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SOCIAL TV: VIEWER INTERACTIONS WITH TELEVISION PRODUCTION. THE CASE OF BONES. by Evan Louis Kropp (Under the direction of Jeffrey P. Jones) ABSTRACT This dissertation investigates the potential influence of Social Television activities on television production and content. A case study approach, using interview, observation and textual analysis methods, investigates the popular television show Bones. Social TV is situated as being a useful production tool and a device that empowers viewers to socialize together and speak back to production. Findings indicate that although production personnel deny that they would change their show based on fan feedback, there are subtle but important changes occurring in production practices that do result in fan influence on content and the way the show is made. INDEX WORDS: Social television, Bones, social media, production studies, audience, power, connected viewing

Transcript of EVAN!LOUIS!KROPP! Partial!Fulfillment!of!the!Requirements ...

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!SOCIAL!TV:!VIEWER!INTERACTIONS!WITH!TELEVISION!PRODUCTION.!!

THE!CASE!OF!BONES.!

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by!Evan!Louis!Kropp!!

(Under!the!direction!of!Jeffrey!P.!Jones)!!!!

!!ABSTRACT!

!This!dissertation!investigates!the!potential!influence!of!Social!Television!

activities!on!television!production!and!content.!A!case!study!approach,!using!

interview,!observation!and!textual!analysis!methods,!investigates!the!popular!

television!show!Bones.!Social!TV!is!situated!as!being!a!useful!production!tool!and!a!

device!that!empowers!viewers!to!socialize!together!and!speak!back!to!production.!

Findings!indicate!that!although!production!personnel!deny!that!they!would!change!

their!show!based!on!fan!feedback,!there!are!subtle!but!important!changes!occurring!

in!production!practices!that!do!result!in!fan!influence!on!content!and!the!way!the!

show!is!made.!!

!

!INDEX!WORDS:!! Social!television,!Bones,!social!media,!production!studies,!

audience,!power,!connected!viewing!!!

08!Fall$

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SOCIAL!TV:!VIEWER!INTERACTIONS!WITH!TELEVISION!PRODUCTION.!

THE!CASE!OF!BONES.!!!

!by!

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EVAN!LOUIS!KROPP!

B.A.,!University!of!Hartford,!1997!

M.A.,!University!of!Hartford,!2011!

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A!Dissertation!Submitted!to!the!Graduate!Faculty!of!The!University!of!Georgia!in!

Partial!Fulfillment!of!the!Requirements!for!the!Degree!

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DOCTOR!OF!PHILOSOPHY!

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ATHENS,!GEORGIA!

2014!

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©!2014!

Evan!Louis!Kropp!

All!Rights!Reserved!

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SOCIAL!TV:!VIEWER!INTERACTIONS!WITH!TELEVISION!PRODUCTION.!!

THE!CASE!OF!BONES.!

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by!!!!

EVAN!LOUIS!KROPP!!!!!!!!!!!

Major!Professor:! Jeffrey!P.!Jones!!

Committee:!!Carolina!AcostaaAlzuru!Peggy!Kreshel!Horace!Newcomb!Alisa!Perren!!

!!

!Electronic!Version!Approved:!!Maureen!Grasso!Dean!of!the!Graduate!School!The!University!of!Georgia!May!2014

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DEDICATION!PAGE!

!This!dissertation!is!dedicated!to!my!wife!Michelle!and!my!children!Talan!and!Casey.!! !

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ACKNOWLEDGEMENTS!

!A!sincere!thank!you!to!my!advisor!Dr.!Horace!Newcomb.!Your!feedback!and!

guidance!were!invaluable!throughout!the!entire!research!process.!!Thank!you!Hart!

Hanson!for!providing!access!to!Bones,!answering!questions,!encouraging!others!to!

participate,!making!your!staff!available!to!me!and!never!saying!“no”!to!any!request.!

In!addition!to!everyone!who!volunteered!to!be!interviewed!and!allowed!me!to!

observe!their!work!activities,!I!would!like!to!specifically!acknowledge!Josh!Levy!and!

Eric!Phillips!whose!efforts!ensured!I!was!able!to!obtain!the!access!and!information!

necessary!to!complete!this!project.!Finally,!I!would!like!to!thank!the!faculty!and!staff!

at!the!Henry!W.!Grady!College!of!Journalism!and!Mass!Communication!as!well!as!the!

Broun!Fund!for!providing!financial!assistance!for!the!completion!of!this!research.!!

!!!!!!!

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TABLE!OF!CONTENTS!!

!Page!

ACKNOWLEDGEMENTS!...........................................................................................................................!v!

CHAPTER!

!!!!!!!!!1!!!!!INTRODUCTION!........................................................................................................................!1!

!!!!!!!!!2!!!!!LITERATURE!REVIEW!.........................................................................................................!41!

!!!!!!!!!3!!!!!METHODS!..................................................................................................................................!80!

!!!!!!!!!4!!!!!SOCIAL!TELEVISION!IN!USE!.............................................................................................!98!

!!!!!!!!!5!!!!!ABOUT!BONES!......................................................................................................................!128!

!!!!!!!!!6!!!!!BONES!AUDIENCE!ACTIVITY!.........................................................................................!144!

!!!!!!!!!7!!!!!BUSINESS!PRACTICES:!INSIDE!THE!NETWORK!AND!STUDIO!.......................!167!

!!!!!!!!!8!!!!!PRODUCING!BONES:!ON!SET,!IN!THE!OFFICES!AND!WRITERS!ROOM!.......!184!

!!!!!!!!!9!!!!!CONCLUSION!........................................................................................................................!221!

REFERENCES!..........................................................................................................................................!243!

APPENDIX!................................................................................................................................................!260!

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CHAPTER!1!

INTRODUCTION!

Bertolt!Brecht!wrote:!!

Broadcasting!could!be!the!conceivably!greatest!device!of!communication!in!public!life,!a!tremendous!channel,!if!it!managed!not!only!to!transmit!but!to!receive,!that!is!to!say!if!it!enabled!the!listener!not!only!to!hear!but!also!to!talk,!if!it!did!not!isolate!but!relate!people.!Broadcasting!would!have!to!outgrow!its!delivery!state!and!organize!the!listener!as!deliverer.1!!

Brecht’s!commentary!on!the!potential!of!radio!in!1926!has!come!to!fruition!today,!

not!in!the!medium!he!was!writing!about,!but!through!the!combined!mediums!of!

television!and!the!Internet.!!While!the!television!has!existed!as!a!oneaway!

communication!device,!transmitting!content!to!audiences,!the!Internet!is!now!

enabling!people!to!“talk”!back.!

Due!to!the!growing!acceptance!and!popularity!of!the!Internet,!many!scholars!

predicted!the!death!of!television!as!users!were!“sacrificing!their!television!viewing!

time!for!that!of!the!Internet.”2!More!recently,!the!number!of!these!predictions!has!

been!declining,!as!the!relationship!between!television!and!the!Internet!has!become!

increasingly!mutually!beneficial.!!Instead!of!replacing!the!television!screen,!the!

Internet!has!evolved!into!a!tool!that!exists!in!parallel!with!it.!!The!Internet!is!being!

used!as!a!way!to!market!television!shows,!disseminate!supplemental!program!

information,!create!and!build!fan!communities,!and!connect!the!people!who!produce!

content!to!the!viewers!who!consume!it.!!

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This!dissertation!will!focus!on!the!convergence!of!these!two!mediums,!with!

specific!emphasis!on!how!social!media!activities!are!potentially!influencing!

television!production!practices!and!content.!!

Social!Television!

The!idea!of!viewers!socializing!around!television!content!is!as!old!as!television!

itself.!Sports!fans!have!gathered!in!bars!to!cheer!on!their!favorite!sports!teams,!

families!have!congregated!around!the!living!room!television!set!to!watch!their!

weekly!programs,!and!coaworkers!have!convened!around!the!office!water!cooler!to!

discuss!their!favorite!shows.!!Today,!many!of!these!social!activities!have!migrated!

towards!online!environments!and!the!resulting!convergence!of!traditional!television!

and!online!social!media!has!resulted!in!a!new!buzzword,!Social!TV.!!!

The!term!Social!TV!has!created!some!confusion!due!to!its!inconsistent!use.!As!

Mike!Proulx!and!Stacey!Shepatin!state,!“[it]!has!often!been!used!in!recent!years!as!a!

catchall!expression!when!referring!to!the!modern!era!of!television.”3!Conversely,!it!

has!also!been!used!to!describe!many!of!the!individual!uses!and!tools!that!

incorporate!socialization,!television!and!technology.!Social!TV!has!been!used!as!a!

specific!reference!to!technology!used!by!television!stations!to!show!social!media!

content!onaair,!to!describe!interactive!promotional!efforts!by!networks,!to!describe!

the!social!media!platforms!where!viewers!interact,!and!to!classify!the!social!

interactions!themselves.!These!different!uses!of!the!term!are!a!reflection!of!the!

multitude!of!interests!companies!and!individuals!have!in!this!phenomenon.!It!has!

also!created!this!confusion!for!people!who!are!unaware!of!the!term’s!use!beyond!the!

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specific!object!it!often!refers!to.!!To!alleviate!this!confusion,!I!propose,!and!use!here!

a!more!generic!definition!of!Social!TV.!I!suggest!Social!TV!is!the!use!of!Internet!

connected!platforms!to!interact!about!television.!This!does!not!include!“the!sets!of!

online!tools!that!support!social!interaction!between!users”!which!I!argue!should!be!

separately!referred!to!as!Social!TV!platforms.4!!

This!definition!is!purposely!vague!in!its!use!of!the!term!“interact”!because!social!

interactions!related!to!television!can!involve!various!combinations!of!individuals!

and!can!occur!in!multiple!directions.!Viewers!can!post!comments!with!no!

specifically!intended!receiver,!viewers!can!talk!to!each!other,!viewers!can!talk!to!

production!such!as!actors,!and!production!personnel!even!talk!amongst!themselves.!

These!interactions!can!additionally!occur!as!either!synchronous!or!asynchronous!

communications.!For!example,!writing!a!blog!post!about!a!television!show!during!a!

time!the!show!is!not!being!live!broadcast!is!asynchronous!interaction.!!Active!

tweeting!about!a!show!while!simultaneously!watching!it!is!an!example!of!

synchronous!communication.!Either!action!represents!“the!underlying!desire!to!

connect!and!share![that]!has!always!existed!in!the!human!race.!Social!media!simply!

enables!our!inherent!behaviors!and!gives!us!an!instant!means!to!express!ourselves!

to!a!world!of!other!people.”5!

Initially,!this!convergence!of!Internet!based!social!activity!and!television!viewing!

occurred!through!the!use!of!personal!computers.!Some!of!these!earliest!activities!

have!been!investigated!by!media!researchers!such!as!Henry!Jenkins,!whose!analysis!

of!fans’!activities!on!computer!networks!and!electronic!mail!discussions!included!a!

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case!study!of!Alt.tv.twinpeaks.6!Activity!in!this!group!was!described!as!“one!of!the!

most!active!and!prolific!on!the!Usenet!system,!averaging!one!hundred!or!more!

entries!per!day.”7!Today,!in!comparison,!a!single!show!can!receive!thousands!of!

tweets,!“likes”!and!social!media!comments!each!day.!

Much!of!this!increase!in!activity!is!attributed!to!the!introduction!of!Apple’s!iPad.!!

As!Mashable!Tech!Analyst!Christina!Warren!explains,!!

…in!April!2010,!Apple!released!the!iPad.!It's!hard!to!underscore!the!transformative!impact!the!iPad!had!on!the!entertainment!industry!as!a!whole!and!specifically!the!television!industry.!Millions!of!consumers!were!buying!the!iPad!and!many!were!using!it!while!watching!TV.8!!!

In!the!first!three!years!since!the!introduction!of!the!iPad,!many!companies!have!

tried!to!capitalize!on!the!public’s!new!desire!for!tablet!computers,!now!one!of!the!

major!categories!of!second!screen!devices!along!with!smartphones.!!!

Software!developers!have!also!recognized!the!growing!importance!of!Social!TV.!

In!2010,!the!same!year!the!iPad!was!released,!MIT!Technology!Review!announced!

Social!TV!as!one!of!its!10!Breakthrough!Technologies.!They!described!how!scientists!

were!working!on!technology!that!would!allow!users!to!combine!the!use!of!online!

social!networks!and!the!activity!of!watching!television.9!Just!two!years!later,!

according!to!Social!TV!analysts!Bluefin!Labs,!the!number!of!viewers!utilizing!second!

screen!applications!to!socialize!about!television!had!grown!at!amazing!rates.!Bluefin!

reported!on!Social!TV!activity!in!the!United!States!finding,!“overall,!Social!TV!grew!

363%!in!2012.!There!were!874M!social!media!comments!about!TV!telecasts!in!2012,!

compared!to!189M!in!2011.”10!This!success!is!mimicked!in!the!global!marketplace!as!

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well,!where!the!sales!and!development!of!Social!TV!platforms!is!expected!to!grow!

from!$151.14!billion!in!2012,!to!$256.44!billion!by!2017.11!

Technology!companies!are!also!developing!software!to!help!shows!promote!the!

use!of!social!media!to!viewers.!!Companies!like!YouToo!Technologies,!LLC!are!

developing!and!selling!private!label!programs!to!producers,!production!companies!

and!networks!for!this!reason.12!Their!software!enables!networks!to!post!tweets!and!

other!social!media!comments!on!screen!while!a!show!is!being!aired.!They!provide!an!

Internet!based!“control!room”!where!show!personnel!can!sift!through!social!media!

comments!and!select!those!they!want!to!make!visible!on!TV.!Other!services!they!

provide!include!the!ability!to!post!polls,!show!“bugs”!on!the!screen!to!promote!

hashtags,!and!integrate!scroll!bars!across!the!bottom!of!the!screen!displaying!social!

media!activity.!!Networks!are!encouraging!viewers!to!engage!with!their!content!and!

other!viewers!through!these!tools!and!there!are!several!types!of!platforms!viewers!

can!use!on!their!second!screen!devices.!!

Second!Screen!Tools!

One!study!found!that!“somewhere!between!75%!and!85%!of!TV!viewers!use!

other!devices!while!watching![television].”13!While!this!number!does!seem!high,!a!

more!specific!report!by!AT&T!focusing!on!mobile!use!produced!similar!results.!They!

found!that!88%!of!smartphone!owners!use!their!device!while!watching!TV!and!that!

85%!do!so!on!a!monthly!basis,!62%!report!use!multiple!times!a!week!and!39%!

report!daily!use.14!!A!similar!study!by!Nielsen!reported!“nearly!half!of!smartphone!

owners!(46%)!and!tablet!owners!(43%)!said!they!use!their!devices!as!second!

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screens!while!watching!TV!every!day.”15!Although!these!viewers!use!devices!while!

watching!TV,!it!does!not!mean!they!use!them!to!perform!TV!related!tasks.!As!Matt!

Selman,!Executive!Producer!of!The!Simpsons!jokingly!tweeted,!“this!pilot!season,!

what!we’re!really!looking!for!are!shows!that!can!be!enjoyed!in!the!background!while!

people!are!playing!Candy!Crush.”16!!Some!of!these!secondascreen!users!are!actually!

using!their!devices!to!perform!activities!related!to!the!shows!they!are!watching.!

Researchers!report!the!number!of!those!viewers!is!“somewhere!between!37%!and!

52%”!of!these!“multiascreeners.”17!The!activities!these!users!perform!include!

looking!up!information!about!an!actor,!buying!an!advertised!product,!voting!or!

sending!a!comment!to!a!show!and!writing!messages!to!other!viewers.!!

The!platforms!used!by!these!second!screens!take!on!many!forms,!among!them,!

mobile!apps,!websites!and!proprietary!platforms.!Any!attempt!to!identify!and!

classify!each!tool!would!be!fruitless!since!the!marketplace!is!rapidly!changing!as!

new!platforms!are!introduced,!unsuccessful!platforms!disappear!and!others!merge!

and!form!partnerships.!!Given!this!situation!of!rapid!change,!I!propose!a!working!

taxonomy!of!Social!TV!platforms.!These!classifications!are!likely!to!change!over!time,!

but!categorization!offers!a!useful!working!model!to!organize!this!diverse!field.!

Existing!platforms!can!be!divided!into!the!following!categories;!“Traditional”!Social!

Media,!MicroaBlogging!Platforms,!Checkain!Services,!Branded!Platforms!and!Other!

Platforms.!!

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“Traditional”!Social!Media!

Referring!to!a!platform!that!is!less!than!a!decade!old!as!“traditional”!seems!a!bit!

comical,!but!it!speaks!to!the!rapidity!of!change!in!the!field.!For!instance,!this!

dissertation!will!not!include!any!analysis!of!Myspace,!which!was!the!leading!social!

media!site!as!recently!as!2005.!The!social!media!market!domination!of!Myspace!

ended!in!2008!when!Facebook!surpassed!them!in!Total!Unique!Visitors!and!became!

the!world’s!most!popular!social!media!site.18!!Facebook!continues!to!hold!this!

position!in!2013!and!is!the!most!relevant!“traditional”!social!medium!to!discussions!

of!social!television.!!

Facebook’s!mission!is!to!“make!the!world!more!open!and!connected.!People!use!

Facebook!to!stay!connected!with!friends!and!family,!to!discover!what’s!going!on!in!

the!world,!and!to!share!and!express!what!matters!to!them.”19!This!includes!

interactions!about!television.!!

There!are!several!ways!Facebook!users!interact!around!television.!Networks,!

shows!and!actors!build!pages.!These!pages!offer!a!centralized!area!where!fans!can!

post!comments!about!the!show!and!the!network!can!post!supplemental!information!

including!promotional!announcements,!behindatheascenes!photos,!and!show!trivia!

among!others.!Fans!can!then!“like”!these!by!clicking!the!appropriate!button.!!This!

action!is!reported!on!the!newsfeed!of!the!user’s!friends.!This!is!the!first!step!of!viral!

promotions.!“Liking”!a!page!also!gives!permission!to!the!owner!of!the!page!to!send!

updates!and!information!to!the!user’s!newsfeed.!FX!Network,!for!example,!has!a!

page,!its!show!The!Americans!has!a!page!and!several!of!the!lead!actors!such!as!Keri!

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Russell!have!pages.!When!users!“like”!any!of!these!pages,!an!announcement!is!sent!

to!that!user’s!friends!and!the!page!is!authorized!to!post!on!the!user’s!newsfeed.!

These!like!buttons!are!also!available!outside!of!the!Facebook!website!via!social!pluga

ins.!These!are!snippets!of!code!that!Facebook!provides!to!website!developers!to!

integrate!Facebook!tools!into!external!website!when!websites!seek!to!increase!

social!activity!and!want!to!encourage!the!sharing!of!information.!!

MicroABlogging!Platforms!

When!Mike!Proulx!and!Stacey!Shepatin!wrote!“the!Internet!has!not!killed!TV;!it!

has!actually!become!its!best!friend,”!they!couldn’t!have!provided!a!better!

description!for!the!way!the!relationship!between!Twitter!and!television!has!

grown.20!!Twitter!has!become!the!overall!leading!platform!for!social!television!

interaction!accounting!for!as!much!as!77%!of!Social!TV!activity.21!!A!set!of!standard!

conventions!is!used!to!post!comments!called!tweets,!each!limited!to!140acharacters!

in!length.!Each!Twitter!user!is!assigned!an!“@”!handle!to!use!as!their!username!on!

the!site.!Kurt!Sutter,!showrunner!for!Sons!of!Anarchy!uses!the!handle!@sutterink.!

Other!users!can!direct!comments!to!Sutter!by!including!@sutterink!in!their!tweets.!

More!general!conversations!can!use!hashtags!(#)!to!classify!a!tweet!as!being!

associated!with!a!specific!topic.!!These!can!be!created!by!the!user,!created!by!the!

show!(and!shown!as!a!bug!in!the!corner!of!the!screen)!or!the!user!can!identify!

hashtags!already!in!use!and!add!it!to!their!tweet!to!join!a!specific!thread!of!tweets.!

Viewers!watching!and!tweeting!about!Mad!Men,!for!example,!might!label!their!

tweets!with!a!!#MadMen!hashtag!to!join!a!conversation.!In!instances!where!users!try!

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to!demonstrate!their!wit,!a!user!might!create!a!hashtag!like!#ILoveDonDraper!to!

express!a!feeling!that!they!are!trying!to!find!others!to!support.!

Between!2011!and!2012,!“chatter”!about!television!on!Twitter!grew!by!800%.22!

This!chatter!can!occur!as!conversations!during!a!shows!live!viewing,!and!it!can!also!

happen!between!airings!of!episodes.!During!shows,!viewers!often!comment!on!their!

like/dislike!of!a!character!or!plot!line,!the!pleasure!they!experience!watching!a!show,!

what!they!anticipate!might!occur!next,!or!they!might!simply!tweet!a!favorite!line!

spoken!by!a!character.!!Between!airings,!viewers!might!discuss!how!much!they!miss!

their!show,!what!storylines!they!anticipate!for!upcoming!episodes,!or!provide!

updates!on!what!actors!are!doing!offascreen!among!other!topics.!In!some!instances,!

networks!will!provide!activities!for!fans!between!episodes!or!seasons.!USA!Network,!

for!example,!used!Twitter!as!a!way!of!keeping!fans!engaged!with!their!show!Psych!

during!breaks!by!creating!an!online!murder!mystery!game.!!

CheckAin!Services!

Checkain!services,!designed!specifically!for!Social!TV!users,!are!platforms!

accessible!through!websites!and/or!mobile!applications.!The!past!two!years!has!

seen!the!introduction!of!many!new!companies!in!this!field!including!GetGlue,!

IntoNow,!NextGuide,!Zee!Box,!Miso!and!Viggle!among!others.23!The!largest!

percentage!of!overall!Social!TV!activity!is!currently!occurring!on!GetGlue!(6%)!and!

Viggle!(9%).24!

GetGlue’s!platform!is!available!through!its!website!and!mobile!application.!Users!

interact!in!a!similar!manner!as!Facebook.!They!can!visit!show!pages!where!they!can!

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post!comments!including!text!and!pictures!and!also!leave!comments!or!“like”!posts!

made!by!other!users.!Users!can!connect!their!Facebook,!Twitter!and!Tumblr!

accounts!so!posts!made!on!GetGlue!can!appear!on!other!social!media!sites.!Users!can!

also!“checkain”!to!shows.!Whenever!users!are!watching!a!show,!they!can!click!the!

“checkain”!button,!allowing!them!to!leave!a!comment!on!the!show!page!that!can!also!

be!distributed!to!other!social!media!in!the!same!way!a!post!on!the!show!page!is!

handled.!Shows!partner!with!GetGlue!to!help!promote!certain!events!or!episodes.!As!

rewards!for!checkingain!to!the!show!users!are!rewarded!with!exclusive!stickers.!

Once!a!user!earns!twenty!stickers,!GetGlue!mails!physical!stickers!to!the!users!

address!at!no!cost!to!the!user.!!

Viggle!is!an!application!only!platform!that!operates!on!both!Apple!and!Android!

products.!Similar!to!GetGlue’s!“checkain”!strategy,!Viggle!offers!viewers!points!

instead!of!stickers.!Points!can!be!earned!by!checkingain!to!any!show!and!bonus!

points!are!often!provided!for!specific!featured!programs.!!These!points!can!then!be!

redeemed!on!Viggle’s!website!for!products!ranging!from!a!tashirt!to!a!Royal!

Caribbean!cruise.!!Viggle’s!app!allows!users!to!“checkain”!to!shows,!view!a!

programming!guide,!redeem!rewards!and!chat!about!shows.!!Social!interactions!on!

Viggle!occur!on!show!pages!using!their!“TV!chat”!feature!or!in!the!“conversations”!

area!where!users!can!invite!friends!from!Facebook!to!private!conversations!about!

shows.!!

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Branded!Platforms!

In!addition!to!utilizing!third!party!platforms,!many!networks!are!partnering!with!

technology!developers!and!promoting!branded!Social!TV!platforms.!Two!of!the!

leaders!in!this!area!are!USA!Network!and!SyFy.!!

Powered!by!technology!development!company!Echo,!USA!network!introduced!a!

platform!called!USA!Character!Chatter.!Integrated!into!USA!Network’s!website,!

viewers!are!provided!with!a!centralized!“control!room”!for!social!media!activities!

surrounding!USA!shows.!Users!are!encouraged!to!“join!the!discussion.”!Tools!

include!a!place!to!view!tweets!about!the!show,!a!list!of!trending!keywords,!a!live!

chat!room,!and!a!Character!Buzz!Meter!showing!the!most!talked!about!characters.!

Echo’s!website!touts!the!success!of!Character!Chatter!and!claims!“in!its!first!year,!

Character!Chatter!has!drawn!over!700,000!monthly!unique!visitors!and!is!a!key!part!

of!USA!Network’s!Social!TV!strategy.”25

Syfy’s!approach!centers!on!their!Syfy!Sync!product,!an!iPad!and!Android!tablet!

app!that!delivers!exclusive!secondary!content!for!two!shows,!Defiance!and!

Warehouse!13.26!Users!can!also!participate!in!live!social!conversations!with!other!

viewers!and!cast!members.!The!app!is!also!integrated!with!Facebook,!Twitter!and!

GetGlue!to!increase!its!social!reach.!!

Other!Platforms!

This!classification!acts!as!a!“catchaall”!for!the!many!remaining!platforms!

television!viewers!have!at!their!disposal!to!comment!on!and!participate!in!Social!TV!

activities.!These!include!video!sharing!platforms!such!as!Youtube,!podcasting!sites,!

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email,!instant!messaging,!blogs,!picture!sharing!services,!other!classifications!of!

mobile!apps,!and!even!the!comment!sections!of!news!articles!and!show!reviews.!

Utilizing!these!tools,!viewers!may!choose!to!start!a!blog!about!their!favorite!

show,!interact!with!friends!through!email!or!instant!messaging!or!use!social!

components!of!mobile!apps.!For!example,!one!independent!app!is!Peel,!which!

provides!users!with!a!mobile!TV!guide.!Users!can!browse!the!guide!to!find!the!show!

they!are!watching!and!checkain!similarly!to!GetGlue.!Other!actions!users!can!take!

include!marking!shows!as!favorites!and!rating!shows.!This!includes!the!ability!to!

recommend!or!comment!on!shows!and!have!that!information!simultaneously!posted!

to!Facebook!and!Twitter.!!!

Another!example!is!AMC’s!Breaking!Bad!Storysync!that!allows!fans!to!use!their!

Android!or!iPhone!to!follow!the!firstarun!broadcast!of!each!episode.!During!the!

show!fans!interact!with!polls,!are!provided!with!trivia!questions!and!are!shown!

exclusive!videos.!This!allows!for!instant!interaction!and!learning!exclusively!

released!information!about!the!show!that!can!be!shared!with!others!not!utilizing!the!

app.!!

Wiki’s!have!also!been!popular!tools!amongst!Social!TV!users.!Individuals!can!

collaborate!with!others!by!adding,!modifying!or!deleting!content!to!create!a!

database!of!information!about!their!show.!These!sites!foster!socialness!through!

their!collaborative!process!and!through!the!site’s!use!as!an!information!resource!for!

other!social!activities.!!

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It!is!important!to!recognize!that!there!are!no!singular!sites,!platforms!or!tools!

that!can!be!labeled!as!the!place!where!Social!TV!activities!take!place.!Leaders!like!

Twitter!and!GetGlue!have!emerged!in!their!categories,!but!much!experimentation!is!

occurring,!resulting!in!platforms!frequently!appearing!and!disappearing.!

Recognizing!this!variety,!networks!are!casting!wide!nets!across!many!platforms!

with!their!online!social!campaigns.!This!may!explain!why!many!platforms!allow!the!

readistribution!of!their!content!and!integration!into!other!apps!because!this!

increases!the!reach!and!value!of!their!services.!GetGlue,!for!example,!allows!users!to!

have!their!checkains!and!posts!appear!or!Facebook!and!Twitter.!!!

This!integration!does!not!mean!networks!can!rely!on!one!category!of!sites!to!

promote!their!content.!Instead,!promotional!campaigns!are!integrated!across!many!

different!platforms.!One!example!of!this!strategy!is!ABC!Family’s!promotional!

campaign!for!Pretty!Little!Liars.!As!the!2012!summer!season!concluded,!ABC!Family!

wanted!to!keep!viewers!engaged!with!the!show.!They!launched!original!webabased!

short!videos!introducing!new!characters!and!teasing!plots!for!a!future!Halloween!

special.!The!videos!were!promoted!on!social!media!platforms!like!Twitter,!Facebook,!

GetGlue,!Tumblr!and!Pinterest.!One!month!before!the!Halloween!episode,!an!app!

was!launched!on!Facebook!showcasing!press!stories!and!interviews.!The!day!before!

the!episode!aired!an!online!chat!was!held!with!two!of!the!show’s!actresses.!

Additionally,!Keegan!Allen,!one!of!the!actresses,!held!a!live!chat!during!the!show!on!

a!proprietary!app!where!she!received!thousands!of!questions!from!fans.27!!

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The!rapid!adoption!of!online!socializing!by!viewers!and!the!resulting!response!

by!software!developers!to!provide!platforms!for!these!interactions!indicates!this!

new!phenomenon!has!a!promising!future.!The!television!industry!appears!willing!to!

experiment!and!participate!in!Social!TV!activities.!As!excitement!builds!around!the!

potential!benefits!of!these!new!ways!of!engaging!viewers,!simultaneously,!an!

undercurrent!of!cautiousness!is!apparent.!

Broadcasters!and!Cablecasters!Support!Social!TV!

The!investment!of!time,!money!and!resources!into!Social!TV!activities!by!

networks!is!considerable,!as!evidenced!by!the!growing!presence!and!use!of!

platforms.!Broadcasters!see!Social!TV!as!an!opportunity!to!attract!new!viewers!and!

maintain!existing!viewers.!As!David!Beck,!SVP!and!General!Manager!of!Social!Media!

for!Univision!Communications,!Inc.!stated,!Univision’s!Social!TV!philosophy!is!to!

!“strengthen!our!connections!with!the!audience!and,!most!importantly,!keep!and!

attract!new!audiences.”28!Audiences!are!helping!networks!with!their!promotion!

efforts.!As!viewers!checkain!to!shows!and!share!their!activities!on!social!media,!they!

are!simultaneously!endorsing!programs!and!encouraging!their!friends!to!tuneain.!As!

evidenced!by!an!April!2011!survey!by!TVGuide.com,!respondents!were!asked!“why!

they!share!what!shows!they!are!watching!via!social!networks,!users!said!the!top!

three!reasons!are:!Telling!friends!what!shows!they!like!to!watch!(77!percent),!

helping!to!keep!their!shows!on!the!air!(66!percent)!and!telling!their!friends!about!

new!shows!(57!percent).”29!

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Once!viewers!find!shows,!Social!TV!efforts!help!keep!them!engaged.!Examining!

social!media!use!surrounding!The!Voice,!researchers!at!the!University!of!

Pennsylvania’s!Social!TV!lab!concluded!that,!“prompting!viewers!during!the!show!

with!social!media!posts!on!screen!results!in!increased!and!prolonged!engagement!

during!the!show.”30!Nielsen!now!claims!this!has!a!direct!influence!on!ratings.!As!they!

indicated!at!SXSW!in!2012,!“a!14%!lift!in!social!buzz!is!equivalent!to!a!1%!lift!in!

ratings.”31!These!promotional!efforts!are!referred!to!as!making!a!show!“sticky”!and!

they!involve!the!efforts!of!people!from!every!aspect!of!production!and!corporate!

positions.!!

Production!staffs,!for!example,!are!becoming!increasingly!involved!with!viewers!

through!Social!TV.!Showrunners!such!as!Kurt!Sutter!(Sons!of!Anarchy),!Shonda!

Rhimes!(Grey’s!Anatomy),!and!Dan!Harmon!(Community)!are!connecting!with!fans!

on!Twitter.!This!allows!fans!to!build!stronger!relationships!with!the!show!and!can!

lead!to!fans!actively!participating!in!show!decisions.!As!Lizzy!Weiss,!showrunner!for!

ABC!Family’s!Switched!at!Birth!Tweeted,!“we!haven’t!named!Angelo’s!baby!

yet…ideas?!#switchedatbirth.”32!!

Viewer!feedback!through!social!media!can!be!both!positive!and!negative.!On!

platforms!such!as!Twitter,!reactions!are!more!visceral!as!users!make!comments!as!

the!action!unfolds!or!immediately!thereafter.!Actors!can!use!this!feedback!to!

measure!audience!responses.!For!instance,!talking!about!fan!reaction!to!her!

character!on!Mistress,!Actress!Alyssa!Milano!stated:!!

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I!was!worried!about!the!fan!reaction!to!Savi!cheating.!The!flip!side!of!live!tweeting!means!they!have!access!to!you!to!really!let!you!know!how!they!feel.!I!was!just!waiting!for!the!comments!to!start!rolling!in.!But!much!to!my!surprise,!the!comments!were!more!about!Savi's!husband!making!her!cry!or!being!an!‘aahole’!than!about!the!infidelity.!I!was!somewhat!relieved.33!

The!value!of!this!feedback!is!questionable.!Although!it!may!relieve!

apprehension!about!how!a!certain!storyline!is!accepted,!the!ability!for!the!

production!to!make!immediate!changes!based!on!this!feedback!is!limited.!By!

the!time!a!show!airs!and!the!feedback!is!received,!depending!on!the!show’s!

position!in!a!season,!it!is!likely!that!at!least!several!more!episodes!have!

already!been!completed.!

At!the!corporate!level,!new!positions!are!being!created!to!oversee!these!

activities.!This!is!apparent!through!the!increase!in!new!titles!and!roles.!David!

Beck,!for!example,!holds!the!title!of!SVP!and!General!Manager!of!Social!Media!

for!Univision!Communications.!Jesse!Redniss!operates!as!the!Senior!VP!

Digital!for!USA!Network!overseeing!a!staff!of!fourteen!people!whose!duties!

including!building!and!maintaining!the!channel’s!social!media!platform.34!

The!primary!motivation!for!networks!to!find!and!retain!viewers!is!

financial.!Both!the!network!business!model,!which!depends!on!selling!

advertising!time,!and!cable!models,!which!depend!on!several!advertising!and!

subscription!models,!rely!on!audience!numbers.!!Both!models!are!being!

disrupted!by!changes!in!content!delivery!and!viewing!practices.!Viewers’!use!

of!DVR’s!allows!them!to!fast!forward!past!commercials.!Viewers!are!also!

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choosing!to!access!programs!online!and!even!“binging”!entire!seasons!in!

short!periods!of!time,!thus!eliminating!commercial!breaks.!These!changes!

have!left!networks!searching!for!new!revenue!streams!and!Social!TV!

platforms!are!being!investigated!as!a!possible!solution.!As!Nielsen!reported!

in!February!2012,!“marketers!are!increasingly!viewing!paid!social!media!

advertising!as!an!integrated!part!of!their!marketing!tool!kits.”35!

As!viewers!watch!increasingly!more!timeashifted!television,!measurement!

companies!like!Nielsen!are!reaevaluating!methods!of!quantifying!audiences.!!Timea

shifted!viewing!actually!encourages!more!viewing!because!it’s!easier!for!viewers!to!

watch!when!it!is!convenient!for!them!and!quicker!to!watch!because!ads!can!be!

skipped.36!More!than!one!third!of!viewing!is!now!time!shifted.37!Social!TV!provides!

some!possible!solutions!to!these!problems!because!ads!can!be!placed!where!viewers!

will!see!them,!within!the!platforms!they!use!to!interact.!Internet!users!can!be!more!

easily!tracked!and!identified,!allowing!for!more!known!information!about!viewers!

so!ads!can!be!targeted!and,!in!theory,!sold!at!higher!rates!because!target!

demographics!can!be!more!easily!identified.!!

However,!in!order!to!accomplish!these!goals,!new!methods!for!tracking!and!

reporting!Social!TV!viewers!must!first!be!developed!and!there!has!been!a!lot!of!

activity!in!this!area!since!2010.!!!

How!Activity!is!Measured!

! Ratings!systems!have!measured!viewership!since!the!1950’s!when!Arthur!

Nielsen!first!applied!his!methods!of!radio!research!to!television!audiences.!Today,!

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upstart!social!media!analysis!companies!collect!data!from!social!media!

conversations!in!similar!measurement!and!valuation!efforts.!!Due!to!the!increasing!

number!of!conversations!on!various!platforms,!these!efforts!result!in!massive!

amounts!of!data!being!captured!and!stored!for!analysis.!Four!companies,!Bluefin!

Labs,!Trendrr,!Networked!Insights!and!SocialGuide!Intelligence!were!the!early!

market!leaders!in!providing!measurement!data!on!social!television!users.!!

Bluefin!Labs!was!founded!by!Deb!Roy!and!Michael!Fleishman!at!the!MIT!Media!

Lab!and!later!transitioned!to!become!a!private!startup.!The!company!referred!to!its!

objective!as!providing!Social!TV!analytics!to!both!TV!networks!and!advertising!

agencies.!A!basic!example!of!how!the!company!operated!can!be!explained!through!

its!process!of!analyzing!Tweets.!Each!day,!the!company!analyzed!video!from!over!

200!television!networks!throughout!the!Unites!States.!This!accounted!for!

approximately!90%!of!all!television!content!available!to!audiences.!Basic!

information!including!the!shows!name,!time!aired,!character!and!actor!names!and!

dialogue!were!captured!through!a!combination!of!machine!and!human!effort.!The!

company!simultaneously!mined!300!million!public!social!media!comments.!These!

comments!were!analyzed!for!references!to!shows.!The!comments!and!video!

information!were!then!combined!to!make!connections!about!commenter’s!gender,!

viewing!habits!and!posting!habits.!!Bluefin!then!sought!out!patterns!and!

associations!of!data!that!would!be!useful!for!advertisers.38!

Trendrr!was!founded!in!2004!by!former!Sony!executives.!The!company!seeks!to!

discover!how!networks,!brands!and!media!agencies!can!capture!consumer!data!

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“from!Twitter,!Facebook,!GetGlue,!Miso!and!others!by!location,!influence,!sentiment!

and!anticipation!to!output!realatime!insights”!to!“better!engage!their!audience,!

create!more!loyal!fans,!and!measure!the!value!of!their!media!assets.”39!Similar!to!

Bluefin!Labs,!Trendrr’s!focus!is!to!provide!data!to!help!TV!networks!and!advertising!

agencies!make!financial!decisions.!But!they!additionally!provide!contentarelated!

feedback!for!networks,!seeking!to!help!them!measure!things!like!how!plot!and!

characters!resonate!with!audiences.!This!is!reported!at!a!broad!level!referred!to!as!

sentiment.!Basically,!do!viewers!like!or!dislike!a!certain!character!or!story.!!

Networked!Insights!focuses!on!providing!data!to!help!organizations!drive!

marketing!decisions.!Through!two!main!products,!SocialSense!and!Syncsuite!they!

segment!audiences,!determine!viewers’!interests,!and!provide!this!data!to!

advertisers!to!help!them!identify!where!their!money!can!most!effectively!reach!

target!audiences.!Additionally,!they!see!this!information!as!beneficial!to!television!

producers.!They!argue,!“as!viewers!become!more!engaged!and!share!more!about!

what!they!are!thinking,!TV!producers!can!tailor!content!to!viewers’!likes!and!steer!

clear!of!their!dislikes,!creating!a!more!rewarding!experience.”40!

SocialGuide!Intelligence!(SGI)!has!focused!its!measurement!exclusively!on!

Twitter!because!they!see!Twitter!as!the!dominant!Social!TV!platform.!The!company!

describes!its!efforts!as!providing!“the!most!comprehensive!and!accurate!reflection!

of!Twitter!TV!activity!in!the!marketplace.!Built!as!a!tool!to!be!used!across!all!

departments:!Research,!Social/Marketing,!Digital,!Production.!SGI!makes!social!buzz!

valuable!and!actionable!for!business.”41!!

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The!presence!of!four!companies!whose!business!models!focus!on!measuring!

social!activity!around!television!is!telling!of!the!growing!importance!to!capture!and!

measure!information.!In!the!race!to!become!the!dominant!provider!of!metrics,!each!

company!has!taken!a!slightly!differing!approach!and!few!standards!have!been!

created.!!!In!a!move!towards!standardization!and!as!evidenced!by!the!increasing!

recognition!of!the!value!in!social!conversations,!in!December!2012,!Twitter!and!

Nielsen!announced!a!multiayear!partnership!to!create!the!“Nielsen!Twitter!TV!

Rating”!in!the!United!States.42!!The!new!ratings!system!would!be!created!on!the!

platform!of!SocialGuide!Intelligence!that!had!been!recently!acquired!by!Nielsen.!!The!

company’s!objectives!and!rationale,!as!Chloe!Sladden,!Twitter’s!Vice!President!of!

Media!stated,!was:!!

Our!users!love!the!shared!experience!of!watching!television!while!engaging!with!other!viewers!and!show!talent.!Twitter!has!become!the!world's!digital!water!cooler,!where!conversations!about!TV!happen!in!real!time.!Nielsen!is!who!the!networks!rely!on!to!give!better!content!to!viewers!and!clearer!results!to!marketers.43!!

This!statement!highlights!the!dualapurpose!perspective!of!Social!TV.!It!is!seen!as!

providing!insight!into!both!what!viewers!want!and!desire!in!regards!to!content!as!

well!as!pertinent!viewer!demographics!that!can!be!used!to!sell!advertising.!!!

In!another!move!toward!becoming!the!market!leaders!in!Social!TV!reporting,!

Twitter!announced!the!acquisition!of!Bluefin!Labs!on!February!4,!2013!and!on!

August!28,!2013!Twitter!announced!the!acquisition!of!Trendrr.44!These!acquisitions!

ensure!Nielsen’s!control!of!television!demographic!reporting!and!it!has!situated!

Twitter!as!one!of!the!leading!platforms!for!social!television!talk.!!However,!it!

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remains!to!be!seen!what!type!of!measurement!information!the!Nielsen!Twitter!TV!

Rating!will!provide.!Will!Nielsen!continue!to!provide!demographic!focused!

information!or!might!they!attempt!to!provide!qualitative!analysis!of!the!interactions!

they!are!referring!to!as!“conversations”?!!A!qualitative!analysis!would!be!useful!

toward!investigating!Social!TV!users’!motivations.!

Viewers!Motivations!for!Social!TV!Use!

A!limited!amount!of!research!has!been!completed!on!Social!TV!users!motivations.!!

According!to!one!study!by!Ericcson,!the!main!drivers!for!users!behavior!include:45!

• Not!watching!alone!• Gaining!a!community!feeling!–!connecting!with!others!• Validating!self!against!public!sample!• Curiosity!of!opinions!of!others!• Seeing!additional!information!• Wanting!to!influence!or!interact!with!content!• Gratification!of!being!acknowledged!by!others!• The!need!to!further!analyze!and!discuss!

!In!a!similar!study!by!Viacom,!findings!“uncovered!three!key!types!of!motivations!

leading!fans!to!engage!in!TVarelated!social!media!activities:!Functional,!Communal!

and!Playful.”46!Functional!activities!were!cited!as!the!leading!motivational!factors.!

These!actions!include!searching!for!show!schedules,!keeping!up!with!news!about!

the!show!and!accessing!bonus!promotional!materials!such!as!videos!and!plot!cues.!

Communal!activities!including!“liking”!shows!on!Facebook!and!“following”!shows!on!

Twitter.!Playful!activities!include!playing!social!media!games!and!participating!in!

quizzes!and!polls.47!

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Actress!Alyssa!Milano,!who!has!been!cited!as!being!“far!more!adept!at!the!social!

network's!terminology!and!capabilities!than!many!of!her!celebrity!counterparts,”!

thinks!viewers!participate!in!Social!TV!for!its!emotional!aspects.48!She!stated,!“I!

think!liveatweeting!during!the!show!helps!to!get!people!more!emotionally!invested!

and!makes!them!feel!that!they!have!a!voice!in!the!show's!success.”49!!

This!variety!of!motivations!results!in!Social!TV!activities!occurring!across!a!wide!

range!of!programming!types.!These!different!types!of!programs!also!result!in!

different!forms!of!participation.!Viewers!of!sporting!events!might!Tweet!game!

results,!while!viewers!of!competition!shows!might!vote!for!their!favorite!contestant!

and!viewers!of!serial!entertainment!shows!might!discuss!characters!of!plot!lines.!

Types!of!Talk!

The!type!of!talk!from!viewers!is!dependent!upon!the!platform!being!used.!

Twitter!limits!users!to!140!characters.!Conversely,!blogs!offer!users!no!restrictions!

on!length!and!are!best!used!for!more!comprehensive!commentaries!such!as!episodic!

reviews,!character!studies!and!other!talk!requiring!more!space!than!many!microa

blogging!or!social!media!platforms!allow.!

At!this!time!I!have!not!been!able!to!locate!any!taxonomic!studies!of!viewer!talk,!

however!a!brief!survey!of!Social!TV!talk!reveals!various!categories.!Before!shows!air,!

talk!is!centered!on!the!viewers’!anticipation!for!the!upcoming!program.!During!the!

show,!viewers!often!comment!on!the!action,!characters!and!repeat!dialog!by!posting!

quotes.!The!synchronicity!of!activities!varies!based!on!genre.!Sports!programs!and!

similarly!competition!shows!encourage!active!participation!during!the!oftenalengthy!

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events.!Programs!that!require!more!attention!during!viewing,!such!as!serialized!

dramas,!see!a!decrease!in!activity!during!the!program!and!report!higher!activity!

after!the!program’s!conclusion.!!After!a!show!has!aired!viewers!summarize!the!

episodes,!discuss!the!implications!of!what!they!viewed,!offer!conjecture!about!what!

might!occur!in!the!next!episode!and!often!express!their!pleasure!or!displeasure.!!

Viewers!talk!to!various!receivers.!Often,!they!may!be!posting!comments!into!the!

“online!universe”!without!an!intended!receiver.!A!Twitter!user!might!simply!

comment!on!some!aspect!of!a!show!to!join!the!“conversation.”!Viewers!may!also!talk!

directly!to!other!viewers!and!carry!on!interactions,!often!debating!interpretations!of!

a!show.!Although!these!conversations!are!often!between!two!or!more!people,!they!

occur!in!public!forums!making!them!available!for!viewing!by!the!general!public.50!

Therefore,!unintentional!receivers!may!be!a!party!to!any!conversation.!For!example!

media!researcher!Carolina!AcostaaAlzuru!has!explained!how!Leonardo!Padrón,!

writer!of!Venezuelan!based!telenovelas!El!País!de!las!Mujeres!and!La!Mujer!Perfecta,!

checksain!every!day!to!various!websites!like!Twitter!to!see!what!viewers!are!talking!

about.51!Although!viewers!may!be!having!a!conversation!with!each!other!about!the!

show,!they!would!be!unaware!that!Padrón!is!also!a!receiver!of!their!comments.!In!

this!way,!we!can!also!see!how!talk!occurs!between!various!parties!such!as!viewers,!

production!personnel!and!even!network!personnel.!!

Depending!on!the!genre!of!show,!viewer!talk!can!be!solicited!or!unsolicited.!!

Networks!seeking!solicited!feedback!use!social!tools!including!polls!and!online!

voting.!!They!often!include!the!promotion!of!certain!Twitter!hashtags!or!prompts!to!

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visit!a!specific!social!media!platform!where!they!are!attempting!to!drive!viewers.!

Unsolicited!feedback!occurs!when!viewers!use!the!social!media!platforms!without!

direct!prompting!from!the!show.!!

Viewer!talk!also!occurs!at!various!times.!!A!survey!by!TV!Guide!investigated!

when!TV!fans!participated!in!Social!TV.!Ninetyafive!percent!said!they!participate!

after!watching!a!show,!40%!participate!during!a!show!and!53%!before!a!show.52!

This!varied!times!of!use!is!likely!influenced!by!the!type!of!show!being!discussed.!

Participation!in!events!like!awards!shows!and!sports!seem!easier!during!the!event.!

This!is!easily!observable!by!visiting!a!social!media!platform!such!as!Twitter!and!

witnessing!the!timing!and!content!of!tweets!after!a!big!play!or!a!winner!is!

announced.!Other!types!of!shows!such!as!serialized!dramas!may!require!viewers!to!

pay!closer!attention,!thus!more!viewer!talk!occurs!at!times!before!the!show,!after!

the!show!or!during!commercial!breaks.!!

Social!TV!Shows!

Social!TV!activities!are!occurring!with!a!wide!variety!of!programming.!Metrics!

provided!by!measurement!companies!such!as!Social!Guide!indicate!as!much.!

SocialGuide!Intelligence!captures!audience!activity!on!Twitter!across!the!two!

hundred!and!twenty!most!popular!broadcast!and!cable!channels!in!the!United!

States.53!!SocialGuide!provides!clients!with!detailed!program!reports!and!also!make!

available!to!the!public!a!variety!of!less!detailed,!but!customizable!reports.!These!free!

reports!divide!programs!into!preadefined!categories!such!as!Series,!Primetime,!

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Episodes!and!Sports!Events.!For!example,!the!top!10!programs!by!quantity!of!social!

activity!for!April!2013!were:54!!!

!

1. 2013!NCAA!Basketball!Tournament!(Sports!event)!2. 2013!NFL!Draft!(Sports!nonaevent)!3. 2013!MTV!Movie!Awards!(Special)!4. The!48th!Annual!Academy!of!Country!Music!Awards!(Special)!5. The!Voice!(series)!6. American!Idol!(Series)!7. 2013!Masters!Tournament!(Sports!event)!8. SportsCenter!(Sports!nonaevent)!9. Awkward!(Series)!10. 2013!NCAA!Basketball!Tournament!(Sports!nonaevent)!

!This!shows!a!range!of!programs!and!program!types!including!sporting!events,!

special!events!and!series.!This!same!type!of!variety!is!also!found!within!each!

category.!For!instance,!within!Series!for!the!same!month,!the!top!10!were:!

1. The!Voice!(NBC)!2. American!Idol!(FOX)!3. Awkward!(MTV)!4. Duck!Dynasty!(A&E)!5. Love!&!Hip!Hop:!Atlanta!(VHa1)!6. WWE!Monday!Night!Raw!(USA)!7. Game!of!Thrones!(HBO)!8. Family!Guy!(FOX)!9. Dancing!with!the!Stars!(ABC)!10. Girl!Code!(MTV)!

The!variety!of!series!is!evidenced!by!the!various!networks!and!cable!channels!

represented!as!well!as!the!different!genres!of!shows!including!competition!shows,!

reality!shows,!serialized!dramas!and!animated!series.!!

Implications!

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I!suggest!the!implications!of!Social!TV!on!the!television!industry!are!far!reaching.!

To!illustrate!the!range!of!potentially!influenced!areas,!I!will!use!a!classification!

scheme!developed!by!Jonathan!Gray!and!Amanda!Lotz.55!They!suggest!television!

research!can!fit!within!one!of!three!categories:!Institutions,!Programs!and!

Audiences.!56!!

Institutional!studies!are!defined!as!the!examination!of!“how!television!gets!‘there’!

in!the!first!place!and!to!understand!why!it!is!the!way!it!is.”57!These!include!studies!

examining!various!“entities!involved!in!the!making!and!distributing!television!as!

well!as!its!related!technologies”!such!as!production!studios,!networks!and!

government!agencies.58!!

One!indication!of!the!influence!of!Social!TV!on!institutions!is!its!effect!on!the!

employment!structure!of!television!including!job!titles,!roles!and!responsibilities.!

And!many!actors!and!crew!are!utilizing!social!media!as!individuals.!Are!these!

actions!initiated!from!encouragement!by!the!network!or!production,!or!are!they!the!

result!of!each!individuals’!own!efforts?!If!they!are!due!to!each!individuals’!own!

desire!to!participate!in!social!media,!are!interactions!being!monitored!or!guidelines!

being!established!to!control!the!release!of!sensitive!information!such!as!spoilers!or!

protect!the!image!of!a!show?!Most!people!do!not!have!access!for!faceatoaface!

interactions!with!actors,!but!the!online!environment!makes!actors!and!production!

members!more!accessible!than!ever!before,!making!new!rules!for!engagement!

necessary.!!

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Gray!and!Lotz!describe!the!category!of!Programs!as!“the!television!programs!

themselves.”59!As!they!explain,!research!in!this!area!includes!critical!textual!analysis!

that!helps!understand!what!the!images,!sounds,!messages!and!representations!

mean.60!!This!includes!programs!that!are!studied!for!their!“quality”!or!“depth”!and!

others!that!investigate!the!meanings!of!“messages,!ideas!and!suggestions.”61!

The!influence!of!Social!TV!talk!on!program!content!is!debatable!as!showrunners!

are!reporting!various!responses!to!audience!feedback.!!Changing!a!show’s!content!as!!

a!result!of!audience!feedback!has!occurred!openly,!such!as!the!January!14,!2013!

episode!of!Hawaii!FiveAO!when!CBS!allowed!viewers!to!choose!the!ending!of!the!

episode.62!It!more!often!occurs!discretely!as!demonstrated!by!Marlene!King,!

Executive!Producer!of!Pretty!Little!Liars,!when!she!described!keeping!characters!“in!

the!mix”!of!a!show!if!they!receive!good!Twitter!feedback!and!ending!appearances!for!

characters!who!do!not;!what!she!deemed!to!be!a!“death!by!Twitter.”63!It!could!even!

be!suggested!that!knowing!audiences!are!working!together!to!deconstruct!shows,!

showrunners!could!choose!to!make!programs!increasingly!complex!to!potentially!

increase!these!activities!for!fans.!!

Television!studies!investigating!audiences,!the!third!category!in!the!Gray!and!

Lotz!classification!scheme,!try!to!solve!issues!understanding!how!these!audiences!

matter!and!how!they!behave.64!As!they!explain,!“audiences!are!the!central!

commodity!in!a!commercial!television!model,!as!channels!sell!potential!viewers!to!

advertisers.”65!!

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Implications!of!Social!TV!on!audiences!covers!a!range!of!issues!including!viewers!

activities!of!talking!back!to!production!and!possibly!influencing!content!to!

potentially!influencing!viewing!practices.!!As!viewers!are!time!shifting!their!viewing!

through!the!use!of!DVR’s,!watching!more!programming!online!and!even!binge!

viewing!entire!seasons!of!content!in!short!time!spans,!the!future!of!audiences!

watching!live!TV!at!scheduled!times!has!been!questioned.!As!Marlene!King!stated,!

“social!media!is!creating!‘mustasee!TV’!again.!Where,!because!our!fans!want!to!have!

this!massive!Twitter!party!together!on!Tuesday!night!when!we!air,!they!all!sit!down!

and!watch.66”!Viewers!are!also!increasingly!concerned!that!these!Social!TV!activities!

will!spoil!shows!for!them,!so!they!may!be!deciding!to!schedule!their!viewing!to!

watch!the!programs!as!they!are!first!run!to!avoid!those!problems.!As!JeanaPhilippe!

