Fine American & European Paintings

Fine American & European Paintings12/04/11

JAMES ABBOTT MCNEILLWHISTLER(american 1834-1903)“BLUE AND OPAL - THEPHOTOGRAPHER”Watercolor on paper4 15/16 x 8 1/2 in. (12.4 x 21.6cm)Painted circa 1885

Sunday, December 4th at 2pm

Sale 1416

Exhibitions:Thursday, December 1st and Friday, December 2nd10am-5pm

Saturday, December 3rdNoon-5pm

Inquiries:alasdair nicholdirect tel: [email protected]

david weissdirect tel: [email protected]

maya o’donnell-shahdirect tel: [email protected]

Bidding:

bridgette bonner

tel: 267.414.1208

fax: 215.599.2240

[email protected]

Catalogue $35

Inside Front Cover: Lot 68 (detail)Inside Back Cover: Lot 128 (detail)

Fine American & European Paintings 12/04/11

Samuel T Freeman & Co.1808 Chestnut Street

Philadelphia, PA 19103

Telephone: 215.563.9275

Fax: 215.563.8236

126 Garrett Street

Charlottesville, VA 22902

Telephone: 434.296.4096

Fax: 434.296.4011

45 School Street

Boston, MA 02108

Telephone: 617.367.3400

1930 Cahaba Rd.

Mountain Brook, AL 35223

Telephone: 205.803.4949

www.freemansauction.com

Printing by Brilliant Studio

Exton, Pennsylvania

Color images of every lot are

available at

www.freemansauction.com

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free≤an’sfine american & european paintings & sculpture

12/04/11

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Important Informationfor Buyers

Registration

Buyer’s Premium

Sales Tax

Catalogue Descriptions

Bidding

Payment

Removal of Purchases

Shipping and Packing

All potential buyers must register for the sale prior to placing a bid.Registration information may be submitted in person at our reception desk,by fax or through our website at www.freemansauction.com. We will requireproof of identification and residence and may require a credit card and/or abank reference. By registering for the sale, the buyer acknowledges that heor she has read, understood and accepted Freeman’s Terms and Conditionsof Sale.

A Buyer’s Premium will be added to the successful bid price and is payableby the buyer as part of the total purchase price. The Buyer’s Premium shallbe: 25% on the first $20,000 of the hammer price of each lot, 20% on theportion from $20,001 through $500,000, and 12% on the portion of thehammer price exceeding $500,000.

All items in the catalogue are subject to the 8% Pennsylvania andPhiladelphia sales tax. Dealers purchasing for resale must register their taxnumbers on current PA forms. Forms should be submitted to our ClientServices office on the second floor.

All item descriptions, dimensions and estimates are provided for guidanceonly. It is the buyer’s responsibility to inspect all lots prior to bidding toensure that the condition is to their satisfaction. If potential buyers areunable to inspect lots in person, our specialists will be happy to preparedetailed Condition Reports on individual lots as quickly as possible. Theseare for guidance only, and all lots will be sold “as is” as per our Terms andConditions of Sale.

At the sale Registered bidders will be assigned a bidder number and given apaddle for use at the sale. Once the first bid has been placed, theauctioneer asks for higher bids in increments determined by the auctioneer.To place your bid, simply raise your paddle until the auctioneeracknowledges you. The auctioneer will not mistake a random gesture for abid.By phone A limited number of telephone lines are available for bidding byphone through a Freeman’s representative. Phone lines must be reserved inadvance. Requests must be submitted no later than 24 hours prior to thescheduled start of the sale.In writing Bid forms are available in the sale room and at the back of thecatalogue. These should be submitted in person, by mail or by fax no laterthan one hour prior to the scheduled start of the sale. The auctioneer willbid on your behalf up to the limit indicated, but is not responsible for errorsor failure to execute bids.On the internet A fully-illustrated catalogue is available on-line atwww.freemansauction.com. Registered bidders may leave absentee bidsthrough the web site and will receive email confirmation of their bid.Freeman’s is not responsible for errors or failure to execute bids.

Lots purchased will not be released until we have received full payment.Payment may be made in cash, by check, money order, or debit card.Payments by check must clear the bank before goods will be released.

Deliveries will not be made during the time of the sale unless otherwiseindicated by the auctioneer. All items must be paid for and removed by December 14th at 3pm. Purchases not so removed may be turned over to alicensed warehouse at the expense and risk of the purchaser.

Responsibility for packing, shipping and insurance shall be exclusively thatof the purchaser. Upon request, Freeman’s will provide the purchaser withnames of professional packers and shippers known to us.


European Paintings

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1 11-1711/4PAUL SEIGNAC(french 1826-1904)THE PEA PICKERSSigned ‘Seignac’ bottom left, oil oncradled panel18 x 22 in. (45.7 x 55.9cm)provenance:Private Collection, Pennsylvania.$5,000-8,000

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2 11-1955/1GUSTAVE DORÉ(french 1832-1883)“DOUBTING, DREAMING DREAMS NO MORTAL EVERDARED TO DREAM BEFORE”Signed ‘G. Doré’ bottom right, inkand wash heightened with white on paper laid to card20 1/2 x 14 in (52.1 x 35.6cm)provenance:Private Collection, Ohio.literature:Edgar Allen Poe, The Raven, New York, 1884 (illus.)note:The present work was done as an illustration for The Raven by Edgar Allen Poe.$4,000-6,000

3 11-2260/1HENRI JOSEPH HARPIGNIES(french 1819-1916)VIEW OF A TOWNSigned ‘h. harpignies’ bottom right,watercolor on paper9 1/4 x 13 3/8 in. (23.5 x 34cm)provenance:An Estate, North Carolina.$1,000-1,500

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4 11-8041/4MARIE DIETERLE(french 1856-1935)CATTLE WATERINGSigned ‘Marie Dieterle’ bottom left,oil on canvas30 1/4 x 23 1/2 in. (76.8 x 59.7cm)provenance:Private Collection, Virginia.$2,000-3,000

5 11-2258/2GAETANO CAPONE(italian 1845-1920)AN AFTERNOON PROMENADESigned ‘G. Capone fr’ bottom left, oilon canvas46 x 35 in. (116.8 x 88.9cm)provenance:An Estate, North Carolina.$4,000-6,000

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6 OWNED/416CHARLES LEICKERT(belgian 1816-1907)FIGURES IN A WINTERLANDSCAPE WITH WINDMILLSSigned ‘Ch Leickert f’ bottom right,oil on panel, unframed7 7/8 x 10 1/2 in. (20 x 26.7cm)provenance:Private Collection, New York.$5,000-8,000

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7 11-8063/1FRANZ XAVER PETTER(austrian 1791-1866)STILL LIFE WITH ROSES ANDTULIPS WITH PARROT IN A BRASSVASESigned and dated ‘Franz Xav. Petter1834’ lower right, oil on canvas27 x 22 in. (71.1 x 58.4cm)provenance:Frost & Reed Ltd., London.Private Collection, Virginia.$15,000-25,000

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8 11-1689/1ATTRIBUTED TO HENRY ALKEN(british 1785-1851)“THE DOVER TO LONDON COACHAT A HALT BY A COTTAGE IN THESNOW”Oil on panel13 x 16 in. (33 x 40.6cm)provenance:Sotheby’s New York, sale of May 27,2004, lot 203.Acquired from the above sale by thepresent owner.Private Collection, Pennsylvania.$2,000-3,000

9 11-2236/1ALFRED EDWARD EMSLIE(british 1848-1918)“THE PHRENOLOGIST”Signed ‘AE Emslie’ bottom right,indistinctly signed and inscribedwith title on partial label verso,watercolor on paper12 3/4 x 18 in. (32.4 x 45.7cm)provenance:Private Collection, United Kingdom.$1,000-1,500

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10 11-1323/1JOHN PHILLIP(british 1817-1867)GYPSY WOMEN BY A CAMPFIRESigned ‘J Phillip’ bottom left, oil oncanvas25 1/4 x 30 1/4 in. (64.1 x 76.8cm)provenance:Private Collection, New Jersey.$2,000-3,000


11 11-2068/1JOSE TAPIRO Y BARO(spanish 1830-1913)THE TAMBOURINE PLAYERSigned ‘J Tapiro’ bottom left,watercolor and gouache on paper16 x 10 5/8 in. (40.6 x 27cm)$2,500-4,000

12 11-1711/5EUGENIO ZAMPIGHI(italian 1859-1944)IN THE HAREMSigned ‘E Zampighi’ bottom right,watercolor on paper, in anOrientalist frame20 1/2 x 28 3/4 in. (52.1 x 72cm)provenance:Private Collection, Pennsylvania.$4,000-6,000

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13 11-1784/1EUGENE FROMENTIN(french 1820-1876)“BORDS DU NIL”Signed and dated ‘Eug. Fromentin1850’ bottom right, oil on canvas22 1/2 x 34 in. (57.2 x 86.4cm)provenance:Private Collection, Pennsylvania.note:We would like to thank Dr. JamesThompson for his assistancecataloguing this lot. Dr. Thompsonhas verified the authenticity of thiswork on the basis of photographsand has suggested that this workwas executed during the artist’ssecond trip to Algeria.$30,000-50,000

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14 11-1990/51GIUSEPPE GABANI(italian 1846-1899)ARAB HORSEMEN IN A BUSYSTREETSigned ‘Gabani’ bottom right, oil onpanel11 1/4 x 19 1/4 in. (28.6 x 48.9cm)provenance:Rosenbach Galleries, Philadelphia,Pennsylvania.An Estate, New Jersey.$12,000-18,000

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15 10-2333/1VICTOR PIERRE HUGUET(french 1835-1902)AT THE WELLSigned ‘V. Huguet’ bottom left, oilon canvas, unframed21 3/4 x 18 1/4 in. (55.2 x 46.4cm)provenance:Private Collection, New Jersey.$10,000-15,000

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16 11-8069/2JEAN ALBERT POUGNY(russian/french 1894-1956)“ESPLANADE DE CANNES”Signed ‘Pougny’ bottom right, alsoinscribed with title verso, oil withtraces of pencil on canvas laid downon board8 x 11 1/4 in. (20.3 x 28.6cm)provenance:Private Collection, New York City,New York.$4,000-6,000

17 11-8031/16RENÉE O’CONOR (HONTA)(french 1894-1950)“BRITTANY LANDSCAPE”With the ‘ATELIER O’CONOR’stamp verso, oil on canvas22 x 18 in. (55.9 x 45.7cm)provenance:Crane Kalman Gallery, London,United Kingdom.M. Knoedler, New York City, NewYork.Private Collection, Virginia.note:We would like to thank Dr. RoyJohnston for his assistancecataloguing this lot.Formerly attributed to RodericO’Conor, this work is now believedto have been painted by his wife,Renée Honta.This painting will be accompaniedby a letter discussing this worksigned by Dr. Roy Johnston.$2,000-3,000

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18 11-8031/10ARODERIC O’CONOR(irish 1860-1940)“STILL LIFE - APPLES AND PEARS IN A BOWL”With the ‘ATELIER O’CONOR’ stamp verso, oil onboard (Carton Pochade No. 8)14 x 18 in. (35.6 x 45.7cm)provenance:The Solomon Gallery, Dublin, Ireland.Private Collection, Virginia.note:We would like to thank Dr. Roy Johnston for hisassistance cataloguing this lot.This painting will be accompanied by a letterdiscussing this work signed by Dr. Roy Johnston.$30,000-50,000

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19 11-8031/10BRODERIC O’CONOR(irish 1860-1940)“FLEURS DANS UN VASE”Signed ‘O’Conor’ bottom right, oil on panel16 x 13 in. (40.6 x 33cm)provenance:Private Collection, Virginia.note:We would like to thank Dr. RoyJohnston for his assistancecataloguing this lot.This painting will be accompaniedby a letter discussing this worksigned by Dr. Roy Johnston.$25,000-40,000

