74 (part)


76A SILVER ARMADA DISHby Reid & Sons Ltd., London 1961 Of conventional form, together with, a silver sugar caster, Birmingham 1911, of octagonal panelled form, with a pierced pull off lid, a silver milk jug and sugar bowl, Sheffield 1927, of rounded form, with a pierced gallery border, with remaining silver wares , weight of weighable silver 29oz. (Qty)

£300 - 400

77A SILVER pOTpOURRI pEDESTAL STANDby Nathan & Hayes, Chester 1912 Of Neoclassical form, with applied rams head and a pierced lid, together with, a silver waiter, Birmingham 1939, of square form with shaped corners, raised on three hoof feet, a silver sugar caster, Birmingham 1939, of octagonal baluster form, with remaining silver wares, weight combined 36oz. (Qty)

£500 - 700

78A VICTORIAN SILVER pAIR OF CANDLESTICkSby Harrison Brothers & Howson, Sheffield 1900 The swag decorated capitals, supported by a knopped reeded stem to a square foot, loaded, together with, a silver pin tray, Sheffield 1927, of oval form, with a ribbon reed border, an Edwardian silver toothbrush, Birmingham 1908, with remaining silver wares, weight of weighable silver 4oz. (Qty)

£300 - 400

79A GEORGE III SILVER MUGmakers mark indistinct, London 1764 Of plain baluster form with leaf capped double scroll handle, together with, a George III silver toast rack, London 1811, with 7-wire work divisions, a George III silver helmet shape milk jug, London 1803, with panelled sides, with remaining silver wares, weight combined 30oz. (Qty)

£500 - 600

80AN EDwARDIAN pAIR OF SILVER CANDLESTICkSby Turner Bradbury, London 1901 The cylindrical tapering columns with ribbon tied bell-flower swags and pendants, raised on stepped spreading scale work bordered bases, together with, a silver cigarette box, Birmingham 1937, with engine turned hinged cover, with remaining silver wares, weight of weighable silver 17oz. (Qty)

£300 - 350

81A VICTORIAN SILVER MOUNTED GLASS TOILET wATER BOTTLEby William Comyns, London 1892 The hinged cap and mount embossed with a figural scene, flowers and leaf scrolls, the glass cut with birds amongst flowering branches, together with, with remaining silver and electroplated wares, weight of weighable silver 6oz. (Qty)

£200 - 300

82Y ФA SILVER AND TOROISESHELL pIQUE RING BOxby William Comyns, Birmingham 1912 Circular raised on three cabriole legs, together with, three silver ashtrays, Birmingham 1953, circular with Celtic pattern rim, a Victorian silver ring box Birmingham 1894, rectangular, embossed with hinged cover, and other items of silver including four boxed napkin rings silver mounted block glass inkwell, weight of weighable silver 12oz. (Qty)

£250 - 350

83A SILVER MENORAby Alexander Smith, Birmingham 1963 Raised on a lobed foot, loaded, together with, a silver cigarette box, Birmingham 1949, with Celtic border, a silver cigarette box, Birmingham 1946, and with remaining silver and plated wares, height of Menora 26cm. (Qty)

£400 - 500

84A VICTORIAN SILVER SET OF FIVE FIDDLE pATTERN TABLE FORkSby William Eaton, London 1841 and another London 1846 Engraved initials, a Victorian silver pair of fiddle pattern dessert spoons, London 1846, a Victorian oak cased set of twelve pairs of electroplate Kings pattern fish knives and forks, with remaining silver wares, weight of weighable silver 37oz. (Qty)

£400 - 500

77 (part)

16 | BONHAMS

85A VICTORIAN SILVER HIp FLASkby George Adams, London 1865 With engine turned decoration and pull off cup/cover, monogrammed, a silver two part wine funnel and stand, by Garrard & Co. Ltd., London 1993, of typical form, cased, a silver baluster sugar castor, Birmingham 1966, a silver cream jug, Sheffield 1946 and other silver and plated wares, weight of weighable silver 26oz.

£500 - 700

86A VICTORIAN SILVER INkwELLby John Grinsell & Sons, London 1897 Square with canted corners and ogee sides, hinged cover, glass liner and star cut base, crested, together with, a Victorian silver mounted glass inkwell, London, 1899, circular with hinged cap, an Edwardian silver inkstand, Sheffield 1907, with remaining silver inkwells. (8)

£650 - 750

87AN EDwARDIAN SILVER SwING HANDLE BASkETBirmingham 1903 Of oval form with applied swag and ribbon decoration, raised on four ball feet, two silver rose bowls, London 1904, Birmingham 1912, two pairs of silver candlesticks, three silver Christmas tea spoons, a silver corkscrew and a silver cigarette box, weight of weighable silver 32.5oz.

£350 - 400

88A SILVER pRESENTATION INkSTANDby C S Harris & Sons Ltd., London 1919 Of conventional form, with two square receivers and two silver lidded glass inkwells, inscribed, together with, a Victorian silver pair of fish servers, London 1879, with pierced decoration, a George III silver marrow scoop London 1803, and a George III silver soup ladle, London 1801, length of inkstand 26cm, weight combined 40oz. (5)

£400 - 500

89A wILLIAM IV SILVER FRUIT SERVICE FOR TwELVE SETTINGSby William Eaton, London 1832/1833 Cased (a.f.), crested, together with, a George III silver milk jug, London 1804, of helmet form, a Victorian Irish silver table spoon, Dublin 1874, with remaining silver wares, weight of weighable silver 26oz. (Qty)

£500 - 600

90A SILVER MILk JUGby Samuel Roberts, London 1821 Of compressed lobed spherical form, leaf and shell embellished rim and loop handle, similar decoration to bracket paw feet, height 9cm, together with, a quantity of assorted silver and plated items, weight total of weighable silver 58oz. (Qty)

£500 - 700

MODERN SILVER

91A SILVER THREE-pIECE TEA SERVICEby Adie Bros, Birmingham 1930 Plain lobed oval forms, gadrooned rims, tea pot with Bakelite finial and wooden loop handle, together with a cased pair of napkin rings, London 1911, weight total 37oz. (4)

£400 - 500

85 (part)

85 (part)


92A SILVER TwO-HANDLED TRAyby Barker Brothers (Herbert Edward Barker & Frank Ernest Barker), Chester 1914 Of plain form, with a wavy shaped border, length from handle to handle 76cm, weight 135oz.

£1,200 - 1,800

93A SILVER TwO HANDLED TROpHy AND COVERby J B Chatterley & Sons, Birmingham 1930 In the form of a chalice, embossed with lobes and flutes and with laurel borders, the cover surmounted by a cast figure of an angel, inscribed, height 32cm.

£150 - 200

94A SILVER FOUR pIECE TEA SERVICEby Harrods Ltd., Sheffield 1935 Of ovoid form, raised on four ball feet with angular handles, comprising; tea pot, hot water pot, sugar bowl, milk jug, weight combined 63oz. (4)

£500 - 700

95A SILVER FIVE pIECE TEA AND COFFEE SERVICEby Walker & Hall, Sheffield 1918 Of angular baluster form with gadrooned borders, raised on ball feet, comprising tea pot, coffee pot, hot water kettle on stand with burner, sugar bowl, milk jug together with a silver pair of later sugar tongs, initialled, height of coffee pot 23cm, weight 110oz.

£800 - 1,200

96A SILVER TANTALUS wITH CUT GLASS DECANTERSby C J Vander Ltd, Sheffield, 2001 Of rectangular form, with stepped base, reeded decoration and tapered handle, containing two cut glass decanters, length 27.5cm.

£600 - 800

97A SILVER COpy OF THE CHETwIN CUpBy Carrington & Co. Ltd., London 1927 Of pear shape with large loop handles, engraved to each side with a coat of arms and engraved round the rim ‘1928 Copy of The Chetwin Cup (1657) presented to commemorate the First Charter granted to the Clothworkers Company 1528’., height 15cm, weight 20oz.

£300 - 400

98OF LIVERpOOL AND CHESTER INTEREST; A SILVER MOUNTED pRESENTATION pOTTERy VASEby Geoffrey Collis, Chester 1955 With plain neck and foot mounts to a brown pottery baluster vase, the spreading foot inscribed “Alderman R.R.Bailey Lord Mayor of Liverpool 1955-1956”, height 32cm.

£400 - 500

Geoffery Collis was an independent jeweller and silversmith based in Horton, near Chester.

97

92

98

18 | BONHAMS

99Y ФAN ART DECO SILVER MATCHED FOUR pIECE TEA SERVICEBy Viner’s Ltd., Sheffield 1946 - 1954 Of tapering octagonal form, engraved with Art Deco decoration, with ivory handles and finials, comprising; tea pot, hot water pot, sugar bowl, milk jug, height of hot water pot 15.5cm, weight combined 55oz. (4)

£1,000 - 1,500

100A SILVER FOUR pIECE TEA SERVICEby Mappin & Webb, Sheffield 1915 Of circular compressed form, with half fluted bodies and applied gadrooned borders, the handles composed of two serpents, comprising; tea pot, spirit kettle, sugar bowl, milk jug, weight combined 106oz. (4)

£1,500 - 2,000

101A SILVER FOUR pIECE TEA AND COFFEE SERVICEBirmingham 1961 Of oval baluster form, raised on four pad feet, comprising; tea pot, coffee pot, sugar bowl and milk jug, height of coffee pot 24cm, weight 60oz.

£500 - 600

102A SILVER SwING-HANDLED BASkETby Barker Brothers, Chester 1917 Of oval form, with pierced decoration, raised on a pedestal foot, together with, a Victorian silver dressing tray, Birmingham 1898, of rectangular form, embossed with foliate decoration, an Edwardian silver milk jug, Sheffield 1907, raised on a pedestal foot, weight combined 41oz. (3)

£400 - 500

100

99


103A SILVER OVAL TwO HANDLED TRAySheffield 1941 With applied plain and cartouche border, 41 x 23cm, weight 27oz.

£400 - 500

104A SILVER SALVERby Viners, Sheffield 1963 Of plain square form, raised on four scroll feet, length 34cm, weight 45oz.

£500 - 700

105A SILVER COFFEE pOTby James R Ogden & Sons Ltd., London 1933 Of conventional form, with a wooden scroll handle, together with, a silver matched hot water pot, Chester 1938, with a wooden scroll handle, a Victorian commemorative silver sugar castor, London 1896, embossed with scroll decoration, inscribed to base, height of coffee pot 22cm, weight combined 47oz. (3)

£400 - 500

106A SILVER FOUR pIECE TEA AND COFFEE SERVICEBirmingham 1938 Of circular panelled form, raised on a spreading foot, comprising; tea pot, coffee pot, sugar bowl and milk jug, height of coffee pot 20cm, weight 34oz.

£400 - 500

107AN ART DECO SILVER THREE pIECE TEA SERVICEby EHR, London 1948 Of circular tapering form, with simple vertical engraved decoration, comprising; tea pot, hot water pot, milk jug, together with, a George III silver tea pot, London 1816, of compressed circular form, with part fluted decoration, height of hot water pot 20cm, weight combined 61oz. (4)

£500 - 600

108A SILVER pEDESTAL FRUIT BOwLby Emile Viner, Sheffield 1940 Oval with pierced over-turned rim, together with, an Edwardian silver cased boudoir timepiece Chester 1903, plain cased with ‘C’ scroll handle on bun feet, height 6cm, length 4cm, weight of weighable silver 18oz.

£400 - 500

109A SILVER pAIR OF pINT MUGSBirmingham 1964 Of baluster form with S scroll handles, inscribed “Profit” and “Pleasure”, height 12.5cm, weight 20oz.

£300 - 400

110A SILVER TwO-HANDLED CAkE STANDby Cooper Brothers & Sons Ltd., Sheffield 1937 Of square form, with pierced decoration and an applied grape and vine border, raised on a pedestal foot, with pierced silver dividers, height 10cm, weight 29oz.

£350 - 450

103, 106

20 | BONHAMS

111AURUM: A MODERN SILVER-GILT COMMEMORATIVE GOBLETby Aurum Ltd., London 1977, limited edition 354/750 Commemorating ‘the Silver Jubilee in 1977 of her majesty Queen Elizabeth,’ the tapering bowl being supported by a lion rampant stem holding a crown and a shield, to a flaring panelled foot, height 18.5cm, weight 14oz.

£250 - 350

112A SILVER pAIR OF CANDLESTICkSSheffield 1919 Of octagonal knopped form with detachable sconces and facetted base, loaded, height 25cm.

£400 - 500

113A SILVER pIERCED BASkETby Viners, Sheffield 1938 Of circular shaped form with hand-pierced floral decoration, raised on a pedestal foot, together with, a silver lobed dish, Sheffield 1940, of circular form, raised on a pedestal foot and a silver tazza, Sheffield 1924, with pierced border, weight combined 43oz. (3)

£400 - 500

114A SILVER THREE LIGHT, TwO BRANCH CANDELABRAby E H P Co. Ltd., Sheffield 1946 With two scrolling reeded branches issuing from the central knopped column, raised on a shaped square foot, loaded, height 26cm, length 38cm.

£300 - 500

115A SILVER pAIR OF SAUCEBOATSby Richard Comyns, London 1937 With a wavy border, raised on three shell capped shell feet, weight combined 16oz. (2)

£250 - 350

111

113


FLATwARE

116A COLLECTED GEORGE III & IV OLD ENGLISH pATTERN CANTEENvarying dates and makers, comprising: 14 tablespoons, 6 by Solomon Hougham London 1795, 6 by Samuel Godbehere & Edward Wigan, London 1797, 6 table forks, by Thomas Dicks, London 1814, 6 dessert spoons and 6 dessert forks, variously engraved with crests, initials and monograms, weight 53oz. (32)

£500 - 550

117A VICTORIAN SILVER FISH SLICE AND FORkby Francis Higgins, London 1865 The handles depicting a Georgian lady and gentleman, to pierced and engraved blade and tings, crested, length of slice 33cm, weight 15oz.

£400 - 500

118A GEORGE III SILVER SET OF TwELVE TABLE FORkSLondon 1796 x 6, 1806 x 5, 1809 x 1 Crested, eleven George III and later table spoons, various makers and dates, other silver flatware and an electroplate fish slice, weight 65oz.

£500 - 700

119AN EDwARDIAN BEAD pATTERN pART CANTEEN FOR TwELVE pLACE SETTINGSby Walker & Hall, Sheffield 1908 Comprising; a soup ladle, a basting spoon, a sauce ladle, four table spoons, eight dessert spoons, table forks, dessert forks, initialled, weight 94oz.

£700 - 900

119

117

22 | BONHAMS

120A VICTORIAN SILVER FIDDLE pATTERN CANTEEN FOR SIx pLACINGSpredominately by Hougham and Cater, London 1849/52 Comprising; a basting spoon, two sauce ladles, dessert spoons, tea spoons, table forks and dessert forks, crested, three items by different makers and dates, weight 50oz.

£700 - 900

121A GEORGE IV SILVER pAIR OF FIDDLE pATTERN BASTING SpOONSby William Chawner, London 1824 Crested, two other silver basting spoons, various makers and dates, eleven George III silver Hanoverian pattern table spoons, various makers and dates, crested and various silver and plated flatware, weight of weighable silver 67oz.

£900 - 1,100

122A kING’S/QUEEN’S pATTERN SILVER COMpOSITE pART CANTEENVarious dates and makers Comprising; six table forks, two table spoons, six dessert forks, six dessert spoons, six teaspoons, six mustard spoons, four silver handled table knives, two silver handled dessert knives, an electroplated salad serving spoon, weight combined 62oz. (Qty)

£600 - 800

123A GEORGE IV SILVER SET OF FOUR SINGLE STRUCk kING’S pATTERN TABLE SpOONSby Walter & Patrick Cunningham, Edinburgh 1826 Monogrammed, together with, a silver three piece dressing table set, Birmingham 1915, with an embossed leaf boarder, comprising; mirror, comb, brush, cased, a silver set of twelve matched coffee spoons, Birmingham 1945/ Sheffield 1919, with remaining cased silver flatware, weight of weighable silver 30oz. (Qty)

£300 - 400

124A wILLIAM AND MARy SILVER TABLESpOONby William Penstone, London 1698 Pricked with contemporary initials and a date, together with, two George I silver Hanoverian tablespoons, London 1726 and another similar tablespoon, both initialled ‘MH’ and dated 1725, a George II Old English pattern silver set of tablespoons various dates with remaining silver wares, weight of weighable silver 44oz. (Qty)

£500 - 600

125A GEORGE III SILVER SET OF SIx TABLE SpOONSby Thomas Tookey, London 1779 Together with, an Edwardian silver pair of berry spoons, Sheffield 1901, of conventional form, a silver set of six tea spoons, Sheffield 1968, with remaining silver spoons, weight combined 23oz. (Qty)

£300 - 500

126A GEORGE III SILVER OLD ENGLISH pATTERN SOUp LADLEby H.Prince & Co., York 1801, makers mark, lion passant, duty mark, leopard’s head crowned, date letter P, journeyman’s mark Crested and intialled , length 35cm, weight 5oz.

£400 - 500

127A COLLECTION OF SILVER SpOONS Comprising: a Victorian cast silver limpet bowl ladle, by William Theobalds & Robert Metcalf Atkinson, London 1838, with entwined leaf scroll stem, a Victorian silver Dutch style silver and silver-gilt twisted stem sifter spoon, London 1854, female figural terminal, with remaining silver wares. (Qty)

£500 - 600

128SIx GEORGE IV - VICTORIAN SILVER FIDDLE AND THREAD pATTERN TABLESpOONSvarious dates and makers Double struck, together with, a Victorian silver pair of fiddle pattern sauce ladles, London 1853 and another similar London 1841, and nineteen further items of silver flatware, various dates and makers, weight combined 49oz. (28)

£500 - 600

126


129A GEORGE III SILVER SET OF FIVE OLD ENGLISH pATTERN TABLE FORkS,by T D, London 1770 Engraved with a crest, together with, George III - Victorian Old English pattern silver flatware, various dates a silver soup ladle, London 1801, a silver pair of sauce ladles London 1834, eight dessert spoons and twelve dessert forks, weight combined 47oz. (28)

£500 - 600

130NINE GEORGE I - III HANOVERIAN pATTERN SILVER TABLESpOONS,various dates and makers Together with, a George III silver pair of Old English pattern silver tablespoons, by George Smith London 1776, and another similar, weight combed 23oz. (12)

£300 - 400

131OF yORk INTEREST; A GEORGE III SILVER SET OF SIx OLD ENGLISH pATTERN TABLE FORkSby Hampson & Price, York 1793 makers mark, lion passant, duty mark, leopard’s head crowned, date letter g Initialed, length 20cm, weight 12oz.

£300 - 400

132A VICTORIAN SILVER FIDDLE THREAD AND SHELL pATTERN MATCHED CANTEEN FOR TwELVE SETTINGSby John Taylor/ Henry Holland, London, various dates Comprising; table forks, table spoons, dessert fork, dessert spoons, teaspoons, together with, a George IV Scottish silver pair of sauce ladles, Glasgow 1819, initialled, weight combined 140oz. (Qty)

£1,200 - 1,500

132

131

131 (detail)

24 | BONHAMS

133A GEORGE III SILVER SET OF FOUR GAME SkEwERSby Jonathon Perkins I, London circa 1770 Of tapering form with shell finials, together with, a George III silver punch ladle, by Fuller White, London circa 1760, the shaped bowl to a knopped wooden handle, monogrammed, length 48.5cm, weight of weighable silver 2oz. (5)

£300 - 400

134A VICTORIAN SILVER AND EBONISED wOOD TOASTING FORkby Nathan & Hayes, Chester 1898 The spiral turned handle to pierced tings, length 46cm, a George III silver pair of bright cut sauce ladles, incuse mark, London 1784, two George III silver basting spoons, London 1808 and 1812, and other silver flatware, weight of weighable silver 36oz.

£400 - 500

135A SILVER OLD ENGLISH pATTERN SERVICE FOR SIx SETTINGSby Goldsmiths & Silversmiths Co. Ltd., London 1922 Table forks, table spoons, dessert forks, dessert spoons, together with, a William IV silver set of fiddle pattern teaspoons, London 1832, all monogrammed, with seven table knives, weight of weighable silver 49oz. (Qty)

£500 - 700

136A GERMAN SILVER FLATwARE SERVICEimpressed 800 Placings for six, the front of stems with a relief rococo scroll decoration and cartouche over a fluted ground, initialled reserves, comprising: table forks, table spoons, dessert forks, teaspoons, table and dessert knives, together with a pair of fish servers, gilt steel blades and tines and a two-pronged fork, weight excluding knives 36.5oz.

£400 - 500

136AA SILVER SET OF THREE TABLE SpOONSby Goldsmiths & Silversmiths Co. Ltd., London 1982 With scroll decoration, together with, a French silver set of fruit knives, stamped with Minerva’s head, with loaded handles, monogrammed, with a French Christofle fish service for six settings, with remaining Continental silver, weight of weighable silver 26oz. (Qty)

£400 - 500

137A GEORGE III SILVER OLD ENGLISH pATTERN SOUp LADLELondon 1759 Initialled H over R*S, a George III silver fish slice, London 1803, with pierced and engraved decoration, a George III silver pair of sauce ladles, London 1810, and other silver flatware , weight 47oz.

£500 - 700

135


138Y

A SILVER AND MOTHER OF pEARL MATCHED DESSERT SERVICE FOR TwENTy FOUR SETTINGSby Viner’s Ltd/ Goldsmiths & Silversmiths Co. Ltd., Sheffield 1937 One fork deficient, with silver blades and tines, together with, a silver fish service for twelve settings, Sheffield, various dates, with silver tines and blades, crested. (Qty)

£600 - 800

139Y ФA GEORGE III SILVER CADDy SpOONpossibly Josiah Snatt, London 1805 With a heart shaped bowl, monogrammed, together with, four other silver caddy spoons, a Victorian silver pair of fish servers, London 1848, with pierced tines and blade, a George III marrow scoop, London 1769, of conventional form, a Victorian silver and ivory handled bread fork, Sheffield 1897, cased, with remaining silver flatware, weight of weighable silver 43oz. (Qty)

£650 - 750

140A SILVER OLD ENGLISH COMpOSITE CANTEEN OF CULTERy FOR SIx SETTINGSby various makers and dates Comprising; table spoons, Sheffield 1918,initialled, dessert spoons, Sheffield 1925, table forks, London 1903, initialed, table and dessert knives, Sheffield 1975 together with six Victorian silver table knives, London 1845, weight of weighable silver 54oz.

£800 - 1,200

140

139

26 | BONHAMS

VERTU

141A VICTORIAN SILVER SNUFF BOxby Frederick Marson, Birmingham 1857 Of rectangular form profusely engraved with scroll decoration, together with, an Edwardian silver tobacco box, Birmingham 1909, of plain circular form, a George III silver snuff box, Birmingham 1808, of curved rectangular form with bright-cut decoration, with remaining silver boxes, weight combined 16oz. (Qty)

£700 - 800

142A NOVELTy SILVER CAST MODEL OF SCROOGEby C.K.Ltd., London 1975 Depicted standing wearing a night cap and holding a chamber stick, height 22cm, weight 62oz.

£500 - 600

143A VICTORIAN SILVER GILT AND TURQUOISE SET CARD CASEby Robert Thornton, Birmingham 1866 Of lobed form, the border set with cabochon cut turquoise stones, (three deficient), engraved with scrolls, monogrammed, height 10.9cm, weight 3oz.

£500 - 700

144A GEORGE III SILVER VINAIGRETTEby Thomas Wilmore, London 1800 Of oval form with bright-cut decoration, monogrammed, together with, a George IV silver vinaigrette, Birmingham 1828, of rectangular form, with engine turned decoration, a Victorian silver vinaigrette, Birmingham 1880, of rectangular form with a wavy edge, initialled, with remaining vinaigrettes. (Qty)

£600 - 800

145A 19TH CENTURy SOUTH-AFRICAN SILVER DECANTER LABELby Johannes Combrick Senior, Cape Town 1830 one Madeira label, shaped rectangular form with incised title, together with; one Rum label and one Sweet Wine label by Elizabeth Muns, London 1801 and 1806, rectangular with rounded corners and incised title, one Madeira label and one Port label by Charles Rawlings & William Summers, London 1845, and other labels. (9)

£300 - 400

142

143


146A VICTORIAN SILVER AND ENAMELLED GOLF BAG NOVELTy ‘CAyENNE’ pEppERpossibly by Henry Stewart Brown, London 1900 Realistically modelled with clubs, with an unmarked metal spoon also modelled as a club, together with a Victorian silver top hat novelty pepper, Birmingham 1891, realistically modelled, pierced pull-off cover, an Edwardian silver Welsh hat pepper, Birmingham 1908. (3)

£300 - 400

147A VICTORIAN SILVER TOBACCO BOxby George Unite, Birmingham 1894 Of oval form, with reeded decoration, together with, a silver tobacco box, Chester 1915, of curved rectangular form, an Edwardian silver Vesta case, Birmingham 1903, with engine turned decoration, with remaining various silver boxes, weight combined 17oz. (Qty)

£600 - 800

148A GEORGE III SILVER pAIR OF SpECTACLESby Charles Rawlings, London 1796 Of plain form, with fold over arms, a William IV silver vinaigrette, by Nathaniel Mills, Birmingham 1837, with engine turned decoration, a Victorian silver vinaigrette, Birmingham 1843, and other silverware, weight of weighable silver 6oz. (7)

£500 - 600

149A SILVER MODEL OF A STALLIONby John Pinches, after Lorne McKean, bearing import marks, London 1975 Realistically modelled, cased, height 12cm, weight 19oz.

£250 - 300

150A CONTINENTAL SILVER-GILT pILL BOxdated 1758, possibly Belgian Of shaped cylindrical panelled form, with scroll engraved decoration, together with, a Dutch silver pill box, late 19th century, embossed with columns, weight combined 1oz. (2)

£300 - 500

146 (part)

147 (part)

149

150

28 | BONHAMS

151A wILLIAM IV SILVER SNUFF BOxby E.C, Birmingham 1833 Of rectangular form, with an applied border and reeded decoration, crested and initialled, length 8.5cm, weight 3oz.

£300 - 400

152AN ANGLO-INDIAN SECTIONAL BONE wALkING CANE19th Century The grip carved in the form of an animal mask, 87cm, another 19th Century walking cane and a tortoiseshell mantilla comb, the silver gilt white paste set ribbon tied mount stamped ‘935’. (3)

£250 - 300

153A VIENNESE GILDED wHITE METAL AND ENAMEL CABINETearly 20th century In the form of a cabinet on stand, the top section composed of alternate bloodstone and romantic enamelled panels inset with hardstone cameos, with opening doors, raised on a similarly decorated lower stand with pull out drawer, 19 x 10 x 5cm.

£500 - 600

154A RUSSIAN SILVER-GILT AND ENAMEL BOx1908-1917 St.Petersburg marks Of circular form, with pale blue and white guilloche enamel decoration with gilt highlights, 6 x 2.5cm.

£400 - 500

154

153

151


155A RUSSIAN SILVER-GILT AND AGATE CIGARETTE BOxpost Revolution St. Petersburg control marks Of rectangular form, the front with an applied family crest to the agate panel, garnet cabochon thumb-piece, 9 x 7 x 1.5cm.

£600 - 800

156A LATE 19TH CENTURy wHITE METAL AND MAMMOTH TOOTH SNUFF BOxunmarked Of rectangular form inset with plain panels, 9 x 6 x 3cm.

£300 - 400

157A VICTORIAN SILVER CARD CASEby Collins & Cook, Birmingham 1874 In the form of a book with all over engraved decoration, opening to reveal a fitted interior, an Edwardian silver card case, Birmingham 1903, with embossed and scroll decoration, a Victorian aesthetic movement card case, unmarked, circa 1880-90, and a Victorian silver telegram message pad, Birmingham 1901. (4)

£500 - 600

158A GEORGE III SILVER SNUFFER TRAypossibly Peter Desvignes, London 1775 Of oval form, with two applied rams heads and a beaded border, crested, together with, a tortoiseshell and silver trinket box, Birmingham 1919, with inlaid decoration raised on four tab feet, loaded, with remaining silver items, length of tray 20.5cm, weight of weighable silver 7oz. (5)

£250 - 350

155 156

157

158

30 | BONHAMS

159A VICTORIAN SILVER CARD CASEby George Unite, Birmingham 1878 With engraved decoration, monogrammed and cased, together with, a late 19th century 18K gold open face pocket watch and a silver open face pocket watch, weight of weighable silver 2oz. (3)

£300 - 500

160A wILLIAM IV SILVER-GILT VINIGRETTEby Nathanial MIlls, Birmingham 1836 Of rectangular form, together with, a George III silver snuff box, Birmingham 1790, initialled, with reeded decoration, initialled, a silver castle top snuff box, Birmingham 1977, depicting Windsor castle, with remaining silver boxes, weight combined 3.5oz. (6)

£500 - 600

161A GEORGE IV SILVER SNUFF BOxby John Jones III, London 1824 With woodland scenes featuring stags and doe, together with, a George III silver-gilt vinaigrette, Birmingham 1802, with a reeded exterior, a George III silver vinaigrette, Birmingham 1819, with engine turned decoration, with remaining snuff and vinaigrette boxes, weight combined 6oz. (Qty)

£800 - 900

162A VICTORIAN SILVER CHATELAINEby Colen Hewer Cheshire, Birmingham 1890 The clip with pierced with foliate scrolls, suspending; a pen knife, several coins, a needle holder, a pin cushion, a half sovereign holder, a scent bottle, together with, a Victorian silver card case, Birmingham 1862, with remaining silver card cases, weight of weighable silver 16oz. (Qty)

£500 - 600

163A CONTINENTAL SILVER pAIR OF kNIGHTSby Israel Segalov London 1925, bearing import marks Each depicted with carved bone faces, wearing full armour, two with helmets with articulated visors, holding a shield decorated in relief with a coat of arms in one hand and a sword or a halberd in the other, raised on a foliate cast pierced plinth, height 22cm, weight combined 30oz.

£500 - 700

164A VICTORIAN SILVER SNUFF BOxby T Beardsmore, Birmingham 1895 Shaped rectangular with engine turned base and hinged cover, inscribed ‘Presented to The Bacon Club by R J Willis 1896’, together with, a Victorian silver snuff box, Birmingham 1841, shaped rectangular, leafy scroll engraved, inscribed, a George III silver vinaigrette, Birmingham 1811, rectangular, engine turned, weight combined 5oz. (4)

£300 - 400

165A GEORGE III IRISH SILVER SNUFF BOxby James Keaton, Dublin 1796 Of oval form, with bright-cut detail, together with, a William IV silver vinaigrette, Birmingham 1835, monogrammed, a George III silver vinaigrette, Birmingham 1802, with filigree insert, with remaining vinaigrette, weight combined 4oz. (Qty)

£500 - 600

165 (part)

163

160 (part)


166AN AMERICAN SILVER DESk TOp THERMOMETERstamped ‘Cartier sterling’ Of spreading circular form, with original box and baize pouch, together with, a Dutch silver coffee pot, circa 1890, baluster form with pull-off cover, embossed with scenes of a shepherd and sheep and a canal, with remaining silver wares, weight of weighable silver 19oz. (Qty)

£250 - 350

ANTIQUE SILVER, pRE 1914

167AN EDwARDIAN SILVER DEMI-FLUTED pRESENTATION ROSE BOwLby Mappin & Webb, Sheffield 1907 Together with, a Victorian silver mug, Birmingham 1879, in the Aesthetic manner, an Edwardian silver teapot, London 1902, a Victorian silver pair of flower holders, Sheffield 1899, with remaining silver wares, weight total excluding loaded items 55oz. (Qty)

£600 - 800

168A SILVER SwING-HANDLED BASkETby Mappin & Webb, London 1913 Shaped circular form with raised reeded pie-crust rim, plain reeded handle, raised on a similar spreading shaped circular base, diameter 23cm, together with a quantity of silver, various dates and makers, with remaining silver wares, weight total 56oz. (Qty)

£500 - 700

169A SILVER wAITERwith cancelled hallmarks and London Assay Office number 9037 Shaped-circular form, open-work cast fruting vine border on three open-work floral bracket feet, diameter 20.5cm, weight 8oz.

£500 - 600

170AN EDwARDIAN SILVER CORINTHIAN TABLE LAMpby Goldsmiths & Silversmiths Co. Ltd., London 1905 Of conventional form, with stepped bases embossed with classical leaf decoration and a gadrooned border, loaded, inscribed, height 52cm.

£800 - 1,200

171AN EDwARDIAN SILVER MILk JUGby Wakely & Wheeler, London 1906 Helmet shaped with bright cut decoration cartouche and crest, together with, and a George III cream jug, London 1793, plain helmet shape on square pedestal foot, height 15cm, weight of weighable silver 11oz. (2)

£280 - 320

172AN EDwARDIAN SILVER MOUNTED EASEL MIRROR,by William Comyns, London 1904 The rectangular bevel edge plate in a frame embossed with curved lobes, together with, a pair of silver mounted photograph frames, Sheffield 1993 and another similar. (4)

£250 - 350

173Y ФAN EDwARDIAN BACHELORS THREE pIECE TEA SERVICEby Elkington & Co., Birmingham 1908 With beaded rims, and embossed part fluted decoration, the tea pot with ivory insulators, comprising; tea pot, sugar bowl, milk jug, together with, an Edwardian silver basket, Sheffield 1903, with pierced decoration raised on four scroll feet , weight combined 34oz. (4)

£400 - 500

174AN EDwARDIAN SILVER SALVERby Thomas Bradbury & Sons Ltd., London 1907 With a wavy border, raised on three hood feet, together with, an Edwardian silver waiter, London 1904, of square form with shaped corners, raised on four ball feet, with three silver waiters, weight combined 60oz. (5)

£600 - 800

170

32 | BONHAMS

175AN EDwARDIAN SILVER CENTRE-pIECEby Walker & Hall, Sheffield 1903 The three section body composed of a tapering vase to a central dish, raised on a spreading foot, the whole with pierced borders, height 38.5cm, weight 34.5oz.

£800 - 1,200

176AN EDwARDIAN SILVER THREE-pIECE MATCHED TEA SERVICEby Henry Stratford, Sheffield 1900 - 1903 Of oval form, with a reeded waist, gilt interior, comprising; tea pot, sugar bowl, milk jug, together with, an Edwardian silver hot water pot, London 1901, raised on a spread foot, weight combined 40oz. (4)

£400 - 500

177AN EDwARDIAN SILVER pEDESTAL BOwLby Edward Barnard & Sons Ltd., London 1902 Embossed with foliate decoration, raised on a pedestal foot, inscribed, height 18.5cm, weight 34oz.

£400 - 500

178AN EDwARDIAN SILVER DISH RINGby James Wakely & Frank Clarke Wheeler, Dublin 1901 Of conventional form, with pierced decoration, embossed with, flowers, rams, goats, a piper and a lady, together with, a George III silver goblet, by William Burwash & Richard Sibley, London 1810, embossed with fruit and scroll decoration, crested, diameter of dish ring 19.5cm, weight combined 20oz. (2)

£400 - 500

177175

178


179Y ФAN EDwARDIAN SILVER FOUR pIECE TEA SERVICEby Gorham Manufacturing Co., Birmingham 1908 Of panelled form, with applied beaded borders, angular handles with ivory insulators comprising; tea pot, coffee pot, sugar bowl, milk jug, weight combined 54oz. (4)

£500 - 600

180AN EDwARDIAN SILVER SpIRIT kETTLEby Joseph Rodgers & Sons, Sheffield 1911 Of wavy ovoid form, with an ebonised wood handle and finial, crested, without stand, weight 25oz.

£250 - 350

181AN 18TH CENTURy STyLE TwO-HANDLED SILVER ROSE BOwLby R F Mosley & Co, Sheffield 1907 Circular tapering form with applied reeded girdle, bi-bifurcated flying scroll handles, the lower body applied with ornate cut-card strapwork, on a spreading circular base, length handle to handle 35cm, together with a George III silver Onslow pattern serving ladle, by Thomas Evans, London 1773, typical form with fluted bowl, length 34cm, weight total 49.5oz. (2)

£500 - 700

182A VICTORIAN/ EDwARDIAN SILVER pAIR OF TwO BRANCH, THREE LIGHT CANDELABRAby Harrison Brothers & Howson, Sheffield 1899 - 1902 The two reeded scroll branches issuing from the central removable knopped stem, to a Corinthian column, on a square stepped base, loaded and crested, height 41cm. (2)

£800 - 1,000

181

182

179

34 | BONHAMS

183A VICTORIAN SILVER MONTEITHby H S Bros, London 1896 The sides heavily embossed with flowers, ‘C’ scrolls and swags on a matted ground and enclosing four vacant cartouches, the undulating egg and tongue rim interspaced by masks, raised on a stepped spreading domed circular foot, diameter 22cm, weight 25.5oz.

£400 - 600

184A VICTORIAN SILVER MOUNTED GLASS CLARET JUGby Charles Boyton, London 1873 The silver mount with two embossed Bacchanalian masks surrounded by grapes and vines, with the handles stylised as wooden branch, the finial modelled as a lion rampant holding a crested shield to a glass tapering jug, height 26cm.

£500 - 700

185Y ФA VICTORIAN SILVER COFFEE pOTby Joseph & Joseph Jr Angell, London 1843 Lobed pear form, domed cover with pumpkin finial, double scrolled handle with ivory insulators, decorated with engraved floral and foliate scrolls, raised on a lobed circular foot, height 25cm, weight total 28oz.

£500 - 600

186A VICTORIAN SILVER TwO-HANDLED HOT wATER URNby C.F, Sheffield 1883 The two angular handles to a fluted lower body with tap, inside with a silver removable hot rod holder, raised on a circular pedestal foot, height 25cm, weight 23oz.

£300 - 400

187A VICTORIAN SILVER pAIR OF CANDLESTICkSby John Waterhouse, Edward Hatfield & Co., Sheffield 1839 Of knopped shaped form, with removable drip panscrested, loaded, height 29.5cm. (2)

£800 - 1,000

183

184

187


188A VICTORIAN SILVER MOUNTED GLASS LEMONADE JUGby John Grinsell & Sons, Birmingham 1893 Of tapering form, the glass engraved with reeded bands, inside with a silver topped ice holder and angular handles, crested, height 25cm.

£500 - 600

189*A VICTORIAN SILVER MUSTARD pOTby Robert Hennell, London 1847 With blue glass liner, crested, height 10cm, together with a George III silver eight-bar toast rack, by Emes & Barnard, London 1809, with double wire-work arches, double crested, length 16.5cm, weight of silver 20oz. (2)

£350 - 400

190A VICTORIAN SILVER DISH RINGby George Nathan & Ridley Hayes, Chester 1900 Embossed and pierced in the rococo style with dogs, birds, flowers, fish, fruits, vacant cartouche, height 11cm, diameter 18cm, weight 15oz.

£300 - 350

191A VICTORIAN SILVER-GILT MATCHED pAIR OF CANDLE HOLDERSby Joseph Angell II/ John Angell II & George Angell, London 1837/1858 Of circular wavy form, with an applied scroll and foliate border, the bowl with pierced decoration and circular receivers to the centre, raised on four scroll feet, crested, diameter 12cm, weight combined 10oz. (2)

£300 - 400

192A VICTORIAN SILVER VASEby William Comyns, London 1891 Of tapering cylindrical form with flaring scalloped rim, the body pierced and embossed with foliate scrolls, together with a silver coffee pot, London 1963, plain baluster form with stepped domed cover and wooden scroll handle, and a Victorian silver mustard pot, London 1858, height 7cm, weight total of silver 34oz. (3)

£500 - 700

193A VICTORIAN SILVER SALVERby Samuel Hayne & Dudley Cater, London 1847 circular with scroll and leaf cast rim the centre engraved with scroll and scale panels on three panel feet, diameter 25cm, weight 18oz.

£300 - 400

188

191

36 | BONHAMS

194A VICTORIAN SILVER COFFEE pOTby Joseph and Albert Savory London 1852 Of octagonal panelled form, profusely engraved with scroll decoration, with ivory insulators, together with, a silver teapot, Sheffield 1911, with a part fluted body, raised on four ball feet, initialled, height of coffee pot 28cm, weight combined 51oz. (2)

£500 - 700

195A VICTORIAN SILVER pRESENTATION SALVERLondon 1895 With applied gadroon and scroll border, raised on three scroll feet, inscribed, diameter 26cm and a silver mounted glass claret jug, London 1977, Silver Jubilee mark with scroll handle, height 29cm, weight of the salver 19oz. (2)

£400 - 500

196A VICTORIAN SILVER MOUNTED CUT GLASS CLARET JUGby J.C. Edington, London 1851 The globular body with etched grapes and vines, the silver mount with embossed bearded mask and fruit, squeeze action handle to raise the lid, height 29cm.

£600 - 800

197A VICTORIAN SILVER INkSTANDby S. Walton Smith, Birmingham 1897 Waisted rectangular base, with two receivers each fitted with swirling globular glass inkwells, base with later presentation inscription, together with, a floral silver frame, Birmingham 1900, shaped-rectangular form, height 20cm, weight of weighable silver 6oz. (2)

£200 - 300

198Y ФA VICTORIAN SILVER TEApOTby Messrs Barnard, London 1842 of compressed circular form with reeded girdle, flush hinged domed cover with floral cast finial, the handle with ivory insulators, together with, a silver and tortoiseshell pique snuff box, London 1927, weight combined 18oz. (2)

£300 - 400

199A VICTORIAN SILVER CRUET STANDby Edward H Stockwell, London 1880 The central carrying stem, supporting three circular receivers with three egg shaped pots, engraved with salt, pepper and cayenne, height 14cm, weight 6oz.

£300 - 400

200A VICTORIAN SILVER MOUNTED CUT GLASS BUTTER DISHby D&S, Sheffield, 1845 Of shaped circular panelled form, with textured foliate scroll border, below a fluted cut glass bowl, the detachable cover with cow finial, together with a sauceboat, Birmingham 1929, of hammered finish with ropetwist rim, raised on three leaf-capped feet, weight combined 19oz. (2)

£600 - 800

199

196


201Y ФA wILLIAM IV/ VICTORIAN MATCHED FOUR pIECE TEA AND COFFEE SERVICEby J Whitehouse/ Samuel Hayne & Dudley Cater, London 1831/ 1862 Of round melon form, engraved and chased with foliate decoration, with ivory insulators, comprising; tea pot, coffee pot, sugar bowl, milk jug, sugar tongs, Glasgow 1843, cased, crested, height of coffee pot 26cm, weight combined 84oz. (5)

£1,000 - 1,500

202Y ФA wILLIAM IV SILVER TEA pOTby Edward, Edward junior, John & William Barnard, London 1831 Of baluster form, with an applied gadrooned border, raised on four scroll feet, together with, a George IV silver tea pot, London 1825, of circular form, with embossed foliate decoration, both with ivory insulators, weight combined 41oz. (2)

£500 - 600

203Y ФA wILLIAM IV SILVER TEApOTby George Burrows II and Richard Pearce, London 1841 Of compressed circular form, chased with panels of fruit and gourds on a textured ground, with ivory insulators, on four cast shell feet, together with, a Victorian silver set of salts and spoons, London 1877, cased, a Victorian silver pierced dish, Sheffield 1898, pierced and chased with scrolls and flowers, a silver pair of sugar tongs, weight 36oz. (4)

£500 - 600

204Y ФA GEORGE IV SILVER TEA pOTby Joseph Angell I, London 1820 With a part fluted decoration and an applied scroll and leaf border, together with, London 1824, of circular form, with an embossed foliate frieze and a foliate finial, raised on a pedestal foot, both with ivory finials, weight combined 44oz. (2)

£500 - 600

205A GEORGE IV SILVER pEppER CASTERby Paul Storr, London probably 1828 Ovoid form with pierced pull-off cover, plain body, raised on a circular spreading foot, together with a George III silver sander, London 1810, with two other silver items. (4)

£300 - 400

201

38 | BONHAMS

206* Y ФA VICTORIAN IRISH SILVER TEA pOTby I.M possibly Joseph Moore, Dublin 1848 Embossed with floral decoration, raised on a pedestal foot, with ivory insulators, crested, height 17cm, weight 21oz.

£250 - 350

207A GEORGE III IRISH SILVER SAUCEBOATby Matthew West, Dublin 1785 With typical dot and fluted decoration, scroll handle, raised on three shell capped pad feet, initialled C over T.I, length 18cm, weight 4.5oz.

£400 - 500

208A GEORGE III IRISH SILVER SAUCE BOATby I.?, possible Joseph Jackson, Dublin 1787 With an applied reeded rim, raised on three shell capped hoof feet, crested, length 18cm, weight 10oz.

£400 - 500

209A GEORGE III SILVER wAITERby John Crouch I & Thomas Hannam, London 1774 With an applied beaded border, raised on three hoof feet, crested, together with, a George II silver waiter, London 1750, With a wavy border, raised on three hoof feet, inscribed ‘W over I*A’, a silver basket, Sheffield 1913, with pierced decoration, a silver sauce boat, Sheffield 1938, with an applied gadrooned border, weight combined 24oz. (4)

£500 - 700

207

206

208


210A GEORGE III SILVER TEA pOTLondon 1793 Of can form with bright cut engraved border, boxwood handle and finial, a George III silver tea pot, London 1795, with later floral embossed decoration, boxwood handle and a George III silver two part wine funnel, London 1808, with half fluted lower body and reeded border, weight 33oz. (3)

£500 - 600

211A GEORGE III SILVER TEA pOT STANDby William Fern, London 1796 Of oval form with bright cut engraved decoration, raised on four spreading foot, two George III silver marrow scoops, London 1777 and 1799, a George III fish slice, London 1776, and a pair of silver sugar tongs, weight of weighable silver 8.5oz.

