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eye}dentityA VISUAL EXPLORATION
RACHEL RANDALL_SELECTED WORKS_ BA:ARCH
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eye}dntity
RACHEL RANDALL_SELECTED WORKS_ BA:ARCH
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dont explain, identify._paul rand“ “
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R a c h e l R a n d a l lr c r a n d a @ c l e m s o n . e d u216 Calhoun St Clemson SC 29631
EducationClemson University Fall ‘07-Spring ‘11
Bachelor of Arts- ArchitectureMinor- Packaging Science
Northwestern High School ‘04-’07International Bachelarreate Diploma
Awards Life Scholarship Recipient ‘07-’11
William C. Smith Scholarship ‘07-’11Dean’s List Fall ‘08-Spring ‘10
Ski l l sAdobe Creative Suite
Photoshop, Illustrator, InDesign,Acrobat3-D Modeling
Sketch -up, RhinoAutoCAD
Microsoft OfficeCoursework
Product Design- Fall ‘10Package Design- Spring ‘11
InvolvementKappa Kappa Gamma Sorority
Nominating Committe ‘08, ‘09- Committe Chair ‘10Student Alumni Association
American Institute of Architecture Students
Travel Opportunit iesStudy Abroad- Barcelona Sping ‘10Spain, Germany, Amsterdam , Greece
Rural Studio site visits- Auburn, AL Fall ‘08Italy Tour, arts department Spring ‘07 Milan, Cremona, Venice Florence , Roms
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{experience}years:months:hours:minutes
{experience}miles: concept:
_draft_scale_create_mold_imagine_layer_pause_think_form_model_represent_transform_mimic_experience_grow_feel_draft_scale_create_mold_imagine_layer_pause_think_form_model_represent_transform_mimic_experience_grow_feel _draft_scale_create_mold_imagine_layer_pause_think_form_model_represent_transform_mimic_experience_grow_feel
3: 26: 18720: 1123200 89:
4407:3.5: 30: 21600: 1296000
1:3: 28: 50400: 3024000
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{experience}years:months:hours:minutes
{experience}miles: concept:
_draft_scale_create_mold_imagine_layer_pause_think_form_model_represent_transform_mimic_experience_grow_feel_draft_scale_create_mold_imagine_layer_pause_think_form_model_represent_transform_mimic_experience_grow_feel _draft_scale_create_mold_imagine_layer_pause_think_form_model_represent_transform_mimic_experience_grow_feel
3: 26: 18720: 1123200 89:
4407:3.5: 30: 21600: 1296000
1:3: 28: 50400: 3024000
eye}dentity
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TRAVE R S EFall 2010
Professor BruhnsLocation: Clemson, SC
Contributers: Veronica Acosta, Kathryn Harris
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Located in a forest adjacent to Lake Hartwell, the site exhibits natural beauty that iis un-compromisable. Establishing a connection with the rest of the Clemson University cam-pus, our site, located on one of the highest points on campus, correlates with other land-marks in the area that are also on high elevation points. With this, designing in a way which embraces nature is essential. As the building strives to guide the occumpant, paths and transitional spaces are created. In addition, a skin that denotes program and intent furthers the movement and enhancement of the “journey” Establsihing a separation betweeen the lobby (gallery space) and black box theatre creates an “outdoor lobby” staging the journey.
LONGITUDIONAL SECTION: topography changes and envelope
SITE LOCATOR:: dispersion of energy from core [blackbox]
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LONGITUDIONAL SECTION: topography changes and envelope
WALL SECTION:: structure +skin
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FIRST LEVEL PLAN
A majority of all Clemson students live within three miles of the school, providing the perfect opportunity for biking to campus.
To support this, a proposal for a bike hub in downtown Clemson was established to hold 1000 bikes in combination with housing
units. Tucked in a corner street with a view to downtown, the site provides opportunity to develop the unique sectional character-
istics. Taking advantage of the higher story apartments views to downtown, and views for the bikers to the hub were the driving
factors. The language between the biker, driver, and pedestrian was influential in the design of the hubs outer appearance.
SECOND LEVEL PLAN
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A majority of all Clemson students live within three miles of the school, providing the perfect opportunity for biking to campus.
To support this, a proposal for a bike hub in downtown Clemson was established to hold 1000 bikes in combination with housing
units. Tucked in a corner street with a view to downtown, the site provides opportunity to develop the unique sectional character-
istics. Taking advantage of the higher story apartments views to downtown, and views for the bikers to the hub were the driving
factors. The language between the biker, driver, and pedestrian was influential in the design of the hubs outer appearance.
