Filipino Cultural Creatives - Organic Collective Improvisation - Dino Manrique

8/9/2019 Filipino Cultural Creatives - Organic Collective Improvisation - Dino Manrique

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Filipino Cultural Creatives:

Organic Collective Improvisation

Dino Manrique

January 10, 2015

Filipino Cultural Creatives 1st Meeting toOrganie ! "ay Malilong#Is$erto %irt&'ay

(artyFilipinoCreative)com CommunityFace$oo* +roup

t&enoi'gmail)com !-ilipinocreativegmail)com

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Mi&aly3 Csi*sentmi&alyi -oun't&at t&e most common placepeople e4perience' -lo as inconversation with others6Conversation leads to flow,

and flow leads to creativity)"eit& 7ayer , 200) Group

Genius: The Creative Power ofCollaboration


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%eginnings

Mga %agong "atipunan8"uentu&an at "anta&an


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Mga %agong "atipunan


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"uentu&an at "anta&an


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9t Inuman


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"uentu&an pa More articulation;


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Masaya na<


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=&at are e going to call ourselves>Cultural Creatives<


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?icanor (erlas

7&aping +lo$aliation:Civil 7ociety, Cultural(oer an' @&ree-ol'ing2000;


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9mi'st t&e turmoil o- t&e glo$al economy, a 'i--erent

*in' o- glo$aliation &as $een $reing orl'i'e) It ist&e glo$aliation o- new cultural values based on

social and ecological responsibility) @&is *in'o- glo$aliation is t&e or* o- people t&at socialscientists are calling ACultural Creatives)B

7ocial scientists -irst recognie' Cultural Creatives asa reaction to the narrow conservatism of

traditionalism and the materialism of Modernism

predominant in post-war America) @&is is t&ematerialistic Mo'ernism t&at &as given us elite

glo$aliation6

# ?icanor (erlas, 2000) Shaping Globalization: CivilSociety, Cultural Power and Threefolding


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Cultural Creatives are $e&in' suc& recent visi$le an' lea'ing e'gep&enomena as t&e 7D 1 trillion sustaina$le 'evelopment investments,environmentally soun' tec&nologies E7@;, sustaina$le consumerism, eco#tourism, an' t&e call -or a more socially an' ecologically responsi$le glo$al

economy) @&ey &ave encourage' an increasing num$er o- $usinesses toreinvent t&emselves, serving t&e greening e'ge o- t&eir consumer mar*ets,instea' o- t&e aste-ul materialistic tren's o- t&e past)

Cultural Creatives also impact ot&er large#scale social processes) =&ile t&eirli-estyles &ave ra'ically altere' t&e content o- me'ia a'vertising, Cultural

Creatives are also active in the various social movements seeking amore equitable global economy) @&ey a'vocate -or leaner an' more activist

7tates) They spread democratic values, including direct

democracy, which is now the dominant value in the world of polity)

They are the human beings behind the emergence of civil society, thepotent new global force that is starting to shape the behavior of both

transnational corporations and governments. They are behind the birthof the new whole field of study in mainstream sociology concerned with

understanding the new social movements)A

## ?icanor (erlas) 2000) Shaping Globalization: Civil Society, CulturalPower and Threefolding


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(aul G) Hay 7&erry

Hut& 9n'erson

@&e Cultural Creatives: Go 50Million (eople are C&anging t&e=orl' 2001;


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Cultural Creatives ten' to reect &e'onism,materialism, an' cynicism generally associate'

it& one#si'e', elite3 glo$aliation) @&ey are lessconcerne' it& ma*ing a lot o- money, alt&oug&most live com-orta$ly) They also tend to walktheir talk, three-fourths being involved in

volunteer activities !a certain indicator for

involvement with civil society3) On t&e 'eepestlevel, they are powerfully attuned to globalissues and whole systems) @&eir icon is ap&otograp& o- t&e eart& as a $lue pearl &angingin $lac* space)

# (aul G) Hay, Fe$ruary, 1..K) A@&e EmergingCulture,B American emographics Demograp&ics)com;


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I -oun' t&at values are terri-ic pre'ictors) =&at as ne, &atno$o'y e4pecte', as t&at t&is values group $elonge' tosu$cultures, a ay o- valuing t&ings, seeing li-e an' tal*ing a$outt&e orl') =e *ne a$out t&e @ra'itionals, &o ere socialconservatives an' religious conservatives, an' t&e Mo'erns, &oere very materialistic an' live $y getting an' spen'ing)

9n' t&en t&ere as t&is t&ir' group t&at, &en e got starte'represente' a$out tenty percent o- t&e population an' as clearly

sloly groing an' clearly &a' not $een t&ere in t&e -e valuesurveys t&at &a' $een trie' years earlier) 9s near anyone coul' tell,t&ey &a' not $een t&ere $e-ore t&e 1.0s) 9-ter a &ile, I starte' tosay, A=ell, t&ey are more creative a$out ne ays o- li-e) @&ey aremore creative a$out t&e pro'ucts t&ey ant) 9n' t&ere are cultural'i--erences) 7o t&ey must $e Cultural Creatives)

# (aul G) Hay Intervie 7ept, 201L) "in're'Community)com;)"ame #lanet, $ifferent %orlds& 'ow Cultural Creatives Are

Transcending Alienation And (solation To )ring *orward The #ractical

%isdom of Conscious +iving


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ou are li*ely to $e a Cultural Creative i- you6

1) 6love ?ature an' are 'eeply concerne' a$out its 'estruction

2) 6are strongly aare o- t&e pro$lems o- t&e &ole planet glo$alarming, 'estruction o- rain-orests, overpopulation, lac* o-ecological sustaina$ility,e4ploitation o- people in poorer countries;an' ant to see more action on t&em, suc& as limiting economicgrot&