£300 - 400

212A GEORGE III SILVER MUGby Thomas Whipham, London 1770 Plain baluster form with flaring rim, leaf-capped shaped scroll handle, raised on a spreading circular base, height 12.5cm, weight 10oz.

£500 - 600

213A GEORGE III SILVER wAITERby Richard Rugg, London 1763 Circular with shell leaf and gadroon cast border, centre with engraved crest on three hoof feet, diameter 20cm, weight 12oz.

£300 - 400

214A GEORGE III SILVER SNUFF BOxby G C, makers mark only Oval with unusual hinged side opening, bright cut decoration, together with, a George III parcel gilt christening cup, London 1801, thistle shape with bright cut border, height 9cm, weight of weighable silver 5oz. (2)

£200 - 400

215A GEORGE III SILVER FIVE-BAR TOAST RACkby Robert Hennell, London 1809 Rectangular form with canted corners, the base with pierced acanthus border and raised reeded rim, the plain bars of graduating sizes, raised on four tapering fluted feet, length 16cm, weight 10oz.

£350 - 400

216A GEORGE III SILVER pAIR OF CANDLESTICkSpossibly by John Roberts & Co, Sheffield 1810 Typical gadrooned form, the waisted demi-fluted sconces with detachable unmarked drip-pans, on tapering demi-fluted columns with skirted girdles, raised on stepped fluted and gadrooned circular bases, crested, height 30cm. (2)

£300 - 350

217A GEORGE III SILVER CHAMBERSTICkby Rebecca Emes & Edward Barnard, London 1820 Of rectangular form with gadrooned borders, length 8.5cm, together with, a William IV silver chamber candlestick, London 1830, the lobed and fluted sconce with detachable nozzle and snuffing hood raised on a dished circular base, diameter 9cm. (2)

£300 - 350

210

40 | BONHAMS

218A GEORGE III SILVER THREE pIECE TEA SERVICE AND STANDby Robert Hennell I & Samuel Hennell, London 1805 - 1806 With a bright-cut Greek key frieze and an applied gadrooned border, comprising; tea pot, sugar bowl, milk jug and tea pot stand, weight combined 35oz. (4)

£600 - 800

219Y ФA GEORGE III SILVER TEApOTby George Burrows, London 1819 Of ovoid form, an embossed fluted lower body, raised on three scroll and shell feet and a leaf capped handle, ivory insulators, crested, weight 22oz.

£250 - 300

220A GEORGE III SILVER pAIR OF CANDLESTICkSby John Parsons & Co., Sheffield 1790 Of tapering knopped form, with a fluted border, height 28cm. (2)

£300 - 350

221A GEORGE III SILVER SwING-HANDLED BASkETby Thomas Wallis (II) & Jonathan Hayne, London 1813 Of conventional form, with an applied gadrooned border, length 30cm, weight 28oz.

£500 - 600

222A GEORGE III pAIR OF SILVER SALTSby Edward Aldridge I, London 1764 Of shell form, raised on three shell feet, length 11cm, weight 5oz. (2)

£300 - 400

223A GEORGE III SILVER MUGby John Langlands I & John Robertson I, Newcastle 1793 Of plain conventional form, together with, a George III milk jug, London 1782, embossed with wild flowers, initialled, a George III silver milk jug, London 1834, of helmet form, raised on a square pedestal foot, monogrammed, weight combined 16oz. (3)

£350 - 400

224A GEORGE III SILVER BRANDy SAUCEpANby Rebecca Emes & Edward Barnard I, London 1819 Of conventional form, the spout with a hinged cover, crested, height 12.5cm, length 21.5cm, weight 16oz.

£500 - 600

221

219


225A GEORGE III SILVER BRANDy SAUCE pANmakers marks indistinct, London 1806 Of conventional form, initialled M*T to the base, length 16cm, weight 3oz.

£400 - 500

226A GEORGE II SILVER COFFEE pOTby Ayme Videau, London circa 1740 Of baluster form with later embossed and chased floral and scroll decoration, ebonised handle, height 18cm, a George III silver two handled pedestal cup, London 1762, with embossed decoration and a George III silver swing handle sweetmeat basket, London 1768, with embossed and pierced decoration, weight 31oz. (3)

£500 - 600

227A GEORGE II SILVER MUGby Robert Lucas, London 1940 Of conventional form, together with, a George III silver waiter, London 1774, with an applied scroll and shell border, weight combined 15oz. (2)

£400 - 500

228Y ФA GEORGE II SILVER COFFEE pOTby Samuel Wood, London 1757 Heavily embossed with scroll and foliate decoration, the part fluted domed lid to a carved ivory handle, raised on a spread foot, an engraved armorial, height 27cm, weight 32oz.

£1,500 - 1,800

228

227

211 (part), 226225

42 | BONHAMS

229A GEORGE II SILVER COFFEE pOTby makers mark indistinct, London 1742 Of plain tapering form, with a wooden scroll handle, monogrammed and crested, height 23cm, weight 19oz.

£400 - 500

230A GEORGE II SILVER CASTERby Samuel Wood, London 1740 Plain baluster form with applied girdle, the high-domed cover pierced with beads and scrolls, crested, together with, a George III example, London 1772, with gadrooned rim and girdle, crested, height 18.5cm. (2)

£500 - 800

231A GEORGE II SILVER pAIR OF SALTSby Samuel Herbert & Co., London 1758 Of shell form, raised on three scroll feet, together with, a George III silver toast rack, London 1806, with five reeded bars, raised on four scroll feet, a George III silver toast rack, marks indistinct, with seven scalloped shaped bars and two circular receivers to each end, crested, weight combined 23oz. (4)

£500 - 600

232A GEORGE II SCOTTISH SILVER SALVERby Ebenezer Oliphant, Edinburgh 1742 Shaped circular form with raised pie-crust rim, crest and motto, together with, a George III silver cream jug, London 1777, baluster form with wavy-edge rim, initialled, height 10cm, weight 19oz. (2)

£500 - 600

233A GEORGE II SILVER SALVERby William Peaston, London 1753 Crested, raised on three hoof feet, inscribed ‘Y over W*E’, together with, a Victorian silver matched pair of candlesticks, Sheffield 1886 - 1887, of oval knopped form with removable sconces, loaded, a Britannia Standard silver jug, London 1899, of helmet form, with remaining silver wares, weight of weighable silver 24oz. (5)

£500 - 600

234A GEORGE II SILVER SET OF FOUR CAULDRON SALTSby Edward Wood, London 1734 - 1736 Of conventional form on three scroll and stepped hoof feet, three with later glass liners, weight 9.5oz. (4)

£500 - 700

235A GEORGE I SILVER pAIR OF TRENCHER SALTSmakers mark indistinct, London 1721 Of conventional form, together with, a George II silver matched set of four salts, London 1743 - 1777, of cauldron form, with blue glass liners, a George III silver wine funnel, London 1777, with beaded borders, with remaining silver wares, weight combined 22oz. (Qty)

£500 - 600

236 - 250No lots

232

231

235 (part)


pICTURESLots 251 - 474

44 | BONHAMS

20TH CENTURy pICTURES

251AR

SALVADOR DALI (SpANISH, 1904-1989)One plate, from Quevedo’s Vision Drypoint etching with stencil printed in colours, 1975, on Arches, signed, and numbered 226/300 in pencil, with margins, 520 x 365mm (20 1/2 x 14 1/2in)(PL) together with one plate from Japanese Fairy Tales (Field 76), drypoint etching with stencil, on Richard de Bas, signed and inscribed ‘H.C.’ in pencil, one of 25 hors de commerce impressions aside from the numbered edition, with margins, 481 x 380mm (19 x 15in)(PL)(2)

£500 - 700

252AR

DAME ELIzABETH VIOLET BLACkADDER (SCOTTISH, BORN 1931)‘Roman cats’ Etching, signed and no.29/40 in pencil,8 x 10cm (3 1/8 x 3 7/8in). together with another etching by Edward Bawden, ‘Reverie’, signed and no.25/35 in pencil, 8.5 x 10.5 cm; (the latter unframed) (2)

£400 - 600

253AR

MARIE LAURENCIN (FRENCH, 1883-1956)A collection Three lithographs printed in colours, each on wove, each signed numbered variously in pencil, each with margins, 290 x 370mm (11 1/2 x 14 1/2in)(I)(and smaller)(3)

£500 - 700

254AR

JOHN HOyLAND RA (BRITISH, 1934-2011)First Man Screenprints in colours, 1993, on wove, signed, titled, dated and numbered 78/90 in pencil, 835 x 585mm (33 1/2 x 23cm)(PL)

£300 - 500

255ERIC GILL (BRITISH, 1882-1940)Salome; and The Lovers Woodblock, 150 x 105mm (5 7/8 x 4 1/8in); and 70 x 95mm (2 3/4 x 3 3/4in) (PL) (2)

£400 - 600

256AR

LAURENCE STEpHEN LOwRy R.A. (BRITISH, 1887-1976)Meeting point Offset lithograph printed in colours, on wove, signed in pencil and stamp numbered ‘333’ in black ink, from the edition of 850, printed by Chorley & Pickersgill Ltd, published by the Adam Collection Ltd, with margins, 615 x 817mm (24 1/8 x 32 1/4in)(SH)(unframed)

£600 - 800

251 253 254

261


257AR

NORMAN ACkROyD RA (BRITISH, BORN 1938)Minster Lovell, Oxfordshire Etching with aquatint printed in colours, 1992, on wocve, signed, titled, dated and numbered 21/90 in pencil, with margins, 600 x 745mm (23 3/4 x 29 1/4in)(PL)

£300 - 500

258AR

NORMAN ACkROyD RA (BRITISH, BORN 1938)A small collection Three etchings with aquatint, 2000-2001, each on wove, each signed, titled, dated and numbered variously from the editions of 90, each with margins, 182 x 348mm (7 1/4 x 13 3/4in)(PL)(and smaller)(3)

£300 - 500 259 - 260 No lots

261AR

BENGT LINDSTRöM (SwEDISH, 1925-2008)Untitled signed (lower right) oil and sand on board 47 x 39.5cm (18 1/2 x 15 9/16in).

£2,000 - 3,000

262AR

ALExANDRE SACHA GARBELL (FRENCH, 1903-1970)Figures by a church doorway signed and dated ‘Garbell 68-70’ (lower left) oil on canvas 155 x 150cm (61 x 59 1/16in). unframed

£700 - 1,000

263AR

JACQUES (LEHMANN) NAM (FRENCH, 1881-1974)Four cats on a wall (Poster design) colour lithograph 40 x 98cm (15 11/16 x 38 9/16in). and a charcoal and colour wash study of a cat by the same artist. (2)

£300 - 400

264AR

SALVATORE COLACICCO (BRITISH/ITALIAN, 1935)Early 19th Century Men-o-War off the Dover coast; and a companion signed, oil on board 49.5 x 75cm (19 1/2 x 29 1/2in). (a pair)

£700 - 900

265AR

SAMUEL JOHN LAMORNA BIRCH RA, RwS, RwA (BRITISH, 1869-1955)Tending to the garden signed and dated ‘S.J. Lamorna Birch 1942.’ (lower right) watercolour 23 x 29cm (9 1/16 x 11 7/16in). sold together with another work by the same hand (2)

£600 - 800

262

264

264

46 | BONHAMS

266AR

NEIL GALL (BRITISH, BORN 1967)Doubledutch 4 signed, inscribed with title and dated ‘DOUBLEDUTCH.4 NEIL GAIL 2000’ (on the canvas overlap) acrylic on canvas 50.8 x 60cm (20 x 23 5/8in). (unframed) together with two similar unframed works, smaller, by the same hand (3)

£500 - 700

267AR

kEN HOwARD (BRITISH, BORN 1932)Grand Canal, Venice signed and dated ‘9/86/Ken Howard’ (lower left) pencil and watercolour with scratching out 13 x 17.5cm (5 1/16 x 6 7/8in).

£400 - 600

Exhibited London, Lowndes Lodge Gallery, Ken Howard, June 1987, no. 25

268AR

MARy FEDDEN R.A. (BRITISH, 1915-2012)Still life of flowers in a vase signed ‘Fedden’ (lower left), pencil 62 x 48cm (24 7/16 x 18 7/8in).

£700 - 900

269AR

wILLIAM SELBy (BRITISH, BORN 1933)Arum lily in a vase signed ‘WILLIAM SELBY’ (lower right), oil on board 91.5 x 81.5cm (36 x 32 1/16in).

£500 - 700

270AR

LESLIE HURRy (BRITISH, 1909-1978)Mist & Landscape Shapes; and Circle in White Sky (a pair) oil on board 40.5 x 52cm (15 15/16 x 20 1/2in).each the latter work is unframed (2)

£500 - 700

provenance Gifted by the artist’s nephew to the present owner Each of the works in the present lot have been titled, dated 1980 and initialled by the artist’s nephew, John Harry Armstrong on the reverse.

271AR

ALBERT zAVAROThe red parasol signed ‘Zavaro’ (lower left) oil on canvas 148 x 114cm (58 1/4 x 44 7/8in).

£400 - 600266

266

267


272AR

COLIN w. BURNS (BRITISH, BORN 1944)Pheasant (Phasianus Colchicus) signed ‘Colin Burns’ (lower right) and inscribed with title (on the canvas overlap) oil on canvas laid on board 40.6 x 50.8cm (16 x 20in).

£600 - 800

273AR

MICHAEL BARNFATHER (BRITISH, BORN 1934)‘Sunshine at Alderton’ singed ‘BARNFATHER 76’ (lower left), inscribed with title on overlap oil on canvas 38 x 106cm (14 15/16 x 41 3/4in).

£300 - 500

268

269

271

270272

273

48 | BONHAMS

274AR

JACk SMITH (BRITISH, 1928-2011)The National and The Geometric (3) oil on board signed, titled and dated ‘Jack Smith/1970’ (on the backboard) 16.7 x 13.6cm (6 9/16 x 5 3/8in).

£400 - 600

275AR

RONALD OSSORy DUNLOp NEA, ARA, RBA (BRITISH, 1894-1973)Honfleur signed ‘Dunlop’ (lower right) oil on canvas 40.5 x 50.5cm (15 15/16 x 19 7/8in).

£500 - 700

276AR

RONALD OSSORy DUNLOp NEA, ARA, RBA (BRITISH, 1894-1973)figures on horseback in a wooded landscape signed ‘Dunlop’ (lower right) oil on board 19.5 x 25.5cm (7 11/16 x 10 1/16in).

£500 - 700

277AR

RONALD OSSORy DUNLOp NEA, ARA, RBA (BRITISH, 1894-1973)Haystacks signed ‘Dunlop’ (lower right) oil on canvas 35.5 x 46cm (14 x 18 1/8in).

£500 - 700

274

276

278

279


278wILLIAM LIONEL wyLLIE (BRITISH, 1851-1931)‘London and Tower Bridge’; ‘The Thames from Blackfriars Bridge’ both signed in pencil, titled on labels verso etchings 20 x 40.5cm (7 7/8 x 15 15/16in).(PL)(largest) (2)

£300 - 400

provenance with The Fine Art Society, London

279AR

LEONARD ROSOMAN (BRITISH, 1913-2012)Study, the painted room signed and dated ‘Leonard Rosoman 1978’ (lower right) gouache 39.5 x 56cm (15 9/16 x 22 1/16in).

£700 - 900

280AR

BASIL IVAN RákóCzI (IRISH, 1908-1979)Porthleven signed’ Rakoczi’ (lower right) watercolour, pen and black ink 23 x 29.5cm (9 1/16 x 11 5/8in). (unframed) Executed in 1946 according to the reverse

£500 - 700

281I. w. FRANk (LATE 20TH CENTURy)Still life of flowers on a marble edge signed ‘I.W.Frank’ (lower right) oil on panel 71 x 58cm (27 15/16 x 22 13/16in).

£500 - 700

282AR

ATTRIBUTED TO MARCEL MOULy (FRENCH, 1918-2008)Maison signed and dated ‘M.Mouly 1959’ (lower right) oil on canvas 50.3 x 65cm (19 13/16 x 25 9/16in).

£600 - 800

283AR

GRAHAM BANNISTER (BORN 1954)View of the Serpentine signed and dated ‘Graham Bannister 86’ (lower right) oil on canvas 101.5 x 122cm (39 15/16 x 48 1/16in).

£700 - 1,000

284CUzCO SCHOOL, 20TH CENTURyPortrait of a gentleman, standing, full length, holding a rifle oil on canvas 118 x 84cm (46 7/16 x 33 1/16in).

£100 - 150

285AR

LOUIS ICART (FRENCH, 1888-1950)Woman with a black cat signed and no.167 in pencil, colour etching and aquatint 38 x 35cm (14 15/16 x 13 3/4in).(I)

£300 - 400

286AR

wILLIAM HEATH ROBINSON (BRITISH, 1872-1944)‘Taking the cat’s temperature’; and ‘The water bottle hat’ ink and watercolours 11 x 8cm (4 5/16 x 3 1/8in).and 6.5 x 4.5 cm; together with a pen and ink drawing by John Hassall ‘The Sparrows’ (in Sitting Room) (3)

£250 - 300

282

283

50 | BONHAMS

287AR

MICHAEL FOREMAN (BRITISH, BORN 1938)Alice and the Cheshire Cat pencil and watercolour 29 x 21cm (11 3/8 x 8 1/4in).

£300 - 500

provenance with Chris Beetles, London, December 2004 Literature London, Chrysalis Children’s Books, Lewis Carrol, Alice’s Adventures in Wonderland, p.83

288AR

DAME LAURA kNIGHT RA, RwS (BRITISH, 1877-1970)Five sketches of Epsom racecourse, framed as two one inscribed with title and signed ‘Epsom /Laura Knight’ (lower left) pencil and black crayon 13 x 17cm (5 1/8 x 6 11/16in).each (6) and a colour offset lithograph of clowns, after Knight (3)

£500 - 700

provenance ‘The Contents of Laura Knight’s Studio’, sold by her executors - Sotheby’s, London, 22 July 1971, where purchased by the present owner.

289kISITO ASSANGNI (TOGOLESE, BORN 1975)Lines 7, 2008 signed ‘Kristo A’ (lower right); bears title verso collage, oil and pen on canvas 76.5 x 61cm (30 1/8 x 24in). (unframed)

£250 - 350

290AR

LESLEy ANNE IVORy (BRITISH, BORN 1934)‘Chesterton’ signed ‘Lesley’ (lower right) watercolour and bodycolour 16 x 10cm (6 1/4 x 3 7/8in).

£250 - 300

provenance: with Chris Beetles Ltd.

291AR

RONALD OSSORy DUNLOp NEA, ARA, RBA (BRITISH, 1894-1973)Autumnal landscape signed ‘Dunlop’ (lower right) oil on canvas 25.5 x 36cm (10 1/16 x 14 3/16in).

£500 - 700

292LOUIS wILLIAM wAIN (BRITISH, 1860-1939)‘Cat and Mouse’ signed ‘LOUIS WAIN’ (lower left) pen and ink 32 x 21cm (12 9/16 x 8 1/4in).

£500 - 700

293LOUIS wILLIAM wAIN (BRITISH, 1860-1939)‘Sleepy eyed cat’ and ‘Sleepy cat’ (double sided) pencil 19 x 28cm (7 7/16 x 11in).

£350 - 450

provenance with Chris Beetles, London

292

289

294296

298


294LOUIS wILLIAM wAIN (BRITISH, 1860-1939)‘Musical Cat’ signed ‘Louis Wain’ (lower left) pen and ink drawing 21.5 x 17.5cm (8 7/16 x 6 7/8in).

£500 - 600

295AR

MICHAEL AyRTON (BRITISH, 1921-1975)Cat Asleep pencil 30 x 50cm (11 3/4 x 19 5/8in). Executed c.1953 according to the gallery label

£250 - 300

provenance Peter Johnson Esq. with Christopher Hull Gallery, London

296LOUIS wILLIAM wAIN (BRITISH, 1860-1939)Two cats by a wall pencil, pen and ink 28 x 40cm (11 x 15 11/16in).

£400 - 600

297AR

GRéGOIRE MICHONzE (FRENCH, 1902-1982)The apple pickers signed and dated ‘Michonze 45’ (lower right), oil on canvas 33 x 41.5cm (13 x 16 5/16in).

£700 - 900

298AR

FRED ARIS (BRITISH, BORN 1932)Tropical Fish signed ‘Aris’ (lower right) and inscribed with title (on the reverse) oil on canvas 55.5 x 45.5cm (21 7/8 x 17 15/16in).

£600 - 800

299AR

ARTHUR wARDLE, RI (BRITISH, 1864-1949)‘Great Friends’ a study of two cats charcoal and crayon 19 x 24cm (7 7/16 x 9 7/16in).

£400 - 500

provenance: Sally Hunter Fine Art Abbott & Holder

300AR

THOMAS JOHN COATES (BRITISH, BORN 1941)Ballerinas - before the performance signed with initials ‘TJC’ (lower left), oil on canvas 61 x 51cm (24 x 20 1/16in).

£500 - 700

30120TH CENTURy SCHOOLLandscape with tomb, North Africa; and another (a pair) pencil and watercolour 29 x 42.5cm (11 7/16 x 16 3/4in). (2)

£600 - 800

302AR

CHRISTINE wOODSIDE (BRITISH, BORN 1946)‘Summer time, Granada’ signed ‘Christine.A.Woodside’ and inscribed with title (on the backboard) mixed media on board 33 x 36cm (13 x 14 3/16in).

£500 - 700

provenance with Thompson’s Gallery, London

297301

300

302

52 | BONHAMS

303AR

CLAUDE MUNCASTER (BRITISH, 1903-1974)Farm building at Wootton, Woodstock signed ‘Claude Muncaster’ (lower right) watercolour 21.5 x 34.5cm (8 7/16 x 13 9/16in). together with another watercolour by the same hand of a landscape, 19 x 27cm (2)

£300 - 500

304LOUIS wILLIAM wAIN (BRITISH, 1860-1939)‘Misty’ signed ‘Louis Wain’ (lower left) and titled (centre right), pen and ink 28.5 x 22.5cm (11 1/4 x 8 7/8in).together with two further works by the same hand (3) all unframed

£600 - 800

305AR

GILBERT LEDwARD (BRITISH, 1888-1960)Three nude female figures signed an dated ‘Gilbert Ledward - 1933’ (lower right) red chalk and pencil 48 x 32cm (18 7/8 x 12 5/8in).

£300 - 400

306AR

BEATRICE E. pARSONS (BRITISH, 1870-1955)The river Colne, Oxley Park signed ‘Beatrice Parsons’ (lower right) watercolour 25 x 17.5cm (9 13/16 x 6 7/8in).

£500 - 700

307AR

JOHN BRATBy R.A. (BRITISH, 1928-1992)Portrait of Carol Barnes signed ‘BRATBY’ (lower right), oil on canvas 40.5 x 50.5cm (15 15/16 x 19 7/8in).

£600 - 800

308AR

ADRIAN MAURICE DAINTREy (BRITISH, 1902-1988)‘Landscape’ signed with initials, titled on label verso oil on canvas 33 x 46.5cm (13 x 18 5/16in).

£300 - 400

provenance with The Redfern Gallery, London Ernest Page(?),Esq., purchased from the above 1.12.30

309AR

JOHN STANTON wARD, RA (BRITISH, 1917-2007)‘Piacenza, May 1955’ inscribed as titled, signed John w Ward’ (lower right), further inscribed with presentation dedication ‘To Tom & Ilene..’ pen and ink and watercolour 31 x 48cm (12 3/16 x 18 7/8in).

£500 - 700

Provenance Gifted by the artist, thence by family descent.

310MANNER OF THéOpHILE ALExANDRE STEINLENDeux chats endormis pencil, black and coloured crayons on paper 12.6 x 17.4cm (4 15/16 x 6 7/8in). Together with 2 additional drawings and 1 additional lithograph by the same hand (4).

£1,000 - 2,000

Exhibited London, The Arts Council of Great Britain, ref. B/154, no. 24.

303

304

306

307


311AR

HENRy JOHN SyLVESTER STANNARD RBA (BRITISH, 1870-1951)Thatched cottages at dawn signed, watercolour 34 x 49.5cm (13 3/8 x 19 1/2in).

£600 - 800

312AR

FRED ARIS (BRITISH, BORN 1932)Night Owl signed with initial ‘A’ (lower right) and inscribed with title (on the stretcher) oil on canvas 50.8 x 40.6cm (20 x 16in). (unframed)

£500 - 700

313AR

FRED ARIS (BRITISH, BORN 1932)The Garden Wall signed ‘Aris’ (lower right) and inscribed with title (on the reverse) oil on board 43.5 x 50.8cm (17 1/8 x 20in). (unframed)

£600 - 800

314AR

FRED ARIS (BRITISH, BORN 1932)Sabi signed ‘Aris’ (lower right) and inscribed with title (on the frame) oil on board 47.5 x 42.5cm (18 11/16 x 16 3/4in).

£400 - 600

309

310

313

314

54 | BONHAMS

315AR

FRED ARIS (BRITISH, BORN 1932)Toucan signed ‘Aris’ (lower left) and inscribed with title (on the reverse) oil on board 20.2 x 25cm (7 15/16 x 9 13/16in).

£200 - 300

316AR

FRED ARIS (BRITISH, BORN 1932)Woman and Cat signed with intial ‘A’ (lower left) and inscribed with title (on the reverse) oil on canvasboard 45.5 x 35.5cm (17 15/16 x 14in). (unframed)

£300 - 400

318

319

320

323


317VLADIMIR VICTOROVITCH pETROV (RUSSIAN, BORN 1946)‘Ideal beginning’, early 1990s signed in Cyrillic (lower right), further signed and titled (on verso) oil on canvas 70 x 80cm (27 9/16 x 31 1/2in).

£300 - 500

provenance Purchased directly from the artist by the present owners Private collection, France

318AR

FELIx kELLy (BRITISH, 1917-1994)‘Nuns floating over a dream landscape, 1958’ signed ‘Felix Kelly’ (lower right), titled on label verso, oil on board 56 x 44cm (22 1/16 x 17 5/16in).

£1,000 - 1,500

319AR

JAMES wALkER TUCkER (BRITISH, 1898-1972)‘Peter Calls for Help’ signed ‘James W.Tucker’ (lower right), inscribed with title, medium and artist’s address on label verso egg tempera 50 x 60.5cm (19 11/16 x 23 13/16in).

£1,000 - 1,500

320SUzANNE VALADON (FRENCH, 1865-1938)Femme assise with signature and dated ‘Suzanne Valadon/1921’ (lower right) charcoal and pastel on paper 53.8 x 35.5cm (21 3/16 x 14in). Executed in 1921

£800 - 1,200

provenance Ernest de Frenne, Paris. Acquired from the above by Wyndham T. Vint, Bradford, circa 1925.

321AR

GERALD pARkINSON (BORN 1926)‘Village in Cornwall’ with a beached sailing boat, signed & dated (19)63 (lower left), also signed, inscribed with title and inscribed with artist’s address, East Hoathly, sussex verso, oil on board, 60 x 120cm (23 5/8 x 47 1/4in).

£300 - 500

322EDITH MARTINEAU (BRITISH, 1842-1909)In deep thought signed with monogram and dated ‘1871’ (lower right) watercolour 52.5 x 36cm (20 11/16 x 14 3/16in).

£500 - 700

323AR

BERTRAM NICHOLLS (BRITISH, 1883-1974)Hastings, Fishing signed and dated ‘B.Nicholls 1928’ (lower right) oil on canvas 33 x 42cm (13 x 16 9/16in).

£500 - 700

provenance Sir Michael Sadler, gifted to City of Oxford School (now Oxford Spires Academy) The present work relates very closely in subject to the slightly smaller composition Drying the Sails in the Tate Gallery, dated 1920, part of the Chantrey Bequest in 1921, no.NO3586

324AR

LESLEy ANNE IVORy (BRITISH, BORN 1934)‘Chesterton and Malteazer’ signed ‘Lesley’ (lower right) watercolour and bodycolour 18.5 x 15cm (7 1/4 x 5 7/8in).

£250 - 300

provenance: Chris Beetles Ltd.

325AR

pIERRE LESIEUR (FRENCH, BORN 1922)Figures in an interior signed and dated ‘Lesieur 66’ (lower right) oil on canvas 160 x 159.5cm (63 x 62 13/16in).

£1,500 - 2,000

322325

56 | BONHAMS

326AR

LOUIS ICART (FRENCH, 1888-1950)Girl holding a puppy and a kitten signed (lower right) pencil and wash, oval 32 x 26cm (12 9/16 x 10 3/16in).

£300 - 400

327AR

HAROLD HITCHCOCk (BRITISH, 1914-2009)‘A Country Estate Coach’ signed and inscribed with title on original labels verso, oil on canvas 30 x 38cm (11 13/16 x 14 15/16in).

£300 - 500

provenance possibly with Upper Grosvenor Galleries, London, W1.

328OkSANA LEADBITTER (RUSSIAN, BORN 1974)Sophie signed ‘O.Lead.’ (lower left), signed again and inscribed ‘O.Leadbitter/Sophie/No.3’ (on the backboard) acrylic and charcoal on board 115 x 86cm (45 1/4 x 33 7/8in).

£750 - 1,000

329AR

kURT JACkSON RwA (BRITISH, BORN 1961)‘Old Inn Lower Quarter’ signed and dated ‘Kurt J/03’ lower right, inscribed with title lower centre, signed again ‘Kurt Jackson’ on the back board acrylic on board 24 x 26cm (9 7/16 x 10 1/4in).

£250 - 350

330AR

SIR STANLEy SpENCER R.A. (BRITISH, 1891-1959)Study for Army life in Macedonia II, 1917 pencil and wash 16.5 x 21.5cm (6 1/2 x 8 7/16in).

£1,200 - 1,800

PROVENANCE: With Arthur Tooth & Sons Ltd

328

329

330


331AR

MARy EASTMAN (BRITISH, BORN 1921)Portrait of a Land Girl signed and dated ‘Mary Eastman 1942’ (lower right) oil on canvas 76.5 x 64cm (30 1/8 x 25 3/16in).

£400 - 600

332AR

ATTRIBUTED TO MARCEL MOULy (FRENCH, 1918-2008)Les demoiselles du lac signed and dated ‘M. Mouly 61’ (lower right) oil on canvas 65 x 81.4cm (25 9/16 x 32 1/16in).

£1,000 - 1,500

333AR

DUNCAN GRANT (BRITISH, 1885-1978)Rupert Doone signed ‘d Grant’ (lower right) pencil 31.5 x 22.8 cm. (12 3/4 x 9 in.) Executed circa 1924-25

£400 - 600

provenance sale; Sotheby’s, London, 30 April 1986, lot 567, where acquired by the present owner. Rupert Doone (1903-1960) was a distinguished dancer (he was Diaghilev’s last Premier Danseur in 1929 at Covent Garden), and choreographer. He was best known as founder and director of the Group Theatre between 1932 and 1939 producing plays by Eliot, Auden and Isherwood among others, and was painted by several artists including Cedric Morris, Christopher Wood and Edward Wadsworth. We are grateful to Richard Shone for his assitance in cataloguing this lot.

334AR

CECIL R DOyLy-JOHN (BRITISH, 1906-1993)Corse signed ‘Doyly.John’ (lower right) and inscribed with title (on the reverse) oil on canvas 46 x 66.5cm (18 1/8 x 26 3/16in).

£400 - 600

provenance with Frost & Reed, London E. Stacy-Marks Ltd, Eastbourne Private Collection, UK

335AR

HERBERT BANNISTER wHONE (SCOTTISH, 1925-2011)Hillside cottages signed and dated ‘Whone 72’ (upper right) oil on board 80 x 100.5cm (31 1/2 x 39 9/16in).

£500 - 700

19TH CENTURy pICTURES

336ENGLISH SCHOOL, CIRCA 1800Fishing boats off Portsmouth harbour oil on canvas, 32 x 44cm (12 5/8 x 17 5/16in).

£600 - 800

331

332

58 | BONHAMS

337DANIEL SHERRIN (BRITISH, 1868-1940)Fishing on the Riverbank signed (lower left), oil on canvas, 54 x 76cm (21 1/4 x 29 15/16in).

£600 - 800

338STUART w. LLOyD (BRITISH, ?-1929)‘Sunny morning at Bosham’; ‘Isle of Wight’ signed ‘Stuart Lloyd’ (lower left and lower right) watercolour (a pair) 52.5 x 35.5cm (20 11/16 x 14in). (2)

£200 - 400

339JOHN BURR, RBA ROI ARwS (SCOTTISH, 1831-1893)His first pair signed ‘John Burr’ and dated 1876 (lower left) watercolour 32 x 45cm (12 5/8 x 17 11/16in).

£400 - 600

340THOMAS MACkAy (BRITISH, ACTIVE 1893-1912)Picking Flowers in the Garden; Making Hay both signed ‘J. Mackay’ watercolour 21 x 16.5cm (8 1/4 x 6 1/2in).the largest (2)

£250 - 350

341No lot

342wALTER FOLLEN BISHOp (BRITISH, 1856-1936)‘Within sight of the sea’ signed ‘W. Follen Bishop’ (lower left), inscribed with title label verso oil on wood 43 x 60cm (16 15/16 x 23 5/8in). with two other oil paintings by the same artist, trees by a pond (36 x 53cm) and a cottage garden herbaceous border (40 x 30cm) both signed (3).

£600 - 800

337

338

339

340

342


343W

ALExANDER LAwSON (BRITISH, ACTIVE 1890-1903)‘A pasture by the sea’ signed ‘Alex Lawson’ (lower left) and inscribed with the title and artist’s address (on a label attached to the frame) oil on canvas 76.5 x 153cm (30 1/8 x 60 1/4in).

£500 - 700

344JOSEpH THORS (BRITISH, ACTIVE 1863-1900)‘Solitude - Landscape in Westphalia’ signed ‘J THORS’ (lower centre), also bears inscription on backing paper oil on canvas 51 x 61cm (20 1/16 x 24in).

£600 - 800

345ROBERT SCOTT LAUDER, RSA (SCOTTISH, 1803-1869)‘The Pedlar’ titled on label verso oil on board 15 x 18cm (5 7/8 x 7 1/16in).

£200 - 300

346No lot

347CONTINENTAL SCHOOL, 20TH CENTURySailing vessels off a rocky coast indistinctly signed (lower left) oil on canvas 75 x 101cm (29 1/2 x 39 3/4in).

£200 - 300

348wILLIAM DAVISON (BRITISH, CIRCA 1805-1870)‘On the Thames’; and companion signed with intials, inscribed and dated 1830 (lower left); the other signed and dated 1831 (lower right) watercolour 15 x 24.5cm (5 7/8 x 9 5/8in). (2)

£300 - 400

349No lot

350JAMES GILLRAy (BRITISH, 1757-1815)The National Assembly - Revivified not coloured, together with nineteen loose early 19th century sartorial prints and a large scrap leather bound scrap album containing photographs of Wooton and Stanmore, News Paper cuttings and prints. (20).

£500 - 600

351No lot

343

344

347

348

60 | BONHAMS

352LOUIS wILLIAM wAIN (BRITISH, 1860-1939)‘L’enfant terrible’ signed ‘Louis Wain’ (lower right), pen and ink 37.5 x 28cm (14 3/4 x 11in).together with another work by the same hand (2) both unframed

£500 - 700

353wILLIAM wIDGERy (BRITISH, 1822-1893)Figures in a moorland landscape signed ‘W.Widgery’ (lower left) watercolour heightened with white 68 x 119cm (26 3/4 x 46 7/8in).

£600 - 800

354HENRy B. wIMBUSH (BRITISH, FL.1881-1904)Crummock Water signed ‘H.B.Wimbush’ (lower right) pencil and watercolour 42.5 x 63cm (16 3/4 x 24 13/16in).

£200 - 300

provenance with Charles Nicholls and Sons, Manchester

355ALFRED HERBERT (BRITISH, ACTIVE 1843-1861)The prison ship, Falmouth watercolour 17 x 23.5cm (6 11/16 x 9 1/4in).

£400 - 600

provenance With Heather Newman Fine Art

356HERCULES BRABAzON BRABAzON (BRITISH, 1821-1906)Continental village signed with initials ‘HBB’ (lower right), watercolour 15 x 19cm (5 7/8 x 7 1/2in).

£400 - 600

357HENRy BRIGHT (BRITISH, 1810-1873)View of Vesuvius and the Bay of Naples signed ‘H Bright’ (lower left), pastel 20 x 27cm (7 7/8 x 10 5/8in).

£300 - 500

358CONTINENTAL SCHOOL, LATE 19TH CENTURyWhite poodle sitting on a cushion bears signature ‘H.Ronner’ (lower right) oil on canvas 39 x 31cm (15 3/8 x 12 3/16in).

£300 - 500

359ARTHUR BATT (BRITISH, 1846-1911)‘The Culprit’ signed and dated ‘Arthur Batt.1885.’ (lower left), inscribed with title in pencil on stretcher oil on canvas 51 x 68.5cm (20 1/16 x 26 15/16in).

£300 - 500

352

362354

366


360LOUIS wILLIAM wAIN (BRITISH, 1860-1939)‘Prince Christian’s Favourite Collie, ‘Laird’’ signed ‘Louis Wain’ (lower left), titled on labels on backboard red chalk, black ink and white 29 x 20cm (11 7/16 x 7 13/16in).

£400 - 600

provenance with Chris Beetles, London Exhibited York City Art Gallery Exhibition No.31 Illustrated Louis Wain’s Annual, 1906, page 16

361LOUIS wILLIAM wAIN (BRITISH, 1860-1939)‘The Shopwalker’ What can we do for you, please mam?’ signed ‘Louis Wain’ (lower left), inscribed with title pencil 24.5 x 19.5cm (9 5/8 x 7 11/16in).

£400 - 600

provenance with Michael Parkin Fine Art Ltd., London, 1987

362ENGLISH SCHOOL, LATE 19TH CENTURyPunting by Magdalen College, Oxford oil on canvas 51 x 76cm (20 1/16 x 29 15/16in).

£100 - 150

363TRISTRAM ELLIS (BRITISH, 1844-1922)Scene on the Nile, and another similar, one signed, inscribed and dated ‘Tristam Ellis Nile 1920’ (lower left), watercolours, 24 x 53cm (9 7/16 x 20 7/8in) and 17 x 37.5cm. Together with another by the same hand - ‘Moldefiord’, 17 x 37.5cm. (3)

£600 - 800

364JOHN FREDERIk HULk (DUTCH, 1855-1913)Dutch townscape with river, and companion one signed F Hulk and dated 1867 oil on canvas (a pair) 49 x 80cm (19 5/16 x 31 1/2in). (2)

£2,500 - 3,000

365wILLIAM CALLOw, RwS (BRITISH, 1812-1908) wATERCOLOUR‘Melrose’ signed, inscribed with title and dated ‘Wm Callow/Melrose 1843’ (lower left) watercolour 32 x 47.5cm (12 5/8 x 18 11/16in).

£300 - 500

provenance with Spink & Son Ltd, London

366JOSEpH H. BARNES (BRITISH)Confrontation signed ‘J.H. Barnes’ (lower left) watercolour 52.5 x 36.5cm (20 11/16 x 14 3/8in).

£400 - 600

367 No lot

364

364

365

62 | BONHAMS

368F.DE VINCENTIIS (ITALIAN, EARLy 20TH CENTURy)Washday signed ‘F.de Vincentiis’ (lower left) watercolour, bodycolour, crayon and scratching out 34 x 48.5cm (13 3/8 x 19 1/8in).

£500 - 700

369AGNES ROSE (BOUVIER) NICHOLL (BRITISH, 1842-1892)Children’s tea party signed ‘Agnes Nicholl’ (lower left) watercolour 20 x 26cm (7 7/8 x 10 1/4in).

£500 - 700

370ATTRIBUTED TO GEORGE AUGUSTUS wILLIAMS (BRITISH, 1814-1901)Mountainous river landscape with figures signed ‘G.A. Williams’ (lower left), oil on panel, 50 x 70cm (19 11/16 x 27 9/16in).

£400 - 600

371ATTRIBUTED TO GEORGE COLE (BRITISH, 1810-1885)Landscape with windmill, thought to be Holmwood Common bears signature (lower left) oil on canvas 31 x 41cm (12 3/16 x 16 1/8in).

£500 - 700

372AR

CIpRIANO MANNUCCI (ITALIAN, 1882-1970)“A Game of Chess” signed and inscribed ‘Cipriano Mannucci/Paris’ (lower right) oil on canvas 56 x 45.5cm (22 x 18in).

£700 - 1,000

368

369

371

372


373EDwIN HAyES, RHA, RI, ROI (BRITISH, 1819-1904)Littlehampton - coastal scene with windmill and beached boats signed ‘E.Hayes’ (lower left); signed, inscribed and dated ‘Littlehampton/1896/E.Hayes’ (verso) oil on board 13.5 x 22cm (5 5/16 x 8 11/16in).

£400 - 600

374MANNER OF ROSA BONHEURLoading the hay wagon; ploughing with oxen oil on canvas, a pair 63.5 x 127cm (25 x 50in). (2)

£1,500 - 2,000

375VINCENzO BISOGNO (ITALIAN, BORN 1866)A frieze of Putti driving chariots; and another (a pair) each signed ‘V.Bisogno’ (lower right) gouache 15.7 x 34.2cm (6 3/16 x 13 7/16in).

£500 - 700

376ENGLISH/SCOTTISH SCHOOL (CIRCA 1840-1860)Portrait of a gentleman in his study, half length, seated, a deerhunting trophy behind oil on canvas 76 x 63.5cm (29 15/16 x 25in).

£300 - 400

377ANTONIO DE SIMONE (ITALIAN, 1851-1907)The Royal Yacht Victoria and Albert signed and dated ‘ De Simone 1901’ (lower right) and inscribed with title gouache and watercolour 66 x 40cm (26 x 15 3/4in).

£500 - 600

378JAMES JOHN HILL (BRITISH, 1811-1882)Mother and child signed ‘J J Hill’ (lower left) oil on panel 18.5 x 14.5cm (7 5/16 x 5 11/16in).

£700 - 900

378

374

374

379

64 | BONHAMS

379E. ALTRUI (ITALIAN, 19TH CENTURy)View of the Bay of Naples signed and dated ‘E Altrui 1884’ (lower right) oil on canvas 30 x 39cm (11 13/16 x 15 3/8in).

£700 - 1,000

380CIRCLE OF EDwARD CHARLES wILLIAMS (BRITISH, 1807-1881)Cutting timber bears signature ‘E.C.Williams’ (lower left) oil on canvas 40 x 34cm (15 3/4 x 13 3/8in).

£400 - 600

381MANNER OF HENRy THOMAS SCHAFER, RBAContinental market scenes, a pair bears initials (lower right) oil on canvas x 39cm (29 x 15 3/8in).

£300 - 500

382EDwARD ALLAN SCHMIDT (BRITISH, ACTIVE 1868-1877)A cavalier’s song signed ‘Ed. Allan Schmidt’ (lower centre) oil on panel 21 x 16cm (8 1/4 x 6 5/16in).

£500 - 700

383THOMAS MACkAy (BRITISH, ACTIVE 1893-1912)Ann Hathaway’s Cottage; Mother and Child by the River; Fishing at Dusk each signed ‘J. Mackay’ watercolour 20.5 x 30.5cm (8 1/16 x 12in).the largest (3)

£400 - 600

384THOMAS MACkAy (BRITISH, ACTIVE 1893-1912)The Forest Stream; The Flower Picker with Duck; By the River at Dusk each signed ‘J. Mackay’ watercolour 29 x 21cm (11 7/16 x 8 1/4in).the largest (3)

£400 - 600

383 385 387

384

386


385pERCy HARLAND FISHER (BRITISH, 1867-1944)The vegetable seller signed ‘P Harland Fisher’ (lower right) watercolour 55.5 x 36cm (21 7/8 x 14 3/16in).

£500 - 700

386HENRy pARkE (BRITISH, 1792-1835)Fishing boat and other shipping off a rocky coast signed and dated ‘H.Parke 1832’ (lower right) oil on canvas 41.5 x 59.5cm (16 5/16 x 23 7/16in).

£500 - 700

387AR

CHARLES SpENCELAyH, RMS, HRBSA (BRITISH, 1865-1958)Portrait of Mr L G Creed signed and dated ‘C. SPENCELAYH./1933’ (lower left) and inscribed ‘Charles Spencelayh. R.M.S., R.B.S.A.(Honorary)/”Beaufort House”/Hollingbourne.Kent./Title. Mr L.G. Creed.’ (on a label attached to the reverse) oil on canvas 51 x 41cm (20 1/16 x 16 1/8in).

£600 - 800

provenance Sale, Christies London, 13 January 2009, Lot 424

388DAVID BATES (BRITISH, 1840-1921)‘The Edge of the Moor - Bolton Woods. Wharfedale’ signed and dated ‘David Bates 1904’ (lower left), inscribed with title on label on backboard watercolour 35.5 x 52cm (14 x 20 1/2in).

£300 - 500

389FREDERICk MILLER (BRITISH)Shipping on a Calm at Dusk (a pair) both signed and dated ‘F. Miller 1878’ (lower left) pencil and watercolour 19 x 33.5cm (7 1/2 x 13 3/16in).each (2)

£400 - 600

390ALFRED VICkERS SNR. (BRITISH, 1786-1868)Cattle by a pool, a windmill beyond signed and dated ‘A.Vickers 1862’ (lower centre) oil on panel 14.5 x 27.5cm (5 11/16 x 10 13/16in).

£800 - 1,200

391G. R. MORETTI (ITALIAN, 19TH CENTURy)Restringing the Violin signed (lower left), watercolour, 52.5 x 36cm (20 11/16 x 14 3/16in).

