Felino A. Soriano - Anamnesis

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Anamnesis

Felino A. Soriano

chalk editions

2011



text: © copyright 2011 Felino A. Soriano

cover: © copyright 2011 Jukka-Pekka Kervinen

http://chalkeditions.blogspot.com



Memory believes before knowing remembers. Believes longer than recollects, longer

than knowing even wonders.

William Faulkner

Who knows what true loneliness is - not the conventional word but the naked terror? To

the lonely themselves it wears a mask. The most miserable outcast hugs some memory or some illusion.

Joseph Conrad



—after Tomasz Stańko’s Freedom In August

Dialogue explores functional promise purpose punctual

dance overwhelmed heat’s experimental dissipation. Lavender lies unobstructedstilled

causalcommuniqué ambulatory residue holding self

behindmoments of a curtain’s

exploratory sway.



—after Jason Moran’s Time Into Space Into Time

Divisible liaisons

reachable functions malleable upon conceptualdifferentiacollaborated persuade

motional technique fabricatedcollateral senses

seen sceneheard herds of populated incorporated

translations.



—after Sonny Rollins’ In A Sentimental Mood

Awakened:

dusk’scottonthinned

wornfrom the angled mist

elongating threaded lightetching wind’s apparitional rhythms,

startled.Because dawn’s

cornea explains horizontal shapesaboriginal upon extracting definitional hours,

warmth of noon’striangular regard

holdand devotes silence

toward the walking’s fathom of dissipated failures.



—after Thelonious Monk’s Ruby, My Dear

Aggregated years

persuaded sustenanceyour scent of architecture

placing mirages into roles of disparate comprehensions.

As your walking into

halls of distance’s unrelated fulcrumreturn is paroxysmal

leadingrelational gestures into escalating panorama, precise.



—after Jason Moran’s Restin’

Supported separation

of blood’s watering condensation abruptupon vanishing

luster. The bodywhole and

holyand

musically submergedneoteric acclimation; after

dust of promoted wither eyes of

the solid decompose constructs achromatic dwellings

allowing disallowed light to mirage and flourishsilent amid culture of necessary

slumber.



—after Max Roach’s January V

A hand’s length, virtual

reminder of grasp’s talent for creating origami’s spatialoverwhelming desire, the

early-year functionrecalls then the hanging

spider spun toward pointed silk

of her environmental trapdislocating hope from the living’s

removal: breath, ambulation, preferentialliving.



—after Anthony Braxton’s Comp. 23 H

Helium exorcism

mid neck)broken construct half-pretty-pirouette postulating renaissanceergonomic faculty

well-begetting realismfortunate deity

knee-walking walkersalter-bound product

gracious facilitating reenactment— stench of delivered

transgressional flame,abrupt finite though

properly rehearsed(



—after Taylor Ho Bynum Trio’ Apace

awkward

advancement (then, the meaning becomes flagrant postured indented, thus

regatheringwholeness upon eventual circumference)

meaning structural alterationfleeing fundamental

ambulationspelling tired rigid

specks augmenting an eyed delusionalcombustible vernacular



—after Marcin Wasilewski Trio’s The Young And Cinema

Early, expand the

mind’sorganic relief spontaneous curfew of an alive’sversion

of thrilled togetherness. Watching

expanding physiologicaloptions

man of hankering hiswoman’s scented absence, passive

twirls of her lending memory

hires hisrelegated achromatic commandments.



—after Ketil Bjørnstad’s Remembrance IV

the oval circumferencea brevity of contoured

aspiration

your handnear table’s earthen compositionwrites

name or unblemished comfort blending sans ornamental smudge

butdenotes double beautified reality,

hand and limb of wood, joinedspatially aware, content



—after Marilyn Cispell’s After The Rain

abundant

awashavenuesor

rails for traveling watchersunaware their steel stares and ambulatory ways

conjure fascinationaway

from the stilled scent of twirling connotations, of windof an air’s slanting music

gaining body and arid architecture, whole thoughotherness regarding

day’s functioning minutesarticulating flame, focus

aperture of framing distance



—after Ketil Bjørnstad & David Darling’s The River II

Vacant pause

erupts post-randomness, silver kiteof

a salmon’s swerving wandrattles evaporating earth’s liquid

occultationcovering interior of a spheroid’s

spiralednerves

contouring grace ballerina’s streamlined positional fractions

numerical angles curing then

curvatures of an orange-dim puncturing skin, radical gall

inundating certainty’s finality of hope.



—after Vassilis Tsabropoulos’ Song Of Prosperity II

You write sans winding hand

aharboring spine of definitional praise

curved like spine of ill physiologythen or

anddelve into

sorrow of handless devotion promising

motion to become an altered faculty, a claritythough branded badly

andyou prosper

contaminating a moniker of hope: namedfor the reactionary verbs

regurgitated by the focus of thosewilling to cooperate.



