windwindsymphonysymphonyFALL 2021 MUSIC TOUR

CONDUCTED BY DR. RICHARD R. FISCHER, THE FRED AND JANE WITTLINGER ENDOWED CHAIR IN MUSIC PERFORMANCE

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LISTEN LIVE! CUCHICAGO.EDU/LIVEOctober 29Wind Symphony Home Concert8 p.m., Chapel

October 31Kapelle Home Concert 4 p.m., Chapel

November 7Chamber Orchestra Concert7 p.m., Chapel

November 15Jazz Band Concert7 p.m., Chapel

December 4Service of Lessons and Carols 4 & 7 p.m., Chapel

December 5Service of Lessons and Carols 4 p.m., Chapel

December 10University Band Christmas Concert8 p.m., Chapel

March 18Wind Symphony Home Concert8 p.m., Chapel

March 20Kapelle Home Concert4 p.m., Chapel

April 1 University Band Concert8 p.m., Chapel

April 10 Chamber Orchestra Concert7 p.m., Chapel

April 11Jazz Band Concert7 p.m., Chapel

May 1Spring Music Festival7 p.m., Geiseman Auditorium

June 25University Band Patriotic Pops Concert6:30 p.m., Addison Pillars Lawn

For a complete listing of concerts at Concordia-Chicago, including those that will be live-streamed, please visit CUChicago.edu/music. If you would like to receive emails about all upcoming concerts, send your request to music@CUChicago.edu. If you would like to catch another performance of this evening’s program, watch our home concert live on the web on October 29 at 8 p.m. CST. You may view more musical events, either live or on demand, at CUChicago.edu/live.

A pressing out. A breathing out. Pressing keys with fingers, beating drums with mallets.

Exhaling through lips and reeds pressed together so tightly that the air that escapes vibrates in such a way that it makes our ears—and our hearts—tingle.

Expression. Taking a thought, feeling or emotion and making it audible—hesitant, confident, soothing, startling—through words with our friends and family, or through pitches with fellow musicians and audience members.

We encourage our students to play and sing expressively, with “expression”—to “say something” through the notes and phrases of music. We give of ourselves—conductors and players alike—

when we make music. Whether or not the music is a direct expression of our faith, we are expressing our love of God, whose expression of love for us was in sending Jesus, whose expression of love for us was in giving his life for our redemption. God’s expression of love for us through Christ allows us to respond in thanks by offering of ourselves through God’s wonderful gift of music.

You, the audience, have expressed your support in this endeavor by being here. We are grateful for that. And you will, we hope, express appreciation of the efforts of our students through your applause. We are grateful for that, too. And, if you are related to any of the performers, you have expressed your love and care for them by

bringing them to this point in their lives and by instilling in them a love for music. We are eternally grateful for that.

These gifted students before you today, our dedicated faculty, and all who so willingly serve our University wish to express our thanks to our Creator and Redeemer for the gift of music and for all of you. We hope you enjoy the concert.

JONATHAN KOHRS Chair, Music Department,Concordia University Chicago

expression.expression.

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Gavorkna Fanfare (1991) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jack Stamp (b. 1954)

Lux Perpetua (2020) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Frank Ticheli (b. 1958)

In memory of Laura Onwuddinanti and Jack Stewart

Folk Dances (ca. 1940; 1979) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Dmitri Shostakovich (1906-1975)

arr. H. Robert Reynolds

Concerto in B-flat (18th c.; 1738) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . George Frederick Handel (1685-1759)

Peter Stigdon, harp arr. Charles T. Yeago

Dixieland Jamboree (1960) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .John Warrington (1911-1978)

Nicole Chappell, tenor sax; Regan Edkin, clarinet; AJ Howard, tuba;

Aaron Reynolds, trumpet; Andrew Schroeder, trombone; Adam Schweyer, drums

- intermission -FREE-WILL OFFERING TO SUPPORT THE CONCORDIA UNIVERSITY CHICAGO WIND SYMPHONY

Symphonic Dance #3 “Fiesta” (1967) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Clifton Williams (1923-1976)

Of the Father’s Love Begotten (2021) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Setting by William R. Brusick (b. 1959)

Commissioned by the Concordia University Chicago Wind Symphony Please turn to page 6 for the hymn.