£400 - 600

392GEORGE GOODwIN kILBURNE, RI, RBA (BRITISH, 1839-1924)‘The Proposal’ signed (lower right), title on mount, watercolour, 29.5 x 39cm (11 5/8 x 15 3/8in).

£500 - 700

393GEORGE GOODwIN kILBURNE, RI, RBA (BRITISH, 1839-1924)An interesting letter signed ‘G.G.Kilburne’ (lower left) pencil and watercolour 28 x 38cm (11 x 14 15/16in).

£400 - 600

388

389

390

66 | BONHAMS

394GEORGE GOODwIN kILBURNE, RI, RBA (BRITISH, 1839-1924)‘Grandma’ signed (lower left), title on mount, watercolour heightened with white, 36 x 26cm (14 3/16 x 10 1/4in).

£400 - 600

395THéOpHILE ALExANDRE STEINLEN (SwISS/FRENCH, 1859-1923)‘Croquis de chats’ black chalk 15 x 24.5cm (5 7/8 x 9 5/8in). together with another study of cats,black crayon with stamped signature, 10.5 x 14 cm (2)

£400

396ALExANDER BRANTINGHAM SIMpSON (BRITISH, ACTIVE 1904-1931)‘Spring’ signed ‘A.B.Simpson’ (lower left), titled on mount oil on board 20.5 x 26cm (8 1/16 x 10 1/4in).

£300 - 500

397FRANk pATON (BRITISH, 1856-1909)A tabby kitten playing with a ball of wool signed and dated ‘FRANK PATON/1906’ (lower left) pencil, watercolour and bodycolour 17 x 23cm (6 11/16 x 9in).

£500 - 600

398CHARLES M. MCARTHUR (BRITISH, ACTIVE CIRCA 1860-CIRCA 1880)Picking berries by the River Falls signed and dated ‘C.McArthur 1877’ (lower right), watercolour and bodycolour 54 x 85cm (21 1/4 x 33 7/16in).

£200 - 400

399JOHN SOwDEN (BRITISH, 1838-1926)‘Romerberg, Frankfurt’ signed (lower right) and inscribed (lower left), watercolour heightened with white, 48 x 33cm (18 7/8 x 13in). With a companion, A Dutch canal view, signed (lower left), a pair. (2)

£400 - 600

400T. LLOyD (BRITISH, LATE 19TH CENTURy)Pinning roses in her mistress’s hair signed ‘Th. Lloyd’ (lower left) oil on board 40 x 29cm (15 3/4 x 11 7/16in).

£200 - 400

402

406

408


401pUBLIO DE TOMMASI (ITALIAN, 1849-1914)Cavaliers toasting their Waitress in an Italian flagged Courtyard signed and inscribed ‘Roma’ (lower right), watercolour 30 x 41cm (11 13/16 x 16 1/8in).

£500 - 600

402TOMMASO DE SIMONE (ITALIAN, 1805-1888)The SY Thistle by moonlight signed (lower right) & inscribed (lower left) gouache 43 x 31cm (16 15/16 x 12 3/16in).

£500 - 700

SY Thistle was a three-masted iron schooner built by Blackwood & Gordon in Glasgow in 1881 and was owned by the Duke of Hamilton. This painting is believed to have come from Hamilton’s collection, and was subsequently purchased with other effects from his estate by Lord Rendlesham. A label verso confirms that it was hung in Rendlesham Hall, Suffolk.

403C. ASTON(?) (BRITISH, LATE 19TH CENTURy)Florence; Bay of Naples indistinctly signed and inscribed, and dated 1897 oil on panel, a pair 28 x 18.3cm (11 x 7 3/16in). in Florentine gilt frames (2)

£400 - 600

404* LISTER (EARLy 19TH CENTURy ENGLISH SCHOOL)Cattle resting by a woodland byre in an open Landscape signed and dated 1749 (centre), oil on canvas, 62 x 73cm (24 7/16 x 28 3/4in).

£500 - 700

405wILLIAM ASHTON (BRITISH, 1853-1927)Cattle grazing by a pond in a wooded Landscape signed (lower left), oil on canvas, 64 x 76cm (25 3/16 x 29 15/16in).

£600 - 800

406JOSEpH THORS (BRITISH, ACTIVE 1863-1900)Gathering wood in a forest clearing signed and dated ‘J.Thors 96’ (lower right), oil on canvas, 51 x 76cm (20 1/16 x 29 15/16in).

£800 - 1,200

407STUART w. LLOyD (BRITISH, ?-1929)‘Boats to Let’ signed ‘Stuart Lloyd’ (lower left) and inscribed with title watercolour 29 x 65cm (11 7/16 x 25 9/16in).

£300 - 500

408ARTHUR H. DAVIS (BRITISH, FL.1871-1894)Terrier in the woods signed and dated ‘Arthur H Davis/97’ (lower right) oil on canvas 46 x 76.5cm (18 1/8 x 30 1/8in).

£700 - 1,000

409GEORGE GOODwIN kILBURNE, RI, RBA (BRITISH, 1839-1924)The suitor signed ‘G.G.Kilburne’ (lower left) watercolour 25.5 x 36cm (10 1/16 x 14 3/16in).

£500 - 700

410CONTINENTAL SCHOOL, 19TH CENTURy‘Le lever - Desenne’; ‘La Bayadere - Telon’ titled on slipframes oil on panel, a pair 23 x 18cm (9 1/16 x 7 1/16in). (2)

£400 - 600

411ENGLISH SCHOOL, CIRCA 1860Travellers by a pool, a vista beyond oil on canvas 63 x 88.5cm (24 13/16 x 34 13/16in).

£500 - 700

409411

68 | BONHAMS

412EMILE DELpEREE (BELGIAN, 1850-1896)Spaniard smoking signed ‘Emile Delperee’ (upper right) oil on canvas 73 x 53.5cm (28 3/4 x 21 1/16in).

£500 - 700

413FRANçOIS-LOUIS LANFANT DE MET (FRENCH, 1814-1892)Young woman spinning at a child’s bedside signed ‘lanfant de metz’ (lower right) oil on panel 41 x 31.5cm (16 1/8 x 12 3/8in).

£700 - 1,000

414ERNEST GEORGES CHAUVIER DE LEON (FRENCH, BORN 1835)Isle de la Cite, Paris signed ‘Chauvier de Leon’ (lower left) oil on board 26.5 x 42.5cm (10 7/16 x 16 3/4in).

£700 - 1,000

412

413419

414416

415 415


415ROBERT MALCOLM LLOyD (BRITISH, DIED 1907)Off Malden; Newlyn Beach (a pair) both signed ‘Robert Malcolm Lloyd’ (lower right) watercolour 27 x 43.5cm (10 5/8 x 17 1/8in).each (2)

£500 - 700

416GIUSEppE CARELLI (ITALIAN, 1858-1921)A mediterranean coastal view signed ‘G. Carelli’ (lower centre right) oil on panel 22 x 33cm (8 11/16 x 13in).

£800 - 1,200

417ENGLISH SCHOOL, LATE 18TH/EARLy 19TH CENTURyPortrait of a gentleman, wearing a red jacket oil on panel (oval) 21.5 x 16cm (8 7/16 x 6 5/16in). a pair of Continental small portraits, in gilt frames, and two further small paintings. (5)

£200 - 300

418JOSEpH THORS (BRITISH, ACTIVE 1863-1900)Figures on a path by a thatched barn signed ‘J.Thors f.’ (lower right) oil on canvas 31 x 45.5cm (12 3/16 x 17 15/16in).

£400 - 600

419ALFRED HEATON COOpER (BRITISH, 1864-1929)Coastal scene under moonlight signed ‘A.HEATON COOPER’ (lower right), watercolour 44.5 x 35cm (17 1/2 x 13 3/4in).

£500 - 700

420FRANk pATON (BRITISH, 1856-1909)Two Kittens signed and dated ‘FRANK PATON 1901’ (lower right) watercolour and bodycolour 19 x 27cm (7 7/16 x 10 5/8in).

£500 - 600

421wILLIAM SHAyER, SNR. (BRITISH, 1787-1879)Girl with donkey on a country path signed and dated ‘W.Shayer 1848’ (lower left) oil on canvas 30 x 25cm (11 13/16 x 9 13/16in).

£600 - 800

422AR

LESLEy ANNE IVORy (BRITISH, BORN 1934)‘Watching the snow’ signed ‘Lesley’ (lower right) watercolour and bodycolour 18 x 13cm (7 1/16 x 5 1/16in).

£300 - 400

provenance with Chris Beetles, London, 1988

423AR

ERwIN EICHINGER (AUSTRIAN, 1892-1950)Man with Tankard signed ‘E.Eichinger’ (upper right) oil on board 27.5 x 21cm (10 13/16 x 8 1/4in).

£300 - 500

provenance With E. Stacy-Marks Ltd, Eastbourne Private Collection, UK

424ANDREAS FRANCISCUS VERMEULEN (BELGIAN, 1821-1884)Night Market signed ‘A Vermeulen’ (lower left) oil on panel, unframed 33 x 29.5cm (13 x 11 5/8in).

£600 - 800

425EMERIC ESSEx VIDAL (BRITISH, 1791-1861)Double-masted sailing vessel in a swell pencil 20 x 33cm (7 7/8 x 13in).

£500 - 700

418

423

424

70 | BONHAMS

426wILLIAM GUNNING kING (BRITISH, 1859-1940)The Blue Pool near Wareham, Dorset signed and dated ‘GUNNING KING 1938’ (lower right), signed again and titled (on a label attached to the reverse) oil on board 36 x 46cm (14 3/16 x 18 1/8in).

£600 - 800

Exhibited Russell-Cotes Museum, Bournemouth

427THEOpHILE ALExANDRE STEINLEN,Deux chats sur un meuble signed and inscribed in pencil ‘a Eug.Delatre mon ami’ drypoint etching 38 x 32cm (14 15/16 x 12 9/16in).

£500 - 600

428wILLIAM LIONEL wyLLIE (BRITISH, 1851-1931)‘Old Waterloo Bridge from the South Bank’; ‘The Lower Pool on the Thames’ (the largest); ‘Greenwich’; ‘The Thames to the East of St Pauls and Monument’; and ‘Tower Bridge with Barges’

£500 - 600

429EDUARD GUSTAV SEyDEL (LUxEMBOURGIAN, 1822-1881)Travellers and a haycart outside an inn signed and dated ‘E.Seydell 48’ (lower left) oil on canvas 31 x 23cm (12 3/16 x 9 1/16in).

£300 - 500

430GEORGE STANFIELD wALTERS (BRITISH, 1838-1924)‘Sunset on the Medway’; ‘Shrimp boats at the Mouth of the Thames’ both signed ‘G.S. Walters’ (lower left) watercolour (a pair) 24 x 34cm (9 7/16 x 13 3/8in). (2)

£500 - 600

427

429

426

428


431ROBERT HARRINGTON (BRITISH, 1800-1882)A Donkey and chickens signed and dated 1879 oil on canvas 28cm x 36cm.

£600 - 800

432wILLIAM SIDNEy COOpER (BRITISH, 1854-1927)Cattle in a wooded river landscape; sheep in a meadow, a pair both signed and dated ‘W.Sidney Cooper 1904 watercolour 25 x 35cm (9 13/16 x 13 3/4in). (2)

£600 - 800

433CONTINENTAL SCHOOL, 19TH CENTURyCattle and figures in an extensive mountainous landscape oil on canvas 74 x 120cm (29 1/8 x 47 1/4in).

£500 - 700

434LOUIS wILLIAM wAIN (BRITISH, 1860-1939)‘Waiting Patiently’; ‘This Milk Is Sour’ signed ‘Louis Wain’ (lower left) red crayon (former); black ink (latter) 20.5 x 18cm (8 1/16 x 7 1/16in).(largest) (2)

£500 - 700

provenance(former) with Chris Beetles, London

435JOHN ALExANDER HARRINGTON BIRD (BRITISH, 1846-1936)Galtee More, a bay horse in a stable signed and dated ‘Harrington Bird./1897.’ (lower left) oil on board 26 x 33cm (10 1/4 x 13in).

£700 - 900

432

435

432

431

72 | BONHAMS

436AR

wALTER LINSLEy MEEGAN (BRITISH, 1859-1944)Moonlit scene near Cheyney Walk signed ‘W.Meegan’ (lower right) oil on canvas 50.5 x 76cm (19 7/8 x 29 15/16in). (unframed)

£500 - 800

437EDwARD DUNCAN, R.w.S. (BRITISH, 1803-1882)Yachts in Loch Crinan from opposite Don Troon Castle signed and indistinctly dated ‘E.Duncan/186..’ (lower right), watercolour heightened with white, 25.5 x 50.5cm (10 1/16 x 19 7/8in).

£600 - 800

438CIRCLE OF JOHN pHILLIp RA HRSA (BRITISH, 1817-1867)Esmeralda oil on panel 31 x 39cm (12 3/16 x 15 3/8in).

£500 - 800

439ATTRIBUTED TO pAUL FALCONER pOOLE (BRITISH, 1807-1879)Crowd scene with a woman blindfold oil on canvas 35 x 42cm (13 3/4 x 16 9/16in).

£600 - 800

440ENGLISH SCHOOL, LATE 18TH CENTURyTurkeys in an ornamental garden watercolour and bodycolour 27.5 x 20.5cm (10 13/16 x 8 1/16in).

£250 - 350

441ENGLISH SCHOOL, LATE 19TH CENTURyMountain stream oil on canvas 43 x 57cm (16 7/8 x 22 7/16in). in a carved frame

£500 - 700

442GERMAN SCHOOL, 19TH CENTURyPeasant inspecting his dinner oil on board 33..5 x 29cm (13 x 11 7/16in).

£500 - 800

443GEORGE OGILVy REID, RSA (BRITISH, 1851-1928)The Blacksmith’s forge, signed ‘G.Ogilvy Reid RSA’ (lower left), oil on canvas, 45 x 60cm (17 11/16 x 23 5/8in).

£700 - 1,000

436

443

445


444LOUIS wAIN (BRITISH, 1860-1939)‘Tibby’ inscribed (lower left) monochrome watercolour and bodycolour on card 8 x 14cm (3 1/8 x 5 1/2in).

£400 - 500

provenance: Chris Beetles Ltd.

445GEORGE GOODwIN kILBURNE, RI, RBA (BRITISH, 1839-1924)‘Bed Time’ signed ‘G.G. Kilburne’ and dated ‘78 (lower left) watercolour 13.5 x 18.5cm (5 5/16 x 7 5/16in).

£500 - 700

446GEORGE SHALDERS (BRITISH, 1826-1873)Cattle Watering signed and dated ‘Geo.Shalders/1860’ (lower left) oil on canvas 76.2 x 120.6cm (30 x 47 1/2in).

£500 - 700

447FRANk SOUTHGATE, R.B.A. (BRITISH, 1872-1916)Entrance to Wroxham Broad; On the Yare; signed ‘Frank Southgate RBA’ (lower right) watercolour, a pair 23 x 32.5cm (9 1/16 x 12 13/16in). (2)

£300 - 500

448AR

EMIL AxEL kRAUSE (DANISH, 1867-1945)Yacht signed and dated ‘E.A.Krause Sep 95’ (lower right) oil on panel 28 x 20cm (11 x 7 7/8in).

£500 - 700

449FOLLOwER OF SIR LAwRENCE ALMA-TADEMA (BRITISH, 1836-1912)Classical Maidens bears signature on marble seat, oil on canvas, in a decorative Victorian gilt corinthian column moulded frame, 40.5 x 31cm (15 15/16 x 12 3/16in).

£300 - 400

450THOMAS MORRIS ASH (BRITISH, ACTIVE 1879-1900)‘In the Lledr Valley N.W.’ signed ‘Thos M. Ash’ (lower left), also inscribed verso oil on canvas 51 x 76cm (20 1/16 x 29 15/16in).

£200 - 400

451ENGLISH SCHOOL, CIRCA 1810Portrait of a gentleman, bust length, wearing dark jacket, dark stock and white shirt oil on canvas 75 x 64cm (29 1/2 x 25 3/16in). In a good antique carved giltwood frame, British, circa 1800.

£500 - 700

447

450

448451

74 | BONHAMS

452JOHN FITz MARSHALL (BRITISH, 1859-1932)Pears, apples and rosehips on a mossy bank signed ‘J Fitz Marshall’ (lower left) oil on canvas 36 x 46cm (14 3/16 x 18 1/8in).

£500 - 700

453ATTRIBUTED TO THOMAS ROwLANDSON (LONDON 1756-1827)The Alchemist pencil 13.2 x 19.2cm (5 3/16 x 7 9/16in).

£500 - 800

The present composition is a copy after David Teniers the Younger’s original painting, now in the Mauritshuis, The Hague.

454LAURENCE kOE (BRITISH, ACTIVE 1888-1904)Portrait of Vivian Caulfield signed and dated ‘LAURENCE KOE/1905’ (lower left) oil on canvas 127 x 76cm (50 x 29 15/16in). (unframed)

£600 - 800

455THOMAS THOMAS (BRITISH, 19TH CENTURy)The old farm at the back of Rednal Hill near Bromsgrove; A well known farm at Kings Heath Near Branford; A pair both inscribed as titled verso (relined), both signed ‘T Thomas’ (lower left), oil on canvas 36 x 51cm (14 3/16 x 20 1/16in). (2)

£500 - 700

OLD MASTER pICTURES

456FOLLOwER OF MEINDERT HOBBEMA (AMSTERDAM 1638-1709)Figures by a watermill in a wooded landscape oil on panel 61 x 94cm (24 x 37in).

£800 - 1,200

457ENGLISH SCHOOL, CIRCA 1780Half length portrait of a young women, with blue and white dress oil on canvas 76cm x 63cm.

£500 - 700

458 459

463

452

456


458FOLLOwER OF SIR GODFREy kNELLER (LüBECk 1646-1723 LONDON)Portrait of Rachael, Lady Russell (1636-1723) and her son Wriothesley (1680-1711) three quarter length, seated wearing a black dress and white headdress, her left hand turning a page of the Book of Proverbs oil on canvas 115 x 95cm (45 1/4 x 37 3/8in).

£800 - 1,200

459FRENCH SCHOOL, CIRCA 1860A portrait of a young boy, wearing classical costume, with pet dog before a landscape pastel 76 x 61cm (29 15/16 x 24in). In a good carved wood frame (with later gilding), British, 18th century

£800 - 1,200

460FOLLOwER OF MEINDERT HOBBEMA (AMSTERDAM 1638-1709)Figures in a wooded village oil on canvas 54 x 71cm (21 1/4 x 27 15/16in).

£800 - 1,200

461FRANCIS pLACE (BRITISH, 1647-1728)View of a grotto pen, brown ink, wash and pencil 18 x 33cm (7 1/16 x 13in).

£600 - 800

provenance Patrick Allan Fraser Iolo Williams Christies, London, 31st July 1979

462EDwARD FRANCIS BURNEy (1760-1848)‘Telephus’ titled on backboard pen,ink and wash 17 x 21.5cm (6 11/16 x 8 7/16in).

£500 - 700

provenance with Stanhope Shelton, 1979

463ALBRECHT DüRER (GERMAN, 1471-1528)The Circumcision of Christ, from the Life of the Virgin (Bartsch 86) Woodcut, 1505, after the Latin edition of 1511, a later impression, on laid, with a crown and crest watermark, with small margins, 296 x 210mm (11 5/8 x 8 1/4in)(B)

£500 - 700

464GERMAN SCHOOL, 18TH CENTURyThe Kings offering gifts to the infant Jesus oil on panel 9.5 x 13cm (3 3/4 x 5 1/8in).

£200 - 300

465ROMAN SCHOOL, EARLy 17TH CENTURyPortrait of a gentleman, bust-length, in a black coat, within a painted oval inscribed with the sitter’s coat-of-arms and inscribed ‘GNVM/*/BONVM’ (on scroll, upper left) oil on canvas 61 x 48.4cm (24 x 19 1/16in). unframed

£500 - 700

466GIOVANNI BATTISTA pIRANESI (ITALIAN, 1720-1778)Veduta della Arco di Settimio Severo (Hind 99) Etching, 1772, a later impression, on laid, 475 x 710mm (18 3/4 x 27 7/8in)(PL)

£300 - 500

460

465

76 | BONHAMS

467AFTER SIR ANTHONy VAN DykEPortrait of Queen Henrietta Maria Engraving, c.1632, by Pieter de Jode I, on laid, 450 x 335mm (SH), together with a copy of the engraving after Nicholaes de Bruyn (1571-1656,) ‘Christ healing the Centurian’s servant’, from the series ‘Historiae Sacrae Veteris et Novi Testamenti’, on laid, 432 x 675mm (17 x 26 1/2in)(I) (2)

£300 - 500

468AFTER CLAUDE LORRAIN (FRENCH, 1600-1682)Five Views from the Liber Veritatis Mezzotints, engraved by Richard Earlom (1743-1822), printed in dark brown and black ink, on laid paper with wide margins, published in 1777 by John Boydell, 210 x 260mm 8 1/4 x 10 1/4in)(PL) (5)

£500 - 700

MINIATURES

469Y ФCIRCLE OF ABRAHAM DANIEL (BRITISH, DIED 1806)A portrait miniature of a Gentleman, wearing blue coat and pink waistcoat, white frilled chemise, stock and cravat, his wig powdered. Watercolour on ivory, gold frame with engraved borders and brooch pin attachment to the reverse. Oval, 51mm (2in) high

£250 - 350

470Y ФFANNy ROMANINI (ITALIAN, BORN CIRCA 1795-1854)A portrait miniature of Signora Marinetta Conti née Minola (1800-1848), wearing black dress with white lace trim, her dark hair upswept and secured with a fashioned tortoiseshell comb. Watercolour on ivory, signed on the obverse Li Romanini fecero, the reverse inscribed Marinetta Minola/ maritata Conti/ nata 1800/ morta il 1o Aprile 1848, gilt-mounted within a verre-églomisé border on a rectangular papier-mâché frame. Circular, 81mm (3 3/16in) high

£250 - 350

471Y ФATTRIBUTED TO SAMUEL ANDREwS (IRISH, CIRCA 1767-1807)A portrait miniature of a Gentleman, wearing black coat and waistcoat, white frilled chemise and stock. Watercolour on ivory (cracked), rectangular gilded papier-mâché frame. Oval, 71mm (2 13/16in) high

£300 - 400

469

470

471


472GEORGE pERFECT HARDING (BRITISH, BORN CIRCA 1780-1853)Sir Dudley Carleton, 1st Viscount Dorchester (1573–1632), standing before an open window and wearing yellow doublet beneath an aubergine cape, white ruff and cuffs, blue ribbon of the Order of the Garter, gold collar set with emeralds and pearls, emerald green striped breeches over scarlet stockings, matching green shoes finished with yellow rosettes, a walking cane in his right hand, his sheathed sword at his left and his hat on a table behind him. Watercolour and gouache on paper, indistinctly inscribed lower right, ebonised wood frame with red and gilded borders, the reverse with handwritten label detailing the sitter’s biography. Rectangular, 274mm (10 13/16in) high

£500 - 700

provenance Purchased from Halliday’s Ltd., Oxford on 13 September 1986; The Fiorentini Collection, P.7 The present lot derives from a group portrait of c.1620 featuring Sir Dudley Carleton and Alethea Howard, Countess of Arundel by Peter Paul Rubens (Alte Pinakothek, Munich). Dudley Carleton, 1st Viscount of Dorchester, was the son of Anthony Carleton and Joyce Goodwin. He served James I as Ambassador for Venice (1610-1615) and the Netherlands (1616-1625). As an art collector in Venice, he promoted Italian taste and the Grand Tour and in the Netherlands, he exchanged marbles for paintings with Rubens. Dorchester was an art advisor to both Charles, Duke of York and the Earl of Salisbury and he acted as an agent to collectors such as Lord Pembroke. He later served Charles I as Secretary of State and is buried at Westminster Abbey.

473Y ФCONTINENTAL SCHOOL, CIRCA 1830A portrait miniature of a Gentleman, wearing black coat and stock over check waistcoat and white chemise. Watercolour on ivory, gilt-metal frame with pierced ribbon cresting and easel attachment to the base. Oval, 54mm (2 1/8in) high

£250 - 350

474Y ФpATRICk JOHN MCMOR(E)LAND (SCOTTISH, 1741-CIRCA 1809)A pair of miniatures portraying two young girls called, ‘Becki’ and ‘Dell’, wearing pink dresses. Watercolour on ivory, signed on the obverse and dated P Mc/ 1764, mounted in a gilded composition frame with three further 18th century miniatures on ivory, all portraying male sitters, two named ‘Col. Heller’ and ‘Grand Papa Henning’, the largest attributed to W. Thicke (British, active 1787-1814). Oval, the title miniatures: 35mm (1 3/8in) high (5)

£800 - 1,200

472473

474

78 | BONHAMS


DAy TwOLots 475 - 881

80 | BONHAMS

TRIBAL ART

475A BENIN COCONUT FLASk NIGERIANigeria Split into two hemispheres, each carved with figures of an oba and queen flanked by attendants, 12.5cm high

£400 - 600

476Y ФTHREE SMALL LOANGO CARVED IVORy TUSkSCongo One an elephant ivory tusk carved with a spiral tableau depicting human figures and a variety of animals, 19cm long; and a pair of hippopotamus tusks carved with a spiraling procession of human figures, terminating in a cockerel and a goat respectively, 11.4cm long (3)

£300 - 500

477A pAIR OF yORUBA ESHU-ELEGBA ALTAR FIGURESNigeria Standing holding whistles and dance crooks, wearing caps tied with medicine calabashes, circular bases, 48cm high (2)

£200 - 300

478TwO CHAMBA FIGURESNigeria The larger female figure with domed coiffure, female 20cm high, male 15cm high (2)

£300 - 500

479A TALISMANIC kORAN BOARDProbably Burkina Faso Painted and inscribed with arabic text, 33 x 23cm

£200 - 300

480A BAULE HEDDLE pULLEyIvory Coast Carved with multi lobed coiffure, arched brows and eyelids, oval mouth, above rounded shoulders, laterally pierced for suspension, glassy brown patina, 15.5cm high

£300 - 500

481A GROUp OF SEVEN ASHANTI BRASS FIGURAL GOLD wEIGHTS,A Cameroun brass mask, with textured skin and nose ring, applied with a leather head band sewn with cowrie shells, 36cm high; and a set of Nuremburg bronze weights with decorative handle and harp catch, (qty)

£200 - 250

482A MENDE HELMET MASkSierra Leone For the female Sande society, the domed cap carved as a head, with plaited coiffure incorporating a multi-lobed vertical ‘diadem’, the facial features typically reduced to narrow slit eyes and mouth beneath arched brows, pierced rim, polished black patina, 35cm high

£300 - 500

EUROpEAN & ASIAN CERAMICS & wORkS OF ART

483A MAJOLICA GAME pIE DISH wITH COVERThe cover with a moulded hare and duck design, oak leaf and acorn border decoration to basket style base, turquoise blue interior, lacking liner, 32cm wide

£300 - 400

484A SUNDERLAND LUSTRE wARE JUG AND BOwLThe jug of ‘East View of the Iron Bridge’, the basin of ‘West view of the Iron Bridge’, together with seven assorted 19th century baluster jugs and a Sunderland plaque (10)

£300 - 500

485A 19TH CENTURy pOTTERy BOURDALOUEWith ribbon and rose design, together with a part dessert service of ornithological interest, a Royal Copenhagen Flora Danica plate, a large glass lace makers lamp and two others (qty)

£200 - 300

486A CHINESE BLUE AND wHITE SHALLOw DISH AND A BLUE AND wHITE BOwLThe dish painted with an arrangement of flower panels, 36cm diameter, the bowl decorated with a figure to the interior, 25cm diameter, with hardwood stands. (4)

£300 - 500

486


487AN 18TH CENTURy, LATER DECORATED SEVRES CABINET pLATE, TOGTHER wITH FIVE OTHERSPainted with birds and an a tree branch within a turquoise and gilt ground, together with a pair of later Sevres cabinet plates painted with couples in a landscape and three others. (6)

£200 - 300

488A COLLECTION OF ROyAL COpENHAGEN MODELSIncluding a mermaid, model 4431, a polar bear, no.320, a puppy, no.1452/1204, a cockerel, no.1025, two lambs, no.2769, a sea lion, no.1441, two ducks, nos. 1468 and 3263, a kingfisher, no.2257, ten other small Royal Copenhagen models and three others various, (22)

£200 - 300

489A ROyAL DOULTON FLAMBE VEINED VASEA Bernard Moore crimson glazed small jardiniere and a small squat baluster vase [3] 22cm,12cm and 11cm high respecively

£300 - 500

490A LARGE pEARLwARE FIGURE OF THE MADONNA AND CHILD, CIRCA 1800-10The figure seated with the infant on her lap, on rectangular base, 35cm high.

£400 - 600

491A pAIR OF DOULTON LAMBETH SALTSEach supported on a square plinth, the taller example with pierced panels, each with two parrots perched as supports, 9cm high, the other with floral relief decoration to panelled supports, 8.5cm high (2)

£400 - 600

492ΩA MODERN MOORCROFT VASE, DATED 1993Tube lined decorated with lilies and irises on a blue ground, of tall inverted baluster form and flared rim, signed ‘J.Moorcroft’ and R.J.B. Des. 18.8.93 to base, edition 57/100, 39cm high

£250 - 350

493A STAFFORDSHIRE FIGURE OF GARIBALDIThe figure standing beside his horse, with title to base, 37cm high.

£300 - 500

494A RHENISH TIGERwARE JUG,With mask-moulded neck, the ovoid body moulded with a decorative oval motif, 21cm high; an Aldermaston pottery vase with squat body and narrow neck, by Alan Caiger-Smith; and a group of British studio pottery wares including a dish by D Lloyd-Jones and a large bowl by Baier Sven, Wentworth Pottery, the interior decorated with a cockerel, (qty)

£300 - 400

495A CHINESE CRACkLEGLAzE BALUSTER VASE,With simulated bronze borders and branch handles, painted around the sides with landscape scenes of figures, animals and flowering trees, and with a key pattern upper frieze, 33cm high

£250 - 350

496ATTRIBUTED TO THOMAS SADLER: A pAIR OF RECTANGULAR pORCELAIN pLAQUES,One painted with red roses, the other fruits, before an archway, signed ‘T Sadler’ and dated 1877 & 1878, 25.5 x 20cm & 24.5 x 20cm, respectively, in ornate Victorian gilt gesso frames (2)

£300 - 400

497A wORCESTER pORCELAIN DESSERT SERVICECirca 1884 Comprising a tall comport with cherub support, two low comports and six plates, decorated with flower sprays and insects to the centre surrounded by a ribbon and garland decorated turquoise border, (9)

£300 - 400

491

492

82 | BONHAMS

498SEVEN VARIOUS pORCELAIN FIGURESIncluding two Derby figures, 14cm high, a pair of continental white glazed figures, 15cm, two continental figure groups and a small Staffordshire group of three children, (some damage). (7)

£200 - 300

499A GROUp OF FIVE ISLAMIC pOTTERy VESSELS AND A BOwLComprising a large blue glaze baluster vase with floral decoration 35cm high, a pair of bottle or sprinkler vases with relief mask decoration, each with a handle 28cm high, a large a large brown and cream glazed jug 29cm high, a green and blue glazed jug, 20cm high and a blue and white bowl 24cm diam (6)

£500 - 700

500A wORCESTER pORCELAIN TEApOT AND COVERDr Wall Painted in Mandarin style with two figures offering a flower through a window, blue borders and flower head finial, 14cm high

£300 - 400

501A pAIR OF COALpORT VASES AND COVERS, AND A DELFT pLATEThe vases of slender oviform, painted with views of Loch Earn and Loch Tay, by E.O.Ball, signed, reserved on a dark blue ground, 26cm high, the Delft plate painted in blue with figure and foliate panels, 23cm diameter, (5)

£200 - 250

502A SMALL GROUp OF ASIAN pORCELAIN AND A NEwHALL JUG IN THE CHINESE TASTEComprising three matching blue and white circular dishes; two octagonal plates; two enameled bowls; a four piece circular stacking container and another dish, (13)

£200 - 300

503A VASE By DAVID LEACHThe shouldered ovoid body splashed with brown bands and markings on a temmoku glaze, 29cm high, three other Leach pottery vases and other British studio pottery vases including a footed dish by David Frith decorated with two carp (12)

£300 - 500

504A SET OF SEVEN ‘TALLy HO’ HUNTING GLASSES, CIRCA 1820-50The flared conical bowls engraved with a fox and ‘Tally Ho’, 11.5cm high. (7)

£300 - 500

505A LARGE GERMAN pORCELAIN FIGURE OF A yOUNG BOy IN A TOp HAT,Titled ‘Papa’, 27cm; a German bisque piano baby, 18cm; two Elbogen fairings ‘Rich’ and ‘Poor’; together with a Staffordshire arbour group, 35cm and others, (13)

£250 - 350

506A COpELAND SpODE IRONSTONE pART SERVICEDecorated with Chinese flowers and foliage in famille rose palette, comprising one small rectangular platter, 36.5cm wide, eight plates, 24cm diameter, eight soup plates, six small plates and six small bowls, printed and impressed marks. (29)

£500 - 600

507AN INDIAN SMALL BRONzE OF pARVATy IN UMA,Chola Dynasty, 3cm high, an Indian bronze small domestic hanging temple, 7cm square, suspended by two chains; and an Indian brass tray engraved with deities, 48cm wide (3)

£200 - 250

508A pEARLwARE FIGURE GROUp, AND TwO pEARLwARE FIGURES OF ELIJAH AND THE wIDOw, EARLy 19TH CENTURyThe group modelled with two figures seated on rocks, a lamb at their feet, 28cm high, the figure of Elijah, with title to base 26cm high, the Widow 25cm high. (3)

£500 - 700

509ΩA MODERN MOORCROFT ‘LAMIA’ VASE, DATED 1995Of tall form baluster with tubeline decoration of waterlilies and bulrushes, edition 55/100, with certificate, signed R.J.B DES. 19/10/95, 51cm high

£500 - 550

509


510A SMALL GROUp OF MAIOLICA BOwLS AND DISHESMostly Italian and French, to include a barbers bowl decorated with floral sprays 39cm wide, a Quimper type bowl, a dish with a floral spray and insects to the center, a footed dish painted with a putti and three others. (9)

£600 - 800

511A CIRCULAR EARTHENwARE SLIpwARE DISHDecorated with a floral spray to centre and seed heads to border, 35cm diam (damaged)

£100 - 150

512A 19TH CENTURy ENGRAVED GLASS wINE JUG, AND A pAIR OF MATCHING wINE GOBLETS,Jug 17cm high; a cut flashed glass bottle decorated with a band of leaves and with gilt detail; two Bohemian engraved glass mugs, 10cm; a Cantonese famille rose decorated vase on celadon ground 21cm high; a small Japanese bronze vase; and four small vases and coloured glasware, (qty)

£200 - 300

513A SHELLEy TEA SERVICEOf dropped black pattern, for six, the angular handles and geometric decorative motifs in yellow and black to include cream jug and sugar basin, (21)

£300 - 400

514A wORCESTER TEA BOwL AND SAUCERDecorated in the Kakiemon style with two quails and flower within a turquoise border, saucer 13.5cm diam (2)

£300 - 500

515A LATE 18TH CENTURy RECTANGULAR GLASS FLASkWith engraved foilate decoration 24cm high; three similar smaller vessels; a pewter mounted tankard 22 cm high; and a Bohemian etched wine glass decorated with hunting scenes, (6)

£500 - 700

516TwO DERBy FIGURAL CANDLESTICkS, TwO ENGLISH pORCELAIN BASkETS AND A REpRODUCTION pORCELAIN BOwLThe candlesticks modelled with a gallant and a female figure and cherub, 25cm and 27.5cm, the baskets with overhead handles and painted with flowers, 27.5cm and 20.5cm (5)

£500 - 600

517A FRENCH pORCELAIN SNUFF BOxModelled with a putto and a sheep, the hinged cover painted with flower sprays, 5.5cm.

£250 - 350

518A pAIR OF SEVRES-STyLE VASES AND COVERS wITH GILT METAL MOUNTSOf cup shape with domed covers, with enamelled and gilded detail on a dark blue ground, on gilt gilt metal stems and bases, 26cm high. (4)

£500 - 800

519A COLLECTION OF 18TH & 19TH CENTURy ENGLISH AND CHINESE BLUE AND wHITE pORCELAINTo include four leaf shape pickle dishes, eleven cups, eighteen tea bowls and seven saucers. (40)

£250 - 350

520A CHINESE kANGxI BLUE AND wHITE pORCELAIN pORRINGER AND COVERWith twin pierced handles, decorated with figures within a garden, (some restoration) 15cm diameter

£400 - 600

521A BRASS pLAQUE AND A CIRCULAR pLASTERThe brass plaque with figures in amorous engagement, probably 19th century 18cm high, and a plaster medallion of a couple in amorous embracement, 20th century 13.5cm diam

£500 - 700

522Y ФA GROUp OF SIx VARIOUS JApANESE NETSUkE19th Century and later Comprising an ivory example modelled as a dog of Fo mounted on a ball, an ivory fisherman, two other figurative ivory examples and two other hardwood examples. (6)

£300 - 500

522

513

84 | BONHAMS

523A CHINESE BLACk LACQUER TEA CADDyDecorated in iron red and gilt with pagodas and foliage, the interior fitted with two lidded pewter canisters, 29cm; and a Chinese lacquered metal box in the form of a gourd, with gilt decoration, on an oval stand (lacks cover). (2)

£200 - 300

524A kUTANI VASE TABLE LAMp AND CLOISONNE VASE TABLE LAMpThe baluster shaped kutani vase typically decorated in rust and gilt, 47cm high; the black ground cloisonne vase having ornate gilt metal mounts, 50cm high. (2).

£250 - 350

525A CHINESE SCROLL pAINTINGQing dynasty Painted with an gathering of figures in court robes, painted on silk, image 124 x 52cm

£200 - 300

526A GROUp OF TEN CHINESE ExpORT BOwLSLate 18th century Including two decorated in the ‘Mandarin palette’ with figural scenes within underglaze blue borders, 27cm and 20.5cm, a famille verte bowl decorated with two fancy birds amongst flowers, 18.5cm diameter, two Imari palette bowls and five others, together with a pair of Chinese export Imari plates, late 18th century Decorated in iron-red, blue and gilt with groups of flowers and foliage, the rim with three similar studies, 39cm (12)

£200 - 250

527A pAIR OF CHINESE JADEITE CONTAINERS AND COVERS MODELLED IN THE FORM OF QUAILSWith hardwood stands, 10cm long x 7.5cm high (6).

£800 - 1,200

528A BRONzE TRIpOD AND COVER, pROBABLy 20TH CENTURyWith chain link handles held up by two dragon like figures to either side, on three mask head feet, 35cm high

£200 - 300

529A LATE 19TH CENTURy JApANESE pORCELAIN pLANTER,rectangular shape, painted in blue with landscape scenes, the rim painted Bhuddistic symbols raised on four cabriole legs, 37 x 27cm.

£500 - 700

530A CHINESE CyLINDRICAL BLUE AND wHITE STICk STANDWith eight vertical panels depicting figurative and foliate subjects, 60cm high

£300 - 500

531A JApANESE wOODBLOCk pRINT OF A SUMO wRESTLER,By Ichiyusai Toyokuni, probably Toyokuni III, 36 x 26cm; and three further Japanese prints: an actor Nakamura Shikan, by Hokuei, 36 x 26cm another depicting two actors, probably Utagawa or Osaka School, 37 x 25.5cm and a Shiratama from Tamaya House attributed to Utamnaro I/II, 38 x 24cm, variously framed and glazed, (4)

£250 - 350

523

527

530


532TwO CANAkkALE pOTTERy EwERS 19TH CENTURyEach with a dark glaze, twist handle, slender neck and bulbous base, applied with stylised flowerheads, approximately 42cm high.

£200 - 300

533A COLLECTION OF 18TH AND 19TH CENTURy ENGLISH CERAMICSIncluding: a Staffodshire silver shape teapot, first half 19th Century, transfer printed in red with Champions of Reform; an English porcelain trembleuse two handled cup, cover and saucer, painted with panels of birds and insects, the cobalt blue ground heightened with gilding; a collection of fifteen 18th Century and early 19th Century English tea bowls, three with saucers; and ten further pieces of 18th and 19th Century English ceramics, (31)

£250 - 350

534A GALLE FLASk VASECameo-cut with a continuous landscape of trees in shades of green and brown, signed, 15cm high

£500 - 600

535A GALLE VASEWith tall narrow neck, cameo-cut with Scotch thistles, in black on a mottled yellow ochre and green ground, 27cm; and a smaller Galle vase, decorated with lily plants, signed, 10cm high (2)

£500 - 600

536A LARGE QUANTITy OF VARIOUS ISLAMIC pOTTERy VESSELS AND TILESTo include and Iznik tankard in the Ottoman style (some damage), a pair of decorative blue ground vases, a tall bottle vase, a footed circular dish, two Islamic silver coloured dishes, various tiles and others. (qty)

£500 - 700

537A GROUp OF VARIOUS 18TH/19TH CENTURy DRINkING GLASSESTo include an air-twist stemmed and etched ale glass, a pair of faceted stemmed cordial glasses, an air-twist stemmed glass with a large hammered bowl, another pair of faceted stem glasses and various others. (18)

£300 - 500

538A COLLECTION OF ROyAL wORCESTER BLUSH GROUND pIECES, A VASE By JAMES STINTON AND A CABINET CUp AND SAUCER By SEDGELEyThe blush pieces including a twin handled baluster stem vase painted with a spray of flowers, 25cm high; the vase painted with pheasants, 16cm high, (14)

£300 - 500

539A LATE 19TH CENTURy OVAL REVERSE pAINTED GLASS OVAL DOUBLE pORTRAIT OF TwO GIRLS READING A LETTERMounted within a gilt composition floriate moulded decorative frame, 90cm x 70cm, not including frame

£500 - 600

540No lot

541A RECONSTITUTED STONE GARDEN ORNAMENT,In the form of a swagged urn, 122cm

£200 - 400

542AN EARLy 20TH CENTURy SILVERED ALLOy CAST MODEL OF A JOCkEy UpSaid to be Steve Donaghue - noted Jockey and Epsom Derby Winner, 35cm

£300 - 400

543AN ICON OF THE NATIVITyRussian, early 19th Century Painted on panel, 33cm x 28cm

£1,000 - 1,500

544A GARDEN SUNDIALThe copper plat and gnomon inscribed “Wright, London fecit”, on stone leaf-carved pedestal, 112cm high

£200 - 300

534, 535

86 | BONHAMS

545A 19TH CENTURy CAST BRONzE FIGURE OF A STANDING BOAR BEFORE A TREE,7cm high; a cast white metal model of a standing dog, 3cm high; a 19th Century cast iron ‘hand’ paperweight 6cm high; a cased Maundy coin set 1877; a French enamel circular pot with hinged cover; a miniature jointed bisque doll, 3cm; a carved sewing clamp; two fans and other items (qty)

£200 - 300

546A LARGE pAISLEy SHAwL,19th Century, of typical pattern with curved and scrolling foliate designs around a central black ground medallion, 336 x 160cm; and another, 178 x 170cm, (2)

£300 - 500

547A NEEDLEwORk SAMpLER,Worked by Mary Stephenson Leak, September 23th 1811, with rows of alphabets and numerals, a text, a stag, birds, formal trees, jardinieres of flowers and other motifs within a beaded and floral meander border, 40cm square

£200 - 300

548A ROBERT GOGERTy REFRACTING TELESCOpE,English, 1849-1855, Signed ‘Gogerty, 72 Fleet Street, London’, having six brass draws, baleen bound tube, in original fitted leather covered case with alternative eyepiece and collar for attaching to a gate post or tree bough, the case 12.5cm wide.

£300 - 500

Robert Gogerty worked at 72 Fleet Street from 1849-1855.

549A GEORGE III BRASS BOUND MAHOGANy pLATE BUCkETWith swing handle

£400 - 600

550A VICTORIAN MAHOGANy COIN CABINET,The hinged cover with brass carrying handle and enclosing eight velvet lined lift-out trays containing a collection of English and world coinage and Commemorative medals: W S Thorburn Guide to Coins .... 1888 and one other, (qty)

551A JApANESE MEIJI, BRONzE CLAD FIGURE OF A pROwLING LION,On naturalistic polished burr root wooden base, seal mark, 40cm overall

£300 - 500

552TwO pOLISHED BRASS MINERS LAMpS By THOMAS A wILLIAMS ABEROARE,A Victorian brass gas lamp with etched and cut glass shade; a pair of brass Art Nouveau wall brackets with opaque glass shades; a brass ships lamp; and a companion set, (qty)

£200 - 300

553A BRONzE INCENSE BURNER,Xuande six-character mark, the compressed globular body with a pair of loop handles, 18cm across, and a pair of cloisonne enamel circular boxes and covers decorated with butterflies amongst flowering branches on a pale blue ground, 9.5cm diameter (3)

£500 - 600

554A COLLECTION OF pEwTER TO INCLUDE:A large circular two handled entree dish and cover, 39cm across; an ecuelle and cover; a flagon, the hinged cover inscribed ‘Casper John’; and other items; also a bronze back plate, of shaped circular outline, 18cm diameter

£200 - 300

555Y

A VICTORIAN ROSEwOOD MOUNTED CONCERTINA,By C Wheatstone Inventor, 20 Conduit St, Regent St, London: with fret pierced panels, 18cm across, in a hexagonal rosewood velvet lined carrying case with hinged cover, labelled ‘Keith Prowse & Co, London and Wheatstones’, Instructions for the English Concertina (2)

£500 - 700

556OF ROyAL INTEREST:HRH King George V & Queen Mary, a pair of black and white photographs, by W & D Downey, 61, Ebury St, S.W., mounted on card with embossed Royal Coat of Arms and each signed in ink and dated 1920, images each 14.5 x 10cm, 25 x 20cm overall, later framed and glazed (2)

£200 - 300

555


557A 19TH CENTURy ANGLO-INDIAN CAMpHORwOOD AND BRASS BOUND wRITING BOxWith pull-out drawer and tambour top opening to reveal a fitted interior, flush side handles.