—after Stephen Micus’ Narration Two

our snow

wears random blemishes, unseen

by the falsity of timerearranging method of usage of hands at

noona woman holds her own movement. Twirled at

dichotomous durations: alone she seeksa river’s hardened shell

mirroring a slantingholding of light’s

momentumantiquating

visions



—after François Couturier’s Sensation

Of or

what attempts remuneration (bodily, precise)a sonorous culmination, belly an attempted holder (or, mirage of this pocket of swollen comprehension)

son you here will become myself

a self in innocent renditionabsent of self’s most reconciled

devotion



—after Anja Lechner & Vassilis Tsabropoulos’ Woman's Prayer

truncated

vermillion shed from categorized sorrowa

death of desired absence

please reappear for the integratedfathom of

now’s needed, element of aspired roaming among

elevated cacoethes



—after Christian Wallumrød Ensemble’s Snake

Radius written whole

elegant physicalcontinuity of scatteredcommonality:

of delegated flight

needed not by the sliding tones

amethystambulating

around cross-written prose of discretionary(altered perception)

holds uponorchestrating premises; thus

an orange brick bridging tonal achromatic dissipation

slides and commandstopographical clarity

to castrate rigid explanation of a corporeal fascination

with upright endeavors of the walkers’ venerated style.



—after Stephan Micus’ Narration Three

Listen :

or eavesdrop camaraderie— the physique

holds foundational claimsspinning pellucidity’s undulating

focus: —following a voice’s premature rejuvenation

a span of curtains black with

woven wings such origami iconsannual profligacy attains hankered

delvingleaving

spinningaway

andaimless

thoughas a parent’s loosening control spatial dexterity

leavesa window of tissued control

wandering through profound and old-fashioned articulation.



—after Alexei Lubimov’s Für Alina

Presentation, smile concept burgeon

renew exclamation protect glares of missing personal depth.Your

route toward listening (trend, misuse of explained description)calls into my speaking theories

hand recounting collected isolated harmony. For you:

a notion, a note from tongue of speaking silk enwrapping waist of your thinking habit, spatially correct

into the connecting version of our composed articulation.



—after Ketil Bjørnstad’s Remembrance V

Outside occurred lasting

subsequentlapse upon memory’s final mourning: deaththen was

partial ceiling of grayest enduranceand

nowinterpretation of speech’s whispering momentum

claiming foundational density: of the breather’s voicewearing a moment’s shine of encapsulating

anglessought relegated absence

holding over head a solid claim of reentering apparition.



—after John Surman’s No Finesse

Salient biological thunder

corporeal momentary royaltycombiningthrust of

pliable detailstoo a portable layer of manifest

roamscollecting

fear anddelegated spires of cadenced adoration.



—after Anja Lechner & Vassilis Tsabropoulos’ Chant

The Cypress

alone sans too itslengthened silver

restingnear footed trunk of

gnarled brunette twists —she

calls upon angledglides of

rain’s visitingcontribution

thoughfor several revolutions

of hours’ slightest visitsarid

is the milieudominating conversation trends

an absenceremains, overriding.



—after Eberhard Weber’s Yellow Fields

Mouth of open italics

lit by highlighting virtueof an hour’s serrated meaning.

Herewhere

modalsways from scented bodies’ organic reinventions

claim and rename a gesture’s finding meaningwaving

and delegating premisetoward a pulsating aura’s

hoveringconfiguration.



—after Jacob Young’s Wide Asleep

Renovated morose accentuated posture

leana sleepinggesture certainty

relapsed endeavor: insomnia’sstriated skeletal dusk of proposed

relaxation.Gone

arelight’s witnessing pupils of

salientcontributions

now though venerated reliance upon sedentary nature’suniversal ambition toward

constructing gray of dream’s alabaster trivia.



—after Pharoah Sanders’ Rejoice

Flock of

floweringfundamental shape-sharpened crowsdelicate

scarcity of tonal differenceshreds

shards of mathematical anglesfully founding

elements of curiosityhiding

amid lined attributes of whole excavation: light, symphonicshelves holding alarming

juxtapositions, chaotic flightintertwining algebra’s specific solvable

interpretations.



—after Oneohtrix Point Never’s Ships Without Meaning

Aquatic soil

mentioning toward waves’ elemental movement bodies atop coalesced reenactmentsfrigid warms

origami spectrum of morbid fear, finiteinterpolation

honoring such giant speciesalthough

finished brand of participatingmemory

forgets antiquated reasons of faithful mnemonicshighlighting notified theories of tone

sunken exaggerations of manmade vessel’s concept of

rational liberation.