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20 11-2281/1GERARD SEKOTO(south african 1913-1993)MARKET SCENESigned ‘G SEKOTO’ bottom right, oil on canvas25 1/2 x 31 1/8 in. (64.8 x 79.1cm)provenance:Acquired by the present owner’s mother circa late 1950’s.By descent in the family.An Estate, Philadelphia.exhibited:(Possibly) ‘Paintings, Sculpture and Folk Art from Thirty-NineMember Countries of the United Nations,’ Festival Galleries,New York City, New York, October 24-November 23, 1958.$30,000-50,000

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American Paintings


21 11-2203/2FRANK HENRY SHAPLEIGH(american 1842-1906)“VIEW OF THE PRESIDENTIALRANGE AND VALLEY”Signed and dated ‘F. H. Shapleigh1888’ bottom right, oil on canvas20 x 30 in. (50.8 x 76.2cm)provenance:Private Collection, New Hampshire.$4,000-6,000

22 11-2203/1FRANK HENRY SHAPLEIGH(american 1842-1906)“THE PRESIDENTIAL RANGE FROMOLD LOGGING CAMP, NEARCRAWFORD HOUSE”Signed and dated ‘F. H. Shapleigh1885’ bottom right, inscribed withtitle and signed verso, oil on canvas22 x 36 in. (55.9 x 91.4cm)provenance:Private Collection, New Hampshire.$3,000-5,000

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23 11-2203/13BENJAMIN CHAMPNEY(american 1817-1907)“UNDER THE WILLOWS”Signed and dated ‘B Champney 77’bottom right, oil on canvas20 x 16 in. (50.8 x 40.6cm)provenance:Private Collection, New Hampshire.$4,000-6,000

24 11-2203/12BENJAMIN CHAMPNEY(american 1817-1907)“CONWAY MEADOWS AND MT.WASHINGTON”Signed and dated ‘B Champney1872’ bottom right, oil on canvas15 x 25 in. (38.1 x 63.5cm)provenance:Country Art Gallery (according topartial label verso).Vose Galleries, Boston,Massachusetts.Private Collection, New Hampshire.exhibited:‘Incomparable Scenery: ComparativeViews In The White Mountains,’Belknap Mill Society, Laconia, NewHampshire, September 30, 1999.$6,000-8,000

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25 11-2203/3SAMUEL LANCASTER GERRY(american 1813-1891)“ECHO LAKE, WHITE MOUNTAIN,NEW HAMPSHIRE”Oil on canvas21 3/4 x 30 in. (55.3 x 76.2cm)provenance:Private Collection, New Hampshire.$4,000-6,000

26 11-2203/5SAMUEL LANCASTER GERRY(american 1813-1891)“STARR KING VIEW, WESTCOMPTON NH”Signed ‘S L Gerry’ bottom right, oilon canvas12 x 18 in. (30.5 x 45.7cm)Painted circa 1877provenance:Vose Galleries, Boston,Massachusetts.Private Collection, New Hampshire.$2,000-3,000

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27 11-2203/6SAMUEL LANCASTER GERRY(american 1813-1891)VIEW OF THE WHITEMOUNTAINS, NEW HAMPSHIRESigned ‘S. L. Gerry’ bottom left, oilon canvas20 x 30 in. (50.8 x 76.2cm)provenance:Private Collection, New Hampshire.$4,000-6,000

28 11-2203/4SAMUEL LANCASTER GERRY(american 1813-1891)PROFILE LAKE, FRANCONIA, NEWHAMPSHIRESigned ‘SL GERRY’ bottom right, oilon canvas20 x 30 in. (50.8 x 76.2cm)provenance:Private Collection, New Hampshire.$3,000-5,000

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29 11-2203/8WILLIAM PRESTON PHELPS(american 1848-1923)“NEW ENGLAND WINTER SCENE”Signed ‘W. P. Phelps’ bottom left, oilon canvas28 1/2 x 48 in. (72.4 x 121.9cm)provenance:Vose Galleries, Boston,Massachusetts.Private Collection, New Hampshire.$6,000-8,000

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30 11-2203/7WILLIAM PRESTON PHELPS(american 1848-1923)“THE ROAD HOME”Signed ‘W P Phelps’ bottom right, oilon canvas28 1/4 x 48 in. (71.8 x 121.9cm)provenance:Private Collection, New Hampshire.$6,000-8,000


31 11-2203/9WILLIAM PRESTON PHELPS(american 1848-1923)AT THE PLOUGHSigned ‘W. P. Phelps’ bottom left, oilon canvas30 x 50 in. (76.2 x 127cm)provenance:Private Collection, New Hampshire.$10,000-15,000

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32 11-2203/11WILLIAM PRESTON PHELPS(american 1848-1923)TENDING THE CATTLESigned ‘W. P. Phelps’ bottom left, oilon canvas18 1/2 x 34 in. (47 x 86.4cm)provenance:Private Collection, New Hampshire.$4,000-6,000

33 11-2203/10WILLIAM PRESTON PHELPS(american 1848-1923)“WINTER IN NEW HAMPSHIRE”Signed ‘W. P. Phelps’ bottom right,oil on canvas35 x 26 1/2 in. (88.9 x 67.3cm)provenance:Grand Central Art Galleries, NewYork City, New York.Private Collection, New Hampshire.$10,000-15,000

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34 11-2203/15HARRISON BIRD BROWN(american 1831-1915)VIEW OF CONWAY, NEWHAMPSHIRESigned with initials ‘HBB’ bottomright, oil on canvas20 x 32 3/4 in. (50.8 x 83.2cm)provenance:Private Collection, New Hampshire.$5,000-7,000

35 11-2203/14THOMAS HILL(american 1829-1908)VIEW OF GOODRICH FALLS, NEWHAMPSHIRESigned and dated ‘T Hill 1881’ lowerright, oil on canvas25 x 21 in. (63.5 x 53.3cm)provenance:Private Collection, New Hampshire.$6,000-8,000

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36 11-2055/1WILLIAM LOUIS SONNTAG(american 1822-1900)EXTENSIVE LANDSCAPE WITHFIGURES IN THE FOREGROUNDSigned, inscribed and dated ‘W. L.Sonntag / Cin. O. 1852’ verso, oil oncanvas25 x 36 in. (63.5 x 91.4cm)$18,000-25,000

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37 11-1796/2FREDERICK DEBOURG RICHARDS(american 1822-1903)A PANORAMIC LANDSCAPESigned ‘F. De B Richards’ bottomright, oil on canvas30 1/4 x 50 in. (76.8 x 127cm)note:It has been suggested that this view depicts the Juniata River inMiddleton, Pennsylvania.$3,000-5,000

38 11-1795/2ARTHUR PARTON(american 1842-1914)CHERRY BLOSSOM BY A RIVERSigned ‘Arthur Parton’ bottom right,oil on canvas18 x 24 in. (45.7 x 61cm)$5,000-8,000

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39 11-2051/1EDMUND DARCH LEWIS(american 1835-1910)CATTLE WATERING AT SUNSETSigned and dated ‘Edmund D. Lewis 1857’bottom left, oil on canvas18 x 28 in. (45.7 x 71.1cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

40 11-1496/1WILLIAM TROST RICHARDS(american 1833-1905)“SPRING SIDE (SIC) AT MALIN - IRELAND”Signed and dated ‘Wm T. Richards 91’bottom right, watercolor with traces of pencilon paper14 x 26 in. (53.6 x 66cm) (sight)provenance:J.J. Gillespie, Pittsburgh, Pennsylvania.Private Collection, Pittsburgh, Pennsylvania.By descent in the family to the presentowner.Private Collection, Pennsylvania.$2,500-4,000

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41 11-1552/1RUSSELL SMITH(american 1812-1896)“JONES MEADOW, PHILADELPHIA”Signed with initials ‘RS’ bottom right, oil onboard12 x 18 in. (30.5 x 45.7cm)provenance:Private Collection, Pennsylvania.literature:Virginia E. Lewis, Russell Smith: RomanticRealist, University of Pittsburgh Press,Pennsylvania, p. 248.note:According to a label verso, the work datesfrom 1836 and was presented to thePhiladelphia School of Design for Women in1894.$1,200-1,800


42 11-2237/1JOHN FREDERICK PETO(american 1854-1907)STILL LIFE WITH CANDLESTICK,BRASS, SEWING KETTLE ANDSAUCE BOATOil on canvas10 1/4 x 16 in. (26 x 40.6cm)provenance:The artist.To a private collector, Island Heights,New Jersey.By descent in the family to thepresent owner.Private Collection, New Jersey.$12,000-18,000

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43 11-2282/3JOHN FREDERICK PETO(american 1854-1907)STUDY FOR A BOARD PAINTINGOil on canvas22 x 16 in. (55.9 x 40.6cm)provenance:Gift of the artist to James G. Bryant.Sotheby’s Arcade, sale of May 5,1991, lot 80.Butterfield’s, sale of November 13,1991, lot 2603.Christie’s East, sale of December 2,1992, lot 127.Acquired from the above sale by thepresent owner.Property of a Private SouthernCollection.$10,000-15,000

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44 11-1073/54SEVERIN ROESEN(american circa 1815-1872)ABUNDANT STILL LIFE WITH FRUIT AND GLASS OF WINEOil on canvas28 3/4 in. x 36 in. (73 x 91.4cm)provenance:Property of Mr. and Mrs. Robert Fisher, Williamsport, Pennsylvania.Sotheby's Parke Bernet, sale of January 24, 1974, lot 556.The Collection of the late John R. Williams.Christie's, New York, sale of October 8, 2004, lot 118.Estate of Judith Stanley Coleman, Red Bank, New Jersey.note:A letter of authenticity from Judith O'Toole dated August 30, 2009 willaccompany this lot.$15,000-25,000


46 11-2282/2ALEXANDER HARRISON(american 1853-1930)“PEACEFUL OCEAN”Signed ‘A. Harrison’ bottom right, oilon canvas17 3/4 x 29 1/2 in. (45.1 x 75cm)provenance:Sotheby’s, Los Angeles, sale ofOctober 5, 1981.Property of a Private SouthernCollection.$3,000-5,000

47 11-1774/1JOHN FRANCIS MURPHY(american 1853-1921)AN OPEN LANDSCAPESigned and dated ‘J FRANCISMURPHY 1902,’ bottom left, oil oncanvas14 x 19 in. (35.6 x 48.3cm)provenance:An Estate, Washington, D.C.$2,500-4,000

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45 11-2293/2FRANKLIN DULLIN BRISCOE(american 1844-1903)BREEZING UPSigned ‘F.D. Briscoe’ bottom right, oilon board26 1/2 x 21 1/2 in. (67.3 x 54.6cm)provenance:Private Collection, Pennsylvania.$2,000-3,000


49 11-2066/1WILLIAM E. WINNER(american 1815-1883)THE FLORAL GARLANDSigned and dated ‘W.E. Winner / Pinxit / ‘56’bottom left, oil on canvas laid down on board25 x 30 in. (63.5 x 76.2cm)provenance:McClees Galleries, Philadelphia,Pennsylvania.Private Collection, Devon, Pennsylvania.$3,000-5,000

50 11-2065/1JEROME MYERS(american 1867-1940)“BLOSSOM TIME”Signed ‘JEROME MYERS 1928’ bottom right,oil on canvas14 x 20 in. (35.6 x 50.8cm)provenance:Private Collection, New Jersey.$5,000-8,000

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48 11-8051/24FRANK DUVENECK(american 1848-1919)HARLEQUINIndistinctly inscribed and dated ‘81’ bottomcenter, oil on canvas16 3/4 x 16 in. (42.5 x 40.6cm)provenance:Christie’s, sale of March 3, 2004, lot 13. Private Collection, New York City, New York.$2,000-3,000


51 11-8056/1EDWARD CHARLES VOLKERT(american 1871–1935)“BY THE BROAD ATLANTIC”Signed ‘Edw Volkert’ bottom right,inscribed with title and signed inpencil verso, oil on board9 x 12 in. (22.9 x 30.5cm)provenance:Private Collection, Virginia.$5,000-8,000

52 11-1688/2CHURCHILL ETTINGER(american 1903-1985)ON THE SCENTSigned ‘Churchill Ettinger’ bottomright, oil on canvas20 x 24 in. (50.8 x 61cm)provenance:Private Collection, Florida.$3,000-5,000

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53 11-2280/1WALTER FARNDON(american 1876-1964)GLOUCESTERSigned ‘WALTER FARNDON N. A.’bottom right, oil on panel12 x 16 in. (30.5 x 40.6cm)provenance:A Northeastern Estate.$5,000-8,000

54 10-8109/3AUGUST FRANZEN(american 1863-1938)THE RENDEZ-VOUSSigned ‘Franzen’ bottom right, oil onpanel13 1/8 x 9 1/2 in. (33.3 x 24.1cm)(sight)provenance:Private Collection, Florida.$5,000-8,000

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Estate of Gerald Bordman

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Gerald Bordman was a champion of American musical theater, an

advocate for the fine arts and a general cultural aesthete and bon

vivant. A resident of Bala Cynwyd, a graduate of Central High School

and Lafayette College, he went on to earn a Masters and Doctorate

in Medieval Literature from the University of Pennsylvania, before

embarking on a career in the chemical field, during which he worked

for two Manayunk-based firms, belonging to his father, specializing

in air fresheners, household deodorants, mothballs and chemical

products.

