Finale 2006 - [Hymn 142 full.MUS] -...

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Performance Suggestions Your hymn arrangement is designed to be very flexible in accommodating many different instruments. Along with the standard brass quartet/quintet and timpani parts you will also find parts written for duet and/or trio instruments. The Duet parts are interchangeable between different instruments so that if you have a trumpet, alto sax and trombone (or any other combination), each instrument may use its own part, and you can have them alternate between 1st, 2nd and descant parts. You may want to use parts for the first verse, solo or unison melody with different instruments on various middle verses, and then parts with descant on the final verse. It’s your choice depending on your needs and the abilities of your musicians. The brass arrangement will work as a trio, quartet, quintet, large brass choir or even a band of mixed brass, wind and string instruments. All the parts are marked with doublings and substitutions, and performance suggestions are listed on the bottom of the page. You may want to begin the hymn with a brass introduction – either the entire verse, or a portion of it – then have them play with the congregation for the 1st verse; the second verse can be accompanied by piano/organ alone (and guitars if you have them); for the third verse you may want to feature a solo instrument with piano/organ, and then bring in the entire ensemble along with descant for the final verse. Again, it’s your choice. Experiment with different colors and combinations. Along with duet, band and orchestra parts you will also find a guitar and voice lead sheet in this hymn edition. The guitar chords will work with the piano and instrumental parts, or you may use the guitar by itself – perfect for small gatherings, retreats or services where no piano is available. If you have any questions, or if we can ever help you in any way, please contact us. We’re here for you, and we’re always happy to help.

www.cuthbertpraise.com [email protected]

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Timpani

Bass Guitar

Voice/Guitar

Descant

œ(C, F, A)

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F

1.)Lord,2.)As3.)As4.)And5.)A

œ

œ œ œ œ

œ œ œ œ

œ œ œ œCsus C F Dm

whothouthou

throughbide

throughwithdidstthesewith

outSahundaysus,

thesetangerof

that

œ œ œ œ œ œ

œ œ œ œ

œ œ œ œ

œ œ œ œ

Bb C F

fordidstbearpenso,

tyconand

ithis

daystend

thirst,tence,life

forandso

andof

œ œ œ œ œ

œ œ œ œ

œ œ œ œ

œ œ œ œBb F Bb G m

usdidstteach

throughsuf

didsttheusty

fering

fastvicgrapaso

andtorycioussionver.œ

Jœœ œ œ

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Timp.

Bass

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4

.˙ œA F

pray,win,Lord,tide,past,

teachOto

yea,an

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œ œ œ œ

œ œ œ œ

œ œ œ œBb C A m

usgivedieev

Eas

withustoerter

theestrength

self,more,

of

toin

andinun

œ œ œ œ

œ œ œ œ

œ œ œ œ

œ œ œ œD m C F

mourntheechieflifeend

ourtoly

anding

sins,fight,live

death,joy

andinbyJewe

œ œ œ œ œ

œ œ œ œ

œ œ œ œ

œ œ œ œ

C D m Bb C

closetheethysus!may

byto

mostwith

at

theeconhous

tain

toquerlyaat

œ œ œ œ œ œ œ

.˙æ

.˙

.˙

F

stay.sin.

word.bide.last!

.˙--

--

-

--

-

--

-

Lord, Who Throughout These Forty Days(For Voice, Guitar, Bass and Timpani) 142

CuthbertPraise! 2005

Words: Claudia Frances Hernaman (1838-1898)Music: St. Flavian, melody from Day's Psalter, 1562; adapt. and harm. Richard Redhead (1820-1901)Descant, guitar chords, brass arr:: Randy Adams

Lent

#142 Episcopal Hymnal - Lord, Who Throughout These Forty Days

& b c œ

F

1.)Lord,2.)As3.)As4.)And5.)A -

œ œ œ œ

Csus C F Dm

whothouthou

throughbide

through -withdidstthesewith

outSa -

hun -daysus,

thesetangerof

that

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Bb C F

for -didstbearpen -so,

tycon -and

i -this

daystend

thirst,tence,

life

forandso

andof

œ œ œ œ

Bb F Bb G m3fr.

usdidstteach -

throughsuf -

didsttheusty

fering

fastvic -gra -pas -o -

andtorycioussion -ver -

& b4

.˙ œ

A F

pray,win,Lord,tide,past,

teachOto

yea,an

œ œ œ œ

Bb C Am

usgivedieev -

Eas -

withustoer -ter

theestrength

self,more,

of

toin

andinun -

œ œ œ œ

Dm C F

mourntheechief -lifeend -

ourtoly

anding

sins,fight,live

death,joy

andinbyJe -we

œ œ œ œ

C Dm Bb C

closetheethysus!may

byto

mostwith

at -

theecon -ho -us

tain

toquerlya -at

.˙

F

stay.sin.

word.bide.last!

Lord, Who Throughout These Forty Days(Voice and Guitar) 142Lent



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Descant

Flute

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Lord, Who Throughout These Forty Days(For Two Flutes with Descant) 142



Flute


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Descant

Bb Trpt.

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Lord, Who Throughout These Forty Days(For Two Bb Instruments with Descant) 142



Bb Trumpetor Clarinet


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Descant

C Trpts.

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..˙̇

Lord, Who Throughout These Forty Days(For Two C Instruments with Descant - Duet or Brass Version) 142

©2006 CuthbertPraise!


C TrumpetOboe or Violin


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c

Descant

Horns in F

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œœ

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œœ œœ œœ œœ

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Lord, Who Throughout These Forty Days(For Two Horns in F with Descant - Duet Version) 142



Horns in F


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Descant

Trombones

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œœ

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œœ œœ œœ œœ

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Lord, Who Throughout These Forty Days(For Two Bass Clef Instruments with Descant - Duet Version) 142



Trombone/Euph.Bassoon/Cello


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c

Descant

Alto Sax.

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œœ

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Lord, Who Throughout These Forty Days(For Two Alto Saxophones with Descant)

142


Alto Saxophone



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Bb Descant

Bb Trumpets

*Horn in F

*Trombone

*Tuba

Timpani

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Bb Tpt.

Hn.

Tbn.

Tuba

Timp.

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Lord, Who Throught These Forty Days(For Brass and Timpani) 142


*Horn and Trombone 1 may substitute or sound together.*Trombone 2 and Tuba may substitute or sound together.


Brass Quartet,Quintet, or SextetWith Timpani


& cHorn in F œ œ œ œ œ œ œ œ œ œ œ œ œ

&4

.˙ œ œ œ œ œ œ œ œ œ œ œ œ œ .˙

Lord, Who Throughout These Forty Days(Brass and Timpani) 142




Horn in F


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œ œ œœ œ œ œ

œ œ œ œœ œ œ œ.˙ .˙





Trombone/Euph.*(Sub for Horn and Tuba)


? b cTuba œ œ œ œ œ œ œ œ œ œ œ œ œ

? b4

.˙ œ œ œ œ œ œ œ œ œ œ œ œ œ .˙





Tuba*(Sub for Tromb 2)


? b cTimpaniœ œ œ œ œ œ œ œ œ œ œ œ œ

? b4

.æ̇ œ œ œ œ œ œ œ œ œ œ œ œ œ .˙æ




Timpani


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