£150 - 200

558A LOUIS xVI STyLE GILT METAL FOUR LIGHT CANDLEABRUMThe scrolling branches supported by a putti standing on a socle and white marble plinth base, adapted for electricity 51cm high

£250 - 350

559A NOVELTy TABLE BELLIn the form of a tortoise, the black painted cast iron base with gilt detail, 17cm across; a novelty cast brass gas lamp holder, late 19th Century, in the form of the devil, 16.5cm high stamped ‘R.S’; a coconut carved with a maritime scene and other images, 14cm high; and a Chinese terracotta baluster vase decorated with dragons, (4)

£250 - 350

560A JApANESE BRONzE LOBED INCENSE BURNER,Meiji period, circa 1900, signed ‘Touun’, the sides decorated in relief with rabbits below a key pattern upper frieze, raised on four scrolled feet, 16cm.

£300 - 500

561Y ФA VIzAGApATAM IVORy OVERLAID SANDALwOOD COUNTER BOx,Southern India, 19th Century, square with slightly domed hinged cover, having beaded and strapwork mounts, foliate engraved and a pierced cartouche, monogrammed, enclosing four lift-out boxes containing eight circular and six rectangular ivory gaming counters, foliate engraved and monogrammed, lock and key, 10.5cm

£250 - 350

562No lot

563A SUNSHINE RECORDER ENGLISH, CIRCA 1900,Spherical glass lens, mounted in a trunnion, on adjustable cast brass arc, on shaped column above square marble brace, 10in (25.5cm) wide

£300 - 500

Beltrame Collection IV.19

564No lot

565A SET OF LATE 19TH/EARLy 20TH CENTURy ART NOUVEAU BRASS FIRE TOOLSComprising a poker, a pair of tongs and a shovel, with matching stylized stand, 58cm high

£80 - 100

566EMANUEL FREMIET: A BRONzE MODEL OF A CATThe cat crouching lapping from a saucer with a finch standing by, signed ‘E FREMIET’, 39cm wide

£500 - 700

567A GREEk SILVER BOx AND COVER ON CHAINRepousse decorated with a representation of St George, the back inscribed “Kosanti 1829”; a late-Victorian ruby glass double ended scent bottle; a Dutch style silver wall pocket, Chester 1905; a cloisonne enamel buckle decorated with cranes and miscellaneous pieces of French, Dutch and other Continental silver to include a novelty pepperette modelled as a Dutch boy (qty)

£300 - 500

568A COLLECTION OF TABLE LAMpS AND CANDLESTICkSTo include, a pair of silvered pricket candlesticks, each with cabochon-carved triform base, 58cm high including pricket, a pair of pricket candlesticks, on circular bases, 45cm high including pricket, a carved pricket-type table lamp, with bronzed finish, 74cm high including fitting, and another similar, with triform base, 70cm high including fitting, and two pairs of socket candlesticks, the larger 27cm high, (10)

£150 - 200

569Y ФA GEORGE III HORN pOwDER FLASkScratch carved with a pheasant and inscription ‘Mark Tyball, His Horn, 1799’, 19.5cm long; a small hunting crop, the bone handle carved as a dog’s head, a small lamp, three small painted wax relief portraits, two pairs of ivory door finger plates, and a 19th Century papier mache dish of chamfered rectangular form. (11)

£300 - 400

563

566

88 | BONHAMS

570No lot

571MINIATURE FURNITURE: A VICTORIAN OAk ‘AppRENTICE’ CHEST OF DRAwERSHaving a single planked top with deep border, above a cushion moulded long frieze drawer with two short and two long fitted drawers below, raised on inverted bottle feet. 42cm wide x 17cm deep x 36cm high, (16 1/2in wide x 6 1/2in deep x 14in high)

£300 - 400

572AFTER FRANz BERGMAN (AUSTRIAN, 1861-1936): A pOLyCHROME DECORATED COLD pAINTED BRONzE MODEL OF A GOLDEN pHEASANTThe cock bird naturalistically modelled, bearing raised amphora to the underside, 20.5cm high

£500 - 700

573A LATE GEORGE III NAVETTE SHApED BRASS BOUND BUCkETProbably Irish, with swing handle, 35cm.

£200 - 300

574No lot

575A SMALL COLLECTION OF METALwARESTo include a large copper pan or vessel, with lines of punched decoration, 56cm diameter; a tôle peinte trade sign, comprising a red and black-painted top hat, and a banner reading ‘J. BOIMOND’, the banner 69cm wide; a pair of wrought iron fire-dogs and a set of two steel fire irons, (6)

£150 - 200

576A 19TH CENTURy ITALIAN pIETRA DURA AND GILT METAL CASkETOf oval box form raised on pierced bracket feet, inset with oval pietra dura plaque to the cover and six smaller rectangular plaques about the frieze each inlaid with floral sprays, 15cm wide.

£300 - 500

577AN INLAID MAHOGANy OVAL TRAy, CIRCA 1900Of late 18th century design, the central segmental motif surrounded by scrolling foliage and with two ivorine musical scores; 70cm across

£150 - 200

578A FRENCH SCHOOL, A LATE 19TH CENTURy GILT BRONzE FIGURE GROUpOf two playful putti, on shaped plinth and marble base 21cm wide, 26cm high (8in wide, 10in high)

£300 - 500

579A CONICAL GREEN GLASS VASE wITH A GILT BRASS BASEThe glass with wavey rim, the ormolu base moulded with floral sprays, wheat sheaths and vines on three feet, 54cm high

£200 - 300

572

576

573

588

578


580A 19TH CENTURy INLAID MAHOGANy SARCOpHAGUS SHApED TEA CADDyThe top with rounded and canted edge, revealing three compartments (lacking covers), ebony escutcheon and gilt brass lion mask handles, raised on ball feet. The whole inlaid with ebony and satinwood banding ands mahogany crossbanded. 18cm wide, 16cm deep, 19cm high (7in wide, 6in deep, 7in high)

£300 - 500

581Y ФA MID 19TH CENTURy ANGLO-INDIAN SADELI IVORy AND MOSAIC INLAID wORk BOx AND SIMILAR pERIOD HARDwOOD, IVORy AND SADELI MICRO-MOSAIC SMALL JEwELLERy BOxThe work box of low sarcophagus form with typical allover banded geometric border decoration, the lid with panelled top, the sides with bale handles, the interior with compartmented tray fitted various rectangular covered wells, and various circular boxes and winders cases, on paw feet, the jewellery box with panelled and raised diamond decoration to the lid, the later velvet lined interior fitted a mirror to the inner lid, on foot detached, both as found the workbox, 13cm high, 33cm wide, 24cm deept, the jewellery box, 8cm high, 20cm wide, 15cm deep (2)

£500 - 700

582Y

A VICTORIAN ROSEwOOD SARCOpHAGUS FORM TEA CADDyThe top with beaded panel, revealing a pair of fitted caddies and associated bowl, mother of pearl escutcheon and gilt brass lion head drop hing handles to base, on a beaded plinth raised on squat bun feet. 34cm wide, 19cm deep, 20cm high (13in wide, 7in deep, 7 1/2in high)

£300 - 400

583A 19TH CENTURy COppER TwIN HANDLE URN SHApED SAMOVARWith brass tap, 37cm high; a 17th/18th Century brass mortar and a pestle, a pair of brass candlesticks with wrythen columns, and a brass bucket. (6)

£200 - 300

584A pAIR OF JApANESE REVERSE pAINTINGS ON GLASSWith figures in river landscapes, 29 x 39.5cm (2)

£400 - 500

585A pAIR OF CLOISONNE ENAMEL BALUSTER VASES,Decorated with egrets amongst irises, 15cm high (2)

£250 - 350

586AN EDwARDIAN MAHOGANy AND INLAID kIDNEy SHApED TRAy56cm long; five further similar inlaid trays, various shapes, a Victorian large papier mache oval tray, painted with flowers, a tole tray painted with a boating scene within gilt vine border, and various other trays. (qty)

£250 - 350

587A LATE 19TH CENTURy BARBEDIENNE GILT BRONzE AND CHAMpLEVé ENAMEL TAzzAWith scrolling drop ring handles and applied central anthemion mounts, the sides with purple and yellow stylised floral enamel decoration on a turquoise ground, the fluted pedestal support on circular rope twist base signed F. BARBEDIENNE, raised on a cream onyx circular plinth foot, 7cm high

£200 - 300

588A CHINESE JARDINIERE ON A HARDwOOD STANDThe bronze jardiniere relief decorated with songbirds and boughs of blossom on a lobed, textured ground, 36cm diameter; on a carved hardwood stand decorated with flowering foliage and with tall, curved legs and marble inset top, overall 122cm high

£250 - 300

589A GROUp OF 18TH, 19TH AND 20TH CENTURy DOMESTIC AND DAIRy TREENTo include a late 18th/19th century fruitwood knitting sheath, of goose-wing type, 30cm wide; a 19th century sycamore ‘Sussex’ spice tower, of three tiers, 14cm high; a sycamore spice tower,15cm high; a turned lidded cup; a yew-wood goblet; three 19th century brass and fruitwood seals; a dice shaker; five platters or bowls etc., (17)

£200 - 300

587581

90 | BONHAMS

590No lot

591A LARGE GROUp OF AUSTRIAN COLD pAINTED BRONzE MINIATURE ANIMALSTo include an owl 10cm high, a red squirrel 8cm high, a parrot 6.5cm high, a cat seated on a rocking chair 7cm high and various others. (39)

£1,000 - 1,200

592A LATE GEORGE III SATINwOOD TEA CADDyCrossbanded in tulipwood, the interior with a pair of oval-lidded caddies also crossbanded, 30cm wide

£150 - 200

593Y ФA 19TH CENTURy MAHOGANy wATCH STANDWith sarcophagus hinged top, and a drawer below, 23cm high; a 19th Century inlaid and painted tea caddy, a Victorian figured walnut dome topped box, with gilt metal and ivory mounts, and a 19th Century treen cotton stand. (4)

£250 - 350

594TAxIDERMy: A STUFFED SpANIEL IN GLAzED CASEThe dog lying on a rug, 57cm high x 79cm wide overall.

£200 - 250

595A CHINESE FAMILLE VERTE BOwLReserving panels of figure groups on a ground of flowering plants, 35cm diameter; three Chinese export blue and white side plates and a pair of turquoise glazed Dogs of Fo (6)

£150 - 180

596 - 597No lots

598A VICTORIAN SET OF BRASS, COppER AND CAST IRON BALANCE SCALESby W & T Avery, Birmingham pierced anthemion detail, central column, quatreform base, 102cm in height

£200 - 300

599AN IRISH BRASS BOUND pEAT BUCkETWith brass swing handle, 35cm diameter.

£200 - 300

600A LATE GEORGE III IRISH BRASS BOUND BUCkETOf navette shape, with swing handle, 38cm.

£200 - 300

601 - 602No lots

603Y ФA GEORGE III IVORy VENEERED TEA CADDyOf octagonal form, with vacant silver cartouche, 12cm high.

£250 - 350

604 No lot

591

594

600

603


605Y ФA 19TH CENTURy FLEMISH CARVED SECTIONAL IVORy BAS RELIEF pANEL OF THE HOLy FAMILy wITH ADORING ANGELSThe Holy Family seated with an angel kneeling before them and cherubs in the clouds, 25 x 19cm

£500 - 600

606A NORwEGIAN wOODEN CEREMONIAL ALE BOwLWith banded, painted interior, inscription to the inside rim, dated ‘1775’, pressed/incised marks to base, 24cm diam

£300 - 500

607AN EARLy 20TH CENTURy ENAMELLED BRASS LECTURN pANEL, IN THE ARTS & CRAFTS MANNERUnsigned The rectangular panel decorated with a medieval rendering of the Lamb of God, holding a banner with a white cross and red panel, before a scrolling foliate and architectural scene inset with blue crackle effect enamel. Book rest to lower edge. 47cm wide, 27cm high (18 1/2in wide, 10 1/2in high)

£300 - 400

608A SMALL RECTANGULAR ORMOLU CASkETIn the Rococco style with stylised floral motifs, blue velvet lining to interior, 13cm wide

£200 - 300

609A SyRIAN METAL wARE LIDDED EwERWith white metal and copper overlaid decoration, on circular foot, 40cm high

£500 - 700

610A MODERN BRONzE BOwL ON STANDBoth the bowl and stand with stylised swiling bands of decoration, signed to undside of bowl, possibly ‘Gottardi’, 49cm diam

£300 - 400

611A GILT METAL CAMpANA VASEThe central frieze applied with a continuous tableau of classical figures, gadrooned rim and lower body, mounted with twin masks, on a circular wooden base, 33cm high

£400 - 600

612A pARIAN BUST OF MOzARTBy Robinson & Leadbeater, titled but unmarked, 29cm high

£150 - 200

613Y ФFRENCH LATE 19TH CENTURy IVORy FIGUREOf a 17th century courtier, on integral socle, 13cm high; an antique bronze bearded bust, crowned with a wreath, on a lapis lazuli plinth, 13cm high; and a late 19th century bronze bust of a manby Vincenzo Gemito, on integral socle, 18cm high (3)

£300 - 400

614AN ORIENTAL pORCELAIN CyLINDRICAL STICk STAND AND A MODERN BALUSTER VASEThe stick stand reserving vari-shaped panels of birds, flowers and repeating geometric motifs; the vase decorated with crysanthemums,trees and exotic birds in vibrant colours; 48cm high

£200 - 250

615DEBORAH STEREN: FOUR ABSTRACT BRONzES“Coming Together”, signed and dated 1981 (4/8); “Anubis”, incised with initials (edition of 9); “Double Crescent”, signed (6/9) and dated ‘84; and Maquette for “Thrust”, signed (1/9) (4)

£500 - 700

605

606

615

611

607

92 | BONHAMS

616A pAIR OF 18TH CENTURy TApESTRy pANELSOn worked with a chinaman taking tea by a pvaillion in a river landscape, the other with a body on a terrace beside a pedestal surmounted by a red plumed parrot, each with an upper border of meandering flowers and scrolls, 194 x 85cm

£800 - 1,000

617AN GILT METAL AND BRASS CENTREpIECEThe gadrooned oval bowl above a central conical stem on four acanthus and scroll feet, 30cm high

£200 - 300

618A GILT METAL OVAL JARDINIERE AND LINERWith pierced body and vacant cartouche to either side, 40cm wide

£200 - 400

619A pAIR OF ORMOLU EAGLES ON GREEN MARBLE BASESEach poised with up-stretched wings, mounted on square stepped marble bases, 18cm high

£400 - 600

620A pAIR OF VIENNESE GREEN GLASS CARAFESOf conical form with flared rim and circular footed base, stylised gilt banding to the body and base and moulded with serpent to the neck, 32cm high (one with crack) (2)

£200 - 300

621A GILT METAL AND BRONzE FOOTED DISHMounted with twin horned masks, each with a putto standing on the forehead leaning over into the bowl, on a circular marble base, 19cm high

£200 - 300

622A MAppIN AND wEBB SILVER pLATED ‘CANADIAN pACIFIC’ ICE BUCkET AND STANDThe bucket with ringed body and D shaped twin handles, the stand on tripod base, both inscribed ‘Canadian Pacific’ and stamped to underside, overall height 54cm high

£150 - 200

623A LATE 19TH CENTURy CHINESE ExpORT FANWith carved ivory sticks and decorated with typical scenes of figures on terraces, sticks 28cm long; mounted in a gilt wood frame, 68cm wide

£500 - 600

624OxFORD ALMANACk FOR 1766,(Botanic Gardens and Magdalen College); Cambridge University almanack for 1851 and 1855 (lacking calendar sections); an engraving of Magdalen College tower by Mr Burghers; and a view of Kings Court, Trinity College, Cambridge, (5)

625MINIATURE FURNITURE: A VICTORIAN wALNUT ‘AppRENTICE’ CHEST OF DRAwERSHaving a solid top with moulded edge, above two short and three long cockbeaded drawers, flanked by rounded quarter columns, raised on a rectangular plinth. 35cm wide x 23cm deep x 37cm high, (13 1/2in wide x 9in deep x 14 1/2in high)

£300 - 400

624

623

619

618


CLOCkS & BAROMETERS

626A LATE 19TH CENTURy SITzENDORF FLORAL ENCRUSTED AND FIGURAL pORCELAIN MANTEL CLOCkAfter a Meissen original, the enamel dial with roman numerals, rack striking on a bell, the four applied putti allegorical of the seasons, 47.5cm high

£400 - 600

627A SwEDISH GILTwOOD wALL CLOCkThe dial signed Rob. Engstrom Stockholm The drum case set within a beaded bezel surmounted by a fruiting urn and flanked by berried branches, above a glazed rectangular plinth base with pierced decoration, on elaborate draped tapering bracket support, the 8” enamel dial with Arabic numerals and outer Arabic quarter minute divisions, the brass twin train movement striking on a bell, with pendulum and key, 58cm high

£200 - 300

628A THIRD QUARTER 19TH CENTURy FRENCH GILT BRONzE FIGURAL CARRIAGE CLOCkThe handle modelled as a pair of female terms above the case with canted corners and plinth base, decorated throughout with scrolling foliage, the twin train movement striking on a gong, with replaced lever platform escapement, 19.5cm high

£400 - 600

629FIVE LATE 19TH CENTURy pOCkET BAROMETERSOf watch form, by Negretti and Zambra, Short and Marsh, Griffin and Tatlock Edinburgh, Webster Bros, Bayswater and one un-named, all with lacquered brass cases, two in leather travelling boxes, together with two pairs of sovereign scabs (7)

£300 - 400

630W

A RARE LATE 18TH CENTURy ITALIAN MAHOGANy STICk BAROMETERPaolo Vista The body with moulded edge and set with the main mercury tube reading against a printed scale signed ‘Paolo Vista Fece’ and two thermometer tubes, further contained in a glazed wall mounted case (old damage to tubes and case)

£300 - 500


627 628

630

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631W

TwO 19TH CENTURy wHEEL BAROMETERSThe first with an oak case applied C-scrolls enclosing the mercury thermometer with very large mercury thermometer over a boldly engraved 12 inch silvered dial with recording hand. The second with a well patinated mahogany case with swan neck pediment over hygrometer, thermometer, silvered dial and level signed ‘A Stopani and Co, Doncaster’

£300 - 500


632AN EARLy 20TH CENTURy FRENCH GILT BRONzE, BLUE pORCELAIN AND pASTE SET FIGURAL BOUDOIR TIMEpIECEThe case supported by a female putto and a rustic leafy tree, on naturalistic base raised on a green onyx oval plinth, the brass movement with vertical platform cylinder escapement, 19cm high

£100 - 150

633W

A LARGE 19TH CENTURy MAHOGANy BANJO BAROMETERI W Hancock, Yeovil Surmounted by a swan neck pediment over a wheatbeard hygrometer, mercury thermometer (damaged), enamel timepiece with signed Arabic dial and large 12 inch silvered dial with elaborate lettering and recording hand, over a signed level. (distressed) 1.2m (4ft) high.

£300 - 500


634Y

A MID 19TH CENTURy ROSEwOOD AND BRASS INLAID DROp DIAL wALL TIMEpIECEThe dial signed Zipfel Junr, Magadalen St, Norwich Octagonal surround with foliate inlaid border decoration, the similarly inlaid body with glazed aperture, the sides with carved fruiting vine sidepieces, the brass four pillar single fusee movement with pendulum, 60cm high

£500 - 800

635A LATE VICTORIAN OAk STICk BAROMETER, UNSIGNEDWith carved foliate cresting and thermometer to the case, 106cm high (damaged)

£80 - 100

631 631633

634


636Y ФA MID VICTORIAN SCOTTISH OAk STICk BAROMETERAdie & Son, Edinburgh Having canted ivory scales, signed as above, each reading 27 to 31 inches of pressure, single vernier, the trunk with angled surmount over bevelled glazing, ivory-backed mercury Fahrenheit and Centigrade thermometer, and rosette-carved octagonal cistern cover, applied ivorine presentation plaque dated 1863, 95cm (37 3/8”) high

£250 - 350

637AN EARLy 19TH CENTURy MAHOGANy STICk BAROMETER By J CETTI & COWith broken architectural pediment, and signed silvered dial, with thermometer, 95cm high

£200 - 300

638A 17TH CENTURy STyLE EBONISED BRACkET CLOCk AND BRACkETSmith and Bottrill, Bath, the caddy top with hinge handle above a square dial with silvered chapter ring with roman numerals

£300 - 500

639A GILT METAL JApy FRERES CARTEL CLOCkWith a painted enamel circular dial, twin barrel movement, striking on a bell, overall height 50cm

£300 - 500

640A LATE 19TH CENTURy FRENCH ROUGE GRIOTTE MARBLE AND GILT METAL CLOCk GARNITUREThelamie, a Montreuil S/Mer The clock with flaming urn and laurel finial above square case containing circular signed arabic enamel dial, plinth base and scrolled legs, with a pair of five light candelabra ensuite, clock 47cm high, candleabra 55cm high (3)

£500 - 700

641AN EARLy 20TH CENTURy OAk THREE TRAIN 8 DAy QUARTER STRIkING ‘GRANDMOTHER’ CLOCk, wITH wESTMINSTER CHIMEJ. W. Benson. London Having a 7 1/2” break arch dial with silver chapter, Roman hours, Arabic minutes and fleur de lys halves, ‘Tempus Fugit’ on a roundel within the arch; three train movement calling the quarter hours on six gongs; hood with moulded cornice above recessed columns, flanked by rectangular fretted sound ports, the long door with recessed panels, above a panelled base, raised on a shaped plinth. With pendulum, case key and winder. 159cm (62 1/2 inches) high

£800 - 1,200

642Y

A 19TH CENTURy ROSEwOOD DIAL TIMEpIECEGanz, Swansea With painted and signed 12inch roman dial, brass framed glazed door, octagonal case inlaid with mother o’ pearl and housing a single fusee movement, 42cm diam.

£150 - 200

641644

96 | BONHAMS

643A FRENCH GILT METAL EASEL FORM CLOCkThe enamel chapter ring inscribed ‘Potonie Leon, Paris’, having visible escapement, above three florally painted porcelain inset plaques, 19cm high (lacking glass dome); and a brass carriage timepiece, with outer travelling case. (2)

£150 - 200

644AN ARTS AND CRAFTS OAk MANTEL CLOCkWith gilt and blue painted circular dial, the oak case with balustrade pediment, carved foliate motifs, flanked by turned columns, twin fusee movement, 47cm high

£500 - 700

645A GEORGE IV MAHOGANy LONGCASE CLOCk,The hood with broken swan neck pediment, the trunk with a shaped door between reeded pilasters, on a canted corner base, the later 14” brass dial and twin train movement with silvered chapter ring, subsidiary seconds and date dials and signed ‘ W Shakeshaft Preston’ 226cm high

£500 - 600

646A 19TH CENTURy BRASS CASED BULkHEAD MARINE CLOCkBy Brockbank and Atkins, London, The silver dial with black enamel hands and seconds dial.

£500 - 600

647TwO NOVELTy CLOCkS, ONE MODELLED AS A kNIGHTS HELMET AND THE OTHER wITH FISH.The knights helmet desk clock with brass outer case and a circular enamelled dial encased within helmet, on circular base 19cm high, the fish automaton clock within a bronzed metal and etched glass case, 13cm high (2)

£300 - 500

648A JAEGER LE COULTRE ATMOS CLOCkThe lacquered brass dial with line-marked chapter ring, the case with ruby glass panelled sides, 22cm high

£200 - 300

649A BRASS CARRIAGE CLOCk wITH pAINTED ENAMEL pANELS With stylised bamboo gilt frame, painted enamel panels depicting female nudes, swing handle, 15.5cm high.

£200 - 300

650G H BELL wINCHESTER: AN ASTRONOMICAL, SUN/MOON SMALL LONGCASE CLOCk,After J Ferguson’s design of 1780, dated 1971, 9” broken arch dial, with 24 hour chapter and London tide rise and fall, 8 day movement tapered brass plates and yo-yo rolling weight in a line inlaid mahogany case, 190cm high

£300 - 400

651A wILLIAM IV MAHOGANy AND CUT BRASS DROp DIAL wALL TIMEpIECE,The 8” white enamel dial with Roman numerals and signed ‘Frodsham Gracechurch St, London’, (with key)

£600 - 900

651

652


652A LATE 19TH CENTURy FRENCH LACQUERED BRASS CARRIAGE CLOCk wITH ALARMThe moulded top above bevelled glazed panels and a plinth base, the white enamelled dial with Roman numerals and a subsidiary alarm dial below, the movement striking on a blued steel gong, with lever platform escapement, in the original leather travelling case with sliding front, 17.5cm high

£300 - 500

653A LATE 19TH CENTURy OVAL BRASS CASED CARRIAGE TIMEpIECEWith lever platform escapement, the white enamel dial within a gilt mask, 15cm with leather covered carrying case and key; and a Victorian silver mounted crocodile cigar case, London 1891, 12cm (2)

£200 - 250

654wAIGHT, BIRMINGHAM; A GEORGE III OAk AND INLAID LONGCASE CLOCkThe arched, signed, painted enamelled dial with moonphase movement, within inlaid case with flanking reeded quarter-columns to the trunk, on bracket feet, the twin-train movemnet striking on a bell, 234cm high

£700 - 1,000

655GRIFFEN DAVIES, DOLGELLyAn oak longcase clock, first half 19th Century: the hood with swan neck pediment and door with circular aperture enclosing a 13inch square signed enamel dial having a subsiduary seconds dial and date aperture, eight day movement and the trunk with fluted quarter column stiles, 214cm high

£200 - 300

656A DUTCH 18TH OR EARLy 19TH CENTURy STOELkLOkWith pierce-decorated metal hood cresting and similar cresting and wings to the painted dial, 75cm high

£200 - 300

657A GEORGE III MAHOGANy LONGCASE CLOCk,With swan neck pediment and frieze applied with carved flowerheads and scrolling foliage, the hood columns, trunk and plinth incorporating stop-fluting and blind fretwork, the associated eight day movement with an arched dial incorporating 18th century elements, the chapter ring signed Robert Schofield, Rochdale; 230cm high, 90 1/2in high)

£1,000 - 1,500

658A 19TH CENTURy COUNTRy MADE OAk LONGCASE CLOCkThe brass square dial signed Ponley, Appleby, having calendar aperture, 206cm high.

£250 - 350

659STOCkFORD, THAME; AN EARLy 18TH CENTURy OAk LONGCASEThe signed square brass engraved dial in oak case on plinth base, the single train movement striking on a bell, 191cm high

£400 - 600

660A GEORGE III OAk LONGCASE CLOCk,With arched moulded hood and cylindrical tapering pilasters, arched long trunk door, the 12” brass dial with silvered chapter ring, subsidiary seconds and date apperture and signed ‘Thomas Hall, Rumsey’, the twin train movement striking on a bell, with key 212cm

£600 - 700

661A LATE 19TH CENTURy GILTMETAL MOUNTED pALE OAk LARGE BRACkET CLOCkThe German movement with hour strike and ting-tang quarters on gongs, and with arched brass dial, the case with eagle finial to the cavetto top, the side panels pierce-decorated with sunburst grilles, the mounts cast with flowerheads, scallops and foliage, on outset paw feet, 70cm high

£1,000 - 1,200

655661

98 | BONHAMS

662A LATE 19TH CENTURy MARBLE & GILT METAL MANTEL CLOCkThe 3.75” enamelled dial flanked on the left by an anvil, set square and book and on the right by a seated classical figure, emblematic of industry and labour, with a sledge hammer in her left hand and books at her feet, on a gilt metal mounted, stepped marble base, on toupie feet, with an 8 day French drum movement, striking on a bell, with pendulum and winder, 54cm x 20cm deep x 45cm high (3)

£300 - 400

663A JAEGER LE COULTRE ATMOS CLOCkWith white composition roman chapter ring and four-glass case, 23cm high,

£400 - 500

664No lot

665A LATE 19TH CENTURy FRENCH GREEN MARBLE AND GILT METAL MOUNTED CLOCk GARNITURE,The 10cm enamel dial with Roman chapter, 8 day barrel movement, with anchor escapement and sunburst pendulum, four pillar case surmounted by a prowling cat, 39cm, together with a pair matching vases, 23cm high (3)

£200 - 300

666A FRENCH wALL CLOCk, 2ND HALF, 19TH CENTURyOf serpentine outline, the glass dial within a mother o’ pearl inlaid surround, the movement with gong strike; 50cm square

£150 - 200

667A LOUIS xV STyLE GILT METAL AND BOULLE wALL CLOCkWith angel surmount and putti and mask mounts above the circular dial with enamel Roman numerals, the eight day movement with gong strike 140cm high

£800 - 1,200

668FIVE VARIOUS 18TH/19TH CENTURy LONGCASE CLOCk MOVEMENTS:An 18th Century brass longcase clock dial with single train movement, the 11” square dial, signed ‘Tho Amyot Norwich’, date aperture; another, unsigned, the centre engraved with a coastal scene; a George III painted enamel arched longcase clock 13” dial, with moonphase, subsidiary seconds and date aperture and signed ‘Robt ..... Coleford’; another signed ‘James Young Portsmouth’; and another signed ‘I Wilkinson, Coventry’ (5)

£250 - 350

669SAMUEL SLy, NORwICH: A GEORGE III OAk LONGCASE CLOCkThe signed circular silvered dial with subsidiary second dial and date aperture within gilt spandrels, the twin train movement striking on a bell, (case plinth detached), total height approximately 230cm.

£500 - 600

663

672 673

674


670A LARGE BRASS CASED CARRIAGE CLOCk,Unsigned, with push repeat and striking on a gong, with lever platform escapement in a pillared case, the white enamel dial with Roman numerals, 20.5cm high

£350 - 450

671AN EARLy 19TH CENTURy wELSH OAk THIRTy HOUR LONGCASE CLOCkThe 10 1/2 inch painted roman dial with calendar aperture, within a square hood with marquetry frieze and turned pillars, the narrow trunk with fluted and canted angles, later square base, bracket feet, 202cm (79 1/2”) high

£250 - 300

672AN ENGLISH EDwARDIAN MAHOGANy THREE TRAIN ‘GRANDMOTHER’ CLOCk, wITH wESTMINSTER AND wHITTINGTON CHIMEAnonymous Having an 8” break arch dial with silver chapter and Arabic hours, Whittington, Westminster, strike silent and chime levers, ‘Tempus Fugit’ on a roundel within the arch and applied cast mask spandrels; the three train movement calling the quarter hours on nine gongs; case with moulded cornice above canted pilasters flanked by pierced fretwork sound panels, the long door with astragal panels around a diamond shaped bevelled glass pendulum port, base with raised and fielded panel supported on ogee brackets. With pendulum, winder and case key. 166cm (65 inches) high

£1,000 - 1,500

673AN ENGLISH EDwARDIAN MAHOGANy ‘GRANDMOTHER’ CLOCkAnonymous Having an 8” dial with silver chapter, Roman hours, Arabic minutes and floating fleur de lys halves, matted centre with seconds dial, applied cast mask spandrels; the two train movement calling the hours of a bell; the case with moulded cornice above a shaped top long door, the base with circular raised and fielded panel, supported on a shaped plinth. With pendulum, weights, winder and case key. 165cm (64 1/2 inches) high

£800 - 1,200

674A GEORGE III CROSSBANDED AND STRUNG MAHOGANy LONGCASE CLOCkThe dial signed S. Hurst Liverpool The shaped broken arch cornice decorated with a stenciled Chinoiserie pagoda landscape and floral spray decoration, on fluted column supports, the trunk with corresponding quarter reeded columns to the corners flanking a crossbanded and chequer strung door, the canted panelled base on ogee bracket feet, the painted arched dial with 13” Roman chapter ring with outer five minute divisions and inner date calender, the signed centre with subsidary seconds below twelve with pierced brass hands, the arch with painted moonphase, the rear of the dial stamped Owen & Price, the brass four pillar twin train movement with anchor escapement striking on a bell, with pendulum, winder, key, and two weights, 231.5cm high

£700 - 1,000

675A MAHOGANy LONGCASE CLOCk19th Century and later The arched brass dial inscribed Adam Houie, Dollars fecit, and having a silvered chapter ring, subsiduary seconds dial and date aperture, an eight day movement and trunk with fluted quarter column stiles, 204cm high

£400 - 500

676A GEORGE III MAHOGANy LONGCASE CLOCkAbel Panchaud The hood with stopped fluted doric columns, with brass reeding, a 12” arched silvered dial, with strike/silent in the arch, seconds subsidiary dial and date aperture, Roman numerals, Arabic 5 minute markers, engraved ‘Abel Panchaud, Oxford Street’, the trunk with a flame figured trunk door, flanked on each side by a 1/4, stopped fluted doric column, on a base with a raised, razor blade shaped beaded panel and a scrolling plinth, the 8 day movement with anchor escapement, striking on a bell, with 2 weights, 2 winders, pendulum, key and three brass reeds, 234cm high (12)

£700 - 900

Abel Panchaud is listed as working in London circa 1764-84.

677A REGENCy STyLE MAHOGANy BRACkET CLOCkRetailed Maple & Co Ltd The arched case with brass inlay and carry handle, circular enameled dial, twin fusee movement, striking on a bell, on four bracket feet, 40cm high

£500 - 600

677

100 | BONHAMS

678*A LATE REGENCy MAHOGANy INLAID MANTEL CLOCk SIGNED wIGHTMAN OF LONDONWith lancet shaped case, twin lion mask handles and circular enameled dial, twin fusee movement striking on a bell, 47.5cm high

£500 - 600

679A 19TH CENTURy BRASS FRAMED SkELETON CLOCk ON A MARBLE BASEHaving an enameled Roman chapter ring, single-fusee, striking on a bell with a pike staff hammer, under a glass dome, 34cm high

£500 - 600

680A LATE VICTORIAN MAHOGANy wALL TIMEpIECEThe dial bearing retailers name A Porter, High Street, Hartley Witney The 11 painted signed Roman dial set within a brass bezel and moulded mahogany surround, the brass four pillar single fusee movement with anchor escapement, with pendulum, winder and key, 38cm diameter

£250 - 350

678679


RUGS & CARpETS

681A wILLIAM MORRIS DESIGN TApESTRyprobably England, 358cm x 153cm

£300 - 500

682A SARAB RUNNERCirca 1900 The filed with three main compartments, in a triple border, 480cm x 101cm

£300 - 400

683A kIRMAN DESIGN MACHINE MADE CARpET551cm x 302cm

£150 - 200

684A kASHAN RUG, A NORTH wEST pERSIAN RUG AND A SUzANI BORDER FRAGMENTThe Kashan with an indigo ground and centre medallion, 200 x 300cm; the North West Persian rug, 210 x 300cm. (3)

£300 - 500

685A kIRMAN CARpET,South East Persia, 367cm x 270cm

£250 - 350

686A BAkHTIA RUGWest Persia The ground field field decorated with repeated vases of flowers motifs, 200 x 146cm

£300 - 500

687A MAHAL CARpETWest Persia The red ground with rosette, leaf and tendril decoration, 385cm x 284cm

£500 - 600

688A NEEDLEpOINT CARpET,English late 19th/early 20th Century Constructed from numerous panels stitched together, all-over scrolling leaf and flower decoration on a brown ground, 275cm x 171cm

£500 - 600

689A SAMARkAND RUGEast Turkestan, 239cm x 156cm together with another smaller (2)

£300 - 500

690A kASHMIR SILk RUGThe border with vase and flower decoration, around a floral medallion with blue ground spandrels, with tasselled fringes 186cm x 109cm

£600 - 800

681 688

102 | BONHAMS

FURNITURE

691A GEORGE III MAHOGANy BUREAUThe sloping fall enclosing a fitted interior of drawers and pigeon holes around a central cupboard, all with blind fret carving; the front with two short and three long graduated drawers flanked by quarter cut fluted pilasters, raised on ogee bracket feet. 107cm wide x 54cm deep x 107cm high, (42in wide x 21in deep x 42in high)

£250 - 350

692A 17TH CENTURy STyLE OAk DRAw-LEAF TABLEEarly - mid 20th Century The cleated three-plank top on strapwork-type carved supports with ionic style capitals, on trestle supports, with a set of 6 17th century style, stained oak chairs with hide backs and seats, studded, the table extended 84cm wide x 273cm deep x 78.5cm high, (33in wide x 107in deep x 30 1/2in high) (7)

£300 - 400

693A GEORGE III MAHOGANy ExTENDING DINING TABLEWith D-ends, one with a double gateleg action and fold-over top, and a central, extending, gateleg section, each with a serpentine-shaped frieze, on square tapering legs, with 4 clips, 124.5cm wide x 286cm deep x 72cm high, (49in wide x 112 1/2in deep x 28in high) (7)

£500 - 600

694A REGENCy MAHOGANy SIDEBOARDCrossbanded and decorated with boxwood stringing, the inverted breakfront top above two central interlocking, reeded frieze drawers, flanked on each side by an oval panelled door, enclosing 4 drawers, with gilded lions’ mask and ring handles, on bracket feet, with key, 170cm wide x 67cm deep x 88cm high, (66 1/2in wide x 26in deep x 34 1/2in high) (2)

£200 - 300

695A pAIR OF 19TH CENTURy MAHOGANy OpEN ELBOw CHAIRSThe square back filled with three neo-classical flat pilaster style supports, tapering arms supported on turned and tulip carved columns, drop in seats above square tapering front supports with h-frame stretchers. 54cm wide x 44cm deep x 87cm high, (21in wide x 17in deep x 34in high)

£350 - 450

696A GOOD GEORGE II MAHOGANy, INVERTED BREAkFRONT, GATELEG CARD TABLEThe fold-over top opening to reveal countersunk sections for candlesticks and gaming chips, the lower hinged surface enclosing storage space, the 4 cabriole legs all well carved with acanthus leaves and flower heads on the knees and claw and ball feet, 91cm wide x 45cm deep x 71cm high, (35 1/2in wide x 17 1/2in deep x 27 1/2in high)

£800 - 1,200

697A GEORGE IV MAHOGANy SOFA TABLEThe rectangular reeded top crossbanded and with rounded corners, on trestle supports, united by a ring-turned stretcher, on downswept legs with brass caps and castors, 91cm wide x 68cm deep x 71cm high, (35 1/2in wide x 26 1/2in deep x 27 1/2in high)

£200 - 300

698A VICTORIAN MAHOGANy LADIES wRITING TABLE, wITH ASSOCIATED SUpERSTRUCTUREThe top with an arched and galleried cornice with urn and carved floral surmount above pigeon holes and two banks of two drawers flanked by glazed panel doors; the base with a serpentine form moulded edge front above a long frieze drawer flanked by two banks of short drawers; raiised on carved cabriol legs. 127cm wide x 68cm deep x 167cm high, (50in wide x 26 1/2in deep x 65 1/2in high)

£200 - 300

698 699


699A LATE 19TH CENTURy MAHOGANy CENTRE TABLE, wITH pIERCED GILT BRASS GALLERyThe square top with moulded serpentine edges, mounted with a pierced gilt brass gallery. Raised on four columns comprising two tapering legs with single stretchers and pierced spade feet. 89cm wide x 89cm deep x 84cm high, (35in wide x 35in deep x 33in high)

£300 - 400

700A pAIR OF REpRODUCTION BLACk MARBLE pEDESTALSWith brass Corinthian capitals and fused pedestal bases with Empire style mounts, in the form of low relief flaming urns and scrolling foliage, 30.5cm wide x 30.5cm deep x 120cm high, (12in wide x 12in deep x 47in high) (2)

£300 - 400

701A pART 18TH CENTURy CARVED OAk TRI-DARN wITH ENCLOSED CANOpyThe top with shaped cornice above three sections with two panelled doors flanking a fixed central panel, each decorated with carved diamond motifs, the top section with turned side columns, turned inverted finials to the centre, the whole raised on stile feet. 151cm wide x 58cm deep x 196cm high, (59in wide x 22 1/2in deep x 77in high)

£500 - 800

702A GEORGE III MAHOGANy, SERpENTINE-FRONTED COMMODEThe cyma reversa moulded top above a brushing slide, over 4 graduated and cockbeaded drawers, with figured mahogany veneered and mahogany carcase wood fronts and oval, moulded backplates and handles, on bracket feet, 102cm wide x 58cm deep x 91cm high, (40in wide x 22 1/2in deep x 35 1/2in high)

£1,500 - 2,000

703A 19TH CENTURy EBONISED AND INLAID BREAkFRONT CREDENzAThe top with moulded edge above an inlaid frieze, central panelled door inlaid with neo-classical marquetry decoration, raised on a rectangular plinth supported on turned bottle feet. The whole with scrolling foliate ormolu mounts. 167cm wide x 34cm deep x 106cm high, (65 1/2in wide x 13in deep x 41 1/2in high)

£300 - 400

704A wALNUT AND OAk BUREAU CABINET18th Century and later The oak upper part enclosed by a pair of glazed doors, the walnut veneered and chevron banded lower part with sloping fall above a long shallow drawer, two short and two long drawers, on bracket feet,103cm wide.

£500 - 800

705Y

A REGENCy ROSEwOOD CENTRE TABLEThe rectangular top with rounded corners, fitted with two frieze drawers on hexagonal end supports with scroll feet,148cm x 70cm.

£400 - 600

706A GEORGE III MAHOGANy CHEST wITH A BRUSHING SLIDEAbove four long graduated drawers, on bracket feet,95cm wide.

£300 - 500

707AN EARLy 19TH CENTURy OAk AND pINE HIGH DRESSER, pOSSIBLy BRECONSHIRE, SOUTH wALES, CIRCA 1820-40The boarded rack with a pair of shelves, the lower-section with an arrangement of five cockbeaded drawers within a central arched frieze, raised on slender vase-turned front supports, joined by a pot-board in front of a panelled back, on bracket feet, 177.5cm wide x 45cm deep x 212cm high, (69 1/2in wide x 17 1/2in deep x 83in high)

£300 - 400

707

703

104 | BONHAMS

708AN OAk REFECTORy/SERVING TABLE17th Century and later The triple plank top on a base with turned legs and two angled central stretchers, 228cm x 80cm

£800 - 1,200

709AN EARLy VICTORIAN wALNUT, CALAMANDER, pALMwOOD BANDED AND FRUITwOOD MARQUETRy TRIpOD TABLEThe circular tilt-top inlaid to the centre with flowers and a butterfly, on a turned column with a cabochon embedded baluster knop, terminating in scrolled downswept legs, 60cm wide x 61cm deep x 68cm high, (23 1/2in wide x 24in deep x 26 1/2in high)

£800 - 1,200

710A GEORGE III MAHOGANy CHEST-ON-CHESTWith two short and three long graduating drawers flanked by canted blind fretwork angles, above three long graduating drawers, on later shaped bracket feet, 183cm wide x 58cm deep x 107.5cm high, (72in wide x 22 1/2in deep x 42in high)

£500 - 700

711A VICTORIAN MAHOGANy ExTENDING DINING TABLEWith moulded edge and rounded corners, raised on reeded baluster legs and castors, including two additional leaves,240cm x 120cm extended

£800 - 1,200

712A FIGURED wALNUT TALL NARROw CHEST OF DRAwERSVictorian and later Fitted with five graduated drawers on plinth base,40cm wide

£400 - 600

708

709

710711


713A pAIR OF FRENCH EARLy 20TH CENTURy wALNUT FAUTEUILSWith architectural toprails, padded backs and stuff-over seats, 2

£400 - 600

714A SET OF NINE wILLIAM IV MAHOGANy DINING CHAIRSPossibly Scottish With scroll end top rails and drop-in seats, on turned legs, (9)

£1,200 - 1,800

715A CONTINENTAL OAk CUpBOARD20th Century incorporating earlier elements With moulded overhanging top over a pair of Gothic pattern deep carved doors, on plain supports united by an undertier, 81cm wide x 130cm high

£250 - 350

716A GEORGE III INLAID MAHOGANy TEA TABLE,The reeded edge top over ebony line inlaid frieze on a turned column on four moulded sabre legs, 92cm wide

£250 - 350

717A EARLy VICTORIAN wALNUT CANTERBURy STAMpED H. BROOkS AND COThe three divisions spaced by turned finials, above an under drawer stamped and numbered on the side, with turned spindle under-gallery, raised on four turned legs supported on castors 50cm wide x 40cm deep x 58cm high, (19 1/2in wide x 15 1/2in deep x 22 1/2in high)

£300 - 500

718AN EARLy 20TH CENTURy MAHOGANy CREDENzA OF LARGE pROpORTIONS,The moulded top above five central glazed doors, adjustable shelved interior, flanked by bowed glazed panels, plinth base, in two main sections, 385cm long x 120cm high

£300 - 400

Reported to have originally resided in Mappin & Webb London premises

719A LATE 19TH CENTURy pAINTED CAST IRON GARDEN BENCH,Set with rustic scrolls end framed, 125cm; together with a Victorian conservatory table, wooden top on cast end bar ends and conforming stretcher, 120cm wide (2)

£250 - 350

720Y

A wILLIAM IV STyLE ROSEwOOD CANTERBURy,The three slatted divisions with curved top rails, the base with a drawer, on inverted baluster turned legs and castors, 54cm wide

£250 - 350

721A SET OF EIGHT VICTORIAN MAHOGANy DINING CHAIRS,The balloon backs on upholstered seats and turned and reeded front legs, (8)

£300 - 400

722A GILTwOOD OVAL MIRRORIn the 18th Century manner The plate with moulded surround and bell flower and scroll carved cresting, adorned with flowers and foliage with a conforming scrolling apron. 64.5cm wide132cm high, (25in wide51 1/2in high)

£600 - 800

723A LATE 19TH CENTURy MAHOGANy AND GILT METAL MOUNTED VITRINEThe shaped top over a glazed door enclosing a shelved interior on cabriole legs, 68cm wide141cm high, (26 1/2in wide55 1/2in high)

£200 - 300

724A 19TH CENTURy FAUx SATINwOOD pAINTED SMALL SIDE CABINETThe superstructure enclosed by a pair of pleated silk panelled doors, above a long drawer and raised on turned legs, 46cm wide

£700 - 1,000

725A REGENCy STyLE TRIpLE pLATE OVERMANTEL MIRROR19th Century The giltwood and gesso frame with a classical frieze depicting a chariot drawn by lions with angels overhead, 149cm wide

£250 - 350

726A CONTINENTAL pINE kITCHEN TABLEThe four-plank top on end supports with sledge feet; 152x118cm

£200 - 300

713

106 | BONHAMS

727A DUTCH 19TH CENTURy FLORAL MARQUETRy STANDING CORNER CABINETThe upper section with glazed door, the lower with bow-fronted, panelled cupboard door inlaid with a bird in flight over flowering plants issuing from an urn; 80cm wide, 195cm high

£500 - 700

728AN 18TH OAk HALL CUpBOARDHaving frieze carved with stylized flowerheads above a pair of panelled doors, and further carved frieze, on block feet, 199.5cm wide.