It was Bordman’s knowledge of and passion for the stage and

musical theater, however, that most influenced his life. Early on, the

young Bordman accompanied his mother on weekly visits from their

home in Wynnefield to the theater in Center City, Philadelphia. A

revered author of over a dozen books on the subject of American

musicals, it is his landmark chronology tracing the origins of the

musical, The American Musical Theatre: A Chronicle, published in

1978, that remains his best known work. Hailed by Newsweek as

“absolutely the best reference book on its subject” and now in its

fourth edition, this tome – covering over 250 years of American

musical theater from its humble beginnings in the first half of the

18th century, and filling over 1000 pages – received the American

Theater Association award for Best Theater Book. Other books on

the subject written by Bordman include: American Theatre: A

Chronology of Comedy and Drama, 1914-1930; Jerome Kern: His Life and

Music; The Concise Oxford Companion to American Theatre; American

Musical Comedy: From Adonis to Dreamgirls; and American Operetta:

From H.M.S. Pinafore to Sweeney Todd. Upon leaving the moth balls

and preventatives family business to follow his musical and

theatrical passions, he commented, “I was a tired businessman, I

want to see pretty girls dancing and listen to someone singing a

Jerome Kern song.”

Bordman also travelled extensively throughout Europe, enjoying

performances in some of the leading theatrical centers in the Old

World, including Paris, Vienna and Budapest, as he later came to

display a distaste for what he perceived as increasingly profane and

radical elements characterizing American theatrical productions

which he saw as being devoid of … “zany, delightful musicals, the

airy farces (and) the lovely operettas.”

His nearly obsessive cultural passions were not limited to the stage

and theater. Bordman also demonstrated a discerning eye and

sophisticated tastes for fine American art from the late 19th and

20th centuries. Proof of the latter is evidenced by the impressive

collection of works on offer here, from major, early painters

including Joshua Shaw, Washington Allston and Thomas Cole, to

the later Ashcan artists, John Sloan and Everett Shinn, whose

penchant for theatricality in both their treatment and choice of

subject surely would have resonated with Bordman.

Carefully assembled from some of the leading New York galleries of

the day, Freeman’s is pleased to offer works from the Gerald

Bordman Collection, most of which have remained unseen by the

public for decades.


55 11-2058/114JOSHUA SHAW(american 1776-1861)FIGURES BOATING ON A LAKEOil on canvas14 1/4 x 20 in. (36.2 x 50.8cm)provenance:The Estate of Gerald M. Bordman,Bala Cynwyd, Pennsylvania.$8,000-12,000

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56 11-2058/6ROBERT SALMON(american 1775-1858)“VIEW OF A COVE”Signed with initials ‘R.S.’ bottomright; also signed, titled and dated1839 verso, oil on panel9 1/4 x 11 in. (23.5 x 28cm)provenance:The Estate of Gerald M. Bordman,Bala Cynwyd, Pennsylvania.$20,000-30,000

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57 11-2058/69ATTRIBUTED TO CHARLESLORING ELLIOT(american 1812-1868)PORTRAIT OF A MAN BELIEVEDTO BE PIERRE VAN CORTLANDT IIIOil on canvas, painted in the oval30 x 25 in. (76.2 x 63.5cm)provenance:The Estate of Gerald M. Bordman,Bala Cynwyd, Pennsylvania.$2,000-3,000

58 11-2058/67ATTRIBUTED TO EZRA AMES(american 1768-1836)PORTRAIT OF A LADY BELIEVEDTO BE BETSY MILFORD SUTLIFFOil on canvas30 x 25 in. (76.2 x 63.5cm)provenance:The Estate of Gerald M. Bordman,Bala Cynwyd, Pennsylvania.$2,000-3,000

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59 11-2058/65WASHINGTON ALLSTON(american 1779-1843)“UNA SLEEPING IN A WOOD”Oil on canvas30 x 25 in. (76.2 x 63.5cm)provenance:E.T. Hastings, Medford,Massachusetts.Mrs. John B. Hatch, Medford,Massachusetts.Miss Ruth Charlotte Dana.M. Knoedler & Co. Inc., New YorkCity, New York.Purchased from the above by thepresent owner, February 18, 1960.The Estate of Gerald M. Bordman,Bala Cynwyd, Pennsylvania.exhibited:‘Exhibition of the Works ofWashington Allston,’ BostonMuseum of Fine Arts, Boston,Massachusetts, July 18, 1881, no. 240.‘Forty American Painters’, Akron ArtInstitute, Ohio, December 1945, no. 5.literature:M. F. Sweester, Artist Biographies,Boston, Massachusetts, 1877, p. 188.Jared B. Flagg, Life and Letters ofWashington Allston, London 1893, p. 392.Edgar Preston Richardson,Washington Allston, Chicago, Illinois,p. 149, p. 152, p. 215, no, 162.$30,000-50,000

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60 11-2058/2THOMAS COLE(american 1801-1848)“PART OF THE RUINS OF KENILWORTH CASTLE”Signed ‘T. Cole’ bottom left and inscribed on partial label verso, oil on canvas16 x 22 1/4 in. (40.6 x 56.5cm)provenance:Charles M. Leupp, New York.Sale of his collection at E. H. Ludlow and Company, November 13, 1860.John Taylor Johnston (Bowman Johnson).The Estate of Gerald M. Bordman, Bala Cynwyd, Pennsylvania.note:When Thomas Cole was commissioned by Thomas H. Faile to paint anItalian coastal scene, the artist persuaded Faile to accept instead, paintingsof a favorite English site. He travelled to England in summer 1841, to paintand sketch Kenilworth Castle, which he described to his wife as ‘…country[that] was rich and beautiful … the ruins went beyond my expectations …the ivy-clad towers, roofless halls, whose floors are covered with green turfand flowers, and cropped by flocks of sheep, over which, through thedismantled windows and ragged loopholes, the sun casts his wandering rays,inspired me with a melancholy pleasure…’According to Alan Wallach, Cole completed at least four paintings and fourdrawings at Kenilworth Castle.The paintings are: 1. ‘The Ruins at Kenilworth Castle, England, 1841’, oil onmillboard (Juniata College Museum of Art, Huntingdon, PA); 2. ‘Study forRuins of Kenilworth Castle, England, circa 1842-3’ (Private Collection,location unknown); 3. ‘Ruins of Kennilworth (sic) Castle, England, 1843’(formerly in the collection of Thomas H. Faile;’ present whereaboutsunknown); 4. The present work; 5. (and a fifth work of Kenilworth Castlethat is possibly by Cole, Private Collection, Missouri); Alan Wallach has named the present painting ‘Part of the Ruins ofKenilworth Castle, England’, as that was the exact name given to it byCharles M. Leupp, a New York City businessman, financier and art collector,and the painting’s original owner who acquired this painting in 1846. The present painting derives from one of the oil sketches (number 1 and/or 2above) and a graphite drawing of the subject, entitled ‘Kenilworth Castle,Warwichshire, England, 1841’ (Founders Society Purchase, William H.Murphy Fund). As compared to the extant sketch of Kenilworth Castle (no. 1), the presentwork is ‘clear and brilliant. Brush strokes are much smaller…Forms are moreprecisely articulated, contrasts between light and dark subtler and moreattenuated. A hundred small details enhance the composition. Sheep grazewithin the ruined walls of the castle. The castle itself seems larger and moreimposing. To achieve this effect, Cole diminishes the relative size of ancillaryelements such as the wall, the figure in the foreground, and the birds circlingthe tower to the left…(with) luminous colors and convincing detail…’ (AlanWallach, letter of October 12, 2011).We wish to thank Professor Wallach for his kind assistance in cataloguingthis lot. The above referenced letter will convey with this lot and is availableto view in its entirety on our website.$200,000-300,000


61 11-2058/109THOMAS COLE(american 1801-1848)SKETCH FOR “THE ARCH OFNERO”Signed ‘Thos Cole’ bottom right,pencil on paper3 x 5 in. (7.6 x 12.7cm) (image size)5 1/8 x 6 3/8 in. (13 x 16.2cm)(sheet size)provenance:The Estate of Gerald M. Bordman,Bala Cynwyd, Pennsylvania.$1,500-2,500

62 11-2058/110ATTRIBUTED TO THOMAS COLE(american 1801-1848)HOUSE AND TREESOil with traces of pencil onunstretched canvas3 1/4 x 6 in. (8.3 x 15.2cm)provenance:The Estate of Gerald M. Bordman,Bala Cynwyd, Pennsylvania.$3,000-5,000

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63 11-2058/111JASPER FRANCIS CROPSEY(american 1823-1900)“DOUNE CASTLE, STIRLING INTHE DISTANCE”Signed and dated ‘JF Cropsey / July26 1847’ lower left, inscribed withtitle bottom left of center, pencil onpaper8 5/8 x 14 in. (21.9 x 35.6cm)provenance:The Estate of Gerald M. Bordman,Bala Cynwyd, Pennsylvania.$1,500-2,500


64 11-2058/71WILLIAM TROST RICHARDS(american 1833-1905)“NEW JERSEY FARM SCENE”Signed and dated ‘WM T. Richards82’ lower left, watercolor on paper8 5/8 x 14 in. (21.9 x 35.6cm)(sight)provenance:Robert S. Sloan Gallery, New YorkCity, New York.Purchased from the above by thepresent owner, March 1, 1966.The Estate of Gerald M. Bordman,Bala Cynwyd, Pennsylvania.$3,000-5,000

65 11-2058/7ALFRED THOMPSON BRICHER(american 1837-1908)“A SOUVENIR OF THE CATSKILLS”Signed with initials ‘A.T.B.’ bottom left, oil on board, arch form6 1/8 x 4 5/8 in. (15.6 x 11.7cm) (image)9 1/2 x 6 3/8 in. (24.1 x 16.2cm) (board)provenance:Robert S. Sloan Gallery, New York City,New York.Purchased from the above by the presentowner, March 1, 1966.The Estate of Gerald M. Bordman, Bala Cynwyd, Pennsylvania.$3,000-5,000

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66 11-2058/100JAMES HAMILTON(american 1819-1878)SHIPS PASSING AT SUNSETSigned ‘J. Hamilton’ lower left,inscribed ‘J. Hamilton / Phila 1866 /Painted for Mr. Hugh McCann’verso, oil on canvas30 x 45 in. (76.2 x 114.3cm)provenance:Kennedy Galleries Inc., New YorkCity, New York.The Estate of Gerald M. Bordman,Bala Cynwyd, Pennsylvania.$5,000-8,000

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67 11-2058/4THOMAS EAKINS(american 1844-1916)“IN THE COUNTRY, SUMMER”Inscribed verso and with ‘EakinsEstate 1939 - Babcock GalleriesAgent’ label verso, oil on board10 x 14 in. (25.4 x 35.6cm)Painted circa 1881provenance:Babcock Galleries Inc., New YorkCity, New York.Purchased from the above by thepresent owner, January 19, 1960.The Estate of Gerald M. Bordman,Bala Cynwyd, Pennsylvania.$25,000-40,000