—after White Rainbow’s Sand Sift

purged

documentation dramatic persuasion of erasable dilemmascontaining

misread formulationsof hope

of synchronized habitsmeeting needed

angular elongations of timerounding

rewound physical reactioncontrolled through sustained programmatic

delineated ethos



—after Phil Markowitz’s Facets

Voices

the fear of accidentaltranscending

empirical appearance fathoms foregone water’sshapes reshaping

moment’s interpretational provoke; abundantcalculus

consent upon merged twirling syncopation; curledsedentary contours

heard above watchers engaged inarticulating scope of distance’s exacerbated

repentance.



—after Rave Tesar Trio’s Minor Mood

Yet –un

flame masticating weather’s undulatingmood, witheredlungs contaminate ambulation’s orchestrated camaraderie; with

delving’sepitome reacting fragrance of swathing comprehension

dispositional hands coat and deprive

anorexic hour’s unswollen intuitionhitherto occasional

caveatscontaining semblances of masked dialectic, logic v logic’s

placid paradoxes.



—after Travis Shook’s Awake

charged sans

chorded excavationcorporeal function dawn-induced portrayalspasm however

controlled veracity of tone. Morning’sadvocacy

time and framed calligraphy of deliberate disinterring exclaim



—after Jackie McLean’s Old Folks

Their carving hands have

markings of existential echoesspeaking toward versions of prior fundamentals. A path

primary language of self intoself, mirrored collocation found

amid blackbirds carving alphabeticsemiotics, conjoined.



—after Andrew Hill’s Sophisticated Lady

Her residencewanders

following shadow of scented movement,

privileged.



—after McCoy Tyner’s Fly With The Wind

Elasticized rhythms

routine participation cardinalabsolute rendition of clarity’s rectangular meeting, angled

curiosities. Said of rambling mishaps

curled into wearingadjacent meaning until now’s

peculiar hankering of raindislocates self of hiding

secrecieswandering halls of an hour’s

redeeming alabaster

function.



—after Milt Jackson’s and John Coltrane’s The Late Late Blues

Corners stand

beneath standing watchers of mundaneapparitions. Paralleling

ambulation near cultivated birth followingdusk’s

required birthing habitual everydaynessa sadness evaporates

subsequent to a temporal highlighting evidential premiseday’s heat wanders

findingamid holistic chasms of antiquated denial

abbreviated light burgeons within the portending guidance of night’s delirious

gesticulations.



—after Jason Moran’s Blue Blocks

Architectural tone

leanworth interpretationsymptom spasm

held head lower rendition of birth’s crowning spontaneousdelivery of life’s

newest proclamation.Built

denuded conceptual relevance(here

spatial phrase structure

beholdensalient

reconfiguretonic renewal

exacerbated rhythmshover

contracting stares of desired interrelation.



—after John Coltrane’s Resolution

Cortex that radius of etched physical

proclamationrunningspiral dialectical confinement of corporeal behaviorism

physical communication altering verbaldescription of otherness’ abstract misses of grabbing

wholeness.Stairs

leaddownward architecture

passing passersby alert in their

sleeping postureradicalizing discomfiture’s ahead cause of leaning

altercations. Bred by overlapping cycles, of leaves pressing weight of inconsistent mass

heavily decomposing posture of widened declarations.



—after Bobby Hutcherson’s Goin’ Down South

and rearrange with

bouquets of nonchalancethe suspended absence of birds’allocated annual redirection.

Sayof walking silence

critical thought denouncing arrogance of light’silluminating frequency

lean toward southern atmospheric proclivity to

reinvent such fine silhouettes porcelain clear

their disposition of finding neoteric camaraderie.



—after Fred Hersch’s Blue in Green

A

desiredelasticized (elongated, drawn, hand-specifiedrelegated tributary

talent of a whole’s version —an altered perception)

tone on tone of otherness’ asthmatic promulgated affirmation.

A blended stylized

roam of interconnected freedom: bathed anorange jealousy, founding

ambulation away

from the variousornamentation

outlining au courant fillings of a preferred

rendition,understood.



—after Alan Broadbent’s ‘Round Midnight

Her voice

skirt-high raises pontificating virtue alabaster enjoys.

Of moments’ curbed idealization:

ideologyhides amid diagonal symbols

quiescentatop

common memoriesrecalling blur of

a crow’s fundamental leaving.



—after Hank Jones’ Ruby My Dear

I recall

your hand on soundless handtiredfollowing method of conceptual reenactments,

spelling with tongue of silent reinvention, grasp, gonerenaming antiquated modes with

vocal arrangements,softened

harmonizationcalling toward clarity’s

improvised announcements

Felino A. Soriano - Anamnesis

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