£600 - 800

729A QUEEN ANNE STyLE wALNUT CHEST ON STAND18th Century and later The upper part fitted with two short and two long drawers, the stand with two three drawers and raised on cabriole front legs with ball and claw feet, 92cm wide

£400 - 600

730AN 18TH CENTURy wALNUT AND FEATHER-BANDED CHEST ON STANDThe upper part with two short and two long drawers, the stand with a further long drawer, on turned supports with curved stretchers, 95cm wide.

£500 - 700

731A MAHOGANy AND GILTwOOD FRET-FRAMED wALL MIRRORIn the 18th Century manner The arched frieze painted with a portrait of a gentelman, below a helmet and Prince of Wales feather cresting, 154cm high

£300 - 500

732AN 18TH CENTURy OAk OVAL GATELEG DINING TABLEHaving one frieze drawer, raised on baluster turned supports, 122cm wide.

£300 - 500

733A GEORGE III SATINwOOD AND MAHOGANy pEMBROkE TABLE,Boxwood and ebony strung with feather banding, the top centred by a large oval, having an end drawer, on square tapered legs and castors, 66cm.

£250 - 350

Stamped from ‘Williamson & Sons, Guildford’

734A SET OF SIx wILLIAM IV MAHOGANy DINING CHAIRS,With curved top rails and scroll carved bar backs, upholstered stuff over seats, on turned legs (6)

£300 - 400

735AN EARLy VICTORIAN MAHOGANy ExTENDING DINING TABLE,The moulded rectangular top with three extra leaves, on turned and lotus carved legs and castors, 200 x 106cm

£700 - 1,000

736A SET OF FOUR 18TH CENTURy OAk SIDE CHAIRSWith spindle turned backs, and solid seats, on turned legs and stretchers. (4)

£250 - 300

737AN 18TH CENTURy OAk COFFERWith triple panelled front, on block feet, 123cm wide.

£250 - 300

738730


738A VENETIAN pOLyCHROME DECORATED BUREAU CABINETWith grilled mesh panelled doors above four drawers, on cabriole legs112cm wide

£500 - 700

739A wALNUT VENEERED CABINET ON STANDIn the 17th Century styleWith cushion moulded frieze drawer above a pair of cross banded and line inlaid doors, three drawers, on barley twist legs tied by stretchers and terminating on bun feet118cm wide

£500 - 700

740A pAIR OF EARLy 20TH CENTURy DUTCH MAHOGANy AND MARQUETRy SIDE CABINETSThe tops, sides and doors typically inlaid with urns of flowers on cabriole legs (2)113cm wide

£800 - 1,200

741A LATE 19TH CENTURy THREE-FOLD SCRAp SCREENDecorated with a collage of numerous figures from fiction and fairy tales, buildings, flowers, etc, within a gilt-nailed leather frame, 169cm high

£150 - 200

742A VICTORIAN yEw wINDSOR ARMCHAIR,With burr-work splat and elm seat, hoop rail and spindles detached.

£150 - 200

743A pINE kITCHEN TABLE,With three-plank top and end drawers, on square legs, 183cm long, 105cm wide

£300 - 400

744A GEORGE V MAHOGANy BREAkFRONT SIDEBOARD,Of late 18th Century design, the two central drawers flanked by cupboards, on tapering legs with spade feet, 168cm long

£150 - 200

745A LATE GEORGIAN SET OF SIx MAHOGANy DINING CHAIRS,With pierced splats of baluster outline, dished drop-in seats and square frames, together with a pair of modern elbow chairs of similar design, (6 + 2)

£600 - 800

746A FRENCH 19TH CENTURy OAk STOOLIn the Louis XIV style on scrolled legs, with a scrolling H-stretcher, 46cm wide x 38.5cm deep x 41cm high, (18in wide x 15in deep x 16in high)

£300 - 500

746

740

739

108 | BONHAMS

747AN ORIENTALIST EBONISED STANDING CORNER STANDProbably Cairo, c.1920 With three shelves within mushabiyya mihrab arches, engraved in naskhi script with Koranic verses, 70.5cm wide x 34cm deep x 272cm high, (27 1/2in wide x 13in deep x 107in high)

£400 - 600

748A LATE VICTORIAN/EDwARDIAN MAHOGANy ROLL TOp DESkThe low tambour enclosing a fitted interior of shelves and pigeon holes, above two slides and an arrangement of eight drawers, raised on splayed bracket feet, 122cm wide x 67cm deep x 98cm high, (48in wide x 26in deep x 38 1/2in high)

£400 - 600

749Y

A 19TH CENTURy BIEDERMEIER SATINBIRCH CyLINDER BUREAUThe roll-top enclosing a mahogany veneered interior comprising seven drawers and one door enclosing two short drawers, above a hinged ratchetted leather inset slope, flanked by two compartments with sliding lids, over three long drawers, 120cm wide x 62cm deep x 180cm high, (47in wide x 24in deep x 70 1/2in high)

£400 - 600

750A GEORGE III MAHOGANy BOxwOOD BANDED BOwFRONT DRESSING TABLE,wWth a long frieze drawer and two short drawers flanking an arched kneehole, on square tapered legs, 92cm wide

£250 - 350

751A LATE 17TH CENTURy wALNUT AND BANDED CHEST,Originally the upper part of a tallboy chest The associated top above a cushion frieze drawer, with two short and three long drawers below, on later bracket feet, 97cm wide

£250 - 350

752749

755

756


752Y

A MID 19TH CENTURy ROSEwOOD VOyEUSEWith baluster turned front legs and splayed back legs, terminating in brass cappings and castors, 44cm wide

£300 - 500

753A kOREAN ELM CABINET IN TwO pARTSThe upper part enclosed by a pair of folding panelled doors, the lower part enclosed by two pairs of panelled doors, 105cm wide

£300 - 400

754A GEORGE IV MAHOGANy pEDESTAL TABLEThe rectangular top with rounded corners, on a ring and baluster turned pillar with moulded downswept quadripartite base, cast brass claw caps and castors, 85cm x 50cm

£250 - 350

755A pAIR OF CHINESE HARDwOOD SIDE CHAIRS,The open frame backs with an inset blue and white rectangular plaque, on splain supports and a rectangular hardwood urn stand, on square section legs. the stand 37 x 28cm (3)

£1,000 - 1,500

756A GEORGE III MAHOGANy TRIpOD SILVER TABLEThe top of serpentine outline with fretwork gallery,on a half fluted column and legs with acanthus carved knees and voluted feet, 94cm wide

£2,000 - 2,500

757A DAMASCUS GAMES TABLE,Syria, early 20th Century, inlaid in various coloured woods, bone and mother of pearl, with rectangular fold-over top, enclosing backgamon boards on squared cabriole legs united by an undertier, 71cm.

£500 - 700

758AN EARLy 18TH CENTURy wALNUT CHEST ON LATER STANDThe ogee moulded cornice above two short and three long feather banded drawers, on a reproduction projecting base fitted with three drawers to a shaped apron, on cabriole legs and pad feet, 92cm wide

£500 - 700

759A GEORGE IV MAHOGANy CAMpAIGN/TRAVELLING SECRETAIREThe egg-and-disc panelled fall front enclosing six pigeonholes, six drawers, an open compartment and a leather writing surface, probably originally on a stand, 61cm wide x 40cm deep x 84cm high, (24in wide x 15 1/2in deep x 33in high)

£300 - 500

760EIGHT STAINED wOOD HALL CHAIRS IN THE 18TH CENTURy MANNERWith solid shaped backs above octagonal section solid seats, raised on shaped block supports, (parts 18th Century), (8)

£200 - 300

759759

760

110 | BONHAMS

761* YAN EARLy VICTORIAN ROSEwOOD THREE-TIER wHAT-NOTWith base drawers on turned supports and feet, 46cm wide

£400 - 500

762A CARVED OAk COURT CUpBOARD IN TwO pARTS17th Century and later The upper part bearing initials THM and the date 1695, and enclosed by two panelled doors between short barley twist columns, the lower part enclosed by four panelled doors, 151cm wide

£600 - 800

763Y

AN EARLy VICTORIAN ROSEwOOD wRITING TABLE,The rectangular top with rounded corners above two frieze drawers with opposing dummy drawers, on dual spiral turned end standards and scrolled downswept platform bases united by a spiral turned centre stretcher, on castors, 107 x 55.5cm

£400 - 600

Labelled ‘From T H Filmer’s Cabinet, Chair, Upholstery, Bedding & Carpet Manufactory 32, Berners St, Oxford St’

764AN ART NOUVEAU MAHOGANy ESCRITOIRE,With a low raised back, the hinged fall with decorative brass pierced strapwork hinges and escutcheon, enclosing a fitted interior with small drawers, pigeon holes and compartment, the projecting base with a drawer above a kneehole flanked by a pair of fitted cupboards, on carved claw feet, 119cm wide

£300 - 500

765A LATE 19TH/EARLy 20TH CENTURy wALNUT AND MAHOGANy BACHELOR’S CHESTIn the George II style The rectangular hinged top, above lopers and four crossbanded graduating drawers, on bracket feet, 70cm wide x 33cm deep x 79cm high, (27 1/2in wide x 12 1/2in deep x 31in high)

£400 - 500

766A REGENCy MAHOGANy LIBRARy BERGèREWith ring turned arm terminals, on baluster turned tapering front legs terminating in brass cappings and castors, with square splayed back legs terminating in brass castors, 56.5cm wide x 64cm deep x 110cm high, (22in wide x 25in deep x 43in high)

£300 - 400

767A GEORGE III MAHOGANy wING BACk ARMCHAIR,The wide back with outswept arms and loose cushion, on square tapered legs united by ‘H’ stretcher.

£300 - 500

768A GOOD EARLy GEORGE III MAHOGANy BUREAU CABINET,The moulded cornice over a pair of mirrored doors with bevelled plates enclosing adjustable shelves pigeon holes and drawers, the bureau with fall front, slides and well cover, pigeon holes and drawers over four long drawers on bracket feet, 98cm wide x 110cm high.

£2,000 - 3,000

769AN 18TH CENTURy AND LATER OAk SIDE CHAIR AND A CAROLEAN STyLE CHAIRThe Carolean style chair with carved crest and cane back and seat panels, (2)

£350 - 450

770A GILT DISpLAy CASELate 19th/early 20th Century With 18th Century style acanthus leaf decorated cornice and C-scroll and leaf decoration to the frame, glazed to all sides and enclosed by a door, (Lacks it’s stand), 112cm high x 120cm wide

£100 - 150

Provenance: Ickworth, Suffolk

765 766


771A SET OF FIVE REGENCy MAHOGANy AND EBONy STRUNG DINING CHAIRSWith inlaid bowed rectangular backs above bowed cross bars, reeded uprights, stuffover tapering square seats, tapering turned legs, together with a matched armchair (6)

£500 - 600

772Y ФA REGENCy MAHOGANy BOwFRONT CHESTFitted with five well figured drawers, oval brass swing handles and ivory escutcheons, above draped apron and bracket feet, 100cm wide x 48cm deep x 111cm high, (39in wide x 18 1/2in deep x 43 1/2in high)

£250 - 300

773A pAIR OF FRENCH FAUTEUILS, IN THE LOUIS xVI MANNERThe carved walnut frames with floral cresting and guilloche ornament, padded back panels and stuff-over seats, on turned fluted legs. (2)

£400 - 600

774A MATCHED SET OF SEVEN HIGHBACk DINING CHAIRS, pREDOMINENTLy wALNUT17th Century and later Having carved and pieced top-rails, caned oval back panels and caned seats, on barley twist and carved legs and stretchers, (7)

£600 - 800

775A GEORGE III OAk CORNER CUpBOARDWith integral cornice over panelled doors, 80cm wide104cm high, (31in wide40 1/2in high)

£80 - 100

776AN 18TH CENTURy STyLE SMALL CHEST ON STANDThe upper part with two short and three long drawers, the stand fitted a drawer, 66cm wide.

£300 - 400

777A NORTH EUROpEAN LATE 19TH CENTURy MAHOGANy OpEN BOOkCASEProbably French, with six short adjustable shelves, flanked by gilt metal capped Tuscan columns, above two short drawers, possibly originally one part of a bookcase, 107cm wide x 33.5cm deep x 128cm high, (42in wide x 13in deep x 50in high)

£200 - 300

774 776

777

112 | BONHAMS

778A FINE VICTORIAN INLAID FIGURED wALNUT wORk TABLEThe marquetry inlaid shaped top with chamfered edge, above a frieze drawer with deep workbox slide below, raised on four turned columns supported on carved splayed feet united by a turned stretcher. 68cm wide x 41cm deep x 70cm high, (26 1/2in wide x 16in deep x 27 1/2in high)

£400 - 600

779Y

A REGENCy SATINwOOD wRITING TABLEIncorporating firescreen, with rosewood crossbanded top, frieze drawer with velvet lined slide and similarly lined side slide, the lock with a rising screen, also velvet panelled, 53 x 47cm

£500 - 700

780A GEORGE III SATINwOOD pEMBROkE TABLEWith tulipwood crossbanded oval top and a frieze drawer, on tapering legs and castors, 101cm wide, open

£1,000 - 1,200

781A LATE 19TH CENTURy EGypTIAN THREE-FOLD, MASHRABIyyA-wORk HARDwOOD SCREENOne end section with two hinged, arched ‘windows’ flanking a central rectangular panel, the other end section with one arched, hinged window, flanked by a rectangular panel on each side, the central section with a large projecting, hinged ‘window’, all on extended stiles, each section 80cm wide183cm high, (31in wide72in high)

£700 - 1,000

782Y

AN EARLy VICTORIAN ROSEwOOD CANTERBURyWith three divisions, above a frieze drawer and raised on turned legs with brass cups and castors, 52.5cm wide x 39cm deep x 49.5cm high, (20 1/2in wide x 15in deep x 19in high)

£600 - 800

783A GEORGE III MAHOGANy AND SATINwOOD CROSSBANDED AND CHEQUERBANDED BOwFRONT SIDEBOARDFitted with side cupboard, deep side drawer and central napery drawer, raised on tapering square legs terminating in spade feet, 138cm wide x 53.5cm deep x 92cm high, (54in wide x 21in deep x 36in high)

£600 - 800

784A GEORGE III MAHOGANy BOwFRONT CHESTThe moulded top above a brushing slide and four graduated long drawers, raised on splayed bracket feet, 92cm wide x 60cm deep x 88cm high, (36in wide x 23 1/2in deep x 34 1/2in high)

£800 - 1,200

785A GILTwOOD wALL MIRRORWilliam IV and later With projetcting cornice and applied with half columns to three sides, 86cm high x 62cm wide

£300 - 500

786

778 780


786A FRENCH 19TH CENTURy MARQUETRy COMMODEIn the Transitional style The Rouge Griotte marble top above two drawers inlaid sans traverse with flower filled and swagged urns, on keeled cabriole front legs, 88cm wide x 47cm deep x 83cm high, (34 1/2in wide x 18 1/2in deep x 32 1/2in high)

£500 - 700

787A GEORGE II wALNUT AND OAk TALLBOy CHESTFitted with two short and six long drawers and a brushing slide, with engraved and keyplates.

£500 - 600

788A wILLIAM IV MAHOGANy BERGEREOn turned legs; and a walnut open armchair with four-spindle back, caned seat to cabriole legs. (2)

£150 - 200

789A wALNUT SIDE TABLEWith shaped end supports and stepped bases; 138cm long, 75cm wide

£200 - 250

790A LATE VICTORIAN CHAISE LONGUEUpholstered in floral cut dralon, on turned legs.

£80 - 100

791A LARGE, CIRCULAR GILT MIRROR2nd quarter 19th century, the frame with three-quarter round moulding decorated with leaf motifs at the cardinal points and having an ebonized, reeded slip; 110cm diameter

£500 - 600

792A pALE OAk SIDEBOARD AFTER A DESIGN By LIBERTy & COWith decorative metal hinges and latch plates, the upper section with a projecting cornice above a pair of cupboard doors flanked by shelves, the lower section with two frieze drawers above cupboard doors; 138cm wide

£300 - 400

793A 19TH CENTURy CARVED GILTwOOD wALL MIRROR, wITH ETCHED pLATEIn the rococo manner with C-scroll and leaf decorated frame, the plate etched with a nude figure a woman representative of summer, 83cm high

£250 - 350

794A MID 19TH CENTURy MAHOGANy SETTEEWith reeded curved arms, on turned legs and castors, 211cm long.

£300 - 500

795AN 18TH CENTURy FIGURED wALNUT CHESTWith two short and three long featherbanded drawers, on matched stand with a further long drawer, on cabriole legs, 101cm wide.

£500 - 700

796AN 18TH CENTURy wALNUT AND CROSSBANDED CHESTOf two short and three long drawers, on bracket feet, 97cm wide.

£300 - 400

793

795791

114 | BONHAMS

797AN EDwARDIAN MAHOGANy AND MARQUETRy INLAID wELLINGTON CHESTFitted with seven graduated drawers with locking sile, on a plinth base, 63cm wide

£500 - 700

The 2nd drawer stamped JAS.SHOOLBRED & CO

798A MODERN pAINTED TROMpE L’OEIL SIDE CABINETEnclosed by a pair of doors above two short drawers, on bracket feet, 73cm wide

£120 - 180

799A 19TH CENTURy GILTwOOD AND VERRE EGLOMISé MIRRORThe rectangular plate surmounted by a verre eglomisé panel depicting floral swags, the glass panel cracked, 96cm high x 52.5cm wide,

£50 - 60

800AN 18TH CENTURy STyLE MAHOGANy CABINET ON CHESTWith arched broken swan neck pediment above a pair of arched fielded panelled doors and four long base drawers on ogee bracket feet94cm wide

£500 - 700

801A pAIR OF 19TH CENTURy FAUTEUILS AND A pAIR OF FRENCH SIDE CHAIRSThe mahogany fauteuils in the Louis XV manner with carved foliate ornament and yellow brocade upholstery; the side chairs grey painted, (4)

£200 - 250

802A pAIR OF FRENCH GREy pAINTED ARMCHAIRS IN THE 18TH CENTURy MANNEROn turned fluted legs, (2)

£150 - 200

803A LATE 19TH CENTURy FRNCH MAHOGANy, MARQUETRy AND GILT METAL MOUNTED SECRETAIRE A ABATTANTWith marble top and three drawers below the fall, on turned feet, 73cm wide

£400 - 500

806

799800


804A LATE 19TH CENTURy wALNUT SIDE CABINETEnclosed by a pair of wire grille panelled doors, on bracket feet, 78cm wide

£80 - 120

805A LATE 18TH CENTURy FRENCH wALNUT AND MARBLE TOp SERpENTINE pETIT COMMODEFitted with two drawers on slender cabriole legs, 64cm wide

£300 - 400

806A LATE 19TH CENTURy GILTwOOD AND COMpOSITION pIER MIRRORThe later rectangular plate surmounted by a fruit and flower filled cornucopia flanked by two cherubs, 169cm high x 92cm wide,

£200 - 300

807A LATE 19TH CENTURy GILTwOOD AND COMpOSITION MIRRORThe later oval plate surmounted by a flower-filled urn, addorsed putti and scrolled acanthus, 145cm high x 91.5cm wide,

£200 - 300

808A LATE 19TH CENTURy GILTwOOD AND COMpOSITION MIRRORThe later bevelled plate within a floral surround, below a floral swagged oval plaque depicting cherubs, 126cm high x 78cm wide,

£200 - 300

809A LATE 19TH/EARLy 20TH CENTURy GILTwOOD AND COMpOSITION MIRRORThe later oval plate surmounted by a vine leaf trail centred with a Cupid’s flaming torch and quiver of arrows cresting and pair of love birds, 124cm high x 91cm wide,

£200 - 300

810Y

A wILLIAM IV ROSEwOOD CROSSBANDED MAHOGANy CARD TABLEOn turned column, platform base and scrolled feet, 89cm wide

£200 - 300

809

807 808

116 | BONHAMS

811A wALNUT DISpLAy CABINET ON STANDHaving a pair of bar glazed doors enclosing shelving, the stand with barleytwist turned legs and stretchers, 115cm wide.

£300 - 500

812A LARGE SIx pANEL pART LEATHER ROOM DIVIDING SCREENWith green and gilt stylised leaf decoration to one side, Each panel 244cm high x 22cm wide

£2,000 - 3,000

813Y

A wILLIAM IV ROSEwOOD FRAMED BARBER’S CHAIRWith buttoned back and scroll arms. on turned lappet legs and castors.

£500 - 700

814A 19TH CENTURy FRENCH wALNUT AND MARBLE TOp COMMODEFitted with three long drawers, on turned tapering supports, 133cm wide

£600 - 800

815AN 18TH CENTURy wALNUT VENEERED CHEST ON CHESTWith cavetto moulded cornice above three short and three long drawers flanked by fluted canted corners, the base with a further two long drawers, all with original brass handles, on bracket feet, 165cm wide x 160cm high

£1,200 - 1,800

816A GEORGE III OAk BUREAU CABINETThe upper part with architectural cornice and blind lattice frieze, enclosed by a pair of panelled doors, the lower part with sloping fall enclosing a fitted interior, above two short and three long drawers on bracket feet, 239cm high x 111cm wide

£500 - 700

817A 19TH CENTURy OAk TURNERS CHAIRThe carved top rail above turned side supports and raised on three turned legs, united with stretchers and fitted with a paneled seat, 65cm wide

£100 - 120

818A GEORGE III SIDE CHAIRThe shaped carved toprail over a pierced and carved splat, drop-in seat and moulded legs joined by an H-stretcher.

£80 - 100

819A MAHOGANy SMALL CHEST OF FOUR LONG DRAwERSWith turned knobs, on bracket feet, 74cm wide and a walnut pot cupboard circa 1900, the door with oval panel.(2)

£150 - 200

815812

821


820A LATE 19TH CENTURy ARTS AND CRAFTS STyLE wALNUT OpEN BOOkCASEWith reeded supports, 376cm wide x 262cm high

£300 - 400

821A 19TH CENTURy DUTCH MARQUETRy SIDE CABINET,The upper part with a pair of glazed doors, a shelf and four small drawers, above a projecting frieze drawer, the side fitted with cupboards on shaped platform base, 94cm wide

£500 - 600

822A SET OF SIx wALNUT DINING CHAIRS, 1880’SThe slat and spindle backs braced to the seats, on turned frames (6)

£200 - 250

823A LATE VICTORIAN OREGAN pINE SIDE TABLEThe bevelled top on ahaped X-frame end supports united by a turned stretcher of square section; 122cm long, 75cm wide

£250 - 350

824A LATE GEORGE III MAHOGANy pEMBROkE TABLEThe oval crossbanded and ebony strung top over a frieze drawer flanked by fan paterae inlay, on tapered legs and castors, 88cm wide

£200 - 300

825A REGENCy yEw wOOD SOFA TABLEWith two real and two opposing dummy drawers, on end supports with curved stretchers, splay legs and castors, 113cm

£400 - 500

826A 19TH CENTURy THREE FOLD LEATHER SCREENPainted with landscape panels, 188cm high.

£200 - 300

827AN OAk REFECTORy TABLEThe plank top on bulbous turned legs united by stretchers, 224cm long

£200 - 300

828A 19TH CENTURy GILT RECTANGULAR wALL MIRRORWith bevelled mirror inset cushion frieze, the frame with ribbon cresting and egg and dart borders, 115 x 80cm.

£200 - 300

824 825

827

828

118 | BONHAMS

829A GEORGE III MAHOGANy D-END DINING TABLEWith satinwood paterae, raised on square tapered supports and castors, with additional leaf, 206cm long (3)

£150 - 200

830A GEORGE II wALNUT AND BEECH pINE LOwBOyWith crossbanded top, fitted with three cockbeaded, brass handled drawers above a shaped apron, on cabriole legs with pointed pad feet, 76cm wide

£800 - 1,000

831A FRENCH pROVINCIAL FRUITwOOD BUREAULate 19th century With shaped sloping fall above two short drawers on slender cabriole legs, 85cm wide

£400 - 600

832Y

A LATE GEORGE III ROSEwOOD AND SATINwOOD CROSSBANDED D-SHApED CARD TABLEWith foldover top and raised on turned tapered legs, 92cm wide

£500 - 600

833A CHERRywOOD BUREAU BOOkCASE IN THE 18TH CENTURy MANNERWith double domed top above a pair of corresponding arched glazed doors, the base with shaped interior and four long drawers and bracket feet, 230cm high x 105cm wide

£200 - 300

834Y

A FRENCH ROSEwOOD AND BOIS DE BOUT MARQUETRy COMMODEWith green variegated marble top above four long drawers with cast brass handles, 83cm wide

£200 - 300

835A GEORGE III MAHOGANy CHESTThe ogee moulded top above a drawer with a tooled leather inset writing slope above three graduated long drawers, on bracket feet, 110cm wide x 56cm deep x 88cm high, (43in wide x 22in deep x 34 1/2in high)

£200 - 300

836A VICTORIAN OAk AND INLAID HIGH DRESSERNorth Wales, possibly Anglesey The shelved back supported on a base fitted with an arrangement of six drawers and two cupboards with panelled doors, 163cm wide x 47cm deep x 210cm high, (64in wide x 18 1/2in deep x 82 1/2in high)

£600 - 800

837A REpRODUCTION LATE 17TH CENTURy STyLE OAk REFECTORy TABLE,The rectangular top on baluster turned end standards and trestle bases united by a centre stretcher, 153 x 67cm

£250 - 350

838AN EDwARDIAN MAHOGANy SATINwOOD CROSSBANDED BOxwOOD AND EBONy STRUNG CyLINDER FRONT BUREAU,With pierced brass gallery and three drawers below, having a pull-out inset writing slab and satinwood faced fitted interior, with five drawers around a kneehole, on square tapered legs and castors, 120cm wide

£1,000 - 1,200

839A FRENCH 19TH CENTURy MAHOGANy kNEEHOLE BUREAU pLATThe rectangular top inset with a gilt tooled leather writing surface, above a central drawer with knee hole frieze, flanked to the side by two further small drawers, the sides each with a tooled writing slide, on square tapering legs and brass caps. 127cm wide x 61cm deep x 74cm high, (50in wide x 24in deep x 29in high)

£300 - 400

839

836


844

846

848

840A 19TH CENTURy MAHOGANy SECRETAIRE BOOkCASEThe molded cornice above a pair of glazed doors, that open to reveal shelves, set on a base fitted with a deep secretaire drawer and fitted interior, above a breakfront base fitted with four paneled doors, the whole raised on a plinth, 230cm high, 90 1/2in high)

£400 - 600

841A GEORGE III OAk DRESSERThe upper section with two shelves and a row of spice drawers beneath a shaped cornice, the lower section with four central doors flanked by drawers above cupboard doors with fielded panels. 154cm wide

£600 - 750

842TwO wILLIAM IV GILT MIRRORSOne of portrait shape with projecting moulded cornice and twist column pilasters, 104 cm high x 63cm wide; the other of landscape shape with a pair of bevelled plates, having column pilasters and similar decoration to the cornice, 60cm high x 143cm wide (2)

£200 - 250

843A SET OF EIGHT SHERATON STyLE MAHOGANy CHAIRSIncluding a pair of amrchairs with vertical back splats, on panelled square tapered legs (6 + 2)

£300 - 400

844Y

A pAIR OF ROSEwOOD OR TULIpwOOD CROSSBANDED BEDSIDE CUpBOARDSIn the Transitional style Each with a marble top, above a door disguised as two quarter veneered drawers, enclosing one shelf, on cabriole legs, 41cm wide x 33.5cm deep x 71cm high, (16in wide x 13in deep x 27 1/2in high) (2)

£300 - 400

845AN EDwARDIAN INLAID MAHOGANy DISpLAy CABINET,The moulded cornice over an inlaid ribbon tied swag frieze, twin doors on tapered legs and spade feet, 112cm wide

£250 - 300

846Y

A pAIR OF LATE 19TH/EARLy 20TH CENTURy NORTH EUROpEAN SIMULATED ROSEwOOD AND EBONISED NIGHT COMMODESEach with a marble top, one replaced, above one drawer and a hinged fall disguised as two drawers, over two further drawers, 42.5cm wide x 39cm deep x 93cm high, (16 1/2in wide x 15in deep x 36 1/2in high)

£300 - 400

847A LATE 19TH CENTURy CHINESE MARBLE TOppED HARDwOOD URN STANDWith hexagonal top above a typically carved frieze and cabriole legs, 27cm wide

£200 - 300

848Y

A MID 19TH CENTURy INDO-pORTUGUESE ROSEwOOD DOCUMENT CASE ON STANDOf rectangular form, the upper section with hinged lid, set on a base with two drawers and carved skirt raised on turned and carved legs, the whole decorated with ebony inlay, pieced brass and stud work, 68cm wide x 28cm deep x 73cm high, (26 1/2in wide x 11in deep x 28 1/2in high)

£500 - 600

120 | BONHAMS

849A MID-18TH CENTURy OAk BUREAU CABINETWith broken pediment above plain crossbanded panel doors, traditional base with swan neck handles on bracket feet, 208cm high x 90cm wide

£300 - 400

850* YAN EARLy VICTORIAN ROSEwOOD RECTANGULAR DwARF CUpBOARDWith painted slate top above a drieze drawer and a pair of mirror panelled cupboards, on plinth base and bun feet, 90cm

£400 - 500

851* YA REGENCy ROSEwOOD AND pARCEL GILT RECTANGULAR DwARF CUpBOARD,With brass inlaid stringing, turned tapering pilasters on turned feet 106cm

£400 - 500

852A REpRODUCTION GEORGE III STyLE MAHOGANy CHEST,Of serpentine outline, the crossbanded top above a brushing slide and four long drawers between blind cut card canted corners on a shaped apron stand, 82cm wide

£300 - 500

853A GEORGE III MAHOGANy BOxwOOD AND EBONy STRUNG BUREAU,The hinged fall enclosing a fitted interior with four long drawers below, on shaped apron stand, 86cm wide

£250 - 350

854A GEORGE III MAHOGANy THREE TIER DUMB wAITER,The dished circular trays with baluster turned columns and tripod base and brass castors, 58cm diameter x 101cm high

£400 - 500

855A 19TH CENTURy OAk AND INLAID DRESSERHaving raised shelved back, the slightly breakfront base fitted with an arrangement of six drawers and two cupboard doors, 152cm wide.

£300 - 400

856A 19TH CENTURy CONTINENTAL wALNUT SECRETAIRE A ABBATANTHaving one drawer above a fitted fall front, and three further long drawers, on bracket feet, 88cm wide.

£500 - 700

857A MAHOGANy DROp FLAp wORk TABLEFitted with two short drawers on tripod base, 31 x 26cm

£150 - 200

858A GEORGE III MAHOGANy CHEST-ON-CHESTThe dentil moulded cornice above two short and six long graduating drawers, flanked by crossbanded canted angles, on shaped bracket feet, 113cm wide x 52cm deep x 191.5cm high, (44in wide x 20in deep x 75in high)

£500 - 700

859AN EARLy 18TH CENTURy CHESTOf two short and three long drawers on stand, on turned feet, 96cm

£200 - 300

860

858

859


860Y

A VICTORIAN ROSEwOOD STOOLOn four baluster turned legs and peg feet, 113cm wide x 39cm deep x 37cm high, (44in wide x 15in deep x 14 1/2in high)

£300 - 500

861A 19TH CENTURy MAHOGANy NARROw READING TABLEWith central adjustable book slope, on slender turned legs and splay feet, 94cm wide

£50 - 60

862Y ФA LATE GEORGE III ROSEwOOD, SATINwOOD BANDED AND EBONISED OCCASIONAL TABLEWith stringing and ivory painted line decoration, the octagonal top on a ring turned column, terminating in a tripod base and roundel capped block and peg feet,

£500 - 700

863A DUTCH COLONIAL 19TH CENTURy HARDwOOD COFFERThe hinged top with an ogee moulded edge, with pierced foliate scrolled brass mounts, possibly 18th century, 121cm wide x 49.5cm deep x 65cm high, (47 1/2in wide x 19in deep x 25 1/2in high)

£500 - 700

864Y

A LATE REGENCy ROSEwOOD LIBRARy TABLE,The rectangular top with rounded corners above a frieze drawer and a dummy drawer either side on rectangular tapering end standards and platform bases on volute scroll feet and castors, 146 x 68.5cm

£600 - 900

865A GEORGE III MAHOGANy TALLBOy CHEST,With moulded and Greek key cornice above two short and three long drawers between fluted canted corners, the projecting base with three long drawers, on bracket feet, 110cm wide

£600 - 800

866A SET OF FIVE GEORGE III CHIppENDALE STyLE MAHOGANy DINING CHAIRS,With shaped top rails, Gothic style pierced splat backs, stuff over seats, on moulded square chamfered legs united by stretchers, to include an elbow chair and a similar pair of standard chairs (7)

£250 - 350

867A LATE 19TH CENTURy FOLDING HIGH BACk HALL SETTEEVelvet and brocade upholstered and having a small window to the high back, with drop in seat, 152cm high x 138cm wide

£300 - 400

868A LARGE STEEL CLUB FENDERThe upjolstered seat rail raised on turned steel supports and kerb 203cm wide x 74cm deep x 51cm high, (79 1/2in wide x 29in deep x 20in high)

£300 - 500

869A STEEL CLUB FENDERThe leather botton upholstered seat rail on turned steel suppoorts and kerb, 155cm wide.

£300 - 500

862

867

863

122 | BONHAMS

870A GEORGE III MAHOGANy BOxwOOD STRUNG HANGING CORNER CABINET,With a broken swan neck pediment, above a panelled door flanked by fluted sides, 82cm

£250 - 300

871A GEORGE III, AND LATER, MAHOGANy TALLBOy CHESTWith a dentil and blind cut card moulded cornice, the upper part fitted with two short and three long drawers, the lower with a hinged fall front dummy drawer between fluted quarter pilasters, the projecting base with three long drawers, on ogee feet, 123cm wide

£500 - 700

872A pAIR OF GEORGE II ‘RED wALNUT’ DINING CHAIRSEach with arched back with solid vase shaped splat and slip in seat on cabriole legs united by an H-shaped stretcher, together with another similar. (3)

£200 - 300

873A VICTORIAN MAHOGANy pEDESTAL DESkThe gilt tooled leather inset overhanging top above one long frieze drawer with three open compartments, over six short drawers flanking the kneehole, 130cm wide, 65cm deep, 78cm high (51in wide, 25 1/2in deep, 30 1/2in high)

£200 - 300

874A LARGE OAk DOUBLE GATE-LEG DINING TABLEThe base largely 17th century with a later top The ovak top on a base with barley twist legs and under framing, 173 x 157cm

£500 - 700

875Y ФA JApANESE BONE, IVORy AND MOTHER OF pEARL INLAID TwO-FOLD ROOM DIVIDING SCREEN

£400 - 500

876A pAIR OF CHINESE HARDwOOD ARMCHAIRS 20TH CENTURy20th century With stylised pierce scroll back and sides. (2)

£200 - 300

877A CHINESE ELM ALTAR CABINET 20TH CENTURy20th Century Fitted with three frieze drawers above a pair of central cupboard doors, flanked by carved fruiting vine ornament, 225cm wide

£500 - 600

875

877

873

874


878FOUR VARIOUS ART DECO STyLE UpLIGHTERSWith tapered lacquered columns on circular bases, (one lacking it’s shade), Tallest - 174cm high (4)

£600 - 800

879IN THE MANNER OF GEORGE wALTONAn Abingdon Chair, mid 20th century in African walnut 92cm by 50.5cm by 42cm

£500 - 600

880A GEORGE III MAHOGANy GENTLEMAN’S DRESSING MIRRORThe folding mirror top with adjustable easel supports, the plinth base concealing various secret drawers, 36.5 x 32cm.

£200 - 300

881A LATE VICTORIAN OAk ARTISTS TROLLEy,by Roberson & Co, Ludgate, London, the hinged opening to reveal a removable zinc liner over three drawers and castors, 55 x 44cm.

£250 - 300

END OF SALE

878879

124 | BONHAMSNTB/MAIN/03.14/V2

This notice is addressed by Bonhams to any person who may be interested in a Lot, including Bidders and potential Bidders (including any eventual Buyer of the Lot). For ease of reference we refer to such persons as “Bidders” or “you”. Our List of Definitions and Glossary is incorporated into this Notice to Bidders. It is at Appendix 3 at the back of the Catalogue. Where words and phrases are used in this notice which are in the List of Definitions, they are printed in italics.

IMPORTANT: Additional information applicable to the Sale may be set out in the Catalogue for the Sale, in an insert in the Catalogue and/or in a notice displayed at the Sale venue and you should read them as well. Announcements affecting the Sale may also be given out orally before and during the Sale without prior written notice. You should be alert to the possibility of changes and ask in advance of bidding if there have been any.

1. OUR ROLE

In its role as Auctioneer of Lots, Bonhams acts solely for and in the interests of the Seller. Bonhams’ job is to sell the Lot at the highest price obtainable at the Sale to a Bidder. Bonhams does not act for Buyers or Bidders in this role and does not give advice to Buyers or Bidders. When it or its staff make statements about a Lot or, if Bonhams provides a Condition Report on a Lot it is doing that on behalf of the Seller of the Lot. Bidders and Buyers who are themselves not expert in the Lots are strongly advised to seek and obtain independent advice on the Lots and their value before bidding for them. The Seller has authorised Bonhams to sell the Lot as its agent on its behalf and, save where we expressly make it clear to the contrary, Bonhams acts only as agent for the Seller. Any statement or representation we make in respect of a Lot is made on the Seller’s behalf and, unless Bonhams sells a Lot as principal, not on our behalf and any Contract for Sale is between the Buyer and the Seller and not with us. If Bonhams sells a Lot as principal this will either be stated in the Catalogue or an announcement to that effect will be made by the Auctioneer, or it will be stated in a notice at the Sale or an insert in the Catalogue.

Bonhams does not owe or undertake or agree to any duty or responsibility to you in contract or tort (whether direct, collateral, express, implied or otherwise). If you successfully bid for a Lot and buy it, at that stage Bonhams does enter into an agreement with the Buyer. The terms of that contract are set out in our Buyer’s Agreement, which you will find at Appendix 2 at the back of the Catalogue. This will govern Bonhams’ relationship with the Buyer.

2. LOTS

Subject to the Contractual Description printed in bold letters in the Entry about the Lot in the Catalogue (see paragraph 3 below), Lots are sold to the Buyer on an “as is” basis, with all faults and imperfections. Illustrations and photographs contained in the Catalogue (other than photographs forming part of the Contractual Description) or elsewhere of any Lots are for identification purposes only. They may not reveal the true condition of the Lot. A photograph or illustration may not reflect an accurate reproduction of the colour(s) of the Lot. Lots are available for inspection prior to the Sale and it is for you to satisfy yourself as to each and every aspect of a Lot, including its authorship, attribution, condition, provenance, history, background, authenticity, style, period, age, suitability, quality, roadworthiness (if relevant), origin, value and estimated selling price (including the Hammer Price). It is your responsibility to examine any Lot in which you are interested. It should be remembered that the actual condition of a Lot may not be as good as that indicated by its outward appearance. In particular, parts may have been replaced or renewed and Lots may not be authentic or of satisfactory quality; the inside of a Lot may not be visible and may not be original or may be damaged, as for example where it is covered by upholstery or material. Given the age of many Lots they may have been damaged and/or repaired and you should not assume that a Lot is in good condition. Electronic or mechanical parts may not operate or may not comply with current statutory requirements. You should not assume that electrical items designed to operate on mains electricity will be suitable for connection to the mains electricity supply and you should obtain a report from

a qualified electrician on their status before doing so. Such items which are unsuitable for connection are sold as items of interest for display purposes only. If you yourself do not have expertise regarding a Lot, you should consult someone who does to advise you. We can assist in arranging facilities for you to carry out or have carried out more detailed inspections and tests. Please ask our staff for details.

Any person who damages a Lot will be held liable for the loss caused.

3. DESCRIPTIONS OF LOTS AND ESTIMATES

Contractual Description of a LotThe Catalogue contains an Entry about each Lot. Each Lot is sold by its respective Seller to the Buyer of the Lot as corresponding only with that part of the Entry which is printed in bold letters and (except for the colour, which may be inaccurately reproduced) with any photograph of the Lot in the Catalogue. The remainder of the Entry, which is not printed in bold letters, represents Bonhams’ opinion (given on behalf of the Seller) about the Lot only and is not part of the Contractual Description in accordance with which the Lot is sold by the Seller.

EstimatesIn most cases, an Estimate is printed beside the Entry. Estimates are only an expression of Bonhams’ opinion made on behalf of the Seller of the range where Bonhams thinks the Hammer Price for the Lot is likely to fall; it is not an Estimate of value. It does not take into account any VAT or Buyer’s Premium payable. Lots can in fact sell for Hammer Prices below and above the Estimate. Any Estimate should not be relied on as an indication of the actual selling price or value of a Lot. Estimates are in the currency of the Sale.

Condition ReportsIn respect of most Lots, you may ask for a Condition Report on its physical condition from Bonhams. If you do so, this will be provided by Bonhams on behalf of the Seller free of charge. Bonhams is not entering into a contract with you in respect of the Condition Report and accordingly does not assume responsibility to you in respect of it. Nor does the Seller owe or agree to owe you as a Bidder any obligation or duty in respect of this free report about a Lot, which is available for your own inspection or for inspection by an expert instructed by you. However, any written Description of the physical condition of the Lot contained in a Condition Report will form part of the Contractual Description of the Lot under which it is sold to any Buyer.

The Seller’s responsibility to youThe Seller does not make or agree to make any representation of fact or contractual promise, Guarantee or warranty and undertakes no obligation or duty, whether in contract or in tort (other than to the eventual Buyer as set out above), in respect of the accuracy or completeness of any statement or representation made by him or on his behalf, which is in any way descriptive of any Lot or as to the anticipated or likely selling price of any Lot. Other than as set out above, no statement or representation in any way descriptive of a Lot or any Estimate is incorporated into any Contract for Sale between a Seller and a Buyer.

Bonhams’ responsibility to youYou have the opportunity of examining the Lot if you want to and the Contract for Sale for a Lot is with the Seller and not with Bonhams; Bonhams acts as the Seller’s agent only (unless Bonhams sells the Lot as principal).

Bonhams undertakes no obligation to you to examine, investigate or carry out any tests, either in sufficient depth or at all, on each Lot to establish the accuracy or otherwise of any Descriptions or opinions given by Bonhams, or by any person on Bonhams’ behalf, whether in the Catalogue or elsewhere.

You should not suppose that such examinations, investigations or tests have occurred.

Bonhams does not make or agree to make any representation of fact, and undertakes no obligation or duty (whether in contract or tort) in respect of the accuracy or completeness of any statement or representation made by Bonhams or on

Bonhams’ behalf which is in any way descriptive of any Lot or as to the anticipated or likely selling price of any Lot. No statement or representation by Bonhams or on its behalf in any way descriptive of any Lot or any Estimate is incorporated into our Buyer’s Agreement.

AlterationsDescriptions and Estimates may be amended at Bonhams’ discretion from time to time by notice given orally or in writing before or during a Sale.

THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT EXAMINED ON YOUR BEHALF BEFORE THE SALE.