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68 11-2058/1JAMES ABBOTT MCNEILL WHISTLER(american 1834-1903)“BLUE AND OPAL - THE PHOTOGRAPHER”Watercolor on paper4 15/16 x 8 1/2 in. (12.4 x 21.6cm)Painted circa 1885provenance:Howard Mansfield, New York.Harlow McDonald & Co., New York City, New York.Mrs. Cornelius J. Sullivan, New York, 1934-1935.(With) Macbeth Gallery, New York City, New York, 1934.E.A. Seasongood, 1935.Sold at Parke-Bernet auction, New York, 5-6 November, 1951, lot 304.Private Collection, 1951.Macbeth Gallery, New York City, New York.Private Collection, Amherst, Massachusetts, 1952.Macbeth Gallery, New York City, New York, 1956.Hirschl & Adler, New York City, New York, 1957.Acquired from the above in 1959 by the present owner.The Estate of Gerald M. Bordman, Bala Cynwyd, Pennsylvania.exhibited:London, Dowdeswell, 1886.(Possibly) Paris, 1887.New York, 1889 (where purchased by Howard Mansfield).‘Memorial Exhibition of the Works of Mr. Whistler,’ Boston, Copley Society, 1904.New York, 1984‘James McNeill Whistler: Retrospective Exhibition, 1994-95,’ Touring Exhibition; TateGallery, London, United Kingdom, October 12, 1994 - January 8, 1995; Reunion desMusées Nationaux (Musée d’Orsay), Paris, France, February 6 - April 30, 1995; NationalGallery of Art, Washington, D.C., May 28 - August 20, 1995.literature:Art Digest 1938, p. 24.Carstairs 1938, p. 18.Exhibition Catalogue, New York, 1984 (120) (illus.)Exhibition Catalogue, London, 1994 (145) (illus.)note:This work is included in the catalogue raisonné of works by James McNeill Whistlercompiled by Margaret F. MacDonald, as catalogue number 1037, (illus.)“It is possible that this watercolour yellowed after the exhibition in 1886 and this led tothe change in title in 1889; several of Whistler’s paintings suffered such sea changes. Onthe other hand, the colour scheme resembles that of other watercolours painted inDieppe and it shares their restraint and economy. Apart from the greenish, turquoise sea,there is a range of greys on the beach and figures. White was used on the water and onthe skirt. Variations were introduced by the pink of the boat and a lovely pearly green.The subject shows Whistler’s interest in recording figures not just as spots of colour orcompositional aids, but as participating in activities. Dieppe provided plenty ofopportunities to paint people at work and play. Photography was extremely popular bythe mid-eighties. High winds, sea and sand permitting, seaside photographers wereincreasingly common, although the promenade, rather than the beach was the moreusual venue. Whistler himself used photography to record and promote his work, andoccasionally as a working tool and he collected photographs of work by artists whom heparticularly admired. He discussed the possibilities of photography with friends likeDegas, but he himself does not seem to have taken photographs himself.” (MacDonald,Margaret F., James McNeill Whistler: Paintings, Pastels and Watercolours, A CatalogueRaisonné, Yale University Press, New Haven and London, 1995.)$150,000-250,000


69 11-2058/8JOHN SLOAN(american 1871-1951)“MAKING FACES”Signed and dated ‘John Sloan ‘08’lower right, oil on canvas31 x 25 1/4 in. (78.7 x 64.1cm)provenance:Kraushaar Galleries, New York City,New York.Purchased from the above by thepresent owner, March 14, 1961.The Estate of Gerald M. Bordman,Bala Cynwyd, Pennsylvania.exhibited:Carnegie Institute, 1908.National Academy of Design, NewYork City, New York, 1909.Chicago Art Institute, Chicago,Illinois, 1909.Kansas City, Missouri, 1919.‘John Sloan 1871-1951,’ WhitneyMuseum of American Art, New York City, New York, January 10 -March 2, 1952.$120,000-180,000

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70 11-2058/120JOHN SLOAN(american 1871-1951)“A BALL AT THE ACADEMY”Signed ‘John Sloan’ top left, black ink and washon paper10 1/4 x 13 in. (26 x 33cm)provenance:Kraushaar Galleries, New York City, New York.Purchased from the above by the presentowner.The Estate of Gerald M. Bordman, BalaCynwyd, Pennsylvania.literature:The Philadelphia Inquirer, January 22, 1895, p. 3.‘German American Charity Ball’ at theAcademy of Music, cover illustration.The Philadelphia Museum Bulletin, Vol. XLI, No.207, November 1945.$4,000-6,000

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71 11-2058/116WILLIAM GLACKENS(american 1870-1938)“HAVING KEPT THEM WAITINGFOR TEN MINUTES, HE DECIDESTHE SEATS ARE TOO EXPENSIVE”Signed ‘W. Glackens’ bottom left,inscribed with title in pencil bottomcenter10 5/8 x 8 3/8 in. (27 x 21.3cm)provenance:The Estate of Gerald M. Bordman,Bala Cynwyd, Pennsylvania.$2,000-3,000

72 11-2058/115WILLIAM GLACKENS(american 1870-1938)“PEPPERING THE TROOPS WITHFLOUR TO MAKE THEM LOOKTRAVEL STAINED”Signed ‘W Glackens’ bottom left,and inscribed with title in pencilbottom center, ink on paper10 5/8 x 8 1/2 in. (27 x 21.6cm)provenance:The Estate of Gerald M. Bordman,Bala Cynwyd, Pennsylvania.$1,500-2,500

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73 11-2058/3EVERETT SHINN(american 1876-1953)BANJO PLAYER ON STAGESigned and dated ‘Everett Shinn1940’ lower center left,pastel heightened with gouache on card8 x 9 7/8 in. (20.3 x 25.1cm)provenance:The Estate of Gerald M. Bordman,Bala Cynwyd, Pennsylvania.$25,000-40,000

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74 11-1786/1HUGH BOLTON JONES(american 1848-1927)AUTUMN LANDSCAPESigned ‘H. BOLTON JONES’ bottomleft, oil on canvas30 1/2 x 24 in. (77.5 x 61cm)provenance:The Collection of Frederick andKatherine Farrar.note:This lot will be sold to benefit theWestern Museum of Mining andIndustry, Colorado Springs,Colorado.$12,000-18,000

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75 11-1786/3BERT GEER PHILLIPS(american 1868-1956)“OCATILLO”Signed ‘Phillips’ bottom left anddated ‘1941’ verso, oil on board12 x 16 in. (30.5 x 40.6cm)provenance:The Collection of Frederick andKatherine Farrar.note:This lot will be sold to benefit theWestern Museum of Mining andIndustry, Colorado Springs,Colorado.$10,000-15,000

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76 11-1786/2BERT GEER PHILLIPS(american 1868-1956)“MOONLIGHT IN THE ASPENFOREST”Signed ‘Phillips’ bottom left,inscribed with title verso in pencil,oil on board13 5/8 x 10 5/8 in. (34.6 x 27cm)provenance:The Collection of Frederick andKatherine Farrar.note:This lot will be sold to benefit theWestern Museum of Mining andIndustry, Colorado Springs,Colorado.$6,000-10,000

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77 11-1786/4JOSEPH HENRY SHARP(american 1859-1953)“MOUNTAIN ASPENS HONDOCAÑON”Signed ‘J.H. SHARP’ bottom right,inscribed with title in pencil verso,also signed, inscribed and dated‘Hondo Cañon - Near Taos. PaintedOct 1924 / J H Sharp. Taos Oct 1925(sic)’ in pencil verso, oil on board16 x 19 3/4 in. (40.6 x 50.2cm)provenance:The Collection of Frederick andKatherine Farrar.note:This lot will be sold to benefit theWestern Museum of Mining andIndustry, Colorado Springs,Colorado.$20,000-30,000

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78 11-1786/6JOSEPH HENRY SHARP(american 1859-1953)“AN OLD GARDEN IN TAOS (EARLYSPRING) AND TAOS MOUNTAINS”Signed ‘J.H. SHARP’ bottom right, inscribedwith title in pencil on backboard, signed andinscribed with title in ink on label attached toverso, oil on canvas15 x 20 in. (40.6 x 61cm)provenance:The Collection of Frederick and KatherineFarrar.note:This lot will be sold to benefit the WesternMuseum of Mining and Industry, ColoradoSprings, Colorado.$20,000-30,000

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79 11-1786/7JOSEPH HENRY SHARP(american 1859-1953)“OCTOBER SNOW - TAOS VALLEY (FROM MYSTUDIO)”Signed ‘JH Sharp’ bottom right, signed, inscribedand numbered ‘175’ in pencil on backboard verso,oil on canvas20 x 24 in. (50.8 x 61cm)provenance:The Collection of Frederick and Katherine Farrar.note:This lot will be sold to benefit the WesternMuseum of Mining and Industry, ColoradoSprings, Colorado.$20,000-30,000

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80 11-1786/5JOSEPH HENRY SHARP(american 1859-1953)“COTTONWOODS AND (IVORY)ELDER, TAOS CAÑON, NEWMEXICO”Signed ‘J.H. SHARP’ bottom right,indistinctly inscribed with title inpencil on backboard verso, oil oncanvas16 x 24 in. (40.6 x 61cm)provenance:The Collection of Frederick andKatherine Farrar.note:This lot will be sold to benefit theWestern Museum of Mining andIndustry, Colorado Springs,Colorado.$20,000-30,000

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81 11-1786/8JOSEPH HENRY SHARP(american 1859-1953)“WILD ASTERS AND BURNINGBUSH - ROADWAY TO STUDIO”Signed and dated ‘JH Sharp 1925’bottom right, inscribed with titleverso and signed, inscribed anddated ‘JH Sharp Taos NM / Oct1925’ in pencil on backboard verso,oil on canvas20 x 26 in. (50.8 x 66cm)provenance:The Collection of Frederick andKatherine Farrar.note:This lot will be sold to benefit theWestern Museum of Mining andIndustry, Colorado Springs,Colorado.$20,000-30,000

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82 11-1794/1NICOLAI FECHIN(russian/american 1881-1955)SEATED FEMALE NUDESigned ‘N. Fechin’ bottom centerright, oil on canvas16 x 20 in. (40.6 x 50.8cm)provenance:Mark Zaplin Fine Art, Santa Fe, NewMexico.Acquired from the above by thepresent owner, 1986.Private Collection, Oklahoma.$80,000-120,000

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83 11-1688/1DAVID DAVIDOVICH BURLIUK(american/russian 1882-1967)BLUE AND WHITE JUG WITHFLOWERSSigned ‘David Burliuk’ bottom leftand dated ‘1945’ bottom right, oil oncanvas20 x 14 in. (50.8 x 35.6cm)provenance:Private Collection, Florida.$10,000-15,000

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85 11-1800/5DAVID DAVIDOVICH BURLIUK(american/russian 1882-1967)“PODEBRADY, CZECHOSLOVAKIA”Signed and dated ‘Burliuk 1957’bottom left, inscribed‘Czechoslovakia’ bottom left, and‘Podebrady’ bottom right, oil onboard10 1/2 x 13 3/4 in. (26.7 x 34.9cm)provenance:Verahazuk Gallery, Main Street, ColdSpring Harbor, Long Island.Private Collection, Long Island, NewYork.By descent in the family.Private Collection, Pennsylvania.$4,000-6,000

84 11-1800/4DAVID DAVIDOVICH BURLIUK(american/russian 1882-1967)MAN WITH PIGEONSSigned ‘Burliuk’ bottom right, oil onboard9 x 12 in. (22.9 x 30.5cm)provenance:Private Collection, Long Island, NewYork.By descent in the family.Private Collection, Pennsylvania.$4,000-6,000



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86 11-1800/6DAVID DAVIDOVICH BURLIUK(american/russian 1882-1967)FLOWER ABSTRACTSigned, dated and inscribed ‘Burliuk./ 1911 BR’ bottom right, oil on board20 x 16 in. (50.8 x 40.6cm)provenance:Private Collection, Long Island, NewYork.By descent in the family.Private Collection, Pennsylvania.note:Although dated 1911 by the artist, ithas been suggested that this mayhave been painted later in his career,possibly in the 1940’s.$12,000-18,000