L) 6oul' pay more ta4es or pay more -or consumer goo's i- youcoul' *no t&e money oul' go to clean up t&e environment an'to stop glo$al arming

/) 6place a great 'eal o- importance on 'eveloping an'maintaining your relations&ips

5) 6place a lot o- value on &elping ot&er people an' $ringing outt&eir unique gi-ts

) 6'o volunteering -or one or more goo' causes


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K) 6care intensely a$out $ot& psyc&ological an' spiritual'evelopment

) 6see spirituality or religion as important in your li-e, $utare concerne' a$out t&e role o- t&e Heligious Hig&t inpolitics

.) 6ant more equality -or omen at or*, an' moreomen lea'ers in $usiness an' politics

10) 6are concerne' a$out violence an' a$use o- omenan' c&il'ren aroun' t&e orl'

11) 6ant our politics an' government spen'ing to putmore emp&asis on c&il'rens e'ucation an' ell#$eing, on

re$uil'ing our neig&$or&oo's an' communities, an' oncreating an ecologically sustaina$le -uture

12) 6are un&appy it& $ot& t&e Ne-t an' t&e Hig&t inpolitics, an' ant a to -in' a ne ay t&at is not in t&emus&y mi''le


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1L) 6ten' to $e some&at optimistic a$out our -uture, an' 'istrustt&e cynical an' pessimistic vie t&at is given $y t&e me'ia

1/) 6ant to $e involve' in creating a ne an' $etter ay o- li-e in

your country

15) 6are concerne' a$out &at t&e $ig corporations are 'oing int&e name o- ma*ing more pro-its: 'onsiing, creatingenvironmental pro$lems, an' e4ploiting poorer countries

1) 6&ave your -inances an' spen'ing un'er control, an' are notconcerne' a$out overspen'ing

1K) 6'isli*e all t&e emp&asis in mo'ern culture on success an'Ama*ing it,B on getting an' spen'ing, on ealt& an' lu4ury goo's

1) 6li*e people an' places t&at are e4otic an' -oreign, an' li*ee4periencing an' learning a$out ot&er ays o- li-e

I- you agree' it& 10 or more, youre pro$a$ly a Cultural Creative)


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@&e Filipino Cultural Creatives

9n Evolving Collective


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In $otany an' 'en'rology, a rhiome !ra o mˈ ɪ ʊ !, -rom 9ncient +ree*: rh!z"ma mass

o- roots,13 -rom rhiz#" cause to stri*e root;23 is a mo'i-ie' su$terranean stem o- a plant t&atis usually -oun' un'ergroun', o-ten sen'ingout roots an' s&oots -rom its no'es)

http://en.wikipedia.org/wiki/Botanyhttp://en.wikipedia.org/wiki/Dendrologyhttp://en.wikipedia.org/wiki/Help:IPA_for_Englishhttp://en.wikipedia.org/wiki/Help:IPA_for_Englishhttp://en.wikipedia.org/wiki/Help:IPA_for_Englishhttp://en.wikipedia.org/wiki/Help:IPA_for_Englishhttp://en.wikipedia.org/wiki/Ancient_Greekhttp://en.wikipedia.org/wiki/Rhizomehttp://en.wikipedia.org/wiki/Rhizomehttp://en.wikipedia.org/wiki/Subterranea_(geography)http://en.wikipedia.org/wiki/Plant_stemhttp://en.wikipedia.org/wiki/Planthttp://en.wikipedia.org/wiki/Roothttp://en.wikipedia.org/wiki/Roothttp://en.wikipedia.org/wiki/Planthttp://en.wikipedia.org/wiki/Plant_stemhttp://en.wikipedia.org/wiki/Subterranea_(geography)http://en.wikipedia.org/wiki/Rhizomehttp://en.wikipedia.org/wiki/Rhizomehttp://en.wikipedia.org/wiki/Ancient_Greekhttp://en.wikipedia.org/wiki/Help:IPA_for_Englishhttp://en.wikipedia.org/wiki/Help:IPA_for_Englishhttp://en.wikipedia.org/wiki/Help:IPA_for_Englishhttp://en.wikipedia.org/wiki/Dendrologyhttp://en.wikipedia.org/wiki/Botany


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@H9?7PEH79NI@ # In mat&ematics, transversality is anotion t&at 'escri$es &o spaces can intersect8 transversality

can $e seen as t&e opposite o- tangency, an' plays a rolein general position) It -ormalies t&e i'ea o- a genericintersection in 'i--erential topology) It is 'e-ine' $yconsi'ering t&e lineariations o- t&e intersecting spaces att&e points o- intersection)

@ransConversation


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$ilipino Cultural Creatives lets a'vocates support oneanot&er) In ot&er or's, it aims -or sustaina$ility)


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Filipino Cultural Creatives is Culture $ase', tries to institutesocietyQs values into t&e Economy an' (olity o- t&e nation)

?icanor (erlas t&ree-ol'ing);


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Filipino Cultural Creatives is &ealing -or t&enation, an' -or t&e Cultural Creatives t&emselves)


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=ere 'ran to t&e image o- t&e lonegenius &ose mystical moment o-

insig&t c&anges t&e orl') %ut t&e lonegenius is a myt&8 instea' its t&e groupgenius t&at generates $rea*t&roug&innovation) =&en e colla$orate,creativity un-ol's across people8 t&espar*s -ly -aster, an' t&e &ole isgreater t&an t&e sum o- its parts)

#"eit& 7ayer, Group Genius: ThePower of Collaboration

Filipino Cultural Creatives - Organic Collective Improvisation - Dino Manrique

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