4. CONDUCT OF THE SALE

Our Sales are public auctions which persons may attend and you should take the opportunity to do so. We do reserve the right at our sole discretion to refuse admission to our premises or to any Sale without stating a reason. We have complete discretion as to whether the Sale proceeds, whether any Lot is included in the Sale, the manner in which the Sale is conducted and we may offer Lots for Sale in any order we choose notwithstanding the numbers given to Lots in the Catalogue. You should therefore check the date and starting time of the Sale, whether there have been any withdrawals or late entries. Remember that withdrawals and late entries may affect the time at which a Lot you are interested in is put up for Sale. We have complete discretion to refuse any bid, to nominate any bidding increment we consider appropriate, to divide any Lot, to combine two or more Lots, to withdraw any Lot from a Sale and, before the Sale has been closed, to put up any Lot for auction again. Auction speeds can exceed 100 Lots to the hour and bidding increments are generally about 10%. However these do vary from Sale to Sale and from Auctioneer to Auctioneer. Please check with the department organising the Sale for advice on this. Where a Reserve has been applied to a Lot, the Auctioneer may, in his absolute discretion, place bids (up to an amount not equalling or exceeding such Reserve) on behalf of the Seller. We are not responsible to you in respect of the presence or absence of any Reserve in respect of any Lot. If there is a Reserve it will normally be no higher than the lower figure for any Estimate in the Catalogue, assuming that the currency of the Reserve has not fluctuated adversely against the currency of the Estimate. The Buyer will be the Bidder who makes the highest bid acceptable to the Auctioneer for any Lot (subject to any applicable Reserve) to whom the Lot is knocked down by the Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the highest acceptable bid will be settled by the Auctioneer in his absolute discretion. All bids tendered will relate to the actual Lot number announced by the Auctioneer. An electronic currency converter may be used at the Sale. This equipment is provided as a general guide as to the equivalent amount in certain currencies of a given bid. We do not accept any responsibility for any errors which may occur in the use of the currency converter. We may use video cameras to record the Sale and may record telephone calls for reasons of security and to assist in solving any disputes which may arise in relation to bids made at the Sale. At some Sales, for example, jewellery Sales, we may use screens on which images of the Lots will be projected. This service is provided to assist viewing at the Sale. The image on the screen should be treated as an indication only of the current Lot. It should be noted that all bids tendered will relate to the actual Lot number announced by the Auctioneer. We do not accept any responsibility for any errors which may occur in the use of the screen.

5. BIDDING

We do not accept bids from any person who has not completed and delivered to us one of our Bidding Forms, either our Bidder Registration Form, Absentee Bidding Form or Telephone Bidding Form. You will be asked for proof of identity, residence and references, which, when asked for, you must supply if your bids are to be accepted by us. Please bring your passport, driving licence (or similar photographic proof of identity) and proof of address. We may request a deposit from you before allowing you to bid. We may refuse entry to a Sale to any person even if that person has completed a Bidding Form.

NOTICE TO BIDDERS

FINE ART AND ANTIQUES INCLUDING SILVER | 125NTB/MAIN/03.14/V2

This notice is addressed by Bonhams to any person who may be interested in a Lot, including Bidders and potential Bidders (including any eventual Buyer of the Lot). For ease of reference we refer to such persons as “Bidders” or “you”. Our List of Definitions and Glossary is incorporated into this Notice to Bidders. It is at Appendix 3 at the back of the Catalogue. Where words and phrases are used in this notice which are in the List of Definitions, they are printed in italics.

IMPORTANT: Additional information applicable to the Sale may be set out in the Catalogue for the Sale, in an insert in the Catalogue and/or in a notice displayed at the Sale venue and you should read them as well. Announcements affecting the Sale may also be given out orally before and during the Sale without prior written notice. You should be alert to the possibility of changes and ask in advance of bidding if there have been any.

1. OUR ROLE

In its role as Auctioneer of Lots, Bonhams acts solely for and in the interests of the Seller. Bonhams’ job is to sell the Lot at the highest price obtainable at the Sale to a Bidder. Bonhams does not act for Buyers or Bidders in this role and does not give advice to Buyers or Bidders. When it or its staff make statements about a Lot or, if Bonhams provides a Condition Report on a Lot it is doing that on behalf of the Seller of the Lot. Bidders and Buyers who are themselves not expert in the Lots are strongly advised to seek and obtain independent advice on the Lots and their value before bidding for them. The Seller has authorised Bonhams to sell the Lot as its agent on its behalf and, save where we expressly make it clear to the contrary, Bonhams acts only as agent for the Seller. Any statement or representation we make in respect of a Lot is made on the Seller’s behalf and, unless Bonhams sells a Lot as principal, not on our behalf and any Contract for Sale is between the Buyer and the Seller and not with us. If Bonhams sells a Lot as principal this will either be stated in the Catalogue or an announcement to that effect will be made by the Auctioneer, or it will be stated in a notice at the Sale or an insert in the Catalogue.

Bonhams does not owe or undertake or agree to any duty or responsibility to you in contract or tort (whether direct, collateral, express, implied or otherwise). If you successfully bid for a Lot and buy it, at that stage Bonhams does enter into an agreement with the Buyer. The terms of that contract are set out in our Buyer’s Agreement, which you will find at Appendix 2 at the back of the Catalogue. This will govern Bonhams’ relationship with the Buyer.

2. LOTS

Subject to the Contractual Description printed in bold letters in the Entry about the Lot in the Catalogue (see paragraph 3 below), Lots are sold to the Buyer on an “as is” basis, with all faults and imperfections. Illustrations and photographs contained in the Catalogue (other than photographs forming part of the Contractual Description) or elsewhere of any Lots are for identification purposes only. They may not reveal the true condition of the Lot. A photograph or illustration may not reflect an accurate reproduction of the colour(s) of the Lot. Lots are available for inspection prior to the Sale and it is for you to satisfy yourself as to each and every aspect of a Lot, including its authorship, attribution, condition, provenance, history, background, authenticity, style, period, age, suitability, quality, roadworthiness (if relevant), origin, value and estimated selling price (including the Hammer Price). It is your responsibility to examine any Lot in which you are interested. It should be remembered that the actual condition of a Lot may not be as good as that indicated by its outward appearance. In particular, parts may have been replaced or renewed and Lots may not be authentic or of satisfactory quality; the inside of a Lot may not be visible and may not be original or may be damaged, as for example where it is covered by upholstery or material. Given the age of many Lots they may have been damaged and/or repaired and you should not assume that a Lot is in good condition. Electronic or mechanical parts may not operate or may not comply with current statutory requirements. You should not assume that electrical items designed to operate on mains electricity will be suitable for connection to the mains electricity supply and you should obtain a report from

a qualified electrician on their status before doing so. Such items which are unsuitable for connection are sold as items of interest for display purposes only. If you yourself do not have expertise regarding a Lot, you should consult someone who does to advise you. We can assist in arranging facilities for you to carry out or have carried out more detailed inspections and tests. Please ask our staff for details.

Any person who damages a Lot will be held liable for the loss caused.

3. DESCRIPTIONS OF LOTS AND ESTIMATES

Contractual Description of a LotThe Catalogue contains an Entry about each Lot. Each Lot is sold by its respective Seller to the Buyer of the Lot as corresponding only with that part of the Entry which is printed in bold letters and (except for the colour, which may be inaccurately reproduced) with any photograph of the Lot in the Catalogue. The remainder of the Entry, which is not printed in bold letters, represents Bonhams’ opinion (given on behalf of the Seller) about the Lot only and is not part of the Contractual Description in accordance with which the Lot is sold by the Seller.

EstimatesIn most cases, an Estimate is printed beside the Entry. Estimates are only an expression of Bonhams’ opinion made on behalf of the Seller of the range where Bonhams thinks the Hammer Price for the Lot is likely to fall; it is not an Estimate of value. It does not take into account any VAT or Buyer’s Premium payable. Lots can in fact sell for Hammer Prices below and above the Estimate. Any Estimate should not be relied on as an indication of the actual selling price or value of a Lot. Estimates are in the currency of the Sale.

Condition ReportsIn respect of most Lots, you may ask for a Condition Report on its physical condition from Bonhams. If you do so, this will be provided by Bonhams on behalf of the Seller free of charge. Bonhams is not entering into a contract with you in respect of the Condition Report and accordingly does not assume responsibility to you in respect of it. Nor does the Seller owe or agree to owe you as a Bidder any obligation or duty in respect of this free report about a Lot, which is available for your own inspection or for inspection by an expert instructed by you. However, any written Description of the physical condition of the Lot contained in a Condition Report will form part of the Contractual Description of the Lot under which it is sold to any Buyer.

The Seller’s responsibility to youThe Seller does not make or agree to make any representation of fact or contractual promise, Guarantee or warranty and undertakes no obligation or duty, whether in contract or in tort (other than to the eventual Buyer as set out above), in respect of the accuracy or completeness of any statement or representation made by him or on his behalf, which is in any way descriptive of any Lot or as to the anticipated or likely selling price of any Lot. Other than as set out above, no statement or representation in any way descriptive of a Lot or any Estimate is incorporated into any Contract for Sale between a Seller and a Buyer.

Bonhams’ responsibility to youYou have the opportunity of examining the Lot if you want to and the Contract for Sale for a Lot is with the Seller and not with Bonhams; Bonhams acts as the Seller’s agent only (unless Bonhams sells the Lot as principal).

Bonhams undertakes no obligation to you to examine, investigate or carry out any tests, either in sufficient depth or at all, on each Lot to establish the accuracy or otherwise of any Descriptions or opinions given by Bonhams, or by any person on Bonhams’ behalf, whether in the Catalogue or elsewhere.

You should not suppose that such examinations, investigations or tests have occurred.

Bonhams does not make or agree to make any representation of fact, and undertakes no obligation or duty (whether in contract or tort) in respect of the accuracy or completeness of any statement or representation made by Bonhams or on

Bonhams’ behalf which is in any way descriptive of any Lot or as to the anticipated or likely selling price of any Lot. No statement or representation by Bonhams or on its behalf in any way descriptive of any Lot or any Estimate is incorporated into our Buyer’s Agreement.

AlterationsDescriptions and Estimates may be amended at Bonhams’ discretion from time to time by notice given orally or in writing before or during a Sale.

THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT EXAMINED ON YOUR BEHALF BEFORE THE SALE.

4. CONDUCT OF THE SALE

Our Sales are public auctions which persons may attend and you should take the opportunity to do so. We do reserve the right at our sole discretion to refuse admission to our premises or to any Sale without stating a reason. We have complete discretion as to whether the Sale proceeds, whether any Lot is included in the Sale, the manner in which the Sale is conducted and we may offer Lots for Sale in any order we choose notwithstanding the numbers given to Lots in the Catalogue. You should therefore check the date and starting time of the Sale, whether there have been any withdrawals or late entries. Remember that withdrawals and late entries may affect the time at which a Lot you are interested in is put up for Sale. We have complete discretion to refuse any bid, to nominate any bidding increment we consider appropriate, to divide any Lot, to combine two or more Lots, to withdraw any Lot from a Sale and, before the Sale has been closed, to put up any Lot for auction again. Auction speeds can exceed 100 Lots to the hour and bidding increments are generally about 10%. However these do vary from Sale to Sale and from Auctioneer to Auctioneer. Please check with the department organising the Sale for advice on this. Where a Reserve has been applied to a Lot, the Auctioneer may, in his absolute discretion, place bids (up to an amount not equalling or exceeding such Reserve) on behalf of the Seller. We are not responsible to you in respect of the presence or absence of any Reserve in respect of any Lot. If there is a Reserve it will normally be no higher than the lower figure for any Estimate in the Catalogue, assuming that the currency of the Reserve has not fluctuated adversely against the currency of the Estimate. The Buyer will be the Bidder who makes the highest bid acceptable to the Auctioneer for any Lot (subject to any applicable Reserve) to whom the Lot is knocked down by the Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the highest acceptable bid will be settled by the Auctioneer in his absolute discretion. All bids tendered will relate to the actual Lot number announced by the Auctioneer. An electronic currency converter may be used at the Sale. This equipment is provided as a general guide as to the equivalent amount in certain currencies of a given bid. We do not accept any responsibility for any errors which may occur in the use of the currency converter. We may use video cameras to record the Sale and may record telephone calls for reasons of security and to assist in solving any disputes which may arise in relation to bids made at the Sale. At some Sales, for example, jewellery Sales, we may use screens on which images of the Lots will be projected. This service is provided to assist viewing at the Sale. The image on the screen should be treated as an indication only of the current Lot. It should be noted that all bids tendered will relate to the actual Lot number announced by the Auctioneer. We do not accept any responsibility for any errors which may occur in the use of the screen.

5. BIDDING

We do not accept bids from any person who has not completed and delivered to us one of our Bidding Forms, either our Bidder Registration Form, Absentee Bidding Form or Telephone Bidding Form. You will be asked for proof of identity, residence and references, which, when asked for, you must supply if your bids are to be accepted by us. Please bring your passport, driving licence (or similar photographic proof of identity) and proof of address. We may request a deposit from you before allowing you to bid. We may refuse entry to a Sale to any person even if that person has completed a Bidding Form.

NOTICE TO BIDDERS

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Bidding in personYou should come to our Bidder registration desk at the Sale venue and fill out a Bidder Registration Form on (or, if possible, before) the day of the Sale. The bidding number system is sometimes referred to as “paddle bidding”. You will be issued with a large card (a “paddle”) with a printed number on it. This will be attributed to you for the purposes of the Sale. Should you be a successful Bidder you will need to ensure that your number can be clearly seen by the Auctioneer and that it is your number which is identified as the Buyer’s. You should not let anyone else use your paddle as all Lots will be invoiced to the name and address given on your Bidder Registration Form. Once an invoice is issued it will not be changed. If there is any doubt as to the Hammer Price of, or whether you are the successful Bidder of, a particular Lot, you must draw this to the attention of the Auctioneer before the next Lot is offered for Sale. At the end of the Sale, or when you have finished bidding please return your paddle to the Bidder registration desk.

Bidding by telephone (only available on lots with a low estimate greater than £400)If you wish to bid at the Sale by telephone, please complete a Telephone Bidding Form, which is available from our offices or in the Catalogue. Please then return it to the office responsible for the Sale at least 24 hours in advance of the Sale. It is your responsibility to check with our Bids Office that your bid has been received. Telephone calls will be recorded. The telephone bidding facility is a discretionary service and may not be available in relation to all Lots. We will not be responsible for bidding on your behalf if you are unavailable at the time of the Sale or if the telephone connection is interrupted during bidding. Please contact us for further details.

Bidding by post or faxAbsentee Bidding Forms can be found in the back of this Catalogue and should be completed and sent to the office responsible for the Sale. It is in your interests to return your form as soon as possible, as if two or more Bidders submit identical bids for a Lot, the first bid received takes preference. In any event, all bids should be received at least 24 hours before the start of the Sale. Please check your Absentee Bidding Form carefully before returning it to us, fully completed and signed by you. It is your responsibility to check with our Bids Office that your bid has been received. This additional service is complimentary and is confidential. Such bids are made at your own risk and we cannot accept liability for our failure to receive and/or place any such bids. All bids made on your behalf will be made at the lowest level possible subject to Reserves and other bids made for the Lot. Where appropriate your bids will be rounded down to the nearest amount consistent with the Auctioneer’s bidding increments. New Bidders must also provide proof of identity and address when submitting bids. Failure to do this will result in your bid not being placed.

Bidding via the internetPlease visit our Website at http://www.bonhams.com for details of how to bid via the internet.

Bidding through an agentBids will be accepted as placed on behalf of the person named as the principal on the Bidding Form although we may refuse to accept bids from an agent on behalf of a principal and will require written confirmation from the principal confirming the agent’s authority to bid. Nevertheless, as the Bidding Form explains, any person placing a bid as agent on behalf of another (whether or not he has disclosed that fact or the identity of his principal) will be jointly and severally liable with the principal to the Seller and to Bonhams under any contract resulting from the acceptance of a bid. Subject to the above, please let us know if you are acting on behalf of another person when bidding for Lots at the Sale.

Equally, please let us know if you intend to nominate another person to bid on your behalf at the Sale unless this is to be carried out by us pursuant to a Telephone or Absentee Bidding Form that you have completed. If we do not approve the agency arrangements in writing before the Sale, we are entitled to assume that the person bidding at the Sale is bidding on his own behalf. Accordingly, the person bidding at the Sale will be the Buyer and will be liable to pay the Hammer Price and Buyer’s Premium and associated charges. If we approve the

identity of your client in advance, we will be in a position to address the invoice to your principal rather than you. We will require proof of the agent’s client’s identity and residence in advance of any bids made by the agent on his behalf. Please refer to our Conditions of Business and contact our Customer Services Department for further details.

6. CONTRACTS BETWEEN THE BUYER AND SELLER AND THE BUYER AND BONHAMS

On the Lot being knocked down to the Buyer, a Contract for Sale of the Lot will be entered into between the Seller and the Buyer on the terms of the Contract for Sale set out in Appendix 1 at the back of the Catalogue. You will be liable to pay the Purchase Price, which is the Hammer Price plus any applicable VAT. At the same time, a separate contract is also entered into between us as Auctioneers and the Buyer. This is our Buyer’s Agreement, the terms of which are set out in Appendix 2 at the back of the Catalogue. Please read the terms of the Contract for Sale and our Buyer’s Agreement contained in the Catalogue in case you are the successful Bidder. We may change the terms of either or both of these agreements in advance of their being entered into, by setting out different terms in the Catalogue and/or by placing an insert in the Catalogue and/or by notices at the Sale venue and/or by oral announcements before and during the Sale. You should be alert to this possibility of changes and ask if there have been any.

7. BUYER’S PREMIUM AND OTHER CHARGES PAYABLE BY THE BUYER

Under the Buyer’s Agreement, a premium (the Buyer’s Premium) is payable to us by the Buyer in accordance with the terms of the Buyer’s Agreement and at rates set out below, calculated by reference to the Hammer Price and payable in addition to it. Storage charges and Expenses are also payable by the Buyer as set out in the Buyer’s Agreement. All the sums payable to us by the Buyer are subject to VAT. For this Sale the following rates of Buyer’s Premium will be payable by Buyers of Lots:

25% up to £50,000 of the Hammer Price20% from £50,001 to £1,000,000 of the Hammer Price12% from £1,000,001 of the Hammer Price

On certain Lots, which will be marked “AR” in the Catalogue and which are sold for a Hammer Price of €1,000 or greater (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale), the Additional Premium will be payable to us by the Buyer to cover our Expenses relating to the payment of royalties under the Artists Resale Right Regulations 2006. The Additional Premium will be a percentage of the amount of the Hammer Price calculated in accordance with the table below, and shall not exceed €12,500 (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale).

Hammer Price Percentage amount From €0 to €50,000 4%From €50,000.01 to €200,000 3%From €200,000.01 to €350,000 1%From €350,000.01 to €500,000 0.5%Exceeding €500,000 0.25%

8. VAT

The prevailing rate of VAT at the time of going to press is 20%, but this is subject to government change and the rate payable will be the rate in force on the date of the Sale.

The following symbols are used to denote that VAT is due on the Hammer Price and Buyer’s Premium:† VAT at the prevailing rate on Hammer Price and Buyer’s

PremiumΩ VAT on imported items at the prevailing rate on Hammer

Price and Buyer’s Premium* VAT on imported items at a preferential rate of 5% on

Hammer Price and the prevailing rate on Buyer’s Premium

G Gold bullion exempt from VAT on the Hammer Price and subject to VAT at the prevailing rate on the Buyer’s Premium

• ZeroratedforVAT, no VAT will be added to the Hammer Price or the Buyer’s Premium

a Buyers from within the EU: VAT is payable at the prevailing rate on just the Buyer’s Premium (NOT the Hammer Price). Buyers from outside the EU: VAT is payable at the prevailing rate on both Hammer Price and Buyer’s Premium. If a Buyer, having registered under a non-EU address, decides that the item is not to be exported from the EU, then he should advise Bonhams immediately.

In all other instances no VAT will be charged on the Hammer Price, but VAT at the prevailing rate will be added to Buyer’s Premium which will be invoiced on a VAT inclusive basis.

9. PAYMENT

It is of critical importance that you ensure that you have readily available funds to pay the Purchase Price and the Buyer’s Premium (plus VAT and any other charges and Expenses to us) in full before making a bid for the Lot. If you are a successful Bidder, payment will be due to us by 4.30 pm on the second working day after the Sale so that all sums are cleared by the eighth working day after the Sale. Unless agreed by us in advance payments made by anyone other than the registered Buyer will not be accepted. Payment will have to be by one of the following methods (all cheques should be made payable to Bonhams 1793 Limited). Bonhams reserves the right to vary the terms of payment at any time.

Sterling personal cheque drawn on a UK branch of a bank or building society: all cheques must be cleared before you can collect your purchases;

Bankers draft/building society cheque: if you can provide suitable proof of identity and we are satisfied as to the genuineness of the draft or cheque, we will allow you to collect your purchases immediately;

Cash: you may pay for Lots purchased by you at this Sale with notes, coins or travellers cheques in the currency in which the Sale is conducted (but not any other currency) provided that the total amount payable by you in respect of all Lots purchased by you at the Sale does not exceed £3,000, or the equivalent in the currency in which the Sale is conducted, at the time when payment is made. If the amount payable by you for Lots exceeds that sum, the balance must be paid otherwise than in coins, notes or travellers cheques;

Sterling travellers cheques: you may pay for Lots purchased by you at this Sale with travellers cheques, provided the total amount payable by you in respect of all Lots purchased by you at the Sale does not exceed £3,000. We will need to see your passport if you wish to pay using travellers cheques;

Bank transfer: you may electronically transfer funds to our Trust Account. If you do so, please quote your paddle number and invoice number as the reference. Our Trust Account details are as follows:

Bank: National Westminster Bank PlcAddress: PO Box 4RY250 Regent StreetLondon W1A 4RYAccount Name: Bonhams 1793 Limited Trust AccountAccount Number: 25563009Sort Code: 56-00-27IBAN Number: GB 33 NWBK 560027 25563009

If paying by bank transfer, the amount received after the deduction of any bank fees and/or conversion of the currency of payment to pounds sterling must not be less than the sterling amount payable, as set out on the invoice.

Debit cards: there is no additional charge for purchases made with personal debit cards, issued by a UK bank. Debit cards issued by an overseas bank, deferred and company debit cards and all credit cards will be subject to a 2% surcharge;


Union Pay cards: these are now accepted at our Knightsbridge and New Bond Street offices, when presented in person by the card holder. These cards are subject to a 2% surcharge.

Credit cards: Visa and Mastercard only. Please note there is a 2% surcharge on the total invoice value when payments are made using credit cards. It may be advisable to notify your card provider of your intended purchase in advance to reduce delays caused by us having to seek authority when you come to pay. If you have any questions with regard to payment, please contact our Customer Services Department.

10. COLLECTION AND STORAGE

The Buyer of a Lot will not be allowed to collect it until payment in full and in cleared funds has been made (unless we have made a special arrangement with the Buyer). For collection and removal of purchased Lots, please refer to Sale Information at the front of the Catalogue. Our offices are open 9.00am – 5pm Monday to Friday. Details relating to the collection of a Lot, the storage of a Lot and our Storage Contractor after the Sale are set out in the Catalogue.

11. SHIPPING

Please refer all enquiries to our shipping department on:Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 Email: [email protected]

12. EXPORT/TRADE RESTRICTIONS

It is your sole responsibility to comply with all export and import regulations relating to your purchases and also to obtain any relevant export and/or import licence(s). Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. The detailed provisions of the export licencing arrangements can be found on the ACE website http://www.artscouncil.org.uk/what-we-do/supporting-museums/cultural-property/export-controls/export-licensing/ or by phoning ACE on +44 (0)20 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions. The refusal of any import or export licence(s) or any delay in obtaining such licence(s) shall not permit the rescission of any Sale nor allow any delay in making full payment for the Lot. Generally, please contact our shipping department before the Sale if you require assistance in relation to export regulations.

13. CITES REGULATIONS

Please be aware that all Lots marked with the symbol Y are subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may be requested from:

Animal Health and Veterinary Laboratories Agency (AHVLA) Wildlife LicencingFloor1,Zone17,TempleQuayHouse2TheSquare,TempleQuayBRISTOL BS1 6EBTel: +44 (0) 117 372 8774

14. THE SELLERS AND/OR BONHAMS’ LIABILITY

Other than any liability of the Seller to the Buyer of a Lot under the Contract for Sale, neither we nor the Seller are liable (whether in negligence or otherwise) for any error or misdescription or omission in any Description of a Lot or any Estimate in respect of it, whether contained in the Catalogue or otherwise, whether given orally or in writing and whether given before or during the Sale. Neither we nor the Seller will be liable for any loss of Business, profits, revenue or income, or for loss of reputation, or for disruption to Business or wasted time on the part of management or staff, or for indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract (if any) or statutory duty, restitutionary claim or otherwise. In any circumstances where we and/or the Seller are liable in relation to any Lot or

any Description or Estimate made of any Lot, or the conduct of any Sale in relation to any Lot, whether in damages, for an indemnity or contribution, or for a restitutionary remedy or otherwise, our and/or the Seller’s liability (combined, if both we and the Seller are liable) will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from any negligence, other tort, breach of contract (if any) or statutory duty or otherwise. Nothing set out above will be construed as excluding or restricting (whether directly or indirectly) our liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by our negligence (or by the negligence of any person under our control or for whom we are legally responsible), or (iii) acts or omissions for which we are liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law or (v) our undertakings under paragraphs 9 (in relation to specialist Stamp or Book Sales only) and 10 of the Buyer’s Agreement. The same applies in respect of the Seller, as if references to us in this paragraph were substituted with references to the Seller.

15. BOOKS

As stated above, all Lots are sold on an “as is” basis, subject to all faults, imperfections and errors of Description save as set out below. However, you will be entitled to reject a Book in the circumstances set out in paragraph 11 of the Buyers Agreement. Please note that Lots comprising printed Books, unframed maps and bound manuscripts are not liable to VAT on the Buyer’s Premium.

16. CLOCKS AND WATCHES

All Lots are sold “as is”, and the absence of any reference to the condition of a clock or watch does not imply that the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. Furthermore, Bonhams makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Bidders should be aware that the importation of watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches may not be shipped to the USA and can only be imported personally.

17. FIREARMS – PROOF, CONDITION AND CERTIFICATION

Proof of FirearmsThe term “proof exemption” indicates that a firearm has been examined at a Proof House, but not proved, as either (a) it was deemed of interest and not intended for use, or (b) ammunition was not available. In either case, the firearm must be regarded as unsafe to fire unless subsequently proved. Firearms proved for Black Powder should not be used with smokeless ammunition.

The term “Certificate of Unprovability” indicates that a firearm has been examined at a Proof House and is deemed both unsuitable for proof and use. Reproof is required before any such firearm is to be used.

Guns Sold as PartsBarrels of guns sold as parts will only be made available for sleeving and measurements once rendered unserviceable according to the Gun Barrel Proof Act of 1968 to 1978 and the Rules of Proof.

Condition of FirearmsComment in this Catalogue is restricted, in general, to exceptional condition and to those defects that might affect the immediate safety of a firearm in normal use. An intending Bidder unable to make technical examinations and assessments is recommended to seek advice from a gunmaker or from a

modern firearms specialist. All prospective Bidders are advised to consult the ˚ of bore and wall-thickness measurements posted in the saleroom and available from the department. Bidders should note that guns are stripped only where there is a strong indication of a mechanical malfunction. Stripping is not, otherwise, undertaken. Guns intended for use should be stripped and cleaned beforehand. Hammer guns should have their rebound mechanisms checked before use. The safety mechanisms of all guns must be tested before use. All measurements are approximate.

Original Gun Specifications Derived from GunmakersThe Sporting Gun Department endeavours to confirm a gun’s original specification and date of manufacture with makers who hold their original records.

Licensing Requirements Firearms Act 1968 as amendedBonhams is constantly reviewing its procedures and would remind you that, in the case of firearms or shotguns subject to certification, to conform with current legislation, Bonhams is required to see, as appropriate, your original registered firearms dealer’s certificate / shot gun certificate / firearm certificate / museum firearms licence / Section 5 authority or import licence (or details of any exemption from which you may benefit, for instance Crown servant status) for the firearm(s) you have purchased prior to taking full payment of the amount shown on your invoice. Should you not already be in possession of such an authority or exemption, you are required to initially pay a deposit of 95% of the total invoice with the balance of 5% payable on presentation of your valid certificate or licence showing your authority to hold the firearm(s) concerned.

Please be advised that if a successful Bidder is then unable to produce the correct paperwork, the Lot(s) will be reoffered by Bonhams in the next appropriate Sale, on standard terms for Sellers, and you will be responsible for any loss incurred by Bonhams on the original Sale to you.

In the case of RFD certificates and Section 5 authorities, we wish to keep an up-to-date copy on file. Please supply us with a Fax or photocopy. It would be helpful if you could send us an updated copy whenever your certificate or authority is renewed or changed.

Lots marked ‘S1´ and bearing red labels are Section 1 firearms and require a valid British Firearms certificate, RFD Licence or import licence.

Lots marked ‘S2’ and bearing blue labels are Section 2 firearms and require a valid British Shotgun certificate, RFD licence or import licence.

Lots marked ‘S5´ and bearing specially marked red labels are Section 5 prohibited firearms and require a valid Section 5 Authority or import licence.

Lots marked with a ‘S58´ and bearing yellow labels are for obsolete calibres and no licence is required unless ammunition is held.

Unmarked Lots require no licence.

Please do not hesitate to contact the Modern Sporting Gun Department should you have any queries.

Taxidermy and Related ItemsAs a Seller of these articles, Bonhams undertakes to comply fully with Cites and DEFRA regulations. Buyers are advised to inform themselves of all such regulations and should expect the exportation of items to take some time to arrange.

18. FURNITURE

Upholstered FurnitureWhilst we take every care in cataloguing furniture which has been upholstered we offer no Guarantee as to the originality of the wood covered by fabric or upholstery.


Union Pay cards: these are now accepted at our Knightsbridge and New Bond Street offices, when presented in person by the card holder. These cards are subject to a 2% surcharge.

Credit cards: Visa and Mastercard only. Please note there is a 2% surcharge on the total invoice value when payments are made using credit cards. It may be advisable to notify your card provider of your intended purchase in advance to reduce delays caused by us having to seek authority when you come to pay. If you have any questions with regard to payment, please contact our Customer Services Department.

10. COLLECTION AND STORAGE

The Buyer of a Lot will not be allowed to collect it until payment in full and in cleared funds has been made (unless we have made a special arrangement with the Buyer). For collection and removal of purchased Lots, please refer to Sale Information at the front of the Catalogue. Our offices are open 9.00am – 5pm Monday to Friday. Details relating to the collection of a Lot, the storage of a Lot and our Storage Contractor after the Sale are set out in the Catalogue.

11. SHIPPING

Please refer all enquiries to our shipping department on:Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 Email: [email protected]

12. EXPORT/TRADE RESTRICTIONS

It is your sole responsibility to comply with all export and import regulations relating to your purchases and also to obtain any relevant export and/or import licence(s). Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. The detailed provisions of the export licencing arrangements can be found on the ACE website http://www.artscouncil.org.uk/what-we-do/supporting-museums/cultural-property/export-controls/export-licensing/ or by phoning ACE on +44 (0)20 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions. The refusal of any import or export licence(s) or any delay in obtaining such licence(s) shall not permit the rescission of any Sale nor allow any delay in making full payment for the Lot. Generally, please contact our shipping department before the Sale if you require assistance in relation to export regulations.

13. CITES REGULATIONS

Please be aware that all Lots marked with the symbol Y are subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may be requested from:

Animal Health and Veterinary Laboratories Agency (AHVLA) Wildlife LicencingFloor1,Zone17,TempleQuayHouse2TheSquare,TempleQuayBRISTOL BS1 6EBTel: +44 (0) 117 372 8774

14. THE SELLERS AND/OR BONHAMS’ LIABILITY

Other than any liability of the Seller to the Buyer of a Lot under the Contract for Sale, neither we nor the Seller are liable (whether in negligence or otherwise) for any error or misdescription or omission in any Description of a Lot or any Estimate in respect of it, whether contained in the Catalogue or otherwise, whether given orally or in writing and whether given before or during the Sale. Neither we nor the Seller will be liable for any loss of Business, profits, revenue or income, or for loss of reputation, or for disruption to Business or wasted time on the part of management or staff, or for indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract (if any) or statutory duty, restitutionary claim or otherwise. In any circumstances where we and/or the Seller are liable in relation to any Lot or

any Description or Estimate made of any Lot, or the conduct of any Sale in relation to any Lot, whether in damages, for an indemnity or contribution, or for a restitutionary remedy or otherwise, our and/or the Seller’s liability (combined, if both we and the Seller are liable) will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from any negligence, other tort, breach of contract (if any) or statutory duty or otherwise. Nothing set out above will be construed as excluding or restricting (whether directly or indirectly) our liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by our negligence (or by the negligence of any person under our control or for whom we are legally responsible), or (iii) acts or omissions for which we are liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law or (v) our undertakings under paragraphs 9 (in relation to specialist Stamp or Book Sales only) and 10 of the Buyer’s Agreement. The same applies in respect of the Seller, as if references to us in this paragraph were substituted with references to the Seller.

15. BOOKS

As stated above, all Lots are sold on an “as is” basis, subject to all faults, imperfections and errors of Description save as set out below. However, you will be entitled to reject a Book in the circumstances set out in paragraph 11 of the Buyers Agreement. Please note that Lots comprising printed Books, unframed maps and bound manuscripts are not liable to VAT on the Buyer’s Premium.

16. CLOCKS AND WATCHES

All Lots are sold “as is”, and the absence of any reference to the condition of a clock or watch does not imply that the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. Furthermore, Bonhams makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Bidders should be aware that the importation of watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches may not be shipped to the USA and can only be imported personally.

17. FIREARMS – PROOF, CONDITION AND CERTIFICATION

Proof of FirearmsThe term “proof exemption” indicates that a firearm has been examined at a Proof House, but not proved, as either (a) it was deemed of interest and not intended for use, or (b) ammunition was not available. In either case, the firearm must be regarded as unsafe to fire unless subsequently proved. Firearms proved for Black Powder should not be used with smokeless ammunition.

The term “Certificate of Unprovability” indicates that a firearm has been examined at a Proof House and is deemed both unsuitable for proof and use. Reproof is required before any such firearm is to be used.

Guns Sold as PartsBarrels of guns sold as parts will only be made available for sleeving and measurements once rendered unserviceable according to the Gun Barrel Proof Act of 1968 to 1978 and the Rules of Proof.

Condition of FirearmsComment in this Catalogue is restricted, in general, to exceptional condition and to those defects that might affect the immediate safety of a firearm in normal use. An intending Bidder unable to make technical examinations and assessments is recommended to seek advice from a gunmaker or from a

modern firearms specialist. All prospective Bidders are advised to consult the ˚ of bore and wall-thickness measurements posted in the saleroom and available from the department. Bidders should note that guns are stripped only where there is a strong indication of a mechanical malfunction. Stripping is not, otherwise, undertaken. Guns intended for use should be stripped and cleaned beforehand. Hammer guns should have their rebound mechanisms checked before use. The safety mechanisms of all guns must be tested before use. All measurements are approximate.

Original Gun Specifications Derived from GunmakersThe Sporting Gun Department endeavours to confirm a gun’s original specification and date of manufacture with makers who hold their original records.

Licensing Requirements Firearms Act 1968 as amendedBonhams is constantly reviewing its procedures and would remind you that, in the case of firearms or shotguns subject to certification, to conform with current legislation, Bonhams is required to see, as appropriate, your original registered firearms dealer’s certificate / shot gun certificate / firearm certificate / museum firearms licence / Section 5 authority or import licence (or details of any exemption from which you may benefit, for instance Crown servant status) for the firearm(s) you have purchased prior to taking full payment of the amount shown on your invoice. Should you not already be in possession of such an authority or exemption, you are required to initially pay a deposit of 95% of the total invoice with the balance of 5% payable on presentation of your valid certificate or licence showing your authority to hold the firearm(s) concerned.

Please be advised that if a successful Bidder is then unable to produce the correct paperwork, the Lot(s) will be reoffered by Bonhams in the next appropriate Sale, on standard terms for Sellers, and you will be responsible for any loss incurred by Bonhams on the original Sale to you.

In the case of RFD certificates and Section 5 authorities, we wish to keep an up-to-date copy on file. Please supply us with a Fax or photocopy. It would be helpful if you could send us an updated copy whenever your certificate or authority is renewed or changed.

Lots marked ‘S1´ and bearing red labels are Section 1 firearms and require a valid British Firearms certificate, RFD Licence or import licence.

Lots marked ‘S2’ and bearing blue labels are Section 2 firearms and require a valid British Shotgun certificate, RFD licence or import licence.

Lots marked ‘S5´ and bearing specially marked red labels are Section 5 prohibited firearms and require a valid Section 5 Authority or import licence.

Lots marked with a ‘S58´ and bearing yellow labels are for obsolete calibres and no licence is required unless ammunition is held.

Unmarked Lots require no licence.

Please do not hesitate to contact the Modern Sporting Gun Department should you have any queries.

Taxidermy and Related ItemsAs a Seller of these articles, Bonhams undertakes to comply fully with Cites and DEFRA regulations. Buyers are advised to inform themselves of all such regulations and should expect the exportation of items to take some time to arrange.

18. FURNITURE

Upholstered FurnitureWhilst we take every care in cataloguing furniture which has been upholstered we offer no Guarantee as to the originality of the wood covered by fabric or upholstery.

NTB/MAIN/03.14/V2

19. JEWELLERY

˜ Ruby and JadeiteRuby and jadeite gemstones of Burmese (Myanmar) origin may not be imported into the US. Rubies and jadeite of non–Burmese origin require certification before import into the US and it is the Buyer’s responsibility to obtain all relevant and required export/import licences, certificates and documentation before shipping. Failure by the Buyer to successfully import goods into the US does not constitute grounds for non payment or cancellation of Sale. Bonhams will not be responsible for any additional costs in this regard howsoever incurred.

GemstonesHistorically many gemstones have been subjected to a variety of treatments to enhance their appearance. Sapphires and rubies are routinely heat treated to improve their colour and clarity, similarly emeralds are frequently treated with oils or resin for the same purpose. Other treatments such as staining, irradiation or coating may have been used on other gemstones. These treatments may be permanent, whilst others may need special care or re-treatment over the years to retain their appearance. Bidders should be aware that Estimates assume that gemstones may have been subjected to such treatments. A number of laboratories issue certificates that give more detailed Descriptions of gemstones. However there may not be consensus between different laboratories on the degrees, or types of treatment for any particular gemstone. In the event that Bonhams has been given or has obtained certificates for any Lot in the Sale these certificates will be disclosed in the Catalogue. Although, as a matter of policy, Bonhams endeavours to provide certificates from recognised laboratories for certain gemstones, it is not feasible to obtain certificates for each Lot. In the event that no certificate is published in the Catalogue, Bidders should assume that the gemstones may have been treated. Neither Bonhams nor the Seller accepts any liability for contradictions or differing certificates obtained by Buyers on any Lots subsequent to the Sale.

Estimated WeightsIf a stone(s) weight appears within the body of the Description in capital letters, the stone(s) has been unmounted and weighed by Bonhams. If the weight of the stone(s) is stated to be approximate and does not appear in capital letters, the stone(s) has been assessed by us within its/their settings, and the stated weight is a statement of our opinion only. This information is given as a guide and Bidders should satisfy themselves with regard to this information as to its accuracy.

Signatures 1. A diamond brooch, by KutchinskyWhen the maker’s name appears in the title, in Bonhams’ opinion the piece is by that maker.

2. A diamond brooch, signed Kutchinsky Has a signature that, in Bonhams’ opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered.

3. A diamond brooch, mounted by KutchinskyHas been created by the jeweller, in Bonhams’ opinion, but using stones or designs supplied by the client.

20. PHOTOGRAPHS

Explanation of Catalogue Terms• “BillBrandt”:inouropinionaworkbytheartist.• “AttributedtoBillBrandt”:inouropinionprobablyawork

by the artist, but less certainty to authorship is expressed than in the preceding category.

• “Signedand/ortitledand/ordatedand/orinscribed”:inour opinion the signature and/or title and/or date and/or inscription are in the artist’s hand.

• “Signedand/ortitledand/ordatedand/orinscribedinanother hand”: in our opinion the signature and/or title and/or date and/or inscription have been added by another hand.

• Thedategivenisthatoftheimage(negative).Wherenofurther date is given, this indicates that the photographic print is vintage (the term “vintage” may also be included in the Lot Description). A vintage photograph is one which was made within approximately 5-10 years of the negative. Where a second, later date appears, this refers to the date of printing. Where the exact printing date is not known, but understood to be later, “printed later” will appear in the Lot Description.

• Unlessotherwisespecified,dimensionsgivenarethoseofthe piece of paper on which the image is printed, including any margins. Some photographs may appear in the Catalogue without margins illustrated.

• AllphotographsaresoldunframedunlessstatedintheLot Description.

21. PICTURES

Explanation of Catalogue TermsThe following terms used in the Catalogue have the following meanings but are subject to the general provisions relating to Descriptions contained in the Contract for Sale:• “JacopoBassano”:inouropinionaworkbytheartist.

When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named;

• “AttributedtoJacopoBassano”:inouropinionprobablya work by the artist but less certainty as to authorship is expressed than in the preceding category;

• “Studio/WorkshopofJacopoBassano”:inouropinionawork by an unknown hand in a studio of the artist which may or may not have been executed under the artist’s direction;

• “CircleofJacopoBassano”:inouropinionaworkbya hand closely associated with a named artist but not necessarily his pupil;

• “FollowerofJacopoBassano”:inouropinionaworkbyapainter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil;

• “MannerofJacopoBassano”:inouropinionaworkinthestyle of the artist and of a later date;

• “AfterJacopoBassano”:inouropinion,acopyofaknownwork of the artist;

• “Signedand/ordatedand/orinscribed”:inouropinionthesignature and/or date and/or inscription are from the hand of the artist;

• “Bearsasignatureand/ordateand/orinscription”:inouropinion the signature and/or date and/or inscription have been added by another hand.

22. PORCELAIN AND GLASS

Damage and RestorationFor your guidance, in our Catalogues we detail, as far as practicable, recorded all significant defects, cracks and restoration. Such practicable Descriptions of damage cannot be definitive, and in providing Condition Reports, we cannot Guarantee that there are no other defects present which have not been mentioned. Bidders should satisfy themselves by inspection, as to the condition of each Lot. Please see the Contract for Sale printed in this Catalogue. Because of the difficulty in determining whether an item of glass has been repolished, in our Catalogues reference is only made to visible chips and cracks. No mention is made of repolishing, severe or otherwise.

23. VEHICLES

The Veteran Car Club of Great Britain Dating Plates and Certificates When mention is made of a Veteran Car Club Dating Plate or Dating Certificate in this Catalogue, it should be borne in mind that the Veteran Car Club of Great Britain using the services of Veteran Car Company Ltd, does from time to time, review cars already dated and, in some instances, where fresh evidence becomes available, the review can result in an alteration of date. Whilst the Club and Veteran Car Company Ltd make every effort to ensure accuracy, the date shown on the Dating Plate or Dating Certificate cannot be guaranteed as correct and intending purchasers should make their own enquiries as to the date of the car.

24. WINE

Lots which are lying under Bond and those liable to VAT may not be available for immediate collection.

Examining the winesIt is occasionally possible to provide a pre-Sale tasting for larger parcels (as defined below). This is generally limited to more recent and everyday drinking wines. Please contact the department for details.

It is not our policy to inspect every unopened case. In the case of wines older than 20 years the boxes will usually have been opened and levels and appearance noted in the Catalogue where necessary. You should make proper allowance for variations in ullage levels and conditions of corks, capsules and labels.

Corks and UllagesUllage refers to the space between the base of the cork and the wine. Ullage levels for Bordeaux shaped bottles are only normally noted when below the neck and for Burgundy, Alsace, German and Cognac shaped bottles when greater than 4 centimetres (cm). Acceptable ullage levels increase with age; generally acceptable levels are as follows:

Under 15 years old – into neck or less than 4cm15 to 30 years old – top shoulder (ts) or up to 5cmOver 30 years old – high shoulder (hs) or up to 6cm

It should be noted that ullages may change between publication of the Catalogue and the Sale and that corks may fail as a result of transporting the wine. We will only accept responsibility for Descriptions of condition at the time of publication of the Catalogue and cannot accept responsibility for any loss resulting from failure of corks either before or after this point.

Options to buy parcelsA parcel is a number of Lots of identical size of the same wine, bottle size and Description. The Buyer of any of these Lots has the option to accept some or all of the remaining Lots in the parcel at the same price, although such options will be at the Auctioneer’s sole discretion. Absentee Bidders are, therefore, advised to bid on the first Lot in a parcel.

Wines in BondWines lying in Bond are marked Δ and VAT is payable by the purchaser, at the standard rate, on the Hammer Price, unless the wines are to remain under Bond. Buyers requiring their wine to remain in Bond must notify Bonhams at the time of the Sale. The Buyer is then himself responsible for all duty, clearance VAT and other charges that may be payable thereon. All such Lots must be transferred or collected within two weeks of the Sale.

Buyers outside the UK must be aware that any forwarding agent appointed to export their purchases must have a movement certificate for Lots to be released under Bond.

Bottling Details and Case TermsThe following terms used in the Catalogue have the following meanings:CB – Château bottled DB – Domaine bottledEstB – Estate bottled BB – Bordeaux bottledBE – Belgian bottledFB – French bottledGB – German bottledOB – Oporto bottledUK – United Kingdom bottledowc – original wooden caseiwc – individual wooden caseoc – original carton


SYMBOLS

THE FOLLOWING SYMBOLS ARE USED TO DENOTE

Y Subject to CITES regulations when exporting these items outside the EU, see clause 13.

W Objects displayed with a w will be located in the Bonhams Warehouse and will only be available for collection from this location.

≈ Please note that as a result of recent legislation ruby and jadeite gem stones of Burmese (Myanmar) origin may not be imported into the US. Rubies and jadeite of non-Burmese origin require certification before import into the US.

Δ Wines lying in Bond.AR An Additional Premium will be payable to us by the Buyer

to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See clause 7 for details.

