F E B R U A R Y

w w w . e - t e c h a s i a . c o m

2017

INTERVIEW: Pascal Petitjean PROJECTS: The Arts House Upgrades Its AV System LIVE: Innovative Projection Mapping For Stunning Dom Pérignon Dinner

ZOUKMOVES INTO ITS NEW HOME

In our fast-changing world, new forms of entertainment are popping up at breakneck speed. Are you confident about your future investments?

Ranging from laser projection through to show control, image processing, 4K, and flexible LED solutions, we empower you to wow your audiences in new ways.

With a focused approach on events, Barco leverages its expertise to create technology you can rely on.

Be bright, choose right. Choose Barco.

Be bright, choose right.

www.barco.com/events

Contact Barco representative for more information

Barco Singapore Private Limited │Tel: +65 6587 7356│e-mail: SEA.Sales@barco.com

F series projector

HDF series projector

E2 presentation switcher

INTHISISSUE:52

36

V O L 1 8 I S S U E 2 F E B R U A R Y 2 0 1 7

04 FIRST WORDS

06 NEWS

22 VIDEO FILES

24 ENNOVATIONS

INTERVIEW36 Pascal Petitjean of Partex International

PROJECTS40 SINGAPORE: Zouk Moves Into Its New

Home

45 SINGAPORE: The Arts House Upgrades Its AV System

48 SINGAPORE: EV At Grand Copthorne Waterfront Hotel

LIVE50 SAUDI ARABIA: Video Projection

Mapping At The King Abdulaziz Center

52 AUSTRALIA: Staging Connections Dazzles With Innovative Projection Mapping For Stunning Dom Pérignon Dinner

54 AUSTRALIA: My Fair Lady’s Audio Makeover

56 EVENTS LISTING

FIRST WORDS 04

The NAMM Winter show

had as expected a number

of new solutions that were

showcased and we have

highlighted a few of them

in our Ennovations column.

I am sure there were a

number of interesting

solutions that we may be

unaware of. Do highlight

to us those that captured your attention and we will post

them.

We are on our way to ISE in Amsterdam and expect to be

overwhelmed by technology:)) Talking about technology,

Projection mapping has become a huge part of many

activities from festivals to national and corporate events

that it no longer surprises us that we receive a few projects

every month for coverage. In this issue we feature the

projection mapping done during the opening of the King

Abdulaziz Center for World Culture in Saudi Arabia but

what caught our attention is our story on how Stage

Connections used its skills in an innovative manner for the

Dom Pérignon Lumiere Dinner in Australia. Table cloths and

plate settings were brought to life with creative custom

animations projected down onto them, thereby introducing

guests to each of the courses that were matched with Dom

Pérignon champagne. Definitely not an easy task, but it

was executed with perfection by Stage Connections. For the

lucky 100 VIPs who attended the event we are sure it will

be something that they will not forget.

We are also very pleased to bring you coverage on the new

Zouk venue. The massive lighting rig will become an icon of

Zouk for sure.

Enjoy the read.

Thomas Richard PrakasamPublisher/Editorial Directorthomas@spinworkz.com

DisclaimerEntertainment Technology Asia is published 12 times a year. All rights reserved. No part of this magazine is to be reproduced, whether mechanical or electronic without the prior written consent of the publisher. Views expressed in this magazine do not necessarily reflect those of the editor or the publisher. Unsolicited contributions are welcome but the editor reserves the discretion to use them. Whilst every care is taken to ensure the accuracy and honesty in both editorial and advertising content at press time, the publisher will not be liable for any inaccuracies.

Please be informed that products and company names mentioned in this publication may be protected with tradenames, trademarks or registered trademarks of their respective owners. Our non inclusion of such symbols is not an indication of us not recognising the copyright but rather to have a common look across our articles. Misuse of tradenames, trademarks or registered trademarks is strictly prohibited. It is the obligation of our readers to check if company names and products are protected with tradenames, trademarks or registered trademarks.

Ram BhavanashiEditor, India And Middle Eastram@spinworkz.com

Jimmy ChinDesign And Productionjimmy@spinworkz.com

PUBLISHED BYSpinworkz Pte Ltd, 51 Bukit Batok Crescent, #06-10 Unity Centre, Singapore 658077Tel: (65) 6316 2716 Fax: (65) 63162715 www.spinworkz.com

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E T A F e b r u a r y 2 0 1 7

Michael MitchellMEDIA REP IN NORTH AMERICA Broadcast Media InternationalTel: +1 631 673 0072mjmitchell@broadcast-media.tv

NEWS 06E T A F e b r u a r y 2 0 1 7

HARMAN Professional Solutions Introduces The HARMAN Connected PAINTERNATIONAL: At NAMM, HARMAN Professional Solutions announced the HARMAN Connected PA—a complete, integrated ecosystem of live sound products that allows musicians and performers at any skill level to quickly and easily get professional results. At the center of the Connected PA ecosystem is the groundbreaking new HARMAN Connected PA mobile app, which provides one centralized solution for intuitive setup, configuration and control. The HARMAN Connected PA ecosystem brings together Soundcraft mixing consoles, AKG microphones, dbx stage boxes and JBL speakers that integrate HARMAN ioSYS technology to offer a flexible and scalable solution that makes it easy for customers to get great live sound.

“Musicians need a fast and easy way to set up their PA system so they can focus on performing instead of worrying about their equipment,” said Noel Larson, Senior Global Manager, HARMAN Professional Solutions. “The HARMAN Connected PA system provides musicians a simple and effective way to set up and operate their entire PA system from one central app, with minimal pro audio skills or previous live sound experience. Now musicians can focus on what matters most—their performance.”

The HARMAN Connected PA is an industry first, and streamlines the setup process with one state-of-the-art central app for the entire component ecosystem, removing the need for multiple apps and GUIs. The app automatically identifies and configures connected equipment, provides setup wizards for quick and easy system configuration,

and offers access from a variety of devices, including iOS, Android, Mac OS and Windows.

The Connected PA product ecosystem is enabled via ioSYS technology and initially includes equipment from Soundcraft, JBL, dbx and AKG, allowing musicians to create systems that suit their specific needs. Additional HARMAN equipment can be added to increase performance flexibility and meet the demands of future growth. At launch, compatible products include:

- Soundcraft Ui12, Ui16, and Ui24R Digital Mixers - JBL PRX800W Series Loudspeakers - dbx DI1 Active Direct Box- AKG P5i Microphone

HARMAN Professional Solutions plans to add many new products to the Connected PA ecosystem to provide musicians with greater versatility and adaptable performance.

AvailabilityThe HARMAN Connected PA app is expected to be available Q2 2017 from the Apple App Store, Google Play, Soundcraft.com and JBL.com. Soundcraft Ui24R is expected to be available March 2017. The AKG P5i microphone will be available February 2017. JBL PRX800W speakers and the dbx DI1 are currently available but may require firmware updates to enable HARMAN Connected PA functionality.

http://connected-pa.com

http://www.etcconnect.com/ColorSource

NEWS 08E T A F e b r u a r y 2 0 1 7

MIPRO MA-708 Portable Wireless PA System Wins Taiwan Excellence Award 2017

TAIWAN: MIPRO's MA-708 portable PA system has won the Taiwan Excellence Award, considered the highest accolade awarded to products that encapsulate “innovation values”. The MA-708 portable PA system was judged according to the five categories of “R&D,” “Design,” “Quality,” “Marketing,” and “Made in Taiwan”.

The one-piece speaker cabinet houses a class-D amplifier that drives two-way loudspeakers. Delivering powerful

and clear sound quality, the system offers an ideal public address solution for medium to large crowds.

The MA-708 follows the principles of user-oriented design and extreme flexibility. It integrates a wireless microphone system, mixer, speakers, CD, USB and Bluetooth players for audio playback. It accepts up to 4 plug & play receivers for easy installation and replacement, and has an easy and fast channel set-up via a one-touch ‘Scan & ACT’ sync button. The ACT 32HR microphone designed with a built-in volume control can remotely control the level of master volume of the sound system from a distance.

The MA-708 is portable and easy to transport with sturdy wheels and a retractable handle – an industry first. It even includes a storage compartment for two handheld or beltpack transmitters. The environmental lithium rechargeable battery decreases the weight and offers minimum 7 hours of standby time for indoor or outdoor use even when main electric power is not available.

www.mipro.com.tw

Stardraw.com Announces 2016 As Best Year EverINTERNATIONAL: Software provider Stardraw.com has announced 2016 to have been the company’s best year ever since its incorporation in 2000. The news follows the announcement last year that 2015 had already been a record year for sales and usage stats of Stardraw.com’s award-winning design and documentation software, Stardraw Design 7.2.

“Obviously we’re delighted,” said Stardraw.com CEO, Rob Robinson. “We had already recorded close to 25% growth during 2015, and we were up nearly another 20% again over the course of 2016. Our usage stats bear out the same story with an average of 10,000 sessions per month opened during 2016 which increased to a staggering 15,000 per month in 2016. That we should be enjoying this kind of growth in what has been a precarious year in so many other ways is particularly gratifying.”

“There are doubtless a number of factors that explain this positive shift,” he continued. “We think that it is due to in

part to the increased accessibility of Stardraw Design 7, as well, of course, as the constant improvements, refinements and new features we have been adding over the years. As a result we have a product that can be fully tailored to our customers’ requirements and budget thanks to its modular nature. We have also improved accessibility by moving to a new, subscription-based business model which allows customers to pay a small amount monthly rather than a single annual fee. This is a much better solution for cash-flow management and ensures that customers are always enjoying the most up-to-date version of the software.”

Further information on Stardraw Design 7.2 may be accessed from http://www.stardraw.com/products/StardrawDesign7

www.stardraw.com

http://www.acousticlighting.com

NEWS 10E T A F e b r u a r y 2 0 1 7

Trio AV Supports Cirque Adrenaline With GLP FixturesSINGAPORE: Cirque Adrenaline produced by Simon Painter and Tim Lawson, who are also the brains behind acclaimed shows The Illusionists and Le Noir, presented for the first time in Singapore, Cirque Adrenaline, brought in courtesy of BASE Entertainment Asia.

For two weeks, in December 2016, audiences were left sitting at the edge of their seats, with adrenaline pumping as they watched one of the most daring and death-defying shows at the MasteCard Theatres at Marina Bay Sands.

Consisting of 15 spectacular acts performed by over 30 performers, Cirque Adrenaline’s troupe is renowned worldwide for its theatrical flair and breath-taking acrobatic displays both on the ground and high above the stage.

Helping to create the right mood for the performance was the lighting system. The lighting system in the theatre was further augmented with GLP fixtures to create the feel and look that the lighting designer wanted to portray for the performance.