The Symphonic Gershwin (1984) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .George Gershwin (1898-1937)

arr. Warren Barker

Amazing Grace (1994). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Frank Ticheli (b.1958)

Transcendent Journey (2010) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Rassano Galante (b.1967)

CONDUCTED BY DR. RICHARD R. FISCHERexpression.expression. programprogram

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program notesprogram notesLUX PERPETUA Frank Ticheli

Lux Perpetua was composed in memory of two musicians —Laura Onwuddinanti and Jack Stewart—both clarinet players, both members of the Baylor University Wind Ensemble, who together lost their lives in a tragic automobile accident. In composing this music, I have kept in mind their natures: the one, Jack, more introspective and thoughtful, the other, Laura, more gregarious and spontaneous. Those qualities are reflected in the music, which attempts to capture their light in sound.

The title, Lux Perpetua, translates to “Perpetual Light,” and is taken from the Latin requiem mass, drawn from the final line of its Lux aeterna: “Er lux perpetua luceat eis” —“And let perpetual light shine upon them.” I have come to see this light as both protector and illuminator so that two kinds of light illuminate the work, the one soft and meditative, the other sparkling and effervescent.

The work begins softly and gently in the clarinets with a rising motive of a perfect twelfth followed by a falling motive of a minor third – this falling motive becoming laced into the fabric of the piece, sometimes as transition material, or as material of unexpected contrast, and still other times flowering into the main melody.

The melody is longing and noble in quality, and is constructed in a way that suggests the notion of infinity; its accompanying harmony depicts a kind of bellows or the act of breathing in and out, perpetually. The harmony never settles on a final chord, but instead moves to a built-in modulation, compelling the melody to repeat itself in a chain of new keys. The pulsing of the harmony is the life-blood of the work.

As dramatic contrast to this calm pulsation, an energetic section arises, which nevertheless itself springs not from new themes, but from the main motive and main melody, now in a glittering light, surrounding the lyrical lines, building to a tremendous climax.

The final coda serves as a meditation, climbing higher and softer, a gentle rocking back and forth as the work closes, bathed in soft light in a fragile ascent to the heavens.

Frank Ticheli, Pasadena, CA, July 2, 2020

FOLK DANCES Dmitri Shostakovich

This popular wind band work by the Soviet-era Dmitri Shostakovich was originally composed in 1943 as the third movement, Dance of Youth, of My Beloved Country, Op. 63. It was first arranged for Russian bands by Mark Vakhutinski in 1970 and edited for American bands by H. Robert Reynolds nine years later.

Composed in Shostakovich’s light-hearted style, this single-movement work is filled with the joy and exuberance of the Russian people. The many folk melodies are combined in a string so that music energy abounds and the spirit of the folk dances can easily be imagined.

Program note from the publisher and from the California Polytechnic State University, San Luis Obispo, Wind Orchestra concert program,

November 23, 2013

CONCERTO IN B-FLAT George Frederick Handel

Handel’s harp concerto was published as an organ concerto in Opus 4 in 1738, and may originally have been composed in that form. Indeed, as published, the Concerto works on either instrument. Handel’s organ concertos were written to be interludes for him to play during his oratorios, on the organ he had available in the theater—a chamber organ with one keyboard and no pedal-board—so they do not include a part to be played with the feet in addition to the right and left hands. The Concerto in B-flat is conjectured to be the one described as a concerto for “Harp, Lute, Lyrichord [a keyboard instrument that sounded the strings with a bowing mechanism, rather like a hurdy-gurdy] and other Instruments” that was performed in February 1736 during Handel’s Saint Cecilia’s Day ode, Alexander’s Feast. Saint Cecilia was the patron saint of music, and odes to her were always about the power of music (Alexander’s Feast tells the story of how a bard used music to manipulate Alexander the Great in the celebration after his conquest of Persia), so unusual or lavish displays of instrumental sound were expected.