Maheu,!a!Twitter!executive!said,!“liveaTV!viewing!for!top!shows!will!increase!as!

viewers!increasingly!fear!that!social!media!will!yield!more!spoilers.”67!!

All!these!uses!of!social!media!and!television,!now!being!referred!to!as!Social!TV,!

are!in!an!experimentation!phase.!We!are!in!a!period!of!rapid!change!where!

television!viewers!have!turned!to!the!Internet!to!provide!a!connection!to!their!

television!shows.!Viewers!use!the!Internet!for!many!reasons!ranging!from!searching!

for!schedules!to!watching!shows!and!socializing!with!content!producers!and!other!

viewers.!!Social!TV!has!even!been!referred!to!as!the!“modern!day!TV!viewing!

party.”68!The!content!producers!and!distributors!have!acknowledged!these!actions!

and!are!testing!ways!to!engage!fans,!attempting!to!keep!existing!audiences!hooked!

and!attract!new!viewers.!Simultaneously,!networks!search!for!ways!to!measure!and!

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monetize!online!viewer!activity!to!create!profits.!While!many!of!the!activities!

described!here!such!as!audiences!speaking!back!to!production!are!not!new,!they!are!

occurring!in!new!ways,!creating!new!expectations!on!the!part!of!viewers!and!

causing!those!who!produce!shows!to!adjust!existing!processes.!Understanding!how!

and!why!a!production!company,!its!personnel!and!its!distribution!network!are!

reacting!to!these!developments!and!how!and!why!those!reactions!influence!a!

program’s!content!is!the!focus!of!this!dissertation.!!

Study!Overview!

It!is!apparent!that!the!television!industry!is!embracing!Social!TV.!The!

convergence!of!these!two!mediums,!television!and!social!media,!is!in!a!process!of!

experimentation!and!growth.!Networks,!studios!and!production!companies!are!

testing!new!methods!for!promoting!shows,!selling!advertising!and!engaging!

audiences.!!A!variety!of!startup!companies!are!providing!support!for!these!efforts!by!

developing!technology!for!all!parties!ranging!from!second!screen!platforms!to!

software!for!integrating!social!activities!into!programs!and!new!ways!for!tracking!

and!measuring!these!activities.!!

My!interest!focuses!on!the!production!implications!of!this!convergence.!!How!has!

the!introduction!of!social!media!into!the!television!production!workplace!influenced!

work!processes?!How!are!show!personnel!using!these!platforms?!Does!the!use!of!

Social!TV!platforms!by!production!personnel!benefit!the!show,!create!new!

challenges!or!is!the!answer!some!combination!of!both?!Furthermore,!I!am!interested!

in!the!potential!for!viewers!to!influence!the!content!of!shows.!Do!writers!and!

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producers!who!participate!in!Social!TV!activities!make!changes!to!their!shows!based!

on!audience!requests!or!their!received!perception!of!viewer!sentiment?!Answers!to!

these!questions!have!important!implications!for!the!possibility!of!changing!audience!

expectations!and!shifting!power!dynamics!regarding!the!creative!control!of!show!

content.!!

Stories!in!the!trade!press!describing!how!Social!TV!viewers!have!influenced!the!

content!of!entertainment!shows!have!become!increasingly!common.!!For!example,!

Lena!Dunham,!the!creator!and!showrunner!of!HBO’s!Girls!was!confronted!on!social!

media!by!fans!and!critics!who!expressed!their!dissatisfaction!with!the!lack!of!

minority!characters!on!her!show.!Dunham!responded!to!viewers!in!an!interview!

with!NPR!and!said,!“as!the!criticism!came!out,!I!thought:!I!hear!this!and!I!want!to!

respond!to!it…now!we!have!the!opportunity!to!do!a!second!season,!and!believe!me,!

that!will!be!remedied.!I'm!really!excited!to!introduce!new!characters!into!the!world!

of!the!show,!and!some!of!them!are!really!great!actors!of!color.”69!In!another!instance,!

viewers!of!NBC’s!Community!used!social!media!to!ensure!the!characters!of!the!

program!were!kept!consistent!with!past!events.!In!a!2011!interview,!Executive!

Producer!Garrett!Donovan!explained!how!“the!fans!on!Twitter!are!keeping!us!

honest.”70!He!described!that!when!the!actor!who!was!to!play!the!character!of!

Pierce’s!father!was!announced!he!received!a!tweet!from!a!viewer!who!reminded!him!

that,!in!the!sixth!episode!of!the!first!season,!Pierce’s!father!was!said!to!be!dead.!!

Both!of!these!examples!show!the!action!(Social!TV!talk)!and!the!reaction!(the!

resulting!response)!but!not!the!processes!involved!in!the!middle!stage.!Creative!

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personnel!have!the!ability!to!effect!change,!make!no!change,!or!make!a!modified!

change.!!It!is!my!intent!to!understand!how!this!process!occurs!in!the!production!of!a!

television!show.!Who!receives!and!evaluates!Social!TV!feedback?!How!is!Social!TV!

information!being!disseminated!to!creative!personnel!from!the!corporate!level!

personnel!and!production!level,!if!at!all?!And,!how!are!these!activities!changing!the!

production!process?!Are!creative!decisions!for!the!direction!of!stories!being!

influenced!by!viewer!feedback!and!reactions?!Is!the!same!value!being!placed!on!this!

feedback!throughout!the!production!process,!or!are!there!some!who!embrace!the!

feedback!and!others!who!resist!it?!Can!it!be!suggested!that!these!instances!of!

viewers!influencing!content!are!anomalies!or!are!they!possibly!indicating!larger!

forthcoming!industrial!changes!resulting!from!Social!TV?!

Therefore,!my!primary!research!question!asks!how!the!use!of!social!media!

platforms!has!impacted!a!show’s!production!practices!or!content,!if!at!all.!This!

information!will!shed!light!on!potential!shifting!power!dynamics!between!fans!and!

production!personnel!as!some!fans!may!seek!to!effect!change!through!their!

feedback!and!production!personnel!will!seek!to!maintain!their!authorial!control.!

This!case!study,!grounded!in!observational,!interview!and!textual!research!and!

analysis,!will!investigate!the!production!activities!of!one!television!show,!the!

activities!of!the!studio!where!the!show!is!made!and!of!the!activities!of!the!first!run!

broadcast!network.!This!approach!will!be!defined!in!the!Methods!section!of!this!

proposal.!Findings!are!not!be!intended!to!be!generalizable!to!the!industry!as!a!whole,!

but!will!provide!a!snapshot!in!time!of!one!show!and!organization.!!

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This!dissertation!has!been!organized!into!nine!chapters.!The!current!chapter!

provides!a!broad!overview!of!Social!TV.!It!reviews!the!platforms!being!used,!

discusses!how!broadcasters!are!supporting!these!new!activities,!examines!how!

activities!are!measured,!and!explores!users!motivations!and!their!resulting!types!of!

talk.!Following!a!sample!of!Social!TV!programs,!the!chapter!concludes!with!an!

overview!of!the!study!to!be!undertaken!and!the!implications!of!that!work.!!

Chapter!Two!is!a!review!of!relevant!literature!and!discussions!are!divided!into!

three!main!sections,!Institutions,!Programs!and!Audiences.!This!is!based!on!the!

classification!scheme!established!by!Jonathan!Gray!and!Amanda!Lotz.!!

Chapter!Three!presents!the!methods!used!to!undertake!this!research.!Beginning!

with!an!explanation!of!the!chosen!case!study!approach,!the!chapter!progresses!into!

a!description!of!the!interview!and!observation!methods!that!will!be!employed.!

Additional!sections!include!descriptions!of!the!research!strategy!and!design,!

information!collection!and!analysis!methods,!ethical!considerations!and!limitations!

and!challenges.!!

Chapter!Four!is!an!investigation!into!the!ways!the!convergence!of!social!media!

and!television!has!been!reported!in!the!trade!press.!Discussions!include!scenarios!

where!Social!TV!activity!has!potentially!resulted!in!changes!to!television!content,!

examples!of!how!viewers!use!social!platforms!to!decode!complex!texts!and!

examples!of!production!personnel!speaking!back!to!viewers.!These!examples!

provide!an!understanding!of!the!ways!Social!TV!is!being!used!by!various!shows!and!

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individuals.!This!information!serves!as!points!of!reference!or!comparison!for!

discussions!in!later!chapters!about!original!findings.!!

Chapter!Five!provides!information!about!the!case!study!show,!Bones.!An!

overview!of!the!evaluative!criteria!and!selection!process!used!to!select!the!show!are!

presented.!The!primary!objective!of!this!chapter!is!to!provide!all!relevant!

information!on!the!show!including!background!information!about!the!show’s!

creation,!details!about!the!character,!genre!and!a!program!structural!analysis.!This!

information!allows!readers!who!are!not!familiar!with!the!program!to!follow!along!

with!detailed!discussions!in!later!chapters!dealing!with!social!media!use!by!fans,!

production,!the!studio!and!network.!!

Chapter!Six!is!an!analysis!of!viewer!social!media!activity!surrounding!Bones.!This!

information!offers!a!view!into!the!world!in!which!Bones!fans!operate.!This!includes!

descriptions!of!fans,!their!motivations!and!the!platforms!they!use.!A!discussion!of!

the!types!of!interactions!amongst!fans!and!between!fans!and!production!offers!hints!

of!the!types!of!viewer!feedback!received!by!production.!Learning!how!viewers!

engage!with!each!other!and!the!show!helps!situate!how!show!personnel!receive!

information!from!fans.!This!information!is!additionally!helpful!when!analyzing!fan!

responses.!!!

Chapter!Seven!is!a!discussion!of!the!findings!from!institutional!level!

observations!and!interviews.!!The!relationships!between!social!media!and!business!

practices!at!the!studio!and!network!levels!are!explored.!Questions!such!as!how!the!

studio!reacts!to!the!use!of!social!media!by!production!personnel!and!how!the!

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organizations!have!or!have!not!incorporated!social!media!into!their!business!

practices!help!understand!the!flow!of!information!from!the!corporate!level!to!

production!personnel.!!!

Chapter!Eight!is!a!discussion!of!findings!from!the!observations!and!interviews!

conducted!at!the!production!level.!This!information!sheds!light!on!how!the!content!

of!audience!interactions!and!direct!communications!from!fans!are!received!and!

handled,!leading!to!a!clearer!understanding!of!how,!if!at!all,!these!activities!are!

influencing!the!production!process.!The!potential!power!of!viewers!and!their!ability!

to!influence!content!resulting!from!these!activities.!

Chapter!Nine!is!a!summary!chapter!reviewing!the!project!and!findings.!These!

findings!are!related!back!to!the!literature!presented!in!Chapter!Two,!providing!

connections!between!those!existing!television!studies,!this!research!and!the!

resulting!implications!for!future!research.!A!discussion!of!this!project’s!challenges!

and!limitations!concludes!the!chapter.!

Notes!

1!Bertolt!Brecht’s!essay!DerRrundfunk!als!Kommunikationsapparat!as!found!in!G.!H.!Klaus,!"Cultural!Materialism:!A!Summary!of!Principals,"!in!Raymond!Williams:!Politics,!Education,!Letters,!ed.!W.J!and!Preston!Morgan,!P(New!York:!St.!Martin's!Press,!1993),!x.!

2!Phil!McRae,!"The!Death!of!Television!and!the!Birth!of!Digital!Convergence:!(Re)Shaping!Media!in!the!21st!Century,"!SMILE:!Studies!in!Media!&!Information!Literacy!Education!6,!no.!2!(2006):!1.!

3!Mike!Proulx!and!Stacey!Shepatin,!Social!Tv!:!How!Marketers!Can!Reach!and!Engage!Audiences!by!Connecting!Television!to!the!Web,!Social!Media,!and!Mobile(Hoboken,!N.J.:!John!Wiley!&!Sons,!2012),!ix.!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

4!D.L.!Hansen,!Schneiderman,!B.,!Smith,!M.A,!Analyzing!Social!Media!Networks!with!Nodexl:!Insights!from!a!Connected!World(Burlington,!MA:!Morgan!Kaufmann,!2011),!12.!

5!Proulx!and!Shepatin,!Social!Tv!:!How!Marketers!Can!Reach!and!Engage!Audiences!by!Connecting!Television!to!the!Web,!Social!Media,!and!Mobile,!24.!

6!Henry!Jenkins,!Textual!Poachers!:!Television!Fans!and!Participatory!Culture,!Updated!20th!anniversary!ed.(New!York:!Routledge,!2013),!77.!

7!Ibid.!

8!Christina!Warren,!"When!Did!the!'Second!Screen'!Become!a!Thing?,"!Mashable,!http://mashable.com/2013/05/02/secondascreen/?utm_medium=feed&utm_source=feedly&utm_campaign=Feed%3A+Mashable+(Mashable).!

9!MIT!Technology!Review,!"10!Breakthrough!Technologies,"!!http://www2.technologyreview.com/tr10/?year=2010.!

10!Eleanor!Dowling,!"2012:!The!Year!in!Social!Tv![Stats!&!Infographic,"!Bluefin!Labs,!http://bluefinlabs.com/blog/2012/12/18/2012atheayearainasocialatvastatsainfographic/.!

11!MarketsandMarkets.com,!"Social!Tv/Smart!Tv!Market:!Global!Advancements,!Ecosystem,!Business!Models,!Technology!Roadmap,!Worldwide!Market!Forecasts!&!Analysis!(2012!–!2017),"!!http://www.marketsandmarkets.com/MarketaReports/socialatvamarketa815.html.!

12!Information!on!Youtoo!can!be!found!on!their!website,!youtoo.com.!Other!companies!selling!similar!technology!include!NeverNo!(www.never.no)!and!Tribune!Media!Serivces!(tribunemediaservices.com).!!

13!Stuart!Dredge,!"Social!Tv!and!SecondaScreen!Viewing:!The!Stats!in!2012,"!The!Guardian,!http://www.guardian.co.uk/technology/appsblog/2012/oct/29/socialatvasecondascreenaresearch.!

14!Alex!Cocotas,!"88%!of!U.S.!Consumers!Use!Mobile!as!Second!Screen!While!Watching!Tv,"!!http://www.businessinsider.com/aamajorityausesamobileaasasecondascreena2013a5.!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

15!Nielsen,!"Action!Figures:!How!Second!Screens!Are!Transforming!Tv!Viewing,"!!http://www.nielsen.com/us/en/newswire/2013/actionafiguresaahowasecondascreensaareatransformingatvaviewing.html.!

16!Matt!Selman,!!https://twitter.com/mattselman/status/373922987566575616.!

17!Dredge,!"Social!Tv!and!SecondaScreen!Viewing:!The!Stats!in!2012".!

18!Tech!Tree!Staff,!"Facebook:!Largest,!Fastest!Growing!Social!Network,"!TechTree,!http://archive.techtree.com/techtree/jsp/article.jsp?article_id=92134&cat_id=643.!

19!Facebook,!"Key!Facts,"!Facebook,!http://newsroom.fb.com/KeyaFacts.!

20!Proulx!and!Shepatin,!Social!Tv!:!How!Marketers!Can!Reach!and!Engage!Audiences!by!Connecting!Television!to!the!Web,!Social!Media,!and!Mobile,!3.!

21!Joni!Blechier,!"Goodbye!Couch!Potato,!Hello!Second!Screen!Surfer,"!RealPlayer,!http://www.real.com/resources/videoasecondascreen.!Facebook!disputes!this!claim!arguing!since!many!of!their!users!interact!with!increased!privacy!settings,!the!measurement!of!Social!TV!data!for!their!users!is!underestimated.!!

22!Rick!Kissell,!"Social!Tv!Chatter!Grows!800%!on!Twitter!over!2012,"!Variety.com,!http://www.variety.com/article/VR1118063975/.!

23!As!discussed,!Social!TV!platforms!are!rapidly!appearing,!disappearing,!being!purchased!and!merging.!It!should!be!noted!that,!during!the!writing!of!this!dissertation,!GetGlue!joined!i.TV!and!the!companies!announced!via!an!email!to!their!users!on!January!25,!2014!that!GetGlue!would!be!renamed!tvtag!beginning!February!2014.!

24!Ibid!Blechier.!

25!Echo,!"Customer!Successes!/!Case!Studies!/!USA!Network,"!!http://aboutecho.com/CustomerSuccess/CaseStudies/USANetworks.!

26!Syfy.com,!"Syfy!Sync,"!!http://www.syfy.com/sync.!

27!Natan!Edelsburg,!"How!‘Pretty!Little!Liars’!Used!Social!Tv!for!Their!Halloween!Special,"!Lost!Remote,!http://lostremote.com/howaprettyalittlealiarsausedasocialatvaforatheirahalloweenaspecial_b34822?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+LostRemote+(Lost+Remote)&utm_content=Google+Reader.!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

28!360i,!"Q&a!with!Univision’s!David!Beck:!Harnessing!the!Power!of!Social!Tv,"!!http://blog.360i.com/socialamarketing/qaawithaunivisionsadavidabeckacreatingaimmersiveasocialatvaexperiences.!

29!TVGN,!"Research!Reveals!Social!Network!Activity!Is!Driving!More!Live!Viewing!and!SecondaScreen!Engagement,"!!http://www.tvgnpr.com/Home/pressItem?detailID=270.!

30!Adrian!!&!Hill!Benton,!Shawndra,!"The!Spoiler!Effect?:!Designing!Social!Tv!Content!That!Promotes!Ongoing!Wom,"!The!Wharton!School!(http://socialtvlab.com/papers/Hill.SpoilerEffect.pdf?rss=1:!University!of!Pennsylvania,!2013).!

31!Peggy!Dau,!"Getglue!Gets!Sticky,"!!http://tdgresearch.com/getglueagetsasticky.!

32!Lizzy!Weiss,!"Lizzy!Weiss!(Lizzyweisssab)!on!Twitter,"!Twitter,!https://twitter.com/LizzyWeissSAB.!

33!Anthony!Hernandez,!"Alyssa!Milano:!Live!Tweeting!Is!the!ModernaDay!Tv!Viewing!Party,"!Mashable,!http://mashable.com/2013/06/10/alyssaamilanoatwitteramistresses/?utm_campaign=Feed%3A+Mashable+%28Mashable%29&utm_cid=MashaProductaRSSaPheedoaAllaPartial&utm_medium=feed&utm_source=feedburner.!

34!Rick!Howe,!"The!Coming!Age!of!Social!Tv,"!ed.!FierceIPTV.com(2012).!Jesse!Redniss!departed!USA!Network!in!October!2013.!Natan!Edelsburg,!"Breaking:!Social!Tv!Visionary!Jesse!Redniss!Will!Be!Leaving!USA!Network,"!!http://lostremote.com/tag/jessearedniss.!

35!Nielsen,!"The!Rise!of!Paid!Social!Ads!Completing!the!Integrated!Ad!Approach,"!!http://www.nielsen.com/us/en/newswire/2013/theariseaofapaidasocialaadsacompletingatheaintegratedaadaapproach.html.!

36!Gina!Hall,!"TimeaShifted!Tv!Encourages!More!Viewing!aa!Just!Not!the!Ads,"!!http://www.bizjournals.com/losangeles/news/2013/03/19/timeashiftedatvaencouragesamore.html.!

37!Ibid!Hall.!!

38!A!more!detailed!description!can!be!found!at:!David!Talbot,!"A!SocialaMedia!Decoder,"!Technology!Review,!December!2011.!

39!Trendrr!TV,!"Solutions,"!!http://trendrr.com/solutions.!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

40!Networked!Insights,!"The!Network!Executive's!Social!Tv!Survival!Guide,"!3.!

41!SocialGuide!Intelligence,!!http://sgi.socialguide.com/.!

42!Nielsen,!"Nielsen!and!Twitter!Establish!Social!Tv!Rating,"!!http://www.nielsen.com/us/en/insights/pressaroom/2012/nielsenaandatwitteraestablishasocialatvarating.html.!

43!Ibid,!Nielsen,!“Nielsen!and!Twitter!Establish!Social!TV!Rating.”!

44!Mark!Ghuneim,!"Trendrr!Joins!Twitter,"!!https://blog.trendrr.com/2013/08/28/trendrrajoinsatwitter/;!Cory!Bergman,!"Report:!Twitter!Buying!Bluefin!Labs,"!!http://lostremote.com/reportatwitterabuyingabluefinalabs_b36544.!

45!Ericcson,!"Tv!and!Video:!An!Analysis!of!Evolving!Consumer!Habits,"(Stockholm,!Sweden:!Ericcson,!2012).!

46!PRNewswire.com,!"TvaRelated!Social!Media!Use!Is!Primarily!Driven!by!Functional,!Communal!and!Playful!Factors,!According!to!New!MultiaCountry!Research!from!Viacom,"!!http://www.prnewswire.com/newsareleases/tvarelatedasocialamediaauseaisaprimarilyadrivenabyafunctionalacommunalaandaplayfulafactorsaaccordingatoanewamultiacountryaresearchafromaviacoma208302211.html.!

47!ibid!PRNewswire.com.!

48!Hernandez,!"Alyssa!Milano:!Live!Tweeting!Is!the!ModernaDay!Tv!Viewing!Party".!

49!Ibid.!

50!These!conversations!are!public!unless!the!users!have!restricted!their!accounts!and!made!them!private.!!

51!Personal!Correspondence.!

52!TVGN,!"Fans'!Primary!Reason!for!Social!Tv!Activity!Is!to!Keep!Their!Favorite!Shows!on!the!Air,"!!http://www.tvgnpr.com/Home/pressItem?detailID=249.!

53!SocialGuide!Intelligence,!"About!Sgi,"!!http://sgi.socialguide.com/about!!

54!SocialGuideIntelligence,!"Monthly!April!2013,"!!http://sgi.socialguide.com/twitter_tv_rankings/monthly/04a2013.!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

55!Jonathan!Gray!and!Amanda!Lotz,!Television!Studies(PreaPublication!Manuscript!2012).!

56!Ibid.!

57!Ibid.,!123.!

58!Ibid.!

59!Ibid.,!36.!

60!Ibid.!

61!Ibid.!

62!Alex!Weprin,!"Cbs!Letting!Viewers!Decide!How!an!Episode!of!�Hawaii!Fivea0�!Ends,"!LostRemote,!http://lostremote.com/cbsalettingaviewersadecideahowaanaepisodeaofahawaiiafivea0aends_b35909?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+LostRemote+(Lost+Remote).!

63!The!Wall!Street!Journal,!"Social!Media!+!Pop!Culture!=!?,"!!http://online.wsj.com/article/SB10001424127887324412604578515702548585058.html.!

64!Gray!and!Lotz,!Television!Studies,!79.!

65!Ibid.!

66!The!Wall!Street!Journal,!"Social!Media!+!Pop!Culture!=!?".!

67!David!Goetzl,!"Twitter!Increases!Efforts!to!Integrate!with!Tv!Programs,"!MediaNewsDaily,!http://www.mediapost.com/publications/article/202151/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+televisionanewsadaily+%28MediaPost+%7C+Television+News+Daily%29#ixzz2VvUSdKih.!

68!Hernandez,!"Alyssa!Milano:!Live!Tweeting!Is!the!ModernaDay!Tv!Viewing!Party".!

69!NPR,!"Lena!Dunham!Addresses!Criticism!Aimed!at!'Girls',"!!http://www.npr.org/templates/transcript/transcript.php?storyId=152183865.!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

70!Anglea!Watercutter,!"Tv!FactaChecker:!Community!Creators!Stay!Honest,!Thanks!to!Twitter,"!!http://www.wired.com/underwire/2011/09/tvafactacheckeracommunity/.!

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CHAPTER!2!

LITERATURE!REVIEW!

Since!Social!TV!is!a!relatively!new!phenomenon,!there!is!a!limited!amount!of!

academic!literature!available!on!the!topic.!However,!one!recent!book,!Social!TV:!How!

marketers!can!reach!and!engage!audiences!by!connecting!television!to!the!web,!social!

media!and!mobile,!released!in!2012!is!likely!the!first!on!the!subject.1!Written!by!

advertising!professionals!Mike!Proulx!and!Stacey!Shepatin,!the!book!is!a!howato!

guide!for!marketing!professionals.!Proulx!and!Shepatin!contextualize!how!Social!TV!

works!and!explains!how!marketers!can!capture!and!engage!audiences.!They!situate!

Social!TV!as!a!“backchannel”!for!television!that!“exposes!the!conversations!taking!

place!in!our!onceaisolated!living!rooms!and!connects!households!around!the!world!

into!a!single,!optain,!coviewing!event.”!2!They!describe!how!television!networks,!

executives!and!talent!have!come!to!embrace!Social!TV!and!they!urge!marketers!to!

experiment!with!this!new!tool!for!reaching!audiences.!Although!the!intention!of!the!

book!is!to!address!advertising!professionals,!the!background!information!and!

examples!of!Social!TV!inause!provide!valuable!general!insights!into!the!field.!

Proulx!and!Shepatin!provide!a!useful!description!of!Social!TV!as!bringing!once!

isolated!conversations!into!the!open,!but!I!disagree!with!their!labeling!these!

activities!as!a!“backchannel.”!Whereas!this!may!have!once!been!an!applicable!label,!I!

argue!the!rapid!diffusion!of!Social!TV!use!throughout!the!television!industry,!its!

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acceptance!and!widespread!use!by!viewers!and!appeal!to!advertisers!situates!it!as!a!

primary,!not!secondary,!location!of!audience!participation.!!

This!primary!status!is!also!supported!by!the!diverse!and!vast!amount!of!

literature!about!Social!TV!in!the!trade!press!and!additional!resources!available!

online!through!various!sources!such!as!white!papers,!conference!reports!and!

research!reports.!!For!example,!SocialGuide!publishes!white!papers!on!the!state!of!

Social!TV.!These!papers!are!a!quick,!easy!and!inexpensive!means!of!disseminating!

information!in!this!rapidly!changing!area.!Publishing!this!information!through!

traditional!academic!means!such!as!books!or!journal!articles,!for!example,!would!

delay!the!release!of!information!for!such!a!long!period!of!time!that!the!findings!

would!be!useless!by!the!time!they!reach!their!audience.!!

Although!the!distribution!of!information!in!this!manner!overcomes!the!issue!of!

timeliness,!it!does!raise!concerns!about!the!reliability!of!the!information!being!

released.!Therefore,!these!reports!written!and!released!by!companies!about!

themselves!must!be!viewed!through!a!critical!lens.!For!instance,!an!August!2013!

study!by!SocialGuide!and!Twitter!announced!findings!that!indicated!a!twoaway!

causal!relationship!between!Twitter!activity!and!TV!viewership.3!They!found!that!“a!

statistically!significant!causal!influence!indicating!that!a!spike!in!TV!ratings!can!

increase!the!volume!of!Tweets,!and,!conversely,!a!spike!in!Tweets!can!increase!tunea

in.”4!This!finding!that!Twitter!can!drive!viewers!to!tuneain!to!a!specific!show!is!

important!because!it!is!the!ammunition!Twitter!needs!to!market!their!platform!to!

advertisers!and!networks!as!a!place!to!invest!advertising!dollars.!However,!the!

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purely!quantitative!analysis!fails!to!investigate!what!people!are!saying!about!the!

show!and!if!the!reactions!of!viewers!on!Twitter!are!consistent!with!reactions!of!the!

audience!in!general.!!This!raises!questions!such!as!are!programs!and!advertisers!

only!concerned!with!traffic!or!are!they!additionally!concerned!with!viewer!

sentiment?!A!March!2013!study!by!PEW!Research!found!that!the!“reaction!on!

Twitter!to!major!political!events!and!policy!decisions!often!differs!a!great!deal!from!

public!opinion!as!measured!by!surveys.”5!This!type!of!finding!is!important!to!

combine!with!findings!from!SocialGuide!to!achieve!a!larger!picture!of!viewers!and!

user!actions!as!well!as!the!content!of!those!actions.!!

Other!literature!about!Social!TV!appears!in!the!trade!press.!News!outlets!ranging!

from!the!New!York!Times!and!CNN!to!specialized!news!sites!such!as!Lost!Remote!

that!focus!on!Social!TV!news!regularly!provide!information!on!how!shows!use!Social!

TV!platforms,!which!stars!and!production!personnel!are!participating,!reports!on!

Social!TV!metrics!and!news!about!Social!TV!company!mergers!and!acquisitions.!!

Due!to!the!lack!of!current!academic!literature,!it!would!be!useful!to!situate!Social!

TV!within!broader!studies!of!television!and!review!how!it!fits!with!past!research.!To!

accomplish!this!review,!I!will!continue!to!use!the!classification!scheme!presented!by!

Gray!and!Lotz!utilizing!their!three!main!sections!of!Institutions,!Programs!and!

Audiences.!!!

Institutions!!

Research!of!Institutions!is!defined!by!Gray!and!Lotz!as!the!examination!of!“how!

television!gets!‘there’!in!the!first!place!and!to!understand!why!it!is!the!way!it!is.”6!

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This!includes!work!examining!various!“entities!involved!in!the!making!and!

distributing!television!as!well!as!its!related!technologies.”7!!As!Gray!and!Lotz!explain,!

these!entities!include!production!studies,!distribution!networks,!global!

conglomerates!that!own!the!studios!and!networks!and!the!regulator!agencies!

overseeing!the!industry.!!

Networks,!Studios!and!Production!Companies!

Chad!Gervich’s!Small!Screen,!Big!Picture!is!a!writer’s!guide!to!the!TV!business,!

but!also!provides!a!comprehensive!and!valuable!section!describing!how!the!

television!industry!is!structured.8!Gervich!describes!the!three!main!tiers!of!

“companies!that!collaborate!to!make!content!and!deliver!it!to!your!home”!as!

Networks,!Studios!and!Production!companies.9!Networks!are!the!companies!that!

distribute!shows!including!broadcasters!such!as!ABC,!NBC!and!CBS!and!Cable!

Channels!such!as!FX,!BRAVO,!ESPN.!Studios!are!the!companies!that!provide!the!

financing!for!the!production!of!shows!and!supply!them!to!the!networks.!Some!of!

these!include!ABC!Television!Studios,!Warner!Bros.!Television!and!Sony!Picture!

Television.!Production!companies!are!the!developers!and!producers!of!the!actual!

shows!such!as!Bad!Robot,!Grammnet,!and!Dick!Wolf.!!

Studies!of!these!companies!and!their!operations!have!been!completed!as!broad!

overviews!and!specific!investigations!of!individual!business!components.!One!grand!

level!investigation!is!Todd!Gitlin’s!Inside!Prime!Time,!a!sociological!study!of!the!

television!industry.!10!Gitlin!sought!to!understand!both!the!culture!of!the!television!

industry!and!gain!insight!into!the!production!and!programming!processes.!Focusing!

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on!American!television!toward!the!end!of!the!network!era,!he!completed!over!200!

interviews!with!industry!personnel.!He!describes!the!various!stages!of!production!

from!writing!scripts!to!selling!programs,!testing!pilots,!making!programming!

schedules!and!analyzing!ratings.!Gitlin!provides!insight!into!the!interactions!

between!key!individuals!at!the!production!companies,!studios!and!networks.!One!

example!of!these!interactions!is!the!industrial!ritual!of!“giving!notes.”!! !

“Giving!notes”!is!the!act!of!one!person!making!suggestions!about!the!production!

of!a!show!to!another!person.!Usually,!the!people!involved!are!the!corporate!“suits”!

at!the!network!or!studio!sending!comments!to!production!personnel.!As!John!

Thornton!Caldwell!explains!in!his!book!Production!Culture,!this!instills!a!sense!of!

“being!watched,!much!as!the!prisoners!of!Bentham’s!‘panopticon’!are!disciplined!by!

the!continual!threat!(real!or!imagined)!of!always!being!under!surveillance.”11!!

How!showrunners!and!their!production!staff!handle!these!notes!also!varies.!

Caldwell!generalizes!the!feelings!of!creative!producers!and!writers!as!typically!

viewing!network!notes!as!“either!a!nagging!curse!or!a!necessary!evil.”!12!Despite!this!

contempt,!showrunners!have!demonstrated!that,!although!these!notes!cannot!be!

ignored,!they!can!be!dealt!with!creatively.!!

In!The!Producer’s!Medium,!Horace!Newcomb!and!Robert!S.!Alley!present!a!series!

of!interviews!with!some!of!the!most!successful!creators!of!American!television.13!!!

One!interview!with!Producers!Richard!Levinson!and!William!Link!(Columbo)!

recounts!one!creative!solution!to!corporate!notes!they!used.!Described!as!a!use!of!

“loopholes,”!Levinson!and!Link!detail!how!the!network!asked!them!to!cast!Paul!

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Newman!to!play!the!lead!in!Columbo,!a!suggestion!they!found!ludicrous!(for!

unexplained!reasons).!!As!Levinson!and!Link!explain:!

We!pursue!Paul!Newman.!We!pursue!others.!Meanwhile,!we!call!the!actor!we!want!and!tell!him!what!we!are!doing,!and!say!please!stand!by.!The!night!before!the!show!is!to!film!we!call!our!liaison!at!the!network!and!whine!and!complain!and!say!we!have!tried!soaandaso,!and!soaandaso,!and!soaandaso.!In!good!faith!we!may!have!tried!some!of!them.!Others!may!not!have!been!tried.!Now!the!liaison!may!know!he’s!being!tricked!or!he!may!not!know!and!he!says,!‘Alright,!alright,!you!gotta!shoot!tomorrow,!go!with!who!you!want.’!Bingo!14!!

This!type!of!attempted!network!“intrusion”!has!not!always!existed.!As!producer!

John!Mantley!(Gunsmoke,!Wild,!Wild!West)!explains!in!another!interview!completed!

by!Newcomb!and!Alley,!in!the!early!sixties!there!was!no!network!interference!with!

the!creative!process.15!Mantley!explains!that!since!the!cost!of!most!shows!was!borne!

by!a!single!sponsor,!they!were!the!ones!with!control!and!comments!on!scripts!most!

often!came!from!that!sponsors!advertising!agency.!!

Mantley!credits!two!events!with!influencing!a!change!towards!increased!

network!involvement.!First,!the!$64,000!Question!scandal!led!to!closer!supervision!

by!networks!and!second,!rising!production!costs!meant!companies!could!no!longer!

afford!to!individually!sponsor!shows.16!!These!events!are!examples!of!how!shifting!

industrial!practices!can!influence!the!content!being!produced.!Today,!these!

industrial!practices!face!a!similar!crossroad!as!they!seek!out!ways!to!address!the!

intrusion!of!Social!TV.!!

Hart!Hanson,!showrunner!for!Bones,!explained!how!it!is!his!job!to!control!the!

show’s!story!and!anticipate!viewers’!reactions!to!storylines.17!On!occasion,!he!has!to!

make!a!decision!about!a!plot!or!character!development!that!he!knows!will!upset!

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viewers!in!the!short!term,!like!after!the!conclusion!of!a!specific!episode.!But!he!has!a!

multiaepisode!vision!that!will!result!in!the!audience!being!pleased!with!the!overall!

arc.!Hanson!explains!that!one!challenge!of!Social!TV!arises!when!fans!react!to!the!

initial!event!that!he!knows!will!upset!the!viewers.!Although!he!anticipates!and!even!

expects!this!reaction,!and!has!planned!for!the!viewers’!response,!the!network!and!

studio!are!often!not!aware!of!his!plan!or!expectation!of!negative!reactions!from!

viewers.!So,!when!the!network!and!studio!see!the!negative!reactions!online,!they!

send!a!note!to!Hanson!expressing!their!concern!about!potentially!loosing!fans.!This!

immediate!and!direct!feedback!from!viewers!through!Social!TV!platforms!can!

become!a!source!of!network!notes.!This!potentially!changes!production!practices.!

Should!showrunners!now!change!their!practices!and!announce!these!types!of!

anticipated!events!in!advance?!Also,!the!source!of!notes!has!traditionally!been!“suits”!

who!were!concerned!with!issues!like!finances!and!adherence!to!Standards!and!

Practices!regulations.!Now,!showrunners!must!decipher!feedback!to!determine!the!

true!source.!Is!the!comment!from!an!executive!based!on!business!practices!or!an!

emotional!response!from!a!viewer?!

Amanda!Lotz!explored!these!types!of!questions!regarding!the!complex!and!

contradictory!forces!influencing!programs!in!her!production!study!of!the!Lifetime!

series!Any!Day!Now.18!Lotz!argues!that!changes!in!audience!size!and!attributes!

considered!necessary!to!achieve!commercial!success!“have!significant!consequences!

on!textual!possibilities.”19!This!case!exemplifies!how!changes!to!industrial!practices!

influence!the!content!of!a!show!and!highlights!how!those!practices!and!the!text!are!

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intertwined.!Additionally,!as!Lotz!explains!how!audience!size!and!commercial!

concerns!can!influence!the!text,!it!must!be!asked!if,!when!there!are!smaller!

audiences,!does!each!viewer!become!more!powerful?!

The!complex!process!of!creating!television!programs!is!not!solely!influenced!by!

large!industry!wide!economic!factors!such!as!syndication!practices,!audience!

measurement,!demographics,!and!the!rise!of!narrowcasting,!but!also!by!smaller!

production!level!issues.!Elana!Levine!explores!ways!production!level!factors!relate!

to!questions!“about!texts,!audiences,!and!social!contexts.”20!In!“Toward!a!Paradigm!

for!Media!Production!Research:!Behind!the!Scenes!at!General!Hospital”,!Levine!

identifies!five!factors!of!the!production!process!that!shape!U.S.!broadcast!network!

television!production.!These!are!production!constraints,!the!production!

environment,!production!routines!and!practices,!the!production!of!characters!and!

stories,!and!the!role!of!the!audience!in!production.!As!previous!examples!have!

shown!the!importance!of!shifting!industrial!practices!between!businesses,!Levines!

description!of!ABC’s!methods!for!receiving!and!handling!audience!feedback!

illustrates!how!a!similar!shift!in!practices!occurs!within!an!organization.!

Levine!describes!the!way!General!Hospital!handles!audience!response!as!an!

“established!system!that!allows!for!efficient!categorization.”21!!Viewers!contact!the!

show!through!letters,!phone!calls!and!postings!to!online!bulletin!boards.!This!

feedback!is!gathered!by!lowalevel!assistants,!often!interns,!and!categorized!as!

“positive,”!“negative,”!or!“requires!a!response”!to!which!a!form!letter!is!sent.!This!

categorization!removes!the!personal!nature!and!emotions!involved!with!the!

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comments!before!they!are!sent!higher!in!the!chain.!As!Levine!notes,!“the!actual!

words!of!audience!members!are!only!rarely!seen!by!anyone!higher!in!the!chain!of!

command!than!a!writer’s!assistant.”22!For!showrunners,!writers!and!other!top!of!the!

line!personnel!who!participate!in!Social!TV!activities,!this!direct!feedback!can!

circumvent!existing!established!systems!in!place!to!handle!audience!feedback.!

Today,!viewers!have!a!greater!chance!of!getting!their!comments!read!by!individuals!

higher!up!in!the!chain.!Therefore,!it!would!be!useful!to!understand!the!types!of!roles!

these!higheraup!individuals!fill.!!

Production!Personnel!–!Showrunner/Producer!

In!discussions!of!people!involved!with!the!production!of!television!shows,!one!of!

the!most!common!heard!job!titles!is!showrunner.!Although!it!is!not!an!“official”!

credited!titled,!the!job!of!a!showrunner!is!held!by!a!highalevel!writer!or!producer!

who!has!an!established!track!record!of!creating!and!running!successful!television!

shows.23!!As!Chad!Gervich!explains:!!

A!showrunner!is!a!TV!show’s!CEO.!They’re!responsible!for!hiring,!inspiring,!and!firing!a!show’s!staff!and!crew,!from!the!lead!actor!to!the!head!grip!to!the!lowliest!assistant.!They!deal!with!network!and!studio!executives,!publicists,!marketers,!agents!and!managers.24!!

This!unofficial!title!is!modern!slang!for!the!role!fulfilled!by!a!traditional!executive!

producer.!Several!studies!have!investigated!the!role!of!the!television!producer.!One!

of!the!first!was!Muriel!Cantor’s!book,!The!Hollywood!Producer:!His!Work!and!His!

Audience,!published!in!1971.25!!Cantor’s!interviews!with!59!television!producers!

revealed!details!about!the!producers!such!as!their!professional!and!academic!

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training.!They!also!provided!information!on!the!process!of!making!a!television!show!

and!the!challenges!encountered!during!the!process.!!

Cantor!presents!a!typology!of!typical!producers.!These!include!the!filmmaker,!

the!writeraproducer,!and!the!oldaline!producer.!The!types!range!from!academically!

trained!younger!producers!to!midacareers!professionals!to!senior!producers!who!

have!achieved!major!success.!Each!of!these!“types”!of!producers!is!said!to!have!

varying!degrees!of!control!over!their!product.!!

! A!decade!after!Cantor!published!her!book,!Horace!Newcomb!and!Robert!S.!Alley!

also!interviewed!television!producers!for!their!book!The!Producers!Medium.26!Their!

project!focuses!on!quality!over!quantity.!They!interviewed!eleven!of!television’s!

most!successful!producers,!individuals!Cantor!would!have!categorized!as!“oldaline!

producers.”!Much!like!Cantor’s!book,!Newcomb!and!Alley!asked!questions!about!

creative!control!and!influences!on!the!producers,!who!were!described!as!“in!charge”!

of!their!shows.!!In!reflection!on!their!book,!Newcomb!described!their!project!as!

approaching!the!study!of!producers!from!a!humanities!perspective.!!“Our!thesis,!

auteurist!in!tone,!was!that!‘strong’!producers!could!manipulate!this!mass!industrial!

system!as!much!as!they!were!manipulated!by!it.”27!The!authors!sought!to!“shatter!

the!anonymity!of!television.”!While!accomplishing!this!goal,!the!authors!kept!the!

reader’s!views!of!the!producers!grounded!by!situating!the!interviews!through!their!

commentaries!on!producer’s!interview!responses!and!not!allowing!the!producers!

occasionally!self!serving!and!grandiose!stories!to!be!accepted!without!critical!

interpretation.!!

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! Other!works!focusing!on!more!specific!areas!of!institutional!study!have!followed!

these!books.!Jeremy!Tunstal’s!Television!Producers!focuses!on!the!British!television!

industry!and!is!based!on!interviews!with!254!TV!producers!across!seven!different!

genres.28!Robert!S.!Alley!and!Irby!B.!Brown!explore!women!producers!in!their!book!

Women!Television!Producers:!1948A2000.29!!They!sought!to!fill!a!gap!in!the!

scholarship!on!producers!that!often!excluded!women.!Between!Cantor’s!59!

interviews!and!Newcomb!and!Alley’s!11!interviews!for!example,!only!one!woman!

producer!was!interviewed.!!

! As!if!to!cement!the!status!of!television!producers!as!having!moved!from!behinda

theascenes!to!being!in!the!limelight,!David!Wild!declares!in!his!book!that!producers!

are!the!real!stars!of!television.30!An!editor!at!Rolling!Stone!magazine!and!pop!culture!

writer,!Wild’s!book!focusing!on!showrunners!talks!about!the!process!of!making!

primeatime!television!shows!and!the!people!involved!in!the!process.!Intended!as!an!

entertaining!rather!than!academically!educational!book,!its!existence!alone!affirms!

the!altered!role!of!those!who!are!in!charge!of!producing!television!shows!from!

behind!the!scenes!producers!to!showrunners!in!the!limelight.!!

! The!importance!of!this!change!for!Social!TV!is!that!showrunners!are!

participating!in!Social!TV!activities!and!this!could!change!the!relationship!between!

audiences!and!showrunners.!As!blogger!Myles!McNutt!observed!in!2010,!there!are!

multiple!ways!in!which!showrunners!are!utilizing!Social!TV!tools.!“Showrunners!are!

now!becoming!active!participants!in!conversations!surrounding!their!shows,!both!

formally!(Damon!Lindelof!and!Carlton!Cuse’s!Lost!podcasts)!and!informally!(Louis!

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C.K.’s!decision!to!wade!into!comment!threads!of!Louie!reviews).”31!These!

interactions,!as!McNutt!notes,!can!have!positive!and!negative!consequences.!!For!

example,!this!closer!interaction!could!lead!to!a!more!contentious!relationship!

between!fans!and!producers.!As!viewers!provide!feedback!directly!to!producers,!if!

their!comments!are!not!met!with!the!desired!response,!the!viewer!may!become!

bitter!and!feel!ignored.!This!raises!questions!about!the!effects!of!showrunners!

opening!themselves!up!to!influence!and!whether!or!not!showrunners!will!all!

respond!in!the!same!way.!!As!they!respond!to!or!ignore!viewer!feedback,!what!

differences,!if!any,!will!emerge!in!the!way!they!handle!audience!comments?!

Showrunners,!just!as!the!production!companies,!studios!and!networks!they!

work!with,!do!not!operate!in!a!bubble.!They!are!influenced!by!each!other!and!

outside!forces!such!as!audiences.!Another!source!of!opinions!come!from!the!large!

corporations!that!have!ownership!interests!at!various!levels!of!the!television!

industry!as!well!the!government!that!establishes!regulations!that!control!industry!

policies!in!various!areas!including!ownership!and!regulation!of!content.!

Media!Conglomerates!&!Outside!Influences!

The!preceding!discussion!of!networks,!studios,!production!companies!and!

showrunners!can!be!considered!a!look!at!the!microalevel!of!industry!studies.!To!

complete!the!picture!of!how!television!“gets!there”!and!“why!it!is!the!way!it!is,”!as!

Gray!and!Lotz!say,!the!macroalevel!of!industry!studies!must!also!be!considered.32!!

One!of!the!largest!outside!influences!on!television!is!the!U.S.!Government.!Changes!

to!regulatory!control!have!resulted!in!organizational!structures!that!have!a!direct!

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influence!on!television.!For!example,!the!current!trend!towards!the!loosening!of!

ownership!regulations!has!lead!to!increased!conglomeration!and!made!the!

companies!that!control!television!production!more!oligopolistic!and!increasingly!

both!horizontally!and!vertically!integrated.!The!vertical!integration!of!these!

companies!means!the!major!conglomerate!has!influence!over!multiple!levels!of!the!

television!industry.!This!not!only!allows!the!conglomerate!to!financially!benefit!from!

doing!business!with!its!own!subsidiaries,!but!allows!for!closer!oversight!and!control.!!

Although!the!current!regulatory!restrictions!allow!for!this!type!of!ownership!

structure,!this!has!not!always!been!the!case.!!

William!Boddy’s!Fifties!Television:!The!Industry!and!its!Critics!takes!a!historical!

look!at!governmental!policies!of!television!and!programming!content!through!the!

examination!of!documents!from!multiple!sources!(news!articles,!business!

documents,!government!records).33!Boddy!defines!his!book!as!“both!a!

reconsideration!of!the!critical!consensus!surrounding!television’s!Golden!Age!and!a!

historical!analysis!of!the!economic!and!regulatory!ground!upon!which!such!

programming!briefly!flourished!in!the!1950’s.”34!He!examines!the!forces!that!led!to!

the!creation!of!the!“big!three”!national!networks!including!government!regulations,!

a!post!war!American!consumer!economy!in!which!television!secured!a!key!role!as!a!

sales!agent!and!the!transformation!of!programming!strategies!to!establish!television!

as!an!advertising!medium.!This!was!highlighted!by!debates!focused!on!television’s!

role!as!a!public!service!versus!a!commercial!business.!!The!1950’s!are!situated!as!a!

key!formative!decade!for!television.!The!era!did!result!in!some!substantial!changes!

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such!as!the!destruction!of!the!single!program!sponsor!model!resulting!in!decreased!

control!and!reliance!upon!advertisers.!This!also!led!to!a!change!in!program!content!

from!diverse!and!localized!towards!a!model!of!standardized!mass!produced!fare.!!

This!shift!towards!increased!commercialism!would!become!an!issue!of!debate!for!

decades!to!follow.!!

As!Ben!Bagdikian!asserts!in!The!New!Media!Monopoly!there!are!two!common!

themes!in!the!commercialization!of!media!industries,!power!and!greed.35!

Corporations!that!control!the!marketplace!have!influence!over!both!the!public!and!

government!through!their!ability!to!influence!attitudes!and!perceptions!through!

news!information.!As!profit!seeking!businesses,!corporations!seek!to!make!a!

maximum!percentage!of!profit!from!every!dollar.!The!desire!for!increased!power!

and!money!has!resulted!in!shifting!ownership!patterns,!specifically!a!trend!towards!

conglomeration.!!Bagdikian!explains:!!

In!1983,!the!men!and!women!who!headed!the!fifty!mass!media!corporations!that!dominated!American!audiences!could!have!fit!comfortably!in!a!modest!hotel!ballroom…!By!2003,!five!men!controlled!all!these!media!once!run!by!the!fifty!corporations!of!twenty!years!earlier.!These!five,!owners!of!additional!digital!corporations,!could!fit!in!a!generous!phone!booth.36!!

Jennifer!Holt!explores!the!regulatory!causes!of!this!conglomeration!in!Empires!of!

Entertainment:!Media!Industries!and!the!Politics!of!Deregulation.!!Holt’s!book!“offers!

a!chronological,!transindustrial!narrative!that!addresses!the!ways!in!which!

philosophical!and!ideological!shifts!in!policy!impacted!the!media!industries!

individually!and!in!relation!to!one!another.”37!Holt!covers!the!period!of!time!

between!1980!and!1996!beginning!with!the!film!industries!“battle”!with!the!

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Department!of!Justice!over!the!rise!of!HBO!and!concluding!with!the!

Telecommunications!Act!of!1996!that!loosened!ownership!restrictions!allowing!for!

the!increased!horizontal!integration!of!media!conglomerates.!!

These!issues!of!ownership!are!important!to!Social!TV!for!several!reasons.!Highly!

competitive!entrepreneurial!startaup!companies!have!led!the!development!of!social!

television!platforms.!These!small!companies!have!been!testing!different!strategies!

for!audience!engagement!and!this!has!resulted!in!an!array!of!options!for!viewers.!As!

the!number!of!users!for!these!platforms!increase,!larger!corporations!are!often!

acquiring!them.!For!instance,!startup!IntoNow,!a!Social!TV!mobile!app!was!

purchased!by!Yahoo!!in!2011!for!an!unconfirmed!amount!between!$17!million!and!

$30!million.38!As!these!larger!companies!acquire!startaups,!competition!is!reduced!

as!fewer!companies!operate!with!the!advantages!provided!by!their!parent!

companies.!!

! In!addition!to!the!government!regulations!covered!by!Boddy,!Bagdikian!and!Holt!

a!variety!of!influences!have!caused!the!television!industry!to!undergo!a!process!of!

fundamental!change!since!the!demise!of!the!Broadcast!Era.!These!changes!resulted!

in!Graeme!Turner!and!Jinna!Tay!returning!to!a!most!fundamental!question!“what!is!

television?”39!Turner!and!Tay’s!edited!collection!is!a!response!to!Spigel!and!Olson’s!

Television!After!TV:!Essays!on!a!Medium!in!Transition!in!which!they!“respond!to!their!

lead!and!look!at!what!has!happened!to!television!around!the!world!over!the!first!

decade!of!the!twentyafirst!century”!a!process!Turner!and!Tay!describe!as!“nothing!

short!of!dramatic.”40!The!result!of!these!changes!is!said!to!have!affected!not!just!the!

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nature!of!television,!but!also!its!content,!structure!and!associated!modes!of!

consumption.!For!this!reason,!they!argue!television!can!no!longer!be!studied!as!an!

independent!medium.!It!must!be!studied!in!relation!to!the!other!technologies!that!

exist!in!cooperation!with!it.!As!an!example!of!this!reliance,!Turner!and!Tay!discuss!

the!show!Big!Brother.!They!explain!how!the!show!exists!as!a!“multiaplatform,!

multimedia!event”!tied!to!its!website,!chatarooms!and!other!technological!platforms!

–!an!example!of!technological!convergence.41!!

! In!addition!to!the!industrial!factors!influencing!Social!TV,!this!dissertation!will!

also!take!into!consideration!factors!surrounding!the!programs!created!by!these!

institutions.!!

Programs!

Entertainment!shows!have!been!investigated!in!many!ways.!They!have!been!

examined!for!a!range!of!aesthetic!features,!for!their!histories!and!for!the!way!they!

represent!various!aspects!of!life!and!how!these!representations!support!or!

contradict!the!core!beliefs!of!television!viewers.!!In!this!project,!I!will!approach!

television!programs!from!the!perspective!grounded!in!the!humanities,!work!that!

privileges!“textual!analysis”!of!program!content.!

Horace!Newcomb’s,!TV:!The!Most!Popular!Art.42!Newcomb!provided!a!genrea

based!analysis!of!television!programs!including!discussions!of!Comedies,!Westerns,!

Mysteries,!Soap!Operas!and!News!programs.!Analysis!of!each!program!type!

explored!how!television!tells!its!stories,!the!role!of!television!in!American!culture.!

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These!discussions!worked!to!further!the!books!primary!argument!that!television!is!

an!important!object!of!study.!

As!David!Thorburn!explains,!this!view!of!television!was!made!possible!by!earlier!

movements!in!the!1950’s!and!1960’s!to!view!movies!as!a!form!of!popular!art!and!it!

was!this!same!timeframe!that!television!was!beginning!to!surpass!movies!as!

“America’s!principal!medium!of!popular!narrative.”43!Newcomb!explored!this!

relationship!between!television!and!culture!with!Paul!Hirsch!in!the!essay!

“Television!as!a!Cultural!Forum.”44!Newcomb!and!Hirsch!argued!that!television!

plays!an!important!role!in!culture,!not!because!it!answers!any!questions,!but!

because!it!raises!questions.!Within!the!content!of!any!program!are!assumptions!

about!who!we!are!and!what!we!believe.!Viewers!can!choose!an!interpretive!strategy,!

to!engage!with!portions!of!the!texts!that!relate!to!their!experiences!and!personal!

history.!!

Michael!Saenz,!suggests!that!“television!viewing!provides!a!prominent!occasion!

for!viewers’!construction!of!culture.”45!!Watching!television!is!described!as!a!cultural!

practice!where!viewers!draw!from!their!existing!knowledge!to!interact!with!a!

variety!of!meanings!with!the!text!and!produce!new!meanings.!They!reashape!their!

understandings!as!they!enact!“a!selfaconscious!working!out!of!hegemonic!and!

historical!positions,!within!the!gestures!of!narration!and!aesthetic!rhetorical!

appreciation.”!46!It!is!these!cultural!practices!that!are!being!performed!on!Social!TV!

platforms!today.!! !

Based!on!their!interpretations,!viewers!are!generating!emotional!responses!and!

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acting!as!critics.!For!example,!on!the!ABC!Family!show!Pretty!Little!Liars,!Emily,!one!

of!the!main!characters!played!by!Shay!Mitchell,!is!an!openly!gay!high!school!student.!

The!show!crafted!a!story!with!diverse!and!interesting!characters!leaving!audiences!

to!independently!interpret!their!feelings!for!the!characters!and!the!show.!In!a!

personal!conversation!with!Executive!Producer!Oliver!Goldstick,!he!explained!Shay!