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88 11-1800/1DAVID DAVIDOVICH BURLIUK(american/russian 1882-1967)PEASANT COUPLESigned ‘BURLIUK’ bottom right, oilon board10 x 8 in. (25.4 x 20.3cm)provenance:Private Collection, Long Island, NewYork.By descent in the family.Private Collection, Pennsylvania.$3,000-5,000

87 11-1800/2DAVID DAVIDOVICH BURLIUK(american/russian 1882-1967)VASE OF FLOWERS ON THEBEACHSigned and inscribed ‘BURLIUK /FLORIDA’ bottom right, oil on board10 x 8 in. (25.4 x 20.3cm)provenance:Private Collection, Long Island, NewYork.By descent in the family.Private Collection, Pennsylvania.$3,000-5,000


91 10-2108/5WILLIAM ZORACH(american 1887-1966)WOMAN WITH VIOLIN - PORTRAIT OF ALIX MARUCHESSSigned ‘William Zorach’ bottom right and inscribed ‘AlixMaruchess’ bottom left, black conte crayon on paper23 1/4 x 15 1/2 (59.1 x 39.4cm) (sight)provenance:Acquired from the Zorachs by Alix Maruchess.By descent in the family to her daughter who studied withWilliam Zorach at the Art Students League.By descent to her husband.Private Collection, Doylestown, Pennsylvania.note:This painting is registered with the Smithsonian Institute’sInventory of American Paintings under control numberIAP73262545.$1,000-1,500


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90 10-2108/3WILLIAM ZORACH(american 1887-1966)“ROBIN HOOD”Signed and dated ‘William Zorach 1928’ bottomright, watercolor with traces of pencil on paper14 1/2 x 21 1/4 in. (36.8 x 54cm)provenance:Acquired directly from the artist.By descent in the family.Private Collection, Doylestown, Pennsylvania.note:This painting is registered with the SmithsonianInstitute’s Inventory of American Paintings undercontrol number IAP73261964.$1,500-2,500

89 11-1800/3DAVID DAVIDOVICH BURLIUK(american/russian 1882-1967)“BRADENTON BEACH, FLORIDA”Signed and inscribed ‘Burliuk / Bradenton Beach/ FLA’ bottom left and dated ‘1946’ bottom right,watercolor on paper10 1/2 x 14 3/4 (26.7 x 37.5cm) (sight)provenance:Private Collection, Long Island, New York.By descent in the family.Private Collection, Pennsylvania.$1,500-2,500



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92 11-1557/1KARL KNATHS(american 1891-1971)“THE BARKER”Signed ‘Karl Knaths’ bottom rightand signed, titled and dated 1968and inscribed ‘Provincetown’ onstretcher verso, oil on canvas40 x 50 1/2 in. (101.6 x 128.3cm)provenance:Paul Rosenberg and Company, NewYork City, New York.Samuel T. Freeman & Co., sale ofJune 24 2001, lot 109.Private Collection, Philadelphia.Pennsylvania.$4,000-6,000



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94 11-8066/3JACK LORIMER GRAY(canadian 1927-1981)“FISHERMAN’S COVE”Signed and dated ‘Jack L Gray 1967’verso, oil on board12 x 16 in. (30.5 x 40.6cm)provenance:Quester Gallery, Stonington,Connecticut.Private Collection, Virginia.$2,000-3,000

93 11-8066/2JACK LORIMER GRAY(canadian 1927- 1981)“NOVA SCOTIA HILLSIDE”Signed and dated ‘JACK L. GRAY 50’bottom left, oil on board20 x 24 in. (50.8 x 61cm)provenance:Quester Gallery, Stonington,Connecticut.Private Collection, Virginia.$5,000-7,000



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95 11-8066/1ARTHUR GARFIELD DOVE(american 1880-1946)“FISHING BOAT AND BARGE”Signed ‘dove’ bottom left, watercolor and charcoal on paper8 5/16 x 11 3/4 in. (21.1 x 29.8cm) (image)11 x 14 in. (27.9 x 37cm) (sheet)Painted circa 1931provenance:Alfred Stieglitz.The Downtown Gallery, New York City, New York.Mark Borghi Fine Art, New York City, New York.Private Collection, Virginia.exhibited:Museum of Modern Art, New York City, New York, Circulating Exhibition(various venues) March, 1968 - May, 1969, museum no. 68.159$20,000-30,000



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96 11-2235/1CHARLES DEMUTH(american 1883-1935)“TIGHTROPE WALKER”Watercolor and pencil on paper7 3/4 x 10 1/2 in.Painted in 1916provenance:Nelle E. Mullen, Pennsylvania (Secretary, and later President, The Barnes Foundation, Merion, Pennsylvania).Acquired from the above by the present owner’s great uncle.By descent in the family.Private Collection, Pennsylvania.exhibited:Annual November Exhibition, The Demuth Museum, Lancaster, Pennsylvania, 1984-2011.‘Demuth in the City of Lights,’ The Demuth Museum, Lancaster,Pennsylvania, July 8 – August 28, 2011.$25,000-40,000



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97 11-2238/1GUY CARLETON WIGGINS(american 1883-1962)“WASHINGTON SQUARE FROM MYWINDOW”Signed ‘Guy Wiggins’ bottom right,signed, inscribed with title and dated‘1934’ verso, oil on canvas16 x 20 in. (40.6 x 50.8cm)provenance:Private Collection, New York.By descent in the family.Private Collection, Arizona.note:This lot will be accompanied by aletter of authenticity signed by Guy A.Wiggins, dated October 27, 2011.$25,000-40,000



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98 10-1173/1GUY CARLETON WIGGINS(american 1883-1962)“OLD TRINITY, NEW YORKWINTER”Signed ‘Guy Wiggins’ bottom right,signed, inscribed with title anddated ‘1930’ verso, oil on canvas16 x 12 in. (40.6 x 30.5cm)provenance:Long & Company, Houston, Texas.Private Collection, Texas.$30,000-50,000



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99 11-2230/1JOHANN BERTHELSEN(american 1883-1969)“BROOKLYN BRIDGE”Signed ‘Johann Berthelsen’ bottomright, oil on canvas20 x 16 in. (50.8 x 16cm)provenance:Private Collection, New York City,New York.$6,000-10,000


100 11-2003/1EDWARD CUCUEL(american 1879-1954)“DIE TANZERIN GITTA CUCUEL”Signed ‘Cucuel’ twice lower left,signed and inscribed with title onupper stretcher verso, with another,unfinished painting verso, oil oncanvas47 1/2 x 37 1/4 in. (120.7 x 94.6cm)provenance:Christie’s, New York, sale of March11, 1993, lot 152.Acquired from the above sale by thepresent owner.Private Collection, Philadelphia,Pennsylvania.$30,000-50,000


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101 11-1360/28MILTON AVERY(american 1885-1965)PORTRAIT OF A WOMANSigned and dated ‘Milton Avery1958’ bottom right, oil oncanvasboard.20 x 16 in. (50.8 x 40.6cm)provenance:The artist.Estate of Dr. Ruth W. Berenda, NewYork City, New York.Private Collection, New York.$10,000-15,000



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102 11-1853/21MILTON AVERY(american 1885-1965)“SUNSET SEA”Signed and dated ‘Milton Avery1958,’ bottom right, gouache onpaper17 1/2 x 23 1/2 in. (44.5 x 59.7cm)provenance:William McWillie Chambers III,New York City, New York.Private Collection, Memphis,Tennessee.$25,000-40,000



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103 11-1853/14WALTER INGLIS ANDERSON(american 1903-1965)“RABBIT WITH WILD AZALEA”Watercolor with traces of graphiteon paper8 1/2 x 11 in. (21.6 x 27.9cm)Painted circa 1960provenance:Albers Fine Art Gallery, Memphis,Tennessee.Private Collection, Memphis,Tennessee.$8,000-12,000



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104 11-1853/23WALTER INGLIS ANDERSON(american 1903-1965)“MONARCH BUTTERFLIES (HORNISLAND)”Stamped with initials ‘WIA’ bottomright, watercolor with traces ofgraphite on paper8 1/2 x 11 in. (21.6 x 27.9cm)Painted circa 1960provenance:Albers Fine Art Gallery, Memphis,Tennessee.Private Collection, Memphis,Tennessee.$8,000-12,000



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105 11-1853/16WALTER INGLIS ANDERSON(american 1903-1965)“FROG (HORN ISLAND)”Stamped with initials ‘WIA’ bottomright, watercolor with traces ofgraphite on paper11 x 8 1/2 in.(27.9 x 21.6cm)Painted circa 1960provenance:Albers Fine Art Gallery, Memphis,Tennessee.Private Collection, Memphis,Tennessee.$8,000-12,000



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106 11-1853/15WALTER INGLIS ANDERSON(american 1903-1965)“CECROPIA MOTHS (HORNISLAND)”Stamped with initials ‘WIA’ bottomright, watercolor with traces ofgraphite on paper11 x 8 1/2 in. (27.9 x 21.6cm)Painted circa 1960provenance:Albers Fine Art Gallery, Memphis,Tennessee.Private Collection, Memphis,Tennessee.exhibited:Albers Fine Art Gallery, Memphis,Tennessee, October 22-November24, 1993.$8,000-12,000



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107 11-1853/6MORRIS GRAVES(american 1910-2001)“VESSEL FORMING”Signed and dated ‘Graves / 44’bottom left, tempera on paper53 1/4 x 26 3/4 in. (135.3 x 68cm)provenance:Schmidt-Bingham Gallery, New YorkCity, New York.Acquired from the above in 1994.Private Collection, Memphis,Tennessee.$40,000-60,000



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85

108 11-1853/8MORRIS GRAVES(american 1910-2001)“JET AGE HIBERNATION”Signed and dated bottom right‘Graves ‘54’ bottom right, mixedmedia on Japanese paper18 1/2 x 26 1/4 in. (47 x 66.7cm)provenance:Schmidt-Bingham Gallery, New YorkCity, New York.Acquired from the above in 1995.Private Collection, Memphis,Tennessee.$25,000-40,000



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86

109 11-1853/9MORRIS GRAVES(american 1910-2001)“BHUTAN’S ISOLATION, TASHICHHODZONG”from the series “everything thathas a beginning has an end”Signed ‘Graves 96’ bottom right,inscribed verso ‘Bhutanis Isolation /Tashich Hodzong / Title: EverythingThat Has A Beginning Has An End /Acrylic on Mexican bark paper /1996 Morris Graves / © RobertYarber (?),’ acrylic on Mexican bankpaper24 x 17 1/4 in. (61 x 43.8cm)provenance:Schmidt-Bingham Gallery, New YorkCity, New York.Private Collection, Memphis,Tennessee.exhibited:‘Morris Graves: A Glimpse ofContinuing,’ Schmidt-BinghamGallery, New York City, New York,1997.$15,000-25,000



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87

110 11-1853/7MORRIS GRAVES(american 1910-2001)“EVENING LIGHT ON THETERRACE (RED CABBAGE,FLOWERING KALE ANDMICHAELMAS DAISY)”Signed ‘Graves / 93’ lower right,acrylic on paper37 1/4 x 25 1/2 in. (94.6 x 64.8cm)provenance:Schmidt-Bingham Gallery, NewYork, New York.Acquired from the above in 1994.Private Collection, Memphis,Tennessee.exhibited:‘Morris Graves: The FlowerPaintings,’ Schmidt-Bingham Gallery,New York City, New York, November15-December 20, 1994.$30,000-50,000