Los Angeles Philharmonic

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SYMPHONIC DANCE NO. 3 “FIESTA” Clifton Williams

Symphonic Dance No. 3 “Fiesta,” is one of a group of five works originally commissioned by the Minnie Stevens Piper Foundation commemorating the 25th anniversary of the San Antonio Symphony Orchestra. The first performance of the complete set of dances was by that orchestra, conducted by the composer, January 30, 1965. In refashioning the dances for symphonic band, composer Clifton Williams achieves a new dimension in sound and color and adds fresh excitement to contemporary band literature.

“Fiesta” depicts the pageantry of Latin-American celebrations —street bands, bullfights and bright costumes—the colorful legacy of a proud people.

The band version was premiered in Miami, FL, March 4, 1967, by the University of Miami’s “Band of the Hour” under the composer’s direction.

Program notes from the publisher

THE SYMPHONIC GERSHWIN George Gershwin

Warren Barker has masterfully combined the most memorable themes from Gershwin’s great symphonic works into a dramatic work for concert band. It includes music from An American in Paris, Cuban Overture and Rhapsody in Blue.

Program notes from the publisher

TRANSCENDENT JOURNEY ROSANNO GALANTE

With the first sounds of Transcendent Journey, I wanted to create a big, powerful, exhilarating chord that would grab the listener right away. The introduction is the beginning of our “journey” and gives a melodic hint, stated by horns, to the heroic main theme. The main theme should evoke not only the heroic quality of the melody, but also its beauty. This was suited perfectly for the trumpets. The listener should feel as though they can accomplish anything, no matter how challenging. I feel this is a melody that transcends all my others. The same theme is then stated in the horns and woodwinds, accompanied with rhythmic hits by the rest of the ensemble, creating a stalwart sound.

Then a short B section is introduced, performed by piccolo and oboe with delicate accompaniment. Note the light, relaxed feeling of joy in this section in contrast to the heroic material in the opening.

Following the B section, the main theme returns, this time played by flutes, capturing the sensitive aspects of the heroic theme. We now move into the slower section of the composition. This warm melody is almost wistful with a sad, yearning quality. It is repeated three times, each time getting stronger, more emotional and more climactic.

The final section is a fast-paced version of the introduction that includes extensive percussion and woodwind ostinati. Exhilaration and achievement is what I am trying to convey here. We finally complete our “journey” with a slower, grand statement of the main theme performed by trumpets and trombones. The piece ends with tutti ensemble bringing the “transcendent journey” to an end.

Rosanno Galante

WHO PUTS HIS TRUST IN GOD MOST JUSTWho puts his trustIn God most justHath built his house securely;He who reliesOn Jesus Christ,Shall reach His heav’n most surely.

Then fixed on TheeMy trust shall be,For Thy truth cannot alter;While mine Thou artNor death’s worst smartShall make my courage falter.

Joachim Magdeburg

in the in the spotlight :spotlight :

PETER STIGDONharpist

Peter Stigdon, of Catonsville, MD, is a senior studying music at Concordia University Chicago. He first fell in love with the harp nine years ago at a homeschool convention, and the rest is history. Since coming to Concordia-Chicago, Peter has also taken up studies in organ, composition and voice. He currently takes harp lessons with Julie Spring and has received additional training from many harpists including Nancy Allen, Adriana Horne, Angela Schwarzkopf and Elzbieta Szmyt. In the future, Peter hopes to pursue graduate studies in composing and conducting. When not practicing for his senior recitals, he enjoys discovering contemporary classical music and watching operas.