LOBBY ENTRANCE: openness of skin + views from the interior
VIEW TOWARDS TOWER +BLACKBOX
As tthe occupant moves through the site, views are framed by the skin and paths to create an experi-ence that embraces the natural beauty of the site, The plans suggestst spaces enveloped by nature in oone moment and the skin of the building in others.
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view{{core}idor
Fall 2009Professor Verderber
Location: downtown Clemson, SC
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N. Clemson Avenue College Avenue
Vehicular Access
SITE SECTION: showing unique existing sectional qualities of Downtown Clemson
SIGHT LINES shown from differnt vantage points
A majority of all Clemson students live within three miles of the school, providing the perfect opportunity for biking to campus.
To support this, a proposal for a bike hub in downtown Clemson was established to hold 1000 bikes in combination with housing
units. Tucked in a corner street with a view to downtown, the site provides opportunity to develop the unique sectional character-
istics. Taking advantage of the higher story apartments views to downtown, and views for the bikers to the hub were the driving
factors. The language between the biker, driver, and pedestrian was influential in the design of the hubs outer appearance.
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N. Clemson Avenue College Avenue
Vehicular Access
SITE SECTION: showing unique existing sectional qualities of Downtown Clemson
SIGHT LINES shown from differnt vantage points
College Avenue
N. Clemson Avenuesite core
downtow
n clemson core
sight lines from core
SITE PLAN: develpment of cores of the site and resulting views
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FIRST LEVEL PLAN: apartment space
GROUND LEVEL PLAN: bike hub space
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SECTION PERSPECTIVE: exploring spacial depth and circulation based on layers and function
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Contrasting the bike depot and its functions from the apartments created an interesting dialogue for the building. Circulation and
functionality provided and interesting challenge for the site.Differentiating between the apartments and hub was essential. Since the first level was the storage for the bikes, it became an advertisement in itself with the use of patterned rolling screens.
In addition, it was important to provide some green space for each unit, whether shared or individual.
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DWWO
DW
WO
DWWO
DWWO
ROOF PLAN: solid (live) vs. void (play)
SECOND LEVEL PLAN: second level apartments
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Spring 2009Professor Lauren Mitchell
Location: Anderson, SC
ART IN MOTION
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rest
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how art influences a traveler’s journey how we percieve objects
SITE PLAN: levels of speed+relationship with train
approach: 30 mph
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rest
room
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how art influences a traveler’s journey how we percieve objects
SPEED EXPLORATIONHow the built is viewed from the eye of a traveler at various speeds. Perception of objects and experien-tail quality differs at each level.
pause: 4 mph
passing: 60 m[p
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uprest
room
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seat
ing
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dow
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up
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SECOND LEVEL PLAN
MAIN ST LEVEL PLAN
PLATFORM LEVEL PLAN
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When traveling on a train, the external veiws represent not only the places, but the feeling and experience of the trip. Stations act
as landmarks on the journey, marking progress. Each station has the opportunity to reflect its town’s character and to become a
unique pause. At variable speeds, the passenger sees objects in different ways. Using an indoor and outdoor mural system es-tablished by local artists, this station celbrates the artwork and
its representation at all speeds. Whether passing or stopping, the passenger experiences the murals , ehich could in turn become
an expanded system of murals within the train’s route leading towards other cities.
SECTION: exploring mural throughout space
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PERMEABILITYPERMEABILITYSpring 2010
Professor Tony MontesLocation: 22@ District, Barcelona , Spain
Landscape Arch Consultant: Bethany Ray
urba
n
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The dense, growing, and morphing city of Barcelona still emphasizes its strong ties to past urban design, dating back to 1859, with the
development of the Eixample ( “extension” in Catalan). Becoming an identity for the city, the birth of the Eixample marks the transformation of Barcelona into the metropolis that it is today. This grid system of the
city is unlimited, becoming a system that is only interrupted by the two rivers, the mountains, and the sea. The last large, unconsolidated
zone, the Poble Nou district, is evolving into a new land designation known as 22@.
SITE PLAN: possible connections within our block
_established site footprint
_ground contact
_ramp system
_program division
_skin sturcture
_skin geometry
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SITE PLAN: possible connections within our block EXPLODED AXON: footprint and development of components
_established site footprint
_ground contact
_ramp system
_program division
_skin sturcture
_skin geometry
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BRIDGE SECTION :establishing circulation and program
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With strong pre-existing conditions within the tissue of this Eixample grid, the complex destination- both morphologically and in terms of use- produces many design tests. Grasping the profound complex-
ity of a city with such density and urban character, understanding its history, projections, urban tissue along with the cultural context are a
few of the many challenges of this design.