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88

111 11-2027/2NEWELL CONVERS WYETH(american 1882-1945)“SALLY MERRILEE AND JOHNNY‘I’M GLAD YOU THINK I’M NOTSCARED,’ HE SAID. ‘I HAVEN’TTALKED LIKE THIS TO ANYBODYELSE’”Signed and dated ‘N C WYETH 28’bottom left, oil on canvas40 x 32 3/8 in. (101.6 x 82.2cm)Painted in 1928provenance:The artist.Wilhemina Hagner, Wilmington,Delaware.Private Collection, Wilmington,Delaware.exhibited:Chadds Ford, Pennsylvania.literature:Richard Layton, Inventory of Paintingsin the Wyeth Studio, 1950,unpublished, Wyeth FamilyArchives, p. 11.Douglas Allen and Douglas Allen Jr.,N. C. Wyeth, The Collected Paintings,Illustrations and Murals, CrownPublishers, New York, 1972, p. 199.Christine B. Podmaniczy, N. C.Wyeth, A Catalogue Raisonné ofPaintings, Scala, London, 2008, no.I.1065, p. 502.note:The Brandywine River Museumholds Scribner’s unillustrated 1925edition of Drums which the artistread in preparation for thiscommission and marked with notesthroughout and on the endsheets.The present work is NCW number219 in the on-line catalogue raisonnéof the works of Newell ConversWyeth compiled by the BrandywineRiver Museum, Chadds Ford,Pennsylvania.$40,000-60,000



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89

113 11-1714/2FRANKLIN CHENAULT WATKINS(american 1894-1972)BLACK EYED SUSANS IN A GLASSPITCHERSigned and dated ‘Watkins, 68’ topright, oil on canvas30 x 25 in. (76.2 x 23.5cm)$2,000-3,000

112 11-8051/1FRANKLIN CHENAULT WATKINS(american 1894-1972)“STILL LIFE - FISH, FLOWERS,FRUIT”Signed ‘Watkins’ upper left, oil oncanvas23 1/2 x 29 1/2 in. (59.7 x 74.9cm)provenance:Kennedy Galleries, New York City,New York.$3,000-5,000



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90

115 11-2282/7MARTHA WALTER(american 1875-1976)STILL LIFE WITH FLOWERSSigned ‘Martha Walter’ bottom left,oil on board16 x 13 in. (40.6 x 33cm)provenance:A Private Southern Collection.$3,000-5,000

114 11-1696/4MARTHA WALTER(american 1875-1976)“AT THE MARKET”Signed ‘Walter’ in pencil and withthe artist’s stamp verso, oil oncanvasboard14 3/4 x 18 in. (37.5 x 45.7cm)provenance:Private Collection, Philadelphia,Pennsylvania.$3,000-5,000


118 11-2182/1WALTER STUEMPFIG(american 1914-1970)“PICNIC”Signed ‘STUEMPFIG’ bottom right,oil on canvas27 x 36 in. (68.6 x 92.7cm)provenance:Private Collection, Philadelphia,Pennsylvania.$4,000-6,000


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91

117 11-2283/2MARTHA WALTER(american 1875-1976)RITTENHOUSE SQUARESigned 'Martha Walter' bottom left,watercolor on paper12 1/2 x 15 1/4 in. (31.7 x 38.7cm)provenance:An Estate, Illinois.$2,000-3,000

116 11-2283/1MARTHA WALTER(american 1875-1976)ON THE BEACHSigned 'Martha Walter' bottomright, watercolor on paper9 3/4 x 12 3/4 in. (24.8 x 32.4cm)provenance:An Estate, Illinois.$2,000-3,000


119 11-1796/1CHARLES MORRIS YOUNG(american 1869-1964)“THE DEIGHN LEDGE, BRODHEADCREEK”Signed and dated ‘Chas. MorrisYoung May 21st 1947’ bottom left,signed and inscribed with title anddated in pencil on upper stretcherverso, oil on canvas20 x 24 in. (50.8 x 61cm)$8,000-12,000

92


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93


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PennsylvaniaImpressionists



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95

120 11-2028/4FERN ISABEL COPPEDGE(american 1888-1951)WINTER LANDSCAPE, SUNSETSigned ‘FERN I COPPEDGE’ bottom right, oil oncanvas12 x 12 in. (30.5 x 30.5cm)provenance:The artist.Acquired directly from the above.Paul and Maura Saurwein, Trenton, New Jersey.Gift to the present owner from the above.Private Collection, New Jersey.$12,000-18,000


121 11-2081/1WILLIAM LANGSON LATHROP(american 1859-1938)“ALONG THE DELAWARE”Signed ‘WL LATHROP’ bottom right, inscribed with title onbottom stretcher verso, oil on canvas25 1/4 x 30 1/4 in. (64.1 x 76.8cm)provenance:Cecil J. Edwards of Crest Galleries, Lahaska, Pennsylvania.By family descent.Private Collection, Maine.$10,000-15,000

96


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122 11-2279/1WILLIAM LANGSON LATHROP(american 1859-1938)SELF-PORTRAITInscribed verso ‘W. L. Lathrop’ in pencil,and inscribed, ‘Portrait of W. L. Lathrop’ onstretcher verso, oil on canvas27 1/8 x 23 7/8 in. (68.9 x 60.6cm)provenance:Property of a Private Bucks CountyInstitution.$5,000-8,000

123 11-1695/1DANIEL GARBER(american 1880-1958)“COLLIGAN’S STOCKTON INN”Signed ‘Daniel Garber’ bottom left,charcoal on buff paper15 3/4 x 13 1/4 in. (40 x 33.7cm)Executed circa May, 1950provenance:The artist.To the present collection, circa 1950.Property of a Private Bucks CountyInstitution.literature:Lance Humphries, Daniel Garber CatalogueRaisonné Vol II, p. 384 cat. no. D367(illus.).$3,000-5,000

97


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124 11-1695/2DANIEL GARBER(american 1880-1958)“HILLBORN DARLINGTONFLOWERS”Signed ‘Daniel Garber’ lower right,inscribed ‘“Hillborn DarlingtonFlowers” / Est 1877 Doylestown, Pa’along bottom11 x 7 3/4 in. (27.9 x 19.7cm)Executed circa 1950provenance:The artist.To the present collection, circa 1950.Property of a Private Bucks CountyInstitutionliterature:Lance Humphries, Daniel Garber Catalogue Raisonné Vol.II, p. 384 cat. no. D369 (illus.).$1,000-1,500


125 11-2282/1JOHN FULTON FOLINSBEE(american 1892-1972)“CANAL SCENE”Signed ‘John Folinsbee’ bottom left also inscribed with title andnumbered ‘91’ verso, oil on board10 x 14 in. (25.4 x 35.6cm)provenance:Family of the artist (Mrs. Joan Cook,the artist’s daughter).Acquired by the present owner fromthe above, 1978.A Private Southern Collection.note:A Golden Door Gallery, New Hope,Pennsylvania, label is attachedverso.This work is included in thecatalogue raisonné of JohnFolinsbee’s work by the FolinsbeeArt Trust as catalogue numberJFF.1175.$8,000-12,000

126 11-2168/2JOHN FULTON FOLINSBEE(american 1892-1972)“WOODSTOCK”Signed ‘John F. Folinsbee’ bottomright, inscribed with title and dated‘c 1912’ and with Property of John F.Folinsbee Art Trust’ label verso, oilon board8 1/4 x 10 1/4 in. (21 x 26cm)Painted circa 1912-1914provenance:Jim's of Lambertville, Lambertville,New Jersey.Acquired from the above by thepresent owner.Private Collection, New Jersey.note:This work will be included in thecatalogue raisonné of JohnFolinsbee's work by the FolinsbeeArt Trust under catalogue numberJFF.1475.$8,000-12,000

98


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127 11-2168/5ARTHUR MELTZER(american 1893-1989)“GOLDEN QUARRY”Signed ‘Arthur Meltzer’ bottom left,signed and inscribed with title onlabel verso, inscribed with titleverso, oil on board12 x 14 in. (30.5 x 35.6 cm).provenance:Samuel T. Freeman & Co., sale ofDecember 8, 2002, lot 137.Private Collection, New Jersey.$25,000-40,000

99


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100


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101


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128 11-1693/2EDWARD WILLIS REDFIELD(american 1869-1965)“SPRING”Signed ‘E.W. Redfield’ bottom left, oil on canvas32 1/4 x 40 in. (81.9 x 101.6cm)provenance:From the Collection of Pearl S. Buck.exhibited:(Probably) ‘Special Exhibition of Paintings by Gari Melchers and Edward W. Redfield,’ Corcoran Gallery of Art, Washington, District of Columbia,March 3 - April 8, 1928), no. 8.(Probably) ‘Catalogue of an Exhibition of Landscape Paintings by Edward W.Redfield,’ Art Club of Philadelphia, Philadelphia, Pennsylvania, December 5 -25, 1929, no. 24.(Probably) ‘126th Annual Exhibition,’ Pennsylvania Academy of Fine Art,Philadelphia, Pennsylvania, 1931.note:This lot will be sold to support the restoration and preservation of the PearlS. Buck House, a National Historic Landmark in Hilltown, Pennsylvania andwill be included in the forthcoming catalogue raisonné on Edward Redfield,being compiled by Dr. Thomas Folk.$200,000-300,000


129 11-2056/1FERN ISABEL COPPEDGE(american 1888-1951)“OCTOBER”Signed ‘FERN I COPPEDGE’ bottomleft, inscribed with title in pencil onupper stretcher verso, oil on canvas16 x 16 in. (40.6 x 40.6cm)provenance:Private Collection, New Jersey.$12,000-18,000

102


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130 11-2028/1FERN ISABEL COPPEDGE(american 1888-1951)LAMBERTVILLE ACROSS THE DELAWARE,WINTERSigned ‘FERN I COPPEDGE’ bottom right, oil oncanvas20 x 24 in. (50.8 x 61cm)provenance:The artist.Acquired directly from the above.Paul and Maura Saurwein, Trenton, New Jersey.Gift to the present owner from the above.Private Collection, New Jersey.$30,000-50,000

103


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131 11-2168/7CHARLES ROSEN(american 1878-1950)“DELAWARE RIVER VIEW”Signed ‘CHARLES ROSEN’ bottom left,oil on canvas24 x 32 in. (61 x 81.3cm)provenance:Gratz Gallery, Doylestown, Pennsylvania.Acquired from the above by the presentowner.Private Collection, New Jersey.$40,000-60,000

104


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132 11-2282/4WALTER ELMER SCHOFIELD(american 1867-1944)A WOODLAND STREAMSigned ‘Schofield’ bottom right, oil oncanvas26 x 30 in. (66 x 76.2cm)provenance:Mrs. Enid Schofield, Ipswich, England(Daughter-in-law of the artist).Acquired from the above by the presentowner, 1979.A Private Southern Collection.$15,000-25,000

105


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133 11-2282/5WALTER ELMER SCHOFIELD(american 1867-1944)THE PATH TO THE SEASigned ‘Schofield’ bottom right, oilon canvas16 x 20 in. (40.6 x 50.8cm)provenance:Mrs. Enid Schofield, Ipswich,England (Daughter-in-law of theartist).Acquired from the above by thepresent owner, 1979.A Private Southern Collection.$10,000-15,000

106


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134 11-2168/1RAE SLOAN BREDIN(american 1881-1965)“UNDER THE TREE”Signed ‘R.S. Bredin,’ bottom right, oilon canvas, in a fine Stanford Whitedesigned Newcomb-Macklin giltframe22 1/8 x 30 1/4 in. (56.2 x 76.8cm)provenance:Jim's of Lambertville, Lambertville,New Jersey.Acquired from the above by thepresent owner.Private Collection, New Jersey.$70,000-100,000

107


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135 11-2028/2FERN ISABEL COPPEDGE(american 1888-1951)“GLOUCESTER AFTERNOON”Signed ‘FERN I COPPEDGE’ bottom left, signedand inscribed with title on upper stretcherverso, oil on canvas25 x 30 in. (63.5 x 76.2cm)provenance:The artist.Acquired directly from the above.Paul and Maura Saurwein, Trenton, New Jersey.Gift to the present owner from the above.Private Collection, New Jersey.$25,000-40,000

108


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136 11-2168/6KENNETH NUNAMAKER(american 1890-1957)“SNOWY DELAWARE”Signed ‘K. NUNAMAKER’ bottomleft, oil on canvas16 x 18 in. (40.6 x 45.7cm)provenance:Jim’s of Lambertville, Lambertville,New Jersey.Private Collection, New Jersey.$25,000-40,000