Trio AV loaned 38 units of the GLP impression X4 LED Wash Movers to the promoter Base Entertainment. “The GLP X4 offers a bright alternative with a wide zoom range angle with full colour mixing capabilities. It is also able to do funky customised pixel patterns. These features were enough to convince the lighting designer to include the GLPs as part of the overall lighting set-up in helping him design the show to complement the death-defying acts on stage,” said Alvinson Yap of Trio AV.

www.trioav.com

TKLS Invests In GLP's 24 X4 Bar 20

SOUTH KOREA: Total Korea Lighting & Sound (TKLS) has recently purchased 24 X4 Bar 20 revolutionary lighting battens from GLP.

The fixture is the first purchase of GLP solutions by Total Korea, but it has already found immediate success for the company, having gone straight onto a major production which will be running in Seoul until March 2017. The opera Aida has placed all the fixtures onto a four-month production run.

Mr Shin, Owner and CEO of Total Korea, stated that he was extremely happy with the X4 Bar 20. “This is our first purchase of GLP — we are very impressed with the quality of the product, and confident that the X4 Bar 20 will prove to be highly successful in our rental stock going forward. We are also very pleased with the service from the GLP staff and look forward to working with them in the future.”

Søren Storm, Sales Director GLP Asia/Pacific, is also extremely excited with the deal in Korea. “Total Korea is one of the leading rental companies in the country and is involved with a number of prestige projects, so this will provide great exposure for the GLP products in the territory.

“We know that Total Korea is also handling a number of international projects where they see these GLP products specified, so we are looking forward to giving them our support going forward.”

www.tkls.co.kr

(L-R) Sorenstorm (GLP), Mr Shin (TKLS) and Michael Munz (GLP)

NEWS 12E T A F e b r u a r y 2 0 1 7

East Meets West With Siam Music Yamaha & The Adam Hall GroupTHAILAND: Siam Music Yamaha Co., Ltd. (SMY) has signed an exclusive distribution partnership for Thailand with the Adam Hall Group.

The initial idea started when Dr Perawat Chookhiatti, Managing Director, Siam Music Yamaha Co., Ltd, met Chandan Mahtani, Managing Director, Adam Hall Asia Pte Ltd at the Pro Light & Sound in Shanghai in 2015 and had a brief discussion about the possibilities of distribution of Adam Hall products in Thailand.

“I see the benefit of having Adam Hall brands within our group, this is as an expansion to the current SMY range of products,” said Dr Perawat. “It will also fill in the gaps in various categories, which we are currently not representing and I know our dealers will be delighted to have a one-stop source solution.”

Likewise, Mr Mahtani expressed a similar opinion with regards to the unique partnership: “Partnering with a Japanese company in Thailand represents a big and exciting shift. In our opinion, SMY is the best candidate we could have in Thailand. We are happy to acknowledge that we could contribute to the expansion of SMY although they have a great brand like Yamaha. We are confident to add value to their overall business by way of our product range and close communications.”

SMY is currently developing an Adam Hall Group showroom in Bangkok to be fully operational by February 2017.

“The partnership between Siam Music Yamaha is a great step forward for the Adam Hall Group in Thailand and we expect substantial synergies between both parties. As we complete the Asian circuit, it is satisfying to see our aim for well-established partners has been successful,” concluded Bodo Falkenried, Head of Global Business Development for the Adam Hall Group.

www.adamhall.comth.yamaha.com

Qu-16 Installed In Thai Hard Rock Café

THAILAND: The new Hard Rock Cafe in Chiangmai, Thailand, recently opened its doors featuring an audio system designed and installed by One Systems Global. The company specified the Qu-16 digital rackmount mixer from Allen & Heath to manage all of its audio requirements.

The mixer is installed in an AV rack along with the amp and Hard Rock audio server, located in a control room. The mixer controls playback audio sources and any live artists who will perform at the venue. The Qu is accompanied by a d&b audiotechnik PA system.

“Qu-16 is the ideal mixer for this type of venue, as it has enough capacity to manage a live music performance yet compact to store away, with flexible control options so that the user can connect to a wireless router and use the iPad app to mix from anywhere in the venue!” explains One Systems Global’s Mac (Suttipun Y.).

www.allen-heath.com

xy

Dr Elena Shabalina is part of the R&D Acoustics team at d&b. She’s been on board since 2012. “The place is full of lunatics for sure but you can count on everyone doing their best. With d&b I finally belong somewhere.” In 35 years d&b has evolved from a small garage venture to a worldwide standard in professional sound systems. It’s people like Elena who make this story possible, and just that bit different from the rest.

d&b is 35. Elena is d&b.

35 Years

Welcome to System reality.

NEWS 14E T A F e b r u a r y 2 0 1 7

Electro-Voice Celebrates 90 Years With LOUD & CLEAR Pledge

INTERNATIONAL: Electro-Voice celebrated its 90th anniversary with a pledge to its portable speaker customers to stay “LOUD & CLEAR”. In keeping to its pledge, the company converted its booth at this year's NAMM event into a live performance venue to showcase talent playing through their portable loudspeakers and new ND series microphones.

Over the course of the four-day show, nine artists from different genres performed through various system setups at the booth – these include the ZLX, ELX, EKX and ETX models so that NAMM visitors may hear the sound quality.

Multiple product experience areas were also presented for visitors to test and compare the different features that each product had to offer for varying applications and budgets. EV also launched their new social media campaign – EV users are encouraged to paste or tag music made with EV

products with #Evsound so that they may be featured on the #Evsound webpage and entered into monthly drawings for EV-branded merchandise. Submitted entries will also be in the running to be featured as soundtracks on new EV videos.

The #Evsound webpage may be accessed through www.electrovoice.com/evsound

http://www.yamahaproaudio.com

NEWS 16E T A F e b r u a r y 2 0 1 7

Kyushu Butai Chooses To Work With Prolyte ProductsJAPAN: Japanese based Kyushu Butai has recently changed its complete inventory of trussing and staging systems to Prolyte products.

Yoshinobu Yasunaga, Managing Director of Kyushu Butai, was introduced to the Prolyte brand during the World Lighting Fair in 2012, and was interested in the company’s broad range of products which were at the time still fairly unknown in Japan.

He then convinced Noritaka Kuwahara, the General Manager of Kyushu Butai subsidiary company Hiryu Sobi, to invest in StageDex. Both companies are now using the Prolyte StageDex system, investing not only in the decking, but also in telescopic legs, adjustable stairs, ramps and a large variety of accessories.

The Prolyte kit has been used for a range of events, including the inauguration of the new Trans Kyushu bullet train, the Americas cup in Fukuoka and the BMW i8 inauguration.

Both companies are currently looking to expand their rental portfolio with more Prolyte products, and Kyushu Butai aims to increase its inventory with additional ground support systems and roof systems from Prolyte.

As Mr. Yasunaga explains: “Prolyte supplies first-quality products and gives high priority toward product and user safety. The fact that their roof systems are fully compliant to Eurocode is really important for our company. The products we have invested in so far have really paid off in respect to faster and safer performance. Furthermore, the investment in a universally-recognized A-brand has stipulated the leading role Kyusu Butai plays in Japan, offering our customers only the best of the best.”

www.kyushustage.co.jpwww.hiryu-soubi.co.jpwww.prolyte.com

ARX Systems Licences Audinate's Dante Technology

AUSTRALIA: ARX Systems, the Australian based designer and manufacturer of Professional Digital and Analogue Audio interface and signal processing products is very pleased to announce it has recently licensed Audinate's Dante digital-media networking technology from Audinate Pty Ltd.

ARX's Managing Director Colin Park said "We've incorporated Dante into our new range of Network

Interface products, the first of which we'll be showing at the upcoming ISE Exhibition in Amsterdam."

Audinate's patented Dante digital media networking solution combines software, hardware, and standard TCP/IP protocols which can send many channels of high resolution, uncompressed, low-latency digital media to multiple locations using industry standard 100 Mbps or 1 Gb Ethernet networks.

www.audinate.comwww.arx.com.au

NEWS 18E T A F e b r u a r y 2 0 1 7

Midwich Australia and Bosch Security Systems Form Distribution Partnership

AUSTRALIA: Bosch Communications Systems has entered into a distribution partnership with Midwich Australia, one of the biggest names in AV trade distribution in Australia and New Zealand. Effective as of the 17th of January, 2017, Midwich will provide sales and support for installed audio products from Electro-Voice and Dynacord, including loudspeakers, amplifiers, processors and microphones. Midwich has over 35 years of experience in Audio Visual solutions and is well known in the industry for outstanding knowledge and support.

“We are very happy to join forces with Midwich Australia. Midwich represents a dynamic company with both global and local expertise to support the needs of the customer. I am looking forward to a successful partnership between the two companies, our customer bases and the integrated Pro Sound and AV markets,” said Chris Dellenty, General Manager, Bosch Security Systems Pty Ltd.

“Bosch is a world leading company that’s well-respected across the industry for its innovation and reliability. It’s also a perfect fit within the Midwich Australia stable of premium brands. We’re looking forward to serving existing Bosch audio clients in this region and are excited to grow and develop new opportunities into the ANZ marketplace,” added Michael Broadbent, Managing Director, Midwich Australia.

www.electrovoice.comwww.dynacord.comwww.midwich.com.au

From left: Chris Dellenty (General Manager, Bosch Security Systems Pty Ltd.), Michael Broadbent (Managing Director, Midwich Australia), Wilfred Steeman (Vice President Regional Sales of Bosch Security Systems Asia Pacific)

DPA Microphones Launches Chinese WebsiteCHINA: To strengthen its presence in China, DPA Microphones has launched a dedicated website that delivers product information, Microphone University articles, company news and content of specific relevance to the Chinese market – all in Mandarin Chinese. The company believes that this new website will help to target the Chinese market, which has a growing demand for high-end products to satisfy its burgeoning broadcast and pro audio industries.

Ken Kimura, Managing Director of DPA’s APAC Office, says: “China is a very important market for us, but its sheer size does make it challenging. To be successful in this market you need more than just great products – you also need to get closer to your customers by providing them with relevant information in their own language. Our new website will help us achieve this by making it easy for Chinese audio professionals to identify the best DPA microphone for their needs. We know we have an exceptional range of high end products and we believe

this new resource will significantly benefit our existing and potential customers.” Kimura adds that the website will also increase direct support to DPA’s distributor, Digital Media Technology (DMT), and their sales network.

Clement Choi, Managing Director of DMT, says: “DPA is known worldwide for its Microphone University that provides educational content to its website visitors. The company’s deep knowledge of pro audio applications gives it a special position in the market as its product development takes everything possible into consideration to deliver perfect microphone solutions. Having Microphone University available in Chinese will allow this knowledge to be spread to even more people, and this will greatly assist our sales efforts in China.”