Mitchell’s!decision!to!portray!a!gay!character:!

She!felt!it!was!the!right!message!and!wanted!to!send!out!that!message!of!tolerance,!so!it!was!something!she!was!very!interested!in.!But!again,!there!was!no!agenda!on!her!part!or!ours.!It!became!what!it!is.!Because!you!put!something!out!there!and!people!either!identify!or!care!about!this!person,!or!they!don’t.!And!that’s!the!magic!of!casting,!writing,!directing,!all!of!that.47!!

Goldstick!went!on!to!describe!the!feedback!received!by!Mitchell!and!the!show!as!

mixed,!with!Mitchell!receiving!direct!comments!of!praise,!but!feedback!to!the!show!

being,!at!times,!more!critical.!It!is!apparent!that!viewers!were!interpreting!the!

meaning!of!Mitchell’s!character!being!gay!in!multiple!ways.!While!some!viewers!

may!have!interpreted!the!characters!presence!as!promoting!a!message!of!tolerance,!

others!may!have!interpreted!it!as!pushing!an!agenda.!It!is!the!presence!of!these!

potential!multiple!meanings!within!the!program’s!text!that!fuel!debates!and!

discussions!in!schools,!office,!living!rooms!and!on!social!media!platforms.!!This!is!the!

power!of!programs!to!present!issues,!raise!questions!and!act!as!a!source!of!

meanings.!!

! John!Fiske’s!Television!Culture!provides!a!valuable!contribution!to!the!field!of!

television!studies!and!explores!the!role!of!television!in!society!as!part!of!a!

capitalistic!media!industry.!48!!!Although!the!books!is!framed!by!its!primary!focus!on!

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audiences!and!how!viewers!read!texts,!make!meanings!and!gain!pleasure!from!

viewing,!his!chapter!on!“Activated!Texts”!is!particularly!useful!for!this!dissertation.!!!

! Fiske!proposes!that!the!television!“text”!is!not!simply!the!sounds!and!images!

presented!in!the!program.!This,!he!describes!as!the!“primary!text.”!A!“secondary!text”!

also!exists!and!these!include!writings!about!television,!advertisements,!posters!and!

other!components!that!are!“read!back!into!the!text.”49!!A!third!text!is!the!resulting!

talk!produced!by!viewers!resulting!from!discussions!about!individual!readings!of!

the!primary!text.!!These!three!types!of!texts!support!Fiske’s!description!of!an!“open”!

text!that!allows!viewers!to!negotiate!meanings!within!a!text.!These!meanings!are!

supported!by!textual!devices!that!operate!to!open!a!text!to!multiple!interpretations,!

making!it!both!accessible!and!popular.!Some!of!these!devices!found!within!programs!

include!the!use!of!irony,!metaphor,!jokes,!contradiction!and!excess.50!!This!view!by!

Fiske!situates!television!programs!as!both!complex!and!polysemic.!

! Building,!in!part,!on!these!concepts,!Jason!Mittell!offers!a!new!and!distinct!

narrational!mode!of!television!he!calls!Narrative!Complexity.51!!Narrative!

complexity!is!described!as!a!“redefinition!of!episodic!forms!under!the!influence!of!

serial!narration.”52!That!is,!it’s!a!hybrid!type!of!program!containing!elements!from!

both!episodic!and!serial!shows.!This!includes!rejecting!the!need!for!plot!closures!

and!melodramatic!style!while!weaving!together!a!web!of!plot!lines!that!include!

stories!that!find!resolution!within!a!single!episode!and!others!that!are!maintained!

over!multiple!episodes.!!

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! Mittell!argues!that!this!new!type!of!storytelling!was!brought!on!in!the!1990’s!as!a!

result!of!several!industrial!changes.!For!instance,!he!notes!a!migration!of!film!

screenwriters!into!television!as!a!result!of!the!creative!advantages!and!appeal!of!

new!forms!such!as!the!longaform!serial!narrative.!Mittell!also!credits!the!new!

economic!viability!of!small!audiences!created!by!an!increase!in!distribution!outlets!

and!a!coinciding!shift!of!power!from!the!network!to!the!viewer.!Due!to!technological!

advancements,!viewers!were!taking!control!of!their!viewing!through!the!availability!

of!multiple!program!choices!as!well!as!the!ability!to!timeashift!viewing,!offered!first!

by!VCR’s!and!later!by!DVR’s.!This!technology!also!encouraged!increased!viewer!

participation!in!programs.!As!Mittell!states,!

The!Internet’s!ubiquity!has!enabled!fans!to!embrace!a!‘collective!intelligence’!for!information,!interpretations,!and!discussions!of!complex!narratives!that!invite!participatory!engagement!–!and!in!instances!such!as!Babylon!5!or!Veronica!Mars,!creators!join!in!the!discussions!and!use!these!forums!as!feedback!mechanisms!to!test!for!comprehension!and!pleasures.53!!

These!two!examples,!Babylon!5!and!Veronica!Mars!both!had!cult!followings.!Mittell!

argues!that!these!cult!shows!have!“demanding!narratives!that!may!seem!

inaccessible!to!a!mass!audience”!and!“the!striking!popularity!of!some!complex!

programs!suggests!that!a!mass!audience!can!engage!with!and!enjoy!quite!

challenging!and!intricate!storytelling.”54!Mittell!further!suggests!that!cult!viewers!of!

such!programs!are!“willing!to!invest!the!effort!into!the!decoding!process.”55!!

! These!statements!suggest!a!privileged!position!for!viewers!of!cult!shows!and!

indicates!the!author’s!surprise!that!individuals!comprising!the!mass!audience!have!

the!same!decoding!abilities!as!the!higher!status!cult!viewers.!While!I!do!not!

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distinguish!between!different!classes!of!viewers!(a!more!detailed!discussion!of!

audience!decoding!is!available!in!the!following!section),!the!increasing!ubiquity!of!

some!of!the!most!popular!shows!containing!narrative!elements!that!would!award!

them!the!label!of!“narratively!complex”!indicates!that!the!mass!audience!is!both!

willing!and!able!to!enjoy!these!types!of!programs.56!!

! This!engagement!with!narratively!complex!programs,!among!others,!often!

occurs!online!and!makes!Social!TV!platforms!valuable!tools!to!complete!this!process.!!

Evidence!of!these!occurrences!are!scattered!throughout!the!web!and!can!be!found!

on!Twitter,!network!show!sites,!fan!wikis!and!blogging!platforms!such!as!Wordpress.!!

A!comprehensive!example!of!narrative!complexity!is!provided!in!Chapter!Four.!!

Audiences!

Despite!the!brief!history!of!television,!research!focused!on!television!audiences!

has!quickly!evolved,!encompassing!several!theoretical!positions.!These!

characterizations!of!audiences!have!progressed!from!situating!viewers!as!passive!

receivers!of!information,!to!strategic!users!in!search!of!fulfilling!specific!

gratifications!and!towards!popular!modern!conceptions!of!situating!audiences!as!

active!meaningamaking!participants.!!

This!conception!of!audiences!as!active!meaningamaking!participants!arose!from!

research!conducted!at!the!Centre!for!Contemporary!Cultural!Studies!that!was!

founded!in!1964!and!located!at!the!University!of!Birmingham!in!England.!

Researchers!at!CCCS,!including!founder!Richard!Hoggart57,!Raymond!Williams58!and!

E.P!Thompson59!began!to!move!beyond!then!popular!social!scientific!approaches!

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towards!the!idea!of!“humanistic!determinism”!that!situated!the!text!as!holding!

answers.!As!Gray!and!Lotz!explain,!“the!CCCS!refused!to!regard!texts!as!mere!

‘conveyor!belts’!that!unproblematically!transferred!ideas!from!producer!to!

consumer,!nor!did!they!regard!audiences!as!mere!dupes;!thus!a!great!deal!of!their!

efforts!were!expended!studying!exactly!how!power!and!ideology!worked!at!the!level!

of!the!text.”60!

One!of!the!most!influential!works!arising!from!the!CCCS!was!Stuart!Hall’s!1973!

“Encoding/Decoding.”61!Hall!proposed!a!model!that!suggested!media!research!

should!be!investigated!according!to!the!political!and!social!context!in!which!it!is!

both!produced!and!consumed.!He!situated!audiences!as!undertaking!a!process!of!

decoding!texts’!to!make!sense!of!what!was!being!viewed!because,!if!audiences!were!

simple!receivers!of!messages,!there!would!be!nothing!to!talk!about.!!

As!Hall!explains,!meanings!are!not!fixed!within!the!text,!but!open!for!

interpretation!by!viewers.!Hall!also!suggested!that!texts!contained!preferred!

meanings.!When!viewers!decoded!or!read!programs!and!received!these!meanings,!

they!were!said!to!be!operating!inside!the!dominant!code!and!this!was!labeled!as!a!

“dominantahegemonic!position.”!Two!other!types!of!decoding!were!also!suggested,!

“negotiated,”!where!the!viewer!takes!away!a!combination!of!intended!and!una

intended!meanings!and!“oppositional”!where!the!viewers!reading!was!contrary!to!

the!way!intended!by!the!encoder.!Social!TV!is!now!providing!a!forum!for!viewers!to!

share!these!decodings.!Users!can!post!their!interpretations!of!programs!and!“test”!

their!decodings!against!others!readings.!!

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David!Morley!and!Charlotte!Brundson!published!Everyday!Television:!

‘Nationwide’!in!1978.62!!Morley!and!Brundson!provided!an!analysis!of!the!BBC!

evening!news!program!Nationwide,!identifying!the!“preferred”!reading!and!

suggesting!how!the!program!offered!certain!views!as!commonsense.!!A!subsequent!

study!by!Morley!investigated!viewer!responses!to!Nationwide!and!classified!them!

according!to!Hall’s!Encoding/Decoding!classifications.63!Morley!was!interested!in!

how!a!viewer’s!class!might!influence!decoding!activities.!He!determined!that!class!

did!not!play!a!role!in!how!a!program!was!decoded.64!People!from!different!

socioeconomic!classes!decode!meanings!in!different!ways.!Yet,!social!class!does!not!

determine!how!messages!are!interpreted.!People!from!the!same!class!can!have!

different!interpretations!and!therefore!meaning!is!the!outcome!of!the!viewers’!

interaction!with!the!text.!

Building!on!Morley’s!findings,!Dorothy!Hobson!investigated!the!British!Soap!

Opera!Crossroads.65!Hobson!supported!situating!viewers!as!active!readers,!but!

challenged!the!“preferred!reading”!concept.!She!emphasized!the!power!of!the!

audience!to!construct!their!own!meanings!from!a!text!by!combining!the!text,!

personal!experiences!and!opinions.!Hobson’s!method!of!observing!families!in!their!

homes!also!opened!the!field!to!sociologically!based!ethnographic!methods!that!

moved!the!object!of!study!beyond!the!text!and!into!the!culture.!!

Hobson’s!work!supported!arguments!that!audiences!can!have!various!opinions!

about!programs!and!identify!with!programs!in!different!ways.!When!viewers!form!

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these!opinions,!they!often!want!to!share!them!and!the!associated!emotions.!Today,!

social!media!platforms!offer!a!place!for!viewers!to!express!and!share!their!feelings.!!!

Ien!Ang’s!Watching!Dallas!investigated!women’s!expectations!and!the!pleasure!

they!experience!watching!Soap!Operas.66!To!gain!an!understanding!of!viewer’s!

experiences,!Ang!solicited!letters!from!viewers!who!replied!to!her!advertisement.!

Fortyatwo!letters!were!received.!Consistent!with!Hobson,!Ang!suggests!viewers!are!

active!in!their!meaning!making!activities!and!dominant!ideologies!are!circumvented!

when!viewers!are!shaping!their!meaning!making!activities!on!emotion.!She!asserts!

that!the!text!“functions!only!if!it!is!‘read’”!and!it!is!through!this!practice!of!reading!

that!a!text!creates!meanings!for!viewers.67!!

These!reading!practices!were!further!explored!by!John!Fiske!in!Television!

Culture.68!This!seminal!work!addressed!a!range!of!issues!surrounding!the!culture!of!

television!and!how!“consumption!involves!making!meanings,!constructing!identities!

and!finding!pleasures.”69!He!envisioned!Hall’s!negotiated!readings!as!the!most!

valuable!type!and!suggested!that,!in!practice,!“there!are!very!few!perfectly!dominant!

or!purely!oppositional!readings.”70!Therefore,!Fiske!suggests!messages!were!not!

“solely!in!the!text”!as!suggested!by!Hall!and!Morley,!but!open!for!audience!

interpretation.71!!!

Fiske!suggested!the!audience!should!not!be!situated!as!a!homogenous!mass,!but!

as!individual!interpreters!of!meanings!who!then!form!subacultural!groups.!This!view,!

that!viewers!fashion!their!views!of!content!from!existing!maps!of!knowledge,!then!

work!with!others!sharing!readings!as!participants!in!audience!communities,!situates!

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the!process!of!reading!the!text!as!the!most!important!area!of!study.!Fiske!argues!that!

viewers!form!social!communities!and!the!process!of!talking!about!television!can!

activate!meanings!for!particular!groups.!Therefore,!“meanings!are!determined!

socially.”72!

This!“socialness”!is!an!important!aspect!of!Social!TV.!!Today,!Internet!based!

social!platforms!provide!a!place!for!viewers!to!connect!and!share!their!

interpretations!of!shows.!Viewers!may!watch!a!show!individually,!physically!

isolated!from!others,!but!they!can!virtually!join!others!to!share!the!meanings!they!

made!while!watching!the!show.!“In!this!way,!solitary!viewing!can!be!experienced!as!

group!viewing,!because!the!viewer!knows!well!that!other!members!of!her/his!group!

are!viewing!at!the!same!time.”73!This!talk!is!labeled!by!Fiske!as!“gossip”!and!it!is!

useful!for!both!constructing!group!meanings!and!communities.!!

These!communities,!situated!as!fan!cultures,!have!been!explored!by!Henry!

Jenkins.!In!his!book!Textual!Poachers!(1992),!Jenkins!describes!a!subaculture!that!

has!been!created!by!fans!who!are!“active!producers!and!manipulators!of!meaning.74!

The!textual!interpretations!of!fans!are!then!expressed!through!the!creation!of!

alternate!materials!such!as!stories,!videos!and!music!that!are!circulated!amongst!

fellow!fans.!These!activities!led!Jenkins!to!situate!fan!activities!as!being!deeply!social.!!

Today,!the!use!of!computers!for!these!activities!has!intensified!interpretive!

processes!and!changed!who!participates.75!Jenkins!described!fans!as!participating!in!

communities!for!the!social!pleasure.!They!were!not!attempting!to!influence!the!

programs!they!were!discussing.!Fans!envisioned!themselves!as!powerless!to!that!

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end,!so!they!instead!focused!on!the!creation!of!alternative!texts.!As!Jenkins!states,!

these!fans!were!“operating!from!a!position!of!cultural!marginality!and!social!

weakness.!Like!other!popular!readers,!fans!lack!direct!access!to!the!means!of!

commercial!cultural!production!and!have!only!the!most!limited!resources!with!

which!to!influence!entertainment!industry’s!decisions.”76Today,!I!suggest!fans!are!

operating!increasingly!less!“from!the!margins.”!!

! While!these!fan!groups!still!exist,!other!viewers!have!started!to!participate!more!

than!ever!before,!and!these!viewers!have!different!intentions.!They!seek!to!socialize!

with!other!viewers!and!speak!back!to!the!productions!decision!makers.!Jenkins!

stated!“fans!have!little!say!about!what!happens!to!their!characters!or!their!programs,!

but!fans!claim!the!right!to!protest!and!protest!loudly!decisions!contradicting!their!

perception!of!what!is!desirable!or!appropriate.”77!But!I!suggest!some!fans!now!

expect!more!than!just!the!right!to!protest!and!they!expect!their!voices!to!be!heard.!

This!is!especially!true!when!these!groups!attract!enough!members!to!increase!the!

power!of!their!collective!voice.!Results!from!situations!where!groups!have!voiced!

collective!opinions!include!scenarios!where!shows!have!been!saved!from!

cancellation,!producers!have!been!convinced!to!have!their!shows!visit!certain!

locations!and!viewers!have!influenced!changes!in!show!content.!!

!While!Jenkins!focused!on!fans!and!viewers!in!the!US,!the!late!1980’s!and!early!

1990’s!experienced!a!turn!towards!international!and!ethnographic!studies.!Many!

international!studies!focused!on!the!increasingly!global!circulation!of!television!

texts!and!how!nonaAmerican!audiences!were!interpreting!foreign!texts.!In!one!such!

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study,!Tamar!Liebes!and!Elihu!Katz!sought!to!understand!how!television!viewers!

around!the!world!responded!to!the!program!Dallas.78!Today,!due!to!social!media!

activities,!these!processes!in!international!markets!may!be!different.!It!is!possible,!

for!example!that!an!international!viewer!might!believe!they!know!how!US!viewers!

would!respond!to!a!text.!Now,!they!can!validate!their!assumptions!by!reviewing!US!

viewer!responses!to!the!text.!

James!Lull’s!edited!collection!World!Families!Watch!Television!released!in!1988!

contains!essays!that!investigated!audiences!not!from!their!response!to!a!particular!

text!as!Liebes!and!Katz!did,!but!from!a!sociological!perspective.79!Today,!similar!

studies!investigating!the!roles!of!Social!TV!in!the!home!would!be!warranted.!

Researchers!might!seek!to!understand!how!Social!TV!is!changing!interpersonal!

relationships!within!the!home,!how!it!is!influencing!viewing!choices!and!even!the!

amount!of!time!viewing!shows!or!participating!in!activities!related!to!viewing!such!

as!seeking!out!additional!information!on!actors,!reading!episode!reviews!or!creating!

“paratexts.”!!

Research!on!audiences!in!the!1990’s!increasingly!used!ethnographic!methods!

and!researchers!entered!the!homes!of!viewers!to!watch!them!watching!television.!!

In!David!Morley’s!Television,!Audiences!&!Cultural!Studies,!Morley!reviews!the!

historical!development!of!audience!studies!and!cultural!studies!while!promoting!the!

value!of!small!ethnographic!studies!usefulness!towards!furthering!understanding!of!

both!audiences!and!culture.!!

One!such!ethnographic!study!was!completed!by!Ron!Lembo.80!!Instead!of!

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investigating!meaningamaking!activities!and!audience!interactions!with!specific!

texts,!Lembo!sought!to!understand!the!practices!of!watching!television!and!the!

rituals!involved.!In!Thinking!Through!Television,!Lembo!argues!for!the!creation!of!

categories!of!reception!to!describe!the!ways!people!watch!TV.!!He!states:!

Unless!critical!analysts!generate!categories!for!reception,!of!use,!that!can!document!the!social!functions!of!television,!the!emphasis!on!textual!reading!among!audience!members!remains!incomplete!and!perhaps!misses!what!is!arguably!most!important!about!television!use.81!!

Lembo!employed!a!strategy!of!empirical!research.!Beginning!in!the!late!1980’s,!he!

conducted!interviews!and!observations!to!create!a!typology!of!viewing!use.!The!

categories!he!created!were!Discrete!Use,!where!viewers!are!highly!involved!and!

concentrate!on!the!TV,!Undirected!Use!where!the!television!is!on,!but!viewers!are!

less!involved!and!mind!it!a!little!less!attention!often!completing!other!activities!

while!the!television!was!on!and!Continuous!Use!where!viewers!basically!leave!

television!on!as!background!noise,!occasionally!paying!attention!to!it.!!

I!find!the!most!useful!aspect!of!creating!this!typology!is!not!the!categories!

themselves,!but!the!resulting!concept!that!viewers!engage!with!television!shows!in!

different!ways.!The!ways!people!watch!television!and!the!role!they!perceive!it!plays!

in!their!home!environment!may!have!a!relationship!with!the!way!socialization!

around!television!occurs.!!

One!issue!with!these!types!of!discussions!about!viewers!is!that!all!audiences!

were!regularly!referenced!as!a!singular!group.!As!such,!they!were!situated!as!having!

considerable!power.!As!Horace!Newcomb!stated!in!retrospect,!as!views!on!audience!

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studies!transitioned!from!passive!dupes!to!active!audiences,!the!turn!of!the!century!

was!a!time!when!“for!some!researchers!and!critics…the!pendulum!swung!too!far!as!

audiences!were!granted!enormous!powers!of!resistance!to!mediated!messages!and!

meanings,!and!‘resistance’!to!textual!properties!was!translated!into!political!

significance.”82!

In!reaction!to!this!shift,!audience!studies!moved!in!a!direction!towards!

investigations!of!different!contexts!of!reception!and!personal!responses.!Questions!

asked!not!how!“audiences”!were!responding!to!television,!but!how!feminists,!ethnic!

and!sexual!minority!groups!and!even!children!were!responding!to!texts.!This,!in!

turn,!opened!discussion!of!media!literacy!and!how!individuals!should!be!instructed!

to!read!television!texts.!This!shift!also!coincided!with!changing!institutional!

practices!such!as!the!growth!in!the!number!of!channels!and!narrowcasting!that!led!

to!distribution!strategies!of!targeting!content!to!specific!groups!resulting!in!each!of!

these!smaller!classifications!of!viewers!receiving!different!content.!

! In!The!Audience!Studies!Reader,!Will!Brooker!and!Deborah!Jermyn!present!a!

collection!of!media!studies!articles!that!exemplifies!the!new!focus!of!attention!on!

identity!politics!and!globalization!that!continues!today.!!Essays!from!Janice!Radway,!

Ien!Ang,!Angela!McRobbie!and!others!explore!female!audiences!in!a!section!on!

gender!and!reading.!Sut!Jhally!and!Justin!Lewis,!Tamar!Liebes!and!Elihu!Katz,!

Jacqueline!Bobo!and!Marie!Gillespie’s!essays!explore!interpretive!communicated!

based!on!nation!and!ethnicity.83!!

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As!cultural!media!studies!of!television!audiences!enters!its!fifth!decade,!research!

does!not!focus!on!any!one!specific!area,!but!a!variety!of!approaches!that!are!based!

on!the!complex!foundational!work!discussed!here.!Several!examples!of!this!diversity!

include!research!areas!such!as:!

• Media!Literacy!and!exploring!how!audiences!can!be!educated!to!critically!

read!media!texts.!

• Audience!responses!to!specific!shows!and/or!genres.!

• How!cultural!factors!such!as!gender,!race,!class!or!sexuality!influence!

program!selection!and!consumption.!

• Investigations!of!Fandom!and!fan!activities!examining!participatory!cultures,!

socialization!around!texts!and!viewer!creation!of!“paratexts.”!!

• The!influence!of!technology!on!viewing!practices,!audience!activity!and!

program!selection.!!

Many!of!these!research!areas!address!the!same!questions!that!have!been!asked!

since!the!beginning!of!cultural!studies!of!audiences.!Today!however,!the!biggest!

change!is!the!establishment!of!a!new!site!of!audience!research,!the!Internet.!!

! Jenkins!was!one!for!the!first!to!perform!early!research!on!the!Internet.!84!Later,!

Nancy!Baym!completed!an!ethnographic!study!of!an!online!soap!opera!fan!group.!85!!

More!recently,!in!Beyond!the!Box,!Sharon!Ross!discusses!viewer’s!online!engagement!

with!shows,!a!process!she!labels!”teleparticipation.”86!As!Internet!use!has!become!

ubiquitous!and!audiences!are!provided!platforms!to!connect!and!participate!in!

interactions!about!television!shows,!the!resulting!information!provides!a!fertile!

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ground!of!research!information!about!viewers,!their!meaning!making!activities!and!

viewing!habits.!One!such!type!of!interaction!is!the!creation!and!distribution!of!

“paratexts”!including!fan!fiction!writing,!images,!videos!and!other!materials.!As!

audiences!become!content!creators,!the!lines!between!media!production!and!

consumption!are!increasingly!blurred,!and!here!is!no!longer!a!clear!line!of!

demarcation!between!people!traditionally!differentiated!as!content!producers!and!

those!described!as!content!consumers.!As!Shayla!ThielaStern!suggests,!“the!new!

media!have!almost!fully!collapsed!the!differences!between!audience!and!

producer.”87!!

Today,!audiences!are!most!commonly!situated!as!consumers!of!media!content!

who!are!packaged!and!sold!to!advertisers!as!potential!customers,!however!that!may!

be!beginning!to!change.!Audiences!are!becoming!participants!and!talking!back!to!

content!producers,!possibly!influencing!what!those!producers!are!creating!and!

distributing.!The!line!between!the!audience!and!producer!is!being!blurred!because!

the!audience!becomes!a!participant!in!the!production!process.!This!can!be!in!the!

form!of!voting!for!a!competition!winner,!picking!a!show!ending!or!complaining!

about!and!getting!a!producer!to!change!a!storyline.!

There!are!several!problems!created!by!this!new!audience/producer.!First,!the!

use!of!the!term!“audience,”!is!problematic!in!itself.!Its!use!favors!the!conception!of!

viewers!as!a!homogenous!mass.!Surely!all!viewers!are!not!acting!the!same!way!as!a!

singular!audience.!While!watching!a!TV!show,!there!are!likely!viewers!who!can!be!

described!as!a!passive!“schlub”!on!the!couch,!others!who!are!actively!consuming!the!

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text!searching!for!meanings!and!others!who!are!more!actively!participating.88!!The!

term!viewer!might!even!suggest!a!certain!level!of!passivity.!Perhaps!there!is!no!

single!term!that!can!be!used!to!describe!the!variety!of!levels!of!involvement.!

Second,!this!variety!of!types!of!audience!members!raises!another!issue!about!

their!valuation.!If!audiences!are!commodities!who!are!packaged!and!sold!to!

advertisers,!but!they!are!participating!to!varying!degrees,!do!some!become!more!

valuable!than!others?!Should!individuals!who!act!as!viewers!and!producers!be!more!

valuable!than!those!who!don’t!produce!anything?!!!

It!is!apparent!that!old!definitions!of!audiences!and!producers!have!become!

muddled,!as!have!the!differences!between!the!roles!of!each!type!of!participant.!It!is!

important!to!have!an!awareness!of!these!changes,!and!be!more!descriptive!about!

our!assumptions!behind!the!terms!we!use.!!

Studies!of!audiences!have!come!a!long!way!from!their!foundations!in!direct!

effects!where!audiences!were!situated!as!passive!dupes!to!today’s!dominant!

paradigm!of!meaningamaking!activities.!Power!has!shifted!from!exclusively!residing!

with!the!“senders”!of!messages!to!instances!where!“receivers”!are!also!at!times!

empowered.!Fears!of!the!potentially!negative!effects!of!media!still!exist,!but!are!

most!often!found!with!politically!motivated!groups!such!as!the!Parents!Television!

Council!who!seek!to!promote!an!agenda.!

Literature!Review!Summary!!

! The!lack!of!academic!literature!focusing!on!Social!TV!is!likely!a!result!of!several!

factors!including!the!phenomenon’s!sudden!and!rapid!growth!and!the!traditionally!

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slow!process!of!academic!publishing.!Despite!this!delay,!there!is!a!wealth!of!

information!available!from!the!conversations!appearing!in!the!trade!press,!findings!

published!in!corporate!white!papers!and!connections!that!can!be!made!between!this!

contemporary!phenomenon!and!existing!studies!on!television!in!the!areas!of!

institutions,!programs!and!audiences.!!

! Although!I!utilize!the!classification!scheme!of!institutions,!programs!and!

audiences!offered!by!Gray!and!Lotz!to!organize!this!dissertation,!this!project!is!more!

appropriately!defined!as!a!media!industry!study!than!strictly!a!“television!study.”!

First!proposed!in!2009!by!Timothy!Havens,!Amanda!Lotz!and!Serra!Tinic!“critical!

media!industry!studies”!is!an!approach!that!seeks!to!smooth!tensions!between!the!

approaches!of!political!economy!and!cultural!studies.89!As!Jennifer!Holt!and!Alisa!

Perren!explain!in!Media!Industries:!History,!Theory!and!Method,!a!“myriad!of!

developments”!including!shifts!in!regulatory!philosophy,!trade!agreements,!

transnational!collaborations,!technological!and!industrial!convergence,!methods!of!

valuing!audiences!and!changes!to!programming!have!“created!a!pressing!need!to!

bring!interdisciplinary!scholarship!on!media!industries!into!a!common!dialog.”90!

! With!this!interdisciplinary!approach!in!mind,!this!dissertation!is!an!investigation!

into!the!influence!of!Social!TV!on!television!production!practices!and!content.!As!

such,!it!includes!consideration!of!a!variety!issues!including!corporate!business!

practices,!authorship,!audiences!and!program!content.!It!is!an!investigation!of!

power,!but!not!labeled!as!“political!economy.”!It!is!an!investigation!of!program!

content,!but!not!labeled!as!“critical!textual!analysis.”!It!is!an!investigation!of!viewers,!

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but!not!labeled!as!“audience!studies.”!It!is!an!investigation!of!advertising!and!

marketing,!but!not!labeled!as!a!“business!study.”!!It!is!an!investigation!of!how!a!

media!industry!operates!to!better!appreciate!how!texts!are!created,!the!influences!

upon!the!people!who!create!them,!the!role!of!audiences,!the!financial!restraints!and!

implications,!and!how!new!media!technologies!influence!existing!business!and!

cultural!practices.!To!accomplish!this,!the!following!methods!will!be!employed.

Notes!

1!Proulx!and!Shepatin,!Social!Tv!:!How!Marketers!Can!Reach!and!Engage!Audiences!by!Connecting!Television!to!the!Web,!Social!Media,!and!Mobile.!

2!Ibid!Mike!Proulx!and!Stacey!Shepatin,!p.!10.!

3!Nielsen,!"New!Nielsen!Research!Indicates!TwoaWay!Causal!Influence!between!Twitter!Aactivity!and!Tv!Viewship,"!!http://www.nielsen.com/us/en/pressaroom/2013/newanielsenaresearchaindicatesatwoawayacausalainfluenceabetweena.html.!

4!Ibid.!

5!Amy!Mitchell!and!Paul!Hitlin,!"Twitter!Reaction!to!Events!Often!at!Odds!with!Overall!Public!Opinion,"!!http://www.pewresearch.org/2013/03/04/twitterareactionatoaeventsaoftenaataoddsawithaoverallapublicaopinion/.!

6!Gray!and!Lotz,!Television!Studies,!123.!

7!Ibid.!

8!Chad!Gervich,!Small!Screen,!Big!Picture!:!A!Writer's!Guide!to!the!Tv!Business,!1st!ed.(New!York:!Three!Rivers!Press,!2008).!

9!Ibid.,!21.!

10!Todd!Gitlin,!Inside!Prime!Time,!1st!ed.(New!York:!Pantheon!Books,!1983).!

11!John!Thornton!Caldwell,!Production!Culture!:!Industrial!Reflexivity!and!Critical!Practice!in!Film!and!Television,!ConsoleaIng!Passions!(Durham,!N.C.:!Duke!University!Press,!2008),!216.!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

12!Ibid.,!219.!

13!Horace!Newcomb!and!Robert!S.!Alley,!The!Producer's!Medium!:!Conversations!with!Creators!of!American!Tv(New!York:!Oxford!University!Press,!1983).!

14!Ibid.,!148a49.!

15!Ibid.,!109.!

16!Ibid.,!110.!

17!Hart!Hanson!in!Discussion!with!the!Author!(1),!June!18,!2013.!

18!Amanda!Lotz,!"Textual!(Im)Possibiliites!in!the!U.S.!PostaNetwork!Era:!Negotiating!Production!and!Promotion!Processes!on!Lifetime's!Any!Day!Now,"!Critical!Studies!in!Media!Communication!21,!no.!1!(2004).!

19!Ibid.,!23.!

20!Elana!Levine,!"Toward!a!Paradigm!for!Media!Production!Research,"!ibid.18(2001):!66.!

21!Ibid.,!78.!

22!Ibid.,!79.!

23!Gervich,!Small!Screen,!Big!Picture!:!A!Writer's!Guide!to!the!Tv!Business,!42.!

24!Ibid.!

25!Muriel!G.!Cantor,!The!Hollywood!Tv!Producer;!His!Work!and!His!Audience(New!York,:!Basic!Books,!1971).!

26!Newcomb!and!Alley,!The!Producer's!Medium!:!Conversations!with!Creators!of!American!Tv.!

27!Horace!Newcomb,!"Media!Institutions:!The!Creation!of!Television!Drama,"!in!A!Handbook!of!Qualitative!Methodologies!for!Mass!Communication!Research,!ed.!Klaus!Bruhn!Jensen!and!Nick!Jankowski(London!;!New!York:!Routledge,!1991),!93.!

28!Jeremy!Tunstall,!Television!Producers,!Communication!and!Society!(London!;!New!York:!Routledge,!1993).!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

29!Robert!S.!Alley!and!Irby!B.!Brown,!Women!Television!Producers!:!1948A2000(Rochester,!NY:!University!of!Rochester!Press,!2002).!

30!David!Wild,!The!Showrunners!:!A!Season!inside!the!BillionADollar,!DeathADefying,!Madcap!World!of!Television's!Real!Stars,!1st!ed.(New!York,!NY:!HarperCollins,!1999).!

31!Myles!McNutt,!"Tweets!of!Anarchy:!Showrunners!on!Twitter,"!Antenna,!http://blog.commarts.wisc.edu/2010/09/17/tweetsaofaanarchyashowrunnersaonatwitter/.!

32!Gray!and!Lotz,!Television!Studies,!123.!

33!William!Boddy,!Fifties!Television!:!The!Industry!and!Its!Critics(Urbana:!University!of!Illinois!Press,!1990).!

34!Ibid.,!5.!

35!Ben!H.!Bagdikian,!The!New!Media!Monopoly(Boston:!Beacon!Press,!2004).!

36!Ibid.,!27.!

37!Jennifer!Holt,!Empires!of!Entertainment!:!Media!Industries!and!the!Politics!of!Deregulation,!1980A1996(New!Brunswick,!N.J.:!Rutgers!University!Press,!2011),!18.!

38!"Yahoo!Buys!Intonow,!Maker!of!Tv!'Checkain'!App!for!Ios!Devices,"!Los!Angeles!Times,!http://latimesblogs.latimes.com/technology/2011/04/yahooaintonowacheckain.html.!

39!Graeme!Turner!and!Jinna!Tay,!Television!Studies!after!Tv!:!Understanding!Television!in!the!PostA!Broadcast!Era(London!;!New!York:!Routledge,!2009).!

40!Lynn!Spigel!and!Jan!Olsson,!Television!after!Tv!:!Essays!on!a!Medium!in!Transition,!ConsoleaIng!Passions!(Durham:!Duke!University!Press,!2004);!Turner!and!Tay,!Television!Studies!after!Tv!:!Understanding!Television!in!the!PostA!Broadcast!Era,!2.!

41!Television!Studies!after!Tv!:!Understanding!Television!in!the!PostA!Broadcast!Era,!7.!

42!Horace!Newcomb,!Tv:!The!Most!Popular!Art,!1st!ed.(Garden!City,!N.Y.,:!Anchor!Press,!1974).!

43!David!Thorburn,!"Television!Aesthetics,"!!http://web.mit.edu/21L.432/www/readings/Thorburn_TelevisionAesthetics.pdf.!

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44!Horace!Newcomb!and!Paul!M.!!Hirsch,!"Television!as!a!Cultural!Forum,"!in!Television!the!Critical!View,!ed.!Horace!Newcomb(New!York:!Oxford!University!Press,!1983).!

45!Michael!K.!Saenz,!"Television!Viewing!as!a!Cultural!Practice,"!in!Television:!The!Critical!View,!ed.!Horace!Newcomb(New!York:!Oxford!University!Press,!1994),!573.!

46!Ibid.,!578.!

47!Oliver!Goldstick!in!Discussion!with!the!Author,!July!24,!2013.!

48!John!Fiske,!Television!Culture,!2nd!ed.(London!;!New!York:!Routledge,!2011).!

49!Ibid.,!85.!

50!Ibid.,!85a94.!

51!Jason!Mittell,!"Narrative!Complexity!in!Contemporary!American!Television,"!The!Velvet!Light!Trap!58,!no.!Fall!2006!(2006).!

52!Ibid.,!32.!

53!Ibid.,!31a32.!

54!Ibid.,!38.!

55!Ibid.!

56!Some!examples!of!these!programs!I!mention!would!include!Breaking!Bad,!Mad!Men,!Sons!of!Anarchy,!Games!of!Thrones,!Orange!is!the!New!Black.!

57!Richard!Hoggart,!The!Uses!of!Literacy;!Changing!Patterns!in!English!Mass!Culture(Fair!Lawn,!N.J.,:!Essential!Books,!1957).!

58!Raymond!Williams,!Culture!and!Society,!1780A1950(New!York,:!Columbia!University!Press,!1958).!

59!E.P!Thompson,!The!Making!of!the!English!Working!Class(Vintage,!1966).!

60!Gray!and!Lotz,!Television!Studies,!19.!

61!Stuart!Hall,!Culture,!Media,!Language!:!Working!Papers!in!Cultural!Studies,!1972A79(London![Birmingham,!West!Midlands]:!Hutchinson;Centre!for!Contemporary!Cultural!Studies,!University!of!Birmingham,!1980).!

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62!Charlotte!Brunsdon!and!David!Morley,!Everyday!Television:!Nationwide(London:!British!Film!Institute,!1978).!

63!David!Morley,!The!'Nationwide'!Audience(London:!British!Film!Institute,!1980).!

64!This!finding!was!later!challenged!by!Sujeong!Kim.!See!Sujeong!Kim,!"Rereading!David!Morley's!the!'Nationwide'!Audience,"!Cultural!Studies!18,!no.!1!(2004).!

65!Dorothy!Hobson,!'Crossroads':!Drama!of!a!Soap!Opera(London:!Methuen,!1982).!

66!Ien!Ang,!Watching!Dallas!:!Soap!Opera!and!the!Melodramatic!Imagination(London!;!New!York:!Methuen,!1985).!

67!Ibid.,!27.!

68!Fiske,!Television!Culture.!

69!Ibid.,!xxxiii.!

70!Ibid.,!64.!

71!Ibid.,!66.!

72!Ibid.,!81.!

73!Ibid.,!80.!

74!Jenkins,!Textual!Poachers!:!Television!Fans!and!Participatory!Culture,!23.!

75!Ibid.,!79.!

76!Ibid.,!26.!

77!Ibid.,!118.!

78!Tamar!Liebes!and!Elihu!Katz,!The!Export!of!Meaning!:!CrossACultural!Readings!of!Dallas(New!York:!Oxford!University!Press,!1990).!

79!James!Lull,!World!Families!Watch!Television,!Communication!and!Human!Values!(Newbury!Park,!Calif.:!Sage!Publications,!1988).!

80!Ron!Lembo,!Thinking!through!Television,!Cambridge!Cultural!Social!Studies!(Cambridge,!UK!;!New!York,!NY:!Cambridge!University!Press,!2000).!

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81!Ibid.,!99.!

82!Horace!Newcomb,!Television!:!The!Critical!View,!6th!ed.(New!York:!Oxford!University!Press,!2000),!421.!

83!Will!Brooker!and!Deborah!Jermyn,!The!Audience!Studies!Reader(London!;!New!York:!Routledge,!2003).!

84!Jenkins,!Textual!Poachers!:!Television!Fans!and!Participatory!Culture.!

85!Nancy!Baym,!Tune!in,!Log!On:!Soaps,!Fandom,!and!Online!Community(London:!Sage,!2000).!

86!Sharon!Marie!Ross,!Beyond!the!Box!:!Television!and!the!Internet(Malden,!MA:!Blackwell!Pub.,!2008).!

87!Angharad!N.!Valdivia,!"Beyond!the!Active!Audience:!Exploring!New!Media!Audiences!and!the!Limits!of!Cultural!Production,"!ed.!Radhika!Parameswaran,!vol.!IV,!The!International!Encyclopedia!of!Media!Studies!(Blackwell!Publishing!Ltd.!,!2013).!1.!

88!For!a!detailed!study!on!types!of!viewers,!see!Lembo,!Thinking!through!Television.!

89!Timothy!Havens,!Amanda!D.!Lotz,!and!Serra!Tinic,!"Critical!Media!Industry!Studies:!A!Research!Approach,"!Communication,!Culture!and!Critique!2(2009).!

90!Jennifer!Holt!and!Alisa!Perren,!Media!Industries!:!History,!Theory,!and!Method(Chichester,!West!Sussex!;!Malden,!MA:!WileyaBlackwell,!2009),!1a2.!

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CHAPTER!3!

METHODS!

This!dissertation!is!a!case!study!of!the!television!show!Bones.!The!case!study!

approach!was!selected!because!it!“is!an!ideal!methodology!when!a!holistic,!inadepth!

investigation!is!needed.”1!Case!studies!are!designed!to!bring!out!information!from!

multiple!sources!and!deeply!analyze!a!subject.!The!approach!is!an!effective!way!to!

investigate!how!“a!number!of!variables!interact!in!order!to!fully!understand!a!given!

situation.”2!In!this!case,!the!variables!are!the!television!show,!its!related!production!

company,!the!network,!the!employees,!staff!and!crew,!the!audiences,!the!social!

interactions!surrounding!the!show!and!the!online!platforms!where!these!

interactions!occur.!In!addition!to!multiple!sources!of!information,!multiple!methods!

are!employed.!These!include!observations,!interviews!and!textual!analysis.!The!use!

of!multiple!information!sources!and!multiple!methods!allows!for!a!process!of!

triangulation,!resulting!in!a!comprehensive!or!rigorous!research!approach.!This!

should!appease!critics!of!the!case!study!approach!who!argue!the!process!lacks!rigor.!

As!Robert!Yin!suggests,!the!use!of!multiple!methods!and!variables!allows!for!a!

triangulation!of!evidence!and!increases!the!reliability!of!the!information!resulting!in!

a!rigorous!research!process.3!

The!case!study!approach!follows!a!basic!process.!This!includes!the!asking!of!

questions,!selection!of!methods!to!gather!information!or!data,!determining!the!

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object(s)!of!study,!performing!research!activities,!analyzing!and!making!sense!of!

findings!and!reporting!those!findings.!This!process!results!in!several!advantages.!

First,!the!case!study!allows!for!deep!and!rigorous!examination!of!a!person,!event!

or!scenario.!This!depth!of!research!enables!the!production!of!richly!detailed!findings.!

Second,!research!can!be!conducted!in!the!object’s!natural!setting,!allowing!for!a!

more!accurate!vision!of!that!object’s!reality.!!Third,!the!case!study!allows!for!a!

variety!of!topics!to!be!investigated!including!people,!events,!organizations!and!

phenomena.!Researchers!can!also!investigate!phenomenon!that!are!not!easily!

quantifiable,!undertaking!a!holistic!approach!to!information!collection.!This!can!

assist!in!the!fostering!of!new!hypotheses!and!research!questions.!!

The!decision!to!use!a!case!study!approach!stems!from!the!fact!that!Social!TV!is!a!

relatively!new!and!rapidly!growing!phenomenon.!Although!people!have!been!

participating!in!social!activities!surrounding!television!since!its!inception,!the!

introduction!of!new!technologies!has!resulted!in!changes!to!the!way!viewers!

interact!and!potentially!in!how!television!content!producers!respond!to!the!viewer’s!

social!activities.!For!this!reason,!it!would!be!illogical!to!think!all!audiences!and!

producers!are!engaging!in!Social!TV!activities!in!the!same!manner.!I!suggest!we!are!

in!a!current!phase!of!testing!and!change!and!there!is!value!in!understanding!how!

one!group!of!viewers,!network,!studio!and!show!are!engaged.!!

! This!chapter!provides!a!description!of!the!research!activities!that!incorporate!

this!case!study!process!and!demonstrates!how!these!methodologies!are!put!to!use.!

After!an!overview!of!interview!activities,!details!are!provided!about!inaperson!and!

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online!observation!activities,!the!project’s!strategy!and!research!design,!about!

methods!for!information!collection!and!analysis!methods!and!about!the!ethical!

issues!taken!into!consideration.!!

Interviews!

Interview!subjects!include!individuals!from!the!production!company,!studio!and!

network.!Production!interviewees!include!“above!the!line”!individuals!such!as!the!

showrunner,!writers!and!actors!as!these!individuals!are!responsible!for!the!creative!

direction!of!a!show.!Several!“below!the!line”!individuals!such!as!staff!in!the!

wardrobe!and!makeaup!departments!are!interviewed.!4!

Showrunners!are!in!charge!of!a!show’s!production!and!are!classified!as!the!

primary!informants.!They!oversee!all!aspects!of!production,!are!the!link!between!

production!and!the!network,!and!often!fill!a!role!as!one!of!the!writers!of!a!show!

(Hart!Hanson!of!Bones,!Howard!Gordon!and!Alex!Gansa!of!Homeland,!Kurt!Sutter!of!

Sons!of!Anarchy).!As!Producers!Guild!of!America!President!Mark!Gordon!explained,!

being!a!showrunner!“requires!a!unique!set!of!skills!because!you!have!to!provide!the!

creative!vision!for!the!show!while!also!working!with!the!entire!creative!team!and!

then!balancing!that!with!the!demands!of!the!production!company!and!the!

network."5!The!showrunner!is!the!most!important!point!of!contact!for!this!project!

and!this!person!should!be!informed!of!all!show!operations,!hold!the!final!say!in!

creative!decisions!and!have!the!ability!to!approve!access!to!all!aspects!of!production.!

An!open!line!of!communication!via!email!and!telephone!is!maintained!with!the!

showrunner!throughout!the!fieldwork!timeframe.!!A!comparison!of!observed!online!

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activity!surrounding!the!show!and!the!showrunner’s!knowledge!of!those!activities!

provides!an!understanding!of!how!much!audience!talk!is!reaching!the!show!and!

how!the!show!is!processing!that!information.!

Several!writers!are!interviewed!because!the!work!of!writers!is!varied!based!on!

their!hierarchal!status.!!The!topalevel!writers!are!often!the!showrunners.!!Midalevel!

writers!hold!various!producer!titles.!These!individuals!perform!additional!tasks!

such!as!running!the!writers!room!or!assisting!with!casting.!Introductoryalevel!

writers!are!responsible!for!assisting!the!higheralevel!writers,!often!creating!the!

actual!scripts!and!transforming!storylines!into!scenes!containing!action!and!dialog.!

As!participants!in!the!scripting!process,!these!individuals!provide!insight!into!the!

influences!of!viewers!on!production,!and!answer!questions!about!how!audience!

feedback!reaches!the!writers!room!and!the!process!for!handling!that!feedback.!

These!writers!participate!in!social!media!activities!as!individuals!and!groups.!For!

example,!Danny!Zuker,!Writer/Executive!Producer!on!ABC’s!Modern!Family!tweets!

from!his!personal!account!@DannyZuker.!Patricipating!as!a!group,!a!writer’s!room!

will!establish!group!twitter!accounts!such!as!@psychwrites,!the!official!Twitter!

account!of!the!Psych!writer’s!room,!@Carrie_Writers,!the!official!Twitter!account!of!

The!Carrie!Diaries!writer’s!room!and!@GoodWifeWriters,!the!official!Twitter!

account!of!The!Good!Wife!writer’s!room.!!

Actors!are!interviewed!because!they!contribute!to!the!creative!direction!of!their!

characters!and!more!generally!the!show.!Many!actors!are!active!participants!in!

social!media!and!receive!direct!feedback!from!viewers!about!their!performances,!

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the!direction!of!their!characters,!plot!lines!and!more.!These!interviews!provide!

insight!into!their!motivations!for!social!media!use!and!understanding!of!how!

feedback!is!managed.!When!Ashton!Kutcher!was!chosen!to!replace!Charlie!Sheen!in!

the!series,!Two!and!a!Half!Men,!there!was!speculation!that!Kutchers’!sizable!Twitter!

following!played!a!part!in!his!being!chosen.6!One!potential!type!of!question!asks!if!an!

actor’s!social!media!presence!is!only!useful!for!marketing!purposes!or!if!they!use!it!

as!a!feedback!tool?!

Interviews!at!the!network!level!help!uncover!information!about!marketing!

practices.!These!interviews!further!understanding!of!how!promotional!efforts!might!

elicit!feedback!from!viewers.!If!feedback!is!received,!does!that!viewer’s!feedback!get!

passed!along!to!production!and!if!so,!how!does!that!process!work?!These!questions!

are!determined!by!the!structure!of!the!network!and!the!roles!they!have!assigned!

employees.!As!noted!earlier,!many!organizations!such!as!USA!Network!are!creating!

new!social!media!positions!to!handle!these!online!activities.!However,!other!

networks,!such!as!Syfy,!have!not!created!any!social!media!specific!positions.!Syfy!has!

instead!integrated!responsibilities!into!existing!departments!including!their!

Marketing!and!Digital!departments.!Interviews!with!these!individuals!answers!

questions!about!business!practices,!strategies!and!how!Social!TV!is!being!valued!by!

the!organization.!!

This!range!of!interviews!allows!for!multiple!perspectives!of!the!production!

process.!It!also!provides!information!from!various!historical!perspectives,!as!

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individuals!at!different!hierarchal!levels!should!be!able!to!situate!their!experiences!

in!the!history!of!the!industry!and!their!personal!experiences!within!it.!!

Observations!

Observations!allow!firstahand!accounts!of!daily!work!routines!and!common!

practices.!Observations!taking!place!after!interviews!serve!as!a!way!to!validate!

information!received!during!those!interviews.!Observations!occurring!prea

interviews!help!discover!unfamiliar!practices!that!could!be!useful!for!further!

exploration!during!interviews.!As!Newcomb!explains,!“the!greatest!opportunity!for!

participant!observation,!then,!is!the!constant!refinement!of!questions,!goals,!and!

directions!as!the!work!continues.”7!

Production!level!observations!were!completed!during!two!visits!to!the!show!set!

and!offices.!These!visits!were!planned!for!periods!when!the!show!was!involved!in!

both!shooting!current!episodes!and!prepping!future!episodes.!Observations!for!

show!prep!took!place!in!the!production!offices!where!the!showrunner,!producers!

and!writers!gather!to!sketch!out!the!characters!and!storylines!for!upcoming!

episodes.!It!is!during!this!stage!that!discussions!take!place!and!audience!feedback!

from!past!episodes!is!most!likely!to!be!considered.!!Production!observation!during!

shooting!is!important!because!all!of!the!key!personnel!are!gathered!in!the!same!

location.!Although!this!availability!is!convenient!for!the!researcher,!this!is!a!period!

of!intensive!work!for!the!staff!and!crew,!so!observing!in!this!phase!needs!to!be!

completed!in!a!minimally!invasive!manner.!!

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Online!Observations!!

Observations!of!social!media!activities!are!completed!across!several!platforms.!

Due!to!the!large!number!of!platforms,!the!leading!two!were!identified!and!

monitored.!Observations!of!these!activities!are!completed!on!a!daily!basis!and!notes!

are!taken!to!track!the!general!sentiment!of!viewers!and!topics!of!discussion.!Any!

comments!with!research!value!are!marked!for!future!use!in!interviews.!Notes!about!

online!activity!are!placed!into!categories!to!assist!with!analysis.!The!main!categories!

are!viewers!communicating!with!each!other,!viewers!communicating!with!

production!and!production!communicating!with!viewers.!Production!

communications!are!further!subdivided!to!identify!activity!from!individuals!such!as!

the!showrunner!or!cast!members,!groups!such!as!the!writers!room,!and!

organizations!such!as!the!official!show!accounts!or!web!pages.!Notes!are!compiled!

on!a!per!episode!basis!and!used!as!reference!information!for!interviews!with!

production!personnel.!This!will!allow!for!comparisons!to!be!made!between!the!

researchers!observations!and!the!experiences!of!production!personnel.!For!example,!

production!personnel!are!asked!if!they!were!aware!of!comments!from!viewers,!their!

reactions!to!how!the!program!was!received!by!viewers!and!if!they!will!react!or!

respond!in!any!way!as!a!result!of!the!viewer!responses.!!An!ongoing!dialog!is!

maintained!with!the!program’s!producers!to!compare!their!experiences!to!

observation!findings.!!

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Textual!Analysis!

Textual!analysis!activities!describe!and!interpret!the!content!of!the!show.!A!close!

reading!of!several!episodes!from!each!season!and!all!episodes!from!the!current!

ninth!season!provides!an!understanding!of!the!characters,!storylines,!show!

structure!and!variations!in!these!elements!throughout!the!series.!This!information!

assists!in!gaining!insights!into!the!decisionamaking!processes!involved!in!the!

creation!of!the!show.!!Understanding!the!text!also!assists!in!interpreting!fan!actions!

and!how!they!interacting!with!the!show!and!its!content.!While!textual!analysis!takes!

many!approaches,!my!work!focuses!on!genre!analysis.!As!Jason!Mittell!argues,!“we!

need!to!look!beyond!the!text!as!the!locus!for!genre!and!instead!locate!genres!within!

the!complex!interrelations!among!texts,!industries,!audiences!and!historical!

contexts.”8!

The!analysis!of!Bones!in!chapter!five,!for!example,!investigates!how!the!show!

adheres!to!elements!that!are!traditionally!associated!with!the!procedural!genre.!For!

example,!is!each!episode!a!selfacontained!crime?!Is!the!identity!of!the!perpetrator!

withheld!until!the!climax!of!the!episode?!However,!the!analysis!goes!beyond!trying!

to!fit!the!show!into!a!specific!genre!and!considers!it!within!a!cultural!context!by!

asking!a!broader!range!of!questions!to!decenter!the!text.!These!questions!

investigate!the!people!who!work!on!the!show,!the!processes!involved!in!creating!the!

text,!institutional!influences!and!the!how!the!show!is!received!by!the!viewers.!!!

These!efforts!allow!a!greater!understanding!of!the!forces!that!position!the!text!in!

relationship!to!certain!genres.!Viewers!who!are!interested!in!the!forensic!science!

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and!mystery!case!of!the!week!elements!might!classify!Bones!as!a!procedural.!

Viewers!who!prefer!the!ongoing!storylines!and!relationship!stories!might!classify!

Bones!as!a!serial.!!Investigating!the!text!in!this!manner,!as!a!discursive!practice,!

considers!the!particular!attributes!of!the!genre,!but!allows!for!the!investigation!of!

detailed!specifics!instead!of!relying!on!generalities.!This!holistic!approach!creates!an!

opportunity!to!understand!the!features!that!make!Bones!distinctive!beyond!

identifying!the!generic!elements!of!a!procedural!crime!show.!!

Strategy!&!Research!Design!

To!select!a!television!series!useful!for!this!project!I!applied!the!following!list!of!

criteria.!The!criteria!were!developed!through!preliminary!research!that!included!

telephone!interviews!with!Hart!Hanson,!showrunner!for!the!Fox!show!Bones,!Oliver!

Goldstick,!Executive!Producer!of!Pretty!Little!Liars!and!David!Shore!showrunner!for!

the!recently!concluded!series!House.!I!also!solicited!feedback!during!an!inaperson!

conversation!with!Lizzy!Weiss,!showrunner!of!the!ABC!Family!show!Switched!at!