109


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110


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111


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137 11-1693/1EDWARD WILLIS REDFIELD(american 1869-1965)“CANAL AT LAMBERTVILLE”Signed ‘E.W. REDFIELD’ lower left, oil on canvas32 1/4 x 39 1/2 in. (81.9 x 100.3cm)provenance:From the Collection of Pearl S. Buck.exhibited:‘Winter Exhibition,’ National Academy of Design, New York City, New York,1906, no. 58.‘Annual Exhibition,’ Art Institute of Chicago, Chicago, Illinois, 1907, no. 298.‘Exhibition of Paintings by Edward W. Redfield, Pennsylvania Academy ofFine Art, Philadelphia, Pennsylvania, no. 33 (illus.)‘A Collection of Oil Paintings by Mr. Edward W. Redfield, N.A.,’ City ArtMuseum, Saint Louis, Missouri, November 14, 1909, no. 27.‘Edward Redfield, Just Values and Fine Seeing,’ Constance Kimmerle, JamesA. Michener Art Museum, Bucks County Pennsylvania, May 1, 2004 -January 9, 2005, no. 2.; Sewell C. Biggs Museum of American Art, Dover,Delaware, January 26 - April 26, 2005.literature:Laurvik, John Nilsen, ‘Edward Redfield,’ International Studio, vol. 41, no. 162(August 1910), (illus. p. 35).Kimmerle, Constance, Edward W. Redfield: Just Values and Fine Seeing,University of Pennsylvania Press, Philadelphia, Pennsylvania, 2004, no. 22, p.68 (illus.)note:This lot will be sold to support the restoration and preservation of the PearlS. Buck House, a National Historic Landmark in Hilltown, Pennsylvania andwill be included in the forthcoming catalogue raisonné on Redfield, beingcompiled by Dr. Thomas Folk.$150,000-250,000


138 11-2233/1ROY CLEVELAND NUSE(american 1885-1975)“HAYING”Signed with conjoined initials anddated ‘RN 24’ bottom right, oil oncanvas40 x 34 in. (101.6 x 86.4cm)provenance:The artist.By family descent.Private Collection, Pennsylvania.$25,000-40,000

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139 11-2231/1ROY CLEVELAND NUSE(american 1885-1975)“WINTER CHORES”Signed with conjoined initials ‘RN’ lower left,inscribed ‘Sketch by R. C. Nuse’ verso, oil on board10 x 13 in. (25.4 x 33cm)Painted in 1921provenance:The artist.Daniel Garber.Mrs. Garber.Francis Speight.The artist.By family descent.Judith Nuse Belasco, Pennsylvania.

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exhibited:‘Roy C. Nuse - Figures And Landscapes,’ James A.Michener Museum, Doylestown, Pennsylvania,February 9 - May 12, 2002.literature:Catalogue for the above exhibition, p. 51 (illus.)note:A label attached by the artist verso is inscribed:‘RN. First Annual Exhibition (1921) at Phila. SketchClub awarded this sketch medal (bronze) for bestwork.Gave this work to Daniel Garber who liked it. Afterhis death Mrs. Garber gave it to Speight whoreturned it to me. Aug 1961.’This work has also been titled ‘Feeding the Flock’ inthe past.$8,000-12,000


140 11-2168/3JOHN FULTON FOLINSBEE(american 1892-1972)“BUCKS COUNTY QUARRY”Signed ‘John Folinsbee’ bottom left, oil onboard8 x 10 in. (20.3 x 25.4cm)Painted circa 1930’sprovenance:Avery Galleries, Haverford, Pennsylvania.Private Collection, New Jersey.note:This work will be included in the catalogueraisonné of John Folinsbee’s work by theFolinsbee Art Trust as catalog numberJFF.1476.$10,000-15,000

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141 11-2168/4JOHN FULTON FOLINSBEE(american 1892-1972)“BOURRÉ HILLSIDE”Signed ‘John Folinsbee’ bottom left, inscribed ‘Bourré Hillside / To ElizabethBowles / From John F. Folinsbee’ on label verso, oil on board8 1/4 x 10 1/4 in. (21 x 26cm)Painted in 1926provenance:Avery Galleries, Haverford, Pennsylvania.Private Collection, New Jersey.note:“In 1926, Folinsbee and his family spent the summer in a picturesque town,Bourré, located in the Loire Valley along the River Cher, thirty miles east ofTours. Folinsbee’s eldest daughter, Beth, remembers picknicking on theriverbanks as her father made numerous sketches of the town and itsenvirons.” (John F Folinsbee Catalogue Raisonne Project)This work will be included in the catalogue raisonné of John Folinsbee’s workby the Folinsbee Art Trust as catalog number JFF.1474.$10,000-15,000

115


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142 11-1549/1WALTER EMERSON BAUM(american 1884-1956)“FRIEDENSBERG”Signed ‘W E Baum’ bottom left, oilon canvas25 x 30 1/8 in. (63.5 x 76.5cm)provenance:Acquired directly from the artist, ca.1960 by John K. Heyl, the architectfor the original Baum School of Artbuilding.An Estate, Maine.exhibited:Philadelphia Art Alliance,Philadelphia, Pennsylvania.$6,000-10,000

143 11-1322/1WALTER EMERSON BAUM(american 1884-1956)“THE BROOK IN WINTER”Signed ‘WE BAUM’ bottom left,inscribed with title and dated 1925 inpencil verso, oil on canvas, unframed32 x 40 in. (81.3 x 101.6cm)$4,000-6,000

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144 11-2285/1EDWARD WILLIS REDFIELD(american 1869-1965)“THE LOBSTERMAN”Signed and dated ‘E W Redfield 1937’ bottom left, inscribed and signed ‘TheLobsterman E W Redfield’ on stretcher verso, oil on canvas32 x 40 in. (81.3 x 101.5cm)provenance:Newman & Saunders Galleries, Wayne, Pennsylvania.Private Collection, Main Line, Pennsylvania.Samuel T. Freeman & Co., sale of June 25, 2006, lot 138.Acquired from the above sale by the present owner.Private Collection, Main Line, Pennsylvania.literature:Fletcher, J. M. W., Edward Willis Redfield - An American Impressionist, p. 188, cat. no. 845.Fletcher, J. M. W., The Redfield Letters, Vol. 2, p. 397, cat. no. 221 (illus.) $80,000-120,000

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145 11-2237/2FREDERICK R. WAGNER(american 1864-1940)“THE CREEK - ADDINGHAM”Signed ‘F. Wagner’ bottom left, oilon canvas29 x 36 in. (73.7 x 91.4cm)$8,000-12,000

118


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146 11-2070/1ANTONIO PIETRO MARTINO(american 1902-1989)A WINTER LANDSCAPESigned and dated 'A. P. MARTINO /1928' bottom left, oil on canvas25 x 30 in. (63.5 x 76.2cm)provenance:Newman's Gallery, Philadelphia,Pennsylvania.By descent in the family.Private Collection, Pennsylvania. $10,000-15,000

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147 11-1359/1ANTONIO PIETRO MARTINO(american 1902-1989)"POINT PLEASANT ON THECANAL AND RIVER"Signed and dated 'A P Martino'bottom left, inscribed with titleverso, oil on canvas20 x 24 in. (50.8 x 61cm)provenance:Private Collection, New Hope,Pennsylvania. $6,000-10,000


149 11-2070/3GIOVANNI MARTINO(american 1908-1988)"SUMMER"Signed 'Giovanni Martino' bottomright, signed and inscribed with titleverso, oil on board7 x 11 1/4 in. (17.8 x 28.6cm)provenance:Private Collection, Pennsylvania. $1,000-1,500

148 11-2069/1GIOVANNI MARTINO(american 1908-1988)"SNOW PANORAMA"Signed 'Giovanni Martino' bottomright, signed and inscribed in pencilon upper stretcher verso, oil andtempera on canvas25 x 40 in. (63.5 x 101.6cm)provenance:Private Collection, Pennsylvania. $6,000-10,000

120


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150 11-2070/2GIOVANNI MARTINO(american 1908-1988)“CONSHOHOCKEN”Signed ‘Giovanni Martino’ bottomright, signed and inscribed with titleon upper stretcher verso, oil oncanvas14 x 25 in. (35.6 x 63.5cm)provenance:Private Collection, Pennsylvania.$1,500-2,500

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151 11-2052/1ROBERT ALEXANDER DARRAH(R.A.D.) MILLER(american 1905-1966)“THE COVE”Signed ‘R A DARRAH MILLER’bottom right, signed, inscribed anddated ‘July 1946’ verso, oil on board10 x 14 in. (25.4 x 35.6cm)provenance:Private Collection, Massachusetts.$2,000-3,000

152 11-1494/1MARY ELIZABETH PRICE(american 1877-1965)“THE MCGILL FARM ABOVE NEWHOPE”Signed ‘M ELIZABETH PRICE’bottom right, watercolor with tracesof pencil on paper21 1/2 x 27 3/4 in. (54.6 x 70.5cm)(sight)provenance:Gift from the artist.By family descent.Private Collection, Pennsylvania.note:This was painted from the artist’shome which was situated oppositethe McGill farm.$2,500-4,000


153 11-2028/3FERN ISABEL COPPEDGE(american 1888-1951)“THE BLACKSMITH SHOP”Signed ‘FERN I COPPEDGE’ bottom right, inscribed withtitle and located ‘ROCKPORT’ in pencil on upper stretcherverso, oil on canvas18 x 20 in. (45.7 x 50.8cm)provenance:The artist.Acquired directly from the above.Paul and Maura Saurwein, Trenton, New Jersey.Gift to the present owner from the above.Private Collection, New Jersey.$20,000-30,000

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154 11-2081/2MARY ELIZABETH PRICE(american 1877-1965)“TIGER LILIES”Signed ‘M. ELIZABETH PRICE’bottom right; also signed andinscribed with title verso, oil andgold on masonite39 1/2 x 29 1/2 in. (100.3 x 74.9cm)Panel fitted into the center of a twofold screen designed by the artist’sbrother, Moore Price of Solebury, PAscreen, overall length: 64 5/8 in.(164.1cm)screen, height: 67 in. (170.2cm)provenance:The artist.The artist’s brother, Frederick NewlinPrice of Ferargil Galleries, New YorkCity, New York.His friend and agent, Cecil J.Edwards of Crest Gallery, Lahaska,Pennsylvania.Private Collection, Maine.$20,000-30,000

END OF SALE


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Alken, H., 8Allston, W., 59Ames, E., 58Anderson, W.I., 103-106Avery, M., 101, 102

Baum, W.E., 142, 143Berthelsen, J., 99Bredin, R.S., 134Briscoe, F.D., 45Brown, H.B., 34Burliuk, D.D., 83-89

Capone, G., 5Champney, B., 23, 24Cole, T., 60, 61, 62Coppedge, F.I., 120, 129, 130, 135,153

Cropsey, J.F., 63Cucuel, E., 100

Demuth, C., 96Dieterle, M., 4Doré, G., 2Dove, A.G., 95Duveneck, F., 49

Eakins, T., 67Elliot, C.L., 57Emslie, A.E., 9

Seignac, P., 1Sekoto, G., 20Shapleigh, F.H., 21, 22Sharp, J.H., 77-81Shaw, J., 55Shinn, E., 73Sloan, J., 69, 70Smith, R., 41Sonntag, W.L., 36Stuempfig, W., 118

Tapiro Y Baro, J., 11

Volkert, E.C., 51

Wagner, F.R., 145Walter, M., 114-117Watkins, F.C., 112, 113Whistler, J.A.M., 68Wiggins, G.C., 97, 98Winner, W.E., 48Wyeth, N.C., 111

Young, C.M., 119

Zampighi, E., 12Zorach, W., 90, 91

Martino, A.P., 146, 147Martino, G., 148, 149, 150Meltzer, A., 127Miller, R.A.D., 151Murphy, J.F., 47Myers, J., 50