The Seller has been guaranteed a minimum price for the Lot, either by Bonhams or a third party. This may take the form of an irrevocable bid by a third party, who may make a financial gain on a successful Sale or a financial loss if unsuccessful.

Bonhams owns the Lot either wholly or partially or may otherwise have an economic interest.

Ф This lot contains or is made of ivory the United States Government has banned the import of any ivory into

the USA.

•, †, *, G, Ω, a see clause 8, VAT, for details.

DATA PROTECTION – USE OF YOUR INFORMATION

Where we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our Website www.bonhams.com or requested by post from Customer Services Department, 101 New Bond Street, London, W1S 1SR or by email from [email protected]

APPENDIX 1

CONTRACT FOR SALE

IMPORTANT: These terms may be changed in advance of the Sale of the Lot to you, by the setting out of different terms in the Catalogue for the Sale and/or by placing an insert in the Catalogue and/or by notices at the Sale venue and/or by oral announcements before and during the Sale at the Sale venue. You should be alert to this possibility of changes and ask in advance of bidding if there have been any.

Under this contract the Seller’s liability in respect of the quality of the Lot, it’s fitness for any purpose and its conformity with any Description is limited. You are strongly advised to examine the Lot for yourself and/or obtain an independent examination of it before you buy it.

1 THE CONTRACT

1.1 These terms govern the Contract for Sale of the Lot by the Seller to the Buyer.

1.2 The Definitions and Glossary contained in Appendix 3 in the Catalogue are incorporated into this Contract for Sale and a separate copy can also be provided by Bonhams on request. Where words and phrases are used which are in the List of Definitions, they are printed in italics.

1.3 The Seller sells the Lot as the principal to the Contract for Sale, such contract being made between the Seller and you through Bonhams which acts in the sole capacity as the Seller’s agent and not as an additional principal. However, if the Catalogue states that Bonhams sells the Lot as principal, or such a statement is made by an announcement by the Auctioneer, or by a notice at the Sale, or an insert in the Catalogue, then Bonhams is the Seller for the purposes of this agreement.

1.4 The contract is made on the fall of the Auctioneer’s hammer in respect of the Lot when it is knocked down to you.

2 SELLER’S UNDERTAKINGS

2.1 The Seller undertakes to you that:

2.1.1 the Seller is the owner of the Lot or is duly authorised to sell the Lot by the owner;

2.1.2 save as disclosed in the Entry for the Lot in the Catalogue, the Seller sells the Lot with full title guarantee or, where the Seller is an executor, trustee, liquidator, receiver or administrator, with whatever right, title or interest he may have in the Lot;

2.1.3 except where the Sale is by an executor, trustee, liquidator, receiver or administrator the Seller is both legally entitled to sell the Lot, and legally capable of conferring on you quiet possession of the Lot and that the Sale conforms in every respect with the terms implied by the Sale of Goods Act 1979, Sections 12(1) and 12(2) (see the Definitions and Glossary);

2.1.4 the Seller has complied with all requirements, legal or otherwise, relating to any export or import of the Lot, and all duties and taxes in respect of the export or import of the Lot have (unless stated to the contrary in the Catalogue or announced by the Auctioneer) been paid and, so far as the Seller is aware, all third parties have complied with such requirements in the past;

2.1.5 subject to any alterations expressly identified as such made by announcement or notice at the Sale venue or by the Notice to Bidders or by an insert in the Catalogue, the Lot corresponds with the Contractual Description of the Lot, being that part of the Entry about the Lot in the Catalogue which is in bold letters and (except for colour) with any photograph of the Lot in the Catalogue and the contents of any Condition Report which has been provided to the Buyer.

3 DESCRIPTIONS OF THE LOT

3.1 Paragraph 2.1.5 sets out what is the Contractual Description of the Lot. In particular, the Lot is not sold as corresponding with that part of the Entry in the Catalogue which is not printed in bold letters, which merely sets out (on the Seller’s behalf) Bonhams’ opinion about the Lot and which is not part of the Contractual Description upon which the Lot is sold. Any statement or representation other than that part of the Entry referred to in paragraph 2.1.5 (together with any express alteration to it as referred to in paragraph 2.1.5), including any Description or Estimate, whether made orally or in writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise, and whether by or on behalf of the Seller or Bonhams and whether made prior to or during the Sale, is not part of the Contractual Description upon which the Lot is sold.

3.2 Except as provided in paragraph 2.1.5, the Seller does not make or give and does not agree to make or give any contractual promise, undertaking, obligation, guarantee, warranty, or representation of fact, or undertake any duty of care, in relation to any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any Description or Estimate which may have been made by or on behalf of the Seller including by Bonhams. No such Description or Estimate is incorporated into this Contract for Sale.

4 FITNESS FOR PURPOSE AND SATISFACTORY QUALITY

4.1 The Seller does not make and does not agree to make any contractual promise, undertaking, obligation, guarantee, warranty, or representation of fact in relation to the satisfactory quality of the Lot or its fitness for any purpose.

4.2 The Seller will not be liable for any breach of any undertaking, whether implied by the Sale of Goods Act 1979 or otherwise, as to the satisfactory quality of the Lot or its fitness for any purpose.

5 RISK, PROPERTY AND TITLE

5.1 Risk in the Lot passes to you when it is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot. The Seller will not be responsible thereafter for the Lot prior to you collecting it from Bonhams or the Storage Contractor, with whom you have separate contract(s) as Buyer. You will indemnify the Seller and keep the Seller fully indemnified from and against all claims, proceedings, costs, expenses and losses arising in respect of any injury, loss and damage caused to the Lot after the fall of the Auctioneer’s hammer until you obtain full title to it.

5.2 Title to the Lot remains in and is retained by the Seller until the Purchase Price and all other sums payable by you to Bonhams in relation to the Lot have been paid in full to, and received in cleared funds by, Bonhams.

6 PAYMENT

6.1 Your obligation to pay the Purchase Price arises when the Lot is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot.

6.2 Time will be of the essence in relation to payment of the Purchase Price and all other sums payable by you to Bonhams. Unless agreed in writing with you by Bonhams on the Seller’s behalf (in which case you must comply with the terms of that agreement), all such sums must be paid to Bonhams by you in the currency in which the Sale was conducted by not later than 4.30pm on the second working day following the Sale and you must ensure that the funds are cleared by the seventh working day after the Sale. Payment must be made to Bonhams by one of the methods stated in the Notice to Bidders unless otherwise agreed with you in writing by Bonhams. If you do not pay any sums due in accordance with this paragraph, the Seller will have the rights set out in paragraph 8 below.

7 COLLECTION OF THE LOT

7.1 Unless otherwise agreed in writing with you by Bonhams, the Lot will be released to you or to your order only when Bonhams has received cleared funds to the amount of the full Purchase Price and all other sums owed by you to the Seller and to Bonhams.

7.2 The Seller is entitled to withhold possession from you of any other Lot he has sold to you at the same or at any other Sale and whether currently in Bonhams’ possession or not until payment in full and in cleared funds of the Purchase Price and all other sums due to the Seller and/or Bonhams in respect of the Lot.

7.3 You will collect and remove the Lot at your own expense from Bonhams’ custody and/ or control or from the Storage Contractor’s custody in accordance with Bonhams’ instructions or requirements.

7.4 You will be wholly responsible for packing, handling and transport of the Lot on collection and for complying with all import or export regulations in connection with the Lot.

7.5 You will be wholly responsible for any removal, storage or other charges or Expenses incurred by the Seller if you do not remove the Lot in accordance with this paragraph 7 and will indemnify the Seller against all charges, costs, including any legal costs and fees, Expenses and losses suffered by the Seller by reason of your failure to remove the Lot including any charges due under any Storage Contract. All such sums due to the Seller will be payable on demand.


SYMBOLS

THE FOLLOWING SYMBOLS ARE USED TO DENOTE

Y Subject to CITES regulations when exporting these items outside the EU, see clause 13.

W Objects displayed with a w will be located in the Bonhams Warehouse and will only be available for collection from this location.

≈ Please note that as a result of recent legislation ruby and jadeite gem stones of Burmese (Myanmar) origin may not be imported into the US. Rubies and jadeite of non-Burmese origin require certification before import into the US.

Δ Wines lying in Bond.AR An Additional Premium will be payable to us by the Buyer

to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See clause 7 for details.

The Seller has been guaranteed a minimum price for the Lot, either by Bonhams or a third party. This may take the form of an irrevocable bid by a third party, who may make a financial gain on a successful Sale or a financial loss if unsuccessful.

Bonhams owns the Lot either wholly or partially or may otherwise have an economic interest.

Ф This lot contains or is made of ivory the United States Government has banned the import of any ivory into

the USA.

•, †, *, G, Ω, a see clause 8, VAT, for details.


Where we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our Website www.bonhams.com or requested by post from Customer Services Department, 101 New Bond Street, London, W1S 1SR or by email from [email protected]

APPENDIX 1

CONTRACT FOR SALE


Under this contract the Seller’s liability in respect of the quality of the Lot, it’s fitness for any purpose and its conformity with any Description is limited. You are strongly advised to examine the Lot for yourself and/or obtain an independent examination of it before you buy it.

1 THE CONTRACT

1.1 These terms govern the Contract for Sale of the Lot by the Seller to the Buyer.

1.2 The Definitions and Glossary contained in Appendix 3 in the Catalogue are incorporated into this Contract for Sale and a separate copy can also be provided by Bonhams on request. Where words and phrases are used which are in the List of Definitions, they are printed in italics.

1.3 The Seller sells the Lot as the principal to the Contract for Sale, such contract being made between the Seller and you through Bonhams which acts in the sole capacity as the Seller’s agent and not as an additional principal. However, if the Catalogue states that Bonhams sells the Lot as principal, or such a statement is made by an announcement by the Auctioneer, or by a notice at the Sale, or an insert in the Catalogue, then Bonhams is the Seller for the purposes of this agreement.

1.4 The contract is made on the fall of the Auctioneer’s hammer in respect of the Lot when it is knocked down to you.

2 SELLER’S UNDERTAKINGS

2.1 The Seller undertakes to you that:

2.1.1 the Seller is the owner of the Lot or is duly authorised to sell the Lot by the owner;

2.1.2 save as disclosed in the Entry for the Lot in the Catalogue, the Seller sells the Lot with full title guarantee or, where the Seller is an executor, trustee, liquidator, receiver or administrator, with whatever right, title or interest he may have in the Lot;

2.1.3 except where the Sale is by an executor, trustee, liquidator, receiver or administrator the Seller is both legally entitled to sell the Lot, and legally capable of conferring on you quiet possession of the Lot and that the Sale conforms in every respect with the terms implied by the Sale of Goods Act 1979, Sections 12(1) and 12(2) (see the Definitions and Glossary);

2.1.4 the Seller has complied with all requirements, legal or otherwise, relating to any export or import of the Lot, and all duties and taxes in respect of the export or import of the Lot have (unless stated to the contrary in the Catalogue or announced by the Auctioneer) been paid and, so far as the Seller is aware, all third parties have complied with such requirements in the past;

2.1.5 subject to any alterations expressly identified as such made by announcement or notice at the Sale venue or by the Notice to Bidders or by an insert in the Catalogue, the Lot corresponds with the Contractual Description of the Lot, being that part of the Entry about the Lot in the Catalogue which is in bold letters and (except for colour) with any photograph of the Lot in the Catalogue and the contents of any Condition Report which has been provided to the Buyer.

3 DESCRIPTIONS OF THE LOT

3.1 Paragraph 2.1.5 sets out what is the Contractual Description of the Lot. In particular, the Lot is not sold as corresponding with that part of the Entry in the Catalogue which is not printed in bold letters, which merely sets out (on the Seller’s behalf) Bonhams’ opinion about the Lot and which is not part of the Contractual Description upon which the Lot is sold. Any statement or representation other than that part of the Entry referred to in paragraph 2.1.5 (together with any express alteration to it as referred to in paragraph 2.1.5), including any Description or Estimate, whether made orally or in writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise, and whether by or on behalf of the Seller or Bonhams and whether made prior to or during the Sale, is not part of the Contractual Description upon which the Lot is sold.

3.2 Except as provided in paragraph 2.1.5, the Seller does not make or give and does not agree to make or give any contractual promise, undertaking, obligation, guarantee, warranty, or representation of fact, or undertake any duty of care, in relation to any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any Description or Estimate which may have been made by or on behalf of the Seller including by Bonhams. No such Description or Estimate is incorporated into this Contract for Sale.

4 FITNESS FOR PURPOSE AND SATISFACTORY QUALITY

4.1 The Seller does not make and does not agree to make any contractual promise, undertaking, obligation, guarantee, warranty, or representation of fact in relation to the satisfactory quality of the Lot or its fitness for any purpose.

4.2 The Seller will not be liable for any breach of any undertaking, whether implied by the Sale of Goods Act 1979 or otherwise, as to the satisfactory quality of the Lot or its fitness for any purpose.

5 RISK, PROPERTY AND TITLE

5.1 Risk in the Lot passes to you when it is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot. The Seller will not be responsible thereafter for the Lot prior to you collecting it from Bonhams or the Storage Contractor, with whom you have separate contract(s) as Buyer. You will indemnify the Seller and keep the Seller fully indemnified from and against all claims, proceedings, costs, expenses and losses arising in respect of any injury, loss and damage caused to the Lot after the fall of the Auctioneer’s hammer until you obtain full title to it.

5.2 Title to the Lot remains in and is retained by the Seller until the Purchase Price and all other sums payable by you to Bonhams in relation to the Lot have been paid in full to, and received in cleared funds by, Bonhams.

6 PAYMENT

6.1 Your obligation to pay the Purchase Price arises when the Lot is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot.

6.2 Time will be of the essence in relation to payment of the Purchase Price and all other sums payable by you to Bonhams. Unless agreed in writing with you by Bonhams on the Seller’s behalf (in which case you must comply with the terms of that agreement), all such sums must be paid to Bonhams by you in the currency in which the Sale was conducted by not later than 4.30pm on the second working day following the Sale and you must ensure that the funds are cleared by the seventh working day after the Sale. Payment must be made to Bonhams by one of the methods stated in the Notice to Bidders unless otherwise agreed with you in writing by Bonhams. If you do not pay any sums due in accordance with this paragraph, the Seller will have the rights set out in paragraph 8 below.


7.1 Unless otherwise agreed in writing with you by Bonhams, the Lot will be released to you or to your order only when Bonhams has received cleared funds to the amount of the full Purchase Price and all other sums owed by you to the Seller and to Bonhams.

7.2 The Seller is entitled to withhold possession from you of any other Lot he has sold to you at the same or at any other Sale and whether currently in Bonhams’ possession or not until payment in full and in cleared funds of the Purchase Price and all other sums due to the Seller and/or Bonhams in respect of the Lot.

7.3 You will collect and remove the Lot at your own expense from Bonhams’ custody and/ or control or from the Storage Contractor’s custody in accordance with Bonhams’ instructions or requirements.


7.5 You will be wholly responsible for any removal, storage or other charges or Expenses incurred by the Seller if you do not remove the Lot in accordance with this paragraph 7 and will indemnify the Seller against all charges, costs, including any legal costs and fees, Expenses and losses suffered by the Seller by reason of your failure to remove the Lot including any charges due under any Storage Contract. All such sums due to the Seller will be payable on demand.

NTB/MAIN/03.14/V2

8 FAILURE TO PAY FOR THE LOT

8.1 If the Purchase Price for a Lot is not paid to Bonhams in full in accordance with the Contract for Sale the Seller will be entitled, with the prior written agreement of Bonhams but without further notice to you, to exercise one or more of the following rights (whether through Bonhams or otherwise):

8.1.1 to terminate immediately the Contract for Sale of the Lot for your breach of contract;

8.1.2 to resell the Lot by auction, private treaty or any other means on giving seven days’ written notice to you of the intention to resell;

8.1.3 to retain possession of the Lot;

8.1.4 to remove and store the Lot at your expense;

8.1.5 to take legal proceedings against you for any sum due under the Contract for Sale and/or damages for breach of contract;

8.1.6 to be paid interest on any monies due (after as well as before judgement or order) at the annual rate of 5% per annum above the base rate of National Westminster Bank Plc from time to time to be calculated on a daily basis from the date upon which such monies become payable until the date of actual payment;

8.1.7 to repossess the Lot (or any part thereof) which has not become your property, and for this purpose (unless the Buyer buys the Lot as a Consumer from the Seller selling in the course of a Business) you hereby grant an irrevocable licence to the Seller by himself and to his servants or agents to enter upon all or any of your premises (with or without vehicles) during normal Business hours to take possession of the Lot or part thereof;

8.1.8 to retain possession of any other property sold to you by the Seller at the Sale or any other auction or by private treaty until all sums due under the Contract for Sale shall have been paid in full in cleared funds;

8.1.9 to retain possession of, and on three months’ written notice to sell, Without Reserve, any of your other property in the possession of the Seller and/or of Bonhams (as bailee for the Seller) for any purpose (including, without limitation, other goods sold to you) and to apply any monies due to you as a result of such Sale in satisfaction or part satisfaction of any amounts owed to the Seller or to Bonhams; and

8.1.10 so long as such goods remain in the possession of the Seller or Bonhams as its bailee, to rescind the contract for the Sale of any other goods sold to you by the Seller at the Sale or at any other auction or by private treaty and apply any monies received from you in respect of such goods in part or full satisfaction of any amounts owed to the Seller or to Bonhams by you.

8.2 You agree to indemnify the Seller against all legal and other costs of enforcement, all losses and other Expenses and costs (including any monies payable to Bonhams in order to obtain the release of the Lot) incurred by the Seller (whether or not court proceedings will have been issued) as a result of Bonhams taking steps under this paragraph 8 on a full indemnity basis together with interest thereon (after as well as before judgement or order) at the rate specified in paragraph 8.1.6 from the date upon which the Seller becomes liable to pay the same until payment by you.

8.3 On any resale of the Lot under paragraph 8.1.2, the Seller will account to you in respect of any balance remaining from any monies received by him or on his behalf in respect of the Lot, after the payment of all sums due to the Seller and to Bonhams, within 28 days of receipt of such monies by him or on his behalf.

9 THE SELLER’S LIABILITY

9.1 The Seller will not be liable for any injury, loss or damage caused by the Lot after the fall of the Auctioneer’s hammer in respect of the Lot.

9.2 Subject to paragraph 9.3 below, except for breach of the express undertaking provided in paragraph 2.1.5, the Seller will not be liable for any breach of any term that the Lot will correspond with any Description applied to it by or on behalf of the Seller, whether implied by the Sale of Goods Act 1979 or otherwise.

9.3 Unless the Seller sells the Lot in the course of a Business and the Buyer buys it as a Consumer,

9.3.1 the Seller will not be liable (whether in negligence, other tort, breach of contract or statutory duty or in restitution or under the Misrepresentation Act 1967, or in any other way) for any lack of conformity with, or inaccuracy, error, misdescription or omission in any Description of the Lot or any Entry or Estimate in relation to the Lot made by or on behalf of the Seller (whether made in writing, including in the Catalogue, or on the Website, or orally, or by conduct or otherwise) and whether made before or after this agreement or prior to or during the Sale;

9.3.2 the Seller will not be liable for any loss of Business, Business profits or revenue or income or for loss of reputation or for disruption to Business or wasted time on the part of the Buyer or of the Buyer’s management or staff or, for any indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract, statutory duty, restitutionary claim or otherwise;

9.3.3 in any circumstances where the Seller is liable to you in respect of the Lot, or any act, omission, statement, or representation in respect of it, or this agreement or its performance, and whether in damages, for an indemnity or contribution or for a restitutionary remedy or in any way whatsoever, the Seller’s liability will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from any negligence, other tort, breach of contract, statutory duty, bailee’s duty, restitutionary claim or otherwise.

9.4 Nothing set out in paragraphs 9.1 to 9.3 above will be construed as excluding or restricting (whether directly or indirectly) any person’s liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by the Seller’s negligence (or any person under the Seller’s control or for whom the Seller is legally responsible), or (iii) acts or omissions for which the Seller is liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law.

10 MISCELLANEOUS

10.1 You may not assign either the benefit or burden of the Contract for Sale.

10.2 The Seller’s failure or delay in enforcing or exercising any power or right under the Contract for Sale will not operate or be deemed to operate as a waiver of his rights under it except to the extent of any express waiver given to you in writing. Any such waiver will not affect the Seller’s ability subsequently to enforce any right arising under the Contract for Sale.

10.3 If either party to the Contract for Sale is prevented from performing that party’s respective obligations under the Contract for Sale by circumstances beyond its reasonable control or if performance of its obligations would by reason of such circumstances give rise to a significantly increased financial cost to it, that party will not, for so long as such circumstances prevail, be required to perform such obligations. This paragraph does not apply to the obligations imposed on you by paragraph 6.

10.4 Any notice or other communication to be given under the Contract for Sale must be in writing and may be delivered by hand or sent by first class post or air mail or fax transmission, if to the Seller, addressed c/o Bonhams at its address or fax number in the Catalogue (marked for the attention of the Company Secretary), and if to you to the address or fax number of the Buyer given in the Bidding Form (unless notice of any change of address is given in writing). It is the responsibility of the sender of the notice or communication to ensure that it is received in a legible form within any applicable time period.

10.5 If any term or any part of any term of the Contract for Sale is held to be unenforceable or invalid, such unenforceability or invalidity will not affect the enforceability and validity of the remaining terms or the remainder of the relevant term.

10.6 References in the Contract for Sale to Bonhams will, where appropriate, include reference to Bonhams’ officers, employees and agents.

10.7 The headings used in the Contract for Sale are for convenience only and will not affect its interpretation.

10.8 In the Contract for Sale “including” means “including, without limitation”.

10.9 References to the singular will include reference to the plural (and vice versa) and reference to any one gender will include reference to the other genders.

10.10 Reference to a numbered paragraph is to a paragraph of the Contract for Sale.

10.11 Save as expressly provided in paragraph 10.12 nothing in the Contract for Sale confers (or purports to confer) on any person who is not a party to the Contract for Sale any benefit conferred by, or the right to enforce any term of, the Contract for Sale.

10.12 Where the Contract for Sale confers an immunity from, and/or an exclusion or restriction of, the responsibility and/or liability of the Seller, it will also operate in favour and for the benefit of Bonhams, Bonhams’ holding company and the subsidiaries of such holding company and the successors and assigns of Bonhams and of such companies and of any officer, employee and agent of Bonhams and such companies, each of whom will be entitled to rely on the relevant immunity and/or exclusion and/or restriction within and for the purposes of Contracts (Rights of Third Parties) Act 1999, which enables the benefit of a contract to be extended to a person who is not a party to the contract, and generally at law.

11 GOVERNING LAW

All transactions to which the Contract for Sale applies and all connected matters will be governed by and construed in accordance with the laws of that part of the United Kingdom where the Sale takes place and the Seller and you each submit to the exclusive jurisdiction of the courts of that part of the United Kingdom, save that the Seller may bring proceedings against you in any other court of competent jurisdiction to the extent permitted by the laws of the relevant jurisdiction. Bonhams has a complaints procedure in place.


APPENDIX 2

BUYER’S AGREEMENT


1 THE CONTRACT

1.1 These terms govern the contract between Bonhams personally and the Buyer, being the person to whom a Lot has been knocked down by the Auctioneer.

1.2 The Definitions and Glossary contained in Appendix 3 to the Catalogue for the Sale are incorporated into this agreement and a separate copy can also be provided by us on request. Where words and phrases which are defined in the List of Definitions are used in this agreement, they are printed in italics. Reference is made in this agreement to information printed in the Notice to Bidders, printed in the Catalogue for the Sale, and where such information is referred to it is incorporated into this agreement.

1.3 Except as specified in paragraph 4 of the Notice to Bidders the Contract for Sale of the Lot between you and the Seller is made on the fall of the Auctioneer’s hammer in respect of the Lot, when it is knocked down to you. At that moment a separate contract is also made between you and Bonhams on the terms in this Buyer’s Agreement.

1.4 We act as agents for the Seller and are not answerable or personally responsible to you for any breach of contract or other default by the Seller, unless Bonhams sells the Lot as principal.

1.5 Our personal obligations to you are governed by this agreement and we agree, subject to the terms below, to the following obligations:

1.5.1 we will, until the date and time specified in the Notice to Bidders or otherwise notified to you, store the Lot in accordance with paragraph 5;

1.5.2 subject to any power of the Seller or us to refuse to release the Lot to you, we will release the Lot to you in accordance with paragraph 4 once you have paid to us, in cleared funds, everything due to us and the Seller;

1.5.3 we will provide guarantees in the terms set out in paragraphs 9 and 10.

1.6 We do not make or give and do not agree to make or give any contractual promise, undertaking, obligation, Guarantee, warranty, representation of fact in relation to any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any Description or Estimate which may have been made by us or on our behalf or by or on behalf of the Seller (whether made orally or in writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise), and whether made before or after this agreement or prior to or during the Sale. No such Description or Estimate is incorporated into this agreement between you and us. Any such Description or Estimate, if made by us or on our behalf, was (unless Bonhams itself sells the Lot as principal) made as agent on behalf of the Seller.

2 PERFORMANCE OF THE CONTRACT FOR SALE

You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.

3 PAYMENT

3.1 Unless agreed in writing between you and us or as otherwise set out in the Notice to Bidders, you must pay to us by not later than 4.30pm on the second working day following the Sale:

3.1.1 the Purchase Price for the Lot;

3.1.2 a Buyer’s Premium in accordance with the rates set out in the Notice to Bidders, and

3.1.3 if the Lot is marked [AR], an Additional Premium which is calculated and payable in accordance with the Notice to Bidders together with VAT on that sum if applicable so that all sums due to us are cleared funds by the seventh working day after the Sale.

3.2 You must also pay us on demand any Expenses payable pursuant to this agreement.

3.3 All payments to us must be made in the currency in which the Sale was conducted, using, unless otherwise agreed by us in writing, one of the methods of payment set out in the Notice to Bidders. Our invoices will only be addressed to the registered Bidder unless the Bidder is acting as an agent for a named principal and we have approved that arrangement, in which case we will address the invoice to the principal.

3.4 Unless otherwise stated in this agreement all sums payable to us will be subject to VAT at the appropriate rate and VAT will be payable by you on all such sums.

3.5 We may deduct and retain for our own benefit from the monies paid by you to us the Buyer’s Premium, the Commission payable by the Seller in respect of the Lot, any Expenses and VAT and any interest earned and/or incurred until payment to the Seller.

3.6 Time will be of the essence in relation to any payment payable to us. If you do not pay the Purchase Price, or any other sum due to us in accordance with this paragraph 3, we will have the rights set out in paragraph 7 below.

3.7 Where a number of Lots have been knocked down to you, any monies we receive from you will be applied firstly pro-rata to pay the Purchase Price of each Lot and secondly pro-rata to pay all amounts due to Bonhams.


4.1 Subject to any power of the Seller or us to refuse to release the Lot to you, once you have paid to us, in cleared funds, everything due to the Seller and to us, we will release the Lot to you or as you may direct us in writing. The Lot will only be released on production of a buyer collection document, obtained from our cashier’s office.

4.2 You must collect and remove the Lot at your own expense by the date and time specified in the Notice to Bidders, or if no date is specified, by 4.30pm on the seventh day after the Sale.

4.3 For the period referred to in paragraph 4.2, the Lot can be collected from the address referred to in the Notice to Bidders for collection on the days and times specified in the Notice to Bidders. Thereafter, the Lot may be removed elsewhere for storage and you must enquire from us as to when and where you can collect it, although this information will usually be set out in the Notice to Bidders.

4.4 If you have not collected the Lot by the date specified in the Notice to Bidders, you authorise us, acting as your agent and on your behalf, to enter into a contract (the “Storage Contract”) with the Storage Contractor for the storage of the Lot on the then current standard terms and conditions agreed between Bonhams and the Storage Contractor (copies of which are available on request). If the Lot is stored at our premises storage fees at our current daily rates (currently a minimum of £3 plus VAT per Lot per day) will be payable from the expiry of the period referred to in paragraph 4.2. These storage fees form part of our Expenses.

4.5 Until you have paid the Purchase Price and any Expenses in full the Lot will either be held by us as agent on behalf of the Seller or held by the Storage Contractor as agent on behalf of the Seller and ourselves on the terms contained in the Storage Contract.

4.6 You undertake to comply with the terms of any Storage Contract and in particular to pay the charges (and all costs of moving the Lot into storage) due under any Storage Contract. You acknowledge and agree that you will not be able to collect the Lot from the Storage Contractor’s premises until you have paid the Purchase Price, any Expenses and all charges due under the Storage Contract.


4.8 You will be wholly responsible for any removal, storage, or other charges for any Lot not removed in accordance with paragraph 4.2, payable at our current rates, and any Expenses we incur (including any charges due under the Storage Contract), all of which must be paid by you on demand and in any event before any collection of the Lot by you or on your behalf.

5 STORING THE LOT

We agree to store the Lot until the earlier of your removal of the Lot or until the time and date set out in the Notice to Bidders, on the Sale Information Page or at the back of the catalogue (or if no date is specified, by 4.30pm on the seventh day after the Sale) and, subject to paragraphs 6 and 10, to be responsible as bailee to you for damage to or the loss or destruction of the Lot (notwithstanding that it is not your property before payment of the Purchase Price). If you do not collect the Lot before the time and date set out in the Notice to Bidders (or if no date is specified, by 4.30pm on the seventh day after the Sale) we may remove the Lot to another location, the details of which will usually be set out in the relevant section of the Catalogue. If you have not paid for the Lot in accordance with paragraph 3, and the Lot is moved to any third party’s premises, the Lot will be held by such third party strictly to Bonhams’ order and we will retain our lien over the Lot until we have been paid in full in accordance with paragraph 3.

6 RESPONSIBILITY FOR THE LOT

6.1 Only on the payment of the Purchase Price to us will title in the Lot pass to you. However under the Contract for Sale, the risk in the Lot passed to you when it was knocked down to you.

6.2 You are advised to obtain insurance in respect of the Lot as soon as possible after the Sale.


APPENDIX 2

BUYER’S AGREEMENT


1 THE CONTRACT

1.1 These terms govern the contract between Bonhams personally and the Buyer, being the person to whom a Lot has been knocked down by the Auctioneer.

1.2 The Definitions and Glossary contained in Appendix 3 to the Catalogue for the Sale are incorporated into this agreement and a separate copy can also be provided by us on request. Where words and phrases which are defined in the List of Definitions are used in this agreement, they are printed in italics. Reference is made in this agreement to information printed in the Notice to Bidders, printed in the Catalogue for the Sale, and where such information is referred to it is incorporated into this agreement.

1.3 Except as specified in paragraph 4 of the Notice to Bidders the Contract for Sale of the Lot between you and the Seller is made on the fall of the Auctioneer’s hammer in respect of the Lot, when it is knocked down to you. At that moment a separate contract is also made between you and Bonhams on the terms in this Buyer’s Agreement.

1.4 We act as agents for the Seller and are not answerable or personally responsible to you for any breach of contract or other default by the Seller, unless Bonhams sells the Lot as principal.

1.5 Our personal obligations to you are governed by this agreement and we agree, subject to the terms below, to the following obligations:

1.5.1 we will, until the date and time specified in the Notice to Bidders or otherwise notified to you, store the Lot in accordance with paragraph 5;

1.5.2 subject to any power of the Seller or us to refuse to release the Lot to you, we will release the Lot to you in accordance with paragraph 4 once you have paid to us, in cleared funds, everything due to us and the Seller;

1.5.3 we will provide guarantees in the terms set out in paragraphs 9 and 10.

1.6 We do not make or give and do not agree to make or give any contractual promise, undertaking, obligation, Guarantee, warranty, representation of fact in relation to any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any Description or Estimate which may have been made by us or on our behalf or by or on behalf of the Seller (whether made orally or in writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise), and whether made before or after this agreement or prior to or during the Sale. No such Description or Estimate is incorporated into this agreement between you and us. Any such Description or Estimate, if made by us or on our behalf, was (unless Bonhams itself sells the Lot as principal) made as agent on behalf of the Seller.

2 PERFORMANCE OF THE CONTRACT FOR SALE

You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.

3 PAYMENT

3.1 Unless agreed in writing between you and us or as otherwise set out in the Notice to Bidders, you must pay to us by not later than 4.30pm on the second working day following the Sale:

3.1.1 the Purchase Price for the Lot;

3.1.2 a Buyer’s Premium in accordance with the rates set out in the Notice to Bidders, and

3.1.3 if the Lot is marked [AR], an Additional Premium which is calculated and payable in accordance with the Notice to Bidders together with VAT on that sum if applicable so that all sums due to us are cleared funds by the seventh working day after the Sale.

3.2 You must also pay us on demand any Expenses payable pursuant to this agreement.

3.3 All payments to us must be made in the currency in which the Sale was conducted, using, unless otherwise agreed by us in writing, one of the methods of payment set out in the Notice to Bidders. Our invoices will only be addressed to the registered Bidder unless the Bidder is acting as an agent for a named principal and we have approved that arrangement, in which case we will address the invoice to the principal.

3.4 Unless otherwise stated in this agreement all sums payable to us will be subject to VAT at the appropriate rate and VAT will be payable by you on all such sums.

3.5 We may deduct and retain for our own benefit from the monies paid by you to us the Buyer’s Premium, the Commission payable by the Seller in respect of the Lot, any Expenses and VAT and any interest earned and/or incurred until payment to the Seller.

3.6 Time will be of the essence in relation to any payment payable to us. If you do not pay the Purchase Price, or any other sum due to us in accordance with this paragraph 3, we will have the rights set out in paragraph 7 below.

3.7 Where a number of Lots have been knocked down to you, any monies we receive from you will be applied firstly pro-rata to pay the Purchase Price of each Lot and secondly pro-rata to pay all amounts due to Bonhams.


4.1 Subject to any power of the Seller or us to refuse to release the Lot to you, once you have paid to us, in cleared funds, everything due to the Seller and to us, we will release the Lot to you or as you may direct us in writing. The Lot will only be released on production of a buyer collection document, obtained from our cashier’s office.

4.2 You must collect and remove the Lot at your own expense by the date and time specified in the Notice to Bidders, or if no date is specified, by 4.30pm on the seventh day after the Sale.

4.3 For the period referred to in paragraph 4.2, the Lot can be collected from the address referred to in the Notice to Bidders for collection on the days and times specified in the Notice to Bidders. Thereafter, the Lot may be removed elsewhere for storage and you must enquire from us as to when and where you can collect it, although this information will usually be set out in the Notice to Bidders.

4.4 If you have not collected the Lot by the date specified in the Notice to Bidders, you authorise us, acting as your agent and on your behalf, to enter into a contract (the “Storage Contract”) with the Storage Contractor for the storage of the Lot on the then current standard terms and conditions agreed between Bonhams and the Storage Contractor (copies of which are available on request). If the Lot is stored at our premises storage fees at our current daily rates (currently a minimum of £3 plus VAT per Lot per day) will be payable from the expiry of the period referred to in paragraph 4.2. These storage fees form part of our Expenses.

4.5 Until you have paid the Purchase Price and any Expenses in full the Lot will either be held by us as agent on behalf of the Seller or held by the Storage Contractor as agent on behalf of the Seller and ourselves on the terms contained in the Storage Contract.

4.6 You undertake to comply with the terms of any Storage Contract and in particular to pay the charges (and all costs of moving the Lot into storage) due under any Storage Contract. You acknowledge and agree that you will not be able to collect the Lot from the Storage Contractor’s premises until you have paid the Purchase Price, any Expenses and all charges due under the Storage Contract.


4.8 You will be wholly responsible for any removal, storage, or other charges for any Lot not removed in accordance with paragraph 4.2, payable at our current rates, and any Expenses we incur (including any charges due under the Storage Contract), all of which must be paid by you on demand and in any event before any collection of the Lot by you or on your behalf.

5 STORING THE LOT

We agree to store the Lot until the earlier of your removal of the Lot or until the time and date set out in the Notice to Bidders, on the Sale Information Page or at the back of the catalogue (or if no date is specified, by 4.30pm on the seventh day after the Sale) and, subject to paragraphs 6 and 10, to be responsible as bailee to you for damage to or the loss or destruction of the Lot (notwithstanding that it is not your property before payment of the Purchase Price). If you do not collect the Lot before the time and date set out in the Notice to Bidders (or if no date is specified, by 4.30pm on the seventh day after the Sale) we may remove the Lot to another location, the details of which will usually be set out in the relevant section of the Catalogue. If you have not paid for the Lot in accordance with paragraph 3, and the Lot is moved to any third party’s premises, the Lot will be held by such third party strictly to Bonhams’ order and we will retain our lien over the Lot until we have been paid in full in accordance with paragraph 3.

6 RESPONSIBILITY FOR THE LOT

6.1 Only on the payment of the Purchase Price to us will title in the Lot pass to you. However under the Contract for Sale, the risk in the Lot passed to you when it was knocked down to you.

6.2 You are advised to obtain insurance in respect of the Lot as soon as possible after the Sale.

NTB/MAIN/03.14/V2

7 FAILURE TO PAY OR TO REMOVE THE LOT AND PART PAYMENTS

7.1 If all sums payable to us are not so paid in full at the time they are due and/or the Lot is not removed in accordance with this agreement, we will without further notice to you be entitled to exercise one or more of the following rights (without prejudice to any rights we may exercise on behalf of the Seller):

7.1.1 to terminate this agreement immediately for your breach of contract;

7.1.2 to retain possession of the Lot;

7.1.3 to remove, and/or store the Lot at your expense;

7.1.4 to take legal proceedings against you for payment of any sums payable to us by you (including the Purchase Price) and/or damages for breach of contract;

7.1.5 to be paid interest on any monies due to us (after as well as before judgement or order) at the annual rate of 5% per annum above the base lending rate of National Westminster Bank Plc from time to time to be calculated on a daily basis from the date upon which such monies become payable until the date of actual payment;

7.1.6 to repossess the Lot (or any part thereof) which has not become your property, and for this purpose (unless you buy the Lot as a Consumer) you hereby grant an irrevocable licence to us, by ourselves, our servants or agents, to enter upon all or any of your premises (with or without vehicles) during normal business hours to take possession of any Lot or part thereof;

7.1.7 to sell the Lot Without Reserve by auction, private treaty or any other means on giving you three months’ written notice of our intention to do so;

7.1.8 to retain possession of any of your other property in our possession for any purpose (including, without limitation, other goods sold to you or with us for Sale) until all sums due to us have been paid in full;

7.1.9 to apply any monies received from you for any purpose whether at the time of your default or at any time thereafter in payment or part payment of any sums due to us by you under this agreement;

7.1.10 on three months’ written notice to sell, Without Reserve, any of your other property in our possession or under our control for any purpose (including other goods sold to you or with us for Sale) and to apply any monies due to you as a result of such Sale in payment or part payment of any amounts owed to us;

7.1.11 refuse to allow you to register for a future Sale or to reject a bid from you at any future Sale or to require you to pay a deposit before any bid is accepted by us at any future Sale in which case we will be entitled to apply such deposit in payment or part payment, as the case may be, of the Purchase Price of any Lot of which you are the Buyer.

7.2 You agree to indemnify us against all legal and other costs, all losses and all other Expenses (whether or not court proceedings will have been issued) incurred by us as a result of our taking steps under this paragraph 7 on a full indemnity basis together with interest thereon (after as well as before judgement or order) at the rate specified in paragraph 7.1.5 from the date upon which we become liable to pay the same until payment by you.

7.3 If you pay us only part of the sums due to us such payment shall be applied firstly to the Purchase Price of the Lot (or where you have purchased more than one Lot pro-rata towards the Purchase Price of each Lot) and secondly to the Buyer’s Premium (or where you have purchased more than one Lot pro-rata to the Buyer’s Premium on each Lot) and thirdly to any other sums due to us.

7.4 We will account to you in respect of any balance we hold remaining from any monies received by us in respect of any Sale of the Lot under our rights under this paragraph 7 after the payment of all sums due to us and/or the Seller within 28 days of receipt by us of all such sums paid to us.

8 CLAIMS BY OTHER PERSONS IN RESPECT OF THE LOT

8.1 Whenever it becomes apparent to us that the Lot is the subject of a claim by someone other than you and other than the Seller (or that such a claim can reasonably be expected to be made), we may, at our absolute discretion, deal with the Lot in any manner which appears to us to recognise the legitimate interests of ourselves and the other parties involved and lawfully to protect our position and our legitimate interests. Without prejudice to the generality of the discretion and by way of example, we may:

8.1.1 retain the Lot to investigate any question raised or reasonably expected by us to be raised in relation to the Lot; and/or

8.1.2 deliver the Lot to a person other than you; and/or

8.1.3 commence interpleader proceedings or seek any other order of any court, mediator, arbitrator or government body; and/or

8.1.4 require an indemnity and/or security from you in return for pursuing a course of action agreed to by you.

8.2 The discretion referred to in paragraph 8.1:

8.2.1 may be exercised at any time during which we have actual or constructive possession of the Lot, or at any time after such possession, where the cessation of such possession has occurred by reason of any decision, order or ruling of any court, mediator, arbitrator or government body; and

8.2.2 will not be exercised unless we believe that there exists a serious prospect of a good arguable case in favour of the claim.

9 FORGERIES

9.1 We undertake a personal responsibility for any Forgery in accordance with the terms of this paragraph 9.

9.2 Paragraph 9 applies only if:

9.2.1 your name appears as the named person to whom the original invoice was made out by us in respect of the Lot and that invoice has been paid; and

9.2.2 you notify us in writing as soon as reasonably practicable after you have become aware that the Lot is or may be a Forgery, and in any event within one year after the Sale, that the Lot is a Forgery; and

9.2.3 within one month after such notification has been given, you return the Lot to us in the same condition as it was at the time of the Sale, accompanied by written evidence that the Lot is a Forgery and details of the Sale and Lot number sufficient to identify the Lot.

9.3 Paragraph 9 will not apply in respect of a Forgery if:

9.3.1 the Entry in relation to the Lot contained in the Catalogue reflected the then accepted general opinion of scholars and experts or fairly indicated that there was a conflict of such opinion or reflected the then current opinion of an expert acknowledged to be a leading expert in the relevant field; or

9.3.2 it can be established that the Lot is a Forgery only by means of a process not generally accepted for use until after the date on which the Catalogue was published or by means of a process which it was unreasonable in all the circumstances for us to have employed.

9.4 You authorise us to carry out such processes and tests on the Lot as we in our absolute discretion consider necessary to satisfy ourselves that the Lot is or is not a Forgery.

9.5 If we are satisfied that a Lot is a Forgery we will (as principal) purchase the Lot from you and you will transfer the title to the Lot in question to us, with full title guarantee, free from any liens, charges, encumbrances and adverse claims, in accordance with the provisions of Sections 12(1) and 12(2) of the Sale of Goods Act 1979 and we will pay to you an amount equal to the sum of the Purchase Price, Buyer’s Premium, VAT and Expenses paid by you in respect of the Lot.

9.6 The benefit of paragraph 9 is personal to, and incapable of assignment by, you.

9.7 If you sell or otherwise dispose of your interest in the Lot, all rights and benefits under this paragraph will cease.

9.8 Paragraph 9 does not apply to a Lot made up of or including a Chinese painting or Chinese paintings, a motor vehicle or motor vehicles, a Stamp or Stamps or a Book or Books.

10 OUR LIABILITY

10.1 We will not be liable whether in negligence, other tort, breach of contract or statutory duty or in restitution or under the Misrepresentation Act 1967 or in any other way for lack of conformity with or any inaccuracy, error, misdescription or omission in any Description of the Lot or any Entry or Estimate in respect of it, made by us or on our behalf or by or on behalf of the Seller (whether made in writing, including in the Catalogue, or on the Bonhams’ Website, or orally, or by conduct or otherwise) and whether made before or after this agreement or prior to or during the Sale.

10.2 Our duty to you while the Lot is at your risk and/or your property and in our custody and/or control is to exercise reasonable care in relation to it, but we will not be responsible for damage to the Lot or to other persons or things caused by:

10.2.1 handling the Lot if it was affected at the time of Sale to you by woodworm and any damage is caused as a result of it being affected by woodworm; or

10.2.2 changes in atmospheric pressure; nor will we be liable for:

10.2.3 damage to tension stringed musical instruments; or

10.2.4 damage to gilded picture frames, plaster picture frames or picture frame glass; and if the Lot is or becomes dangerous, we may dispose of it without notice to you in advance in any manner we think fit and we will be under no liability to you for doing so.


10.3.1 We will not be liable to you for any loss of Business, Business profits, revenue or income or for loss of Business reputation or for disruption to Business or wasted time on the part of the Buyer’s management or staff or, if you are buying the Lot in the course of a Business, for any indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract, statutory duty, bailee’s duty, a restitutionary claim or otherwise.

10.3.2 Unless you buy the Lot as a Consumer, in any circumstances where we are liable to you in respect of a Lot, or any act, omission, statement, representation in respect of it, or this agreement or its performance, and whether in damages, for an indemnity or contribution or for a restitutionary remedy or in any way whatsoever, our liability will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot plus Buyer’s Premium (less any sum you may be entitled to recover from the Seller) irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from negligence, other tort, breach of contract, statutory duty, bailee’s duty, a restitutionary claim or otherwise.

You may wish to protect yourself against loss by obtaining insurance.

10.4 Nothing set out above will be construed as excluding or restricting (whether directly or indirectly) any person’s liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by our negligence (or any person under our control or for whom we are legally responsible), or (iii) acts or omissions for which we are liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law, or (v) under our undertaking in paragraph 9 of these conditions.