The new site may be accessed at www.dpamicrophones.cnwww.dpamicrophones.com

w w w . s p i i d e r . c z

THE NEXT BIG THING!

SPIDERS ALL OVER THE WEB

ROBE_210x287_5mm_ADVERT_ka01.indd 1 27.10.2016 10:27:48

NEWS 20E T A F e b r u a r y 2 0 1 7

Sentosa’s Love in Springtime Activities Feature Merlion Magic Lights

SINGAPORE: Sentosa, Singapore’s “State of Fun” has brought together two of the biggest occasions in Chinese and Western cultures – Lunar New Year and Valentine’s Day through its Love in Springtime theme that is to run from 21 January to 26 February.

Palawan Green, Merlion Plaza and Beach Plaza in Sentosa will turn into a festive playground of lights, entertainment and activities for everyone, with a captivating showcase of 12 Zodiac lanterns at Palawan Green, each stylised to tell heart-warming love stories. The highlights also include the Merlion Magic Lights! as well as a concert beside the beach on the 15th day of the Lunar New Year, featuring well-known folk songs by active members from the 1980s local music scene.

“Love in Springtime celebrates togetherness, love, and wishes for a bountiful year – ideals that transcend cultures. Our line-up of activities offers both traditional and unconventional options for those seeking a fun-filled spring celebration of love. The festivities provide great opportunities for families and friends to come together and celebrate in The State of Fun. As we march into the year of the Rooster, we wish our guests a year of luck, prosperity and good health,” said Agatha Yap, Director of Sales & Marketing at Sentosa Development Corporation.

As the night falls, all eyes (and ears) will be on the beloved Sentosa Merlion, with the Merlion Magic Lights! The ever-popular light show features projections of icons and colours, coupled with music, for a mesmerising performance.

Ensuring that the Sentosa Merlion is lighted up perfectly for the occasion is Hexogon Solution. A total of four Christie Boxer 4K30s are used together with 10 Clay Parky Sharpys and 50 units of SGM P5. The 8-minute show mainly focuses on Chinese New Year and Valentines Day icons and colour keeping to the Love in Springtime theme.

Sentosa management’s brief to Hexogon was for the show to feature very detailed traditional paper cut techniques based on the concept of the 12 Chinese Zodiac. The show also features the “Love” elements with modern vibrant neon motif so as to highlight an “east meets west”, and “traditional meets modern” type of theme.

The vibrant lighting and projection mapping on the 37-metre tall Merlion sculpture that kicked off on 21 January certainly kept to the theme and thrilling the crowd for an unforgettable visual and auditory experience.

The Christie Boxer 4K30 3DLP projector has six 450W mercury lamps delivering 30,000 center lumens, that offers omnidirectional orientation capability and a built-in Christie Twist that enables images to be blended and warped from multiple projectors onto curved or irregular surfaces without requiring an external solution.

Photo credit: Hexogon Solution

www.hexogonsol.comwww.christiedigital.com

NEWS 21E T A F e b r u a r y 2 0 1 7

Clair Cohesion Series Makes Australian Debut With Keith Urban

AUSTRALIA: Country superstar Keith Urban had the honour of being the first artist to headline the International Convention Centre Sydney’s (ICC Sydney) entertainment theatre.

Although the venue is equipped with a d&b audiotechnik PA system, Keith is a long time Clair account and so JPJ Audio provided their new Clair Cohesion PA system, purchased just in time for Keith’s Australian Ripcord Tour.

Seamless integration within the Cohesion Series, assures uniform coverage in multiple venues regardless of acoustic challenges or sightlines. The Series provides higher output, reference quality sound within a smaller footprint; in truck space and in the air.

Keith’s FOH engineer Kirk Kelsey has mixed for a wide variety of acts including Live, Creed, Three Doors Down, and The Smashing Pumpkins. He readily admits that he has been blown away by the Cohesion Series.

“The new Cohesion system is a totally different animal to anything else Clair has produced,” commented Kirk. “It’s also totally different to anything else that I have mixed on such as d&b, Meyer or Adamson. Whilst all of those systems are high quality, Cohesion just keeps going – it never compresses itself, has tons of headroom and it throws a very good distance. The clarity and vocal intelligibility of it is outstanding whether you’re in a theatre, arena or stadium.”

Kirk reports that as there is a large amount of low frequency in the hanging PA, he doesn’t have to fly subwoofers.

“There’s not a lot of processing in the Cohesion as I believe that Clair wanted to give engineers raw power,” he added. “One thing I learnt with the Cohesion PA is that you have to build your show in this system for it to be able to work. I can’t just come in after an L’Acoustics or d&b show, and plug into the system. The Cohesion system will show all the flaws in the mix so you have to undo everything.”

At the ICC theatre there were twelve Cohesion CP-118™ self-powered sub bass loudspeakers run in a cardio pattern of two blocks of six onstage. Kirk reports that they are really, really efficient and that they deliver tons of output, in fact he actually has to run the subs at -10 compared to the rest of the system.

The main hang comprised of sixteen Cohesion CO-12 cabinets, Clair’s next generation of versatile, reference quality concert loudspeakers, with a further twelve CO-12’s for side hang.

“The side hang is a 120° splay and the main hang an 80° splay,” Kirk clarified. “We also have a centre hang which consists of four Cohesion CO-8 cabinets and that covers the thrust that comes out from the centre of the stage. We also have CO-8’s stacked in various places across the subs or the stage to fill out little gaps.”

Kirk revealed that they had just played Canberra’s GIO stadium with the same configuration of sixteen Cohesion CO-12 cabinets and they were able to reach back of stadium with no problem.

Photos credit: Troy Constable

https://clairglobal.com/

Kirk Kelsey

VIDEO FILES 22

The Claypaky Mythos was exclusively selected to power the first ever moving-light display at Singapore’s famous New Year’s Eve firework event, the ‘Marina Bay Singapore Countdown 2017’ (MBSC 2017) presented by the national performing arts centre ‘Esplanade – Theatres on the Bay’. Do take note that this video is 9 minutes long. The full impact of the Claypaky Mythos can be seen from 3:13

Front of house sound engineer Lee Brintnall, has been mixing Clutch for 16 years. During this time he’s come across some fine mixing consoles, but none finer than the MIDAS PRO2! It’s been three and a half years since Clutch made the choice to buy their own monitor and front of house consoles, and they’ve never looked back! Watch the interview with Lee as he explains why this is the console for him, and talks us through some of the new effects he is using.

The brand-new La Cité du Vin in Bordeaux, France takes visitors on a fully immersive and interactive journey through the world of wine. AV systems integrator VIDELIO - IEC equipped the permanent exhibition with Barco F-series projectors controlled by Medialon show control solutions. Watch the interview with the museum’s Managing Director Philippe Massol to hear all about the concept, and the result.

The DiGiCO SD12 Vulcan Project is a new console that DiGiCo has been working on for the past two years. Presented interestingly using holographic touch screen , the features and highlights of the console are brought to live. Do note that the video is 11:50 minutes long. The SD12 benefits from dual 15-inch touch screens and is the first in the SD Range with built-in recording interfaces. But there is a lot more. Watch the video to appreciate the SD12.

Claypaky Mythos At NYE Light Show In Singapore

Lee Brintnall - Sound Engineer for Clutch

E T A F e b r u a r y 2 0 1 7

At La Cité du Vin

DiGiCo SD12 Launch Video

MIDAS Interview with

Barco Projection

Ramesh Chetwani+91 916 744 7440 | rchetwani@palmexpo.in

PLAN YOUR PARTICIPATIONto exhibit, contact:

THE DESTINATION FOR SOUND, LIGHT, VISUAL AND STAGING PROFESSIONALS FOR SOURCING HIGH-END PRO AV SOLUTIONS

Online Visitor Registration is Free Visit www.palmexpo.in

ENNOVATIONS 24E T A F e b r u a r y 2 0 1 7

NAMM: AKG By HARMAN Debuts The P5i MicrophoneAKG by HARMAN has announced the new AKG P5i high-performance dynamic vocal microphone, the first microphone designed to automatically configure with the new HARMAN Connected PA ecosystem.

Unlike ordinary handheld live mics, P5i automatically recognizes and configures with the Connected PA ecosystem of products to take the guesswork out of setting up and getting consistently great sound.

Based on the AKG P5 dynamic vocal microphone, AKG P5i delivers powerful sound for lead vocals. A supercardioid polar pattern ensures extremely high gain before feedback and suppresses ambient noise, even in loud venues. The heavy-duty metal body construction is designed to withstand tough

stage performances, and an integrated windscreen efficiently eliminates pop and wind noise.

The AKG P5i is part of the HARMAN Connected PA family of products, and offers full compatibility with the new HARMAN Connected PA app (available Q2 2017) for easy control, fast setup and better-quality results. Connected PA eliminates the need for multiple apps or graphic user interfaces (GUIs) and delivers seamless plug-and-play operation with a variety of HARMAN equipment so users can control their entire live sound system with one app. Products within the Connected PA ecosystem self-identify with the new app for effortless set up, and setup wizards help customers to quickly optimize volume, configuration settings and sound quality.

http://www.akg.com/pro/p/p5i

NAMM: Shure Introduces GLX-D Advanced Digital Wireless SuiteShure has introduced the newest addition to the GLX-D Digital Wireless line - GLX-D Advanced Digital Wireless suite of products include the GLX-D Advanced Frequency Manager, rack mount receiver system, remote antennas and other accessories. The GLX-D Advanced Digital Wireless suite may be used for Houses of Worship, educational institutions, auditoriums or other event venues with multiple wireless system requirements.

The GLX-D Advanced allows users to benefit from notable GLX-D features, including exceptional digital audio, automatic frequency management, and intelligent rechargeable batteries. Using the new Frequency Manager, GLX-D Advanced users can seamlessly and confidently operate up to nine simultaneous systems in typical conditions, and 11 channels in optimal conditions.

With a new rack-mountable configuration, the GLX-D Advanced allows up to six GLXD4R receivers to be linked to a GLX-D Advanced Frequency Manager via the RF ports. To simplify installation, the Frequency Manager automatically

assigns optimal frequencies to all six receivers utilizing patented data communication via the existing RF cables. Linking two Frequency Managers together enables the use of additional rack mount systems.

www.shure.com/asia

ENNOVATIONS 25E T A F e b r u a r y 2 0 1 7

NAMM: D.A.S. Audio Launches Event Line Array Systems Performance SimulatorD.A.S. Audio has announced the Event Line Array Systems Performance Simulator, which is aimed at helping semi-professionals, enthusiasts, and retailers to quickly and easily calculate how many Event 208A or Event 210A systems are required to properly cover a given audience, or a determined audience area.