Birth.!I!have!additionally!performed!research!in!secondary!sources!containing!

interviews!with!showrunners!answering!questions!about!perspectives!and!use!of!

social!media.!

These!conversations!and!research!provided!insight!into!the!operations!of!shows,!

how!these!showrunners!situate!the!importance!of!the!social!activities!of!audiences,!

how!they!use!social!media!tools!and!how!they!handle!audience!feedback.!Combining!

the!insights!provided!by!these!conversations!with!practical!considerations!

uncovered!in!the!course!of!planning!this!project,!I!established!the!following!criteria:!

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1. Show!Social!Activity!Presence!and!Activity:!Social!activities!occur!at!

varying!degrees!for!different!shows.!The!show!chosen!should,!at!minimum!

have!a!presence!on!Facebook!and!have!accounts!for!the!showrunner!and!

show!on!Twitter.!!Additional!pages!on!other!Social!TV!platforms!and!active!

Twitter!accounts!for!staff!and!actors!would!be!beneficial.!These!accounts!

should!show!evidence!of!being!actively!used.!The!number!of!followers,!

frequency!and!quantity!of!interactions!can!be!used!to!evaluate!active!use.!!

2. Network!Social!Media!Presence!and!Activity:!The!network!should!be!

involved!in!active!promotion!of!the!show!through!various!social!media!

platforms.!!

3. Showrunner!Cooperation:!The!showrunner!will!be!a!key!individual!for!this!

project.!This!individual!will!allow!access!to!all!production!personnel!for!

interviews!and!physical!access!for!observation!activities.!This!person!will!

also!be!a!key!to!obtaining!network!participation!and!cooperation.!The!

willingness!and!enthusiasm!of!this!person!to!participate!is!critical!as!is!

their!experience,!knowledge,!and!industry!standing.!

4. Network!Cooperation:!Evaluation!of!the!networks!willingness!to!provide!

access!to!employees!and!facilities!must!be!considered!in!advance.!There!

may!be!concern!for!privacy!or!intrusion!into!employees!work.!

Consideration!will!be!given!to!the!network’s!willingness!to!participate!and!

the!seniority!of!the!network!contact.!Approvals!coming!from!higher!levels!

within!an!organization!should!result!in!greater!access!and!cooperation.!!

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5. Show!Schedule:!A!show’s!production!schedule!must!be!considered!for!its!

fit!with!the!timeline!for!this!dissertation.!Several!key!timeframes!need!to!

be!observed!including!preaproduction!planning,!production,!posta

production!promotions,!first!airing.!The!length!of!this!show!cycle!will!be!

taken!into!consideration.!The!feasibility!of!a!show!being!cancelled!or!not!

being!able!to!complete!an!entire!cycle!for!any!reason!will!also!be!

considered.!!

Information!Collection!and!Analysis!Methods!

Once!the!show!Bones!was!selected,!a!period!of!background!research!commenced.!

This!was!necessary!to!assist!with!interview!question!preparation,!identification!of!

key!personnel!and!creating!observation!plans.!!

The!collection!of!background!information!started!with!a!viewing!of!past!episodes.!

These!were!available!on!DVD,!through!online!services!such!as!Hulu!and!iTunes.!!

A!search!for!literature!relevant!to!the!show!was!conducted.!This!included!

academic!research!presented!at!conferences!or!published!online!or!in!journals.!A!

review!of!articles!from!the!trade!press!was!completed!and!a!search!for!viewer!

responses!was!completed.!This!search!also!included!a!historical!review!of!social!

media!activity!from!the!network!and!production!personnel,!easily!accessed!by!

browsing!each!account’s!history.!!

Interviews!were!conducted!inaperson!and!via!phone.!These!interviews!were!

semiastructured!with!“the!intent!of!understanding!the!respondent’s!point!of!view!

rather!than!make!generalizations!about!behavior.”9!An!interview!guide!including!

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topic!areas!and!sample!questions!was!prepared!in!advance.!To!prevent!limiting!the!

flow!of!conversation!or!discovery!of!unanticipated!responses,!the!guide!was!not!

strictly!adhered!to,!but!it!was!available!as!a!point!of!reference.!Most!interview!

participants!consented!to!being!recorded!and!those!interviews!were!transcribed!for!

later!review!and!analysis.!

A!list!of!potential!interviewees!was!created!and!interview!guides!were!created!

for!each!interviewee.!These!guides!listed!categorized!questions!and!a!list!of!

objectives.!Some!sample!questions!by!interviewee!role!include:!

Showrunner!

• How!do!you!receive!audience!feedback?!

• How!do!you!handle!audience!feedback?!

• Do!you!get!notes!on!content!from!the!Network!that!initiated!from!

audience!feedback?!

• Are!you!willing!to!make!changes!to!your!shows’!content!based!on!

audience!feedback?!

• How!do!you!view!audience!feedback?!Do!you!feel!viewers!expect!

responses!or!they!are!more!simply!desiring!to!just!express!themselves?!

• Do!you!receive!Social!TV!metrics?!

• Have!you!ever!changed!the!show!as!a!result!of!audience!feedback?!

Actor!

• Do!you!participate!in!social!media?!

• Do!you!interact!with!fans?!

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• How!do!you!evaluate!feedback?!

• Has!there!ever!been!a!time!where!you!have!changed!your!character!or!

performance!as!a!result!of!audience!feedback?!

• Do!you!“tweet”!or!interact!online!yourself!or!are!your!accounts!handled!

by!others?!

Network!Social!Media!Individual!

• What!are!goals!of!social!media!activity?!

• Is!measuring!viewer!sentiment!and!collecting!feedback!one!of!your!

objectives?!

• Is!there!a!system!in!place!for!collecting!audience!feedback!on!the!show?!

• How!does!the!network!value!social!media!interactions?!

• Do!you!measure!and!report!on!social!activity?!To!who?!What!metrics?!

• Are!all!shows!treated!equally!with!same!attention!to!social!media!or!if!not,!

why?!

• What!online!tools!are!you!using?!

• Who!makes!the!decision!to!use!certain!platforms?!

Ethical!Considerations!

When!undertaking!any!research!involving!human!subjects,!ethical!issues!must!

be!considered.!!The!first!step!towards!maintaining!high!ethical!standards!was!the!

approval!of!this!dissertation!project!by!the!Institutional!Review!Board,!overseen!by!

the!Human!Subjects!Office!at!the!University!of!Georgia.!Utilizing!the!IRB!process!is!

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required!and!ensures!“that!human!subjects!research!is!conducted!in!compliance!

with!the!applicable!federal,!state,!and!institutional!policies!and!procedures.”10!!

! Beyond!the!protections!provided!by!the!IRB!process,!I!employ!the!strategies!of!

reflexivity,!attention!to!affective!components!of!research!and!use!of!the!situation!at!

hand.11!These!strategies!work!to!maintain!an!increased!awareness!of!the!ethical!

challenges!encountered!throughout!the!research!process!including!the!need!to!do!

no!harm!to!research!subjects,!not!breech!the!privacy!of!subjects!and!not!

misrepresent!myself!or!the!research.12!!

! According!to!Mary!Fonow!and!Judith!Cook,!reflexivity!is!a!process!of!engaging!in!

critical!reflection!and!analysis.!It!is!an!“internal!dialogue,!and!constant!(and!

intensive)!scrutiny!of!‘what!I!know’!and!‘how!I!know!it.’”13!Reflexivity!is!an!ongoing!

conversation!with!oneself!that!can!assist!in!evaluating!how!the!researcher!is!dealing!

with!subjects,!the!implications!of!the!research!being!performed,!how!privacy!is!

being!maintained!and!other!important!ethical!questions.!!

Attention!to!affective!components!of!research!is!a!concern!for!the!role!of!

emotions!and!feelings!and!the!role!they!play!in!people’s!lives.!Fonow!and!Cook!

suggest,!if!you!ignore!emotional!dimensions,!you!ignore!important!aspects!of!

people’s!lived!experiences.14!This!dimension!includes!having!consideration!for!

factors!such!as!how!the!research!process!might!affect!participants!or!how!the!

publication!of!findings!may!have!emotional!components!in!need!of!consideration.!!

For!example,!during!the!preliminary!research!process!a!showrunner!gave!an!

example!of!how!an!actor!was!upset!by!negative!fan!feedback!on!Twitter.!!Concern!

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for!the!affective!components!of!research!considered!how!the!use!of!that!story!might!

be!emotionally!harmful!to!the!actor!and!decisions!about!the!inclusion!of!the!story!in!

the!research!findings!were!addressed!accordingly.!Decisions!similar!to!this!example!

are!repeatedly!made!throughout!the!research!process.!!!!

The!use!of!the!situation!at!hand!means!“the!studying!of!common!environments”!

and!paying!“attention!to!everyday!events.”15!This!is!a!view!that!research!should!start!

with!people’s!everyday!lives!as!opposed!to!abstract!theoretical!concepts.!This!is!

pertinent!here!for!its!support!of!observation!methods!in!the!“real!world”!as!opposed!

to!experimental!or!laboratory!settings.!The!research!for!this!project!takes!place!in!

the!offices,!sound!stages!and!online!environments!that!people!inhabit!in!their!daily!

lives.!This!means!having!an!increased!awareness!that!I!am!an!outsider!and!guest!in!

someone!else’s!domain.!This!consideration!is!important!to!understand!how!subjects!

can!be!negatively!affected!by!the!presence!of!an!outsider!in!their!environment.!

! Attention!to!these!ethical!issues!means!an!awareness!of!consequences!is!

maintained.!Questions!such!as!“am!I!causing!emotional!distress”!or!“am!I!rea

enforcing!negative!stereotypes”!are!continuously!addressed.!It!is!necessary!to!

situate!myself!as!a!researcher,!create!an!awareness!of!what!experiences,!

preconceived!notions!and!ideas!I!am!bringing!into!the!research!process!and!reflect!

upon!how!each!of!these!elements!is!possibly!influencing!the!research!process!and!

findings.!!

In!addition!to!the!challenges!created!by!these!ethical!considerations,!the!case!

study!approach!does!carry!several!disadvantages.!These!begin!with!the!concern!that!

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despite!the!widespread!use!of!the!case!study!approach!across!disciplines,!the!

credibility!of!the!case!study!has!been!traditionally!undermined.!Bent!Flyvberg!

presents!five!misunderstandings!that!summarize!the!attack!against!the!case!study.16!!

These!include!the!beliefs!that!case!studies!create!concrete!case!knowledge!that!is!

less!desirable!than!theoretical!knowledge,!that!case!studies!are!of!low!value!due!to!

lack!of!generalizability,!that!they!are!only!useful!for!generating!a!hypothesis!and!not!

testing!hypotheses!or!building!theories,!that!case!studies!are!biased!towards!

confirming!preconceived!notions!of!the!researcher!and!that!general!theories!can!not!

be!built!on!the!basis!on!specific!case!studies.!Flyvberg!presents!a!detailed!argument!

against!each!of!these!perceptions!and!argues!that!these!negative!perceptions!should!

be!reconsidered.!!

Researchers!who!employ!the!case!study!approach!also!face!several!other!

challenges.!First,!the!approach!generates!large!amounts!of!information!that!the!

researcher!must!make!sense!of.!This!includes!determining!where!information!fits,!if!

at!all,!how!it!should!be!organized,!stored!and!eventually!reported.!This!results!in!the!

research!process!residing!in!a!constant!state!of!adjustment.!Case!study!research!is!

an!ongoing!process!that!must!be!tweaked!throughout!as!new!questions!arise,!new!

methods!are!employed,!and!other!general!disruptions!are!encountered.!

Furthermore,!the!reporting!of!case!study!findings!needs!to!include!not!only!the!

conclusions,!but!descriptions!of!the!activities!that!took!place!during!the!

investigation!period.!It!is!here!that!the!researcher!needs!to!take!the!time!to!situate!

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himself!and!consider!any!biases!that!might!have!influenced!the!research!process!or!

potentially!the!findings.!!

Despite!these!challenges,!findings!here!identify!how!people!are!acting!in!this!one!

instance!with!no!intent!to!produce!generalizable!information.!The!value!of!obtaining!

knowledge!from!an!inadepth!analysis!of!one!case!can!provide!two!alternatives!to!

generalizability.!First,!this!project!can!be!used!as!a!template!to!guide!similar!studies.!

Using!this!project!as!a!template!can!seek!to!answer!questions!about!the!similarities!

and!differences!between!this!show!and!others.!Second,!this!case!study!can!result!in!

an!outcome!Robert!Stake!coined!“naturalistic!generalization.”17!This!concept!is!

“based!on!the!harmonious!relationship!between!the!reader's!experiences!and!the!

case!study!itself.!Stake!expected!that!the!data!generated!by!case!studies!would!often!

resonate!experientially!with!a!broad!cross!section!of!readers,!thereby!facilitating!a!

greater!understanding!of!the!phenomenon.”18!Thus,!findings!from!this!case!provides!

information!on!this!case,!assists!with!research!about!other!shows,!and!contributes!

to!a!clearer!understanding!of!Social!TV!activities.!!!

Notes!

1!J.!Feagin,!Orum,!A.,!&!Sjoberg,!G.,!ed.!A!Case!for!Case!Study(Chapel!Hill,!NC:!University!of!North!Carolina!Press,!1991).!

2!Rodrigo,!"Different!Research!Strategies!You!Can!Use!in!Your!Dissertation,"!The!WritePass!Journal,!http://writepass.co.uk/journal/2013/03/differentaresearchastrategiesayouacanauseainayouradissertation/.!

3!Robert!Yin,!Case!Study!Research:!Design!and!Methods,!2nd!ed.(Thousand!Oaks,!CA:!Sage!Publishing,!1994).!

4!Belowathealine!and!aboveathealine!are!terms!derived!from!a!line!on!a!production!budget!that!differentiates!between!writers,!producers!and!directors!who!are!found!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!above!the!line!and!other!crew!who!are!found!below!the!line.!The!line!is!a!demarcation!between!fixed!and!variable!costs.!

5!Alex!Ben!Block,!"Tv!Showrunners!to!Outshine!Filmmakers!at!2013!Produced!by!Conference,"!The!Hollywood!Reporter,!http://www.hollywoodreporter.com/news/kurtasutteragaleaanneahurda561841.!

6!The!Cajun!Boy,!"Social!Media!Influence!Now!Affecting!Hollywood’s!DecisionaMaking,"!UPROXX,!http://www.uproxx.com/webculture/2011/05/socialamediaainfluenceanowaaffectingahollywoodsadecisionamaking/.!

7!Newcomb,!"Media!Institutions:!The!Creation!of!Television!Drama,"!100.!8!Jason!Mittell,!"A!Cultural!Approach!to!Television!Genre!Theory,"!Cinema!Journal!40,!no.!3!(2001):!7.!

9!Sociology!Central,!"Sociological!Research!Skills,"!!http://www.sociology.org.uk/methfi.pdf.!

10!As!the!principal!investigator,!I!had!already!completed!the!required!Collaborative!Institutional!Training!Initiative!Course!(CITI)!training.!This!training!was!completed!on!August!17,!2011!and!was!valid!until!August!17,!2016.!

11!Mary!Margaret!Fonow!and!Judith!A.!Cook,!Beyond!Methodology!:!Feminist!Scholarship!as!Lived!Research(Bloomington:!Indiana!University!Press,!1991),!2.!

12!Roger!D.!Wimmer!and!Joseph!R.!Dominick,!Mass!Media!Research!:!An!Introduction,!9th!ed.,!Wadsworth!Series!in!Mass!Communication!and!Journalism!(Boston,!Mass.:!Cengagea!Wadsworth,!2011).!

13!Rosanna!Hertz,!Reflexivity!&!Voice(Thousand!Oaks,!Calif.:!Sage!Publications,!1997).!

14!Fonow!and!Cook,!Beyond!Methodology!:!Feminist!Scholarship!as!Lived!Research.!!15!Ibid.!

16!Flyvbjerg,!Brent!(2011).!Case!Study.!The!Sage!Handbook!of!Qualitative!Research.!P!301a316.!

17!Robert!Stake,!The!Art!of!Case!Research(Newbury!Park,!CA:!Sage!Publications,!1995).!

18!Winston!Tellis,!"Application!of!a!Case!Study!Methodology,"!The!Qualitative!Report!3,!no.!3!(1997).!

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CHAPTER!4!

SOCIAL!TELEVISION!IN!USE!

There!is!an!increasing!optimism!among!many!individuals!in!the!television!

industry!that!participation!in!Social!TV!can!be!leveraged!to!accomplish!many!

objectives.!These!include!helping!acquire!new!audiences,!creating!deeper!

connections!between!viewers!and!shows,!providing!new!ways!to!measure!audiences!

and!establishing!new!venues!to!sell!advertising!space.!Bravo!and!its!“Play!Live”!

strategy!are!an!example!of!the!interactive!viewing!experiences!being!implemented!

to!achieve!these!goals.!Viewers!can!participate!in!select!Bravo!shows!through!the!

use!of!their!mobile!phones,!tables!or!computers.!Play!Live!integrated!shows!such!as!

Million!Dollar!Listing!Los!Angeles!and!Top!Chef!allow!viewers!to!guess!the!listing!

prices!of!homes!or!vote!for!their!favorite!chef!contestants.!These!Social!TV!

experiences!benefit!Bravo!in!several!ways.!By!creating!a!gamified!experience!for!

viewers,!Bravo!seeks!to!create!buzz!and!attract!new!viewers.!This!interactivity!also!

keeps!existing!viewers!tunedain!and!encourages!live!viewing!with!the!goals!of!

increasing!ratings!and!making!the!show!more!valuable!to!advertisers.!!

As!shows!increasingly!seek!viewer!feedback!and!participation,!these!activities!

raise!questions!about!authorship!and!power.!As!viewers!become!increasingly!

engaged,!are!their!voices!being!heard?!Do!they!seek!to!influence!content?!How!are!

production!practices!changing!to!deal!with!this!increased!involvement!of!viewers?!

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This!chapter!will!analyze!the!activities!that!form!the!foundation!of!these!

questions,!such!as!Bravo’s!Play!Live!strategy!and!the!variety!of!other!uses!of!Social!

TV!by!networks,!production!personnel!and!viewers.!Examination!of!the!ways!

viewers!are!engaging!with!shows!and!show!personnel!reveals!the!diversity!of!

platforms!being!used!and!motivations!behind!viewer!use.!Investigation!of!

showrunner!activities!uncovers!the!variety!of!approaches!and!expectations!these!

individuals!associate!with!their!Social!TV!use.!These!examples!of!Social!TV!use!

exhibit!the!variety!of!ways!platforms!are!being!used!and!the!corresponding!

expectations!and!goals!each!participant!bears.!!This!information!is!useful!to!

establish!the!general!uses!of!Social!TV!and!it!will!be!used!as!a!point!of!comparison!to!

more!efficiently!situate!Social!TV!use!occurring!with!Bones.!

One!use!of!social!media!platforms!by!users!has!been!to!replace!the!process!of!

writing!letters!as!a!means!of!speaking!back!to!the!network!and!production!

personnel.!This!can!create!several!problems.!Frist,!the!public!nature!of!these!forums!

allows!viewers!to!share!their!sentiments!with!others!and!build!support!for!their!

feedback.!This!can!result!in!an!increased!pressure!on!production!to!respond!to!

viewers.!Second,!the!ease!of!sending!a!tweet!or!posting!a!comment!can!result!in!

production!receiving!a!greater!variety!of!opinions!than!ever!before.!Production!then!

has!to!decide!how!to!respond!to!conflicting!opinions.!!An!incident!surrounding!the!

HBO!program!Girls!provides!one!example!of!this!new!process.!The!show’s!premier!

episode!was!praised!by!many!critics!like!Matt!Roush!at!TV!Guide!who!said!“Lena!

Dunham's!brilliantly!raw!and!raunchy!Girls![is]!a!true!breakthrough!series.”!James!

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Poniewozik!of!Time!called!the!show!“raw,!audacious,!nuanced!and!richly,!often!

excruciatingly!funny.”!And!Emily!Nussbaum!of!New!York!Magazine!said,!“from!the!

moment!I!saw!the!pilot!of!Girls,!I!was!a!goner,!a!convert.”1!!

Despite!this!critical!praise,!the!show’s!premier!launched!not!only!the!series,!but!

also!a!flurry!of!online!buzz!surrounding!several!aspects!of!the!show!many!

considered!controversial.!On!social!media!sites!like!Twitter,!viewers!raised!

questions!about!the!lack!of!minority!characters!in!a!show!based!in!culturally!diverse!

New!York!City.!Twitter!user!@Toure,!who!wrote!“.@lendadunham!Lena,!I!love!Girls!

but!how!come!there’s!no!Black!people!(except!a!bum)?!Could!a!young!NYer!have!no!

Black!or!brown!friends?”2!!Reviews!in!the!popular!press,!blogs!and!social!media!sites!

pressured!Dunham!to!respond!to!allegations!of!racism!and!nepotism!in!casting.!

Viewers!and!critics!focused!on!the!discrepancies!between!the!allawhite!privileged!

cast!and!a!line!from!the!pilot!episode!where!Dunham’s!character!tells!her!parents!

she!might!be!“the!voice!of!my!generation…or!at!least!a!voice…of!a!generation.”3!

This!immediate!and!public!feedback!surrounding!this!controversy!shows!how!the!

Internet!has!changed!the!process!from!individually!writing!a!letter!to!the!communal!

process!of!building!public!pressure!online.!As!this!controversy!escalated,!many!

people!speculated!how!Dunham!would!respond.!She!initially!stood!by!her!authorial!

vision!to!only!later!announce!the!addition!of!a!black!character!to!the!show.4!!

This!situation!also!exemplifies!the!potential!power!of!viewers!and!the!blurring!

line!between!audiences!and!producers.!As!Networked!Insights!wrote!in!a!2012!

Social!TV!report,!!“as!viewers!become!more!engaged!and!share!more!about!what!

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they!are!thinking,!TV!producers!can!tailor!content!to!viewers’!likes!and!steer!clear!of!

their!dislikes,!creating!a!more!rewarding!experience.”5!!

This!dilemma!faced!by!the!Girls!producers!was!not!a!unique!occurrence.!A!

similar!controversy!surrounded!a!storyline!introduced!in!the!fourth!season!premier!

of!the!CBS!series!The!Good!Wife.!After!the!premier!aired!on!September!30,!2012,!

viewers!went!online!to!express!their!dislike!for!the!onascreen!arrival!of!Kalinda’s!

(Archie!Panjabi)!exahusband!Nick!(Marc!Warren).!Although!Nick!was!not!a!sudden!

addition,!there!were!hints!about!his!existence!beginning!in!the!shows!second!season,!

coacreators!and!coashowrunners!Robert!and!Michelle!King!decided!to!focus!

Kalinda’s!storyline!on!Nicks!return!and!this!was!not!well!received!by!viewers.!

Viewers!felt!this!dynamic!was!not!appropriate!for!Kalinda’s!character!and!the!

change!made!them!angry.!One!place!this!anger!was!expressed!was!in!the!comments!

section!of!Chris!Harnicks’!episode!recap!on!the!Huffington!Post.!User!“debbeard”!

wrote:!“I!really!don’t!get!the!Kalinda!and!exahusband!story!nor!do!I!really!get!the!

whole!Kalinda!sexacapades!that!developed!last!year.!Bring!back!our!beloved!

Kalinda!”6!Debbeard!was!not!alone!in!expressing!this!sentiment!of!displeasure!with!

the!storyline.!A!limited!sampling!of!other!comments!on!the!same!article!express!the!

same!frustration.!!

I!absolutely!detest!the!story!line!of!Kalinda!and!Nick!so!much!so!that!I!have!not!been!excited!to!watch!the!show!now!and!I!used!to!stop!everything!when!it!came!on!–!artm8ker!!Yes,!I’m!getting!tired!of!the!Kalinda/Nick!50!Shades!of!Dysfunction!schtick.!We!get!it!–!Kalinda!hates!herself!so!much!that!she!can’t!fight!her!disgusting!attraction!to!her!abusive!husband.!The!problem!is!that!these!scenes!completely!disrupt!the!flow,!tone!and!direction!of!the!

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series.!It’s!like!being!engrossed!in!reading!a!hearty!novel,!and!then!all!of!a!sudden,!you’re!interrupted!by!a!full!blast!of!rock!‘n!roll!music!!–!Alan!Man!!I’m!glad!to!see!that!I!am!no![sic]!alone!in!loving!Kalinda,!but!hating!the!Kalinda!&!Nick!story!arc!–!tommygun264!

!In!an!interview!with!TV!Guide,!Robert!and!Michelle!King!discussed!their!surprise!

with!the!audiences’!reaction!to!the!storyline.7!They!also!announced!that!they!would!

be!prematurely!discontinuing!the!story!in!response!to!the!viewers’!reactions.!!

This!controversy!exemplifies!questions!about!authorship!and!power!in!the!

creation!of!television!content.!It!also!shows!how!the!use!of!online!platforms!has!

removed!the!gatekeepers,!making!the!show’s!decision!makers!easily!accessible.!It!

illustrates!a!decrease!in!the!amount!of!time!necessary!for!the!cycle!of!airing,!

audience!reaction!and!production!response!to!be!completed.!The!TV!Guide!interview!

saying!the!showrunners!would!change!the!story!was!published!on!October!26,!2012!

less!than!a!month!after!the!season!premier’s!airing.!This!quick!feedback!from!the!

Kings!surely!satisfied!fans!and!without!the!quick!response,!they!may!have!chosen!to!

discontinue!watching!the!show.!!

The!Good!Wife!situation!also!highlights!how!production!personnel!can!listen!to!

and!value!viewer!feedback.!As!Robert!King!stated!in!the!TV!Guide!interview,!“I!do!

think!the!audience!teaches!the!storyteller!and!this!is!a!case!of!the!audience!teaching!

the!storyteller!the!bounds!of!where!they!think!Kalinda's!universe!is.”8!Robert!and!

Michelle!King,!however,!may!have!a!minority!perspective!in!their!willingness!to!

change!their!show.!Although!the!result!of!viewer!feedback!in!this!instance!was!a!

change!made!by!production,!this!is!not!always!the!case.!!

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When!viewers!speak!to!each!other!or!speak!to!production!there!are!three!

possible!outcomes:!change,!modified!change!or!no!change.!The!Good!Wife!response!

can!be!classified!as!change!because!of!the!response!by!the!showrunners!indicating!a!

mistake!had!been!made!and!corrective!actions!would!be!taken!to!eliminate!the!

situation!completely.!In!a!modified!change!situation,!action!is!taken,!but!it!is!more!

indicative!of!production!trying!to!quell!the!viewer!discontent!while!maintaining!

their!creative!vision.!For!example,!Media!Researcher!Carolina!AcostaaAlzuru!tells!

the!story!of!the!character!Miranda!(Carolina!Perpetuo)!on!the!telenovela!El!Pais!de!

las!Mujeres.9!!Miranda!was!molested!as!a!teenager.!As!a!result!of!this!experience,!she!

is!described!as!having!turned!against!men,!dressing!in!less!feminine!attire!and!

maintaining!an!“intense”!and!unconventional!appearance.10!!This!defiance!of!Latin!

culture’s!traditionally!feminine!gender!role!became!a!problem!for!writer!Leonardo!

Padrón!and!Perpetuo.!!The!audience!interpreted!her!actions!as!indicators!that!she!

was!a!lesbian.!This!was!problematic,!as!AcostaaAlzuru!explains,!because!Venezuela’s!

culture!is!traditionally!homophobic!and!this!reading!could!be!damaging!to!the!

program’s!success.!In!response!to!the!audience’s!comments,!Padrón!did!not!want!to!

make!a!dramatic!change!to!the!storyline!as!Robert!and!Michelle!King!made!with!The!

Good!Wife.!Instead,!he!sought!to!correct!the!audience’s!reading!by!having!Miranda!

directly!address!the!concern.!He!wrote!a!scene!in!which!the!character!Diego!directly!

asked!Miranda!if!she!was!a!homosexual!and!this!allowed!her!to!address!the!viewers’!

concerns!through!her!response!to!Diego!that!she!was!in!fact!not.!This!also!provided!

an!opportunity!for!Padrón!to!make!a!statement!about!homosexuality!in!general,!that!

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although!Miranda!was!not!gay,!a!person’s!sexual!orientation!should!not!be!the!

concern!of!others!or!be!offensive!to!them.!

An!example!of!viewers!speaking!out,!but!production!resisting!change!occurred!

between!Season!Six!and!Season!Seven!of!HBO’s!True!Blood.!After!the!departure!of!

series!creator!Allen!Ball!in!the!midst!of!Season!Six,!Executive!Producer!Brian!

Buckner!assumed!the!role!of!showrunner.!Ball!was!said!to!have!“left!behind!an!array!

of!paintedaintoacorner!plotlines!and!a!scattered!storytelling!structure”!that!Buckner!

was!left!to!clean!up.11!Buckner’s!efforts!to!get!the!show!back!on!track!were!well!

received!and!viewers!expressed!their!satisfaction!with!the!direction!of!the!show.!

After!the!season!concluded,!in!an!interview!with!New!York!Magazine,!Buckner!was!

asked!if!the!feedback!he!received!in!Season!Six!would!influence!the!story!lines!of!

Season!Seven!and!Buckner!replied!“I!don't!think!so….I!have!been!making!TV!for!a!

long!time!and!I!don't!think!that!we!should!let!the!audience!tell!us!what!show!to!

make.!Because!I!think!it's!the!death!of!television!if!we!give!people!exactly!what!they!

expect!to!get!every!week.!What's!the!point?”12

These!viewer!interactions!with!production!are!not!limited!to!showrunners.!

Increasingly,!viewers!are!interacting!with!various!individuals!involved!with!

production,!the!studio!and!the!networks.!As!more!of!these!individuals!participate!in!

online!activities,!they!use!social!media!platforms!not!just!to!speak!with!viewers,!but!

to!also!interact!with!each!other.!These!interactions!are!often!less!purposeful!or!

business!oriented!than!their!interactions!with!viewers.!The!cast!members!of!USA’s!

Suits,!for!example,!are!all!active!Twitter!users.!In!a!2013!Paley!Center!discussion!

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panel,!Actor!Rick!Hoffman!joked!that!on!New!Years!Eve,!cast!mate!Gabriel!Macht!

sent!a!Tweet!saying!“I’m!so!hot.”!Macht!humorously!corrected!Hoffman!saying!the!

actual!tweet!was!“I’m!so!F’ing!hot,!you!know!you!want!me.”!The!cast!had!a!big!laugh!

about!the!event!and!it!was!apparent!that!they!enjoyed!following!each!other!and!

discussing!their!social!media!use.13!!!

Even!though!cast!and!crewmembers!are!often!spending!long!hours!working!

together,!they!use!social!media!platforms!to!communicate!with!each!other.!These!

interactions!don’t!end!when!they!are!no!longer!working!on!the!same!shows.!On!his!

first!day!of!work!at!the!ABC!Family!show!Work!Mom,!Actor!Charley!Koontz!sent!an!

Instagram!message!saying!“First!Table!Read!at!@ABCFamily’s!#WorkMom.!Great!

first!day.!Here!we!go!”!and!the!message!included!a!picture!of!his!seat!at!a!table!read!

showing!his!name!card,!a!cup!of!coffee!and!a!script.14!This!post!simultaneously!

appeared!on!Koontz’s!Twitter!account,!where!Michael!Rauch,!Executive!Producer!of!

USA’s!Royal!Pains!where!Koontz!formerly!made!a!guest!appearance!replied!“Lucky!

to!have!you.!Very!excited!to!see!it.”15!In!the!fast!paced!work!environment!of!show!

business,!social!media!platforms!are!an!easy!way!for!people!to!keep!upatoadate.!

Despite!their!not!being!a!part!of!the!conversation,!viewers!still!benefit!from!the!

content!of!these!interactions!that!often!provide!unique!perspectives!of!behindathea

scenes!procedures.!!

Viewers!participating!in!social!media!activities!do!not!just!watch!production!

personnel,!but!participate!themselves!and!their!types!of!use!and!motivations!for!

Social!TV!is!equally!diverse.!These!interactions!are!multifarious!and!range!from!the!

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simple!to!complex.!!Simple!interactions!include!the!posting!of!a!general!comment!

such!as!“I!love!this!show.”!Or!viewers!can!post!more!directed!comments!and!hold!

online!conversations!similar!to!faceatoaface!communications.!During!the!Season!

Two!finale!of!Homeland!for!example,!the!following!conversation!took!place!between!

three!viewers.16!

Samantha:!That!entire!scene!was!incredible!!hilory_83:!It!was!intense.!I!thought!Quinn!was!going!to!shot![sic]!him!right!there.!Samantha:!hilory_83!me!too.!Those!black!gloves!were!making!me!nervous.!Quinn!is!always!teetering!on!the!edge!of!being!a!total!badass!and!a!stone!cold!murderer.!I!love!this!character!!Fred!Mwangi:!I!thought!he!was!gonna!use!the!gun!right!then!and!there,!one!of!the!best!scenes!this!season!!

This!interaction!demonstrates!why!it!has!become!popular!to!describe!Social!TV!as!

the!new!“office!water!cooler.”!However,!it!has!advantages!over!the!traditional!

version!because!conversations!can!occur!simultaneously!among!participants!in!

different!locations.!!

This!access!to!other!viewers!beyond!geographic!boundaries!is!most!helpful!

when!viewers!seek!out!others!to!help!decode!complex!texts.!As!discussed!earlier,!

Jason!Mittell!has!introduced!the!concept!of!“narrative!complexity”!resulting!in!the!

blending!of!genres!and!increasingly!elaborate!storylines.!Viewers!seek!to!share!their!

interpretations!of!these!texts!and!continue!their!enjoyment!with!a!show!beyond!the!

actual!time!of!viewing!through!increased!socialization!and!group!efforts!to!make!

meanings,!draw!connections!and!uncover!hidden!elements!in!a!show.!!

One!example!of!this!increasing!show!complexity!and!the!need!for!viewers!to!

work!together!deconstructing!shows!can!be!found!with!the!hit!show!Breaking!Bad.17!!

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While!viewers!could!conceivably!watch!the!show!and!enjoy!it!at!a!highalevel,!

enjoyment!for!many!viewers!comes!in!attempting!to!unpackage!the!meanings!

hidden!beneath!the!surface,!a!job!most!efficiently!completed!with!others.!!

Part!of!this!complexity!has!been!a!symbolic!tool!used!by!Gilligan!throughout!the!

series,!the!show’s!references!to!the!works!of!poet!Walt!Whitman.!Beyond!the!

obvious!similarity!in!the!main!character’s!name!Walter!White!there!have!been!

references!to!the!poet!and!his!work!in!several!episodes.!Viewers!noticed!more!and!

more!of!these!connections,!and!at!the!end!of!the!fifth!season,!engaged!in!a!

continuing!discussion!of!various!elements!linking!Walt!with!Whitman.!!One!blogger,!

Joann!Anderson!wrote!extensively!about!the!connection,!focusing!on!her!

interpretation!that!Walt!may!have!been!“taking!cues”!from!Whitman’s!poem!“Song!

of!Myself.”18!She!makes!the!connection!that!the!episode!title!“Gliding!Over!All”!is!

named!for!a!Whitman!poem!that!is!likely!a!reference!to!“Walter’s!deityalike!power!in!

creating!and!controlling!deaths!around!him.”!She!continues,!!

Walter’s!narcissism!is!out!of!control!this!season.!He!threatens!new!business!associates.!And!when!his!partners!are!out!(Mike!murdered!by!Walter’s!hand!and!Jesse!through!his!own!decision!to!get!the!hell!out),!Walter!is!nature!without!check.!”"There!is!no!‘we,’!Jesse,”!Walter!tells!his!former!partner!in!the!final!episode.!“I!am!the!only!vote!left.”!This!is!never!more!clear!when!Walter!orders!a!massive!jail!hit,!seemingly!inspired!by!“The!Godfather”!when!Michael!Corleone!orders!the!deaths!of!the!heads!of!the!five!Mob!families.!He’s!taken!cues!from!gangster!movies!this!season,!and!has!become!a!don,!a!god,!in!his!own!mind.!Walter!White!is!a!mere!mortal,!but!Heisenberg!could!live!forever!in!the!“empireamaking!business.19!!!

Anderson’s!blog!post!does!not!cover!every!possible!interpretation!of!the!show’s!

content!or!its’!connection!to!Whitman.!Yet,!it!starts!a!conversation!where!the!blog!

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post!acts!as!a!social!forum!for!people!to!share!their!interpretations,!test!their!

readings,!and!find!new!information.!In!the!more!than!fifty!comments!that!were!

made!in!response!to!this!post,!reader’s!comments!are!indicative!of!these!varied!

interpretations!and!the!desire!for!users!to!interact.!Users!comment,!for!example,!

about!possible!future!narrative!directions!of!the!show,!“I!have!to!wonder!if!Walt!

found!out!that!the!cancer!had!returned.!It!would!explain!his!visit!and!gift!to!Jesse–

it’s!his!way!of!saying!goodbye”.20!They!express!their!enjoyment!watching!the!show,!

“No!other!show!engages!my!interests!and!makes!me!feel!tension!the!way!Breaking!

Bad!does”.21!They!express!gratitude!to!Anderson!for!helping!them!understand!the!

content,!“Walt’s!narcissism!has!been!tough!to!watch!at!times,!and!also!a!hard!to!read.!

So!thanks!for!shedding!light!on!these!points!and!making!it!more!clear.”22!They!

express!their!satisfaction!or!dissatisfaction!with!the!show,!“I!have!been!following!

breaking!bad!for!about!a!month!I!watched!all!the!seasons!and!was!pretty!pissed!off!

to!see!the!DEA!agent!find!that!book.”23!And!users!express!their!joy!in!being!part!of!a!

community!of!people!with!similar!interests,!“glad!to!see!so!many!others!who!can!

appreciate!the!intricacies.”24!

Viewer!interaction!also!occurs!with!individuals!such!as!cast!members,!writers!

and!crew!as!well!as!with!showrunners.!In!creative!marketing!ploys,!actors!tweet!

while!in!character.!Lifetime!channel!employed!this!strategy!to!promote!The!Client!

List!by!having!Jennifer!Love!Hewitt!tweet!as!her!character!Riley!Parks!during!a!live!

viewing!event.!Production!personnel!may!even!respond!to!fan!questions!like!“what’s!

the!name!of!that!song?”!or!“where!can!I!buy!that!shirt?”!

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Beyond!personal!contact,!shows!can!become!interactive!and!add!elements!that!

encourage!viewer!participation.!In!October!2011,!Twitter!announced!it!would!

enable!fans!of!The!X!Factor!to!vote!by!sending!a!direct!message!to!the!shows!account!

@TheXFactorUSA.25!In!January!2013,!CBS!allowed!viewers!to!pick!the!ending!of!a!

Hawaii!FiveAO!episode!through!Twitter!voting.!The!episode!was!a!“who!dunnit”!and!

focused!on!the!death!of!a!college!professor.26!The!stunt!provided!CBS!and!Hawaii!

FiveAO!with!a!good!amount!of!press,!but!didn’t!prove!to!be!much!of!a!ratings!

booster.27!!

To!encourage!viewer!gravitation!to!social!platforms,!networks!are!also!

embracing!the!creation!and!use!of!“paratexts.”!Companies!are!creating!paratexts!and!

distributing!them!through!websites!and!social!media!channels.!!They!are!

additionally!providing!“raw!materials”!such!as!images,!logos,!screen!shots,!short!

audio!and!video!clips!to!encourage!viewers!to!create!and!spread!their!own!texts.!

Sabrina!Caluori,!HBO’s!Vice!President!of!Social!Media!and!Performance!Marketing,!

describes!these!efforts!as!the!networks!job!to!“stoke!the!fires!of!fandom!week!after!

week.”28!

Sites!like!CBSPressExpress.com,!for!example,!are!a!treasure!trove!of!information!

for!fans.!CBSPressExpress.com!has!a!page!dedicated!to!each!CBS!show.!There!is!a!

Press!Release!section!where!news!and!information!about!shows!are!made!available.!

Each!press!release!includes!links!to!a!show’s!social!media!site!and!provides!a!list!of!

cast!and!crew!members!on!Twitter!along!with!their!usernames.!A!Photos!section!

contains!“gallery”!shots!of!individual!actors!and!show!personalities!plus!logos!and!

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other!art,!!“episodic”!photos!or!screen!shots!from!each!show!and!“Behind!the!Scenes”!

production!photos!from!each!show.!A!“GIFs”!section!contains!animated!images!from!

shows!and!include!codes!for!users!to!easily!embed!the!images!into!their!own!

websites!or!blogs.!A!“Videos”!section!contains!short!clips!from!shows.!The!“Widgets”!!

section!includes!banner!images!with!embed!codes!for!use!on!the!web!and!sections!

such!as!one!for!the!65th!Primetime!Emmy!Awards!provides!specific!details!on!

special!programs!including!bios,!press!releases,!transcripts,!photos!and!GIFs.!!The!

information!found!in!these!areas!will!spread!throughout!the!Internet!as!individuals!

who!are!participating!in!Social!TV!activities!share!it.!!

Viewers!are!also!using!social!media!platforms!to!help!with!“save!our!show”!

efforts.!In!2007,!after!CBS!cancelled!Jericho,!unhappy!fans!coordinated!a!campaign!

through!Internet!chat!rooms!in!an!attempt!to!reverse!the!networks!decision.!To!

show!their!support,!people!started!sending!nuts!to!CBS!offices!in!New!York!and!Los!

Angeles.!This!was!a!reference!to!a!line!by!actor!Skeet!Ulrich!in!the!shows!final!

episode!where!he!responded!“nuts”!to!a!request!to!surrender!his!town!to!a!

neighboring!community.!CBS!announced!the!cancellation!of!the!show!in!May!and!by!

June!the!network!received!about!8!million!peanuts.29!The!peanut!campaign!along!

with!a!large!about!of!emails!convinced!network!executives!to!resurrect!the!show!

and!it!was!renewed!for!a!sevenaepisode!miniaseason.!!!

Twitter!was!also!used!by!the!fans!of!Fox’s!Fringe!who!launched!a!campaign!to!

get!the!show!trending.!Each!week!instructions!were!posted!on!the!fan!blog!

“Fringenuity”!explaining!to!users!how!to!get!that!weeks’!chosen!hashtag!to!trend.30!

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These!included!tips!like!not!tweeting!from!locked!accounts,!not!tweeting!the!

hashtag!too!early,!getting!users!with!high!numbers!of!followers!involved!and!more.!

The!show!experienced!a!good!amount!of!success!getting!several!hashtags!to!trend!

including!#BeABetterMan!that!received!44,930!tweets!from!19,890!contributors!

and!was!exposed!to!over!23!million!Twitter!streams.31!During!this!campaign!the!

show’s!production!personnel!even!joined!in!the!effort!to!save!the!show!and!

showrunner!Joel!Wyman!(@JWFringe)!started!coordinating!with!fans!on!Twitter.!

In!additional!to!saving!a!show,!social!media!activity!can!contribute!to!the!

creation!of!shows.!In!November!2012,!rumors!of!a!remake!of!the!popular!1990’s!

program!Boy!Meets!World!surfaced.!Ben!Savage!and!Danielle!Fishel,!two!stars!of!the!

original!series,!were!rumored!to!be!reprising!their!roles!as!Corey!Matthews!and!

Topanga!Lawrence.!The!show!would!take!place!in!2014,!revolving!around!the!

couple’s!daughter!in!the!same!“coming!of!age”!style!as!the!original!show.!Despite!no!

official!confirmation!of!its!existence,!the!new!show!was!being!referred!to!as!Girl!

Meets!World!and!the!Internet!was!buzzing!with!excitement!and!encouragement!that!

this!show!should!be!made.!

As!rumors!swirled,!Fishel!confirmed!the!negotiations!were!taking!place!and!

posted!a!note!on!her!blog!describing!how!the!process!of!deciding!to!make!the!new!

show!was!unfolding.!In!that!blog!post!she!credited!the!fans!and!their!social!media!

comments!with!influencing!the!decision!to!pursue!the!new!show.!She!said:!

When!the!news!leaked!that!GMW!was!in!the!making,!literally!days!after!I!first!heard!about!the!project!myself,!Michael!Jacobs!and!I!had!a!conversation!and!we!talked!about!how!we!were!both!so!blown!away!by!the!reactions!from!all!of!you.!!We!felt!honored.!We!felt!nostalgic.!

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We!felt!touched!by!the!excitement!in!your!comments,!tweets,!Tumblr,!and!Facebook!posts.!!But!most!of!all,!we!felt!inspired.!!We!felt!inspired!to!bring!these!characters!back!to!life!and!to!tell!you!more!of!their!stories.32!

!While!the!Internet!cannot!be!credited!with!creating!the!show,!it!should!be!

recognized!as!playing!an!important!role!in!helping!influence!decision!makers!to!

move!forward!with!the!project.!! !

! Social!TV!activity!can!also!play!a!role!in!helping!create!individual!episodes!of!

shows.!Mika!Tuomi,!a!fan!of!Travel!Channels’!Anthony!Bourdain!No!Reservations!

convinced!the!show!to!visit!Finland!through!the!use!of!Facebook.!Anthony!Bourdain!

No!Reservations!follows!celebrity!Chef!Anthony!Bourdain!as!he!explores!the!food!

and!culture!of!a!different!country!each!episode.!The!show!had!never!filmed!in!

Finland,!so!in!an!effort!to!convince!the!show!to!feature!their!country,!Mika!Tuomi!

started!a!Facebook!page!titled!“If!100.000!people!in!Finland!join,!Anthony!Bourdain!

must!come!to!Finland!”33!Tuomi’s!strategy!was!successful!and!in!May!2012!the!

Anthony!Bourdain!No!Reservations!“Finland”!episode!aired.!Credit!for!the!show’s!

creation!was!given!to!the!“persistent!Facebook!Finns.”34!

Just!as!viewers!can!save!a!show!or!have!one!created,!they!can!also!harness!the!

power!of!the!Internet!to!cancel!shows!they!do!not!want!aired.!!This!occurred!with!

the!BBC1!sitcom!The!Wright!Way!in!2013.!!After!the!show!was!not!renewed!for!a!

second!season,!the!Internet!was!blamed!for!creating!a!forum!for!quick!viewer!

feedback!and!providing!a!way!for!fans!to!feed!off!each!others!energy!and!speak!back!

with!a!strong!group!voice.!When!the!show!faced!a!“tough!reception”!on!Twitter,!

there!was!said!to!be!a!“cumulative!fury”!of!communal!viewing!that!was!used!to!!

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“escalate!the!barrage.”35!These!types!of!situations!can!create!a!concern!in!the!

industry!that!immediate,!visceral!reactions!can!ruin!a!programs!chances!for!success.!

Although!Mark!Lawson,!critic!for!The!Guardian!cites!this!as!an!extreme!example,!it!is!

evidence!of!how!viewers!use!social!media!and!elucidates!some!reprecussions!of!

Social!TV.!Along!with!the!benefits!to!both!viewers!and!producers,!new!tensions!

between!viewers!and!producers!are!introduced!and!existing!tensions!are!amplified.!

These!preceeding!examples!demonstrating!how!viewers!are!interacting!with!

fans!are!not!simply!anecdotes.!They!make!evident!viewers!have!increasing!access!to!

production!personnel!and!this!results!in!a!potential!increase!of!viewer!power.!This!

raises!questions!about!an!increasingly!public!struggle!for!control!and!power.!This!

can!be!seen!in!several!areas.!Hashtags,!for!example,!have!become!a!key!tool!for!

social!interactions!on!Twitter.!Both!viewers!and!shows!can!create!hashtags!to!form!

discussions!around!any!topic.!Yet,!as!researcher!Ruth!Page!suggests,!shows!are!

strategically!using!hashtags!to!control!viewer!conversations.!Page!states!that!

despite!claims!that!hashtags!are!conversational,!they!more!accurately!“reflect!and!

reinforce!the!social!and!economic!hierarchies!which!exist!in!offline!contexts.”36!!

ABC!Family!is!widely!cited!as!being!a!leader!in!Social!TV.37!The!presence!of!a!

hashtag!strategy!to!initiate!and!control!conversations!is!readily!apparent.!!During!

the!airing!of!their!shows,!hashtags!corresponding!to!the!storylines!often!appear!on!

screen.!In!an!episode!of!Pretty!Little!Liars,!the!hashtag!#poorEzra!was!shown!on!

screen!when!one!of!the!main!characters,!Ezra!Fitz,!was!placed!in!a!bad!situation.!In!

one!episode!of!Switched!at!Birth,!the!hashtag!#DaphynesInTrouble!was!used.38!!The!

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use!of!these!focused!hashtags!is!to!generate!buzz,!but!also!create!interactions!about!

topics!the!shows!deem!important.!It!also!indicates!how!the!show!seeks!to!use!social!

media!as!a!tool!to!further!their!own!interests!beyond!the!receiving!of!viewer!

feedback.!!But!how!do!these!efforts!align!with!audience!desires!and!expectations?!

Are!audiences!being!manipulated!and!told!where!to!focus!their!attention?!As!HBO’s!

Sabrina!Caluori!says,!these!types!of!actions!by!networks!are!!“kind!of!pouring!

gasoline!on!a!behavior!that!fans!were!already!doing!while!also!allowing!the!network!

to!have!some!control!over!the!conversation.”39!These!struggles!to!control!the!

conversations!can!create!a!tension!between!viewers!and!producers.!

Contributing!to!this!tension!is!the!oftenaanonymous!nature!of!the!Internet.!This!

anonymity!can!empower!people!to!act!in!ways!they!otherwise!might!not!and!this!

can!be!frustrating!for!showrunners!and!other!production!personnel!who!are!on!the!

receiving!end!of!often!mean!or!hostile!comments!from!anonymous!users.!As!

showrunner!David!Shore!explains,!!

Anonymity!makes!people!very!brave.!And!people!can!be!very,!very!nasty.!I!can!only!imagine!what!the!actual!actors!go!through.!The!love!they!get!is!huge,!but!the!hatred!they!get!is!also!huge…!I!think!we!lose!track!of!our!individuality!and!I!think!we!lose!track!of!the!individuality!and!humanity!of!the!person!we’re!supposedly!talking!about.!I!think!that’s!dangerous.40!

This!type!of!scenario!referred!to!by!Shore!is!not!limited!to!viewers!of!entertainment!

shows.!After!more!than!fiveayears!of!allowing!comments!on!their!websites,!in!July!

2013,!ESPN!disallowed!anonymous!commenting!and!began!requiring!users!to!signa

in!with!a!Facebook!account.!ESPN!did!not!seek!to!limit!user!comments,!but!

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attempted!to!improve!the!quality!of!comments!and!limit!extremists!who!were!

“saying!or!doing!dumb!things”!due!to!the!open!nature!of!their!platform.41!!!

In!addition!to!the!challenge!of!dealing!with!negative!comments!from!oftena

anonymous!users,!production!personnel!must!deal!with!tension!caused!by!viewers!

receiving!inconsistent!responses.!When!Robert!and!Michelle!King,!for!example,!

decided!to!change!the!storyline!of!The!Good!Wife!in!reaction!to!viewer!comments,!

those!viewers!likely!felt!they!had!achieved!a!victory.!Do!these!situations!empower!

viewers!who!may!come!to!expect!all!showrunners!to!act!the!same!way?!When!they!

are!unable!to!effect!change!in!other!shows,!will!they!become!frustrated?!Will!that!

frustration!result!in!increased!tension!between!the!show!and!viewers?!

Viewers!speaking!back!to!production!is!not!a!new!phenomenon.!In!Newcomb!

and!Alley’s!The!Producer’s!Medium,!Quinn!Martin,!Producer!of!the!television!series!

The!FBI!(1965a1974)!shares!a!story!about!how!viewer!responses!to!the!show!

resulted!in!his!making!changes!to!a!character.42!Martin!described!receiving!letters!

from!fans!about!his!character!Inspector!Lewis!Erskine.!When!the!show!first!aired,!

Erskine,!was!written!as!an!“open!and!vulnerable”!character.43!!Audiences!did!not!

respond!well!to!these!traits!and!wrote!letters!to!Martin!indicating!that!since!Erskine!

was!an!FBI!Agent,!they!preferred!he!be!portrayed!as!a!strong!and!powerful!

protector.!As!a!result!of!these!letters,!Martin!changed!the!character.!This!example!

shows!how!viewers!speaking!back!to!production!in!an!attempt!to!effect!change!is!

not!new.!However,!the!process!has!changed.!!

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Showrunner!use!of!social!media!for!activities!related!to!their!show!has!been!

occurring!since!the!minda1990’s.!Jordan!Levin,!Executive!ViceaPresident!of!

Microsoft’s!Xbox!Entertainment!Studios!and!one!of!the!founding!executives!of!the!

WB!Television!Network!recalls!how!Joss!Whedon!and!J.J.!Abrams,!then!new!

showrunners,!used!their!dialaup!Internet!connections!to!access!online!fan!forums.44!

After!each!episode,!Whedon!and!Abrams!would!engage!with!fans!to!gauge!their!

response!to!an!episode.!Levin!explains!how!this!new!method!of!direct!and!nearly!

instantaneous!viewer!feedback!would!often!result!in!changes!being!made!to!the!

shows.!Observing!these!activities,!executives!at!WB!deemed!this!feedback!so!

valuable!that!Levin!required!his!Current!Team!to!provide!reports!on!the!online!

tenor!on!these!forums!after!each!episode.!!

Fastaforward!to!2011!and!the!questions!asked!of!showrunners!in!New!York!

Magazine’s!article,!“Who’s!Running!the!Show?!In!the!age!of!creator!as!star,!plenty!of!

people!know!exactly!who”!demonstrates!the!continued!interest!in!the!phenomenon!

of!social!media!use!by!showrunners.45!This!article!featured!fourteen!interviews!with!

showrunners!from!some!of!the!most!popular!programs!on!television!including!Kurt!

Sutter!(Sons!of!Anarchy),!Michelle!and!Robert!King!(The!Good!Wife),!Vince!Gilligan!

(Breaking!Bad)!and!Graham!Yost!(Justified).!As!the!title!alludes,!these!modern!

showrunners!are!both!the!creators!and!“stars”!of!their!shows.!However,!there!is!an!

additional!underlying!implication!to!the!question!suggesting!these!showrunners!

may!not!have!total!control.!These!four!interviews!are!emblematic!of!the!variety!of!

ways!showrunners!are!involved!with!Social!Television.!There!are!differing!levels!of!

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participation!from!Sutter!who!is!highly!involved!to!Gilligan!who!is!not!directly!

involved.!!

The!article’s!interview!questions!connect!these!degrees!of!social!media!use!with!

questions!of!control!over!show!content.!The!questions!ask,!for!example,!“How!much!

do!you!care!about!what!fans!think?”!Do!fans!ruin!shows?”!“Do!you!tweet?”!and!“How!

do!you!think!tweeting!is!changing!TV?”!The!diversity!of!responses!illustrates!the!

differing!values!placed!on!audience!feedback,!showrunners!various!levels!of!

involvement!with!viewers!and!their!diverse!attitudes!about!these!interactions.!

