Example of a scientific poster · Title: Example of a scientific poster Author:...
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Graffiti’s Bar & Grill Munira Lila Department of Anthropology, University of Toronto TRIFOLD AREA – THIS GUIDE WILL BE REMOVED BEFORE PRINTING – TRIFOLD AREA – THIS GUIDE WILL BE REMOVED BEFORE PRINTING – TRIFOLD AREA – THIS GUIDE WILL BE REMOVED BEFORE PRINTING – TRIFOLD AREA – THIS GUIDE WILL BE REMOVED BEFORE PRINTING – TRIFOLD TRIFOLD AREA – THIS GUIDE WILL BE REMOVED BEFORE PRINTING – TRIFOLD AREA – THIS GUIDE WILL BE REMOVED BEFORE PRINTING – TRIFOLD AREA – THIS GUIDE WILL BE REMOVED BEFORE PRINTING – TRIFOLD AREA – THIS GUIDE WILL BE REMOVED BEFORE PRINTING – TRIFOLD Live Music n Live music emanating from the bar (especially during summer months) promote interest and curiosity among those passing by in Kensington Market. n Performances of crowd favorites and upbeat songs promote excitement and involvement from the audience. n Small venue for these live performances provides opportunities for closer interactions with other patrons enjoying the music and an intimate interaction with the musicians. n Consistent performers bring their fans back again and again. Community of Regulars n Regular musicians returning routinely to perform brings back regulars who enjoy their music. These people gain a sense of familiarity with the musicians and other people enjoying the music. n Relationships are established by these consistent interactions and there is a sense of camaraderie developed among regulars. n Regulars return to not only see their favorite live performers, but also to catch up with close friends and have a fun evening. Marie (Regular): A self proclaimed “glutton for live music.” Introduction to Graffiti’s Graffiti’s obtained it’s Liquor License in 1995 making it one of the oldest bars in Kensington Market. The venue is known as an intimate venue for quality live performances. Many of the musicians performing at Graffiti’s have been doing so for many years. The bar also hosts a large clientele of regular customers. Its unique atmosphere can be attributed to its minimalism. It’s a small space with a bar and seating area, a corner with the sound equipment and there is no wireless internet. People tend to know one another in the bar and it is normal to see strangers introducing themselves to one another. Purpose From research conducted in Graffiti’s, I interpreted the success of the bar to be the result of the production of a community among the clientele through high quality, intimate entertainment and a conducive space for the development and maintenance of long lasting relationships. In turn, these valuable facets fuel a willingness of the clientele-community to bring their business to Graffiti’s to support and uphold these functions of the bar. Concluding Remarks As these elements facilitate the building of relationships and connections to the bar, the network of regulars sustains itself. People return for live music that they appreciate and for the network of people that they have grown a sense of familiarity with. This promotes their patronage and hence, their investment in the bar. Graffiti’s is more than a bar; it provides its regulars with a membership within a community and this facilitates their return. As such, their return supports the business of the bar. Research Sources 1. Giblin, Laura, and Nicole Kelly. 2015 Interview With Graffiti's Regulars. Interview by Munira Lila. In person. 2. Mitchell, Stephen 2015. Interview With Owner Of Graffiti's. Interview by Munira Lila. In person. 3. Lila, Munira 2015. Field notes taken at Pamenar on January 19 th . In person. 4. Lila, Munira 2015. Field notes taken at Graffiti’s on January 25. In person. 5. Lila, Munira 2015. Field notes taken at Graffiti’s on February 16. In person. 6. Lila, Munira 2015. Field notes taken at The Toronto Reference Library on February 25. In person. 7. Lila, Munira 2015. Field notes taken at Graffiti’s on February 28. In person. 8. Lila, Munira 2015. Field notes taken at Graffiti’s on March 1. In person. 9. Lila, Munira 2015. Field notes taken at Graffiti’s on March 6. In person. “You only ever have to sit and have a beer twice at Graffiti’s and then people are going to talk to you.” – Nicole Kelly (Regular) “Then there are various people that from wherever come here ‘cause they know there’s gonna be good music.” Stephen Mitchell (Owner) Guy (Regular) describes the New Years Party he attended at Graffiti’s as “having a house party without the mess.”