Available on the D.A.S. website, the Event Line Array Systems Performance Simulator is a tool that enables users to calculate the number of Event 208A or Event 210A systems required for a simulated event, as well as configuration options, coverage maps, and rigging data. Areas up to 115 feet by 115 feet or an audience size of up to 4,900 people can be configured in just a few clicks. This saves time as the tool helps to ensure consistent converage throughout any given area.

The new Event Systems Performance Simulator is designed specifically for the Event 208A or Event 210A systems.

The new Event Line Array Systems Performance Simulator can be found directly on the company’s homepage at www.dasaudio.com

ENNOVATIONS 26E T A F e b r u a r y 2 0 1 7

NAMM: dB Technologies Debuts B·H SeriesPro audio manufacturer dB Technologies debuted its new B·H Powered Speaker Series at NAMM 2017. The series saw the combination of a CLASS D amplifier with aggressive sound pressure levels of up to 126.5 dB, resulting in a professionally efficient sonic performance for users.

The Series includes four two-way cabinets, all of which have been equipped with premium 1” compression drivers and respectively 8”, 10”, 12” and 15” woofers. The speakers' design also features an innovative asymmetrical horn, which ensures a wide and uniform throw pattern. Users may also choose between the FLAT or BOOST EQ presets with the Series' digital sound processing.

The cabinets weigh from 14 to 38 lbs, and each is outfitted with a full grille design that enhances multifunctionality and portability with three handles, with one on each side and one more on top. Each cabinet can be used horizontally as a stage monitor (with two angles) and features a pole mount cup for a tripod stand or stacked on dB Technologies Subwoofers.

Key Features:• Maximum Efficiency – up to 126.5 dB SPL• Professional Acoustic Performance• Innovative Horn Design for Uniform and Extended

Coverage• Three handles for Portability• Double Stage Monitor Angle• FLAT/BOOST EQ Presets

www.dbtechnologies.com

NAMM: HK Audio Unveils LUCAS NANO 602HK Audio has unveiled LUCAS NANO 602, the latest and most affordable member of their LUCAS NANO 600 series of professional, portable PA systems.

LUCAS NANO 602 is the ideal compact PA for any musician or DJ who prefers to use their own external mixer. Featuring one stereo input, it delivers the LUCAS NANO family’s standard “professional sound to go”, and can be set up for its optimized use as a 2.1 stereo system in seconds. It also combines easily and quickly with any other 600 series NANO to form a powerful Twin Stereo system where even more power is required.

Weighing in at just 16.3 kg/36 lbs, LUCAS NANO 602 can be transported in just one hand, with the satellites mounted inside the subwoofer. Despite its small size, it houses a number of groundbreaking HK Audio technologies. These include the Multicell Transformer, which delivers

the quality performance of a large high-frequency horn at a fraction of the size, and Anti-Resonance Bracing, which ensures that the subwoofer uncompromisingly converts every single watt of power into pure low-end energy.

With its amazing sonic power, crystal-clear response and up to 130 dB SPL, LUCAS NANO 602 is the perfect way to bring music to life for up to 200 people!

www.hkaudio.com

ENNOVATIONS 27E T A F e b r u a r y 2 0 1 7

ETC: Response 4 Port Gateway Now Available For ShippingETC’s new Response 4 Port Gateway is usable as a table-top, rack-mount, DIN-rail or pipe-mounted device, and uses bidirectional Ethernet communication with other network devices to send or receive up to 2048 channels of DMX512-A data and RDM messages.

Using ACN and streaming ACN protocols, the Response 4 Port supports up to four DMX universes and distributes up to 2048 channels over Ethernet. The 4 Port uses the same integrated LCD screen as ETC’s other gateways for status display and configuration information.

While this Response gateway does not offer interchangeable sleds, the gateway is substantially lighter than other gateway variants and is available in the following standard models: 4-DMX out XLR, 4-DMX in XLR, 3-DMX out and 1-DMX in XLR, 4-in/out RJ45 ports, and 4-in/out terminal ports.

More information may be found on the ETC website at www.etcconnect.com/Products/Networking/Gateways/Response-Gateways/Features.aspx www.etcconnect.com

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ENNOVATIONS 28E T A F e b r u a r y 2 0 1 7

Elation Professional's Platinum 1200 Wash On Par With 1500W Discharge FixturesElation Professional has launched the Platinum 1200 Wash, an extremely bright LED colour wash moving head luminaire with 19 65W multi-chip RGBW LEDs, which makes it the company's brightest wash light offering to date.

The Platinum 1200 Wash produces colour washes on par with 1500W discharge fixtures and houses a host of professional features like a 5° to 50° motorized zoom for tight to wide beam angle control.

The fixture comes with a selection of linear colour temperature presets from 2700 to 8000K, which when combined with the RGBW colour-mixing possibilities and 19 x 65W LED engine make for a flexible colour wash luminaire capable of powerful and smooth color shade projections across any surface.

A variety of unique effects are possible using the fixture’s pixel and pixel ring control with color pixel ring macros, color preset macros and chase macros included when programming time is limited. The fixture also offers linear dimming with selectable dimming curves and high-speed electronic strobe.

The Platinum 1200 Wash can be used for stage applications, as well as TV and other broadcast productions due to its flicker-free operation. It also includes high-efficiency low-noise cooling and movement control systems that make it an appropriate choice for noise sensitive

environments. LED refresh rate frequency (900-25,000 Hz) and Gamma brightness (2.0, 2.2, 2.4, 2.8) are also adjustable.

Controllable via three DMX channel modes, the fixture can also be controlled using KlingNet or Art-Net and is RDM (Remote Device Management) ready. The unit features a full-colour menu display with a six-button touch control panel that is 180-degree reversible. Professional grade 5-pin XLR DMX in/out and PowerCON TRUE1 in/out connections are included as is a multi-voltage universal auto switching power supply.

The Platinum 1200 Wash also boasts greater reliability, less maintenance and increased energy

efficiency for a lower cost of ownership, with long-lasting LEDs that will rarely need replacement.

www.elationlighting.eu

ENNOVATIONS 29E T A F e b r u a r y 2 0 1 7

LD Systems Introduces The MAUI 11 G2 & MAUI 28 G2LD Systems has introduced the active column systems MAUI 11 G2 and MAUI 28 G2, both second-generation products of the PA systems.

Both PA systems are easy to use for small to medium-sized gigs or fixed installations, and their respective outputs have been increased using class D amplifiers to a 1000 watt peak (MAUI 11 G2) and a huge 2000 watt peak (MAUI 28 G2).

By using these high-performance power amplifiers, the weight of both column systems has also been reduced, making transport and the range of applications possible in conjunction with the two-part columns (a new feature of the MAUI 11 G2) even more convenient.

The subwoofer housings are made of strong, 15 mm thick wood and accommodate two custom-made 8-inch woofers or three 6.5-inch woofers. The lightweight aluminium column systems are equipped with high-quality connectors and feature 16 x 3-inch drivers (MAUI 28 G2) or 8 x 3-inch drivers to provide excellent sound quality and accurate voice reproduction.

Newly developed dual 1-inch neodymium tweeters deliver clear highs from both systems. They are coupled to BEM (Boundary Element Method) optimised wave guides for better sound dispersion.

Four-channel mixers with Hi-Z input options, stereo line inputs and Bluetooth audio streaming in both systems are further highlights that make both systems now even more flexible and user-friendly. Auto-adaptive 24-bit signal processing with LD System‘s own DynX DSP technology provides distortion-free sound even at high volumes and ensures an excellent sound experience.

The MAUI 11 G2 and MAUI 28 G2 are available in black and white.

www.adamhall.com

GIS AG Introduces Chain Hoist Tailored To The Entertainment IndustryFrom the beginning of 2017, Swiss electric chain hoist manufacturer GIS AG is replacing its LCH series with the LP series, which offers entertainment rigging professionals a lifting solution that is tailored to their sector.

The LP series includes the much-anticipated LP500, with up to 60% greater lifting capacity, IP65 as standard and very quiet running at a maximum 65 dB—a key feature for the theatre and live events marketplace.

The specific requirements of the entertainment industry, such as increased capacity in one fall operation, low dead weight, low noise emission and suitability for outdoor use, were given priority throughout the design and manufacture of the LP500 concept.

The LP500 has a robust construction, is simple in its assembly and does not contain any sensitive electronics. All shaft-hub connections are built in a self-centering polygonal design, meaning disassembly and assembly is faster with no special tools required. Wearing parts such as the chain or chain wheel can also be replaced within a few steps and without disassembly of the entire chain hoist.

A self-contained, helical cut, three-stage transmission with permanent grease lubrication ensures quieter operation, with noise emission reduced from 75 dB to 65 dB due to this feature in the chain hoist housing, along with the chain wheel with five pockets, and the horizontal and vertical supported chain.

Available with BGV D8, BGV D8+ or BGV C1 motor, three- and single-phase designs (except C1) are available. As per BGV C1 design criteria, LP500 has interfaces for path and load measurement.

The entire chain fall is designed with a statistical safety factor of at least 8:1 (ISO M5, FEM 2m), meaning wear of the components is decreased and the life cycle is extended four times, to 1,600 hours (ISO M5, FEM 2m) in comparison to the previous model at identical lifting capacity. A case-hardened and manganese phosphated profile steel chain offers a 15% higher capacity, compared to conventional

round steel chains. Furthermore, the chain has excellent corrosion resistance and improved dry running properties.

With the BGV D8 motor, the lifting capacity of the LP500 is 800kg in one fall operation, compared to 500kg with the previous model, or an increase of 60% (ISO M3, FEM 1 Bm) in one fall operation.

LP500 also comes with IP65 rating as standard, offering protection against dust and water ingress,

The LP series boasts an abundance of inbuilt features engineered specifically for entertainment applications, with a bonus of a three-year warranty offered with the product.

http://gis-ag.ch/en/startseite

ENNOVATIONS 30E T A F e b r u a r y 2 0 1 7

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Hop onto the free shuttle service to also visit CommunicAsia at Marina Bay Sands.

ENNOVATIONS 32E T A F e b r u a r y 2 0 1 7

Penn Elcom Just Got Cooler!Global flightcase hardware and 19 inch racking manufacturer Penn Elcom has introduced the new FT80-Q, a cooling unit for active heat management in cupboards, closets and other enclosed environments.

The product was developed to fit into sealed enclosures housing 19 inch racking systems and servers where hot air is not being expelled. These style of enclosures have a high risk of thermal / component failure as the inbuilt fans only re-cycle hot air, so additional cooling is essential for the well-being of the equipment.

The FT80-Q has been designed to efficiently extract air for rack cooling in these situations. The product comes with a drill template to allow easy installation, creating an extraction hole and then fitting a cover to keep the overall cabinet / rack enclosure looking smart and streamlined. Its fan has numerous potential applications, but was originally designed to complement Penn’s extensive 19 inch racking range.