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Of the Father’s Love BegottenOf the Father’s Love Begotten

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symphonysymphonywindwindThe Concordia University Chicago Wind Symphony has performed in 43 states, Canada, Europe, Asia and South Africa and enjoys an unparalleled reputation among small liberal arts institutions. Since the Wind Symphony began touring internationally, they have performed concerts in Germany, the Czech Republic, Poland, Hungary and Slovakia. In May 2005, 2009 and 2013, the ensemble performed concerts in 10 cities in China, including Shanghai and Beijing. In May 2017, the Wind Symphony toured South Africa where they performed Johan de Meij’s African Harmony, commissioned by the group especially for their tour. Additionally, the Wind Symphony has played major concerts at Carnegie Hall, Chicago’s Symphony Center, the Meyerson Center in Dallas, the Weidner Center at University of Wisconsin-Green Bay, Uihlein Hall at the Marcus Center in Milwaukee, the Saginaw Civic Center, and the Lied Center for Performing Arts in Lincoln, NE.

The Wind Symphony has commissioned and premiered numerous wind compositions and produced 16 acclaimed recordings of sacred wind repertoire. These recordings have been played on National Public Radio; WFMT-FM, the classical station in Chicago; The Lutheran Hour; almost daily on the Moody Bible Network in 40 cities throughout the United States; and streaming on Spotify. They performed to multiple standing ovations as the showcase ensemble at the New York City Wind Band Festival at Carnegie Hall in 2014 and 2019.

If you would like the Wind Symphony to perform at your church on an upcoming tour, please contact tour manager Rachel Leininger at Rachel.Leininger@CUChicago.edu or 708-209-3524.

Music CDs available for purchase!

Scan the QR code for a link to CUC’s list of recordings.(CUChicago.edu/academics/colleges/college-of-theology-arts--humanities/division-of-arts/music/recordings/)

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wind symphony memberswind symphony members

William Bales

Larry Brown

Meg Busse

Nicole Chappell

Emily Cherington

Jacob Czubernat

Moira Delaney

Francisco Diaz

French Horn Clarinet Oboe Tenor Saxophone French Horn Electric Bass Bassoon TrumpetKnoxville, TNElementary Ed., LTE

Glenview, IL Lombard, IL Fort Wayne, INTheology, Deaconess Program

Houston, TX Secondary Ed., LTE

Hillside, IL Music Education

Romeoville, ILNursing

River Grove, ILPsychology

Regan Edkin

Rebekah Engebretson

CharlesFoster

DanielaGama

CalebGard

MickGiera

MelanieGoman

JoelHacker

Clarinet+ Flute French Horn Flute Percussion Trombone Flute TubaIllinois City, ILBusiness Management

Antigo, ILTheology, Deaconess Program

River Forest, IL Des Moines, IAPsychology/Spanish

Fort Wayne, INMusic

Hickory Hills, ILMusic Education

Chicago, ILSecondary Ed. English

Sheboygan, WIBusiness Management

Nicholas Hanson

NoahHartwig

JustinHeadley

IsabelleHefele

BrookeHockemeyer

JordanHolliday

AlexaHoover

Anthony J.Howard

Clarinet Clarinet Trombone Trumpet Alto Saxophone+ French Horn Percussion Tuba+Lindenwood, ILDirector of Parish Music

Iowa City, IABusiness Manage-ment, Pre-seminary

Baltimore, MDSecondary Ed. Math

Manchester, MOK-12 Spanish Ed., LTE

Fort Wayne, INSecondary Ed. Math, LTE

Berkeley, IL Music Education

Fort Wayne, INElementary Ed., LTE

Chicago, ILMusic Education

ErikaJohnson

MikeKahles

OwenKaiser

BrendanKrueger

AndrewKuhnau

MelodyLipke

EmmaMilam

RachelMueller

Percussion Clarinet French Horn Euphonium+ Trumpet Flute Euphonium FluteWaukesha, WI Music Education