Transcript of Example of a scientific poster · Title: Example of a scientific poster Author:...
Graffiti’s Bar & Grill
Munira Lila
Department of Anthropology, University of Toronto
TR
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Live Music
n Live music emanating from the bar
(especially during summer months)
promote interest and curiosity among
those passing by in Kensington Market.
n Performances of crowd favorites and
upbeat songs promote excitement and
involvement from the audience.
n Small venue for these live performances
provides opportunities for closer
interactions with other patrons enjoying the
music and an intimate interaction with the
musicians.
n Consistent performers bring their fans back
again and again.
Community of Regulars
n Regular musicians returning routinely to
perform brings back regulars who enjoy their
music. These people gain a sense of
familiarity with the musicians and other
people enjoying the music.
n Relationships are established by these
consistent interactions and there is a sense
of camaraderie developed among regulars.
n Regulars return to not only see their favorite
live performers, but also to catch up with
close friends and have a fun evening. Marie (Regular): A self proclaimed
“glutton for live music.”
Introduction to Graffiti’s
Graffiti’s obtained it’s Liquor License in 1995
making it one of the oldest bars in Kensington
Market. The venue is known as an intimate
venue for quality live performances. Many of
the musicians performing at Graffiti’s have
been doing so for many years. The bar also
hosts a large clientele of regular customers.
Its unique atmosphere can be attributed to its
minimalism. It’s a small space with a bar and
seating area, a corner with the sound
equipment and there is no wireless internet.
People tend to know one another in the bar
and it is normal to see strangers introducing
themselves to one another.
Purpose
From research conducted in Graffiti’s, I
interpreted the success of the bar to be the
result of the production of a community among
the clientele through high quality, intimate
entertainment and a conducive space for the
development and maintenance of long lasting
relationships. In turn, these valuable facets
fuel a willingness of the clientele-community to
bring their business to Graffiti’s to support and
uphold these functions of the bar.
Expected Results
Insert your text here. You can place your
organizations logos on either side of the
title of the poster. Insert your text here.
Remember to size your font to fit your
information into the space. The larger your
font, the easier it will be for others to read
your poster.
Concluding RemarksAs these elements facilitate the building of
relationships and connections to the bar, the
network of regulars sustains itself. People
return for live music that they appreciate and
for the network of people that they have grown
a sense of familiarity with. This promotes their
patronage and hence, their investment in the
bar. Graffiti’s is more than a bar; it provides its
regulars with a membership within a
community and this facilitates their return. As
such, their return supports the business of the
bar.
Research Sources1. Giblin, Laura, and Nicole Kelly. 2015
Interview With Graffiti's Regulars. Interview by
Munira Lila. In person.
2. Mitchell, Stephen 2015. Interview With
Owner Of Graffiti's. Interview by Munira Lila. In
person.
3. Lila, Munira 2015. Field notes taken at
Pamenar on January 19th. In person.
4. Lila, Munira 2015. Field notes taken at
Graffiti’s on January 25. In person.
5. Lila, Munira 2015. Field notes taken at
Graffiti’s on February 16. In person.
6. Lila, Munira 2015. Field notes taken at The
Toronto Reference Library on February 25. In
person.
7. Lila, Munira 2015. Field notes taken at
Graffiti’s on February 28. In person.
8. Lila, Munira 2015. Field notes taken at
Graffiti’s on March 1. In person.
9. Lila, Munira 2015. Field notes taken at
Graffiti’s on March 6. In person.
“You only ever
have to sit and
have a beer twice
at Graffiti’s and
then people are
going to talk to
you.” – Nicole
Kelly (Regular)
“Then there are various people that from
wherever come here ‘cause they know there’s
gonna be good music.” Stephen Mitchell (Owner)
Guy (Regular) describes the New Years Party he
attended at Graffiti’s as “having a house party
without the mess.”