The product also has an operating low noise specification of 22.5 dB (0.3 Sone), which makes it ideal for low-noise environments including theatres, conference halls, presentation suites, lecture halls and boardrooms.

The powerful 28 CFM (cubic feet of air moved per metre) airflow shifts 47.6 cubic metres per hour at 2000 RPM of

the 9-bladed fan, ensuring everything in the space will remain cool and comfortable and suffer less heat fatigue. Measuring just 80mm, the fan is also small enough to be neatly ensconced just about anywhere in or on a cabinet.

The FT80-Q runs at 12V DC, drawing 200mA, has 2 x DC in/out sockets for power and is completely supplied with a 500mA universal PSU. A thermal sensor accessory can be plugged in to the temperature sensor socket, which is set to start operating at 40 degrees and will reset at 30 degrees or minus two. The accessory is supplied with an acrylic adhesive pad to be positioned in an area where it can detect the ambient temperature of the equipment being cooled.

The FT80-Q can be installed quickly and easily into any wooden cabinet using an awl, a cross-headed screwdriver (4 screws are provided with the product) and a 79 cm (3⅛ inch) hole cutter. It can also be fitted into plastic cases and rack units utilizing a different exterior grill kit.

Once mounted, the r 12V DC PSU needs hooking up via the input socket, and a second fan unit can be daisy-chained and run from the same 500mA power supply using a CRC-LINK cable.

www.penn-elcom.com

http://www.infocomm-india.com

wysiwyg Releases R38

Version R38 of the wysiwyg includes the following features:• Texturing Curved Surfaces• Extruded arcs and splines now create a curved surface,

which can be textured by applying a single image or video source to it.

• Image Textures with Alpha Transparency• Transparency in textures will help create nice effects

and even increase performance efficiency, as now it is possible to texture a complex shape to a flat surface instead of drawing the shape in CAD.

• Updated Laser Beams• Laser beams are now brighter than before, and much

faster performing in LIVE mode.• New Truss Manager, including Truss Mirroring• Users can mirror truss structures and a new Truss

Manger window enables users to manage trusses and their properties, including a newly introduced truss thickness property, all from one centralized place.

• Improvements on Subsources of LED Walls and Screens• Creating LED Walls & Screens is much easier now

with updates to the Quick Video/Image tool that now can auto patch image and video subsources to each individual screen or LED panels.

• New Import Fixtures from Spreadsheet Lists

• This new import option takes fixture information listed in a Spreadsheet file (CSV, XLS, XLSX) exported from other software and/or lighting consoles, and offers a new import process to help insert Fixtures into drawings easily.

• New Import Floorplan for Front/Back and Side Views• The Import Floorplan feature has been extended to more

views and now supports the import of an image or PDF in each of the 3 view directions: Plan, Front/Back Views, and Left/Right Views.

• Fixture Fill Update Colors• In R38, a new Fill calculation formula is introduced which

incorporates both Saturation and Intensity, making the fill color lighter and easier to read in print.

Additionally, wysiwyg R38 has a long list of improvements across wysiwyg modes and CAD mode as well as new layer and database enhancements. 187 fixtures have also been added to wysiwyg R38's library with a list of gobos, accessories and updates or corrections for older fixtures.

www.cast-soft.com

The wysiwyg lighting design tool and software has recently released version R38, which will allow users to create spectacular, multi-sensory experiences through digital design that can be shared through most devices.

ENNOVATIONS 34E T A F e b r u a r y 2 0 1 7

INTERVIEW 36E T A F e b r u a r y 2 0 1 7

The Business Of Lighting Balloonsby Thomas Richard Prakasam

I must admit that when I was approached to do an interview about Lighting Balloons, I was a little hesitant. Is it really a sustainable business? Is there much technology involved? Boy was I in for a surprise. Many of you might have seen one of these balloons – in 2008, between 500 to 600 Airstar balloons were used for the F1 race and since then it has become a common feature at the annual event. So I headed down to the offices of Partex International to meet with Pascal Petitjean who also happens to be the co-founder of AIRSTAR for a chat. Partex is responsible for Airstar’s business across Asia-Pacific. Airstar is considered the inventor and world’s leader of lighting balloon technology.

Here is another admission. It was one of the most enjoyable interviews I have had. Pascal is down to earth and very amiable. Partex was established in 1993 in Singapore – that is a long history of 24 years. The company has a subsidiary in Japan, a Partner in Indonesia and Distributors in Australia, Korea and Malaysia.

2011 Sydney Vivid Festival Jelly Lights

INTERVIEW 37E T A F e b r u a r y 2 0 1 7

ETA: Give us a little background about yourself?Pascal: I graduated from the engineering school of Lyon, France, and became a Plant Manager in the family-run business – Petitjean S.A. (a world leader in street and stadium lighting poles). I then moved to Singapore in 1987 as the company’s Asia Business Director. For 5 years I sold street lighting poles, stadium poles throughout the region.

ETA: How did Partex International come about?Pascal: I decided to branch out on my own and add more solutions so as to enable me to offer more options to my clients. I chose Singapore as the base as I had started here and had built over the years many connections. There was also competency available here in terms of technical staff. So Partex represented three companies including Petitjean S.A. with the other two companies involved in electrical and steel solutions.

ETA: What was one of the more interesting sales in the early years of Partex?Pascal: Well a golf course in Indonesia needed lighting but they did not want lighting poles or trenches to be seen during the day. We thought about it and presented them with an idea of periscope style lighting. They loved it but unfortunately before we can proceed to install them there was political upheaval and the project did not go through. Luckily we were able to sell the concept and solution to golf courses in the Philippines and Korea. Then the 97 financial crisis happened and it became difficult for us to sell the pole.

ETA: How did you get involved in Airstar?Pascal: I read a newspaper report from France about

a company creating lighting balloons. I was already into lighting and I am always on the lookout for creative solutions. So I packed my bags, went to see the owner and became a stakeholder with Airstar. As the company was a recent start-up, my timing was great as it allowed me to enter the company quickly as a shareholder.

ETA: Where are Airstar products manufactured?Pascal: We have a factory in France which employs 70 to 80 people. We also have a small factory in USA – this is mainly to facilitate priority requests within America.

ETA: What was your first Airstar project?Pascal: This was around 1994 where we supplied two balloons for the opening of the Raffles Marina Country Club in Tuas, Singapore. We then picked up and started to sell Airstar lighting solutions in Japan, Korea and so forth. The initial sales were mainly to support events.

ETA: What are some of the advantages that a Lighting Balloon offers?Pascal: Normally for an event, in the past, companies would use floodlights to light up the area. The problem with this is the size of the floodlight and the glare that it produces. With Airstar balloons, we offer the right fabric, right transparency, correct light fixture and temperature, good resistance and most importantly safety. A qualitative light with no glare that still achieves one’s objective.

ETA: How has the product evolved?Pascal: One area where we are now actively involved in is the movie industry. We have created solutions where our lighting balloons have provided a more natural look for the cameras. One project we are most proud of is Titanic where James Cameron used our solutions. In 2003, Airstar received a Technical Oscar for the lighting technology used in Titanic.

2009 Singapore Grand Prix F1

2014 Japan Yamanakako Sweet Love Shower Festival Twistair Diabolo

Beyond that, our solutions have also been used for Rescue work. 15 years ago a building collapsed in Korea and we went there to volunteer our services. This helped us also to understand the needs and offer solutions that ensures that our lighting balloons are easy to deploy, offer sufficient brightness and reduce fatigue of rescue workers. Since then our lighting balloons have been deployed in the region for such situations. We have also supplied our lighting balloons for construction work – so we have gone beyond our initial market segment.

ETA: Is there concern about copycat products?Pascal: Of course there are copycat products. However it is not easy to duplicate our solutions 100% due to our technological expertise. Our clients understand and realise that they may be paying more but there is no need to worry about the reliability and our service dedication.

ETA: Back to lighting balloons for events, can you provide us with some figures?Pascal: In Singapore we support about 1000 events in average per year. This includes sales of our balloons as well as rental. 5 years ago we decided to set up a 100% owned subsidiary in Japan. This was personally very challenging because you either succeed or you don’t. Thankfully we are in the right track.

ETA: What has contributed to the success of Partex International?Pascal: The quality and reputation of our products has allowed us to penetrate many markets. This together with a great team has been a core aspect of our success. We are not just selling a product but rather our service and our passion to our products. We have many different products and that helps us but we also need to be creative in our

Airstar Achievements in Asia Pacific• 1996 – WTO Closing Ceremony Singapore• 1997 – Hong Kong Hand-Over• 1999 – China’s 50th Anniversary in Tiananmen Square• 2000 – Sydney Olympics Opening Ceremony• 2008 – Awarded the project to light the prestigious

Grand Prix F1 Night race in Singapore and this has been an on-going since

• 2009 – Airstar created the largest 14m Helium Lighting Balloon for Festival Square in Melbourne during the Winter Festival

• 2010 – Awarded 2 light installations for the Singapore i-light Festival at Marina Bay on light sustainability for the future

approach to solutions and that is where we add value to our clients.

ETA: Looking at your showroom, you seem to have expanded on your solutions…Pascal: We have expanded in terms of complementary solutions. For example we can provide furniture, BBQ cooking system, LEDs which complement for example an outdoor event. All the solutions first and foremost are quality products from Italy, Germany and France. It is important for us that our products are reliable and that our clients are satisfied.

ETA: On a personal level, how do you feel about your journey thus far?Pascal: When I landed in Singapore I was a wide-eyed youngster who wanted to accomplish as much as he can. Singapore is a good base due to its infrastructure and cosmopolitan nature. As years passed, I felt that this country was truly a gateway to Asia. Asia throws up interesting challenges and that is where my engineering skills come into play. I am proud of what we have achieved but I also feel that we have more distance to cover. On a personal note I have made some wonderful friends and have created precious memories along the way.

Lighting Balloons...not just used for events but for movies and rescue operations. The technology has to be able to withstand weather conditions, be fire-retardant, offer the right amount of illumination and be easy to set-up. So the next time you pass by one of this balloons, make sure you take a moment to appreciate the technology behind it.

www.airstar-asia.com

INTERVIEW 38E T A F e b r u a r y 2 0 1 7

2009 Melbourne Winter Festival Fed Square Solar Equation 2

PROJECTS 40E T A F e b r u a r y 2 0 1 7

SINGAPORE

Zouk Moves Into its New HomeWhilst building on its heritage and culture, Zouk’s new home elevates clubbers experience with state of the art technology and design

Zouk, a much beloved institution in Singapore that helped to redefine the entertainment scene in Singapore and globally recognised as one of the best

nightlife spots, has finally moved to its new home at Clarke Quay, a nightlife and entertainment precinct in Singapore. The ownership of Zouk was changed from founder Lincoln Cheng to Genting Hong Kong in the last quarter of 2015 when it was acquired by the conglomerate. Prior to the acquisition, the Singapore Government had given notice to Zouk to move from its original location at Jiak Kim Street due to redevelopment purposes and it took Zouk a few years before finding a location that it felt befitted its image and requirements. The new premise is about the same size as the original venue but the interiors now sees a refreshed new look.