11 BOOKS MISSING TEXT OR ILLUSTRATIONS

Where the Lot is made up wholly of a Book or Books and any Book does not contain text or illustrations (in either case referred to as a “non-conforming Lot”), we undertake a personal responsibility for such a non-conforming Lot in accordance with the terms of this paragraph, if:

the original invoice was made out by us to you in respect of the Lot and that invoice has been paid; and

you notify us in writing as soon as reasonably practicable after you have become aware that the Lot is or may be a non-conforming Lot, and in any event within 20 days after the Sale (or such longer period as we may agree in writing) that the Lot is a non-conforming Lot; and

within 20 days of the date of the relevant Sale (or such longer period as we may agree in writing) you return the Lot to us in the same condition as it was at the time of the Sale, accompanied by written evidence that the Lot is a non-conforming Lot and details of the Sale and Lot number sufficient to identify the Lot.

but not if:

the Entry in the Catalogue in respect of the Lot indicates that the rights given by this paragraph do not apply to it; or

the Entry in the Catalogue in respect of the Lot reflected the then accepted general opinion of scholars and experts or fairly indicated that there was a conflict of such opinion; or

it can be established that the Lot is a non-conforming Lot only by means of a process not generally accepted for use until after the date on which the Catalogue was published or by means of a process which it was unreasonable in all the circumstances for us to have employed; or

the Lot comprises atlases, maps, autographs, manuscripts, extra illustrated books, music or periodical publications; or

the Lot was listed in the Catalogue under “collections” or “collections and various” or the Lot was stated in the Catalogue to comprise or contain a collection, issue or Books which are undescribed or the missing text or illustrations are referred to or the relevant parts of the Book contain blanks, half titles or advertisements.

If we are reasonably satisfied that a Lot is a non- conforming Lot, we will (as principal) purchase the Lot from you and you will transfer the title to the Lot in question to us, with full title guarantee, free from any liens, charges, encumbrances and adverse claims and we will pay to you an amount equal to the sum of the Purchase Price and Buyer’s Premium paid by you in respect of the Lot.

The benefit of paragraph 10 is personal to, and incapable of assignment by, you and if you sell or otherwise dispose of your interest in the Lot, all rights and benefits under this paragraph will cease.

12 MISCELLANEOUS

12.1 You may not assign either the benefit or burden of this agreement.

12.2 Our failure or delay in enforcing or exercising any power or right under this agreement will not operate or be deemed to operate as a waiver of our rights under it except to the extent of any express waiver given to you in writing. Any such waiver will not affect our ability subsequently to enforce any right arising under this agreement.

12.3 If either party to this agreement is prevented from performing that party’s respective obligations under this agreement by circumstances beyond its reasonable control or if performance of its obligations would by reason of such circumstances give rise to a significantly increased financial cost to it, that party will not, for so long as such circumstances prevail, be required to perform such obligations. This paragraph does not apply to the obligations imposed on you by paragraph 3.

12.4 Any notice or other communication to be given under this agreement must be in writing and may be delivered by hand or sent by first class post or air mail or fax transmission (if to Bonhams marked for the attention of the Company Secretary), to the address or fax number of the relevant party given in the Contract Form (unless notice of any change of address is given in writing). It is the responsibility of the sender of the notice or communication to ensure that it is received in a legible form within any applicable time period.

12.5 If any term or any part of any term of this agreement is held to be unenforceable or invalid, such unenforceability or invalidity will not affect the enforceability and validity of the remaining terms or the remainder of the relevant term.

12.6 References in this agreement to Bonhams will, where appropriate, include reference to Bonhams’ officers, employees and agents.

12.7 The headings used in this agreement are for convenience only and will not affect its interpretation.

12.8 In this agreement “including” means “including, without limitation”.


12.10 Reference to a numbered paragraph is to a paragraph of this agreement.

12.11 Save as expressly provided in paragraph 12.12 nothing in this agreement confers (or purports to confer) on any person who is not a party to this agreement any benefit conferred by, or the right to enforce any term of, this agreement.

12.12 Where this agreement confers an immunity from, and/or an exclusion or restriction of, the responsibility and/or liability of Bonhams, it will also operate in favour and for the benefit of Bonhams’ holding company and the subsidiaries of such holding company and the successors and assigns of Bonhams and of such companies and of any officer, employee and agent of Bonhams and such companies, each of whom will be entitled to rely on the relevant immunity and/or exclusion and/or restriction within and for the purposes of Contracts (Rights of Third Parties) Act 1999, which enables the benefit of a contract to be extended to a person who is not a party to the contract, and generally at law.

13 GOVERNING LAW

All transactions to which this agreement applies and all connected matters will be governed by and construed in accordance with the laws of that part of the United Kingdom where the Sale takes (or is to take) place and we and you each submit to the exclusive jurisdiction of the courts of that part of the United Kingdom, save that we may bring proceedings against you in any other court of competent jurisdiction to the extent permitted by the laws of the relevant jurisdiction. Bonhams has a complaints procedure in place.


Where we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our Website www.bonhams.com or requested by post from Customer Services Department, 101 New Bond Street, London W1S 1SR, United Kingdom or by email from [email protected].

APPENDIX 3

DEFINITIONS AND GLOSSARY

Where these Definitions and Glossary are incorporated, the following words and phrases used have (unless the context otherwise requires) the meanings given to them below. The Glossary is to assist you to understand words and phrases which have a specific legal meaning with which you may not be familiar.

LIST OF DEFINITIONS

“Additional Premium” a premium, calculated in accordance with the Notice to Bidders, to cover Bonhams’ Expenses relating to the payment of royalties under the Artists Resale Right Regulations 2006 which is payable by the Buyer to Bonhams on any Lot marked [AR] which sells for a Hammer Price which together with the Buyer’s Premium (but excluding any VAT) equals or exceeds 1000 euros (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale).“Auctioneer” the representative of Bonhams conducting the Sale.


10.3.1 We will not be liable to you for any loss of Business, Business profits, revenue or income or for loss of Business reputation or for disruption to Business or wasted time on the part of the Buyer’s management or staff or, if you are buying the Lot in the course of a Business, for any indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract, statutory duty, bailee’s duty, a restitutionary claim or otherwise.

10.3.2 Unless you buy the Lot as a Consumer, in any circumstances where we are liable to you in respect of a Lot, or any act, omission, statement, representation in respect of it, or this agreement or its performance, and whether in damages, for an indemnity or contribution or for a restitutionary remedy or in any way whatsoever, our liability will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot plus Buyer’s Premium (less any sum you may be entitled to recover from the Seller) irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from negligence, other tort, breach of contract, statutory duty, bailee’s duty, a restitutionary claim or otherwise.

You may wish to protect yourself against loss by obtaining insurance.

10.4 Nothing set out above will be construed as excluding or restricting (whether directly or indirectly) any person’s liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by our negligence (or any person under our control or for whom we are legally responsible), or (iii) acts or omissions for which we are liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law, or (v) under our undertaking in paragraph 9 of these conditions.

11 BOOKS MISSING TEXT OR ILLUSTRATIONS

Where the Lot is made up wholly of a Book or Books and any Book does not contain text or illustrations (in either case referred to as a “non-conforming Lot”), we undertake a personal responsibility for such a non-conforming Lot in accordance with the terms of this paragraph, if:

the original invoice was made out by us to you in respect of the Lot and that invoice has been paid; and

you notify us in writing as soon as reasonably practicable after you have become aware that the Lot is or may be a non-conforming Lot, and in any event within 20 days after the Sale (or such longer period as we may agree in writing) that the Lot is a non-conforming Lot; and

within 20 days of the date of the relevant Sale (or such longer period as we may agree in writing) you return the Lot to us in the same condition as it was at the time of the Sale, accompanied by written evidence that the Lot is a non-conforming Lot and details of the Sale and Lot number sufficient to identify the Lot.

but not if:

the Entry in the Catalogue in respect of the Lot indicates that the rights given by this paragraph do not apply to it; or

the Entry in the Catalogue in respect of the Lot reflected the then accepted general opinion of scholars and experts or fairly indicated that there was a conflict of such opinion; or

it can be established that the Lot is a non-conforming Lot only by means of a process not generally accepted for use until after the date on which the Catalogue was published or by means of a process which it was unreasonable in all the circumstances for us to have employed; or

the Lot comprises atlases, maps, autographs, manuscripts, extra illustrated books, music or periodical publications; or

the Lot was listed in the Catalogue under “collections” or “collections and various” or the Lot was stated in the Catalogue to comprise or contain a collection, issue or Books which are undescribed or the missing text or illustrations are referred to or the relevant parts of the Book contain blanks, half titles or advertisements.

If we are reasonably satisfied that a Lot is a non- conforming Lot, we will (as principal) purchase the Lot from you and you will transfer the title to the Lot in question to us, with full title guarantee, free from any liens, charges, encumbrances and adverse claims and we will pay to you an amount equal to the sum of the Purchase Price and Buyer’s Premium paid by you in respect of the Lot.

The benefit of paragraph 10 is personal to, and incapable of assignment by, you and if you sell or otherwise dispose of your interest in the Lot, all rights and benefits under this paragraph will cease.

12 MISCELLANEOUS

12.1 You may not assign either the benefit or burden of this agreement.

12.2 Our failure or delay in enforcing or exercising any power or right under this agreement will not operate or be deemed to operate as a waiver of our rights under it except to the extent of any express waiver given to you in writing. Any such waiver will not affect our ability subsequently to enforce any right arising under this agreement.

12.3 If either party to this agreement is prevented from performing that party’s respective obligations under this agreement by circumstances beyond its reasonable control or if performance of its obligations would by reason of such circumstances give rise to a significantly increased financial cost to it, that party will not, for so long as such circumstances prevail, be required to perform such obligations. This paragraph does not apply to the obligations imposed on you by paragraph 3.

12.4 Any notice or other communication to be given under this agreement must be in writing and may be delivered by hand or sent by first class post or air mail or fax transmission (if to Bonhams marked for the attention of the Company Secretary), to the address or fax number of the relevant party given in the Contract Form (unless notice of any change of address is given in writing). It is the responsibility of the sender of the notice or communication to ensure that it is received in a legible form within any applicable time period.

12.5 If any term or any part of any term of this agreement is held to be unenforceable or invalid, such unenforceability or invalidity will not affect the enforceability and validity of the remaining terms or the remainder of the relevant term.

12.6 References in this agreement to Bonhams will, where appropriate, include reference to Bonhams’ officers, employees and agents.

12.7 The headings used in this agreement are for convenience only and will not affect its interpretation.

12.8 In this agreement “including” means “including, without limitation”.


12.10 Reference to a numbered paragraph is to a paragraph of this agreement.

12.11 Save as expressly provided in paragraph 12.12 nothing in this agreement confers (or purports to confer) on any person who is not a party to this agreement any benefit conferred by, or the right to enforce any term of, this agreement.

12.12 Where this agreement confers an immunity from, and/or an exclusion or restriction of, the responsibility and/or liability of Bonhams, it will also operate in favour and for the benefit of Bonhams’ holding company and the subsidiaries of such holding company and the successors and assigns of Bonhams and of such companies and of any officer, employee and agent of Bonhams and such companies, each of whom will be entitled to rely on the relevant immunity and/or exclusion and/or restriction within and for the purposes of Contracts (Rights of Third Parties) Act 1999, which enables the benefit of a contract to be extended to a person who is not a party to the contract, and generally at law.

13 GOVERNING LAW

All transactions to which this agreement applies and all connected matters will be governed by and construed in accordance with the laws of that part of the United Kingdom where the Sale takes (or is to take) place and we and you each submit to the exclusive jurisdiction of the courts of that part of the United Kingdom, save that we may bring proceedings against you in any other court of competent jurisdiction to the extent permitted by the laws of the relevant jurisdiction. Bonhams has a complaints procedure in place.


Where we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our Website www.bonhams.com or requested by post from Customer Services Department, 101 New Bond Street, London W1S 1SR, United Kingdom or by email from [email protected].

APPENDIX 3

DEFINITIONS AND GLOSSARY

Where these Definitions and Glossary are incorporated, the following words and phrases used have (unless the context otherwise requires) the meanings given to them below. The Glossary is to assist you to understand words and phrases which have a specific legal meaning with which you may not be familiar.

LIST OF DEFINITIONS

“Additional Premium” a premium, calculated in accordance with the Notice to Bidders, to cover Bonhams’ Expenses relating to the payment of royalties under the Artists Resale Right Regulations 2006 which is payable by the Buyer to Bonhams on any Lot marked [AR] which sells for a Hammer Price which together with the Buyer’s Premium (but excluding any VAT) equals or exceeds 1000 euros (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale).“Auctioneer” the representative of Bonhams conducting the Sale.

NTB/MAIN/03.14/V2

“Bidder” a person who has completed a Bidding Form. “Bidding Form” our Bidding Registration Form, our Absentee Bidding Form or our Telephone Bidding Form. “Bonhams” Bonhams 1793 Limited or its successors or assigns. Bonhams is also referred to in the Buyer’s Agreement, the Conditions of Business and the Notice to Bidders by the words “we”, “us” and “our”.“Book” a printed Book offered for Sale at a specialist Book Sale.“Business” includes any trade, Business and profession.“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to in the Contract for Sale and the Buyer’s Agreement by the words “you” and “your”.“Buyer’s Agreement” the contract entered into by Bonhams with the Buyer (see Appendix 2 in the Catalogue). “Buyer’s Premium” the sum calculated on the Hammer Price at the rates stated in the Notice to Bidders. “Catalogue” the Catalogue relating to the relevant Sale, including any representation of the Catalogue published on our Website.“Commission” the Commission payable by the Seller to Bonhams calculated at the rates stated in the Contract Form.“Condition Report” a report on the physical condition of a Lot provided to a Bidder or potential Bidder by Bonhams on behalf of the Seller.“Conditions of Sale” the Notice to Bidders, Contract for Sale, Buyer’s Agreement and Definitions and Glossary. “Consignment Fee” a fee payable to Bonhams by the Seller calculated at rates set out in the Conditions of Business.“Consumer” a natural person who is acting for the relevant purpose outside his trade, Business or profession. “Contract Form” the Contract Form, or vehicle Entry form, as applicable, signed by or on behalf of the Seller listing the Lots to be offered for Sale by Bonhams. “Contract for Sale” the Sale contract entered into by the Seller with the Buyer (see Appendix 1 in the Catalogue). “Contractual Description” the only Description of the Lot (being that part of the Entry about the Lot in the Catalogue which is in bold letters, any photograph (except for the colour) and the contents of any Condition Report) to which the Seller undertakes in the Contract of Sale the Lot corresponds.“Description” any statement or representation in any way descriptive of the Lot, including any statement or representation relating to its authorship, attribution, condition, provenance, authenticity, style, period, age, suitability, quality, origin, value, estimated selling price (including the Hammer Price).“Entry” a written statement in the Catalogue identifying the Lot and its Lot number which may contain a Description and illustration(s) relating to the Lot.“Estimate” a statement of our opinion of the range within which the hammer is likely to fall.“Expenses” charges and Expenses paid or payable by Bonhams in respect of the Lot including legal Expenses, banking charges and Expenses incurred as a result of an electronic transfer of money, charges and Expenses for loss and damage cover, insurance, Catalogue and other reproductions and illustrations, any customs duties, advertising, packing or shipping costs, reproductions rights’ fees, taxes, levies, costs of testing, searches or enquiries, preparation of the Lot for Sale, storage charges, removal charges, removal charges or costs of collection from the Seller as the Seller’s agents or from a defaulting Buyer, plus VAT if applicable.“Forgery” an imitation intended by the maker or any other person to deceive as to authorship, attribution, origin, authenticity, style, date, age, period, provenance, culture, source or composition, which at the date of the Sale had a value materially less than it would have had if the Lot had not been such an imitation, and which is not stated to be such an imitation in any description of the Lot. A Lot will not be a Forgery by reason of any damage to, and/or restoration and/ or modification work (including repainting or over painting) having been carried out on the Lot, where that damage,restoration or modification work (as the case may be) does not substantially affect the identity of the Lot as one conforming to the Description of the Lot.“Guarantee” the obligation undertaken personally by Bonhams to the Buyer in respect of any Forgery and, in the case of specialist Stamp Sales and/or specialist Book Sales, a Lot made up of a Stamp or Stamps or a Book or Books as set out in the Buyer’s Agreement.“Hammer Price” the price in the currency in which the Sale is conducted at which a Lot is knocked down by the Auctioneer.

“Loss and Damage Warranty” means the warranty described in paragraph 8.2 of the Conditions of Business. “Loss and Damage Warranty Fee” means the fee described in paragraph 8.2.3 of the Conditions of Business.“Lot” any item consigned to Bonhams with a view to its Sale at auction or by private treaty (and reference to any Lot will include, unless the context otherwise requires, reference to individual items comprised in a group of two or more items offered for Sale as one Lot).“Motoring Catalogue Fee” a fee payable by the Seller to Bonhams in consideration of the additional work undertaken by Bonhams in respect of the cataloguing of motor vehicles and in respect of the promotion of Sales of motor vehicles.“New Bond Street” means Bonhams’ saleroom at 101 New Bond Street, London W1S 1SR.“Notional Charges” the amount of Commission and VAT which would have been payable if the Lot had been sold at the Notional Price.“Notional Fee” the sum on which the Consignment Fee payable to Bonhams by the Seller is based and which is calculated according to the formula set out in the Conditions of Business.“Notional Price” the latest in time of the average of the high and low Estimates given by us to you or stated in the Catalogue or, if no such Estimates have been given or stated, the Reserve applicable to the Lot.“Notice to Bidders” the notice printed at the back or front of our Catalogues.“Purchase Price” the aggregate of the Hammer Price and VAT on the Hammer Price (where applicable), the Buyer’s Premium and VAT on the Buyer’s Premium and any Expenses.“Reserve” the minimum price at which a Lot may be sold (whether at auction or by private treaty).“Sale” the auction Sale at which a Lot is to be offered for Sale by Bonhams.“Sale Proceeds” the net amount due to the Seller from the Sale of a Lot, being the Hammer Price less the Commission, any VAT chargeable thereon, Expenses and any other amount due to us in whatever capacity and howsoever arising.“Seller” the person who offers the Lot for Sale named on the Contract Form. Where the person so named identifies on the form another person as acting as his agent, or where the person named on the Contract Form acts as an agent for a principal (whether such agency is disclosed to Bonhams or not), “Seller” includes both the agent and the principal who shall be jointly and severally liable as such. The Seller is also referred to in the Conditions of Business by the words “you” and “your”.“Specialist Examination” a visual examination of a Lot by a specialist on the Lot.“Stamp” means a postage Stamp offered for Sale at a Specialist Stamp Sale.“Standard Examination” a visual examination of a Lot by a non-specialist member of Bonhams’ staff. “Storage Contract” means the contract described in paragraph 8.3.3 of the Conditions of Business or paragraph 4.4 of the Buyer’s Agreement (as appropriate). “Storage Contractor” means the company identified as such in the Catalogue.“Terrorism” means any act or threatened act of terrorism, whether any person is acting alone or on behalf of or in connection with any organisation(s) and/or government(s), committed for political, religious or ideological or similar purposes including, but not limited to, the intention to influence any government and/or put the public or any section of the public into fear.“Trust Account” the bank account of Bonhams into which all sums received in respect of the Purchase Price of anyLot will be paid, such account to be a distinct and separate account to Bonhams’ normal business bank account. “VAT” value added tax at the prevailing rate at the date of the Sale in the United Kingdom.“Website” Bonhams Website at www.bonhams.com “Withdrawal Notice” the Seller’s written notice to Bonhams revoking Bonhams’ instructions to sell a Lot. “Without Reserve” where there is no minimum price at which a Lot may be sold (whether at auction or by private treaty).

GLOSSARY

The following expressions have specific legal meanings with which you may not be familiar. The following glossary is intended to give you an understanding of those expressions but is not intended to limit their legal meanings:

“artist’s resale right”: the right of the creator of a work of art to receive a payment on Sales of that work subsequent to the original Sale of that work by the creator of it as set out in the Artists Resale Right Regulations 2006. “bailee”: a person to whom goods are entrusted. “indemnity”: an obligation to put the person who has the benefit of the indemnity in the same position in which he would have been, had the circumstances giving rise to the indemnity not arisen and the expression “indemnify” is construed accordingly.“interpleader proceedings”: proceedings in the Courts to determine ownership or rights over a Lot.“knocked down”: when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale.“lien”: a right for the person who has possession of the Lot to retain possession of it.“risk”: the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value. “title”: the legal and equitable right to the ownership of a Lot.“tort”: a legal wrong done to someone to whom the wrong doer has a duty of care.

SALE OF GOODS ACT 1979

The following is an extract from the Sale of Goods Act 1979:

“Section 12 Implied terms about title, etc

(1) In a contract of sale, other than one to which subsection (3) below applies, there is an implied term on the part of the seller that in the case of a sale he has a right to sell the goods, and in the case of an agreement to sell he will have such a right at the time when the property is to pass.

(2) In a contract of sale, other than one to which subsection (3) below applies, there is also an implied term that-

(a) the goods are free, and will remain free until the time when the property is to pass, from any charge or encumbrance not disclosed or known to the buyer before the contract is made, and

(b) the buyer will enjoy quiet possession of the goods except in so far as it may be disturbed by the owner or other person entitled to the benefit of any charge or encumbrance so disclosed or known.

(3) This subsection applies to a contract of sale in the case of which there appears from the contract or is to be inferred from its circumstances an intention that the seller should transfer only such title as he or a third person may have.

(4) In a contract to which subsection (3) above applies there is an implied term that all charges or encumbrances known to the seller and not known to the buyer have been disclosed to the buyer before the contract is made.

(5) In a contract to which subsection (3) above applies there is also an implied term that none of the following will disturb the buyer’s quiet possession of the goods, namely:

(a) the seller;

(b) in a case where the parties to the contract intend that the seller should transfer only such title as a third person may have, that person;

(c) anyone claiming through or under the seller or that third person otherwise than under a charge or encumbrance disclosed or known to the buyer before the contract is made.

(5A) As regards England and Wales and Northern Ireland, the term implied by subsection (1) above is a condition and the terms implied by subsections (2), (4) and (5) above are warranties.”

134 | BONHAMS

Bonhams Specialist Departments 19th Century PaintingsUKCharles O’ Brien+44 20 7468 8360U.S.AMadalina Lazen+1 212 644 9108

20th Century British ArtMatthew Bradbury+44 20 7468 8295

Aboriginal ArtFrancesca Cavazzini+61 2 8412 2222

African, Oceanic & Pre-Columbian Art UKPhilip Keith+44 2920 727 980U.S.AFredric Backlar+1 323 436 5416

American PaintingsAlan Fausel+1 212 644 9039

AntiquitiesMadeleine Perridge+44 20 7468 8226

Antique Arms & Armour UKDavid Williams+44 20 7393 3807U.S.APaul Carella+1 415 503 3360

Art Collections, Estates & ValuationsHarvey Cammell+44 (0) 20 7468 8340

Art Nouveau & Decorative Art & DesignUKMark Oliver+44 20 7393 3856U.S.AFrank Maraschiello+1 212 644 9059

Australian ArtMerryn Schriever+61 2 8412 2222Alex Clark+61 3 8640 4088

Australian Colonial Furniture and Australiana+1 415 861 7500

Books, Maps & Manuscripts UKMatthew Haley+44 20 7393 3817U.S.AChristina Geiger+1 212 644 9094

British & European GlassUKSimon Cottle+44 20 7468 8383U.S.A.Suzy Pai+1 415 503 3343

British & European Porcelain & Pottery UKJohn Sandon+44 20 7468 8244U.S.APeter Scott+1 415 503 3326

California & American PaintingsScot Levitt+1 323 436 5425

CarpetsUKMark Dance+44 8700 27361U.S.A.Hadji Rahimipour+1 415 503 3392

Chinese & Asian ArtUKAsaph Hyman+44 20 7468 5888U.S.ADessa Goddard+1 415 503 3333HONG KONG +852 3607 0010AUSTRALIAYvett Klein+61 2 8412 2222

ClocksUKJames Stratton+44 20 7468 8364U.S.AJonathan Snellenburg+1 212 461 6530

Coins & MedalsUKJohn Millensted+44 20 7393 3914U.S.APaul Song+1 323 436 5455

Contemporary Art UKGareth Williams+44 20 7468 5879U.S.AJeremy Goldsmith+1 917 206 1656

Costume & TextilesClaire Browne+44 1564 732969

Entertainment MemorabiliaUKStephanie Connell+44 20 7393 3844U.S.A Catherine Williamson+1 323 436 5442

Furniture & Works of ArtUKFergus Lyons+44 20 7468 8221U.S.AJeffrey Smith+1 415 503 3413

Greek ArtOlympia Pappa+44 20 7468 8314

Golf Sporting MemorabiliaKevin Mcgimpsey+44 1244 353123

Irish ArtPenny Day+44 20 7468 8366

Impressionist & Modern ArtUKDeborah Allan+44 20 7468 8276U.S.ATanya Wells+1 917 206 1685

Islamic & Indian ArtAlice Bailey+44 20 7468 8268

Japanese ArtUKSuzannah Yip+44 20 7468 8368U.S.AJeff Olson+1 212 461 6516

JewelleryUKJean Ghika+44 20 7468 8282U.S.ASusan Abeles+1 212 461 6525AUSTRALIAAnellie Manolas+61 2 8412 2222HONG KONGGraeme Thompson+852 3607 0006

Marine ArtUKVeronique Scorer+44 20 7393 3962U.S.AGregg Dietrich+1 917 206 1697

Mechanical MusicJon Baddeley+44 20 7393 3872

Modern, Contemporary & Latin American ArtU.S.AAlexis Chompaisal+1 323 436 5469

Modern DesignGareth Williams+44 20 7468 5879

Motor CarsUKTim Schofield+44 20 7468 5804U.S.AMark Osborne+1 415 503 3353EUROPEPhilip Kantor+32 476 879 471

AutomobiliaUKToby Wilson+44 8700 273 619U.S.AKurt Forry+1 415 391 4000

MotorcyclesBen Walker+44 8700 273616AutomobiliaAdrian Pipiros+44 8700 273621

Musical InstrumentsPhilip Scott+44 20 7393 3855

Native American ArtJim Haas+1 415 503 3294

Natural HistoryU.S.AClaudia Florian+1 323 436 5437

Old Master PicturesUKAndrew Mckenzie+44 20 7468 8261U.S.AMark Fisher+1 323 436 5488

Orientalist ArtCharles O’Brien+44 20 7468 8360

PhotographyU.S.AJudith Eurich+1 415 503 3259

Portrait MiniaturesJennifer Tonkin+44 20 7393 3986

PrintsUKRupert Worrall+44 20 7468 8262U.S.AJudith Eurich+1 415 503 3259

Russian ArtUKSophie Law+44 20 7468 8334U.S.AYelena Harbick+1 212 644 9136

Scientific InstrumentsJon Baddeley+44 20 7393 3872U.S.A.Jonathan Snellenburg+1 212 461 6530

Scottish PicturesChris Brickley+44 131 240 2297

Silver & Gold BoxesUKMichael Moorcroft+44 20 7468 8241U.S.AAileen Ward+1 800 223 5463

South African ArtGiles Peppiatt+44 20 7468 8355

Sporting GunsPatrick Hawes+44 20 7393 3815

Toys & DollsLeigh Gotch+44 20 8963 2839

Travel PicturesVeronique Scorer+44 20 7393 3962

Urban ArtGareth Williams+44 20 7468 5879

Watches & WristwatchesUKPaul Maudsley+44 20 7447 7412U.S.A.Jonathan Snellenburg+1 212 461 6530HONG KONGNick Biebuyck+852 2918 4321

WhiskyUKMartin Green+44 1292 520000U.S.AJoseph Hyman+1 917 206 1661HONG KONGDaniel Lam+852 3607 0004

WineUKRichard Harvey+44 (0) 20 7468 5811U.S.ADoug Davidson+1 415 503 3363HONG KONGDaniel Lam+852 3607 0004

To e-mail any of the below use the first name dot second name @bonhams.com eg. [email protected]

SD07/05/14


Bonhams Specialist Departments 19th Century PaintingsUKCharles O’ Brien+44 20 7468 8360U.S.AMadalina Lazen+1 212 644 9108

20th Century British ArtMatthew Bradbury+44 20 7468 8295

Aboriginal ArtFrancesca Cavazzini+61 2 8412 2222

African, Oceanic & Pre-Columbian Art UKPhilip Keith+44 2920 727 980U.S.AFredric Backlar+1 323 436 5416

American PaintingsAlan Fausel+1 212 644 9039

AntiquitiesMadeleine Perridge+44 20 7468 8226

Antique Arms & Armour UKDavid Williams+44 20 7393 3807U.S.APaul Carella+1 415 503 3360

Art Collections, Estates & ValuationsHarvey Cammell+44 (0) 20 7468 8340

Art Nouveau & Decorative Art & DesignUKMark Oliver+44 20 7393 3856U.S.AFrank Maraschiello+1 212 644 9059

Australian ArtMerryn Schriever+61 2 8412 2222Alex Clark+61 3 8640 4088

Australian Colonial Furniture and Australiana+1 415 861 7500

Books, Maps & Manuscripts UKMatthew Haley+44 20 7393 3817U.S.AChristina Geiger+1 212 644 9094

British & European GlassUKSimon Cottle+44 20 7468 8383U.S.A.Suzy Pai+1 415 503 3343

British & European Porcelain & Pottery UKJohn Sandon+44 20 7468 8244U.S.APeter Scott+1 415 503 3326

California & American PaintingsScot Levitt+1 323 436 5425

CarpetsUKMark Dance+44 8700 27361U.S.A.Hadji Rahimipour+1 415 503 3392

Chinese & Asian ArtUKAsaph Hyman+44 20 7468 5888U.S.ADessa Goddard+1 415 503 3333HONG KONG +852 3607 0010AUSTRALIAYvett Klein+61 2 8412 2222

ClocksUKJames Stratton+44 20 7468 8364U.S.AJonathan Snellenburg+1 212 461 6530

Coins & MedalsUKJohn Millensted+44 20 7393 3914U.S.APaul Song+1 323 436 5455

Contemporary Art UKGareth Williams+44 20 7468 5879U.S.AJeremy Goldsmith+1 917 206 1656

Costume & TextilesClaire Browne+44 1564 732969

Entertainment MemorabiliaUKStephanie Connell+44 20 7393 3844U.S.A Catherine Williamson+1 323 436 5442

Furniture & Works of ArtUKFergus Lyons+44 20 7468 8221U.S.AJeffrey Smith+1 415 503 3413

Greek ArtOlympia Pappa+44 20 7468 8314

Golf Sporting MemorabiliaKevin Mcgimpsey+44 1244 353123

Irish ArtPenny Day+44 20 7468 8366

Impressionist & Modern ArtUKDeborah Allan+44 20 7468 8276U.S.ATanya Wells+1 917 206 1685

Islamic & Indian ArtAlice Bailey+44 20 7468 8268

Japanese ArtUKSuzannah Yip+44 20 7468 8368U.S.AJeff Olson+1 212 461 6516

JewelleryUKJean Ghika+44 20 7468 8282U.S.ASusan Abeles+1 212 461 6525AUSTRALIAAnellie Manolas+61 2 8412 2222HONG KONGGraeme Thompson+852 3607 0006

Marine ArtUKVeronique Scorer+44 20 7393 3962U.S.AGregg Dietrich+1 917 206 1697

Mechanical MusicJon Baddeley+44 20 7393 3872

Modern, Contemporary & Latin American ArtU.S.AAlexis Chompaisal+1 323 436 5469

Modern DesignGareth Williams+44 20 7468 5879

Motor CarsUKTim Schofield+44 20 7468 5804U.S.AMark Osborne+1 415 503 3353EUROPEPhilip Kantor+32 476 879 471

AutomobiliaUKToby Wilson+44 8700 273 619U.S.AKurt Forry+1 415 391 4000

MotorcyclesBen Walker+44 8700 273616AutomobiliaAdrian Pipiros+44 8700 273621

Musical InstrumentsPhilip Scott+44 20 7393 3855

Native American ArtJim Haas+1 415 503 3294

Natural HistoryU.S.AClaudia Florian+1 323 436 5437

Old Master PicturesUKAndrew Mckenzie+44 20 7468 8261U.S.AMark Fisher+1 323 436 5488

Orientalist ArtCharles O’Brien+44 20 7468 8360

PhotographyU.S.AJudith Eurich+1 415 503 3259

Portrait MiniaturesJennifer Tonkin+44 20 7393 3986

PrintsUKRupert Worrall+44 20 7468 8262U.S.AJudith Eurich+1 415 503 3259

Russian ArtUKSophie Law+44 20 7468 8334U.S.AYelena Harbick+1 212 644 9136

Scientific InstrumentsJon Baddeley+44 20 7393 3872U.S.A.Jonathan Snellenburg+1 212 461 6530

Scottish PicturesChris Brickley+44 131 240 2297

Silver & Gold BoxesUKMichael Moorcroft+44 20 7468 8241U.S.AAileen Ward+1 800 223 5463

South African ArtGiles Peppiatt+44 20 7468 8355

Sporting GunsPatrick Hawes+44 20 7393 3815

Toys & DollsLeigh Gotch+44 20 8963 2839

Travel PicturesVeronique Scorer+44 20 7393 3962

Urban ArtGareth Williams+44 20 7468 5879

Watches & WristwatchesUKPaul Maudsley+44 20 7447 7412U.S.A.Jonathan Snellenburg+1 212 461 6530HONG KONGNick Biebuyck+852 2918 4321

WhiskyUKMartin Green+44 1292 520000U.S.AJoseph Hyman+1 917 206 1661HONG KONGDaniel Lam+852 3607 0004

WineUKRichard Harvey+44 (0) 20 7468 5811U.S.ADoug Davidson+1 415 503 3363HONG KONGDaniel Lam+852 3607 0004

To e-mail any of the below use the first name dot second name @bonhams.com eg. [email protected]

SD07/05/14

UNITED KINGDOM

London101 New Bond Street •London W1S 1SR+44 20 7447 7447+44 20 7447 7400 fax

Montpelier Street •London SW7 1HH+44 20 7393 3900+44 20 7393 3905 fax

South East England

Brighton & Hove19 Palmeira SquareHove, East SussexBN3 2JN+44 1273 220 000+44 1273 220 335 fax

Guildford Millmead,Guildford,Surrey GU2 4BE+44 1483 504 030+44 1483 450 205 fax

Isle of Wight+44 1273 220 000

Representative:KentGeorge Dawes+44 1483 504 030

West SussexJeff Burfield+44 1243 787 548

South WestEngland

Bath Queen Square HouseCharlotte StreetBath BA1 2LL+44 1225 788 988+44 1225 446 675 fax

Cornwall – Truro 36 Lemon StreetTruroCornwallTR1 2NR+44 1872 250 170+44 1872 250 179 fax

ExeterThe LodgeSouthernhay West Exeter, DevonEX1 1JG+44 1392 425 264 +44 1392 494 561 fax

WinchesterThe Red HouseHyde StreetWinchesterHants SO23 7DX+44 1962 862 515+44 1962 865 166 fax

Tetbury22a Long StreetTetburyGloucestershireGL8 8AQ+44 1666 502 200+44 1666 505 107 fax

Representatives:DorsetBill Allan+44 1935 815 271

East Anglia

Bury St. Edmunds21 Churchgate StreetBury St EdmundsSuffolk IP33 1RG+44 1284 716 190+44 1284 755 844 fax

NorfolkThe Market PlaceReephamNorfolk NR10 4JJ+44 1603 871 443+44 1603 872 973 fax

Midlands

Knowle The Old HouseStation RoadKnowle, SolihullWest MidlandsB93 0HT+44 1564 776 151+44 1564 778 069 fax

Oxford •Banbury RoadShipton on CherwellKidlington OX5 1JH+44 1865 853 640+44 1865 372 722 fax

Yorkshire & North East England

Leeds 30 Park Square West Leeds LS1 2PF+44 113 234 5755+44 113 244 3910 fax

North West England

Chester New House150 Christleton RoadChester, CheshireCH3 5TD+44 1244 313 936+44 1244 340 028 fax

Carlisle48 Cecil StreetCarlisle, CumbriaCA1 1NT+44 1228 542 422+44 1228 590 106 fax

ManchesterThe Stables213 Ashley RoadHale WA15 9TB+44 161 927 3822+44 161 927 3824 fax

Channel Islands

Jersey39 Don StreetSt.HelierJE2 4TR+44 1534 722 441+44 1534 759 354 fax

Representative:Guernsey+44 1481 722 448

Scotland

Edinburgh •22 Queen StreetEdinburghEH2 1JX+44 131 225 2266+44 131 220 2547 fax

Glasgow176 St. Vincent Street,GlasgowG2 5SG+44 141 223 8866+44 141 223 8868 fax

Representatives:Wine & SpiritsTom Gilbey+44 1382 330 256

Wales

Cardiff7-8 Park Place,Cardiff CF10 3DP+44 2920 727 980+44 2920 727 989 fax

EuropE

Austria - ViennaTuchlauben 81010 ViennaAustria+43 (0)1 403 00 [email protected]

Belgium - BrusselsBoulevard Saint-Michel 1011040 Brussels+32 (0)2 736 5076+32 (0)2 732 5501 [email protected]

France - Paris4 rue de la Paix 75002 Paris +33 (0)1 42 61 1010 +33 (0)1 42 61 1015 [email protected]

Germany - CologneAlbertusstrasse 2650667 Cologne+49 (0)221 2779 9650+49 (0)221 2779 9652 [email protected]

Germany - MunichMaximilianstrasse 5280538 Munich+49 (0) 89 2420 5812+49 (0) 89 2420 7523 [email protected]

Greece - Athens7 Neofytou Vamva Street10674 Athens+30 (0) 210 3636 [email protected]

Ireland - Dublin31 Molesworth StreetDublin 2+353 (0)1 602 0990+353 (0)1 4004 140 [email protected]

Italy - MilanVia Boccaccio 2220123 Milano+39 (0)2 4953 9020+39 (0)2 4953 9021 [email protected]

Italy - RomeVia Sicilia 5000187 Rome+39 (0)6 48 5900+39 (0)6 482 0479 [email protected]

Netherlands - AmsterdamDe Lairessestraat 1541075 HL Amsterdam+31 20 67 09 701+31 20 67 09 702 [email protected]

Spain - MadridNuñez de Balboa no.4 - 1AMadrid28001+34 91 578 17 [email protected]

Switzerland - GenevaRue Etienne-Dumont 101204 GenevaSwitzerland +41 76 379 [email protected]

Representatives: DenmarkHenning Thomsen+45 4178 [email protected]

Spain – BilbaoTeresa Ybarra+34 680 34 76 [email protected]

Spain - MarbellaJames Roberts+34 952 90 62 [email protected]

PortugalFilipa Rebelo de Andrade+351 91 921 [email protected]

Russia - Moscow Anastasia Vinokurova+7 964 562 [email protected]

Russia - St PetersburgMarina Jacobson+7 921 555 [email protected]

MIDDLE EAST

DubaiDeborah Najar+971 (0)56 113 [email protected]

IsraelJoslynne Halibard+972 (0)54 553 [email protected]

NorTh AMErIcA

USA

San Francisco •220 San Bruno AvenueSan FranciscoCA 94103+1 (415) 861 7500+1 (415) 861 8951 fax

Los Angeles •7601 W. Sunset BoulevardLos AngelesCA 90046+1 (323) 850 7500+1 (323) 850 6090 fax

New York •580 Madison AvenueNew York, NY10022+1 (212) 644 9001+1 (212) 644 9007 fax

Representatives: Arizona Terri Adrian-Hardy+1 (480) 994 5362

CaliforniaCentral ValleyDavid Daniel+1 (916) 364 1645

Southern CaliforniaChristine Eisenberg+1 (949) 646 6560

ColoradoJulie Segraves+1 (720) 355 3737

FloridaPalm Beach +1 (561) 651 7876Miami +1 (305) 228 6600Ft. Lauderdale +1 (954) 566 1630

GeorgiaMary Moore Bethea+1 (404) 842 1500

IllinoisRicki Blumberg Harris+1 (312) 475 3922+1 (773) 267 3300

MassachusettsBoston/New EnglandAmy Corcoran+1 (617) 742 0909

NevadaDavid Daniel+1 (775) 831 0330

New MexicoLeslie Trilling+1 (505) 820 0701

OregonSheryl Acheson+1(503) 312 6023

PennsylvaniaMargaret Tierney+1 (610) 644 1199

TexasAmy Lawch+1 (713) 621 5988

Washington Heather O’Mahony+1 (206) 218 5011

Washington DCMid-Atlantic RegionMartin Gammon+1 (202) 333 1696

CANADA

Toronto, Ontario • Jack Kerr-Wilson20 Hazelton AvenueToronto, ONTM5R 2E2+1 (416) 462 [email protected]

Montreal, QuebecDavid Kelsey+1 (514) 341 [email protected]

SouTh AMErIcA

ArgentinaDaniel Claramunt+54 11 479 37600

BrazilThomaz Oscar Saavedra+55 11 3031 4444+55 11 3031 4444 fax

ASIA

Hong Kong • Suite 2001One Pacific Place88 QueenswayAdmiraltyHong Kong+852 2918 4321+852 2918 4320 [email protected]

BeijingHongyu YuSuite 511Chang An Club10 East Chang An AvenueBeijing 100006+86(0) 10 6528 0922+86(0) 10 6528 0933 [email protected]

JapanAkiko TsuchidaLevel 14 Hibiya Central Building1-2-9 Nishi-ShimbashiMinato-kuTokyo 105-0003+81 (0) 3 5532 8636+81 (0) 3 5532 8637 [email protected]

SingaporeBernadette Rankine11th Floor, Wisma Atria435 Orchard RoadSingapore 238877+65 (0) 6701 8038+65 (0) 6701 8001 [email protected]

TaiwanSummer Fang37th Floor, Taipei 101 TowerNor 7 Xinyi Road, Section 5Taipei, 100+886 2 8758 2898+886 2 8757 2897 [email protected]

AuSTrALIA

Sydney76 Paddington StreetPaddington NSW 2021Australia+61 (0) 2 8412 2222+61 (0) 2 9475 4110 [email protected]

MelbourneComo HouseCnr Williams Road& Lechlade AvenueSouth Yarra VIC 3141

AfrIcA

NigeriaNeil Coventry+234 (0)7065 888 [email protected]

South Africa - JohannesburgPenny Culverwell+27 (0)71 342 [email protected]

International Salerooms, Offices and Associated Companies (• Indicates Saleroom)

G-NET/9/14

136 | BONHAMS

Sale title: Sale date:

Sale no. Sale venue:

Customer Number Title

First Name Last Name

Company name (to be invoiced if applicable)

Address

City County / State

Post / Zip code Country

Telephone mobile Telephone daytime

Telephone evening Fax

Preferred number(s) in order for Telephone Bidding (inc. country code)

E-mail (in capitals)

I am registering to bid as a private client I am registering to bid as a trade client

If registered for VAT in the EU please enter your registration here:

/ - -

This sale will be conducted in accordance with Bonhams’ Conditions of Sale and bidding and buying at the Sale will be regulated by these Conditions. You should read the Conditions in conjunction with the Sale Information relating to this Sale which sets out the charges payable by you on the purchases you make and other terms relating to bidding and buying at the Sale. You should ask any questions you have about the Conditions before signing this form. These Conditions also contain certain undertakings by bidders and buyers and limit Bonhams’ liability to bidders and buyers.

Data protection – use of your informationWhere we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected].

Credit and Debit Card Payments There is no surcharge for payments made by debit cards issued by a UK bank. All other debit cards and all credit cards are subject to a 2% surcharge on the total invoice price.

Notice to Bidders.Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on the company’s behalf. Failure to provide this may result in your bids not being processed. For higher value lots you may also be asked to provide a bank reference.

If successful

I will collect the purchases myself

Please contact me with a shipping quote (if applicable)

Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding)Please circle your bidding method above.

Paddle number (for office use only)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

Please indicate Telephone or Absentee (T / A)

NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form.Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560.

If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids.

General Bid Increments:£10 - 200 .....................by 10s£200 - 500 ...................by 20 / 50 / 80s£500 - 1,000 ................by 50s£1,000 - 2,000 .............by 100s£2,000 - 5,000 .............by 200 / 500 / 800s£5,000 - 10,000 ...........by 500s

£10,000 - 20,000 .........by 1,000s£20,000 - 50,000 .........by 2,000 / 5,000 / 8,000s£50,000 - 100,000 .......by 5,000s£100,000 - 200,000 .....by 10,000sabove £200,000 ...........at the auctioneer’s discretion

Telephone or Absentee (T / A) Lot no. Brief description

MAX bid in GBP (excluding premium & VAT)

Covering bid*

The auctioneer has discretion to split any bid at any time.

Please note that all telephone calls are recorded.

FOR WINE SALES ONLY

Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)

* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding.

UK/05/14

Please tick if you have registered with us before

By providing your email address above, you authorise Bonhams to send you marketing material and news concerning Bonhams and partner organisations. Bonhams does not sell or trade email addresses.

Fine Art and Antiques including SilverTuesday 14 October 2014Wednesday 15 October 2014

21837 Oxford

FINE ART AND ANTIQUES INCLUDING SILVERTuesday 14 October 2014Wednesday 15 October 2014Oxford

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BonhamsBanbury RoadShipton on CherwellKidlingtonOxford OX5 1JH +44 (0) 1865 853 640+44 (0) 1865 372 722 (fax)

International Auctioneers and Valuers – bonhams.com

FINE ART AND ANTIQUES INCLUDING SILVER Bonhams...A RUSSIAN SILVER FILIGREE CIGARETTE CASE maker’s...

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Transcript of FINE ART AND ANTIQUES INCLUDING SILVER Bonhams...A RUSSIAN SILVER FILIGREE CIGARETTE CASE maker’s...