Responses!also!reveal!how!relationships!between!showrunners!and!audiences!are!

changing,!uncovering!unanswered!questions!about!the!changing!relationship!

between!showrunners!and!viewers.!!

Kurt!Sutter!says!he’s!tunedain!to!his!fan!base!and!he!finds!a!lot!of!information!

through!Facebook,!Twitter!and!his!personal!blog.!He!describes!his!views!on!social!

media!and!the!importance!of!being!aware!of!what!fans!respond!to,!but!that!

ultimately!the!fans!don’t!influence!his!creative!vision.!He!says,!“I’m!pretty!aware!of!

our!fan!base.!I’m!pretty!plugged!in.!Fans!don’t!influence!my!vision,!but!they!

sometimes!influence!my!process,!meaning!that!I’m!not!creating!this!show!in!a!

vacuum.”46!A!self!described!active!tweeter,!he!sees!changes!to!the!digital!landscape!

as!a!positive!development!.!!

Unlike!Sutter,!Michelle!and!Robert!King!also!describe!being!tunedain!to!their!fan!

base!and!say!they!utilize!blogs!and!Twitter!to!observe,!but!not!participate!in!show!

talk.!The!Kings!also!treat!fan!feedback!differently.!They!are!willing!to!make!changes!

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for!fans!if!they!are!not!happy!and!describe!a!situation!where!viewers!complained!

some!of!their!characters!seemed!“a!little!goofy.”!So,!they!responded!by!saying!they!

would!“try!and!pull!back!a!bit!from!that,!because!they!weren’t!intended!to!be!that!

goofy.”47!!

Vince!Gilligan!says!he!cares!“greatly”!about!what!fans!think.!However,!unlike!

Sutter!and!the!Kings,!he!doesn’t!participate!in!online!activities.!Gilligan!claims!he!is!

“not!a!computer!guy.”48!!But!that!does!not!mean!he!does!not!receive!fan!feedback.!

Instead!of!direct!comments,!he!describes!receiving!anecdotal!comments!that!he!

interprets!as!being!from!the!viewers!on!either!end!of!the!like/dislike!spectrum,!

arguing!the!feedback!is!an!“interesting”!but!not!“accurate”!gauge.!!

Graham!Yost,!like!Gilligan,!does!not!participate!in!online!activities,!but!describes!

receiving!feedback!from!people!involved!with!the!show,!so!it!is!“very!selfaselecting.”!

He!explains!he!does!like!to!know!if!“people!are!responding!to!a!story!line!or!a!

character!or!are!they!not.”49!

These!differences!can!be!grouped!into!four!levels!of!involvement!that!I!label!as!

highly!involved,!lurking,!testing,!and!disinterested.!Highly!involved!showrunners!are!

actively!interacting!on!at!least!one!social!media!platform.!These!interactions!often!

occur!with!a!variety!of!individuals!including!friends,!relatives,!cast/crew!members!

from!their!show,!television!critics,!and!viewers.!Although!the!objectives!of!their!use!

may!vary,!receiving!this!label!is!dependent!of!their!level!of!activity,!not!the!type!of!

involvement.!Kurt!Sutter,!for!example,!has!become!a!prolific!user!of!Internet!

technology,!connecting!with!and!speaking!back!to!fans.!In!addition!to!his!blog,!

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where!he!has!consistently!averaged!one!post!per!week!between!2007!and!2012,!he!

regularly!updates!Facebook!and!uses!Twitter!as!a!platform!to!address!both!fans!and!

critics.50!In!a!smart!marketing!tactic!to!promote!the!Season!Four!premier!of!Sons!of!

Anarchy,!he!told!his!fans!that!if!they!tuned!in!to!watch!the!show!and!the!ratings!

numbers!reached!a!certain!point!he!would!reward!two!lucky!fans!with!a!trip!to!Los!

Angeles.!This!stunt!was!so!successful!that!he!repeated!it!the!following!year!for!the!

series’!Season!Five!premier.!Sutter!also!uses!Twitter!when!the!show!is!not!airing!in!

an!effort!to!retain!viewer!interest.!One!strategy!towards!this!goal!is!that!he!often!

posts!behindatheascenes!pictures!and!even!solicits!fans!for!their!input!during!

development!to!gauge!how!they!might!respond!to!certain!story!lines!being!

developed.!

Lurking!showrunners!are!present!on!social!media!sites,!but!less!active!than!the!

Highly!Involved.!Less!active!means!they!are!not!participating!or!interacting!on!the!

platforms,!but!using!them!as!a!lens!to!peer!into!the!world!of!their!viewers.!Leonardo!

Padrón,!writer!of!Venezuelan!based!telenovelas!El!País!de!las!Mujeres!and!La!Mujer!

Perfecta,!for!example,!checksain!to!various!websites!like!Twitter!to!see!what!viewers!

are!talking!about.51!Padrón’s!describes!his!use!and!motivations!as!follows:!!

In!Twitter!you!can!take!the!pulse!of!each!scene!in!real!time,!you!can!see!how!people!react!to!the!end!of!the!episode,!a!particular!character,!or!his!or!her!actions.!It!is!like!the!telenovela!has!become!a!theater!play,!with!the!audience!sitting!there.!Of!course,!you!must!learn!to!read!these!tweets!because!Twitter!is!a!highway!where!there!are!also!distorting!elements,!preaplanned!attacks!and!excessive!fandom.!So!you!can't!believe!literally!everything!you!read!there.!In!addition,!not!everyone!is!connected!to!Twitter,!uses!it!on!a!daily!basis,!or!watches!telenovelas!tweeting!at!the!same!time.!Having!said!all!these,!I!find!Twitter!to!be!a!useful!and!significant!tool!for!me.52!!

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!Padron’s!voyeuristic!use!of!Twitter!demonstrates!how,!despite!its!limitations,!the!

platform!acts!a!site!of!potentially!meaningful!feedback!and!that!full!participation!is!

not!required!for!these!platforms!to!provide!a!use!for!production!personnel.!!

Due!to!the!relative!newness!of!social!media!platforms,!there!are!showrunners!

who!have!heard!of!social!media!being!used!in!combination!with!television!shows,!

but!they!may!not!have!ventured!into!full!use!themselves.!Reasons!for!anything!less!

than!full!embracement!can!vary.!When!asked!about!his!social!media!use,!

showrunner!David!Shore!referred!to!himself!as!a!“dinosaur.”!He!explained!that!his!

“basic!philosophy!and!discipline!of!social!media!is!I!just!kind!of!want!to!be!left!alone!

and!do!my!job!and!that’s!all.”53!Shore!continued!to!explain!that!although!he!cares!

about!what!his!audience!thinks,!he!doesn’t!feel!compelled!to!interact!with!viewers!

on!a!regular!basis.!While!he!feels!feedback!is!important,!he!situates!his!role!as!not!

just!to!satisfy!an!audience,!but!to!be!an!independent!storyteller!with!a!voice!and!

perspective!to!tell!his!own!stories.!!

Despite!his!proclaimed!disinterest!of!interacting!with!his!viewers!via!social!

media,!Shore!does!have!a!Twitter!account.!Since!March!2012,!he!has!tweeted!

regularly!with!at!least!a!tweet!sent!every!few!days!and!many!days!with!multiple!

tweets.!This!is!evidence!that!he!is!at!least!testing!social!media!and!evaluating!its!

potential.!One!reason!for!Shore’s!selfaidentified!disinterest!could!be!that!his!last!hit!

show!House,!preadated!the!explosion!of!social!media.!House!premiered!in!2004!and!

likely!had!an!established!viewer!engagement!practices!in!place!that!Shore!felt!no!

need!to!disrupt.!

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The!fourth!type!of!showrunner!is!someone!who!is!disinterested.!These!are!

showrunners!who!have!no!desire!to!engage!in!social!media!activities.!As!Graham!

Yost!stated!in!his!New!York!Magazine!interview,!he!just!doesn’t!participate.54!Yet,!

despite!this!nonaparticipation,!these!showrunners!still!receive!audience!feedback.!

The!flow!of!information!does!not!cease!to!exist!despite!their!lack!of!direct!

involvement.!

These!labels!are!meant!to!be!fluid.!Although!a!showrunner!may!fit!one!label!at!

any!given!moment,!their!actions!can!change!and!make!another!label!more!

appropriate.!For!example,!the!earlier!description!of!Leonardo!Padrón’s!Twitter!use!

demonstrates!his!voyeuristic!use.!But!he!is!also!an!active!participant!on!Twitter!and!

those!activities!could!warrant!his!labeling!as!a!highly!involved!user.!!

These!transitions!can!occur!at!any!time.!A!showrunner!may!choose!to!interact!

online!at!only!certain!times!of!day!or!choose!to!increase!or!decrease!involvement!

during!the!airing!of!their!show!or!even!inaseason!versus!offaseason.!!They!may!

checkain!with!online!sites!as!voyeurs!after!a!show!has!aired!to!gauge!viewer!

reactions!to!certain!storylines!or!plot!points.!While!at!other!times!they!may!more!

actively!engage!other!users.!There!are!also!times!when!a!showrunner!may!have!

maintained!activity!at!a!certain!level!for!an!extended!period!of!time!and!then!makes!

a!conscious!decision!to!change.!This!type!of!situation!occurred!in!October!2013!with!

Damon!Lindelof.!The!Lost!showrunner,!who!was!extremely!active!on!Twitter,!

deleted!his!Twitter!account.!Although!Lindelof!did!not!provide!a!public!statement!

explaining!his!rationale!for!this!decision,!Variety’s!Editor!in!Chief!for!TV!Cynthia!

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Littelton!and!Time’s!TV!Critic!James!Poniewozik!speculated!Lindelof’s!decision!was!

likely!the!result!of!harsh!fan!comments!surrounding!the!finale!of!Vince!Gilligan’s!

Breaking!Bad!that!was!being!compared!to!the!ending!of!Lindelof’s!Lost!series!which!

has!been!often!criticized!by!fans.55!!

Despite!these!different!uses,!a!similarity!exists!among!all!of!these!showrunners!

in!that!each!states!they!care!about!fan!feedback!and!describe!receiving!it!in!some!

manner.!Each!showrunner!also!has!different!views!on!how!the!feedback!should!be!

handled,!from!Michelle!and!Robert!King!who!are!willing!to!change!their!show!to!

Gilligan,!Yost!and!Sutter!who!indicate!they!place!a!higher!value!on!authorial!vision.!!

! No!mater!how!these!showrunners!are!handling!viewer!feedback,!the!ability!to!

speak!back!is!potentially!empowering!viewers.!Once!believing!they!could!have!little!

influence!on!shows,!small!victories!in!changing!content,!saving!a!show,!getting!a!

show!made!or!having!a!show!cancelled!have!created!new!expectations!and!resulted!

in!increasing!tension!between!viewers!and!producers.!!

! As!we!have!seen,!there!are!a!variety!of!Social!TV!uses!by!both!production!

personnel!and!viewers.!Examples!like!those!provided!in!this!chapter!are!becoming!

increasingly!common!and!regularly!reported!in!both!the!trade!and!popular!press.!As!

networks!test!different!Social!TV!strategies!to!achieve!their!goals!and!viewers!

continue!to!interact!with!one!another!and!production!personnel,!both!sides!are!

working!towards!creating!a!greater!understanding!of!how!these!new!activities!will!

reashape!viewer/viewer!and!viewer/producer!relationships.!Investigation!of!social!

media!use!by!some!Bones!viewers!and!production!personnel!will!reveal!similarities!

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and!differences!to!these!more!general!Social!TV!activities!and!provide!further!

details!about!how!and!why!these!situations!take!place.!!

Notes!

1!James!Poniewozik,!"Dead!Tree!Alert:!Brave!New!Girls,"!!http://entertainment.time.com/2012/04/05/deadatreeaalertabraveanewagirls/.!Emily!Nussbaum,!"It's!Different!for!'Girls',"!!http://nymag.com/arts/tv/features/girlsalenaadunhama2012a4/.!

2!Kia!Makarechi,!"'Girls'!Reviews:!New!Hbo!Show!and!Lena!Dunham!Face!Backlash!on!Racism!and!More,"!!http://www.huffingtonpost.com/2012/04/16/girlsareviewsabacklashahboashow_n_1429328.html.!

3!Lena!Dunham,!"Pilot,"!in!Girls(HBO,!2012).!

4!Actor!Donald!Glover!was!announced!as!an!addition!to!the!cast!for!the!second!season.!He!briefly!appeared!in!two!episodes.!

5!Networked!Insights,!"The!Network!Executive’s!Social!Tv!Survival!Guide!"(http://info.networkedinsights.com/downloadatheanetworkaexecutivesasocialatvasurvivalaguideanetworkedainsights.html2012).!

6!Debbeard,!"'The!Good!Wife'!Recap:!'Two!Girls,!One!Code'!and!an!Affair!Rumor,"!Huffington!Post,!http://www.huffingtonpost.com/chrisaharnick/theagoodawifearecapatwoagirlsaoneacode_b_1925712.html.!

7!Kate!Stanhope,!"The!Good!Wife!Bosses!on!Peter's!New!Opponent!and!Wrapping!up!the!KalindaaNick!Story!Line,"!!http://www.tvguide.com/News/GoodaWifeaKingsaKalindaaNicka1055105.aspx.!

8!ibid!Stanhope.!

9!Carolina!AcostaaAlzuru,!"“I’m!Not!a!Feminist!...!I!Only!Defend!Women!as!Human!Beings”:!The!Production,!Representation,!and!Consumption!of!Feminism!in!a!Telenovela,"!Critical!Studies!in!Media!Communication!20,!no.!3!(2003).!

10!Ibid!AcostaaAlzuru,!p.!280.!

11!Price!Peterson,!"True!Blood!Showrunner!Brian!Buckner!on!Season!6,!the!Werewolf!Problem,!and!the!JasonaEric!Sex!Dream,"!New!York!Magazine,!http://www.vulture.com/2013/08/trueabloodashowrunneranoamoreawerewolves.html.!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

12!Ibid.!

13!Paley!Center!for!Media,!Suits:!Cast!and!Creators!Live!at!the!Paley!Center(Amazon!Prime2013).!

14!Charley!Koontz,!!http://instagram.com/p/gEmUbKtWku/.!

15!Michael!Rauch,!!https://twitter.com/Michael_Rauch.!

16!n/a,!"Conversation!|!Getglue,"!!http://getglue.com/conversation/hilory_83/2012a12a17T05:34:09Z.!

17!First!premiering!in!January!2008,!the!show!follows!the!story!of!Walter!White,!a!high!school!Chemistry!teacher!who!was!diagnosed!with!cancer.!!Unable!to!afford!the!high!cost!of!treatment,!Walter!puts!his!chemistry!skills!to!use!producing!a!highagrade!methamphetamine!to!raise!funds!for!his!healthcare!expenses.!Initially!resolving!to!only!produce!and!sell!as!much!drugs!as!necessary!to!cover!his!medical!expenses,!Walt!eventually!becomes!captivated!by!his!new!persona!that!is!fueled!by!his!involvement!in!these!criminal!activities.!Breaking!Bad’s!main!plot!lines!revolve!around!Walt,!his!partner!Jesse!Pinkman,!and!their!manufacturing!and!distributing!drugs.!Showrunner!Vince!Gilligan!has!created!a!labyrinth!of!characters,!themes!and!symbols!that!People!Weekly!critic!Tom!Gliatto!described!as!having!“taken!the!complexity!of!modern!television!storytelling!to!new!levels.”!!

18!JoAnn!Anderson,!"Breaking!Bad!and!Walter!White’s!“Song!of!Myself”,"!!http://filmrascal.wordpress.com/2012/09/03/breakingabadaandawalterawhitesasongaofamyself/.!

19!Ibid.!

20!Ibid.!User!“Vonn!Scott!Bair”!

21!Ibid.!User!“John”!

22!Ibid.!User!“The!Simple!Life!of!a!Country!Man’s!Wife”!

23!Ibid.!User!“Drex01”!

24!Ibid.!User!“crweatherford”!

25!"Twitter,!Tv!and!You,"!!https://blog.twitter.com/2011/twitteratvaandayou.!

26!The!possible!suspects!included!the!boss,!the!TA!and!a!student.!Viewers!tweeted!their!selection,!the!votes!were!calculated!and!the!most!popular!ending!was!then!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!shown.!Viewers!on!the!east!coast!and!the!west!coast!were!both!able!to!participate!by!voting!during!the!airing!in!each!time!zone.!!!

27!Mike!Proulx,!"Last!Night’s!Hawaii!Fivea0!Social!Tv!Stunt,"!Hill!Holiday,!http://www.hhcc.com/blog/lastanightsahawaiiafivea0asocialatvastunt.!The!episode!attracted!9.37!million!viewers,!which!was!only!a!slight!increase!over!the!shows!average!8.9!million!viewers.!

28!Whitney!Friedlander,!"Cablers!Study!Social!Media,"!!http://variety.com/2013/digital/awards/hboagameaofathronesasocialamediaafoodanetworka1200498673/.!

29!Scott!Mayerowitz,!"Nutty!'Jerico'!Fans!Make!Cbs!Reconsider!Canceling!Show,"!!http://abcnews.go.com/Business/FunMoney/story?id=3214156&page=1#.UN2yXInjlvA;!Josef!Adalian,!"Cbs!Cancels!'Jericho,'!Two!Others,"!!http://www.variety.com/article/VR1117964967/?refCatId=14.!

30!The!blog!can!be!found!at:!http://morethanoneofeverything.net!

31!Gordon!MacMillan,!"Could!Fringe!Be!the!First!Tv!Show!Saved!by!a!Hashtag?,"!!http://wallblog.co.uk/2012/02/24/couldafringeabeatheafirstatvashowasavedabyaaahashtag/#ixzz1qtUoqHSc.!

32!Danielle!Fishel,!"Girl!Meets!World,"!in!Untitled(2012).!

33!This!page!can!be!found!at:!https://www.facebook.com/groups/174051289090/#_=_!

34!Cory!Bergman,!"'No!Reservations'!Airs!Episode!Sparked!by!Facebook!Fan,"!!http://lostremote.com/noareservationsaairingaepisodeasparkedabyafacebookafan_b29314.!

35!Mark!Lawson,!"The!Wright!Way!Goes!Wrong:!How!Social!Media!Is!Changing!Tv,"!TheGuardian.com,!http://www.theguardian.com/tvaandaradio/2013/jul/10/wrightawayasocialamediaachangingatv.!

36!Ruth!Page,!"The!Linguistics!of!SelfaBranding!and!MicroaCelebrity!in!Twitter:!The!Role!of!Hashtags,"!Discourse!&!Communication!6.2(2012):!181.!

37!ABC!Family,!"Ratings!Highlights!for!Tuesday,!October!23,!2012!–!National!Ratings,"!!www.abcfamilymedianet.com/docs/2012/ABCF_Rate_Oct23.doc.!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

38!Hashtag!#poorEzra!was!shown!during!Pretty!Little!Liars!Season!4!Episode!1!“A!Is!for!AaLaIaVaE”!and!hashtag!#DaphynesInTrouble!was!shown!during!Switched!at!Birth!Season!2!Episode!15!“Ecce!Mono.”!

39!Friedlander,!"Cablers!Study!Social!Media".!

40!David!Shore!in!Discussion!with!the!Author,!July!18,!2013.!

41!Raghu!Manavalan,!"Espn!Tries!to!Kill!the!Trolls:!Facebook!Comments!Only,"!!http://www.marketplace.org/topics/tech/numbers/espnatriesakillatrollsafacebookacommentsaonly.!

42!Newcomb!and!Alley,!The!Producer's!Medium!:!Conversations!with!Creators!of!American!Tv.!

43!Ibid!Newcomb!and!Alley,!p.!53.!

44!Jordan!Levin!in!Discussion!with!the!Author!(1),!December!12,!2013.!

45!New!York!Magazine,!"Who’s!Running!the!Show?!In!the!Age!of!Creator!as!Star,!Plenty!of!People!Know!Exactly!Who,"!!http://nymag.com/arts/tv/upfronts/2011/whosarunningatheashowa2011a5/.!

46!Mike!Flaherty,!"The!Showrunner!Transcript:!Sons!of!Anarchy’s!Kurt!Sutter,"!New!York!Magazine,!http://www.vulture.com/2011/05/kurt_sutter_showrunner_transcr.html.!

47!Jada!Yuan,!"The!Showrunner!Transcript:!The!Good!Wife’s!Robert!and!Michelle!King!on!the!Series’!Evolution!and!Alicia’s!Love!Life,"!New!York!Magazine,!http://www.vulture.com/2011/05/the_kings_showrunner_transcrip.html.!

48!Mike!Flaherty,!"The!Showrunner!Transcript:!Breaking!Bad’s!Vince!Gilligan!on!Season!Four!and!His!Experiences!on!the!XaFiles,"!New!York!Magazine,!http://www.vulture.com/2011/05/vince_gilligan_showrunner_tran.html.!

49!"The!Showrunner!Transcript:!Justified’s!Graham!Yost!on!the!Full!House!Writers’!Room!and!Learning!to!Collaborate,"!New!York!Magazine,!http://www.vulture.com/2011/05/graham_yost_showrunner_transcr.html.!

50!Kurt!Sutters!blog!can!be!found!at:!http://sutterink.blogspot.com.!Kurt!Sutters!Twitter!name!is!@sutterink.!

51!Carolina!AcostaaAlzuru!in!Discussion!with!the!Author,!November!2,!2012.!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

52!Carolina!AcostaaAlzuru,!La!Incandescencia!De!Las!Cosas:!Conversaciones!Con!Leonardo!Padrón(Caracas:!Editorial!Alfa,!2013),!90a91.!

53!David!Shore!in!Discussion!with!the!Author.!

54!Flaherty,!"The!Showrunner!Transcript:!Justified’s!Graham!Yost!on!the!Full!House!Writers’!Room!and!Learning!to!Collaborate".!

55!Cynthia!Littelton,!"Damon!Lindelof!Bows!out!of!Twitter,"!Variety,!http://variety.com/2013/digital/news/damonalindelofabowsaoutaofatwittera1200731271/.!James!Poniewozik,!"Damon!Lindelof!and!Why!Twitter!Is!Not!Always!for!Everyone,"!!http://entertainment.time.com/2013/10/16/damonalindelofaandawhyatwitteraisanotaalwaysaforaeveryone/.!This!was!not!the!first!time!a!television!personality!announced!a!departure!from!Twitter!due!to!the!alleged!sometimesatoxic!atmosphere.!In!July!2013,!Actress!Jennifer!Love!Hewitt!announced!she!was!quitting!Twitter!due!to!negativity.!She!stated,!“Unfortunately!with!all!the!negativity!people!choose!to!send!on!twitter![sic]!as!well!as!threats!to!there!own!well!being.!I'm!sad!to!say!Twitter!is!No![sic]!longer!for!me.!I!have!enjoyed!all!the!kindness!and!love!that!came![sic]!my!way,!as!well!as!support.!But!this!break!is!needed."!Her!departure!was!short!lived!as!she!was!posting!again!on!Twitter!the!following!month.!!!

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CHAPTER!5!

ABOUT!BONES!

This!chapter!provides!information!about!the!television!series,!Bones,!the!site!of!

the!case!study!for!this!project.!It!includes!an!overview!of!the!evaluative!criteria!and!

selection!process!used!to!select!the!show,!background!information!about!the!show’s!

creation,!details!about!the!show!including!a!character!overview!and!a!genre!and!

textual!analysis.!This!information!provides!context!for!detailed!discussions!in!later!

chapters!dealing!with!interactions!among!viewers!and!between!viewers!and!

production!personnel!where!questions!dealing!with!power!relationships!between!

these!individuals!will!be!explored.!!

During!the!early!stages!of!this!project,!preliminary!interviews!with!showrunners!

proved!valuable.!Capitalizing!on!a!professional!relationship!with!Huffington!Post!

Television!Critic!Maureen!Ryan,!I!was!introduced!to!Hart!Hanson,!showrunner!of!

Bones.!Hanson!agreed!to!an!interview!and!at!the!conclusion!of!that!discussion!

offered!to!introduce!me!to!other!showrunners!who!might!also!be!willing!to!share!

their!experiences.!This!led!to!interviews!with!David!Shore,!showrunner!of!the!

recently!concluded!series!House!and!Oliver!Goldstick,!showrunner!of!the!ABC!Family!

series!Pretty!Little!Liars.!The!objectives!of!these!interviews!were!to!first!obtain!

authentic!information!about!production!processes,!the!role!of!social!media!in!those!

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processes!and!showrunners!views!on!Social!TV!activities.!Second,!these!interviews!

helped!establish!a!list!of!issues!to!be!considered!when!selecting!a!case.!!

Bones!offered!several!advantages.!Hart!Hanson!is!a!successful!and!wella

connected!showrunner!who!is!willing!to!allow!access!to!his!resources.!Show!

production!personnel!represent!various!levels!of!experience!within!the!industry!

from!highly!successful!veterans,!to!individuals!midacareer!and!others!just!starting!

out.!Bones!also!has!an!active!online!Fandom!that!uses!a!plethora!of!online!resources!

including!blogs,!forums,!and!an!array!of!social!media!platforms.!!

Bones!did!present!one!primary!disadvantage.!A!recent!surge!in!the!popularity!of!

cable!based!serial!dramas!such!as!Mad!Men,!Breaking!Bad!and!The!Walking!Dead!has!

led!to!research!in!areas!such!as!narrative!complexity.!The!potential!role!of!Social!TV!

in!the!reception!and!decoding!of!these!types!of!shows!would!be!a!beneficial!addition!

to!this!dissertation.!Since!Bones!is!a!procedural!drama!with!more!limited!forms!of!

complexity,!the!show!affords!fewer!insights!into!this!area.1!

Hanson!offered!to!seek!approval!from!the!other!producers!of!his!show!as!well!as!

the!network,!Fox!Broadcasting!Company,!and!the!studio,!20th!Century!Fox!

Television!Studios.!These!were!approvals!were!vital!for!the!success!of!this!project!

and!they!were!secured!within!a!week.!!

In!2004,!Hart!Hanson!was!working!at!20th!Century!Fox!Television!Studios!under!

an!“overall”!development!deal.2!Late!in!the!pitching!season,!when!a!show!he!was!

working!on!fell!apart,!the!studio!asked!him!to!meet!with!Barry!Josephson!about!a!

project.!That!project!was!about!Dr.!Kathy!Reichs,!a!forensic!anthropologist!and!

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author.!Hanson!told!the!studio!he!had!no!interest!in!doing!a!forensics!show,!but!they!

responded!that!neither!were!they!interested!in!just!any!forensics!show,!but!were!

interested!in!Hanson’s!specific!take!on!a!forensics!show.!This!interest!likely!

stemmed!from!Hanson’s!past!success!writing!and!producing!shows!such!as!Joan!of!

Arcadia,!Judging!Amy!and!the!successful!Canadian!series!Traders!and!Snoops,!a!

police!drama!with!a!propensity!for!humor.!So!Hanson!took!the!meeting!with!

Josephson!and!the!result!was!an!agreement!to!move!forward!with!the!project.3!!

Reichs!and!her!fictional!novels!had!intrigued!Barry!Josephson,!but!he!did!not!

want!to!simply!take!her!books!and!put!them!on!television.!Instead,!he!“decided!to!

focus!on!her!real!life!work!for!their!inspiration,!whilst!adding!a!sprinkling!of!her!

fictional!character,!Temperance!Brennan,!into!the!mix.”4!According!to!Josephson,!

comparing!his!ideas!to!other!procedurals!including!the!CSI!franchise,!Law!&!Order,!

and!NYPD!Blue,!he!saw!an!opportunity!to!bring!something!unique!to!television.!

Reichs!explained!how!the!concept!came!together,!!

Barry!Josephson!liked!the!idea!of!a!character!that!could!be!taken!from!the!lab!into!varying!work!situations.!Hart!Hanson!liked!the!idea!of!contrast,!sometimes!conflict,!between!the!pragmatic,!intuitive!mindaset!of!the!cop!versus!the!deductive,!analytical!approach!of!the!scientist.!Johnny!Law!versus!the!squints.!Thus,!Bones!was!born.5!!

What!Josephson!and!Hanson!created!was!an!houralong!forensics!and!police!

procedural.!The!show!features!Dr.!Temperance!Brennan,!a!forensic!anthropologist!

who!is!employed!by!the!fictional!Jeffersonian!Institute!in!Washington,!D.C.!!Brennan!

is!called!on!by!the!FBI!to!help!identify!bodies!and!solve!crimes.!She!is!teamedaup!

with!FBI!Special!Agent!Seeley!Booth!and!over!the!course!of!several!seasons!the!pair!

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develops!a!romantic!relationship.!Each!episode!contains!a!new!case!that!is!

presented,!investigated!and!solved.6!!Ongoing!storylines!featuring!Booth,!Brennan!

and!other!members!of!the!ensemble!cast!are!interlaced!with!the!procedural!action.!

Brennan!(Emily!Deschanel)!is!the!lead!female!character!on!the!show.!Brennan!is!

loosely!based!on!Kathy!Reichs,!but!named!after!the!heroine!in!Reichs’!realalife!crime!

novel!series.!Due!to!her!job!as!a!forensic!anthropologist,!Brennan!has!been!given!the!

nickname!“Bones.”!Similar!to!Reichs,!Brennan!is!also!a!best!selling!author!and!in!a!

witty!acknowledgement!to!reality!–!she!writes!fictional!novels!about!an!

anthropologist!named!Kathy!Reichs.!!Brennan!is!a!highly!intelligent!scientist!who!

lacks!many!basic!social!skills.!This!combination!is!the!source!of!many!humorous!

moments!where!she!makes!a!social!faux!pas!or!fails!to!understand!a!pop!culture!

reference.!Her!now!famous!line,!“I!don’t!know!what!that!means,”!often!follows!these!

moments!of!misunderstanding.!!

FBI!Special!Agent!Seeley!Booth!(David!Boreanaz)!is!the!show’s!lead!male!

character.!!Booth!is!the!FBI!liaison!to!the!Jeffersonian!Institute!and!works!closely!

with!Brennan!and!her!team!to!solve!the!weekly!murder!investigations.!Although!he!

respects!the!work!of!Brennan!and!her!team!at!the!Jeffersonian,!Booth!is!an!outsider!

to!the!group!and!initially!does!not!fit!in.!Booth!brings!a!more!humanistic!and!nona

scientific!approach!to!the!murder!investigations,!contributing!knowledge!about!

human!nature!and!common!sense!that!the!scientists!lack.!A!former!Army!Ranger!

and!FBI!sniper,!Booth!takes!his!work!seriously.!His!personality!is!closer!to!a!

stereotypical!popular!jock!and!he!is!a!fan!of!the!Pittsburgh!Penguins!hockey!team!

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and!classic!rock!music.!Booth!is!the!father!to!one!son,!Parker,!from!a!previous!

relationship!with!Rebecca!Stinson!and!he!is!the!father!of!a!daughter,!Christine,!with!

Brennan.!!

Beginning!in!Season!Three,!Booth!works!along!side!FBI!psychologist!Dr.!Lance!

Sweets!(John!Francis!Daley).!Originally!joining!the!show!as!a!psychologist!for!Booth!

and!Brennan!who!were!considering!ending!their!professional!relationship!after!

Booth!arrested!Brennan’s!father,!Sweets’!role!expanded!into!his!providing!

psychological!profiles!of!killers.!Sweets!is!a!wellaliked,!intelligent!and!effective!

profiler.!!

Rounding!out!the!remaining!members!of!the!ensemble!cast!are!the!staff!

members!at!the!Jeffersonian!Institute.!Dr.!Jack!Hodgins!(T.J.!Thyne)!is!an!expert!

Entomologist,!Botanist!and!Mineralogist!whose!hobby!is!conspiracy!theories.!Angela!

Montenegro!(Michaela!Conlin)!is!an!artist!and!forensic!facial!reconstruction!expert.!

Dr.!Camille!Saroyan!(Tamara!Taylor)!is!the!head!of!the!Jeffersonian!Institute’s!

Forensics!Division.!A!former!New!York!police!officer!and!coroner,!Cam,!as!her!

friends!and!coaworkers!refer!her!to,!initially!had!differences!with!the!Jeffersonian!

crew,!but!they!eventually!resolve!those!differences!and!she!becomes!one!of!the!gang.!!

Bones!also!features!a!group!of!rotating!interns!who!help!the!team!complete!their!

investigations.!Zack!Addy!(Eric!Milligen)!was!the!first!intern!on!the!show.!His!

departure!from!the!show!after!Season!Three!left!the!need!for!a!new!assistant.!

Instead!of!adding!one!character,!the!show!added!a!group!of!rotating!interns.!Often!

referred!to!as!“squinterns,”!these!individuals!assist!with!the!forensic!investigations,!

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but!also!act!as!a!source!of!comic!relief!against!the!serious!nature!of!the!work!being!

performed.!!This!group!of!squinterns!includes!Finn!Abernathy!(Luke!Kleintank),!

Wendell!Bray!(Michael!Grant!Terry),!Clark!Thomas!Edison!(Eugene!Byrd),!Colin!

Fisher!(Joel!Moore),!Vincent!NigelaMurray!(Ryan!Cartwright),!Arastoo!Vaziri!(Pej!

Vahdat),!Oliver!Wells!(Brian!Klugman)!and!Daisy!Wick!(Carla!Gallo).!!

One!final!casting!element!is!the!regular!appearance!of!guest!stars.!Each!season,!

many!famous!individuals!have!made!appearances!on!the!show!including!Stephen!

Fry,!John!Ratzenberger,!Zooey!Deschanel,!Freddy!Prinze!Jr.,!Chuck!Liddell,!Kelly!

Rutherford,!Ryan!O’Neal,!Billy!Gibbons,!Penny!Marshall,!Cesar!Millan!and!Cyndi!

Lauper.!

Bones!is!a!combination!of!two!popular!genres,!procedural!and!serial.!A!

procedural!is!a!series!that!“consists!of!selfacontained!or!standaalone!stories.”7!These!

caseaofatheaweek!shows!introduce!a!problem,!work!to!solve!it!and!come!to!a!

resolution!within!each!episode.!Ongoing!themes,!if!present,!are!the!secondary!focus.!!

A!serialized!show!conversely!focuses!on!continuing!storylines!that!develop!

throughout!a!season!or!series.!Serials!intend!each!episode!to!be!viewed!in!

chronological!order,!and!while!episodes!can!focus!on!individual!events,!the!primary!

focus!is!on!storylines!and!character!development.!!

Bones!is!a!hybrid!format!because!it!blends!the!definitions!of!these!two!genres.!

Although!the!viewing!of!each!individual!episode!could!be!enjoyed!on!it’s!own,!the!

viewer!benefits!from!watching!in!order!to!follow!along!with!ongoing!storylines.!This!

is!what!Horace!Newcomb!refers!to!as!a!“cumulative!narrative”!where!“each!week’s!

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program!is!distinct,!yet!each!is!grafted!onto!the!body!of!the!series,!its!characters’!

pasts.”8!In!addition!to!this!hybrid!structure,!Bones!style!is!unique.!This!style!is!what!

Fox!was!seeking!when!they!told!Hanson!they!were!looking!for!Hanson’s!“take”!on!a!

forensics!show.!!The!result!is!a!show!that!balances!elements!of!a!serious!

crime/forensics!show!with!a!mix!of!quirky!humor!and!emotion.!In!one!scene,!the!

audience!can!be!horrified!by!a!shot!of!a!decomposing!corpse!and!in!the!next!

instance!the!audience!will!be!laughing!at!a!funny!situation!or!comment.!Hanson!

describes!this!balance!of!gruesomeness!and!levity!as!black!humor:!

Almost!any!writer!who's!hung!around!with!cops!or!coroners!or!firefighters!or!EMTs!knows!that!they!have!extremely!black!senses!of!humour!–!it's!their!coping!mechanism!for!getting!through!it.!They're!very!funny!people,!and!they're!very!funny!about!things!that!generally!you!can't!be!funny!about.!So!we're!trying!to!do!our!network!television!version!of!that!kind!of!humour.!We're!definitely!not!way!over!to!where!those!people!are!–!they!can!laugh!at!anything.!We!have!to!be!a!little!more!sensitive.!But!we!really!like!that!sense!of!black!humour!they!have!as!a!coping!mechanism.!Also,!the!characters!as!I!designed!them!are!very!intelligent!–!much!more!intelligent!than!I!am!–!and!we!get!a!lot!of!fun!out!of!that!degree!of!intelligence!and!their!dysfunctional!approach!to!the!normal!world.9!!

Hanson!alludes!to!the!show’s!character!development,!another!element!of!its!hybrid!

classification.!All!six!primary!characters!have!been!fully!developed.!The!audience!

has!experienced!their!trials!and!tribulations!of!life!at!work!and!in!their!personal!

lives.!Relationships!have!started!and!ended,!family!dramas!have!caused!stress!in!

many!different!ways!and!viewers!have!been!placed!in!multiple!situations!where!

they!have!rooted!for!their!favorite!characters!to!overcome!various!obstacles.!This!

depth!of!character!development!was!a!strategic!feature!of!the!show!from!its!

inception.!As!Kathy!Reichs!states,!she!hoped!the!series!would!!“capture!the!issues!of!

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forensic!science,!while!simultaneously,!showing!the!humanity!of!the!participants!

and!the!occasional!humor!needed!to!preserve!emotional!balance.”10!The!result!is!a!

crime!procedural!that!is!different!than!other!shows.!As!Hanson!explains,!“it's!

certainly!less!procedural.!It's!as!though!you!took!Moonlighting!or!The!XAFiles.!It's!

very!heavily!weighted!toward!the!two!characters!played!by!Emily!Deschanel!and!

David!Boreanaz!–!Bones!and!Booth.!And!it's!funnier!and!a!lot!more!character!

oriented!than!those!shows!are,!a!lot!more!personal!stories.”11!

The!writers!and!producers!have!relied!heavily!on!this!relationship!between!

Booth!and!Brennan!as!the!primary!serial!storyline!for!the!show.!Early!episodes!

focused!on!tension!between!Booth!and!Brennan!who!did!not!understand!each!

other’s!skills!and!motivations.!As!the!pair!became!friends,!fans!rooted!for!their!

relationship!to!develop!further!and!the!relationship!progressed!from!dating,!to!

having!a!child!together!and!eventually!an!engagement!and!marriage.!Fans!who!

anxiously!followed!and!rooted!for!the!development!of!this!relationship!are!known!

as!“shippers.”!As!fan!Jennifer!Lester!explains,!the!“shippers”!are!“fans!that!want!

them!to!have!a!relationship,!they!root!for!the!relationship!between!Booth!and!

Brennan.”12!!

After!teasing!this!relationship!for!the!first!five!seasons,!during!the!100th!episode,!

on!April!8,!2010;!Booth!finally!told!Brennan!that!he!wanted!to!give!their!

relationship!as!a!couple!a!shot.!!Subsequent!relationship!events!include!the!

revelation!in!the!Season!Six!finale!that!Brennan!is!pregnant,!Season!Seven!

developments!that!find!the!couple!living!together,!but!not!married,!followed!by!an!

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eventual!marriage!proposal!in!Season!Eight.!However,!in!a!season!ending!cliffhanger,!

events!unfolded!that!caused!viewers!to!question!if!the!wedding!will!ever!take!place.!!

Without!this!relationship!between!Booth!and!Brennan,!Bones!would!most!likely!

have!not!achieved!the!same!level!of!success.!Fans!have!used!the!relationship!to!

connect!with!the!show!and!each!other.!As!one!of!the!most!talked!about!show!

elements!on!fan!sites,!the!relationship!drives!emotionally!charged!comments!on!

message!boards,!inspires!fan!fiction!stories!and!it!is!the!foundation!for!much!fan!art.!

Fans!have!voiced!their!desire!throughout!the!first!eight!seasons!for!these!two!

characters!to!marry,!but!by!creating!a!“statusaquo”!for!the!relationship!and!not!

fulfilling!these!fan!desires,!the!storyline!has!served!its!purpose!well.!Yet,!despite!this!

success,!teasing!this!relationship!for!eight!seasons!does!represent!a!lowarisk!option!

for!the!writers.!!They!were!able!to!rely!on!this!storytelling!mechanism,!eliminating!

the!need!to!progress!the!story!and!seek!out!new!ways!to!accomplish!the!same!goals!

of!engagement,!drawing!emotional!responses,!maintaining!viewership!and!driving!

tuneain.!!

Greater!storytelling!risks!have!been!presented!through!the!relationships!of!the!

other!primary!characters.!Sweets!and!Cam!have!experienced!varying!degrees!of!

relationship!success.!Sweets’!relationship!with!Squintern!Daisy,!for!example,!offered!

the!opportunity!for!the!characters!to!become!engaged,!call!off!the!engagement!and!

potentially!become!engaged!again.!The!relationship!offers!indirect!commentary!on!

Booth!and!Brennan’s!relationship!that,!by!comparison,!appears!more!mature!and!

stable.!In!another!ongoing!storyline,!Hodgins!and!Angela!fell!in!love,!married!and!

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had!a!child.!Since!these!characters!more!closely!resemble!Booth!and!Brennan,!their!

successful!relationship!leaves!fans!wondering!why!Booth!and!Brennan!cannot!make!

their!relationship!progress!in!the!same!way.!!

The!show!ultimately!becomes!about!these!connections!between!people.!In!

addition!to!rooting!for!Booth!and!Brennan,!the!secondary!relationships!tell!stories!

about!making!connections!or!searching!for!connections.!While!Hodgins!and!Angela!

have!made!their!connections,!in!Season!Nine,!Cam!is!still!searching!for!her!love!

connection.!Beyond!the!romantic,!these!connections!are!also!expressed!at!the!

familial!level.!The!workplace!has!become!a!home!for!these!characters!and!they!have!

formed!close!personal!relationships!with!one!another.!Like!any!family,!the!

characters!have!their!differences,!but!these!are!usually!resolved!in!a!timely!manner.!

Resolutions!are!an!opportunity!for!the!writers!to!strengthen!the!bonds!between!

characters.!In!one!situation,!Angela!was!angry!with!Booth!because!he!called!off!his!

engagement!to!Brennan!without!explanation.!The!resulting!tension!worked!to!

further!a!storyline!about!Booth!being!manipulated!by!a!serial!killer,!but!it!also!

showed!viewers!the!depth!of!the!emotional!connection!between!Angela!and!

Brennan.!Upon!resolution,!the!situation!also!furthered!the!connection!between!

Booth!and!Angela!because!Booth!knew!Angela!was!looking!out!for!their!best!

interests!and!more!importantly!the!interests!of!the!woman!he!loves.!These!are!the!

types!of!stories!that!create!emotional!reactions!from!viewers.!Viewers!are!drawn!in!

to!the!story!and!take!sides!while!hoping!for!a!resolution!and!passing!judgment!on!

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the!characters!and!the!actions!they!take.!It!is!these!elements!that!make!Bones!more!

than!a!procedural.!!

These!emotional!moments!often!emanate!from!character!flaws,!serious!

storylines!or!sad!occurrences.!!Hodgins,!for!example,!lost!his!family!fortune!and!has!

no!immediate!family!members.!Angela!is!dealing!with!a!questionable!past!and!Cam!

is!dealing!with!the!emptiness!of!being!single!and!in!search!of!love.!These!serious!

situations!are!used!to!develop!secondary!emotional!story!lines,!but!they!never!

progress!too!far.!They!are!kept!in!check!to!prevent!the!show!from!becoming!too!

serious.!The!tool!that!keeps!the!show!from!becoming!too!serious!is!humor.!A!

character!can!deliver!a!onealiner!that!shifts!focus!and!diverts!attention!away!from!a!

serious!moment.!Or!an!entire!episode!might!be!dedicated!to!repairing!tension!and!

returning!to!the!status!quo.!The!Season!Nine!episode!“Cheat!in!the!Retreat”!is!an!

example!of!this!strategy.!Dealing!with!the!stress!of!their!broken!engagement,!Booth!

and!Brennan’s!interactions!were!previously!shown!as!tense!and!uncomfortable.!

Sending!the!pair!on!a!murder!investigation!as!their!undercover!persona’s!Roxy!and!

Tony!allowed!Booth!and!Brennan!to!interact!in!a!lighthearted!way!that!reminds!

them!and!viewers!the!potential!for!their!relationship!to!be!repaired!exists.!!!

This!episode!also!shows!one!of!the!many!ways!these!serial!relationship!

storylines!influence!the!episodic!investigations.!Early!in!the!series!Booth!and!

Brennan!were!both!“all!business.”!They!had!a!job!to!complete!and!they!both!sought!

to!excel!at!their!jobs!without!any!distractions.!To!them,!this!means!there!was!no!

room!for!emotions!or!relationships.!However,!as!the!series!progresses!and!their!

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feelings!for!each!other!develop,!a!greater!sense!of!humanity!is!introduced!to!their!

work.!Brennan!is!no!longer!just!investigating!bones,!but!working!on!the!case!of!a!

person.!Booth!is!not!longer!simply!attempting!to!solve!a!case,!but!he!seeks!to!bring!

resolution!to!the!families!of!victims!and!justice!to!the!citizens!who!rely!on!him!to!

keep!them!safe.!!

All!of!this!drama,!combined!with!the!interesting!episodic!cases,!details!of!

forensic!science!and!more!general!television!issues!such!as!ratings,!programming!

strategies,!casting!decisions!and!other!issues!beyond!the!plot!based!discussions!

provides!viewers!with!a!large!amount!of!information!to!discuss.!These!discussions!

usually!begin!when!an!upcoming!episode!title!is!released.!Each!case!acts!as!

inspiration!for!the!episode’s!title!and!most!often!follows!the!naming!convention!of!

“the!something!in!the!something.”!Examples!include!“A!Man!in!a!Bear”!(Episode!

104)!where!a!human!arm!was!found!inside!the!stomach!of!a!bear,!“The!Mummy!in!

the!Maze”!(Episode!305)!where!the!remains!of!a!young!girl!were!found!inside!a!

Halloween!maze!and!“The!Prisoner!in!the!Pipe”!(Episode!707)!where!the!remains!of!

an!escaped!convict!are!found!in!a!sewer!pipe.!There!are!exceptions!to!this!system!

where!modified!versions!of!this!convention!are!used!such!as!episode!617!“The!Feet!

on!the!Beach”!and!episode!712!“The!Suit!on!the!Set”!that!use!the!formula!“The!

something!on!the!something.”!Combining!these!titles!with!information!received!

from!press!releases!and!promotional!videos,!fans!start!to!speculate!on!the!storylines!

of!the!episode!and!use!the!show’s!formula!as!a!guide.!!

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Bones!follows!a!specific!sixaact!formula!with!several!interwoven!storylines.!In!

the!first!act,!a!body!is!found!or!brought!into!the!lab!and!the!team!comes!to!the!

realization!that!the!cause!of!death!was!a!murder.!!In!Act!Two,!the!victim!is!identified!

and!the!first!suspect!is!introduced.!Act!Three!introduces!the!killer.!One!of!the!show’s!

writers!explains,!“its!only!fair!to!the!fans!and!audience!to!meet!them!early,”!but!at!

that!point!in!the!story,!viewers!are!still!unsure!who!the!killer!might!be.13!During!Act!

Four,!the!story!progresses!through!the!murder!investigation,!possible!suspects!are!

introduced,!potential!causes!of!death!are!discussed!and!the!team!finds!clues!that!

help!solve!the!case.!At!this!point,!keeping!with!the!spirit!of!the!show,!the!writers!try!

to!have!the!physical!bones!of!the!victim!tell!a!story!and!produce!a!clue!that!turns!the!

investigation!on!a!particular!suspect.!In!the!fifth!act,!focus!is!placed!on!a!person!who!

seems!guilty,!but!inevitably!that!person!turns!out!to!be!innocent.!In!the!sixth!act,!a!

new!bone!clue!is!found!that!leads!to!the!killer.!This!clue!is!most!effective!if!a!hint!

about!it!has!been!dropped!earlier!in!the!episode,!but!the!pieces!of!the!puzzle!are!not!

linked!together!until!this!final!scene.!!

The!primary!or!“A”!storyline!of!the!show!is!the!procedural!murder!investigation.!

The!episodeaspecific!cases!are!balanced!with!other!continuing!stories!that!“run”!

beneath!the!weekly!plots.!These!“B”,!“C”,!and!sometimes!“D”!serial!storylines!involve!

a!range!of!characters!and!stories!of!various!length!that!can!last!from!as!short!as!one!

or!two!episodes!to!an!entire!season.!Most!often,!a!runner!will!be!introduced!in!one!

episode!and!not!reaappear!until!several!episodes!later.!There!are!multiple!reasons!

for!this!this!to!occur.!As!the!writers!work!on!creating!their!stories,!their!primary!

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focus!is!on!the!“A”!storyline.!The!“runners”!are!of!secondary!concern,!as!they!can!be!

inserted!or!removed!from!episodes!based!on!editing!needs,!conflicts!with!other!

stories,!casting!decisions!or!a!handful!of!other!reasons.!!

The!writers!use!these!runners!as!storytelling!devices!to!engage!viewers,!create!

topics!for!conversation,!draw!emotional!responses,!maintain!viewership!and!drive!

tuneain!by!creating!buzz.!The!leading!tool!to!accomplish!these!goals!has!been!the!

show’s!primary!runner!focusing!on!the!development!of!a!romantic!relationship!

between!Booth!and!Brennan.!Beyond!this!primary!runner,!the!other!runners!include!

the!relationships!of!other!characters!and!their!emotion!inducing!stories!as!discussed!

above.!!More!storytelling!experimentation!is!therefore!relegated!to!these!less!risk!

prone!secondary!storylines.!If!these!minor!stories!failed!to!interest!fans,!they!could!

be!easily!dropped.!However,!if!they!created!interest!from!viewers,!the!stories!could!

continue!over!several!episodes!or!seasons.!!Some!examples!include!Booth’s!ongoing!

relationship!with!his!exagirlfriend!Rebecca!and!their!son!Parker,!Brennan’s!

exploration!of!her!past!and!the!introduction!of!Cam’s!character!in!Season!Two!

resulted!in!tension!between!her!and!Brennan!that!escalated!to!her!threatening!to!

fire!Brennan,!before!eventually!being!resolved.!The!Season!Nine!story!of!Cam’s!

identity!theft!in!episode!902!is!a!good!example!of!a!shorter!secondary!storyline!that!

lasts!several!episodes!and!is!also!interwoven!with!another!story,!in!this!instance!the!

story!of!a!serial!killer!named!Pelant.!!

This!is!typical!Bones!format,!the!meshing!of!an!episodic!case,!the!primary!serial!

relationship!story!runner!and!several!smaller!runners!that!last!varying!amounts!of!

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time!and!exist!either!independently!or!meshed!with!another!runner.!!These!

secondary!runners!also!work!well!with!the!strategy!of!using!rotating!intern!

characters.!Having!these!characters!appear,!then!disappear!for!several!episodes,!

only!to!reaappear!again!allows!the!small!runners!to!be!recalled.!This!pays!off!

devoted!fans!who!recall!these!earlier!stories!resulting!from!their!regular!viewing.!

Since!these!characters!are!less!important!to!the!show,!they!can!be!more!easily!used!

as!tools!to!elicit!emotional!responses!from!viewers.!Fans!can!pick!a!favorite!intern,!

root!for!them!to!succeed!and!enjoy!bashing!the!interns!they!do!not!like.!This!fulfills!

some!basic!needs!for!fans!and!means!the!main!characters!do!not!need!to!be!used!for!

these!types!of!jobs.!This!ensures!too!much!negativity!does!not!buildaup!around!

either!of!the!main!characters,!protecting!the!integrity!of!the!primary!runner.!

These!storytelling!strategies,!combined!with!a!diverse!range!of!content!including!

a!weekly!“who!done!it,”!interesting!scientific!forensic!details,!an!engaging!group!of!

characters!and!an!unconventional!blending!of!genres!combined!with!shifting!tones!

from!the!serious!to!humorous!work!to!engage!audiences!and!provide!viewers!with!a!

lot!of!information!to!discuss.!Chapter!Six!will!explore!the!activities!of!the!highly!

involved!Bones!viewers!who!closely!follow!the!details!of!every!show!aspect!and!use!

social!media!to!connect!and!interact!regarding!these!details.!

Notes!

1!As!will!be!discussed!later,!Bones!represents!the!hybrid!structure!identified!by!Jason!Mittell,!but!it!lacks!the!demanding!narrative.!Another!challenge!was!the!shows!location!in!Los!Angeles!and!my!location!in!Georgia.!However,!despite!the!physical!distance,!the!production,!network!and!studio!facilities!are!all!in!Los!Angeles,!providing!a!centralization!of!the!subjects.!Transportation!between!Atlanta!and!Los!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!Angeles!is!plentiful!and!not!cost!prohibitive!allowing!for!the!opportunity!of!multiple!visits!for!periods!of!observation!

2!An!“overall”!deal!is!a!multiayear!development!contract!between!a!writer!and!studio.!These!are!generally!reserved!for!the!most!sought!after!writers!and!it!is!an!attempt!by!the!studio!to!secure!access!to!that!individuals!creations!and!eliminating!the!need!to!competitively!acquire!new!concepts!in!an!open!marketplace.!

3!Diane!Kristine!Wild,!"Q&A:!Bones!Creator!Hart!Hanson,"!!http://unifiedtheorynothingmuch.blogspot.com/2006/01/qaabonesacreatorahartahanson.html.!

4!Kathy!Reichs,!"About!the!Show,"!!http://kathyreichs.com/bones/.!

5!Ibid.!

6!The!majority!of!the!cases!on!the!show!are!solved.!There!are!a!minimal!number!of!exceptions!where!a!case!was!never!solved,!or!it!was!not!solved!within!a!single!episode!due!to!ongoing!serial!killer!storylines.!!

7!Seriable,!"Serialized!Vs!Procedural!Television!Series,"!!http://seriable.com/serializedavsaproceduralatelevisionaseries/#ixzz2kX1dHS5L.!

8!Horace!Newcomb,!"Magnum:!The!Champagne!of!Tv?,"!Channels!of!Communications!(1985):!24.!

9!Wild,!"Q&A:!Bones!Creator!Hart!Hanson".!

10!Paul!Ruditis!and!Hart!Hanson,!Bones.!The!Official!Companion,!1st!ed.(London:!Titan!Books,!2007),!6.!

11!Wild,!"Q&A:!Bones!Creator!Hart!Hanson".!

12!Jennifer!Lester!in!Discussion!with!the!Author,!October!30,!2013.!

13!Emily!Silver!in!Discussion!with!the!Author,!November!13,!2013.!

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CHAPTER!6!

!!BONES!AUDIENCE!ACTIVITY!