“The Zouk brand is an institution that is iconic to the local scene and is consistently recognized on the global clubbing stage as one of the best nightlife spots across its years of

operation. With this relocation, we saw an opportunity to evolve with the culture of music, a chance to create a new atmosphere that will breathe new life to the brand with the promise of new experiences. This big move has been much anticipated by all and I couldn't be happier with the result of a spectacular super club that is the embodiment of progression with nods to the history that we all have come to love. Leading the relocation has been exciting, I’m truly honoured to be a part of it and I am confident that fans will love this refresh” said Hui Lim, Chief Information Officer, Genting Hong Kong.

The ConceptHoused within Clarke Quay’s Cannery Block and spanning across two floors, the new Zouk complex is once again a collection of unique concepts with the retention of signature dance stages Zouk and Phuture, the recently launched restaurant and bar, Red Tail, as well as a soon-to-be-unveiled fourth concept.

PROJECTS 41E T A F e b r u a r y 2 0 1 7

Designed by interior design firm, Independent Consultants, the concept of the new spaces revolves around the idea of evolution in the music scene and club culture. Intended as a progression of what revellers both old and new loved about Zouk’s former home, the new spaces follow an overarching neo-industrial and futuristic aesthetic inspired by the underground rave clubs and refurbished warehouses in New York and Berlin. Across the two revamped outlets, the space features five distinct thematic concept bars, and custom-made furnishings that are specifically designed to further establish the industrial appeal of the new space.

Continuing with the neo-industrial scheme, the interiors of Phuture are speckled with finishing touches of dramatic glitz to complement the music that will be played. Staged with a circular dance floor and surrounded by details including custom retro themed bar stools, vinyl casted tables, a second art piece and mural titled Static Party by Jahan Loh laid against the wall, moving overhead lights and LED backed DJ stage, Phuture boasts a refined and throwback appeal that is reminiscent of the underground disco clubs in New York.

The Big SurpriseThe biggest surprise of its new home at Clarke Quay is the ability to merge both Zouk and Phuture to form a superclub-like space to accommodate bigger acts in town and to cater to events of a larger scale. A strategic design feature made to heighten the versatility of the space so as to cater across different scales of events and happenings, the walls separating both outlets are actually removable soundproof double walls. The design enables two bars to be combined to form a fuller sized bar with strategically placed LED screens to project the action up front onscreen, when the space is combined. Other modular features include the two-tired platform seatings in Zouk, as well as the seatings allocated around the dance floors of both outlets.

“Evolution is the theme and the overall concept of the design of this new space so we wanted to play around with the idea of a space that is dynamic and versatile. While its predecessor is known for four distinct yet independent outlets, the relocation has provided us with the opportunity to break down the barriers of stand-alone spaces to inject flexibility and coherence to the signature outlets without losing the essence of both Zouk and Phuture” said Phillips Connor, Founder of Independent Consultants.

Zouk is accessed through a dramatically lit and sculptural tunnel as a prequel to the scene ahead

Art piece and mural titled Static Party by Jahan Loh laid against the wall at Phuture

Zouk is accessed through a dramatically lit and sculptural tunnel as a prequel to the scene ahead, Zouk remains as the largest outlet and the key plaza of the entire complex. Decked with two floors and flanked with three independent bars over three corners, Zouk continues to be the main stage for electronic dance music and the dedicated arena for headline acts.

Throughout the space, the neo-industrial theme echoes with elements including raw brick, rusticated metal and concrete. Furniture pieces are constructed with machine-aged detailing in brass tones and include clever and convenient hideaway storage under sofas, barstools and tables. Finished with other real construction materials for a steam-punk edge, the two-storey space is constructed to exude gritty underground cool.

Phuture on the other hand will continue to deliver its signature sound of hip-hop, R&B and contemporary urban tunes in an intimate space. Accessible through a different tunnel lined with a graffiti-esque artwork from local artist Jahan Loh, the piece The Cosmic Rabbit Hole into the Phuture is meant to reflect a street subculture that is synonymous with the hip-hop sound.

PROJECTS 42E T A F e b r u a r y 2 0 1 7

The Centrepiece: A Massive Light StructureAn immediate centrepiece of Zouk is the seemingly hefty looking light structure that is suspended above the dance floor, and affectionately known as the “mothership”. A custom installation designed and programmed by Barcelona-based lighting design firm, LEDSCONTROL, the centrepiece was constructed around the idea of creating a sensational piece that could bring about cosmic immersion of light and dance. The diameter of this centrepiece is 7m x 1.20m. Meticulously pieced together in Barcelona with lightweight metal commonly used on aircraft, the structure features a theatre of lights that can create 120 light patterns across a 360-degree view, resulting in an infinite possibility of lighting combinations. The structure is surrounded by eight perimeter pieces that are shaped like arrows that are intended to “draw” the crowd into the centre where the journey into a cosmic exploration of sights and sounds will take place.

“We approached this project by constantly asking ourselves how we can create an icon for Zouk, how we can create a standout piece that will be representative of the club’s new home while retaining it’s identity. It was not an easy feat creating a centrepiece worthy of the unique identity that the club has amassed over the years, but when we did, the result was this out-of-this-world structure that I’m sure, has never been done before and I am extremely

excited to showcase this explosion of light that the UFO and mothership-like structure was made for, to all of Zouk’s fans” says Rebecca Sanchez Pastor, founder of LEDSCONTROL.

One key challenge for LEDSCONTROL was the weight limitation. This was resolved by using lightweight materials. However, another challenge was to create a design that did not block the view of the party-goers from the second-floor balconies. Finding the balance between keeping to the original design and ensuring good visibility as well as the weight limitations was definitely a challenge the team had to resolve creatively - which they did.

The “mothership” is able to portray different kind of light effects, through its different layers. “We wanted the piece to be multi-faceted and so we built in in a way that it can put together an infinite number of different looks depending on the combination of layers used,” commented Rebecca.

From inside out, the first and innermost layer is a LED pixel matrix distribution which lives inside of the “mothership” - the pixels can be seen through laser-cut pattern holes of varying sizes. The effect from this is quite unique because depending on how it is programmed, guests can see a “glitter-effect” on the light along with the dynamism of the pixels that gives a very interesting effect to it.

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The next layer outside of it are the lights, which are hidden between the flakes of the “mothership”, and their function is to illuminate the piece in a subtle way. The lights are made with the digital LED tape which has individual control across every 8.5cm, so it can be as dynamic as necessary depending on what kind of music the DJ is playing.

The third layer or effect as the lasers which are plated all around the “mothership” with a square-shaped reflector each, and one in the centre with a pyramid reflector. These layers are lowered with the linear actuators when required. “So it is a great surprise when they are lowered, showing another facet of our unique piece,” says a pleased Rebecca.

The LED elements include 850m of RGBW 24W digital LED strip, 3500 pixel Dot 6 x SM RGB 12V, 180 PS 24DC IP67, 60 PS 12DC IP67 LED complemented with 200 DMX-SPI converters all controlled via Art-net node Madrix.

The lighting fixtures within the centrepiece as well as along the perimeter includes 16 units of ROBE Mini Pointe, eight units of Clay Paky Alpha beam 700, six units of Clay Paky Alpha Spot 300, 14 units of Martin Atomic 3000 LED and four units of Martin Atomic 3000, 22 units of Martin Rush Mini Profile, 28 units of EK Lights Orb Blinder, four units of Chormtech Jarag Spar30, 16 units of Elation ACL 360 Bars, eight units of ADJ 1200 Asteroid and 32 units of ADJ Event Bar. These are complemented with a range of laser solutions. The moving lights and effects are controlled by MA Lighting GrandMA2 whilst the LEDs are controlled via MADRIX. The Unique Zouk SoundZouk has retained the original sound system that was custom created by the renowned late audio engineer, Gary Stewart. Zouk and Phuture will continue to provide the warn and crisp quality sound that Zouk has always been known for. Recalibrated on a yearly basis for up-to-date

configuration personally by Stewart and now by the Zouk sound team, the sound system is a one-of-a-kind creation that is specially equalized to suit all genres of dance music.

As can be expected bringing the original system to the new space did create some challenges. The new space covers a smaller area as compared to the old space and also has a slightly different configuration. The old Zouk dance floor had equal length and breadth with no obstruction, which made the placement of the speakers very straightforward. The new space had some challenges with the placement of the speakers as there is a stairway built into the Zouk dance floor and the speakers could not be placed at equal distance between each other. “We had of course anticipated that the time alignment/phase shift for each stack was an issue to overcome in the new space,” said Rexx Lim, Technical Manager (Audio, Visual & Lighting), Zouk Singapore.

“With the acoustic treatment that the room offered, we deployed Smaartlive to capture and analyze the phase data and we were able to balance that out with high fidelity and an enormous high sound pressure level to achieve optimum coverage for the space,” highlighted Rexx. The original sound system is more than adequate to handle the sound coverage without the need for additional speakers, in the new space.

The original speakers offer twin 1000 watts, 18-inch subwoofers, a quad 3600 watts 15-inch cabinet, with twin acoustic lens HF/UHF mid-range horn loaded with two coaxial neodymium compression drivers and four GSA custom bullet tweeter arrays flown over the dance floor for each stack. There are a total of four stacks in Zouk. One

Zouk has retained the original sound system that was custom created by the renowned late audio engineer, Gary Stewart.

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important gear that was retained in order for these stacks to produce the right sound was the GSA(RLA) electronic crossover filters. One element however that was changed, was the employment of a new amplifier – the Powersoft X4. “We did run the system through different brands of amplifiers and finally found one that was able to give the system a new life – a boost with open, warm and crisp sound.” added Rexx. Rexx also highlights that the Zouk technical team also ensures regular software upgrades and that the sound system is constantly EQ-ed in order to continue to meet Zouk’s exacting standards.

The next interior highlight of the Zouk outlet, is most definitely the DJ console and the front stage. Crafted in organic fluid forms of concrete as a nod to Zouk’s heritage, the DJ console sits in the centre of the front stage and between three VIP seating pods for an overlooking view of the dance floor. The front stage also features an LED backdrop against a raw brick wall for an extended display of visuals and a two-metre above ground catwalk where performances can take place.

The DJ console features the latest Pioneer mixer model and CD player with monitoring duties assigned to a pair of L’Acoustics KARA system. “The KARA is able to handle high SPL and is a system that most DJs from around the world are familiar with,” states Rexx.