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While given a unique scenario for design, one block in the 22@ district was to be transformed using a “surgical inter-vention” on the consolidated fabric. The site, an Eixample block split by a diagonal road, produced an opportunity
for the development of a bridge structure over a road. With such dense conditions, buildings were strategically chosen to be removed from the site, based on function, density level, and overall condition. Using physical and
visual permeability as a guide, the decision was made for an entirely raised structure, granting full circulation to the ground level, also creating a exceptional opening for additional green space below, uncommon to the Eixample block prototype. Creating a skin based off of the previous circulation condition of the site, a unique and efficient
solution was produced. Functioning as a structural feature to support the vast span of the civic center, the skin also contributes to the transition of public to private throughout the center, creating solid and void surfaces using clear
and opaque glass to delineate.
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SKIN SECTION DIAGRAM :evaluating the skins solid&void qualities and structural necessity
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GROUND PLAN
FLOOR PLAN
ROOF PLAN
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GROUND PLAN
FLOOR PLAN
ROOF PLAN SKIN VIEW :visualizing the techtonics of the building and the relationship with the natural spaces
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FLEX_abilityof
growthFall 2009
Professor Verderberlocation: Ashevillle, NCContributers: Lindsay Shelton
Lauren Hetzel
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new topography
new topography
original topographyoriginal topographyc
ut and fill
performing arts
underground parking
dine
shop
entertain
interact
circulation
live
relax
visual arts
engage flow energize
play
enviornment
explore
create
connect
river walk
Asheville, North Carolina is a unique and growing city full of charm and character. Many artists and craftsmen live in and around this city because of its great opportu-nity for expression. Our site, located in the River Arts District, provided a 14 acre site
with unoccupied existing buildings, the main being an old tannery. The program was to transform the space into an affordable housing complex for artists in the
area.
SITE SECTION exploring the relationship between the built and natural enviorment--from road to river
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new topography
new topography
original topographyoriginal topographyc
ut and fill
performing arts
underground parking
dine
shop
entertain
interact
circulation
live
relax
visual arts
engage flow energize
play
enviornment
explore
create
connect
river walk
transylvania county, nc
tennessee
i240 nashville, tn
i26 columbia, sc charleston, sc
i40 raleigh, nc wilmington, nc
i40 nashville, tn
northestern us
southeastern us
downtown asheville
bridged communitysite boundary
french broad river
MAPPING EXERCISE showing the connections surrounding the site
(Asheville, French Broad River, major highways) and its future growth and
need for flexibility
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new topography
new topography
original topographyoriginal topographyc
ut and fill
performing arts
underground parking
dine
shop
entertain
interact
circulation
live
relax
visual arts
engage flow energize
play
enviornment
explore
create
connect
river walk
MASTER PLAN
OLD TANNERYredesigned walls creating “out-door rooms” for artists’ exhibition
space
STUDIO SPACESversitle spaces for emerging artists
in the River Arts District
COMMUNITY BUILDINGSspaces for growth and flexibility
on the 14 acre site
HOUSING verisitle and affordable housing
for artsists
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new topography
new topography
original topographyoriginal topographyc
ut and fill
performing arts
underground parking
dine
shop
entertain
interact
circulation
live
relax
visual arts
engage flow energize
play
enviornment
explore
create
connect
river walk
In order to develop a space for each particular artists needs, a decision was made to create an extremely adaptable and flexible atmosphere. With this as a driving
force, much space was set aside for multifunctional, open green space. Using the walls of the existing tannery, creative spaces were generated for concert space,
gallery space, or any other use necessary. Far enough from the housing blocks to not interfere, but close enough to be a community area for the occupants. The in-tegral space could also be used by visitors on the site. Controlled by its occupants,
these open spaces could change according to time and place.
BOG PERSPECTIVE - new spaces created from river runoff for natural growth and freedom of use
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HOUSING SECTION highlighting partitians and character
HOUSING PLAN showing versitility of units
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PARTITIAN DIAGRAM diaplaying the funcionality of the space within the Asheville setting
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Housing for the artists was strategically developed to be multifunctional&interactive. Each unit, set on a g r i d, composed of movable walls
that were able to create a customizable space. Within this customizable space a studio could be placed within the apartment. Aimed towards artists, the space
would allow for OPTIMUM creativity.
HOUSING VARIATIONS imagining the unique variations of the flexible housing system
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HOUSING VARIATIONS imagining the unique variations of the flexible housing system
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eye}dntity
RACHEL RANDALL_SELECTED WORKS_ BA:ARCH
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