Elmhurst, IL Fort Wayne, IN Music Education, LTE

Frankenmuth, MIMusic Education

Watertown, MNMusic Education

Alamosa, COEnglish, Theology/ Creative Writing minor

Slinger, WI English

Grand Rapids, MISecondary Ed. History, LTE

Joecel MarizOrbon

CollinPease

CalebPieper

AnthonyPullano

AaronReynolds

ChristianSalemink

NathanielSchmidt

ZacharySchmitz

Flute/Piccolo+ Guitar, Percussion Trumpet Baritone Sax Trumpet+ Trumpet Tuba Alto SaxophoneFranklin Park, ILPsychology

Elmwood Park, IL Music Education

Algonquin, ILDirector of Parish Music

Park Ridge, IL Political Science

Fort Wayne, INMusic/Music Education

St. Louis, MOSecondary Ed. History

Sunbury, OHMusic Education

Sheboygan, WIComputer Science

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AndrewSchroeder

AdamSchweyer

LydiaSmith

VictoriaSteele

PeterStigdon

MichealaTuminello

BenjaminVerswijver

MatthewVukalovich

Trombone+ Percussion+ Flute Bassoon+ Harp, Percussion Clarinet Bass Clarinet PercussionKendallville, INMusic Education

Fort Wayne, INMusic Education

Dyer, INScondary Ed. English, LTE

Elizabethtown, KYExercise Science

Catonsville, MDDirector of Parish Music

Oak Park, IL Houston, TXMusic Education

Loves Park, ILTheology

BAND STAFF: Brooke HockemeyerJoecel OrbonAndrew Schroeder Lydia Smith

STUDENT TOUR MANAGER: Aaron Reynolds

DEVOTION COORDINATOR: William Bales

SOCIAL COMMITTEE: Alexa HooverMelody Lipke

+ denotes Secton Chair

NicholasVukalovich

MeganWeinand

KarolinaZawitkowska

Trumpet Clarinet French Horn+Loves Park, ILTheology

Lovell, WYTheology

Wood Dale, ILMusic Education

music department faculty and staffmusic department faculty and staffFULL-TIME FACULTYMaurice Boyer, DMA University of Maryland College Park, MD

Charles P. Brown, DMA University of Arizona Tucson, AZ

Richard R. Fischer, DMA Michigan State University East Lansing, MI

Jonathan Kohrs, MFA Vermont College of Fine ArtsMontpelier, VT

Jonathan Stahlke, DMA College-Conservatory of MusicCincinnati, OH

EMERITI FACULTYNatalie Jenne, DMA Stanford University Palo Alto, CA

Evangeline Rimbach, PhD Eastman School of MusicUniversity of Rochester, NY

Steven Wente, DMus Northwestern UniversityEvanston, IL

ADJUNCT FACULTYMark Anderson, CelloMeg Busse, OboeBecky Coffman, Violin, ViolaNathalie Colas, VoiceRobert Everson, PercussionCynthia Fudala, FluteKurtis Gildow, TubaPaul Henry, GuitarMaria Honigschnabel, Piano Kuang-Hao Huang, PianoJeffrey Kleinsorge, Piano PrepChristopher Lorimer, VoiceSusan Nelson, VoiceChris O’Hara, TrumpetJon Rarick, Jazz Band, Jazz Improvisation Patrick Rehker, ClarinetJeremy Ruthrauff, SaxophoneDianne Ryan, BassoonJulie Spring, HarpThomas Stark, Trombone, EuphoniumChristine Steyer, VoiceKatrina Sudman, Piano PrepJohn Tuck, BassRenée Vogen, HornSteven Wente, Organ

ADMINISTRATIVE STAFFLaura Zimmer, MCMConcordia University Chicago River Forest, ILAdministrative Assistant

Rachel Leininger, BAConcordia University ChicagoRiver Forest, ILMusic Tour Manager

MISSION STATEMENTThe Music Department at Concordia University Chicago recognizes that music is a gift of God and a means through which all people can participate in the richness of the human experience. As a cultural expression that sheds light on both the individual and society, music is an essential component of a liberal arts education.