The Sound in PhutureFour GS “Americana” also custom created by Gary Stewart and brought from the old venue are installed within Phuture. The tri-amp speaker system utilizes two 15-inch bass drivers mounted horizontally in a ported bass reflex enclosure. The high-end consists of a fin-loaded radial horn running on a high-power compression driver for the mid-

range and a tweeter completed with two large multi-fold hyperbolic horn capable of delivering full-power frequency response down to 30Hz. There are also two 18-inch drivers specially designed for high power low frequency application – 1000 watts RMS and two GSA custom bullet tweeter arrays flown over the dance floor.

The speaker system in Phuture is running on a GSA (RLA) electronic crossover and four units of Powersoft X series amps to drive the stacks.

The DJ console at Phuture features a Pioneer Nexus 2 system with monitoring duties assigned to two bi-amp GSA Cube speakers. The speakers feature a 15-inch coaxial driver and two multi-fold hyperbolic horn with a single 18-inch driver that was specifically designed for smaller spaces without compromising on bass performance.

Old vs NewTo the sentimentalist, it would never be the same but that would only be as far as the space is concerned. Zouk has put in much effort in retaining what it is well known for with a twist of modernity and an eye-catching “mothership” that complements the unique Zouk sound. There is no doubt that Zouk will continue to build on its heritage and grow its flock.

All Photo Credits: Zouk Singapore

zoukclub.com

The DJ Console features L’Acoustcis KARA system for monitoring purposes

Phuture

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SINGAPORE

The Arts House Upgrades Its AV SystemE&E supplies and installs systems for the upgrade

Occupying the almost 200-year-old building that was once the Parliament House, is The Arts House (TAH). Given its rich history and age, there was

a need to maintain and refurbish the infrastructure. TAH, which is managed by Arts House Limited (AHL) and supported by The National Arts Council of Singapore presents and programmes multi-disciplinary arts.

In mid 2015, it was decided that the AV systems in TAH had to be upgraded to keep up with the technological developments. To achieve the objective, Electronics & Engineering Pte Ltd (E&E) was called upon to design, supply and install the systems. The project was commissioned and handed over in 2016.

Screening RoomThe 75-seater Screening Room was given a face-lift to meet the needs of an intimate cinema hall setting. DCP-certified

equipment was installed with the deployment of a Barco DP2K-10SX, 2K digital cinema projector and a Dolby audio configuration setup. The Screening Room also caters to talks, presentations and seminars. As such, two sets of high-end Blu-ray Multi players were supplied with one Kramer VP436n 7-input content switcher complemented

The 75-seater Screening Room

The EAW CR72Z EAW cinema surround speakers

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by a set of Kramer VGA/HDMI transmitter and receiver to enable the projection of content from different media.

Complementing the digital projector is a 7.1 surround system comprising three units of EAW CB259Z Cinema loudspeaker systems, two units of EAW SB184Z 18” Subwoofer systems and 10 units of EAW CR72Z cinema surround speakers. These speakers are driven by Crown amplifiers with one unit of EAW UX8800 speaker processor and 1 unit of Dolby CP750 digital cinema processor. E&E also supplied Fuyi Velvet Acoustical Curtain which flank the screen.

Lighting in the Screening Room has been divided into four zones and is easily managed with the provision of two units of touch-panels. These touch-panels have been programmed to meet two modes – cinema and multi-purpose.

Joseph Pang, Head of Technical Production of the Arts House is especially pleased with the sound system in the Screening Room. “A lot of work went into ensuring that the room would absorb echoes and provide a true surround sound experience for the audience. The digital projection is complemented beautifully by the 7.1 surround sound system and we have had positive feedback from users since the upgrade.”

Gallery IIGallery II features a unit of EAW SMS1990 2-way full range speakers installed on each of the four walls for audio reinforcement. The speakers come in white to complement the white-washed walls. The speakers are amplified via Ashly power amplifiers with processing handled by an Ashly DSP speaker processor with mixing duties assigned to an Allen & Heath GR2 analogue zone mixing system. Due to aesthetics and space constraints, the audio and microphone level control is enabled with an Allen & Heath unique looking control panel that is connected to the racks which are placed at another level via Cat 6 cable. The portable lighting grid features Philips Selecon and ETC mini Source 4 lighting fixtures.

Gallery IThe larger Gallery on the ground floor features an upgraded lighting grid fitted with 36 Philips Selecon lighting fixtures with a mix of ETC mini Source 4 lighting fixtures.

“The Philips Selecon fixtures are great as they enable us to frame artworks with ease and thus create the right ambience for the exhibition. The dimmable fixtures also ensure that the warmth from the light does not affect the artwork,” highlighted Joseph.

The Living Room

The Living Room is usually used for seminars or rehearsals. This room features four units of EAW SMS4990 2-way full range loudspeakers that are installed on the left and right of the main elongated wall, with a speaker each on both the side walls. Two units of Ashly power amplifiers and an Ashly DSP speaker processor are used with a Mackie 12 channel mixing console. The equipment rack is permanently placed within the space.

The Council RoomThe Council Room features a permanently fixed Epson interactive projector and is mainly used for board presentations or meetings. The sound system in this space was not upgraded as it was still able to serve its purpose. Due to the small space, four units of ceiling speakers provide sound reinforcement.

The lighting grid at Gallery 1 is fitted with 36 Philips Selecon with a mix of ETC mini Source 4 lighting fixtures.

The Living Room is used for seminars or rehearsals

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The Blue RoomThe Blue Room is made up of two rooms. The bigger room features four units of EAW SMS2990 2-way full range loudspeakers, whereas the smaller room features 4 units of the smaller EAW SMS1990 2-way full range loudspeakers. Here, the equipment rack is permanently fixed featuring three units of Ashly power amplifiers and one Ashly DSP speaker processor and a Mackie ProFX12, 12-channel mixing console.

Play DenThe Play Den is a Black Box theatre. In there, E&E upgraded the sound system and installed an ETC Element 40/250 lighting control desk.

For Front of House usage, E&E installed four units of Mackie IP12 speakers complemented with 2 units of Mackie IP18S subwoofers. The FOH speakers are driven by two units of Ashly KLR-3200 amplifiers whereas the sub is driven by an Ashly KLR-4000 amplifier. A Mackie SP260 unit handles speaker management.

Joseph adds, “For users who prefer to bring in their own consoles, provision has been made for them to control their system via a bus-system.”

The PortablesWith The Arts House providing spaces for varied events they also added to their inventory a Panasonic DLP full HD projector with a Panasonic mid throw zoom lens as well as two sets of Epson ultra short throw WXGA resolution projectors.

Conclusion“Upgrading the AV system has assisted us in offering an overall improved experience for the public. Since the upgrade, we have had very few complaints,” said Joseph. “We appreciate the support and dedication of the E&E team in transforming the AV system of The Arts House.”

“E&E is privileged and honoured to have delivered a complete total solution to the complete satisfaction for The Arts House based on their aim to facilitate and serve the Arts community in Singapore,” commented Gary Goh, Deputy Managing Director, Electronics & Engineering Pte Ltd.

www.enepl.com.sgwww.theartshouse.sg

The Play Den

Joseph Pang, Head of Technical Production of the Arts House

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SINGAPORE

Electro-Voice At Grand Copthorne Waterfront Hotel SingaporeBespoke Electro-Voice (EV) systems installed in the Grand Ballroom, restaurant, bar and outdoor areas

Overlooking the Singapore River, the Grand Copthorne Waterfront Hotel Singapore is a premier conference hotel with 574 rooms and suites, 33

versatile, naturally lit function rooms for corporate and social events and a variety of F&B outlets. Following the considerable growth in the Singapore hotel industry, new supply in the market is driving the hoteliers to evolve in their facilities. To maintain a competitive market position, the Grand Copthorne Waterfront Hotel Singapore completed an extensive refurbishment to modernise the facility, late last year. With its long list of hotel project references, Concept Systems Technologies Pte Ltd was appointed to install bespoke A/V and BGM systems in the Grand Ballroom, restaurant, bar and outdoor areas.

To address the multi-functional needs of the 6-meter high Grand Ballroom, which is capable of hosting 600 guests during a banquet and can be divided into two junior ballroom rooms, each room is now adorned with L-R arrays, each consisting of four EV EVA2082 dual 8-inch cabinets and a single EVA1151 15-inch subwoofer for sound reinforcement applications such as live music. Powered by six EV Q1212 dual channel amplifiers, DSP settings such as EQ, crossover, gain, delay and routing have been applied courtesy of an EV NetMax N8000 16-input/16-output DSP processor, which can be remotely accessed via RS-232 management.

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A new ceiling speaker system has also been integrated into its fabric to aid speech intelligibility and for BGM. A total of 38 equally spaced EV C12.2 12-inch coaxial models enclosed in ceiling baffles. The 32 EV C12.2 models are powered by a single CPS4.10 amplifier. The six EV C12.2 models were added to cater for an extended zone adjacent to the garden doors were powered by an EV PA1250T amplifier.

In addition, a programmed Bosch PLENA PLM-8M8 matrix mixer and loudspeaker processor transmits music to the 86 EV 8.2C ceiling speakers located in the various zones, including a private dining area, all day dining area and lobby. Seven PA2400T amplifiers have been rack mounted with a DSP processor to provide the power for the entire area downstairs. Furthermore, the outdoor area is equipped with 10 EVID 6.2 surface mount speakers powered by three dual-channel EVQ1212 amplifiers that create a musical ambience for guests. Tapped at 60 W each, 18 EV 10.1C ceiling subwoofers enhance the low frequencies down to 45 Hz. Finally, a Crestron RMC3 system is used to provide full A/V control.

This was yet again another successful project delivered by Concept Systems Technologies and Electro-Voice. The hotel manager was satisfied with the system and smooth project planning and execution by Concept Systems Technologies.

www.boschsecurity.asia

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Video Projection Mapping At The King Abdulaziz Center For World Culture Grand Opening

SAUDI ARABIA

360° projection mapping made possible with d3 technologies solutions

The Kingdom of Saudi Arabia has officially inaugurated the King Abdulaziz Center for World Culture, whose debut was marked by stunning video projection

mapping across the streamlined, modernist façade. Belgium-based Visual Solutions crafted the week-long, nighttime display powered by 52 projectors and six 4x4pro media servers with VFC cards from d3 Technologies.

The King Abdulaziz Center for World Culture is an initiative of Saudi Aramco, the Kingdom’s major oil company. It is located in Dhahran, Saudi Aramco’s hometown. Norwegian architectural firm, Snohetta, designed the building, which features a 200,000-book library, cinema, auditorium, exhibition halls, museum and more. Its goal is to foster cultural development throughout the Kingdom.

Filmmaster MEA Events, produced the grand opening with technical director, Julien Poncelet, heading the team. VER supplied all the video equipment and serviced the event on site.