The!descriptions!of!social!media!activity!surrounding!Bones!presented!in!this!

chapter!offer!a!view!into!the!world!in!which!Bones!fans!operate.!This!includes!

descriptions!of!fans,!their!motivations!and!the!platforms!they!use.!A!discussion!of!

the!types!of!interactions!amongst!fans!and!between!fans!and!production!offers!hints!

of!the!types!of!viewer!feedback!received!by!production.!Understanding!how!viewers!

engage!with!each!other!and!the!show!helps!situate!how!production!responds!to!fans,!

a!topic!that!will!be!more!fully!discussed!in!the!following!chapters.!

So,!who!are!these!Bones!fans?!Jennifer!Lester,!founder!of!fan!site!Bonesology,!

describes!the!fans!who!participate!on!her!forum!as!a!diverse!group,!but!mostly!

women.!As!she!states,!

I!would!say!99!percent!of!the!participants!on!the!board!are!women….we’ve!got!like!16!year!old!girls!all!the!way!up!to!a!70ayearaold!woman!that’s!on!the!board.!So,!I!mean,!it’s!the!whole!spectrum!of!ages!and!some!are!married,!some!are!single,!some!have!kids,!some!don’t!have!kids.!Some!of!us,!like!me,!are!stay!at!home!moms!and!some!have!jobs.!But!it’s!a!pretty!good!mix.!It’s!really!generally!just!women.1!

!A!review!of!the!new!members!introduction!area!on!Bonesology!confirms!these!

observations.!Some!representative!sample!introductions!include,!!

I’m!Aileanor,!from!southern!England,!I’m!25,!single!parent!with!a!5!year!old!little!Miss!Trouble!(who!also!knows!the!names!of!all!the!characters!on!Bones!:oops:).2!!

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I’m!18!years!young,!soon!to!be!10!and!have!a!cat!that!is!not!ironically!called!Cat.3!!I’m!32!and!I!live!in!the!great!(and!far!too!humid)!state!of!Georgia!with!my!parents!(I’m!saving!to!buy!a!house)!and!my!lovable!(albeit!at!times!a!bit!befuddled)!dog,!Toby.4!!Hi,!my!name!is!Danielle.!I!like!long!walks!on!the!beach!and!sweet!nothings!whispered!in!my!ear…besides!helping!to!admin!this!awesome!Bonesology!universe!with!two!kick!butt!ladies,!I’m!a!28ayearaold!teacher’s!assistant!by!day!and!a!student!getting!my!Master’s!degree!in!Special!Education,!but!night.5!

!These!introductions!are!one!way!fans!begin!to!build!relationships,!but!these!

interactions!do!not!always!lead!to!harmonious!relationships.!!Disagreements,!most!

commonly!occurring!between!highly!involved!“superfans”!that!refer!to!themselves!

as!“Boneheads,”!have!fractured!these!fans!into!multiple!cliques.!The!high!level!of!

involvement!by!these!Boneheads!who!watch!every!episode,!participate!in!fan!

forums!and!are!technically!knowledgeable!leads!to!differing!opinions!about!a!range!

of!issues!from!how!to!interpret!show!content!to!conflicting!views!on!the!appropriate!

level!of!respect!to!show!production!personnel.!Lester!explains!that!she!stopped!

participating!in!one!forum!because!the!individuals!using!the!site!were!posting!

comments!she!felt!were!too!negative.!She!explains!how!she!“didn’t!like!nitapicking!it!

[the!show]!apart!like!that.!It!wasn’t!fun!for!us.!That’s!not!why!we!wanted!to!be!in!the!

fandom!in!the!first!place.”6!

Boneheads!discuss!topics!such!as!ratings,!programming!strategies,!shooting!

strategies,!casting!decisions!and!other!issues!beyond!more!basic!plot!based!

discussions.!This!variety!of!topics!helps!keep!fan!forums!active!and!this!high!level!of!

involvement!can!evolve!into!offline!friendships.!These!offline!friendships!lead!to!

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phone!conversations,!email!interactions!and!group!participation!in!live!events!such!

as!fan!gatherings!or!trips!to!events!where!Bones!cast!and!production!personnel!

participate!including!The!Paley!Center!for!Media!events!or!ComicaCon!appearances.!

As!college!student!Monisse!from!Portugal!explains,!it!is!“because!of!Bones!I!met!the!

most!amazing!friend!I!could!ever!ask!for.”7!

One!common!element!amongst!these!Boneheads!is!that!they!are!willing!to!

allocate!a!considerable!amount!of!time!and!energy!to!their!fan!activities.!Finding!

information,!discussing!the!show,!creating!paratexts,!writing!fan!fiction,!tweeting!

and!posting!on!social!media!sites!are!all!time!consuming!activities.!!This!dedication!

raises!questions!about!the!motivations!fueling!these!activities.!Why!would!someone!

want!to!spend!so!much!time!so!heavily!involved!in!a!television!show?!

It!is!apparent!that!there!is!no!single!motivation!driving!these!social!activities.!

Similar!to!the!Ericcson!study!mentioned!in!Chapter!One!that!identified!eight!main!

drivers!for!Social!TV!use,!the!motivations!of!Bones!fans!are!equally!diverse.!Skole,!a!

fan!from!Australia,!for!example!participates!in!Bones!fandom!because!she!finds!it!fun.!

She!says,!“to!me,!Bones!is!an!opportunity!to!kick!back,!relax!and!have!a!little!

harmless!fun!in!my!life”8!Kelly!from!Indiana!is!motivated!by!the!inspiration!the!

show!provides.!Facing!challenges!in!her!personal!life!such!as!a!failing!marriage!and!

low!selfaesteem,!she!turned!to!the!characters!on!the!show!for!inspiration.!As!she!

explains,!she!watched!Brennan!and!thought!“if!she!can!do!it,!then!I!can!do!it!”9!Jenny,!

a!22ayearaold!woman!from!Alaska!explained!how!the!show!and!participating!in!

Bones!fandom!provides!her!with!a!departure!from!her!everyday!life.!!

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Bones!is!a!form!of!escape!for!me.!Not!to!say!that!my!life!is!completely!horrible!and!Bones!is!my!only!relief,!because!I!truly!am!a!very!lucky!person!and!I!have!nothing!to!complain!about,!but!I!have!an!anxiety!disorder!and!a!pretty!crippling!shyness!that!prevents!me!from!going!out!into!the!world!and!socializing!like!“normal”!22!yearaolds!tend!to!do.!I’m!easily!stressed!and!I!don’t!do!well!with!big!life!changes,!so!having!something!constant!that!I!can!look!forward!to!almost!every!week!is!a!big!deal!for!me.!Watching!Bones!and!participating!in!discussions!with!fellow!fans!about!the!show!allows!me!to!escape!into!another!world!for!a!little!while!and!take!a!muchaneeded!break!from!the!real!world.10!

!Many!fans!have!personal!stories!such!as!these!explaining!the!factors!that!led!them!to!

participate!in!the!fandom!or!act!as!catalysts!for!their!continued!involvement.!While!

there!is!a!wide!range!of!experiences!and!stories,!one!of!the!most!ubiquitous!reasons!

is!a!desire!to!build!or!be!part!of!a!community.!!

This!was!one!of!the!reasons!Jennifer!Lester!became!involved.!She!says,!“my!

husband!doesn’t!like!the!show!at!all!and!I!didn’t!really!have!anybody!to!talk!to!about!

it.!It!was!fun,!things!happening!on!the!show!so!I!needed!people!to!talk!to.”11!

Similarly,!fan!Cindee!Phillips!explains!how!she!likes!to!scrutinize!stories!and!share!

with!others,!“I!really!love!the!whole!process!of!really!analyzing!a!story!–!why!did!

they!do!this!and!why!did!they!choose!that?!And!why!didn’t!they!go!that!way?!What!

are!they!doing!here?!What!were!their!goals!with!the!characters!and!so!on?”12!!

This!dedication!to!Bones!is!clearly!evident!in!online!posts.!User!comments!reveal!

the!emotional!attachment!formed!between!these!fans,!other!fans!and!the!show.!One!

recent!emotional!topic!of!conversation!has!been!the!anxiety!Bones!fans!are!

experiencing!about!the!future!of!the!show!as!it!will!inevitably!be!coming!to!an!end!

either!this!season!or!next.13!This!stress!was!visible!when!Fox!moved!the!show!from!

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its!Monday!night!timeslot!to!Friday!night.!Fans!argued!about!the!potential!rationales!

behind!the!move.!Was!Fox!trying!to!kill!off!the!show?!Was!this!a!good!or!bad!sign!for!

the!show’s!future?!They!also!worried!about!a!potential!ratings!drop!after!the!move.!

They!wondered!if!the!“regular”!viewers!knew!the!show!had!switched!nights!and!if!

the!ratings!dropped!as!a!result!of!viewers!not!knowing,!would!that!be!the!excuse!

Fox!needs!to!cancel!the!show?!!

Although!the!Boneheads!discussions!were!about!potentially!losing!Bones,!the!

underlying!concern!seemed!to!be!the!possibility!of!the!community!breaking!up.!

Where!will!the!fans!go?!Will!they!stick!together!and!find!a!new!show?!Will!they!go!

their!separate!ways?!These!concerns,!manifested!as!pleas!to!the!network!to!not!

cancel!the!show,!are!more!precisely!appeals!to!not!take!away!their!friends.!

Over!the!past!seven!years,!Bones!has!built!and!maintained!a!large!and!dedicated!

fan!base.!As!new!ways!of!connecting!through!the!Internet!have!been!introduced,!

fans!have!capitalized!on!the!opportunity!to!connect,!share!and!build!communities.!

As!previously!discussed,!fans!of!television!shows!interact!on!a!large!number!of!

platforms!and!Bones!fans!are!no!different.!Social!activities!take!place!on!microablogs,!

apps,!blogs,!forums,!wikis!and!social!media!sites.!This!results!in!such!a!large!amount!

of!activity!that!a!Huffington!Post!article!in!June!2013!declared!Bones!the!thirteenth!

“most!social”!show!on!TV.14!!

Despite!the!large!number!of!platforms!being!used!by!fans,!this!project!focuses!on!

the!fan!activities!taking!place!on!two!primary!platforms,!the!fan!forum!Bonesology!

and!the!microablog!Twitter.!These!two!platforms!were!selected!based!on!several!

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criteria!including!the!platform’s!number!of!users,!regularity!of!user!involvement,!the!

amount!of!content!on!the!site,!and!the!variety!of!activities!taking!place.!It!is!

important!to!note!that!choosing!Bonesology!and!Twitter!as!the!most!appropriate!

platforms!for!this!study!does!not!imply!that!all!fans!would!agree!with!the!

determination.!Fans!in!Italy,!for!example,!would!likely!argue!the!Italian!based!ia

bones.net!is!their!most!valuable!social!location!and!most!representative!of!their!

activities.!

A!second!caveat!for!this!selection!is!that!platforms!change!over!time.!As!

discussed!in!Chapter!One,!new!platforms!are!continually!being!introduced!as!others!

are!falling!out!of!favor!with!users.!One!reason!for!this!type!of!change!is!the!

introduction!of!new!technology.!As!Beatrice!Belli,!Bones!fan!and!creator!of!the!

Italian!based!fan!forum!iabones.net!explained,!“Bones!fandom!actually!started!on!

LiveJournal,!the!most!important!community!for!the!first!four!or!five!seasons!of!the!

show!was!the!‘206_bones’!one,!but!then,!with!all!the!social!media,!LiveJournal!

started!to!lose!its!appeal.”15!The!popularity!of!a!site!can!also!change!due!to!a!

modification!in!the!type!of!interactions!that!occur!there.!As!we!will!see!later!in!this!

chapter,!one!of!the!founders!of!Bonesology!cites!fan!negativity!as!motivation!to!

leave!the!site!she!was!using!and!create!a!new!forum.!

Various!backaend!providers!power!fan!websites!and!forums.!Delphi!Forums,!for!

example,!provides!a!“selfaservice!community!empowering!people!from!around!the!

world!to!network,!share!and!communicate!online!with!friends,!colleagues,!groups!

and!teams,”!where!Bones!fans!gather!in!a!forum!called!The!Lab.16!The!Founding!

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Fathers!Forum!uses!an!open!source!bulletin!board!software!program!to!host!

interactions!among!its!nearly!twelve!hundred!users.17!The!Bones!Theory!and!Bones!

Spoilers!blogs!are!built!on!WordPress!and!Blogger!platforms.18!Bonesology,!the!

forum!selected!as!a!primary!site!of!analysis,!operates!on!technology!provided!by!

Yuku,!a!service!that!according!to!its!site!tagline!is!“a!social!universe!of!communities!

united!by!people!and!their!passions.”19!

Founded!on!November!21,!2010,!Bonesology!currently!has!585!registered!

members.20!Although!this!is!not!an!overwhelming!number!of!members,!Bonesology!

users!are!very!active!and!the!site!averages!a!decent!1,896!visits!per!day.!Users!have!

posted!over!60,000!comments!on!a!variety!of!topics!making!it!one!of!the!most!

comprehensive!sources!of!Bones!related!interactions!on!the!Internet.21!

Bonesology!is!divided!into!six!main!sections,!each!containing!a!group!of!related!

forums.!The!first!section,!The!Royal!Diner,!provides!forums!for!information!about!

the!board!and!board!announcements,!a!help!forum!and!a!suggestion!box.!The!Coffee!

Cart!is!a!catchall!area.!!It!offers!a!forum!linking!to!the!postaepisode!chat!room!where!

users!gather!each!week!to!talk!live!about!the!episode.!Another!forum,!Bones!Jibber!

Jabber,!offers!a!space!for!random!commentaries!and!discussions.!Information!about!

weekly!ratings!reports,!lists!of!social!network!usernames,!opinion!polls,!Bones!trivia!

and!games!and!information!on!the!main!cast!are!the!topics!of!the!remaining!forums.!

The!Reflecting!Pool!section!contains!seven!forums!related!to!fan!fiction.!Here,!users!

can!read!the!rules,!post!their!stories,!read!and!comment!on!stories!posted!by!other!

users!and!participate!in!weekly!fan!fiction!challenges.!Wong!Foo’s!is!a!section!with!

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three!forums!for!discussing!nonaBones!related!topics.!These!topics!range!from!

exchanges!about!other!shows!to!the!posting!of!birthday!announcements!for!

members.!Limbo!is!the!most!active!section!of!the!site.!This!section!usually!averages!

twelve!forums.!The!number!changes!as!forums!on!specific!episodes!are!added!and!

others!are!relocated!to!other!sections!throughout!the!season.!This!section!offers!two!

general!forums,!one!for!general!spoiler!discussions!and!one!for!the!reaposting!of!

twitter!lists!and!tweets!from!the!cast!and!crew!of!the!show.!Individual!forums!for!

the!most!recent!episodes!include!discussions,!spoilers,!articles,!videos,!press!

releases!and!other!information!about!upcoming!episodes.!After!a!show!airs,!

additional!posts!are!added!including!reactions!and!feedback.!The!sixth!and!final!

section,!The!Jeffersonian!Basement,!includes!the!forum!archives!of!past!episode!

discussions!and!“quiet!sections”!or!those!classified!as!experiencing!minimal!

interactions.!These!include!topics!on!the!music!of!the!show,!fan!art!and!videos,!

archived!fan!fiction!challenges!and!archived!media!articles!and!reviews.!This!

quantity!and!variety!of!forums!is!indicative!of!the!fan!activeness!on!this!platform!

and!the!range!of!ways!they!choose!to!interact!with!the!show!and!each!other.!!

Bonesology!was!started!by!a!group!of!fans!who!were!participating!in!Bones!

fandom!on!other!sites,!but!were!growing!dissatisfied!with!the!types!of!interactions!

being!offered!at!those!locations.!As!coafounder!Jennifer!Lester!explains,!her!

participation!originated!in!the!forums!on!the!official!Fox!website.!But!Fox!changed!

their!board!and!people!didn’t!like!the!new!functionality,!“it!was!really!hard!to!

navigate.!It!was!hard!to!find!old!posts!and!we!use!those!a!lot!for!discussing!the!

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show.”22!As!a!result!of!these!changes,!several!users!switched!to!Delphi!forums,!but!

they!quickly!became!dissatisfied!with!the!direction!of!the!new!forum.!“We!were!

talking!on!The!Lab!at!Delphi!Forum,!but!felt!it!was!becoming!too!negative!and!that!

made!it!no!fun.!!So,!we!started!Bonesology!on!the!Yuku!platform.”23!

Similar!to!other!forums!and!sites,!Bonesology!is!an!interconnected!part!of!a!

larger!fandom!network.!Individuals!using!the!platform!participate!on!other!

platforms!and!social!media!sites.!The!site!moderators!also!connect!Bonesology!to!

social!media!sites!to!help!promote!the!forum.!Bonesology,!for!example,!has!accounts!

on!Facebook,!Twitter!and!Pinterest!that!are!used!to!promote!site!content,!keep!

users!updated!and!attract!new!users.!This!arrangement!demonstrates!one!of!the!

primary!differences!between!a!fan!forum!and!social!media!site.!While!both!types!of!

platforms!offer!users!the!ability!to!connect!and!interact,!the!forum!structure!allows!

access!to!a!continually!growing!index!of!information.!Users!can!also!interact!in!a!

variety!of!ways!such!as!posting!comments,!participating!in!live!chat!rooms!and!

sharing!“paratexts.”!Social!Media!sites!offer!fewer!engagement!options!for!users.!

Despite!the!more!limited!interaction!options,!social!media!sites!have!

experienced!tremendous!growth!in!recent!years!and!activity!related!to!Bones!is!no!

exception.!The!Huffington!Post!article!citing!Bones!as!one!of!the!“most!social”!shows!

noted!that!the!Bones!Facebook!page!acquired!twelve!million!followers.24!Some!

skeptics!might!argue!that!this!number!is!artificially!inflated!and!is!not!an!accurate!

reflection!of!true!followers.25!Therefore,!to!demonstrate!the!page’s!growth!in!social!

activity,!interactions!with!individual!posts!can!be!used!as!an!alternative!

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measurement!method.!The!oldest!post!accessible!on!the!show’s!official!Facebook!

account!is!dated!March!31,!2008.!That!post!celebrates!the!first!kiss!between!Booth!

and!Brennan!stating,!“Bones!and!Booth!have!their!1st!kiss...FINALLY!and!you!get!to!

see!their!genuine!reactions!as!actors!on!the!set!before!and!after!”26!The!post!

includes!a!short!video!clip!and!received!717!likes,!194!comments!as!88!shares!as!of!

January!2014.27!In!comparison,!a!post!on!September!11,!2013!showing!a!picture!of!

the!cast!with!a!graphic!stating!“5!Days!#Bones”!promoting!the!countdown!to!the!

season!nine!premier!episode!received!59,055!likes,!1,048!comments!and!3,276!

shares!within!the!first!twenty!four!hours!it!was!posted.28!!

Similar!to!this!growth!experienced!on!Facebook,!the!Bones!official!Twitter!

account!is!highly!successful,!touting!472,221!followers!as!of!January!2014.29!Twitter!

has!become!the!overall!leading!platform!for!social!television!interactions,!

accounting!for!as!much!as!77%!of!all!Social!TV!activity.30!!Compared!to!Bonesology,!

the!types!of!fan!interactions!on!Twitter!are!less!diverse,!limited!to!the!sending!of!

140acharacter!tweets!accompanied!by!an!optional!link,!image!or!video.!Unlike!

Bonesology,!where!fans!are!primarily!interacting!with!other!fans,!Twitter!offers!fans!

the!opportunity!to!connect!with!a!range!of!people.!Fans!post!comments!to!other!fans,!

to!production!personnel,!network!personnel,!show!critics!and!anyone!else!

interested!in!participating.!!This!diversity!of!individuals!is!one!important!advantage!

of!the!platform.!It!establishes!an!interconnected!network!of!individuals!that!allows!

information!to!flow!quickly!and!across!great!distances,!reaching!a!large!number!and!

variety!of!individuals.!

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Twitter!users!can!be!found!posting!about!Bones!virtually!all!of!the!time,!during!

the!airing!of!original!episodes,!between!episodes!and!even!during!the!show’s!hiatus!

periods.!The!number!of!interactions!changes!based!on!the!time,!with!the!most!active!

periods!occurring!during!the!airing!of!original!episodes.!This!large!volume!of!

interactions,!variety!of!users!and!large!amount!of!users!participating!most!actively!

during!airing!contrasts!with!the!Bonesology!users!who!comparatively!produce!a!

smaller!quantity!of!interactions.!Bonesology!interactions!also!take!place!amongst!a!

smaller!group!of!highly!dedicated!individuals!during!mostly!nonaairing!timeframes.!!

An!analysis!of!current!and!archived!interactions!occurring!on!these!sites!reveals!

an!assortment!of!general!discussion!topics.!One!of!the!most!common!uses!of!both!

Twitter!and!Bonesology!is!the!finding,!sharing!and!analysis!of!spoilers.!Whereas!a!

spoiler!may!have!once!referred!to!information!that,!if!learned!before!viewing!an!

upcoming!episode,!might!be!blamed!for!“ruining”!the!viewing!experience,!today!

virtually!any!information!released!about!a!show!is!considered!a!spoiler.!As!will!be!

discussed!further!in!Chapter!Seven,!Fox!uses!their!website!FoxFlash.com!to!release!

publicity!information!that!fans!refer!to!as!“spoilers.”!Fans!take!the!pictures,!video!

and!press!release!information!from!this!site!and!reapost!it!on!Bonesology!and!

Twitter.!As!fan!Jennifer!Lester!states,!“Fox!puts!out!a!lot!of!spoilers.”31!Fans!do!not!

view!FoxFlash.com!as!a!business!tool!used!to!distribute!information!to!the!media,!

but!as!a!source!of!information!used!to!fuel!their!fandom.!!

These!“spoilers”!provide!a!specific!topic!of!conversation!for!fans!and!are!a!

resource!for!speculative!information.!Fans!will!work!together!to!deconstruct!every!

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sentence!of!a!press!release!and!every!shot!in!a!video!as!they!interpret!what!

something!means!and!guess!what!could!possibly!occur!in!forthcoming!episodes.!The!

press!release!for!the!Season!Nine!episode!“The!Heiress!in!the!Hill”!said!“Brennan!

and!Booth!face!a!common!couples!dilemma!–!whether!to!coamingle!their!funds!–!in!

the!allanew!‘The!Heiress!in!the!Hill’!episode!of!BONES.”32!This!line!prompted!some!

fans!to!discuss!what!the!storyline!will!be!and!how!Booth!and!Brennan!will!deal!with!

this!situation.!On!Bonesology,!fan!Quarterbreed!wrote,!!

I!wonder!if!the!topic!will!be!broached!whether!it!would!be!safe!to!allow!Booth!to!have!signoff!access!to!the!funds!that!were!Brennan’s!before!their!marriage!due!to!the!possibility!that!some!future!unforeseeable!crisis!could!someday!trigger!Booth’s!gambling!addiction!and!it!might!not!be!wise!to!allow!him!to!be!able!to!access!those!funds!without!having!certain!protections!in!place,!such!as!having!to!persuade!an!appointed!money!manager!that!his!reasons!for!wanting!to!withdraw!a!large!sum!of!money!are!valid!and!reasonable.33!!

As!this!comment!demonstrates,!fans!draw!on!a!range!of!resources!to!fuel!

their!speculation!including!the!original!release,!the!comments!of!other!fans!

and!their!knowledge!of!the!characters!and!past!events.!These!discussions!

build!excitement!among!fans,!but!not!everyone!likes!spoilers!and!feelings!can!

change!in!favor!for!or!against!them!throughout!a!season.!For!example,!many!

fans!that!regularly!seek!out!spoilers!tried!to!avoid!them!before!the!highly!

anticipated!wedding!episode,!reporting!a!desire!to!be!surprised.!Yet,!other!

fans!who!said!they!do!not!regularly!seek!out!spoilers!were!so!anxious!for!the!

episode,!they!tried!to!find!every!detail!they!could!in!advance.!This!shows!how!

these!fans!employ!multiple!approaches!to!their!activities!that!can!change!at!

any!time!based!on!personal!preferences.!!

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Fans!also!discuss!the!truthfulness!of!spoilers.!They!are!often!skeptical!that!

information!released!might!be!a!strategic!ploy!by!the!network!to!prevent!them!from!

discovering!too!much!information!in!advance.!For!this!reason,!many!discussions!

about!spoilers!focus!on!their!potential!authenticity.!This!skepticism!can!work!to!the!

advantage!of!production!because,!when!information!about!“true!spoilers”!spread!

through!social!media,!these!suspicious!fans!do!not!automatically!take!everything!

they!hear!as!true.!As!Executive!Producer!Stephen!Nathan!explained,!“often!times!

wrong!information!makes!its!way!out.!That!actually!works!as!an!advantage!for!us,!

because!when!correct!information!makes!it’s!way!out,!it!gets!questioned.”34!Before!

the!muchaanticipated!wedding!episode,!guest!actor!Joanna!Cassidy!tweeted!several!

pictures!of!herself!on!set!with!various!actors!including!an!image!of!Brennan!in!her!

wedding!dress.!!Cassidy!should!not!have!posted!these!photos,!as!it!was!a!breech!of!

widely!known!and!established,!but!unwritten!rules!of!onaset!social!media!etiquette.!

When!the!Fox!Publicity!Department!heard!about!the!photos,!they!asked!Cassidy!to!

remove!them.!Although!they!were!removed!within!a!few!hours!of!being!posted,!

Boneheads!were!able!to!capture!screenshots!and!post!them!in!their!fan!forums.!Fans!

weren’t!sure!if!these!images!were!spoilers!or!if!they!were!being!duped!by!

production.!They!also!did!not!know!how!to!interpret!the!fact!that!the!photos!were!

posted!and!then!removed!for!reasons!unknown!to!them.!Fan!Cindee!Phillips!was!

unsure!what!to!think.!She!thought!it!“seemed!awfully!odd!because!everybody!was!

involved!in!the!pictures.!It!was!cast!and!everything,!and!you’d!think!especially!Emily!

and!David,!who!are!producers,!would!have!said,!‘Maybe!you!shouldn’t!put!those!on!

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Twitter.’!But!she!could!have!just!been!taking!pictures!with!her!camera!phone!and!

not!mentioned!that!she!was!putting!them!on!Twitter.”35!It!turned!out!that!the!

pictures!were!real!and!their!posting!was!a!true!spoiler,!but!not!all!fans!believed!they!

were.!!

Beyond!spoilers,!fan!interactions!also!include!the!sharing!of!other!types!of!

general!information.!One!common!type!is!the!“we!made!a!list”!post.!!As!media!

outlets!produce!stories!containing!lists!about,!for!example,!the!ten!best!shows,!or!

most!interactive!shows!or!the!best!actors,!or!any!other!topic!they!can!conceive,!fans!

will!post!a!link!to!the!list!and!announce,!“we!made!a!list.”!Other!types!of!shared!

information!include!press!releases,!ratings,!news!articles,!links!to!fan!fiction!and!

news!about!individuals!involved!with!the!production!of!the!show.!Similar!to!the!

sharing!of!networkaproduced!spoilers,!fans!will!additionally!share!“paratexts”!they!

produce!or!find!on!the!Internet.!These!often!include!playful!images!of!the!characters!

or!commonly!a!picture!of!a!skeleton!or!bones.!!

Rumors!about!the!show!or!actors!are!some!of!the!fastest!spreading!types!of!

information.!In!the!beginning!of!Season!Nine,!for!example,!an!article!by!RadarOnline!

said!if!the!show!was!renewed!for!a!tenth!season!David!Boreanaz!would!not!return!

and!this!ignited!a!social!media!frenzy.!The!article!stated,!“after!nine!seasons!on!the!

show,!‘David!is!telling!friends!that!it’s!his!last!season,’!a!source!says.”36!Most!of!the!

social!media!discussions!about!this!news!were!based!on!fans!speculating!why!or!

why!not!Boreanaz!would!decide!not!to!return!and!people!argued!about!the!truth!to!

the!rumor!and!possible!reasons!for!his!supposed!decision.!!One!fan!declared!on!

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Twitter,!“WTF!@David_Boreanaz!is!leaving!#bones!at!the!end!of!this!season!!This!

can’t!be!first!#house!ended!now!#bones!!My!life!is!over!”37!Before!the!end!of!the!day,!

responding!to!a!tweet!from!Twitter!user!@Madi93!who!asked!“@David_Boreanaz!

will!you!be!returning!for!season!10!of!#Bones?”!Boreanaz!replied!“@Madi93!yes,!if!

we!get!picked!up”!quashing!the!rumor.38!!

Fans!work!together!to!spread!rumor,!but!also!to!find!truth.!@Madi93!wasn’t!the!

only!person!to!directly!question!Boreanaz!about!this!rumor!and!it!was!likely!not!her!

individual!tweet,!but!the!growing!swell!of!concern!that!compelled!Boreanaz!to!

respond.!This!example!also!exhibits!how!social!media!quickly!and!directly!reaches!

production!and!how!it!enables!production!personnel!to!respond!in!a!direct!and!

timely!manner.!!

Bones!fans!also!use!social!media!for!strategic!planning!purposes.!In!order!to!

create!a!conversation!thread!on!Twitter,!it!is!useful!to!create!a!hashtag!that!allows!

posts!to!be!organized!onto!a!stream!for!easier!reading!and!indexing.!FOX!promotes!

the!generic!hashtag!#bones,!but!that!stream!becomes!cluttered,!as!it!is!very!popular.!

To!create!a!more!personalized!stream,!fans!will!often!coordinate!their!efforts,!

choose!a!personalized!hashtag!and!use!social!media!to!communicate!that!choice!to!

others.!This!strategy!is!employed!in!a!variety!of!ways.!In!2010,!Bonesology!users!

participated!in!a!Twitter!Hashtag!of!the!Day!game!where!they!chose!a!different!

hashtag!each!day!of!the!week!and!posted!fun!comments.!Some!of!these!included!

#CheesyBoothyGoodness,!#WhyHeIsKingOfTheLab!and!

#MondaysWishTheyWereBonesdays.39!In!another!use!of!hashtags,!Bonesology!

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posted!on!their!Twitter!account,!“Use!the!hashtag!#BoothLovesBrennan!and!tell!us!

about!your!favorite!moments!that!highlight!Booth’s!love!for!Brennan.!#Bones.”40!

Strategic!planning!can!involve!any!effort!to!organize!fans.!Beyond!hashtag!

coordination,!fans!used!Twitter!to!spread!the!news!about!audience!research!and!

measurement!company!Nielsen!launching!their!new!Twitter!rating.!A!new!Bones!

episode!was!also!airing!the!same!night!this!announcement!was!made!and!Bones!fans!

turned!to!Twitter!to!spread!the!news!about!the!metric!and!their!desire!to!get!people!

to!tuneain,!tweet!and!achieve!a!high!rating.!In!an!attempt!to!organize!their!efforts,!

one!fan!posted,!“Fans,!listen!up!!Nielsen’s,!the!TV!ratings!ppl,!are!finally!tracking!

TWITTTER!!_tvbythenumbers.zap2it.com/2013/10/07/nie……!So!TWEET!WHILE!

YOU!WATCH!”41!It!is!unknown!how!successful!these!efforts!were!and!whether!or!not!

they!resulted!in!increased!ratings.!!!

All!of!these!examples!demonstrate!how!social!media!can!be!used!to!spread!a!

range!of!information,!from!rumors!to!messages!useful!for!the!strategic!coordination!

of!fans!efforts.!This!is!an!important!attribute!of!the!Bones!social!media!environment!

and!chapters!seven!and!eight!will!discuss!how!production!personnel,!the!studio!and!

network!are!changing!some!of!their!processes!and!also!working!to!benefit!from!

these!fan!interactions.!!

Fan!efforts!are!not!always!this!purposeful!and!postings!are!often!more!

spontaneous.!During!the!airing!of!an!episode,!this!includes!posts!trying!to!guess!the!

killer!in!the!episode,!expressions!of!emotions!about!characters!or!plots!and!attempts!

to!guess!what!will!happen!next.!During!nonaairing!times,!comments!include!some!

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similar!and!different!topics!such!as!conjecture!about!the!future!direction!of!plot!

lines,!guessing!why!certain!decisions!about!plot!or!characters!were!made,!

expressions!of!emotions!about!satisfaction!with!the!show,!or!discussions!about!

business!issues.!These!could!range!from!posts!questioning!why!the!show!switched!

nights!to!concerns!over!ratings!reports.42!!

In!addition!to!interacting!with!each!other,!fans!are!interacting!with!production!

personnel.!This!communication!can!occur!during!both!airing!and!nonaairing!times!

and!can!be!directed!to!the!network,!the!show!or!a!specific!person.!!For!example,!

during!the!Season!Nine!premier,!Twitter!user!@CarrieAnnRyan!tweeted!to!the!

network!“Hey!Fox,!you!aren’t!doing!any!favors!with!the!#BonesPremier.!Pellant![sic]!

needed!to!be!gone!2!seasons!ago.!Find!a!new!character!and!plot.”43!Twitter!user!

@SkaChild_4!directed!her!frustration!directly!to!Hart!Hanson!with!her!tweet!

“@HartHanson!@damnkatic!Pleaseeee!tell!us,!I’m!suffering!emotional!trauma!over!

here!:(.”44!Most!posts,!similar!to!these,!are!harmless!expressions!of!fans’!reactions!to!

the!show.!They!become!one!of!thousands!of!messages!the!network!and!show!

personnel!receive!on!a!daily!basis.!!

Due!to!this!high!volume!of!messages,!the!intended!recipient!may!not!read!it.!

Aware!that!the!sending!of!an!arbitrary!message!can!get!overlooked,!some!fans!go!to!

extremes!to!make!sure!they!are!heard.!Early!in!Season!Nine,!fans!started!to!talk!

about!their!desire!for!the!show!to!be!renewed!for!a!tenth!season.!The!occasional!

tweet!would!be!sent!to!the!network,!producers!or!writers!asking!for!the!show!to!be!

renewed.!One!particular!fan,!Martha!Emily!Michulka,!took!her!“save!our!show”!

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efforts!to!an!extreme.!She!started!sending!tweets!such!as!“@FOXTV!@BONESonFOX!

10!seasons!feels!like!#Bones!full!circle!and!special!gift!for!fans!of!the!station!over!the!

years!206!episodes!give!it:)”!and!“@FOXTV!will!be!respectful!S10!#Bones!Fringe!

season!have!final!season!after!bad!ratings!(I!remember!the!loyal!fanbase)!so!give!10!

#Bones.”45!These!are!two!of!the!many!variations!Michulka!was!tweeting!multiple!

times!every!day.!She!was!serious!about!getting!her!favorite!show!renewed!and!she!

believed!that!bombarding!the!show!with!tweets!was!the!way!to!get!what!she!wanted.!

In!a!personal!email,!she!explained!that!she!was!“positive”!fans!have!the!power!to!get!

a!show!renewed!by!sending!messages!to!the!network!and!she!was!determined!to!be!

heard.46!

What!Michulka!viewed!as!a!harmless!attempt!to!save!her!show,!others!did!not!

interpret!in!the!same!way.!Several!fans!reported!“unfollowing”!her!on!Twitter!

because!she!was!“annoying”!and!they!did!not!agree!with!her!tactics.47!Her!actions!

were!also!concerning!to!some!members!of!the!production!staff.!!Although!they!

appreciated!the!effort,!they!were!worried!about!her!approach.!Her!tweets!were!

accusing!FOX!of!being!disrespectful!and!this!was!not!viewed!as!acceptable.!Writer!

Dean!Lopata!explained,!“last!night!I!got!all!these!tweets!from!Boneheads!saying!how!

disrespectful!FOX!is!being!to!us,”!so!he!tweeted!“#Boneheads!need!to!chillax.!We’re!

still!on!with!many!new!eps!to!come…”48!Others!who!noticed!Michulka’s!extreme!

activity!also!chimed!in.!TV!by!the!Numbers’!Cancellation!Bear,!who!makes!

predictions!about!the!future!of!television!shows,!tweeted!“Even!having!done!this!for!

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years,!panic!among!BONES!fans!surprises!the!bear,!take!an!extra!valium,!the!show!is!

completely!safe.”49!

As!these!fans!discuss!and!study!the!show,!they!become!experts!and!the!products!

they!create,!such!as!show!wikis!become!important!sources!of!information,!as!will!be!

discussed!in!Chapter!Nine.!This!expertise,!combined!with!a!large!network!of!

interconnected!individuals!creates!the!potential!for!fans!to!have!a!powerful!voice!

when!speaking!back!to!Bones!production!and!Fox!Broadcasting.!But!how!powerful?!

Is!the!purpose!of!these!interactions!to!acquire!and!exercise!power!to!influence!the!

show?!!The!answer!to!these!questions,!similar!to!every!other!aspect!of!the!fandom!

depends!who!you!ask.!Cindee!Phillips!places!her!faith!in!the!producers!to!act!in!

ways!that!are!best!for!the!fans.!!She!explains,!“I!spend!a!certain!amount!of!time!

defending!Hart’s!right!to!tell!his!story!because!the!day!he!finds!himself!in!the!

position!where!he’s!no!longer!telling!his!story!–!he’s!telling!the!story!that!fans!want!

to!see!–!I!think!we’ll!all!be!miserable.!I!think!if!he’s!not!telling!his!story,!I!think!we’ll!

all!lose!interest!in!it.”50 In!contrast!to!this!view,!we!saw!earlier!how!Martha!

Michulka!attempted!to!exercise!her!potential!power!and!tried!to!get!the!show!to!

listen!to!her.!!

Boneheads!have!dedicated!a!large!amount!of!time!and!energy!to!their!activities.!

They!have!formed!personal!relationships!with!other!fans!and!often!have!strong!

opinions!and!expectations!for!the!show.!These!activities!are!occurring!in!public!

spaces!and!show!personnel!can!see!them!take!place.!The!question!then!becomes!

how!do!show!personnel!react!to!these!fan!activities!and!in!turn,!how!do!fans!react!to!

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their!reactions?!Do!the!producers!change!the!show!based!on!fans!complaining!about!

a!character?!Do!fans!expect!producers!to!act!on!their!complaints!or!are!they!merely!

looking!for!an!outlet!to!express!their!feeling!and!is!their!enjoyment!coming!from!

their!participation!in!the!community!and!not!an!expectation!to!effect!change?!

Exploring!these!types!of!questions!will!lead!to!a!better!understanding!of!how!

production!personnel!are!engaging!with!these!fan!activities!and!how!they!may!be!

influencing!production!practices.!How!all!of!these!audience!interactions!are!

reaching!and!influencing!Bones!personnel,!if!at!all,!will!be!discussed!in!the!next!two!

chapters.

Notes!

1!Jennifer!Lester!in!Discussion!with!the!Author.!In!comparison,!iabones.net!in!Italy!reports!nearly!identical!demographics!of!99%!women!ranging!from!12a70!with!the!most!active!participation!coming!from!women!between!25!and!35.!Beatrice!Belli!in!Discussion!with!the!Author!(2),!January!26,!2014.!

2!Bonesology,!"New!Members!Introduce!Yourself,"!Bonseology,!http://bonesology.yuku.com/topic/109/NewaMembersaIntroduceaYourself#.UjcchGSgl5U.!

3!Ibid.!

4!Ibid.!

5!Ibid.!

6!Jennifer!Lester!in!Discussion!with!the!Author.!

7!Monisse,!"Bones!Fan!Spotlight:!Monisse,"!Bones!Theory,!http://bonestheory.wordpress.com/2010/10/07/bonesafanaspotlightamonisse/.!

8!Skole,!"Bones!Fan!Spotlight:!Skole,"!Bones!Theory,!http://bonestheory.wordpress.com/2010/10/28/bonesafanaspotlightaskole/.!

9!Kelly,!"Bones!Fan!Spotlight:!Kelly,"!Bones!Theory,!http://bonestheory.wordpress.com/2010/09/30/bonesafanaspotlightakelly/.!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

10!Jenny,!"Bones!Fan!Spotlight:!Jenny,"!Bones!Theory,!http://bonestheory.wordpress.com/2010/10/14/886/.!

11!Jennifer!Lester!in!Discussion!with!the!Author.!

12!Cindee!Phillips!in!Discussion!with!the!Author,!November!15,!2013.!

13!At!the!time!this!was!written!Fox!announced!it!was!in!negotiations!with!the!studio!and!production!for!a!tenth!season,!but!no!agreement!had!been!finalized.!Renewal!for!a!tenth!season!was!later!announced!on!January!29,!2014.!!

14!The!Huffington!Post!UK,!"What!Was!the!Most!Popular!Tv!Show!of!2013,!According!to!Social!Media?,"!Huffington!Post,!http://www.huffingtonpost.co.uk/2013/12/06/theawalkingadeadatwitterafacebookamostapopular_n_4397222.html?utm_hp_ref=tv&ir=TV.!

15!Beatrice!Belli!in!Discussion!with!the!Author!(1),!January!10,!2014.!

16!Delphi!Forums,!"Delphi!Forums:!Communities!for!Friends,!Groups!and!Businesses,"!!http://www.delphiforums.com.!“The!Lab”!is!located!at:!http://!http://forums.delphiforums.com/boneyard628.!

17!The!Founding!Fathers,!"The!Founding!Fathers!a!Portal,"!!http://www.bonesatff.org/.!

18!Bones!Spoilers!can!be!found!at:!http://bonesspoilers.blogspot.com/.!Bones!Theory!can!be!found!at:!http://bonestheory.wordpress.com.!

19!Yuku,!"Start!Your!Own!Free!Forum,!Social!Network,!Social!Community,!or!Chat!Room!Instantly!|!Yuku,"!!http://www.yuku.com/.!

20!Bonesology,!"Bonesologya!a!Home!for!Fans!of!the!Fox!Tv!Show!'Bones'!~!Forums,"!!http://bonesology.yuku.com/.!Number!of!registered!members!as!listed!on!the!forum!homepage!January!13,!2014.!

21!Ibid.!

22!Jennifer!Lester!in!Discussion!with!the!Author.!

23!Ibid.!

24!The!Huffington!Post!UK,!"What!Was!the!Most!Popular!Tv!Show!of!2013,!According!to!Social!Media?".!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

25!See!Martha!Mendoza,!"How!Facebook!Likes!Get!Bought!and!Sold,"!Huffington!Post,!http://www.huffingtonpost.com/2014/01/05/buyafacebookalikes_n_4544800.html.!

26!Facebook,!"Facebook!a!Bones,"!Facebook,!https://www.facebook.com/Bones.!

27!Ibid.!

28!Ibid.!

29!Bones,!"Bones!(Bonesonfox)!on!Twitter,"!Twitter,!https://twitter.com/BONESonFOX.!

30!Blechier,!"Goodbye!Couch!Potato,!Hello!Second!Screen!Surfer".!Facebook!disputes!this!claim!arguing!since!many!of!their!users!interact!with!increased!privacy!settings,!the!measurement!of!Social!TV!data!for!their!users!is!underestimated.!!

31!Jennifer!Lester!in!Discussion!with!the!Author.!

32!DarkUFO,!"Bones!a!Episode!9.15!a!Heiress!in!the!Hill!a!Press!Release,"!!http://www.spoilertv.com/2014/01/bonesaepisodea915aheiressainahillapress.html.!

33!Quarterbreed,!"Press!Release,"!!http://bonesology.yuku.com/topic/3941/PressaRelease#.UvqBakJdVjt.!

34!Stephen!Nathan!in!Discussion!with!the!Author,!December!11,!2013.!

35!Cindee!Phillips!in!Discussion!with!the!Author.!

36!Radar!Staff,!"Broken!‘Bones’?!David!Boreanaz!to!Leave!Hit!Fox!Show!after!Current!Season,"!!http://radaronline.com/exclusives/2013/10/bonesadavidaboreanazaemilyadeschanel/.!

37!Anna!Banana!:],!"Anna!Banana!:]!(Polskaax3)!on!Twitter,"!Twitter,!https://twitter.com/polskaax3.!

38!Madison!MacInnes,!"Madison!Macinnes!(Madi93)!on!Twitter,"!Twitter,!https://twitter.com/Madi93.!David!Boreanaz,!"David!Boreanaz!(David_Boreanaz)!on!Twitter,"!Twitter,!https://twitter.com/David_Boreanaz.!

39!NatesMama,!"Bones!Twitter!Hashtag!of!the!Day,"!Bonesology,!http://bonesology.yuku.com/topic/256/BonesaTwitteraHashtagaofatheaDay#.UtkvqWSwKuV.!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

40!Bonesology,!"Bonesology!(Bonesology)!on!Twitter,"!Twitter,!https://twitter.com/Bonesology/.!

41!Vonnie#adedicatedfan,!"Vonnie#Adedicatedfan!(Greatvonnie50)!on!Twitter,"!Twitter,!https://twitter.com/greatvonnie50!!

42!Fan!discussions!about!the!show!changing!nights!are!a!common!topic.!Over!nine!seasons,!Bones!has!aired!on!every!night!Monday!through!Friday!and!fans!often!discuss!whether!the!move!is!an!attempt!by!the!network!to!kill!the!show,!a!strategic!use!of!the!show!to!act!as!a!leadain!for!a!new!series!or!a!handful!of!other!reasons.!!!

43!Carrie!Ann!Ryan,!"Carrie!Ann!Ryan!(Carrieannryan)!on!Twitter,"!Twitter,!https://twitter.com/CarrieAnnRyan.!

44!Megan!Wright,!"Megan!Wright!(Skachild_4)!on!Twitter,"!Twitter,!https://twitter.com/SkaChild_4.!

45!Martha,!"Martha!(Marthaemilym)!on!Twitter,"!Twitter,!https://twitter.com/MarthaEmilyM.!

46!Martha!Emily!Michulka!in!Discussion!with!the!Author,!November!21,!2013.!

47!Cindee!Phillips!in!Discussion!with!the!Author.!

48!Dean!Lopata!in!Discussion!with!the!Author!(1),!November!18,!2013.!Dean!Lopata,!"Dean!Lopata!(Dloindustries)!on!Twitter,"!Twitter,!https://twitter.com/DLoIndustries.!

49!"Cancellation!Bear!(Thecancelbear)!on!Twitter,"!Twitter,!https://twitter.com/TheCancelBear.!

50!Cindee!Phillips!in!Discussion!with!the!Author.!

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CHAPTER!7!

BUSINESS!PRACTICES:!INSIDE!THE!NETWORK!AND!STUDIO!

The!relationship!between!Social!TV!and!business!practices!at!the!studio!and!

network!levels!is!explored!in!this!chapter.!This!includes!investigations!of!how!these!

organizations!fuel!the!fan!activities!discussed!in!the!last!chapter,!how!they!are!

receiving!feedback!from!fans!and!what!they!are!doing!with!that!feedback.!An!

exploration!of!these!activities!focuses!on!questions!about!the!adoption!and!

integration!of!social!media,!the!value!associated!with!fans!participating!in!these!

activities,!network!and!studio!interactions!with!production!regarding!Social!TV!

activities!and!the!resulting!changes!to!business!practices.!This!information!will!

reveal!how!fan!feedback!might!flow!through!the!network!or!studio!to!production!

personnel,!creating!a!second!path!for!the!reception!of!fan!feedback.!

Fox!Broadcasting!Corporation!(FBC),!the!network,!licenses!Bones!from!20th!

Century!Fox!Television,!the!studio,!for!firstarun!airing!on!their!owned!and!affiliated!

stations!throughout!the!Unites!States.1!The!studio!is!responsible!for!the!financing!

and!producing!activities!of!Bones!including!oversight!of!various!production!

activities!such!as!personnel!management,!approving!scripts,!and!budget!supervision.!

The!studio!is!also!involved!with!marketing!activities!that!revolve!around!their!need!

to!reasell!the!show!into!secondary!markets!such!as!network!or!cable!syndication,!

digital!platforms,!international!markets!and!DVD!sales.!While!the!success!of!the!

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show!during!firstarun!airing!on!FBC!is!important!to!the!studio,!they!are!most!

interested!in!building!a!brand!around!their!shows.2!!

Since!the!network!does!not!own!the!shows!it!airs,!only!licensing!them!from!the!

studio,!their!goal!is!to!get!people!to!tuneain!to!their!stations!to!watch!each!episode.!

Increasing!viewership!allows!the!network!to!obtain!higher!rates!for!advertising!time.!

To!achieve!this!goal,!the!network!employs!a!large!marketing!department!that!is!

responsible!for!all!aspects!of!acquiring!viewers.!Some!of!methods!used!by!the!

department!include!the!placement!of!print!ads,!onaair!advertising,!website!

marketing,!publicity!activities!and!social!media!promotions.!!

Social!Media!operations!are!handled!by!the!network’s!Social!Media!Department.!

Once!falling!under!the!purview!of!the!Marketing!Department’s!Digital!Department,!

the!social!media!team!has!grown!to!warrant!its!own!department.!This!is!consistent!

with!information!presented!earlier!about!social!media’s!ability!to!create!new!jobs!

throughout!the!television!industry,!the!situation!at!FBC!is!no!different.!!

Cait!Hood,!Vice!President!of!Social!Media,!oversees!the!Social!Media!Department!

that!includes!one!department!manager!and!a!small!team!of!Social!Producers.!The!

activities!of!this!group!involve!strategizing!and!managing!the!social!media!activities!

for!all!shows!being!broadcast!by!FBC.!More!specifically,!they!seek!to!drive!tuneain,!

foster!relationships!with!fans,!build!engagement!and!cultivate!communities!of!fans.3!

To!accomplish!these!goals,!each!Social!Media!Producer!is!assigned!five!shows.!In!

conjunction!with!the!Vice!President!and!department!Manager,!the!team!sets!the!

social!strategy!for!each!show,!plans!dayato!day!activities,!crafts!and!posts!content,!

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and!creates!a!distribution!plan.!They!describe!listening!to!the!fans!as!an!important!

component!to!these!activities.!Listening!allows!them!to!determine!what!the!fans!

like/dislike!and!cater!to!these!desires.!!!

Listening!to!fans!results!in!each!show!being!handled!differently.!As!Cait!Hood!

explains,!“each!show!can!have!a!different!voice,!content!and!frequency!of!posting.”4!

Bones!activity!is!driven!by!FBC’s!desire!to!maintain!and!engage!the!show’s!existing!

audience!and!their!belief!that!Bones!fans!are!excited!by!legacy!content.!These!

determinations!are!discovered!through!a!process!of!testing!different!strategies.!For!

example,!the!team!found!that!references!to!relationships!are!popular,!especially!

Booth!and!Brennan’s!relationship.!In!response!to!these!fan!desires!and!in!

conjunction!with!an!encore!airing!of!the!wedding!episode,!a!wedding!picture!of!

Booth!and!Brennan!was!posted!on!Facebook.!!The!post!received!nearly!100,000!

“likes.”5!The!social!media!team!felt!this!was!a!big!success!for!them!since!most!photo!

posts!receive!approximately!25,000!“likes.”!They!felt!the!relationship!picture!

engaged!the!existing!fans!and!this!resulted!in!attracting!more!people!to!watch!the!

encore!airing!that!they!were!promoting.!In!response!to!this!“success,”!the!social!

team!started!a!“Flashback!Friday”!campaign!where!they!started!posting!old!

relationship!photos!and!videos!on!various!platforms!each!Friday!to!drive!further!

engagement.6!Whether!or!not!these!activities!were!actually!successful!depends!on!

how!they!are!being!measured,!whether!those!measurements!can!be!correlated!with!

viewership!data!and!who!is!being!asked.!A!discussion!of!measurement!methods!and!

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the!perspectives!of!these!measurement!techniques!will!be!discussed!in!further!

detail!later!in!this!chapter.!!

Other!social!media!campaigns!include!ongoing!efforts!such!as!Fan!of!the!Week,!

where!fans!can!tell!FOX!why!they!are!the!biggest!Bones!fan!and!potentially!get!an!

onaair!“shout!out”!if!they!are!selected.!Additional!campaigns!are!introduced!based!

on!the!networks!needs.!For!instance,!when!Bones!was!reascheduled!from!Monday!

night!to!Friday!night,!a!campaign!called!Fox!Fan!Friday!asked!fans!“Why!do!you!love!

Bones?”!on!social!media!sites.!Fans!were!instructed!to!create!a!Vine!video!with!their!

answers!and!post!them!on!Twitter!using!the!hashtag!#fanfriday.!Winners!could!have!

their!video!played!on!TV!during!the!broadcast!of!a!show!and!others!would!be!

entered!to!win!some!show!swag.7!These!types!of!campaigns!are!consistent!with!the!

department’s!efforts!to!engage!fans!and!build!communities.!They!are!not!likely!very!

effective!at!attracting!new!viewers,!but!increasing!viewership!is!not!said!to!be!an!

important!goal!for!Bones!social!media!efforts.!Several!Social!Media!Department!and!

Publicity!Department!employees!all!expressed!this!sentiment!that!since!Bones!was!

in!its!ninth!season!and!a!reliable!fan!base!was!inaplace!resulting!in!consistent!ratings,!

efforts!to!acquire!new!viewers!wasn’t!as!important!as!maintaining!existing!viewers.!

This!speaks!to!the!multiple!ways!social!media!can!be!leveraged.!It!can!be!used!as!a!

tool!to!acquire!new!viewers!and!maintain!existing!viewers.!Whatever!the!objective,!

these!efforts!demonstrate!more!formalized,!planned!and!strategic!efforts!that!result!

in!less!intimate!engagements!than!interactions!between!fans!and!some!production!

personnel.!Intimacy!here!is!situated!as!a!dimension!of!affect!and!associated!with!the!

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users!motivations.!Although!the!social!media!producers!who!are!assigned!to!manage!

these!shows!consider!themselves!fans,!their!primary!motivation!for!engaging!fans!is!

to!achieve!business!goals.!Production!personnel,!as!will!be!discussed!further!in!the!

next!chapter,!are!more!motivated!by!emotion.!Writer!Dean!Lopata,!for!example,!

describes!his!participation!as!motivated!by!a!desire!to!please!fans.!He!says,!“fans!like!

it”!and!his!participation!is!not!motivated!by!the!need!to!achieve!business!goals.8!!

These!social!engagements!are!occurring!on!a!variety!of!platforms.!However,!

before!discussing!those!platforms,!it!is!equally!important!to!consider!where!

interactions!are!not!taking!place.!One!location!where!FBC!engagement!with!fans!

might!be!expected!is!their!official!show!website.!A!review!of!that!site,!fox.com/bones!

found!no!meaningful!tools!allowing!fans!to!engage!with!each!other!or!the!show.!In!

September!2013,!the!site!contained!several!main!sections!offering!information!

about!the!show!and!cast,!photos,!video!clips!and!a!100!Fun!Facts!about!the!show!

section!with!information!like!“the!production!and!writers!office!spends!at!least!$500!

a!day!on!lunch”!and!“when!Bones!transportation!rolls!out!on!location,!they!use!90!

batteries!(truck!amp!trailers),!262!tires!and!19!generators!to!service!the!company.”9!

The!site!did!not!have!any!forum!areas!for!fans!to!interact,!but!instead!readirected!

visitors!to!“like”!Bones!on!Facebook!and!follow!the!series!on!Twitter!and!“join!the!

discussion!with!the!hashtag!#bones.”10!This!lack!of!interaction!tools!is!indicative!of!