In accordance with these beliefs, the department fulfills the University mission by forming musicians who will be servant leaders and advocates for the transformative power of music in church, school and community. The department provides Concordia-Chicago students a variety of opportunities to study and perform music, enabling their lifelong growth and involvement in the arts, while enriching the larger community.

DR. RICHARD FISCHER, the Fred and Jane Wittlinger Endowed Chair for Music Performance, is in his 48th year as director of bands at Concordia

University Chicago, River Forest, IL. Dr. Fischer conducts the Wind Symphony and University Band, and also teaches basic and advanced-level conducting courses. He holds the Bachelor of Music Education and Master of Music degrees from DePaul University, and the Doctor of Musical Arts degree from Michigan State University where he studied under Eugene Corporon.

Dr. Fischer and the Wind Symphony have performed concerts in almost every state in the United States and in Canada, Europe, Asia and South Africa. The

Wind Symphony has had the honor of performing at many music festivals and conferences including the College Band Directors National Association (CBDNA), the Illinois Music Educators Conference (ILMEA), and numerous times at convocations of the Lutheran Education Association (LEA). Having performed to multiple standing ovations at Carnegie Hall in 2014, the Wind Symphony was honored to again be invited to be the showcase ensemble for the New York City Wind Band Festival at Carnegie Hall in March 2019.

Under Dr. Fischer’s direction, the Wind Symphony has commissioned, premiered and recorded numerous wind band compositions, most notably the U.S. premiere of Johan de Meij’s The Lord of the Rings in the fall of 1989. They have recorded 16 compact discs (over 150 works) of sacred wind music. The Wind Symphony’s most recent recording, Let My Love Be Heard, features both sacred and secular music.

Dr. Fischer is in frequent demand as a presenter, guest conductor, clinician and adjudicator in the United States, Canada, South Africa, Japan and Australia. In 1994, he was named to the “A Team” of University Professors by the Chicago Tribune. Dr. Fischer has been honored to present and guest conduct at local universities in Nagoya, Japan every December for the past four years. In May 2018, Dr. Fischer gave the keynote address at the national convention of the Association for Concert Bands held in Buffalo, NY.

Dr. Fischer’s professional affiliations include the College Band Director National Association, World Association for Symphonic Bands and Ensembles, National Association for Music Educators, Illinois Music Educators Association, and the National Band Association. He and his wife Kathy (Kolb BA ’77) reside in River Forest, IL, and have three grown children: Joy, Julie and Jonathan.

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Your gifts ensure Concordia University Chicago has the funds necessary to provide scholarships,

underwrite travel expenses, and continually strengthen the ministry our talented music faculty and students provide.

Continue the Legacy of Music with a Gift Today

866-448-3867CUChicago.edu/GiveNow

At Concordia University Chicago, programs like the Wind Symphony, Kapelle and Chamber Orchestra are an important foundation of a formative student experience

and our distinctive Lutheran Identity. Your generous philanthropic gifts provide the fiscal agility that makes

it possible to bring hope and joy through music to audiences on our campus and across the globe.

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Grow and thrive as a musician at Concordia University Chicago.

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Join a nationally recognized performance ensemble:

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Performing in harmony.

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join us!join us!WIND SYMPHONY FALL 2021 MUSIC TOUR CONCERTS

Des Peres, MO Oct 227 p.m.

St. Paul’s Lutheran Church 12345 Manchester Rd. | stpaulsdesperes.org

Crown Point, IN Oct 237 p.m.

Trinity Lutheran Church and School 250 S. Indiana Ave. | trinitycp.org

Marengo, IL Oct 244 p.m.

Zion Lutheran Church and School 412 Jackson St. | zionmarengo.net

Home ConcertRiver Forest, IL

Oct 298 p.m.

Concordia University Chicago 7400 Augusta St. | CUChicago.edu/events