Visual Solutions’ brief for the video projection mapping evolved from an initial 180º design to a 270º mapping to a final 360º projection mapping covering the entire building. UV mapping of the structure was done by d3 Rental partner By-Lex, based in Cologne, Germany.

“There was no question of using anything other than d3 for this show,” says Jo Pauly, Managing Director and Head of Production at Visual Solutions, who says the extensive

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projector set up was pre-visualized in d3. “d3 helped us position the projectors, check how the projection would react on the building in terms of shadow and light output and even deformation. It was a great tool for visualizing and predicting our lens types and output power.”

The Visual Solutions team also found other advantages to using d3. “The ability to use multiple editors on one system to perform cable and wireless alignment was key to this project,” Pauly reports. “And versioning made it easy for the content producers.”

The eye-popping video projection mapping depicted chapters from the cultural history of Saudi Arabia from ancient times to today; it also ushered viewers through the new building, which was shown in beautifully abstract wireform, solid and tiled modes. Content was created by Belgium-based Dirty Monitor.

“We used up to 10 outputs per machine, and the 4x4pros worked like a charm,” says Pauly.

In addition to the video projection on the façade, the grand opening also featured a holographic LED show driven by a d3 v.2.5 system and the mapping of a model of the building, which was run from a d3 4x4pro.

At Visual Solutions Michael “Mica” Stroobants was the project leader/manager and Tim Lerat the logistics team leader. At By-Lex the d3 team included Lex Ter Heurne, Kjell Reintjes, Uwe Schroder and Patrick Bellens. The projection team consisted of David Vandevelde, Bert Decock, Siel De Schepper, Dries Van Havermaet, Oliver Dier, Sander De Wandel, Sander De Schrijver, Benjamin Oehl and Kevin Roten.

www.d3technologies.comwww.visual-solutions.be

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Staging Connections Dazzles With Innovative Projection Mapping For Stunning Dom Pérignon Dinner

AUSTRALIA

Table cloths and plate settings were brought to life with creative custom animations projected down onto them

Staging Connections wowed 100 VIP guests with an imaginative and artistic light projection show, at a once-in-a-lifetime dining experience for the Dom Pérignon Lumiere Dinner, hosted by Merivale at the ivy in Sydney.

Using twelve 16k projectors, table cloths and plate settings were brought to life with creative custom animations projected down onto them, aligning perfectly between cutlery and plate settings. The dazzling animations introduced guests to each of the courses that were matched with Dom Pérignon champagne, visually complemented by subtle haze and lighting effects.

Bright graphics and emotive swirls of colour within the custom animations conveyed the elegance of the Dom

Pérignon brand in a captivating display of innovative projection mapping techniques. Creating a mysterious environment, production company Alfred, themed the ivy Ballroom in black and white. Dancers in neon glow-in-the-dark outfits directed guests to two 15.6m custom tables, able to fit 50 people on each, and name cards were cleverly projected down onto each guest’s place setting.

David O’Connor, Technical Event Director – ivy, at Staging Connections, outlined how his team created the spectacular projections.

“Working on this exclusive and prestigious event for Dom Pérignon meant pushing the boundaries to create innovative animations with lighting and projection

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mapping technologies. The custom built tables and unique projections brought the space to life, creating something truly unique and memorable.

“The style of this event truly emphasised the elegance of the Dom Pérignon brand and we were proud to deliver such stellar results,” said Mr O’Connor.

Staging Connections delivered a seamless show; one that supported the theme and style of the champagnes on offer which were introduced by the guest of honour, chief wine maker from France, Richard Geoffroy, Chef De Cave of Dom Pérignon.

Kathy Savill, Director of Sales & Events, at Merivale, described the intricate detail required to execute the event.

“Precision was the key, and the team worked hard to ensure cutlery, glassware and plates were all aligned to the bespoke animations, to maximise the visual effect. Both our in-house team and Staging Connections staff rehearsed the timings to ensure a seamless experience for guests. The high calibre of this client meant it was vital to get the presentation perfect; our client and our team are both thrilled with the results,” said Ms Savill.

www.stagingconnections.com

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My Fair Lady’s Audio MakeoverAUSTRALIA

Sound Designer Michael Waters gives the 1956 production a 21st century makeover

After a record-breaking premiere at the Sydney Opera House, the recreation of the 1956 Broadway production of My Fair Lady travels to Brisbane,

Melbourne and Sydney’s Capitol Theatre in 2017.

In honour of My Fair Lady’s 60th Anniversary, GFO and Opera Australia recruited the original Eliza Doolittle, Dame Julie Andrews, to direct this landmark production. The sets, costumes and lighting are based on the original 1956 design with a few more up-to-date touches, like seamless revolving stages and automated lighting.

Of course it would have been silly to try recreate the original audio design and so Michael Waters was appointed to give it a welcome 21st century makeover with JPJ Audio’s assistance.

“We did see the original audio spec for the 1956 production which was only one page,” said Michael. “The sound pre-show check was ‘turn on an amplifier, have the reel to reel

wound back to such a counter point and then press play at this time’. That was it!”

It was up to Michael to respect the intent of the original audio for the show whilst satisfying the modern audience who have a totally different perception and expectation of audio these days.

Apparently Dame Julie was very excited to learn that Michael could introduce surround sound which bought a whole new world to the production.

“I was able to occasionally produce some soundscapes throughout the show,” commented Michael, who was mixing on a DiGiCo SD10 console. “It’s not a sound effect heavy show but it does have its moments where you can have some fun - especially the Ascot horse race!”Michael describes the Dame Joan Sutherland theatre as a rather dead space (dry as a nun’s proverbial were his exact words) once the audience is seated and so to liven it up, he

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employed some subtle reverbs around the room to fill out the space.

“It’s such a funny piece with lots of comedic lines in the show and when the audience erupts into laughter, it would be easy to miss the subsequent dialogue,” Michael noted. “Being amplified we could push over the sound of the laughter and that also encourages the audience to keep laughing without fearing they’ll miss the next line.”

The PA was a mixture of L-Acoustics KIVA for the centre cluster, SB18’s for subs, 5XT’s for surrounds and delays, Meyer MSL-2 speakers for the dress circle and god’s proscenium, and Meyer UPM-2’s for front fill.

“I chose the UPM-2 speakers for their narrow 45 degree dispersion as the orchestra are not used to sitting in front of speakers,” explained Michael. “As the UPM-2’s are directional, they fire over their heads.”

Whilst the orchestra microphones are wide and varied, the cast are on DPA 4061 miniature omnidirectional microphones on Shure UR1M micro-bodypack transmitters.

“I think we kept true to the intent of the show,” he said. “It wasn’t over-amplified, it was just enough for every audience member to hear it clearly all the way to the gods at the back of the circle, and make the orchestra sound dynamic throughout the theatre.”

www.jpjaudio.com

EVENTS LISTING 56

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2017Feb 07 – 10Integrated Systems Europe 2017Venue: Amsterdam Rai, Amsterdam, NetherlandsSite: www.iseurope.org

Feb 22 – 25Prolight + Sound Guangzhou 2017Venue: Area A, China Import & Export Fair Complex, Guangzhou, ChinaSite: prolight-sound-guangzhou.hk.messefrankfurt.com/guangzhou/en/visitors/welcome.html

Feb 27 – Mar 02Guangzhou Entertainment Technology (GET) Show 2017Venue: Poly World Trade Centre Expo, Guangzhou, ChinaSite: www.getshow.com.cn

Mar 21 – 23CABSAT 2017Venue: Dubai World Trade Centre, Dubai

Site: www.cabsat.com

Mar 23 – 25China Content Broadcasting Network (CCBN) Exhibition 2017Venue: China International Exhibition Center, Beijing, ChinaSite: www.ccbn.tv/EN/

Mar 29 – 30ioT AsiaVenue: Singapore Expo, Singapore

Site: www.internetofthingsasia.com

Apr 04 – 07Prolight + Sound Frankfurt 2017Venue: Frankfurt am MainSite: pls.messefrankfurt.com/frankfurt/en/aussteller/willkommen.html?nc

Apr 12 – 14InfoComm China (IFC) 2017Venue: China National Convention Center (CNCC)Site: www.infocomm-china.com/en/

Apr 22 – 27NAB Show 2017Venue: Las Vegas Convention Center, NV, USASite: www.nabshow.com

May 11 – 13LED Expo ThailandVenue: Hall 5-8, IMPACT Exhibition and Convention Center, Bangkok, ThailandSite: www.ledexpothailand.com

May 23 – 25BroadcastAsia 2017Venue: Suntec, SingaporeSite: www.broadcast-asia.com

May 23 – 25CommunicAsia 2017Venue: Marina Bay Sands, SingaporeSite: www.communicasia.com

Jun 01 – 03PALM Expo India 2017Venue: Bombay Exhibition Center, Goregaon East, Mumbai, IndiaSite: www.palmexpo.in

June 9 – 12 JuneGuangzhou International Lighting Exhibition 2017Venue: China Import and Export Fair Complex, Guangzhou, ChinaSite: guangzhou-international-lighting-exhibition.hk.messefrankfurt.com/guangzhou/en/for-visitors/welcome.html

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Jun 14 – 16Conference Programme starts on Jun 10

InfoComm International 2017Venue: Orlando, Florida, USASite: www.infocommshow.org

Jul 13 – 15Summer NAMM 2017Venue: Nashville, TNSite: www.namm.org/summer

July 26 – 28ProAVL Asia 2017 / Toursim Technology Asia 2017Venue: Marina Bay Sands, SingaporeSite: www.proavlasia.com

August 29 – 31IntegrateVenue: Melbourne Convention Centre, AustraliaSite: integrate-expo.com

September 5 – 7 2017Shanghai Smart Home Technology (SSHT)Venue: Shanghai New International Expo Centre, Shanghai, ChinaSite: www.building.messefrankfurt.com.cn

September 26 – 28InfoComm India 2017Venue: Bombay Exhibition Centre, IndiaSite: www.infocomm-india.com

11 - 14 OctoberProlight + Sound Shanghai 2017Venue: SNIEC, Shanghai

Site: www.prolight-sound-shanghai.hk.messefrankfurt.com

17 - 19 OctoberProlight + Sound Middle EastVenue: DWTC, Dubai

Site: www.prolightsoundme.com

October 12 – 14Broadcast India ShowVenue: Bombay Exhibition CentreSite: www.broadcastindiashow.com

October 25 - 27Broadcast IndonesiaVenue: Jakarta International Expo, IndonesiaSite: www.broadcast-indonesia.com

October 25 – 27Vietnam Pro-AV & Lighting Fair 2017Venue: ICE, Cultural Palace, Hanoi, VietnamSite: www.proavlight.com

November 17 – 19Conference programme starts on November 13

LDIVenue: Las Vegas Convention Center, USASite: www.ldishow.com