FOX’s!changing!priorities.!Once!motivated!to!attract!fans!to!their!site,!today!they!

attempt!to!find!fans!on!other!platforms!and!engage!them!in!those!locations.!

According!to!Hood,!“fans!are!going!to!talk!about!the!shows!no!matter!what…!it’s!a!bit!

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antiquated!to!tell!people!to!come!to!your!site.!People!are!joining!in!the!conversation!

where!they!are!at!that!moment.!We!want!to!be!where!people!are.”11!This!view!is!

consistent!with!FBC’s!past!actions!that!resulted!in!the!removal!of!their!once!popular!

fan!forums!and!their!most!recent!website!redesign!launched!in!January!2014!that!

removed!even!more!of!the!features!once!offered!on!the!site.!As!a!result,!

Fox.com/bones!has!been!reduced!to!the!equivalent!of!a!glossy!brochure!offering!

little!meaningful!information!and!no!interactivity.12!!

To!fill!this!social!void,!the!Social!Media!Department!has!created!accounts!for!

Bones!on!many!different!platforms!including!Facebook,!Twitter,!Google!+,!Pinterest,!

Instagram,!Vine,!GetGlue!and!Tumblr.!The!department!is!constantly!testing!new!

platforms!and!reports!their!willingness!to!try!any!and!all!tools!available!to!them.!

They’ve!adopted!a!“why!not”!attitude!because!they!never!know!what!will!work!and!

figure!they!have!little!to!lose!if!a!new!platform!does!not!become!popular!with!

viewers.!This!strategy!resembles!Rupert!Murdoch’s!own!social!media!

experimentation!efforts!dating!back!to!2005!when!NewsCorp!acquired!MySpace!

hoping!the!site!could!be!used!to!drive!users!to!Fox!television!shows.13!!

All!of!these!efforts,!from!the!2005!acquisition,!to!the!more!recent!shift!of!website!

strategy!and!testing!of!small!social!platforms!are!indicative!of!our!current!period!of!

experimentation!and!testing.!Although!Twitter!has!risen!to!be!one!of!the!leaders!in!

Social!TV,!FBC!has!not!resigned!itself!to!the!exclusive!use!of!that!platform.!How!and!

where!fans!are!discussing!shows!is!constantly!changing!and!FBC!attempts!to!stay!on!

top!of!current!trends.!Although!FOX!is!a!large!corporation,!it!has!established!an!

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internal!structure!that!shows!it!understand!the!speed!at!which!it!needs!to!operate!in!

order!to!stay!current!with!changes!in!technology!and!the!way!viewers!are!

interacting.!!The!company!has!empowered!its!employees!to!make!decisions!and!

implement!tests!relatively!quickly.!

In!addition!to!testing!platforms!and!refining!engagement!strategies,!employees!

involved!in!Social!TV!efforts!are!trying!to!figure!out!how!to!measure,!report!and!

justify!their!efforts.!Production!personnel!can!participate!in!online!activities!without!

any!need!to!have!or!measure!any!results.!However,!in!the!corporate!environment!of!

FBC,!it!is!becoming!increasingly!important!to!justify!how!social!media,!specifically!in!

terms!of!Return!on!Investment!(ROI),!is!valuable!and!helping!marketing!meet!their!

goals.!!

Reports!such!as!Twitter’s!Nielsen!Causation!Study!have!announced!finding!a!

direct!correlation!between!Social!TV!activity!and!ratings,!but!many!people!are!

skeptical!of!these!findings.14!FBC!uses!a!range!of!reporting!tools.!As!Hood!explains,!

“these!measuring!activities!are!important,!but!an!imperfect!process.”15!Due!to!the!

deficient!metrics!available,!they!subscribe!to!basically!every!service!and!piece!

together!information!to!track!sentiment,!number!of!followers,!reach,!activity!levels!

and!other!metrics.!

In!addition!to!the!imperfect!reporting!methods!at!the!network!level,!there!are!no!

set!industry!measurement!and!reporting!standards!for!Social!TV!activities.!Nielsen!

TV!ratings!by!comparison!are!also!argued!by!many!to!be!flawed,!but!at!least!the!

industry!agrees!to!use!the!same!measurement!standards!and!interpret!results!in!the!

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same!way.16!This!inability!to!provide!evidence!for!how!Social!TV!activities!correlate!

with!ratings!is!providing!ammunition!for!social!media!pessimism.!!

One!individual!who!questions!the!value!of!Social!TV!activities!is!Preston!

Beckman,!Senior!Strategist!for!Fox!Networks!Group.!Beckman!has!been!involved!

with!online!social!platforms!since!the!days!of!early!message!boards,!but!he!is!

pessimistic!about!Social!TV!offering!any!real!advantages!for!the!network.!He!does!

not!buy!the!correlation!between!Twitter!followers!and!ratings!and!he!does!not!view!

social!media!as!able!to!contribute!to!the!success!of!a!show.!Beckman!sees!the!world!

in!which!these!fan!activities!take!place!as!only!a!small!percentage!of!the!greater!

viewership.!These!viewers!are!more!actively!involved!and!dedicated,!but!that!

doesn’t!necessarily!make!them!more!valuable.!His!bottom!line!is!that!there!is!no!

data!that!proves!any!of!these!efforts!actually!make!a!difference!and!he!says,!“I!don’t!

for!a!second!think!any!of!this!matters.”17!

Although!Beckman!argues!he!does!not!think!social!media!matters,!he!is!a!heavy!

user!of!Twitter!where!he!promotes!FOX!shows!and!gives!away!posters!to!fans.!He!

describes!his!participation!on!social!media!platforms!as!fun.!He!says!that!he!likes!to!

connect!with!fans,!make!them!feel!important!and!give!back,!all!similar!sentiments!

that!were!expressed!by!Bones!producers!and!writers.!!But!his!actions!appear!more!

purposeful.!On!almost!any!given!day,!operating!on!Twitter!as!@maskedscheduler,!

he!makes!announcements!to!his!followers,!asking!them!to!email!him!to!enter!for!a!

chance!to!win!a!show!poster.18!One!example!post!says,!“I!have!#Enlisted!posters!for!

[email protected]!and!watch!the!show!on!Fridays.!Two!

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posters!up!for!grabs.”19!Beckman!reports!receiving!an!average!of!250a300!emails!

within!three!hours!when!he!makes!such!announcements.!He!then!randomly!chooses!

winners!and!mails!them!a!poster.!The!winners!often!post!thank!you!tweets!and!after!

receiving!their!posters!take!pictures!with!them!and!post!them!online.!Despite!being!

situated!as!“fun”!by!Beckman,!these!are!all!forms!of!marketing!and!promotions!from!

the!contest!announcement!to!the!posting!of!thank!you!pictures!by!winners.!!!

Other!tweets!sent!by!Beckman!don’t!include!product!giveaways,!but!are!more!

blatant!promotions!for!FOX!shows.!One!day!he!tweeted,!“I!made!a!funny!this!AM!

which!@HartHanson!plans!to!use!in!a!#Backstrom!episode.!Watch!them!all!this!Fall!

and!guess!which!line!is!mine.”20!These!actions!are!not!consistent!with!someone!who!

expresses!such!a!pessimistic!attitude!towards!social!media!efforts.!They!are!

indicative!of!an!uneasiness!created!within!the!business!operations.!Driven!by!

numbers,!reports!and!trends,!social!media!is!causing!executives!to!have!faith!in!

efforts!that!cannot!deliver!quantifiable!results.!This!brings!out!pessimism!in!some!

people!and!optimism!in!others!who!argue!that!these!efforts!can!turn!some!fans!into!

“influencers”!who!will!help!drive!marketing!activities.!!

!! Influencers!are!fans!who!will!help!spread!the!network’s!messages.!They!are!the!

Boneheads!who!create!fan!forums,!lead!discussions,!organize!meetaups,!or!more!

simply!retweet,!like!and!share!social!media!posts.!The!network!seeks!to!feed!these!

fans!and!capitalize!on!their!dedication.!For!example,!the!FBC!publicity!department!

will!allow!some!of!these!individuals!access!to!their!screening!website!where!early!

copies!of!episodes!are!accessible.!Advance!viewing!allows!journalists!to!write!their!

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stories!before!the!actual!broadcast!of!episodes!so!they!can!prepare!their!responses!

that!can!be!posted!in!a!timely!manner!after!the!broadcast!concludes.!Early!access!to!

these!screeners!by!fans!blurs!the!lines!between!fan!and!professional.!!Sarah!

Pemberton,!founder!and!operator!of!fan!forum!Bones!Theory!has!received!access!to!

FBC’s!screening!website!and!this!allows!her!to!promote!the!upcoming!episode!and!

prepare!for!postaepisode!discussions.!Before!the!airing!of!“The!Fury!in!the!Jury”!

episode,!Pemberton!posted!in!her!forum,!“I!have!seen!tonight's!episode,!and!I!really!

liked!it.!Be!sure!to!drop!by!tonight!or!tomorrow!to!discuss!it!”21!This!special!

treatment!not!only!results!in!more!people!for!the!Publicity!Department!to!manage,!

but!it!also!reveals!a!“better!safe!than!sorry”!attitude!that!results!from!not!being!able!

to!measure!the!power!of!these!“influencers.”!

These!fan!influencers!reside!in!an!inabetween!space!as!they!are!more!than!fans,!

but!they!are!not!quite!professional!journalists.!Social!media!has!enabled!them!and!

provided!the!opportunity!to!quickly!reach,!engage!and!potentially!influence!other!

fans.!But!their!reach!appears!to!be!limited!to!the!circle!of!Boneheads!who!are!

already!dedicated!fans!and!will!most!likely!be!planning!to!watch!an!episode!anyway.!

Fan/Journalist!Michelle!Carlbert!writes!fan!fiction!and!tweets!along!with!the!livea

airing!of!shows!like!a!fan,!but!also!contributes!articles!to!sites!such!as!BuddyTV,!

TVEquals!and!TVFanatics!as!a!self!proclaimed!“Freelance!Television!Journalist.”22!All!

of!these!efforts!are!promoted!through!social!media!sites!including!Facebook,!Twitter!

and!platforms!such!as!Wordpress!that!enable!her!efforts!and!allow!her!to!blur!the!

line!between!fans!and!entertainment!reporter.!This!gray!area!has!resulted!in!FBC’s!

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publicity!department!having!to!manage!not!only!professional!reporters,!but!also!

these!hybrid!fan/journalists.23!Network!publicists!report!that!they!do!not!

discriminate!against!these!fan/journalists.24!If!they!are!blogging,!participating!in!

social!media!and!promoting!the!show,!they!are!viewed!as!important.!Publicists!

report!not!worrying!about!differentiating!between!the!two!because!their!job!is!to!

generate!interest,!drive!viewers!and!increase!ratings.!If!managing!these!

fan/journalists!in!addition!to!professional!journalists!is!a!task!that!will!help!them!

achieve!their!goals,!they!are!happy!to!take!on!the!extra!work.!As!Publicist!Kim!

Kurland!states,!“I!don’t!mind!the!extra!work…I!would!never!discount!fan!sites.”25!!

There!is!however!one!primary!difference!between!the!treatment!of!professional!

journalists!and!fan/journalists.!“Scoops,”!the!release!of!exclusive!news!stories,!are!

reserved!for!the!traditional!media.!Traditional!media!like!to!be!first!to!release!news!

and!let!their!readers/followers!know!they!have!obtained!a!scoop.!When!Michael!

Ausiello,!for!example,!obtains!a!scoop,!he!includes!the!line!“TVLine!has!learned!

exclusively”!in!his!article.26!Maureen!Ryan,!Television!Critic!for!AOL/Huffington!Post!

explains!how!these!scoops!benefit!journalists!and!why!they!make!it!clear!to!readers!

when!they!have!obtained!a!scoop.!She!says,!

I!think!they!basically!help!your!media/social!profile!if!you!get!regular!scoops!or!exclusives.!I!think!it's!a!kind!of!signal!that!you!should!be!taken!more!seriously!as!an!outlet!for!information…!If!I!post!that!I!have!an!exclusive!on!Twitter!and!Facebook!as!well,!industry!people!and!other!critics!who!follow!me!there!may!see!that,!so!it!can!be!a!bit!of!a!reputation!booster!as!well.27!!

Announcing!scoops!through!social!media!works!to!benefit!both!the!show!and!the!

journalist.!In!addition!to!boosting!a!journalists’!reputation,!the!show!benefits!from!

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the!exposure!and!ability!for!the!information!to!quickly!flow!through!circles!of!

influence.!This!is!one!reason!the!publicists!at!FBC!report!reserving!scoops!for!

professional!journalists!and!not!fan/journalists.!They!know!that!once!news!is!

released,!the!fan/journalists!will!pick!it!up!and!promote!it!anyway!so!there!is!no!

need!to!potentially!upset!the!professionals!by!giving!the!fan/journalists!scoops.!!

The!way!publicists!handle!different!groups!demonstrates!how!they!seek!to!

control!the!flow!of!information,!a!part!of!their!job!that!is!becoming!increasingly!

difficult!due!to!social!media.!Publicists!spend!time!creating!campaigns!that!include!

the!strategic!release!of!information!so!that!information!will!have!the!greatest!impact!

possible.!Releasing!promotional!information!about!a!specific!episode,!for!example,!is!

more!effective!closer!to!the!airing!of!that!episode!instead!of!several!months!in!

advance!because!it!will!likely!be!forgotten.!Publicists!from!the!network!and!studio!

work!in!conjunction!with!the!executive!producers!and!primary!actors!to!coordinate!

what!information!should!be!discussed!during!their!media!interviews.!As!Kurland!

explains,!“it!really!is!a!twoaway!street.!I!ask!Hart!Hanson!and!Stephen!Nathan!not!to!

give!away!info!as!much!as!they!ask!FBC!to!limit!the!release!of!some!details.”28!

Despite!these!plans,!the!misause!of!social!media!by!production!personnel!can!ruin!

these!plans.!!

Information!leaks!are!of!greater!concern!today!than!the!days!before!the!

explosion!of!social!media.!In!1998,!the!hit!sitcom!Friends!decided!to!have!lead!

characters!Monica!and!Chandler!hookaup!during!the!Season!Four!finale.!This!event!

was!expected!to!be!a!pleasant!shock!for!fans!and!the!producers!wanted!to!keep!it!a!

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secret.!Despite!this!desire,!they!filmed!the!scene!in!front!of!a!live!studio!audience!

and!did!not!worry!about!any!spoilers!being!released.!As!the!show’s!Executive!

Producer!Scott!Silveri!states,!"today,!of!course,!producers!would've!filmed!that!

scene!on!a!closed!set,!fearful!that!audience!members!would!tweet!about!the!moment!

the!second!they!left!the!studio.!Before!the!dawn!of!social!media,!you!could!keep!

secrets,!we!didn't!have!to!worry!about!it."29!As!discussed!in!Chapter!Six,!Joanna!

Cassidy!mistakenly!leaked!information!about!the!big!wedding!episode!in!Season!

Nine.!Publicists!and!producers!had!to!quickly!meet!and!reastrategize!after!the!

photos!were!released,!trying!to!determine!how!much!damage!was!done!and!figure!

out!how!they!should!respond.!In!another!situation,!upon!hearing!the!news!that!

Bones!was!renewed!for!Season!Seven,!Actor!David!Boreanaz!tweeted!“Oh,!season!7!

is!GO!for!‘Bones’.”30!Boreanaz!was!not!aware!that!this!information!was!still!

confidential!and!that!FBC!publicity!was!creating!plans!for!a!big!announcement.!The!

tweet!sparked!stories!throughout!the!Internet!and!FBC!was!forced!to!make!an!

official!announcement!the!following!morning!after!Boreanaz!“spilled!the!beans.”!The!

examples!demonstrate!how!social!media!not!only!allows!for!a!greater!chance!that!

information!will!be!leaked,!but!once!leaked,!that!information!can!reach!a!greater!

number!people!and!in!a!quicker!manner!than!ever!before.!

It!is!possible!that!Boreanaz!was!not!aware!of!FBC’s!plans!because!there!is!very!

little!communication!between!the!network,!studio!and!production!personnel!

regarding!marketing!plans.!One!reason!for!this!poor!communication!may!be!that!

many!of!these!individuals!do!not!know!each!other.!The!social!media!producers!at!

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FBC!do!not!have!direct!contact!with!the!writers!and!producers!and!when!asked,!not!

a!single!writer!could!identify!the!person!who!manages!the!show’s!official!

@BonesonFox!Twitter!account.!

This!lack!of!communication!also!means!there!is!rarely!any!feedback!from!FBC!

personnel!to!production!regarding!fan!comments!or!sentiment.!In!rare!

circumstances,!Hood!reports!that!if!they!see!or!hear!something!“major”!they!might!

pass!along!information!to!the!FBC!Current!Department!who!would!be!the!ones!to!

communicate!that!information!to!the!production!team.!She!states,!“our!job!is!to!

market!the!show,!not!give!feedback!on!how!they!should!make!the!show.”31!

Social!TV!efforts!by!individuals!at!FBC!are!in!a!perpetual!state!of!testing!as!new!

platforms!are!introduced!and!others!fade!away.!Adjustments!are!made!to!strategies!

based!on!fan!feedback!and!the!way!fans!are!interacting.!Each!show!is!managed!with!

a!customized!strategy!and!the!attitude!about!Bones!is!that!due!to!its!age,!builtain!fan!

base,!and!dedication!of!those!fans,!there!are!greater!needs!to!maintain!the!show’s!

fandom!instead!of!seek!out!growth!in!viewers.!The!value!and!importance!of!these!

efforts!are!difficult!to!quantify!and!there!are!strong!feelings!both!in!favor!of!and!

against!these!efforts.!But!it!is!apparent!that!fans!do!appreciate!the!efforts!and!are!

engaging!with!the!network!and!the!show.!All!of!these!efforts!have!led!to!the!creation!

of!new!jobs!and!integration!of!new!work!responsibilities!into!existing!jobs.!The!

differing!objectives!of!production!personnel,!the!network!and!studio!has!led!to!

different!strategies!of!use,!but!in!the!end,!each!area!has!been!influenced!in!some!

manner!by!these!new!tools.!!

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Notes!

1!In!this!instance,!the!studio!and!network!are!both!subsidiaries!of!21st!Century!Fox!Corporation.!It!is!common!for!a!studio!and!network!owned!by!the!same!parent!company!to!finance!and!distribute!a!show,!but!it!is!not!necessary!as!studios!often!license!shows!to!nonaaffiliated!networks.!!

2!Chris!Kaspers!in!Discussion!with!the!Author,!February!11,!2014.!

3!Cait!Hood!in!Discussion!with!the!Author!(1),!December!10,!2013.!

4!Cait!Hood!in!Discussion!with!the!Author!(2),!February!10,!2014.!

5!Facebook,!"Facebook!a!Bones".!

6!One!additional!example!is!the!posting!of!a!retrospective!video!“Bones!Flashback!Friday!!It’s!Booth!and!Brennan!since!2005!”!that!appeared!on!several!Fox!YouTube!sites.!!

7!Bones,!"Bones!(Bonesonfox)!on!Twitter,"!Twitter,!http://www.twitter.com/BONESonFOX.!I!tested!this!campaign!when!completing!research.!I!posted!a!Vine!video!to!my!Twitter!account!during!the!airing!of!a!show.!Several!days!later!I!received!a!direct!message!on!Twitter!from!FOX!requesting!my!mailing!address.!A!few!weeks!later!I!received!a!Bones!hat!in!the!mail.!Not!everyone!who!posts!receives!something.!The!Social!Media!Producer!randomly!selects!winners.!

8!Dean!Lopata!in!Discussion!with!the!Author!(2),!December!12,!2013.!

9!Fox,!"Bones!on!Fox,"!!http://www.fox.com/bones/.!

10!Ibid.!

11!Cait!Hood!in!Discussion!with!the!Author!(2).!

12!This!discussion!does!not!include!reference!to!any!proprietary!apps!because!Fox!has!not!developed!any!for!use!with!Bones.!However,!the!perspective!of!going!to!fans!instead!of!driving!fans!to!the!network’s!platforms!would!likely!be!challenged!by!other!networks!who!are!developing!heavily!in!proprietary!second!screen!apps.!!

13!BBC!News,!"News!Corp!in!$580,!Internet!Buy,"!BBC!News,!http://news.bbc.co.uk/2/hi/business/4695495.stm.!

14!Nielsen,!"New!Nielsen!Research!Indicates!TwoaWay!Causal!Influence!between!Twitter!Aactivity!and!Tv!Viewship".!

15!Cait!Hood!in!Discussion!with!the!Author!(2).!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

16!John!!Herman,!"Why!Nielsen!Ratings!Are!Inaccurate,!and!Why!They'll!Stay!That!Way,"!!http://splitsider.com/2011/01/whyanielsenaratingsaareainaccurateaandawhyatheyllastayathataway/.!

17!Preston!Beckman!in!Discussion!with!the!Author,!February!12,!2014.!

18!The!Masked!Scheduler!name!is!a!combination!of!Beckman’s!love!for!wrestling!and!his!career!as!a!programming!executive.!

19!Masked!Scheduler,!"Masked!Scheduler!(Maskedscheduler)!on!Twitter,"!Twitter,!https://twitter.com/maskedscheduler.!

20!Ibid.!

21!Sarah!Pemberton,!"Bonesday!Posta!Pick!Your!Faves!,"!Bones!Theory,!http://bonestheory.wordpress.com/2013/11/15/bonesdayapostapickayourafaves/.!

22!Michelle!Carlbert,!"Michelle!Carlbert!(Mokibobolink)!on!Twitter,"!Twitter,!https://twitter.com/Mokibobolink.!

23!This!is!more!the!case!for!the!network!publicity!department!because!their!goals!are!to!increase!viewership!and!ratings.!The!studio!is!also!interested!in!the!success!of!the!network!team!to!achieve!these!ratings,!but!their!primary!concern!revolves!around!building!a!brand!for!the!show!so!it!can!be!sold!in!international!markets,!on!DVD!and!placed!in!digital!syndication!outlets!such!as!Hulu!and!Netflix.!

24!Kim!Kurland!in!Discussion!with!the!Author,!February!12,!2014.!

25!Ibid.!

26!For!examples,!Google!“TVLine!has!learned!exclusively”!and!that!search!will!return!hundred!of!resulting!articles!where!this!line!has!been!used.!

27!Maureen!Ryan!in!Discussion!with!the!Author,!February!19,!2014.!

28!Kim!Kurland!in!Discussion!with!the!Author.!

29!Josef!Adalian,!"How!Friends!Decided!to!Pair!Off!Monica!and!Chandler,"!Vulture,!http://www.vulture.com/2013/11/friendsamonicaachandlerahowawritersapairedathemaoff.html.!

30!Scott!Collins,!"David!Boreanaz!of!'Bones'!Breaks!the!News!Via!Twitter!of!the!Show's!Fate!for!Next!Season,"!Los!Angeles!Times,!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!http://latimesblogs.latimes.com/showtracker/2011/05/davidaboreanazaofabonesabreaksatheanewsaviaatwitteraofatheashowsafateaforanextaseasona.html.!

31!Cait!Hood!in!Discussion!with!the!Author!(2).!

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CHAPTER!8!

PRODUCING!BONES:!ON!SET,!IN!THE!OFFICES!AND!WRITERS!ROOM!

To!shed!light!on!how!the!content!of!viewer!interactions!and!communications!are!

directly!received!and!handled,!this!chapter!examines!how!Bones!production!

personnel!use!social!media.!These!uses!reveal!how!production!practices!in!areas!

such!as!the!Property!Department!and!Casting!Department!are!changing!due!to!the!

integration!of!Social!TV!activities.!!Throughout!the!history!of!television,!the!

introduction!of!new!technologies!has!changed!production!practices.!But!unlike!

previous!modifications,!the!significance!of!changes!resulting!from!Social!TV!extend!

beyond!how!work!gets!completed!and!includes!the!potential!for!Social!TV!activities!

to!influence!show!content.!!

In!an!effort!to!maintain!their!authorial!control,!writers!and!producers!claim!they!

do!not!make!changes!to!show!content!based!on!Social!TV!activities.!But!findings!

reveal!that!despite!these!claims,!some!changes!are!occurring.!Varying!conceptions!of!

what!is!meant!by!change!means!production!personnel!are!only!considering!changes!

as!being!conspicuous!and!pronounced!modifications!and!not!also!the!subtler!and!

less!direct!adjustments!that!are!being!made.!The!changing!of!content!based!on!

viewer!feedback!leads!to!potential!implications!including!changing!viewer!

expectations!and!diminishing!authorial!control.!!

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Between!August!and!December!2013,!interviews!with!several!production!

personnel!including!production!assistants,!writers!and!producers!provided!a!

preliminary!picture!of!the!production!office!hierarchies,!job!duties!of!various!

individuals!and!production!schedules.!The!first!observation!period!took!place!

December!9a13,!2013!at!the!20th!Century!Fox!Television!Studios!lot!in!Los!Angeles,!

California.!This!observation!period!was!followed!by!a!second!period!of!phone!

interviews!followed!by!a!second!observation!period!conducted!from!February!10a14,!

2014.!Since!the!sound!stages!and!offices!for!the!production,!studio!and!network!are!

all!in!the!same!location;!both!visits!were!able!to!incorporate!interview!and!

observation!periods!on!set!and!in!the!production,!studio!and!network!offices.!

The!Bones!production!offices!are!located!in!Building!1!in!the!western!corner!of!

the!Fox!lot.!The!twoastory,!white!stucco!building!is!reminiscent!of!a!stereotypical!

Hollywood!production!office.!Upon!entering!the!building,!there!is!a!large!conference!

room!that!is!used!for!large!production!meetings!and!other!gatherings.!Opposite!this!

room!the!Props!Department!occupies!a!twoaroom!office!area.!A!set!of!doubleadoors!

leads!into!the!main!office,!an!open!twoastory!space!where!desks!for!most!of!the!

production!assistants!are!located.!Around!the!outer!walls!are!small!offices!for!

various!departments!including!accounting,!locations,!the!script!coordinator,!the!

executive!producers’!offices!and!an!office!for!the!producers’!assistants.!Posta

production,!directors,!individual!writer’s!offices!and!the!main!writers!room!occupy!

second!floor!offices.!Casting!offices,!also!housed!in!this!building,!are!located!in!a!

separate!section!accessible!from!an!alternate!entrance.!!!

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!The!majority!of!the!show!is!shot!on!two!sound!stages.!The!first,!Stage!6,!houses!

sets!for!The!Jeffersonian!Institute!including!the!main!lab,!bone!room!and!Brennan’s!

office.!Built!in!1930,!this!stage!is!formerly!the!home!of!films!Miracle!on!34th!Street!

(1947),!The!Poseidon!Adventure!(1972),!Nine!to!Five!(1980),!Predator!2!(1980)!and!

television!shows!Starsky!and!Hutch!(1975a1979)!and!The!XAFiles!(1993a2002).!Stage!

9!houses!sets!for!the!FBI!Offices!and!Booth!and!Brennan’s!house.!Built!in!1928,!stage!

9!is!formerly!the!home!to!films!such!as!The!Adventures!of!Sherlock!Holmes!(1939),!

Che!!(1969),!Jumpin’!Jack!Flash!(1986)!and!television!shows!Peyton!Place!(1964a

1969),!M*A*S*H!(1972a1983)!and!NYPD!Blue!(1993a2004).!An!additional!shooting!

location!on!Fox’s!“New!York!Street”!is!home!to!the!sets!for!The!Royal!Diner.!!

During!observation!and!interview!visits,!I!was!granted!access!to!all!of!these!

office!and!production!areas.!I!observed!the!typical!work!activities!for!production!

personnel!and!interviewed!a!wide!range!of!individuals!from!production!assistants!to!

showrunners!in!their!offices!and!actors,!writers,!directors!and!other!support!

personnel!on!set.!One!benefit!of!researching!a!show!in!its!ninth!season!is!that!the!

crew!is!relatively!more!stable!than!on!many!other!shows!so!their!experiences!with!

the!show!can!range!from!several!months!to!several!years.!

The!production!process!for!Bones!begins!in!early!summer!when!the!executive!

producers!give!writers!their!episode!assignments!based!on!the!number!of!episodes!

planned!for!the!season.!The!process!to!craft!stories!and!achieve!a!completed!script!is!

quite!elaborate.!After!being!assigned!an!episode,!a!writer!comes!up!with!a!concept.!

They!create!a!“world”!surrounding!an!idea!that!can!usually!be!summed!up!in!one!or!

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two!words!such!as!“roller!derby”!or!“chess!match.”!This!world!is!pitched!to!

executive!producers!Stephen!Nathan!or!Hart!Hanson!for!approval.!Next,!the!writer!

will!begin!to!create!a!general!outline!for!the!show!or!“preabreak”!the!episode.!This!is!

the!initial!step!in!creating!details!about!the!murder,!murder!weapon,!body!find!and!

other!details.!To!help!with!these!details,!any!necessary!initial!research!used!to!

support!these!details!is!completed.!For!example,!if!a!body!is!found!in!water,!the!

writer!might!need!to!research!how!quickly!a!body!decomposes!in!water.1!These!

initial!ideas!are!presented!to!the!other!writers!in!the!writers!room!where!the!group!

works!together!to!“break”!the!episode.!This!involves!creating!a!more!detailed!scenea

byascene!outline!and!posting!it!on!one!of!the!white!boards!in!the!room!for!everyone!

to!see.!Throughout!this!process,!dozens!of!ideas!are!introduced!and!eliminated!as!

pieces!of!the!story!are!put!together.!At!this!point,!only!the!primary!“A”!storyline!is!

created.!Upon!completion!of!the!“A”!story,!any!“B”!and!“C”!story!elements!are!addeda

in.!these!“B”!and!“C”!stories!are!the!running!storylines!discussed!in!Chapter!Five.!

These!are!minimally!tied!to!the!“A”!story!and!kept!separated!in!case!they!need!to!be!

cut!and!moved!to!another!episode!if!faced!with!any!number!of!issues!such!as!lack!of!

time,!availability!of!an!actor!or!change!in!budget.!Executive!Producer!Jonathan!

Collier,!who!“runs”!the!writers!room!provides!feedback!and!guidance!to!the!writers!

throughout!this!process.!Completed!outlines!are!then!pitched!to!Stephen!Nathan.!

Nathan!acts!as!the!primary!center!of!knowledge!about!the!show,!so!he!may!be!privy!

to!information!the!writers!do!not!know!and!he!will!make!changes!to!their!work!

accordingly.!The!writer!then!takes!the!approved!initial!outline!and!creates!an!

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extended!outline,!usually!double!the!length!and!including!more!details.!This!outline!

is!then!sent!to!the!network!and!studio!for!their!approval.!Once!the!story!is!approved,!

the!writer!will!create!a!draft!script!and!send!it!to!Stephen!Nathan!and!Hart!Hanson!

for!review.!Hanson!and!Nathan!make!revisions,!either!alone!or!in!conjunction!with!

the!writer!and!this!“writers!draft”!script!then!becomes!the!“confidential!version.”!

This!confidential!version!is!sent!to!the!Script!Coordinator!Robert!Hornak!who!

distributes!it!to!the!department!heads!in!advance!of!the!“concept!meeting.”!!

The!Concept!Meeting!kicks!off!an!episode’s!“prep”!stage.!In!this!meeting,!the!

script!is!reviewed!and!each!department!can!raise!questions!about!specifics!that!will!

be!needed!from!them.!For!example,!the!person!responsible!for!generating!the!

computer!graphics!on!a!screen!in!front!of!an!actor!might!ask!what!type!of!

information!should!be!shown.!A!location!scout!might!ask!about!specific!

requirements!for!a!scene!that!will!be!shot!outside!of!the!sound!stages.!For!example,!

one!scene!called!for!a!lake.!The!location!manager!asked,!how!big!a!lake?!Does!the!

lake!need!a!boat!ramp?!And!other!specific!questions!to!meet!the!writer’s,!director’s!

and!producer’s!visions.!

After!this!meeting,!each!department!begins!its!work!and!between!one!to!two!

weeks!later!shooting!for!that!episode!begins.!The!amount!of!time!available!to!“prep”!

an!episode!depends!on!a!constantly!changing!schedule!influenced!by!editing!backlog,!

airing!schedule!or!any!number!of!other!factors.!Shooting!usually!lasts!approximately!

eight!days.!Once!complete,!the!postaproduction!unit!edits,!color!corrects!and!

prepares!the!final!episode.!Throughout!this!process!postaproduction!personnel!send!

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advance!copies!to!the!executive!producers!for!approvals!and!changes.!The!studio!

and!network!also!receive!advance!copies!to!view!and!request!clips!of!certain!scenes!

for!promotional!purposes.!!

Social!media!use!by!production!personnel!participating!in!these!production!

activities!is!ubiquitous.!Similar!to!almost!any!other!business,!workers!have!

integrated!the!use!of!social!platforms!into!their!daily!routines.!!At!almost!any!given!

moment!an!actor!can!be!seen!checking!his!Facebook!account,!a!writer!sends!a!tweet!

while!brainstorming!an!episode!or!a!production!assistant!can!be!found!checking!her!

Instagram!feed.!!Whether!production!personnel!are!using!social!platforms!to!

complete!their!work!or!interacting!with!fans!about!the!show,!the!prevalence!of!these!

activities!has!led!to!many!changes!in!production!activities.!!

The!Influence!of!Social!TV!on!Production!Practices!

A!team!of!office!personnel!manages!the!daily!business!operations!of!the!show!

and!support!the!production!processes!described!above.!Their!work!includes!

accounting,!producing!schedules,!handling!communications,!distributing!content!

such!as!scripts!and!other!administrative!duties.!The!handling!of!fan!mail!is!another!

responsibility!of!the!office!production!assistants!and!this!is!one!area!where!Social!

TV!activities!have!changed!the!work!being!performed.!!

The!sorting!and!distribution!of!fan!mail!was!once!a!time!consuming!task!for!

office!personnel,!but!as!Production!Assistant!Sammy!Rivkin!states,!“we!just!don’t!

receive!that!much!fan!mail!anymore.”2!Similarly,!Eric!Phillips,!personal!assistant!to!

Hart!Hanson,!reports!only!receiving!about!ten!pieces!of!physical!fan!mail!a!month.3!

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This!decrease!in!physical!mail!is!the!result!of!social!media!replacing!physical!letters!

as!the!primary!method!of!audience!feedback!to!production.!!

When!this!limited!amount!of!physical!mail!arrives!at!the!production!office,!it!is!

sorted!and!distributed!by!the!production!assistants.!The!production!assistants!do!

not!open!or!review!any!letters.!The!personal!assistants!perform!this!task!and!act!as!

gatekeepers!for!their!bosses.!These!assistants!report!that!the!content!of!letters!are!

not!usually!passed!on!to!the!producers.!Today,!due!to!social!media,!the!opportunity!

for!these!viewers!to!have!their!voices!heard!is!much!greater!if!they!use!social!media.!

Social!media!bypasses!these!gatekeepers!and!increases!the!odds!the!viewer’s!

comment!will!reach!the!intended!recipient.!In!this!instance,!the!introduction!of!

social!media!has!reduced!the!amount!of!mail!processing!work!for!production!

assistants!and!personal!assistants.!It!has!also!changed!the!way!producers!and!other!

show!personnel!are!connecting!with!viewers.!

Departments!reporting!these!types!of!changes!resulting!from!the!introduction!of!

social!media!are!common!in!almost!every!area!of!production.!One!department!with!

several!procedural!changes!is!the!Property!Department.!Props!is!responsible!for!

acquiring!and!managing!all!of!the!property!that!appears!on!the!show.!They!begin!to!

identify!props!when!the!“confidential!script”!is!circulated!and!they!can!seek!

clarification!during!the!concept!meeting.!For!example,!during!the!concept!meeting!

for!“The!Source!in!the!Sludge,”!two!props!were!discussed!at!length.!In!the!opening!

scene,!two!men!who!are!attempting!to!cheat!at!a!fishing!tournament!bring!a!frozen!

bass!to!the!tournament!hoping!to!pass!it!off!as!freshly!caught.!This!raised!questions!

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such!as!“how!big!should!the!fish!be?”!During!the!same!scene,!the!men!find!what!is!

identified!in!the!script!as!a!“bright!yellow!duffle!bag”!along!the!shore.!Since!this!bag!

needs!to!contain!a!human!corpse,!the!Props!Department!asks!questions!about!the!

size!of!the!bag!and!it’s!contents,!“is!the!body!intact!or!in!pieces?”!Other!details!are!

discussed!to!determine!if!any!other!features!of!the!bag!are!important!such!as!the!

material!or!shade!of!yellow.!While!this!level!of!attention!to!detail!may!seem!a!bit!

extreme,!gaining!consensus!on!these!details!is!important!to!ensure!the!correct!items!

are!acquired,!but!it!is!also!increasingly!important!because!of!social!media.!As!

Assistant!Property!Master!Joel!McKee!explains,!property!masters!are!increasingly!

aware!that!viewers!are!scrutinizing!every!aspect!of!their!jobs!as!viewers!use!social!

media!platforms!to!discuss!the!show’s!choice!of!props.4!!

The!use!of!brand!names!is!another!aspect!of!prop!selection!that!must!be!

carefully!considered!by!Props.!!The!property!masters!explain!that!brands!should!not!

be!used!unless!it!is!for!a!product!placement!or!free!merchandise!exchange.5!Since!

Bones!involves!forensic!science,!there!is!often!a!need!to!acquire!expensive!

specialized!equipment.!In!order!to!stay!within!budget,!social!media!is!leveraged!as!a!

way!to!obtain!free!goods.!When!a!particular!item!is!identified,!the!property!masters!

contact!a!manufacturer!and!request!a!free!product!for!use!on!the!show.!In!exchange,!

the!manufacturers!are!offered,!or!occasionally!request!on!their!own,!a!screenashot!of!

the!product!being!used!on!the!show!in!order!to!promote!their!product’s!use!on!their!

company’s!social!media!sites.!As!Property!Master!Ian!Scheibel!says,!“this!has!made!

getting!free!products!easier!because!a!screen!grab!is!an!easy!request!to!fulfill.”6!!

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Social!media!can!also!help!with!the!process!of!acquiring!props.!Connecting!with!

old!friends!through!social!media!can!help!when,!for!example,!the!show!needs!an!old!

map!of!Washington!D.C.!The!prop!masters!report!that!they!can!simply!use!Facebook!

to!contact!friends!that!live!in!that!area!and!ask!where!they!can!get!the!map!they!

need.!Similarly,!questions!about!finding!items!can!be!posted!on!personal!pages!so!

prop!masters!friends!can!offer!help!locating!items.!Many!prop!masters!on!different!

shows!are!friends!with!each!other!and!social!media!is!a!useful!way!for!them!to!help!

find!items.!

Props!also!uses!social!media!as!a!research!tool.!Viewers,!for!example,!track!the!

weapons!used!on!the!show!on!Wikis!such!as!the!Internet!Movie!Firearms!Database.7!

Although!viewers!maintain!these!sites,!the!property!masters!report!using!them!to!

remind!themselves!what!weapons!they!have!used!in!the!past.!The!show!page!for!

Bones!not!only!lists!the!weapons!that!have!appeared!on!the!show,!but!also!includes!

screen!shots,!episode!information!and!details!about!the!weapons.!!When!introducing!

new!weapons,!the!site!is!also!useful!to!research!specific!information!on!the!gun!and!

find!out!what!other!shows!have!used!it!in!the!past.!!

Similar!to!Props,!processes!in!the!Bones!casting!office!have!been!influenced!by!

the!introduction!of!social!media.!Casting!is!an!active!department!due!to!the!large!

number!of!guest!stars!used!on!the!show.!!The!casting!process!for!these!guest!stars!

begins!after!the!concept!meeting!when!Casting!Director!Rick!Millikan!and!Casting!

Associate,!Christine!Ciraolo,!begin!the!search!for!actors!to!audition!for!roles.!One!of!

the!first!steps!in!this!process!is!breaking!down!a!script.!This!involves!cutting!the!

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script!into!sections!for!each!role!so!the!lines!can!be!distributed!to!agents!without!

releasing!the!entire!script!while!allowing!actors!to!get!the!lines!they!need!to!prepare!

for!an!audition.!!

Before!the!Internet,!these!“sides,”!the!relevant!script!pages,!were!faxed!to!agents.!

Today,!they!are!posted!on!websites,!allowing!for!quicker!and!easier!distribution.!

One!such!website!is!showfax.com!that!charges!a!flat!rate!of!$68!per!year!to!anyone!

that!wants!access!to!their!database.8!This!low!cost!turned!out!to!be!a!problem!for!

Bones!because!fans!discovered!the!site,!signedaup!for!accounts!and!were!able!to!

access!scripts!for!upcoming!episodes!and!find!spoilers.!These!would!be!“true”!

spoilers!not!the!advanced!promotional!materials!released!by!the!network!that!fans!

call!spoilers.!Due!to!the!large!number!of!guest!stars,!many!pages!from!each!episode!

were!often!posted!and!fans!would!piece!together!each!set!of!sides!to!try!and!gain!as!

full!a!picture!of!the!episode!as!possible.!As!Josh!Levy,!Far!Field!Productions!Manager!

of!Creative!Affairs!explained,!

What!happened!is!that!super!fans!–!hardcore!people!–!got!ahold!of!this!service,!bought!a!subscription!to!the!service!which!is!like!$60!for!a!year,!and!then!were!going!and!looking!through!all!the!audition!sides,!finding!spoilers!and!posting!the!spoilers!online.!And!things!they!really!weren’t!supposed!to!know.!New!love!interests!or!what!happens!in!a!scene.!What!happens!at!the!top!of!the!page.!What!happens!at!the!bottom!of!the!page.!And!sides!are!basically,!if!an!actor’s!scene!is!three!pages!long,!those!three!pages!might!be!spread!out!over!five!pages.!So!on!the!top!and!the!bottom!of!those!audition!sides,!there’ll!be!stuff!from!other!scenes.!So!people!would!piece!all!of!these!together,!when!you’re!auditioning!for!eight!people.!And!they!would!know!what!was!happening.9!!

!Fans!used!social!media!to!discuss!the!release!and!examination!of!these!sides.!For!

example,!in!2011,!an!unknown!user!on!Bonesology!posted!a!comment!saying!“Dean!

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Lopata!(a!Bones!Supervising!Producer/Writer)!cruelly!tweeted!a!photo!of!the!

completed!episode!three!script,!of!course!cutting!off!right!above!where!the!title!

would!be.!He!said!they!were!prepping!next!week!so!if!sides!don’t!appear!sometime!

tonight,!I!guess!they!will!be!out!next!week.”10!In!reply!to!this!comment,!user!

NatesMama!said!“I!saw!that!tweet!immediately!and!logged!into!Showfax!to!see!if!

there!were!sides.!LOL.!As!soon!as!they’re!up,!they’ll!be!posted![online].”11!

The!producers!of!Bones!were!aware!that!fans!were!managing!to!get!a!lot!of!

information!in!advance,!but!they!weren’t!able!to!figure!out!exactly!how.!Although!

there!were!open!conversations!about!sides!in!places!like!Bonesology,!on!other!sites,!

the!fans!would!speak!in!codes.!According!to!Emily!Silver,!current!Bones!writer!and!

selfaprofessed!“fangirl,”!sides!were!part!of!the!information!fans!referred!to!as!

“cookies.”!These!are!nuggets!of!information!the!fans!would!find!and!share!about!

upcoming!episodes.!Near!the!end!of!Season!Seven,!production!figured!out!the!fans!

were!accessing!the!casting!sides!and!they!cut!off!the!flow!of!information.!To!prevent!

unwanted!access!to!this!information,!a!password!was!placed!on!the!site.!Now,!

agents!could!see!the!roles,!but!not!access!sides.!In!order!to!get!the!sides!they!needed!

to!call!Christine!Ciraolo!who!would!then!provide!them!with!a!password!to!gain!

access.12!!

While!the!Internet!has!increased!efficiencies!of!many!business!practices,!such!as!

posting!sides!instead!of!faxing,!this!example!shows!how!new!precautions!must!be!

taken!with!new!processes.!Because!fans!can!quickly!disseminate!information!

through!social!media,!increased!care!must!be!given!to!consider!potential!flaws!with!

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new!processes!that!might!be!taken!advantage!of!by!these!fans!seeking!to!obtain!

information!that!is!not!meant!for!them.!!!

Ciraolo!explains!how!social!media!use!has!also!led!to!an!increase!in!negative!

viewer!feedback.13!Fans,!for!example,!reacted!negatively!on!Twitter!when!Booth!and!

Brennan’s!daughter!Christine!did!not!appear!in!the!wedding!episode!during!Season!

Nine.!Ciraolo!explained!how!fans!did!not!understand!how!a!couple’s!daughter!could!

not!attend!her!parents’!wedding!and!they,!in!part,!blamed!the!casting!department.!In!

reality,!there!are!many!issues!that!play!into!the!casting!of!an!episode.!But!in!this!

case,!it!was!not!the!casting!department’s!fault.!The!twins,!Susanne!and!Ali!Hartman,!

who!play!Christine!were!scheduled!to!appear!in!the!episode!and!even!went!through!

wardrobe!and!makeup!on!the!day!of!shooting,!but!as!kids!sometimes!do,!they!were!

uncooperative!that!day!and!it!was!impossible!to!use!them!in!the!scene.!Therefore,!

Christine!did!not!appear!in!the!final!cut!of!the!episode.!As!Hart!Hanson!and!Stephen!

Nathan!explained,!“the!twin!girls!playing!Christine!were!there.!They!had!a!bad!day.!

They!were!unhappy.!And!we!just!didn’t!want!to!put!the!image!of!a!crying!child!on!

the!screen.!And!we!also!didn’t!want!to!torture!the!child.!That’s!what!happens!when!

you!have!kid!actors;!some!days!are!not!good!days.”!Nathan!added,!“clearly!Twitter!

will!go,!‘Boo!!Hart!and!Stephen!are!ass!h—s!and!morons!for!not!putting!Christine!in.’!

But!really,!sometimes,!there’s!not!much!you!can!do.!Life!comes!in!and!calls!the!

shots.”14!

In!an!effort!to!appease!fans,!Hanson!posted!a!picture!of!Christine!taken!on!set!

when!they!were!attempting!to!shoot!the!scene.!It!showed!her!wearing!a!purple!

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dress,!holding!a!basket!and!walking!down!the!aisle.!!Hanson!wrote,!“A!little!treat!for!

the!Boneheads.!A!little!something!some!of!you!missed!in!the!Wedding!Episode.”15!

Social!media,!in!this!instance,!allowed!fans!an!outlet!to!express!their!displeasure.!

Because!they!often!do!not!know!where!to!direct!their!anger,!it!is!unleashed!on!

anyone!they!think!could!have!played!a!role.!In!this!case,!one!of!the!recipients!was!

casting.!Yet,!since!the!feedback!forum!was!public,!it!enabled!other!fans!to!see!what!

was!happening!and!jump!on!the!bandwagon.!Executive!producers,!who!were!

receiving!similar!negative!feedback,!responded!to!fans!on!behalf!of!their!team.!!

This!situation!is!indicative!of!the!new!speed!involved!in!the!fan/show!feedback!

loop.!Less!than!24ahours!passed!between!the!time!the!show!aired,!fans!complained!

and!the!producers!responded!in!an!attempt!to!explain!the!situation.!Here,!it!is!also!

revealed!how!traditionally!behindatheascenes!jobs!are!increasingly!moving!to!the!

forefront!as!viewers!attempt!to!connect!with!staff!at!all!levels!of!production.!!

When!casting!a!show,!it!can!be!argued!that!an!actor’s!ability!to!demonstrate!

“proper”!social!media!behavior!can!be!a!factor!in!landing!a!role.!!Actor!Assaf!Cohen!

is!a!regular!guest!actor!and!has!appeared!on!a!range!of!shows!including!Agents!of!

S.H.I.E.L.D.,!Weeds,!24!and!NCIS:!Los!Angeles.!In!an!interview!conducted!between!

filming!scenes!for!the!Bones!episode!“!The!Heiress!in!the!Hill,“!Cohen!explained!the!

importance!of!understanding!and!displaying!proper!social!media!etiquette.!The!

guest!actor!must!understand!the!show!is!trying!to!protect!information!from!being!

released!to!the!public.!Other!actors!have!personal!preferences!regarding!how!they!

release!information!online,!especially!as!a!new!industry!attempting!to!monetize!

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social!media!for!celebrities!has!started!to!gain!momentum.!One!such!company,!

WhoSay!(Whosay.com),!seeks!to!monetize!actor’s!social!media!posts.!This!is!one!of!

the!reasons!actors!are!protective!of!what!pictures!and!information!other!people!

distribute!about!them!on!social!media.!They!don’t!want!to!loose!control!of!the!

quantity!and!type!of!information!being!released!as!well!as!any!potential!financial!

benefits.!David!Boreanaz!is!the!only!actor!on!Bones!listed!a!member!on!WhoSay!who!

touts!they!have!“1,500!celebrity!members!including!athletes,!musicians,!actors,!and!

other!artists!who!“use!WhoSay!to!connect!with!their!fans.”16!This!partnership!is!

likely!the!reason!multiple!production!personnel!have!shared!their!belief!that!

Boreanaz!is!more!protective!of!pictures!and!information!being!released!about!him!

on!social!media!than!the!other!cast!members.!!

To!help!control!the!release!of!information!guest!actors,!extras!and!other!cast!and!

crew!usually!sign!confidentiality!agreements.!These!have!changed!over!the!years!to!

include!specific!details!outlining!social!media!use.!Cohen!explained!how!he!is!asked!

to!sign!these!agreements!on!almost!every!job,!but!Bones,!unlike!many!other!shows,!

did!not!ask!him!to!sign!such!an!agreement.!As!Cohen!explains,!even!though!there!

was!no!formal!agreement,!“you!have!to!still!understand!the!rules!for!proper!

behavior!and!act!accordingly.”17!These!rules!for!proper!behavior!include!a!new!

social!media!common!sense!that!is!being!created.!For!example,!it!is!generally!

acceptable!to!post!vague!comments!such!as!“I!just!landed!a!gig!as!a!guest!star!on!

Bones,”!but!not!any!specifics!about!the!characters,!scenes,!plot,!setting!or!other!

information!that!the!show!may!not!want!released.!!!

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When!asked!about!the!idea!of!Twitter!followers!helping!an!actor!get!cast,!Rick!

Millikan!said!he!believed!it!could!be!a!“deciding!factor.”18!He!noted!the!excitement!

around!casting!Olympic!gymnast!McKayla!Maroney!because!“she!came!with!475,000!

Twitter!followers!and!people!were!talking!about!that.”19!Although,!Millikan!does!

provide!one!caveat!to!the!relationship!between!casting,!social!media!and!Bones!

specifically.!!He!does!not!see!the!ability!for!an!actor!to!promote!the!show!through!

social!media!as!an!important!factor!for!a!show!like!Bones!because!the!show!is!in!its!

ninth!season!and!the!“seven!million!or!so!people!who!are!going!to!watch!the!show!

are!already!fans!and!there!isn’t!as!much!need!for!promotion.”!However,!for!a!new!

series!or!one!looking!to!grow!like!Melissa!and!Joey,!another!show!that!Millikan!casts,!

he!thinks!it!is!a!real!possibility!that!a!greater!social!media!presence!could!influence!a!

casting!decision.!Millikan!is!also!quick!to!point!out!that!other!sites!such!as!YouTube!

are!also!important.!Although!YouTube!would!not!be!primarily!classified!as!a!social!

platform,!it!has!become!an!important!tool!for!aspiring!writers,!actors,!editors!and!

producers!to!distribute!their!work!and!create!followings.!Therefore,!the!number!of!

YouTube!followers!for!a!potential!actor!could!be!equally!important!as!the!number!of!

Twitter!followers.!!

Actors!working!as!extras!have!also!integrated!social!media!use!into!their!work!

practices.!Extra!Fred!Fine,!a!veteran!with!seventeen!years!experience!and!a!regular!

on!Bones,!explained!how!he!and!his!friends!use!social!media!to!keep!up!to!date!on!

available!work,!finding!out!where!friends!are!working!and!letting!them!know!where!

you!are!working.!In!Fine’s!case,!his!primary!social!media!platform!is!Facebook!

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because!he!is!communicating!with!people!he!knows!and!doesn’t!see!a!need!for!any!

of!the!conversations!to!be!public.!Extras!are!background!workers,!and!there!is!no!

need!for!them!to!selfapromote!or!build!followings!in!the!way!guest!stars!do.!!

Despite!the!benefit!of!social!media!to!ease!communication,!Fine!does!note!that!it!

can!be!“dangerous.”20!Similar!to!Cohen,!he!describes!the!rules!on!set!as!common!

sense.!!“Don’t!take!pictures,!don’t!talk!about!storylines!or!people.!Don’t!get!in!the!

way!of!people!working!and!don’t!bother!the!stars!unless!they!engage!with!you.”21!He!

explains!that!if!you!take!inappropriate!actions,!there!will!be!consequences.!As!a!

professional,!it!is!not!worth!risking!your!job!to!take!a!picture!or!post!information!

online.!This!perspective!is!representative!of!the!expectations!set!for!belowathealine!

personnel.22!For!aboveathealine!personnel!such!as!the!producers,!directors!and!

writers,!the!rules!are!partially!different.!While!writers,!for!example,!generally!have!

more!freedom!to!take!and!post!pictures,!they!must!still!respect!the!wishes!of!people!

who!do!not!want!pictures!of!them!posted.!Bones!writers!are!some!of!the!most!

prolific!posters!of!behindatheascenes!photos!because!they!spend!a!lot!of!time!on!set!

and!in!the!production!offices.23!!

The!Influence!of!Social!TV!on!Writing!Processes!and!Content!

The!writers!describe!the!Bones!writing!room!as!one!of!the!most!organized,!

cohesive!and!process!driven!they!have!experienced.!A!typical!day!finds!the!writers!

arriving!in!the!offices!around!10:00am.!The!morning!hours!are!spent!working!

individually!or!in!small!groups.!These!groups!meet!in!a!writer’s!office!or!if!a!writer!is!

breaking!an!episode,!the!meeting!may!take!place!in!the!writers!room.!Groups!are!

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based!on!personal!schedules!and!where!in!the!development!process!each!person’s!

script!is!found.!If!a!writer’s!script!is!in!production,!they!will!spend!their!day!floating!

between!the!sound!stage!and!the!office.!If!they!are!close!to!their!prep!date,!they!will!

be!working!with!the!executive!producers!to!iron!out!final!questions.!Writers!in!early!

development!stages!float!between!their!offices,!where!they!are!writing!and!

completing!research,!and!the!writers!room!where!they!will!add!scenes!to!the!white!

boards!and!talk!through!ideas!and!issues!with!other!writers.!!

During!my!first!observation!period,!I!spent!a!considerable!amount!of!time!in!the!

writers!room!observing!these!activities.!At!that!time,!Episode!911!“The!Spark!in!the!

Park”!had!aired!on!December!6,!and!the!next!episode!was!not!scheduled!to!air!until!