Nunamaker, K., 136Nuse, R.C., 138, 139

O'Conor, R., 18, 19O'Conor (Honta), R., 17

Parton, A., 38Peto, J.F., 42, 43Petter, F.X., 7Phelps, W.P., 29-33Phillip, J., 10Phillips, B.G., 75, 76Pougny, J.A., 16Price, M.E., 152, 154

Redfield, E.W., 128, 137, 144Richards, F.D., 37Richards, W.T., 40, 64Roesen, S.L., 44Rosen, C., 131

Salmon, R., 56Schofield, W.E., 132, 133

Emslie, A.T., 65Ettinger, C., 52

Farndon, W., 53Fechin, N., 82Folinsbee, J.F., 125, 126, 140, 141Franzen, A., 54Fromentin, E., 13

Gabani, G., 14Garber, D., 123, 124Gerry, S.L., 25, 26, 27, 28Glackens, W., 71, 72Graves, M., 107-110Gray, J.L., 93, 94

Hamilton, J 66Harpignies, H.J., 3Harrison, A., 46Hill, T., 35Huguet, V.P., 15

Jones, H.B., 74

Knaths, K., 92

Lathrop, W.L., 122, 121Leickert, C., 6Lewis, E.D., 39

Index

Glossaryany statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to betaken as a statement or representation of fact. freeman’s reserves theright, in forming their opinion, to consult and rely upon any expert orauthority considered by them to be reliable.

namesForename(s) and surname of painter is in our opinion a work by that artist;e.g. Charles Willson Peale. When an artist’s forename(s) is not known, aseries of asterisks followed by the surname of the artist, wether preceded byan initial or not, indicates that in our opinion the work is by the artist named.

attributed toRefers to probably a work by the artist; e.g. Attributed to Charles WillsonPeale.

studio ofRefers to a work from the studio of the artist which may or may not havebeen executed under his direction; e.g. Studio of Charles Willson Peale.

circle ofCircle of..... refers to a work of the period of the artist executed under hisimmediate influence; e.g. Circle of Charles Willson Peale.

follower ofFollower of..... refers to a work by a painter working in the artist’s style,contemporary or nearly contemporary, but not necessarily his pupil; e.g.Follower of Charles Willson Peale.

manner ofManner of..... refers to a work in a style related to that of the artist, but of alater date; e.g. Manner of Charles Willson Peale.

school ofSchool accompanied by the name of a place or country and a date meansthat we believe the picture was executed at that time and in that location;e.g. Italian School, 18th Century.

after an artistAfter an artist is in our opinion a copy of any date after a work by that artist;e.g. After Charles Willson Peale.

signatures & datesSigned and/or dated and/or inscribed means that we believe the signatureand/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believethe artist’s name and/or date and/or inscription have been added by anotherhand.

All references to signature, inscriptions and dates refer to the present stateof the work.

measurementsDimensions are given height before width.


Fine PaintingsThursday 1st December, 201133 Broughton Place, Edinburgh EH1 3RR

www.lyonandturnbull .com

SIR HENRY RAEBURN R.A. (SCOTTISH 1756-1823)THREE-QUARTER LENGTH PORTRAIT OF JAMES DOUGLASOil on canvas

125cm x 100cm (49in x 39.5in)

£15,000-20,000 ($24,00-32,000)

Viewing timesSunday 27th November 12 noon - 4pm Monday 28th November 10am - 5pm Tuesday 29th November 10am - 5pm Wednesday 30th November 10am - 5pmMorning of Sale by appointment only

EnquiriesNick CurnowTel: +44 (0)131 557 8844 [email protected]

Charlotte RiordanTel: +44 (0)131 557 8844 [email protected]

SIR HENRY RAEBURN R.A. (SCOTTISH 1756-1823)

THREE-QUARTER LENGTH PORTRAIT OF ELIZABETH DOUGLAS

Oil on canvas

125cm x 100cm (49in x 39.5in)

£15,000-20,000 ($24,00-32,000)


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The Rittenhouse Hotel, Philaldelphia’s historic and most luxurious hotel is proud

to announce our new partnership with Freeman’s. We are pleased to offer

Freeman’s clients a preferred rate.

Please contact Jill Heim to arrange your accomodations.

215-790-2541, [email protected]


1Unless otherwise indicated, allProperty will be offered byFreeman’s as agent for theConsignor.

2Freeman’s reserves the right to varythe terms of sale and any suchvariance shall become part of theseConditions of Sale.

3Buyer acknowledges that it had theright to make a full inspection of allProperty prior to sale to determinethe condition, size, repair orrestoration of any Property.Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as anauction broker, and unless otherwisestated, does not own the Propertyoffered for sale and has made noindependent investigation of theProperty. Freeman’s makes nowarranty of title, merchantability orfitness for a particular purpose, orany other warranty orrepresentation regarding thedescription, genuineness,attribution, provenance or conditionto the Property of any kind or naturewith respect to the Property.

4Freeman’s in its sole and exclusivediscretion, reserves the right towithdraw any property, at any time,before the fall of the hammer.

5Unless otherwise announced by theauctioneer at the time of sale, allbids are per lot as numbered in theprinted catalogue. Freeman’sreserves the right to determine anyand all matters regarding the order,precedence or appropriateincrement of bids or the constitutionof lots.

6The highest bidder acknowledgedby the auctioneer shall be the buyer.The auctioneer has the right toreject any bid, to advance thebidding at his absolute discretionand in the event of any disputebetween bidders, the auctioneershall have the sole and finaldiscretion either to determine thesuccessful bidder or to re- offer andresell the article in dispute. If anydispute arises after sale, theFreeman’s sale record shall beconclusive in all respects.

7If the auctioneer determines thatany opening or later bid or anyadvance bid is not commensuratewith the value of the Propertyoffered, he may reject the same andwithdraw the Property from sale.

8Upon the fall of the hammer, title toany offered lot or article willimmediately pass to the highestbidder as determined in theexclusive discretion of theauctioneer, subject to compliance bythe buyer with these Conditions ofSale. Buyer thereupon assumes fullrisk and responsibility of theproperty sold, agrees to sign anyrequested confirmation of purchase,and agrees to pay the full price, plusBuyer’s Premium, therefore or suchpart, upon such terms as Freeman’smay require.

9No lot may be removed fromFreeman’s premises until the buyerhas paid in full the purchase pricetherefor including Buyer’s Premiumor has satisfied such terms thatFreeman’s, in its sole discretion,shall require. Subject to theforegoing, all Property shall be paidfor and removed by the buyer athis/her expense within ten (10)days of sale and, if not so removed,may be sold by Freeman’s, or sentby Freeman’s to a public warehouse,at the sole risk and charge of thebuyer(s), and Freeman’s mayprohibit the buyer fromparticipating, directly or indirectly,as a bidder or buyer in any futuresale or sales. In addition to otherremedies available to Freeman’s bylaw, Freeman’s reserves the right toimpose a late charge of 1.5% permonth of the total purchase price onany balance remaining ten (10) daysafter the day of sale. If Property isnot removed by the buyer within ten(10) days, a handling charge of .1%of the total purchase price permonth from the tenth day after thesale until removal by the buyer shallbe payable to Freeman’s by thebuyer; Freeman’s shall charge 1.5%of the total purchase price permonth for any property not soremoved within 60 days after thesale. Freeman’s will not beresponsible for any loss, damage,theft, or otherwise responsible forany goods left in Freeman’spossession after ten (10) days. If theforegoing conditions or anyapplicable provisions of law are notcomplied with, in addition to otherremedies available to Freeman’s andthe Consignor (including withoutlimitation the right to hold thebuyer(s) liable for the bid price)Freeman’s, at its option, may eithercancel the sale, retaining asliquidated damages all paymentsmade by the buyer(s), or resell theproperty. In such event, the buyer(s)shall remain liable for any deficiencyin the original purchase price and

will also be responsible for all costs,including warehousing, the expenseof the ultimate sale, and Freeman’scommission at its regular ratestogether with all related andincidental charges, including legalfees. Payment is a precondition toremoval. Payment shall be by cash,certified check or similar bank draft,or any other method approved byFreeman’s. Checks will not bedeemed to constitute payment untilcleared. Any exceptions must bemade upon Freeman’s writtenapproval of credit prior to sale. Inaddition, a defaulting buyer will bedeemed to have granted andassigned to Freeman’s, a continuingsecurity interest of first priority inany property or money of, or owingto such buyer in Freeman’spossession, and Freeman’s mayretain and apply such property ormoney as collateral security for theobligations due to due to Freeman’s.Freeman’s shall have all of the rightsaccorded a secured party under thePennsylvania Uniform CommercialCode.

10Unless the sale is advertised andannounced as “without reserve”,each lot is offered subject to areserve and Freeman’s mayimplement such reserves by biddingthrough its representatives on behalfof the Consignors. In certaininstances, the Consignor may payless than the standard commissionrate where Freeman’s or itsrepresentative is a successful bidderon behalf of the Consignor. Wherethe Consignor is indebted toFreeman’s, Freeman’s may have aninterest in the offered lots and theproceeds therefrom, other than thebroker’s Commissions, and all salesare subject to any such interest.

11No “buy” bids shall be accepted atany time for any purpose.

12Any pre-sale bids must besubmitted in writing to Freeman’sprior to commencement of the offerof the first lot of any sale. Freeman’scopy of any such bid shallconclusively be deemed to be thesole evidence of same, and whileFreeman’s accepts these bids for theconvenience of bidders not presentat the auction, Freeman’s shall notbe responsible for the failure toexecute, or, to execute properly, anypre-sale bid.

13A Buyer’s Premium will be added tothe successful bid price and ispayable by the buyer as part of thetotal purchase price. The Buyer’s

Premium shall be: 25% on the first$20,000 of the hammer price ofeach lot, 20% on the portion from$20,001 through $500,000, and12% on the portion of the hammerprice exceeding $500,000.

14Unless exempted by law from thepayment thereof, the buyer will berequired to pay any and all federalexcise tax and any state and/or localsales taxes, including wheredeliveries are to be made outsidethe state where a sale is conducted,which may be subject to acorresponding or compensating taxin another state.

15Freeman’s may, as a service to buyerarrange to have purchased propertyposted and shipped at the buyer’sexpense. Freeman’s is notresponsible for any acts oromissions in packing or shipping ofpurchased lots whether or not suchcarrier recommended by Freeman’s.Packing and handling of purchasedlots is at the responsibility of thebuyer and is at the entire risk of thebuyer.

16In no event shall any liability ofFreeman’s to the buyer exceed thepurchase price actually paid.

17 No claimed modification oramendment of this Agreement onthe part of any party shall bedeemed extant, enforceable orprovable unless it is in writing thathas been signed by the parties tothis Agreement. No course ofdealing and no delay or omission onthe part of Freeman’s in exercisingany right under this Agreement shalloperate as a waiver of such right orany other right and waiver on anyone or more occasions shall not beconstrued as a bar to or waiver ofany right or remedy of Freeman’s onany future occasion.

18These Conditions of Sale and thebuyer’s, the Consignor’s andFreeman’s rights under theseConditions of Sale shall be governedby, construed and enforced inaccordance with the laws of theCommonwealth of Pennsylvania andConsignor and Buyer agree to theexclusive jurisdiction of thePhiladelphia, Pennsylvania Court ofCommon Pleas and the UnitedStates District Court for the EasternDistrict of Pennsylvania.

Terms & Conditionsall property offered and sold (“property”) through samuel t. freeman & co,(“freeman’s”) shall be offered and sold on the terms and conditions set forthbelow which constitutes the complete statement of the terms and conditions onwhich all property is offered for sale. by bidding at the auction, whether presentin person or by agent, by written bid, telephone, internet or other means, the buyeragrees to be bound by these terms and conditions.


EDWARD WILLIS REDFIELD(american 1869-1965)“SPRING”Signed ‘E.W. Redfield’ bottom left, oil oncanvas32 1/4 x 40 in. (81.9 x 101.6cm)

www.freemansauction.com Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103Tel-215.563.9275 Fax-215.563.8236

Fine American & European Paintings

Documents

Transcript of Fine American & European Paintings