January!10.!This!provided!the!writers!an!opportunity!to!“get!ahead”!and!create!a!

larger!buffer!between!the!time!they!wrote!a!script!and!the!time!it!went!into!

production.!!During!this!week,!Episodes!912!was!in!it’s!final!two!days!of!shooting,!

episode!913!commenced!shooting,!914!started!preaproduction!“prep”!and!episodes!

916,!917,!and!918!were!being!worked!on!in!the!writers!room.!The!script!for!Episode!

915!was!completed!and!awaiting!final!approval!from!the!executive!producers.24!!

The!presence!of!social!media!in!the!writers!room!was!immediately!noticeable.!

The!writers!discussed!content!they!read!on!social!media!sites,!took!pictures!to!post!

online!and!joked!about!things!they!were!reading!in!their!feeds.!It!was!noticeable!

however,!that!there!were!contrasting!approaches!to!social!media!by!different!

individuals.!The!fifteen!writers,!producers,!assistants!and!coordinators!involved!in!

the!writing!process!can!be!divided!into!different!social!media!usage!groups!

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including!heavy!users,!medium!users,!light!users!and!social!media!avoiders.!The!

heavy!users,!Executive!Producer!Hart!Hanson,!Supervising!Producer!Dean!Lopata,!

Executive!Story!Editor!Nkechi!Okoro!Carroll!and!Story!Editor!Emily!Silver!post!to!

their!accounts!several!times!each!day!and!are!highly!active!online.!Medium!users!

such!as!Executive!Producer!Stephen!Nathan!are!active!in!their!social!media!accounts,!

but!post!at!a!less!frequent!rate!than!the!heavy!users.!Light!users,!such!as!Executive!

Producer!Jonathan!Collier!and!Producer!Patrick!Charles,!have!social!media!accounts,!

but!rarely!use!them.!Social!media!avoiders,!such!as!CoaExecutive!Producer!Sanford!

Golden,!CoaExecutive!Producer!Karen!Wyscarver!and!Executive!Story!Editor!Keith!

Foglesong!do!not!have!social!media!accounts.!As!Golden!halfajoked,!“I!don’t!need!to!

be!on!Twitter,!I!have!Dean!to!tell!me!what’s!going!on.”25!

These!distinctions!apply!to!each!individual’s!social!media!use!intended!for!public!

consumption.!This!is!an!important!point!because!each!individual!uses!different!

platforms!in!various!ways.!For!example,!Dave!Thomas!is!a!light!Twitter!user,!having!

sent!only!233!tweets!in!the!four!and!a!half!years!he!has!been!registered!on!the!site.26!

Yet,!he!is!an!active!Facebook!user,!posting!to!that!site!almost!daily.!Thomas!uses!

Facebook!to!communicate!with!friends,!family!and!coaworkers,!but!he!keeps!his!

account!settings!on!private!and!does!not!“friend”!strangers.!He!describes!his!

postings!as!being!more!personal!in!nature!than!he!would!share!in!a!public!forum!

such!as!Twitter.!A!review!of!the!postings!from!Thomas!and!other!writers!reveals!a!

similarity!in!platform!usage!amongst!the!writing!staff.!Facebook!is!treated!like!a!

private!communication!forum!where!it!is!safer!to!post!pictures!and!make!comments!

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amongst!friends.!Conversely,!the!writers!are!acutely!aware!of!the!public!nature!of!

Twitter!and!the!potential!rewards!and!pitfalls!associated!with!that!territory.!!

Some!of!these!issues,!such!as!the!receiving!of!viewer!feedback!through!social!

media!and!the!potential!influence!of!those!viewers!has!been!discussed.!Chapter!Four!

reviewed!the!varying!views!from!showrunners!about!their!willingness!to!change!

their!shows!based!on!viewer!feedback.!Several!examples!were!also!provided!where!

Lena!Dunham,!Robert!King!and!Michelle!King!acquiesced!to!fan!pressure!and!made!

changes!to!their!shows.!To!explore!these!questions!of!viewer!influence!on!Bones,!it!

is!important!to!first!understand!how!the!writers!are!using!social!media!in!their!daily!

routines.!Is!social!media!changing!their!work!processes!similar!to!the!changes!found!

in!other!areas!of!production?!!

The!writer’s!use!social!media!in!many!of!the!same!ways!as!the!personnel!in!other!

departments.!Capitalizing!on!the!wide!reach!of!social!media,!writers!use!these!

platforms!to!promote!the!show!and!to!also!perform!acts!of!selfapromotion.!Similar!

to!individuals!in!other!department,!some!writers!and!producers!see!social!media!as!

a!career!management!tool.!While!an!online!presence!will!most!likely!not!be!the!

primary!reason!a!writer!is!hired,!it!can!help.!For!example,!because!a!writer!is!active!

online,!their!name!can!become!more!easily!recognizable!when!seeking!new!

employment.!Additionally,!producers!will!see!these!individuals!as!possessing!an!

extra!skill!that!will!help!promote!the!show!and!keep!the!studio!and!network!happy.!

Dean!Lopata!explained!that!at!the!beginning!of!Season!Nine,!Hanson!told!him,!“I!

don’t!know!if!you!know,!but!the!studio!is!very!happy!with!what!you’re!doing!on!

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Twitter!and!you!should!keep!it!up.”!Lopata!says!he!had!never!before!received!

feedback!like!that!and!it!is!part!of!the!reason!he!now!sees!social!media!as!and!

“unofficial”!part!of!his!job.27!

Not!all!of!the!writers!buy!into!this!theory!that!participating!on!social!media!sites!

makes!them!more!sought!after!or!more!valuable!to!the!network!and!studio.!Dave!

Thomas,!for!example,!believes!the!theory!is!“bullshit”!and!argues!that!a!writer!is!

going!to!get!hired!based!on!the!quality!of!their!work!and!nothing!more.28!The!most!

important!quality!of!hiring!a!new!writer!is!certainly!their!ability!to!perform!their!job.!

But!similar!to!actors!using!social!media!to!help!them!get!cast,!social!media!does!play!

a!role!in!a!writer’s!career.!Differences!in!views!on!this!topic!appear!to!be!

generational.!The!younger!writers,!or!those!earlier!in!their!careers,!see!social!media!

as!more!important!than!established!writers.!This!could!be!a!result!of!what!Jordan!

Levin,!Executive!Vice!President!of!Microsoft’s!Xbox!Entertainment!Studios!describes!

as!the!process!of!“riding!the!dinosaur!down”!or!the!difference!between!people!

seeking!to!further!their!careers!and!those!who!are!“riding!off!into!the!sunset.”29!

These!varying!perspectives!on!the!usefulness!of!social!media!for!selfapromotion!

help!demonstrate!how!different!individuals!within!the!same!organization!use!these!

social!tools!and!what!expectations!they!associate!with!their!efforts.!Since!there!are!

no!formal!expectations!established!by!the!show,!the!writers!are!free!to!participate!

as!much!or!as!little!as!they!desire.!Those!who!choose!to!invest!the!time!and!energy!

to!engage!with!viewers!do!so!for!reasons!that!benefit!both!the!show!and!themselves.!!

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In!addition!to!selfapromotion,!social!media!is!a!useful!tool!for!writers!to!

disseminate!information!in!conjunction!with!their!show.!When!sensitive!issues!such!

as!rape,!alcohol!or!drug!abuse,!physical!abuse!or!any!other!social!issue!is!discussed!

in!a!show,!the!episodes!are!often!followed!by!short!Public!Service!Announcements.!

These!PSA’s!usually!feature!one!of!the!cast!members!speaking!directly!to!the!

audience!and!providing!information!about!where!they!can!obtain!help!if!they!are!

experiencing!problems!with!the!issues!presented!in!the!episode.!!Social!media!can!

be!used!in!lieu!of!the!Public!Service!Announcement!or!as!a!supplemental!means!of!

disseminating!this!important!information.!

One!example!of!social!media!use!in!conjunction!with!a!socially!relevant!episode!

is!the!Season!Eight!episode!“The!Friend!in!Need”!dealing!with!a!teenage!girl!who!

was!date!raped.!!The!episode!aired!on!February!18,!2013!and!was!followed!by!a!

thirty!second!PSA!featuring!Emily!Deschanel.!Graphics!showing!the!telephone!

number!and!website!address!for!the!National!Sexual!Assault!Hotline!were!shown!

while!Deschanel!encouraged!individuals!in!need!of!help!to!reach!out.!The!PSA!was!

further!supported!through!social!media!messages!sent!by!RAINN,!Fox!Broadcasting,!

the!actors,!producers!and!writers.!@BonesonFox!tweeted!“If!you!saw!tonight’s!

#bones!&!something!like!this!has!happened!to!you,!there!is!help.!Call!800a656aHOPE!

or!visit!online.rainn.org”!and!Emily!Deschanel!tweeted!“If!you!saw!last!night’s!ep!of!

#Bones!&!this!has!happened!to!you,!there!is!help.!Call!800a656aHOPE!or!go!to:!

rain.org.”30!

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The!use!of!social!media!in!conjunction!with!public!service!efforts!is!a!positive!

benefit!for!the!show!and!show!personnel.!There!are!however!instances!where!social!

media!has!been!the!source!of!problems!for!production!personnel!and!resulted!in!a!

negative!impact!on!individuals!or!production.!!Almost!every!individual!interviewed!

had!a!story!to!share!about!a!person!who!made!a!mistake!with!his!or!her!social!media!

use.!!Most!often,!these!errors!resulted!in!situations!where!individuals!were!

temporarily!upset!with!others!or!fans!received!information!earlier!than!planned.!

There!were!multiple!instances!reported!where!individuals!mistakenly!revealed!

information!about!upcoming!stories,!and!another!where!a!cast!member!tweeted!

about!the!show!being!renewed!for!another!season,!unaware!the!information!had!not!

yet!been!made!public.!This!angered!the!network!because!the!tweet!preceded!their!

plans!for!an!official!announcement.!These!situations!reveal!the!increasing!need!for!

production!personnel!to!consider!the!potential!ramifications!of!each!post.31!!

Mixed!positive!and!negative!consequences!of!social!media!use!are!also!found!

when!the!writers!use!these!platforms!to!complete!research.!Platforms!are!used!for!

research!in!two!ways.!First,!social!media!is!useful!to!gather!information!for!ideas!

about!potential!stories.!Although!Bones!is!not!a!“ripped!from!the!headlines”!type!

show,!true!stories!can!act!as!inspiration!for!episodes.!As!Dean!Lopata!explains,!he!

will!use!social!media!sites!such!as!Twitter!to!read!news!stories!and!keep!up!to!date!

with!developments!of!real!life!investigations.!This!makes!research!easier!because!

once!he!finds!an!interesting!story,!he!can!follow!the!local!news!organization!

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providing!the!coverage!and!updates!will!come!to!his!feed,!eliminating!the!need!to!

continually!seek!out!updated!information.!

Second,!there!are!times!when!the!writers!are!brainstorming!ideas!and!they!are!

not!sure!if!something!has!been!done!before!on!the!show.!After!nearly!200!shows,!it!

becomes!difficult!to!remember!all!of!the!details,!especially!since!the!writers!have!

varying!years!of!experience!working!on!the!show.!!!So,!when!a!question!such!as!

“have!we!done!this!before?”!arises!and!nobody!knows!the!answer,!the!writers!will!

check!fan!websites!for!information.!As!Emily!Silver!says,!“they!are!great!record!

keepers!for!us.”32!This!is!also!a!faster!and,!according!to!the!writers,!more!reliable,!

method!than!referring!to!their!logs!or!“show!bible”!maintained!in!house.!

Checking!fan!websites!to!confirm!if!something!has!been!done!before!also!plays!

an!important!role!in!preventing!mistakes!and!the!duplication!of!show!elements.!As!

Stephen!Nathan!explains,!today,!there!is!perhaps!a!greater!sense!of!importance!

placed!on!the!need!to!not!be!repetitive.33!If!fans!know!something!has!been!done!

before,!they!will!catch!it!and!respond!on!social!media.!Through!the!use!of!DVRs!and!

purchasing!episodes!online,!viewers!can!watch!each!episode!frame!by!frame!and!

deconstruct!what!they!are!seeing!and!hearing.!Then,!they!take!to!social!media!and!

share!these!findings!and!try!to!guess!what!will!happen!or!if!an!aspect!of!the!show!

was!intentional!or!a!mistake,!and!mistakes!do!happen.!!

In!one!instance,!Hanson!tells!the!story!of!a!writer!who!included!an!element!in!an!

episode!and!then!reaused!that!same!element!in!a!later!episode.!This!wasn’t!anything!

the!other!writers!or!producers!would!have!caught!because!it!was!so!inconsequential.!

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But!the!fans!discovered!the!reause!of!the!element!and!started!building!theories!

about!its!meaning.!There!was,!of!course,!no!hidden!meaning!because!it!was!a!

mistake.!This!upset!Hanson!because!it!should!not!have!happened!in!the!first!place!

and!the!writer!should!have!taken!greater!care!knowing!these!things!would!be!found.!

This!is!the!type!of!scenario!the!producers!and!writers!fear!replicating.!As!Nathan!

explains,!there!has!always!been!a!fear!of!making!mistakes!and!the!staff!operates!

under!a!“don’t!be!lazy”!mentality!because!“that’s!our!job.”34!!

Despite!their!increased!awareness!and!desire!to!catch!errors,!mistakes!still!

happen!and!they!are!caught!by!fans!who!often!display!an!impressive!collective!

memory!for!show!details.!In!the!Season!Eight!episode!“The!Method!in!the!Madness,”!

Sweets!was!shown!wearing!nothing!but!a!towel.!Fans!noticed!that!Sweets!had!no!

scars!on!his!back.!It!had!been!established!in!Season!Four!“Mayhem!on!a!Cross”!that!

Sweets!was!whipped!by!his!foster!parents!as!a!child!and!that!resulted!in!scaring!on!

his!back.!On!Bonesology,!user!Penandra!commented!“when!Sweets!came!downstairs!

in!the!towel,!I!paid!particular!attention!(even!flipped!back!and!rewatched)!when!he!

was!going!back!upstairs.!No!scars!on!his!back.!Does!this!show!not!have!a!continuity!

person?!I!just!thought!it!odd.”35!User!Frankie!707!replied,!

If!they!can’t!remember!Booth’s!bullet!wound!scar!from!Wannabe,!or!the!scar!he!showed!the!kid!in!Boy!in!the!Bush;!if!Brennan!can’t!even!have!a!bandage!on!her!arm!in!the!same!episode!she!was!stabbed!in!the!arm,!I!really!don’t!expect!Sweets!to!still!have!scars!on!his!back!seasons!after!we!first!saw!them.!That’s!just!par!for!the!course.36!!

The!producers!realize!they!cannot!go!back!and!fix!these!mistakes.!As!Stephen!

Nathan!explained,!in!these!types!of!situations,!they!can!only!try!to!figure!out!where!

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the!breakdown!in!communication!occurred!and!fix!it!for!the!next!time.37!As!these!

mistakes!are!discovered,!it!works!to!further!the!producers’!resolve!to!prevent!them!

from!occurring,!but!with!varied!results.!!This!increased!need!for!producers!to!have!a!

heightened!awareness!of!every!detail!is!a!direct!result!of!social!media!and!another!

example!of!how!the!use!of!these!online!platforms!are!affecting!production!practices.!!

These!viewers!talking!to!each!other!on!Bonesology!are!the!Superfans.!They!are!

knowledgeable!about!the!show,!staff!and!production!process.!Comments!about!

show!details!and!mistakes!are,!in!most!instances,!not!meant!to!be!negative,!but!used!

as!a!display!of!knowledge!and!a!way!to!engage!other!fans!in!conversation.!!There!are!

however,!other!users!who!hide!behind!the!anonymity!of!the!Internet!and!act!out.!

They!post!mean!spirited!and!often!derogatory!comments,!lashing!out!at!the!show,!

producers!and!writers,!often!blaming!an!individual!for!an!element!of!the!show!they!

did!not!like.!In!one!instance,!a!writer!explains!how!fans!sent!mean!spirited!social!

media!comments!about!the!tension!they!believed!the!writers!created!between!two!

characters.!The!fans!felt!the!tension!was!detrimental!to!the!characters’!relationship,!

and!since!they!were!rooting!for!the!relationship!to!succeed,!they!were!angered.!

However,!as!the!writer!explains,!this!element!was!not!part!of!the!script,!but!a!

creative!decision!made!by!one!of!the!actors.!The!viewers!were!actually!directing!

their!anger!at!the!wrong!person.!For!reasons!such!as!these,!an!increasingly!large!

number!of!production!personnel!need!to!have!thick!skin.!!But!what!if!the!writer’s!

response!was!not!so!level!headed?!What!if!they!took!the!negative!comments!

personally?!Could!this!influence!their!future!writing?!

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When!asked!if!they!would!change!the!show!based!on!viewer!comments!or!

feedback,!the!writers!and!producers!respond!“no”!without!hesitation.!But!there!is!

evidence!that!changes!to!show!content!are!being!made.!I!am!not!suggesting!that!the!

writers!and!producers!are!being!dishonest.!I!suggest!their!conception!of!change!is!

too!limited.!Change!is!not!limited!to!conspicuous!and!pronounced!scenarios!such!as!

those!previously!discussed!involving!Lena!Dunham!(Girls)!and!Robert!and!Michelle!

King!(The!Good!Wife)!who!publicly!stated!they!heard!fan!feedback!and!were!making!

modifications!to!their!casting!and!storylines!as!a!result!of!that!feedback.!Changing!

show!content!can!actually!occur!in!several!ways.!It!can!be!blatant,!the!type!of!

situation!the!writers!and!producers!of!Bones!say!they!would!not!condone.!Or!it!can!

be!less!obvious!and!perhaps!even!occurring!subaconsciously!at!times.!For!example,!

the!increased!attention!production!personnel!give!to!every!minute!detail!of!the!

show!due!to!pressure!stemming!from!increased!viewer!scrutiny!is!a!result!of!Social!

TV!activities!and!demonstrates!a!more!discrete!form!of!influence.!!

When!the!writers!and!producers!say!“no”!they!will!not!change!their!show!based!

on!viewer!feedback,!their!response!is!not!based!on!a!feeling!that!the!fans!would!ruin!

the!show!and!the!writers!and!producers!did!not!display!an!elitist!attitude!such!as!

“we!are!better!than!them.”!But!they!explained!how!they!have!plans!and!visions!for!

the!show!and!they!don’t!want!that!to!be!compromised!by!what!they!deem!to!be!a!

few!vocal!fans.!!Each!person’s!response!delivered!some!version!of!the!following,!“if!

the!show!has!seven!million!viewers!and!there!are!a!few!thousand!participating!on!a!

platform!such!as!Twitter,!would!it!be!fair!for!the!rest!of!the!fans!if!the!show!listened!

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to!these!individuals?!Are!these!individuals!representative!of!the!larger!audience?”!

This!is!a!common!problem!when!deciding!how!to!handle!Social!TV!feedback.!The!

writers!and!producers!situate!individuals!participating!in!Social!TV!activities!as!only!

a!small!percentage!of!their!overall!audience.!This!reasoning!acts!as!justification!for!

their!refusal!to!make!changes.!

Whether!or!not!Social!TV!participants!represent!the!larger!audience!may!not!

actually!matter.!These!individuals!may!be!the!“influencers”!that!the!network!seeks!

to!embrace!through!their!promotional!efforts.!These!are!the!Boneheads!who!are!

operating!fan!forums,!blogs,!and!other!sites.!They!have!the!ability!to!spread!news!

throughout!the!fandom!and!possibly!influence!other!viewers,!so!they!should!not!be!

ignored.!It!seems!the!writers!and!producers!are!aware!of!this,!but!do!not!talk!about!

it.!The!writers!and!producers!work!to!maintain!the!image!of!authorial!control,!but!at!

the!same!time!they!are!being!influenced!and!making!small!changes!to!the!show!to!

satisfy!these!fans.!This!creates!an!important!distinction!between!types!of!change!

and!how!they!are!situated.!!It!also!raises!the!question!of!whether!“not!listening”!is!

actually!“listening.”!!

When!Hanson!and!Nathan!discuss!viewer!responses!to!major!serial!storylines,!

they!say!fans!do!not!really!know!what!they!want.!For!example,!the!longest!running!

story!on!Bones!has!been!the!relationship!between!Booth!and!Brennan.!The!

producers!believe!that!the!ups!and!downs!experienced!by!these!characters!is!an!

enjoyable!storyline!for!the!fans!to!follow.!But!despite!their!enjoyment,!fans!have!

always!been!vocal!about!their!desire!for!Booth!and!Brennan!to!be!a!couple.!Fans!

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have!relentlessly!voiced!their!desire!for!the!two!to!marry.!As!Hanson!says,!“if!we!

listened!to!the!fans!from!the!beginning,!our!main!characters!played!by!David!and!

Emily,!would!have!been!in!bed!by!episode!eight….!and!if!that!were!the!case,!they!

would!have!missed!out!on!eight!seasons!of!anticipation.”38!Although!fans!express!a!

desire!to!have!Booth!and!Brennan!in!a!successful!longaterm!relationship,!do!they!

really!want!that!to!happen!as!Hanson!says!he!believes!they!do?!Or!is!the!pursuit!of!

that!relationship,!the!resulting!speculation!and!viewer!interactions!that!occur!from!

their!making!demands!the!real!prize!for!viewer?!As!discussed!in!Chapter!Six,!many!

individuals!are!motivated!to!participate!in!Social!TV!activities!for!these!reasons!and!

not!to!effect!change!in!a!show’s!content.!!If!fans!really!didn’t!want!Booth!and!

Brennan!to!get!together,!but!were!enjoying!participating!in!communities!that!

discussed!the!relationship,!did!they!really!want!the!anticipation!to!continue?!By!not!

giving!fans!a!successful!Booth/Brennan!relationship!early!in!the!series,!the!

producers!could!have!in!fact!been!listening!to!fans!and!giving!them!what!they!really!

wanted.!!

All!of!these!“what!ifs”!can!muddle!what!viewers!say!they!want!and!what!they!

actually!want!and!what!producers!say!they!are!willing!to!do,!but!actually!do.!Yet,!the!

fact!that!the!producers!are!aware!of!these!feelings!and!responses!from!fans!also!acts!

as!evidence!that!they!are!listening!to!fans.!Hanson!stated!that!it!often!does!not!

matter!what!fans!are!talking!about,!what!is!important!is!that!they!are!talking!about!

something.39!Nathan!agrees!and!suggests!whether!there!is!actually!any!consequence!

to!what!fans!are!saying!may!not!matter.!What!does!matter!is!the!amount!of!buzz!and!

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overall!sentiment!because!“that!can!fuel!further!noise!through!the!entertainment!

media.”40!!!

The!buzz!and!sentiment!around!the!show!may!be!important!to!the!overall!

promotion!and!perception!of!the!show,!but!what!the!fans!are!saying!does!matter.!!

Fans!are!aware!how!social!media!has!allowed!creative!personnel!access!to!their!

conversations.!Beyond!commenting!on!the!larger!story!arc!issues,!they!are!voicing!

opinions!about!other!elements!of!the!show!ranging!from!characters!they!like/dislike,!

to!the!personal!storylines!of!characters!and!specific!show!elements.!So!might!a!

producer!or!writer!pickup!on!a!smaller!request!and!integrate!something!into!their!

script!to!please!fulfill!those!requests?!That!is!not!likely.!This!is!not!due!to!a!lack!of!

desire!to!satisfy!fans,!but!because!the!element!would!most!likely!not!survive!the!

writing!process!described!above.!In!addition!to!that!process!of!creating!the!first!

draft,!changes!to!the!script!are!continuously!made!throughout!the!production!

process.41!The!complexity!of!this!process!from!the!original!breaking!of!ideas,!to!the!

large!number!of!people!who!“touch”!the!script!during!preaproduction,!production!

and!eventually!postaproduction,!means!the!feasibility!of!a!writer!hearing!something!

on!social!media,!thinking!they!need!to!address!it!in!the!script!and!that!element!

surviving!the!process!to!the!final!cut!appears!minimal.!!

Writers!and!producers!seek!to!maintain!authorial!control,!but!also!express!a!

desire!to!give!something!back!to!fans.!They!want!to!show!their!appreciation!for!the!

dedicated!fans!who!engage!with!the!show!and!build!their!own!communities.!For!this!

reason,!they!like!to!include!something!they!call!“Easter!eggs”!in!the!show.!!

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Nobody!at!Bones!could!identify!the!origination!of!the!term!“Easter!egg,”!but!they!

all!use!the!term!as!a!way!to!describe!the!act!of!giving!back!to!fans.42!It!may!have!

once!meant!the!inclusion!of!a!hidden!element!within!a!show!that!the!fans!would!find,!

like!an!Easter!egg!hunt,!but!the!definition!has!since!been!expanded!to!include!

elements!that!give!back!and!are!not!hidden.!As!Writer!Emily!Silver!explains,!they!

can!be!fun!for!both!fans!and!the!writers.!She!describes!the!use!of!Easter!eggs!on!

another!series,!Arrow!by!her!mentor!Mark!Guggenheim,!“one!of!his!favorite!things!to!

do!is!to!put!Easter!eggs!in!a!show,!because!it’s!like,!‘I!wonder!if!fans!are!going!to!get!

it.’!And!then!he!loves!being!online!and!seeing!if!fans!notice!it.!‘Oh,!the!name!on!the!

truck!was!the!name!of!something!else!in!the!Marvel!universe!or!the!DC!universe!that!

only!like!serious!fans!would!get.’”43!

Including!these!elements!is!a!direct!nod!to!fans!saying!both!“we!hear!you”!and!

“we!appreciate!you”!at!the!same!time.!The!“we!hear!you”!is!usually!the!result!of!

social!media!feedback!received!by!the!show,!whether!through!direct!statements!by!

viewers!or!the!revelation!of!information!about!the!fans.!For!example,!Dean!Lopata!

explained!that!the!Season!Nine!episode!“El!Carnicero!en!el!Coche”!was!given!a!

Spanish!language!theme!and!title!to!give!a!“shout!out”!to!the!large!number!of!

Spanish!speaking!fans!they!noticed!were!following!the!show!on!Twitter.44!!He!said!

the!Twitter!response!to!that!Easter!egg!was!tremendous.!The!strategy!also!worked!

to!add!to!the!mystery!of!the!episode!as!many!viewers!questioned!why!the!episode!

had!a!Spanish!title.!!

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In!another!episode,!the!writers!and!producers!paid!off!a!long!time!question!for!

fans.!In!the!Season!Two!episode!“Aliens!in!a!Spaceship,”!Brennan!and!Hodgins!were!

buried!alive!in!Brennan’s!car.!Believing!they!might!die,!Brennan!wrote!a!note!to!

Booth!saying!goodbye,!but!the!show!never!revealed!the!content!of!that!note.!Over!

the!following!seasons!fans!continued!to!question!the!content!of!Brennan’s!note!and!

the!producers!decided!to!reward!fans!with!that!Easter!egg!in!the!ninth!seasons!

wedding!episode.!!Writers!Assistant!Megan!McNamara!described!the!situation,!!

Fans!were!dying!to!know.!They!didn’t!even!know!the!note!was!written!to!Booth,!but!everyone!just!presumed!that!it!was,!and!they!were!dying!to!know!what!was!in!it.!So,!I!think!that!was!one!of!the!times!when!Hart!was!like,!“we!can!give!back.”!And!I!think!there’s!probably!as!much!talk!about!that!particular!moment!as!there!was!about!that!whole!episode,!because!that’s!such!a!special!moment!to!the!fans.45!

!Hanson!is!aware!of!what!questions!remain!to!be!answered!on!the!show!and!

expressed!his!intent!to!provide!those!answers!to!fans.46!The!most!important!Easter!

egg!that!has!not!been!paid!off!at!the!time!of!this!writing!is!a!mystery!about!the!

number!447.!Questions!about!447!began!when,!in!one!episode,!a!clock!was!shown!

flashing!4:47!in!a!victim’s!apartment.!Since!that!time,!447!has!appeared!several!

times,!including!on!clocks!in!Booth!and!Brennan’s!home.!The!mystery!has!been!

associated!with!a!recurring!character,!a!serial!killer!named!Pelant,!but!there!has!

been!no!evidence!provided!to!confirm!that!theory.!It!is!one!of!several!theories!that!

viewers!have!been!discussing!on!social!media!and!Hanson!has!promised!fans!that!

the!mystery!will!be!revealed!in!the!final!episode!of!the!series.47!!

It!remains!unclear!why!the!producers!and!writers!do!not!consider!providing!fans!

with!Easter!eggs!as!a!form!of!being!influenced!by!fans.!While!production!personnel!

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are!adamant!that!they!will!not!let!fans!dictate!what!stories!to!tell!or!what!direction!

stories!should!take,!they!are!conversely!willing!to!answer!calls!for!resolutions.!This!

may!be!the!result!of!how!each!situation!is!framed.!Providing!resolutions!to!

unknowns!is!situated!as!a!form!of!“giving!back”!whereas!making!changes!based!on!

demands!is!seen!as!being!subservient!to!fans.!!Although!the!producers!deny!

changing!the!show!based!on!fan!feedback,!the!use!of!Easter!eggs!is!doing!exactly!that.!

Hanson!stated!that!wrappingaup!these!unknowns!is!based!on!a!“need!to!resolve!

things!for!fans.”48!There!are!many!loose!ends!on!the!show,!but!those!most!likely!to!

be!addressed!are!those!that!receive!the!most!fan!attention,!such!as!the!mystery!of!

Brennan’s!note.!Although!the!fans!did!not!explicitly!ask!for!the!content!of!the!letter!

to!be!revealed!in!the!wedding!episode,!the!producers!knew!it!was!something!the!

fans!were!talking!about!and!wanted.!The!use!of!Easter!eggs!provides!the!creative!

team!with!more!control.!Fulfilling!fan!requests!in!this!indirect!manner!maintains!

existing!power!structures!favoring!production.!The!creative!personnel!can!dictate!

when!they!will!reveal!information,!if!at!all,!and!not!be!seen!as!making!changes!to!

content!as!a!result!of!fan!feedback.!!

The!most!significant!issue!arising!from!interactions!between!viewers!and!

production!personnel!is!the!growing!disruption!to!power!structures.!Although!the!

Bones!producers!and!writers!say!they!would!not!change!the!content!of!their!show!

based!directly!on!viewer!social!media!feedback,!their!increased!concern!for!show!

elements!based!on!viewer!feedback!and!their!actions!providing!Easter!eggs!indicate!

otherwise.!Claiming!authorial!control!of!the!show,!the!producers!argue!that!they!

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know!what!is!best!for!fans!and!the!success!of!the!show.!This!is!probably!the!case,!but!

these!types!of!statements!do!not!reveal!the!small!ways!producers!are!acquiescing!to!

fans!and!working!to!keep!them!happy.!Social!TV!platforms!have!bypassed!

traditional!communication!methods!such!as!sending!letters!and!viewers!are!now!

having!their!voices!heard!more!than!ever!before.!Not!all!viewers!are!participating!

with!the!intent!of!effecting!change.!But!expectations!can!change!over!time!and!if!

viewers!achieve!small!successes!this!can!feed!their!desire!to!further!influence!

production.!An!“Easter!egg”!in!the!eye!of!a!producer!could!be!viewed!as!a!successful!

attempt!to!influence!show!content!in!the!eyes!of!a!viewer.!!

The!introduction!of!new!technologies!changing!production!practices!is!not!new.!

Sound,!color!and!digital!video!all!influenced!production!processes!when!they!were!

introduced.!But!the!difference!in!this!instance!is!the!question!of!power!and!control!

between!the!viewers!and!producers!that!arise!from!Social!TV!use.!Although!claims!

are!made!to!maintain!authorial!control,!viewer!influence!on!production!processes!is!

resulting!in!an!influence!on!content.!When!Props!personnel!take!more!time!to!

scrutinize!a!decision!because!they!know!fans!will!catch!a!mistake!and!use!social!

media!to!spread!the!news,!they!are!being!influenced.!When!casting!receives!

feedback!on!their!work,!they!become!influenced.!And!when!the!writers!and!

producers!receive!feedback,!they!too!are!being!influenced.!These!observations!of!

production!activities!and!interviews!with!production!personnel!have!revealed!ways!

Social!TV!activities!are!influencing!content!and!production!practices.!Existing!

processes!are!being!modified,!new!practices!are!being!introduced!and!additional!

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questions!are!being!raised!about!the!changing!relationships!between!the!individuals!

creating!Bones!and!those!consuming!the!show.!!

Notes!

1!The!show!employs!an!outside!research!group!to!answer!these!types!of!questions.!Although!much!of!this!information!has!been!learned!over!the!years,!the!writer’s!assistant!can!send!an!email!to!these!researchers!with!any!question!and!a!reply!is!usually!received!within!a!few!hours.!!

2!Sammy!Rivkin!in!Discussion!with!the!Author,!December!9,!2013.!

3!Eric!Phillips!in!Discussion!with!the!Author,!December!12,!2013.!

4!Joel!Mckee!in!Discussion!with!the!Author,!December!13,!2013.!

5!Ian!Scheibel!in!Discussion!with!the!Author,!December!13,!2013.!

6!Ibid.!

7!The!Internet!Movie!Firearms!Database!page!for!Bones!is!located!at!http://www.imfdb.org/wiki/Bones.!

8!Price!as!of!December,!2013!

9!Josh!Levy!in!Discussion!with!the!Author!(1),!August!22,!2013.!

10!Bonesology,!"Tweets!from!Other!Cast!and!Crew,"!!http://bonesology.yuku.com/topic/826/TweetsafromaOtheraCastaandaCrew#.UrmmWGRDuHJ.!

11!Ibid.!

12!Christine!Ciraolo!in!Discussion!with!the!Author,!December!13,!2013.!

13!Ibid.!

14!Michael!Ausiello,!"Bones!Wedding!Post!Mortem:!Eps!Talk!Christine's!Absence,!Brennan's!Original!(and!'Unsuitable')!Vows!—!Plus:!New!Big!Bad's!Moniker!Revealed!,"!TV|Line,!http://tvline.com/2013/10/21/bonesaweddingaepisodeabrennanaboothagetamarriedavowsainterview/.!

15!Hart!Hanson,!"Hart!Hanson!(Harthanson)!on!Twitter,"!!https://twitter.com/HartHanson.!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

16!WhoSay,!"About!Whosay,"!!http://www.whosay.com/about!!

17!Assaf!Cohen!in!Discussion!with!the!Author,!December!13,!2013.!

18!Rick!Millikan!in!Discussion!with!the!Author,!December!13,!2013.!

19!Ibid.!

20!Fred!Fine!in!Discussion!with!the!Author,!December!13,!2013.!

21!Ibid.!

22!Belowathealine!and!aboveathealine!are!terms!derived!from!a!line!on!a!production!budget!that!differentiates!between!writers,!producers!and!directors!who!are!found!above!the!line!and!other!crew!who!are!found!below!the!line.!The!line!is!a!demarcation!between!fixed!and!variable!costs.!

23!Bones!writers!report!that!the!producers!prefer!they!complete!most!of!their!writing!in!the!office!and!they!are!provided!with!individual!offices!and!a!writers!room!to!complete!their!work.!!!The!writers!room!is!a!small!conference!room!where!the!writer’s!meet!to!collaborate!and!“break”!their!episodes!or!create!story!outlines.!Megan!McNamara,!the!Writers’!Assistant,!occupies!a!desk!in!the!corner!of!the!room.!Her!job!is!to!help!the!writers!throughout!the!day,!assisting!with!research!and!taking!notes.!Each!evening,!she!distributes!a!list!of!changes!that!were!made!during!the!day!for!each!episode!being!prepared.!!Throughout!the!day,!writers!float!between!their!offices!and!the!writers!room.!!

24!These!episode!numbers!are!used!for!the!production!process!only!and!not!the!same!numbers!used!during!airing!because!there!were!two!episodes!shot!in!season!8!and!carried!over!to!season!9.!These!were!inserted!with!9XX!numbers!when!aired,!so!the!episode!numbers!referred!to!here!will!not!match!episode!numbers!used!at!the!time!of!airing.!!

25!Sanford!Golden!in!Discussion!with!the!Author,!December!11,!2013.!

26!Thomas!created!his!account,!@TheDaveThomas!on!June!20,!2009!and!the!number!of!tweets!mentioned!(233)!is!as!of!January!1,!2014.!

27!Dean!Lopata!in!Discussion!with!the!Author!(1).!

28!Dave!Thomas!in!Discussion!with!the!Author,!December!10,!2013.!

29!Jordan!Levin!in!Discussion!with!the!Author!(1).!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

30!Bones,!"Bones!(Bonesonfox)!on!Twitter".!Emily!Deschanel,!"Emily!Deschanel!(Emilydeschanel)!on!Twitter,"!Twitter,!https://twitter.com/emilydeschanel.!

31!It!also!creates!an!environment!where!individuals!become!increasingly!guarded!about!the!information!they!share!because!nobody!wants!to!be!the!one!who!becomes!the!source!of!an!information!leak.!This!was!especially!evident!in!the!writers!room.!As!a!guest!of!the!show!conducting!research,!I!was!provided!with!complete!access!to!all!areas!of!production.!This!meant!I!was!privy!to!information!that!was!not!being!released!to!the!public.!The!first!time!I!entered!the!writers!room!was!during!a!lunch!break.!All!of!the!writers!were!sitting!around!the!table,!talking!and!laughing.!When!the!door!opened!and!I!entered,!I!had!a!feeling!that!the!group!was!taken!back!a!little!by!the!fact!an!outsider!was!entering!the!room!where!white!boards!contained!information!about!upcoming!episodes!that!any!fan!would!die!to!see.!But!this!level!of!access!was!not!provided!without!careful!consideration.!I!first!had!to!establish!myself!as!a!visitor!with!an!academic!intent,!something!new!for!many!members!of!a!group!who!are!used!to!being!interviewed!by!news!organizations!and!not!researchers.!Second,!I!had!to!gain!trust!and!prove!I!could!keep!a!secret.!This!was!accomplished!by!spending!a!sixamonth!period!before!my!visit!interviewing!many!producers!and!writers!on!the!phone,!being!given!private!information!and!showing!I!was!reliable!enough!not!to!release!anything!that!was!obviously!intended!to!remain!a!secret!until!after!the!airing!of!specific!episodes.!The!writers!and!producers!take!privacy!seriously.!There!is!a!desire!to!guard!against!the!frivolous!release!of!information!for!the!sake!of!promoting!the!show.!Instead,!they!value!keeping!as!much!information!private!as!possible!so!revelations!occur!while!watching!the!show!and!not!in!spoiler!sections!of!fan!websites!or!on!social!media!sites.!!

32!Emily!Silver!in!Discussion!with!the!Author.!

33!Stephen!Nathan!in!Discussion!with!the!Author.!

34!Ibid.!

35!Penandra,!"Post!Episode!Discussion,"!!http://bonesology.yuku.com/topic/2933/PostaEpisodeaDiscussion?page=2#.UvkeW0JdVjs.!

36!Frankie!707,!"Post!Episode!Discussion,"!!http://bonesology.yuku.com/topic/2933/PostaEpisodeaDiscussion?page=2#.UvkeW0JdVjs.!

37!Stephen!Nathan!in!Discussion!with!the!Author.!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

38!Hart!Hanson,!"Nerdist!Writers!Panel:!Tv!Year!in!Review,!Part!1,"!!https://www.nerdist.com/2013/12/nerdistawritersapanela120atvayearainareviewaparta1/.!

39!Hart!Hanson!in!Discussion!with!the!Author!(3),!December!9,!2013.!

40!Stephen!Nathan!in!Discussion!with!the!Author.!

41!These!script!changes!can!even!occur!up!to!the!moment!of!filming.!While!rehearsing!episode!913!“The!Heiress!in!the!Hill”!on!December!13,!2013,!Angela!and!Hodgins!have!a!scene!where!they!are!having!a!discussion!in!the!lounge!area!of!the!lab.!Less!than!an!hour!before!shooting,!the!actors,!in!agreement!with!the!supervising!producer!decided!to!change!one!of!Angela’s!lines.!The!lastaminute!change!had!Angela!tell!Hodgins!she!was!looking!at!dream!homes!online!instead!of!the!original!line!where!she!suggested!they!add!an!extra!room!to!their!house!because!their!son!was!getting!bigger.!!!

42!There!was!some!speculation!that!the!term!originated!in!the!writers!room!of!The!Simpsons.!!

43!Emily!Silver!in!Discussion!with!the!Author.!

44!Dean!Lopata!in!Discussion!with!the!Author!(2).!

45!Megan!Mcnamara!in!Discussion!with!the!Author,!December!13,!2013.!

46!Hart!Hanson!in!Discussion!with!the!Author!(3).!Hanson!additionally!says!he!would!like!to!payaoff!the!mystery!of!“page!187.”!This!is!an!ongoing!mystery!to!fans.!They!are!aware!that!page!187!is!a!reference!to!a!book!Brennan!wrote!where!she!describes!a!sexual!position!used!by!Angela!and!Hodgins.!The!fans!are!aware!that!the!spread!of!this!information!amongst!the!other!characters!upset!Hodgins.!It!has!also!been!used!as!a!joke!such!as!the!time!it!is!revealed!that!Sweets!and!Daisy!have!tried!the!position.!But!the!audience!does!not!know!any!specifics!about!the!position!and!Hanson!sees!this!revelation!as!a!potential!Easter!Egg!for!fans.!!Another!Easter!Egg!deals!with!the!mystery!contents!of!a!Christmas!present!Brennan!received!from!her!parents.!When!she!was!15!years!old,!her!parents!disappeared!on!Christmas!and!she!never!opened!her!present.!She!finally!opened!the!present!years!later,!but!it!was!never!divulged!what!the!box!contained.!

47!Paley!Center!for!Media,!Bones!A!the!Significance!of!447(Youtube.com2012).!

48!Hart!Hanson!in!Discussion!with!the!Author!(3).!

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CHAPTER!9!

CONCLUSION!

Offering!a!glimpse!into!the!operations!surrounding!the!television!show!Bones,!

this!dissertation!has!endeavored!to!discover!if!Social!TV!activities!are!influencing!

the!production!practices!or!content!of!the!show.!Many!subtle!changes!to!production!

practices!are!evident.!In!the!case!of!Bones,!fan/production!interactions!clearly!

resulted!in!the!modification!of!some!existing!practices!and!creation!of!new!

processes!and!procedures.!With!regard!to!influences!on!content,!the!situation!is!far!

more!complicated!and!complex.!Writers!and!producers!openly!rejected!the!idea!that!

fan!feedback!has!any!influence!on!the!content!they!create.!Despite!these!claims,!

however,!I!challenge!and!present!evidence!that!counters!their!perspective.!!

This!project!commenced!by!defining!and!establishing!an!understanding!of!this!

phenomenon!called!Social!TV.!An!exploration!of!television!studies!literature!situated!

the!current!landscape!within!prior!research!on!production,!institutions!and!

audiences.!A!review!of!Social!TV!use!by!both!fans!and!production!personnel!

provided!a!foundation!of!examples!to!compare!activities!taking!place!on!Bones.!A!

brief!history,!overview!and!explanation!of!Bones!provided!context!for!later!detailed!

discussions!of!social!media!use!by!fans,!production,!the!studio!and!network.!An!

investigation!of!fan!activities!identified!two!primary!platforms!where!a!range!of!fan!

activities!is!occurring.!Communication!on!these!platforms!revealed!information!

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about!the!characteristics!of!Bones!fans,!their!motivations!to!engage!in!social!

activities!and!the!types!of!interactions!that!are!occurring!on!these!platforms.!

Investigating!the!business!practices!of!Fox!Broadcasting!Corporation!and!20th!

Century!Fox!Television!Studios!shed!light!on!their!efforts!to!promote!Bones!and!

build!fan!communities.!These!efforts!revealed!little!direct!influence!on!the!show,!the!

result!of!a!lack!of!communication!between!the!network,!studio!and!production!

personnel.!This!finding!was!further!supported!by!interviews!and!observations!with!

production!personnel!where!additional!discoveries!revealed!multiple!ways!social!

media!use!is!influencing!practices!in!various!production!departments.!!

Drawing!on!publications!from!the!field!of!television!studies,!a!map!was!created!

to!understand!how!we!have!arrived!at!this!moment!in!time.!This!knowledge,!

combined!with!information!from!more!recent!trade!and!popular!press!articles!

allows!a!greater!understanding!of!how!we!formulated!our!current!perspectives.!

Advertising!executives!Mike!Proulx!and!Stacey!Shepatin,!for!example,!describe!

Social!TV!as!a!way!to!engage!audiences.1!This!is!a!common!sense!assessment,!but!

Proulx!and!Shepatin!situated!these!Social!TV!activities!too!narrowly,!focusing!only!

on!the!benefits!for!marketing!professionals.!Referring!to!Social!TV!as!merely!a!

“backchannel”!for!fans,!does!not!account!for!the!complexity!of!ramifications!

resulting!from!audiences!and!production!talking!to!each!other.!On!Bones,!for!

example,!the!outcomes!of!Social!TV!activities!are!varied,!ranging!from!production!

personnel!discovering!a!new!research!tool!to!the!enabling!of!creative!personnel!to!

receive!immediate!feedback!on!their!work.!The!use!of!social!media!platforms!is!

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present!in!many!areas!of!production,!yet!despite!this!widespread!use,!the!

integration!of!these!new!technologies!has!not!yet!been!a!“game!changer”!for!any!

production!activities.!So,!what!do!these!findings!mean!and!why!are!they!important?!

First,!findings!at!the!institutional!level!confirm!that!trends!noted!within!the!

trade!press!are!consistent!at!FBC!and!20th!Century!Fox.!FBC’s!commitment!to!social!

media!has!resulted!in!the!creation!of!a!Social!Media!Department!and!new!roles!such!

as!Vice!President!of!Social!Media.!These!moves!are!indicative!of!the!investment!that!

FBC,!similar!to!other!networks,!is!making!in!the!future!of!social!media.!

As!technology!advances!at!a!rapid!pace,!networks!fear!being!left!behind.!There!is!

no!clear!consensus!that!Social!TV!activities!are!good!business,!so!they!are!situated!

as!an!insurance!policy.!Making!an!investment!now!means!the!organization!will!be!in!

a!better!position!to!take!advantage!of!best!practices!as!they!emerge!from!this!early!

period!of!testing.!At!FBC,!due!to!the!difficulty!quantifying!social’s!effectiveness!

driving!viewers,!pessimists!are!expressing!words!of!caution.!These!network!and!

studio!level!efforts!also!show!no!clear!benefit!for!production!activities.!Feedback!

from!fans!is!not!being!disseminated!back!to!production!personnel!and!even!if!it!was,!

there!is!little!reason!to!believe!the!creative!personnel!would!want!or!use!the!

feedback.!Despite!these!challenges,!there!is!an!opportunity!to!explore!potential!

collaborations!between!the!network,!studio!and!production!personnel.!!!

In!Empires!of!Entertainment:!Media!Industries!and!the!Politics!of!Deregulation,!

Jennifer!Holt!discussed!the!fundamental!changes!the!television!industry!has!

experienced!over!the!past!several!decades.2!Since!the!demise!of!the!Broadcast!Era!

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and!the!loosening!of!restrictions!resulting!from!the!Telecommunications!Act!of!1996,!

the!industry!has!experienced!an!increase!in!horizontal!integration!and!the!

formation!of!conglomerates.!These!regulatory!changes!have!allowed!21st!Century!

Fox!to!control!all!aspects!of!owning,!producing!and!distributing!their!shows.!Now!

FOX!has!an!opportunity!to!integrate!their!Social!TV!efforts!across!their!

organizations!and!fully!leverage!the!opportunities!being!presented.!!A!more!

formalized!and!structured!system!linking!the!efforts!of!all!parties!could!help!achieve!

everyone’s!goals!of!increased!viewership!and!community!building!for!the!network,!

increased!brand!value!for!the!studio!and!continued!show!development!

opportunities!for!production!personnel.!For!example,!as!an!established!show,!Bones!

was!not!created!with!social!media!in!mind,!but!the!show!has!attempted!to!adjust!

processes!to!meet!changing!conditions.!The!use!of!hashtags!on!Twitter!during!the!

Season!Nine!premier!is!one!example.!As!the!cast!and!production!crew!were!tweeting!

with!the!hashtag!#bones9,!Fox!network!tweets!were!using!the!tag!#bonespremier.!

Efforts!were!made!by!production!to!capitalize!on!social!activities!to!the!best!of!their!

abilities,!but!due!to!a!lack!of!planning!and!coordination!between!the!network!and!

production,!there!was!a!missed!opportunity.!Hanson!also!recognized!this!missed!

opportunity!saying!the!hashtag!use!was!“totally!uncoordinated”!and!in!the!future!it’s!

“something!that!should!be!coordinated.”3!Planning!the!use!of!the!same!hashtag!

could!have!created!one!conversation,!controlled!by!the!show,!where!fans!could!have!

interacted!with!the!official!show!accounts,!producers!and!writers!in!the!same!place,!

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creating!an!online!viewing!party!of!sorts.!Instead,!the!parties!were!scattered!across!

multiple!streams!with!multiple!objectives!and!experiencing!varied!levels!of!success.!!

This!lack!of!coordination!stems,!in!part,!from!existing!questions!about!how!to!

best!leverage!Social!TV.!Answers!may!depend!on!how!organizations!respond!to!

what!Graeme!Turner!and!Jinna!Tay!see!as!the!most!fundamental!question,!“what!is!

television?”4!Is!it!scheduled!appointment!based!viewing!on!a!dedicated!television!

set!or!is!it!onademand,!unscheduled!viewing!of!content!accessible!from!a!variety!of!

devices?!Should!television!content!seek!to!increase!user!interactivity?!How!content!

is!distributed!and!consumed!will!play!a!large!part!in!business!decisions!determining!

how!to!most!effectively!leverage!Social!TV.!

As!social!media!departments!are!tasked!with!engaging!fans!and!driving!

viewership,!some!arguments!assume!Social!TV!activities!should!focus!on!returning!

viewers!to!the!preatimeshifted!norms!of!scheduled!viewing.!As!Marlene!King,!

Executive!Producer!of!Pretty!Little!Liars!stated,!“social!media!is!creating!‘mustasee!

TV’!again.!Where,!because!our!fans!want!to!have!this!massive!Twitter!party!together!

on!Tuesday!night!when!we!air,!they!all!sit!down!and!watch.”5!But!Cait!Hood,!Vice!

President!of!Social!Media!at!FBC!does!not!believe!her!department’s!efforts!are!to!try!

and!return!viewers!to!previous!viewing!habits.!She!argues!that!it!is!more!likely!

viewers!will!find!alternate!ways!to!consume!shows!and!she!strives!to!enter!those!

social!media!spaces!with!the!viewers.!!

Although!Hood!commented!that!FBC!is!“not!interested”!in!using!Social!TV!to!

drive!viewers!back!to!appointment!based!viewing!“if!that!is!not!where!they!want!to!

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be,”!the!fan!communities!her!department!seeks!to!cultivate!thrive!on!anticipation,!

discussion!and!reflection!on!each!new!episode.!6!This!means!when!these!fans!watch!

a!show!is!directly!tied!to!their!ability!to!be!a!timely!part!of!conversations.!Despite!

saying!there!is!no!intent!to!drive!viewers!back!to!scheduled!viewing,!the!most!

important!metric!for!the!success!of!a!show!is!its!Nielsen!ratings.!So,!although!the!

marketing!efforts!for!Bones!may!be!more!skewed!towards!engaging!and!maintaining!

a!fan!base!than!acquiring!new!fans,!the!value!obtained!from!fans!watching!during!

the!time!of!original!broadcast!is!still!highly!important!and!cannot!yet!be!easily!

dismissed.!All!of!these!unknowns!are!creating!anxiety!within!the!television!industry.!

As!Jordan!Levin,!Executive!Vice!President!at!Xbox!Entertainment!Studios!states,!

“this!(the!integration!of!television!and!digital)!is!the!biggest!anxiety!in!the!industry!

at!the!moment.”7!!

One!ongoing!challenge!is!keeping!track!of!all!the!new!platforms!and!various!

types!of!engagement.!For!example,!Bones!viewers!are!using!a!range!of!platforms!and!

analysis!of!just!two!showed!the!diversity!of!ways!individuals!engage!with!the!show,!

show!personnel!and!each!other.!The!formation!of!clique’s!amongst!Boneheads,!the!

most!dedicated!fans,!supports!Fiske’s!suggestions!that!audiences!should!not!be!

situated!as!a!homogenous!mass,!but!as!individual!interpreters!of!meanings!who!

then!form!subacultural!groups.8!These!individual!interpretations!of!meanings!also!

support!Dorothy!Hobson’s!work!that!emphasized!the!power!of!the!audience!to!

construct!their!own!meanings!from!a!text!by!combining!the!text,!personal!

experiences!and!opinions.9!These!types!of!activities!are!clearly!taking!place!in!the!

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discussion!forums!of!Bonesology!as!demonstrated!in!Chapter!Six!where!viewers!

were!shown!combining!press!release!information,!speculating!based!on!information!

provided!by!other!viewers!and!leveraging!their!existing!show!knowledge!to!

construct!meanings!while!trying!to!guess!the!direction!of!future!episodes.!Hobson!

additionally!suggests!that!when!viewers!form!these!opinions,!they!often!want!to!

share!them!and!the!associated!emotions.!This!desire!to!share!and!socialize!was!

reported!by!some!fans!as!a!motivating!factor!compelling!them!to!participate!in!

Social!TV!activities.!!

Motivations!for!Social!TV!use!were!reported!in!a!study!by!Viacom!that!claimed!to!

uncover!“three!key!types!of!motivations!leading!fans!to!engage!in!TVarelated!social!

media!activities:!Functional,!Communal!and!Playful.”10!Functional!activities!are!cited!

as!the!leading!motivational!factors.!These!actions!include!searching!for!show!

schedules,!keeping!up!with!news!about!the!show!and!accessing!bonus!promotional!

materials!such!as!videos!and!plot!cues.!Communal!activities!include!“liking”!shows!

on!Facebook!and!“following”!shows!on!Twitter.!Playful!activities!include!playing!

social!media!games!and!participating!in!quizzes!and!polls.11!These!findings,!when!

compared!to!Bones!fan!activities,!are!not!compelling!arguments!for!what!motivated!

their!involvement.!Most!users!participated!in!a!combination!of!these!activities,!

resulting!in!these!categories!being!more!effective!as!a!list!of!actions!than!

motivations.!Ericcson’s!findings!that!the!main!drivers!for!users!behavior!include!

“the!need!to!further!analyze!and!discuss,!wanting!to!influence!or!interact!with!

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content!and!gaining!a!community!feeling!–!connecting!with!others”!appear!to!be!

more!accurate!when!compared!to!Bones!fans!reported!motivations.12!

Of!course,!not!all!viewers!are!compelled!to!participate!in!Social!TV!activities,!but!

those!who!do,!engage!in!many!different!ways.!Some!viewers!exclusively!use!sites!

such!as!Twitter!and!others!seek!out!the!more!detailed!fan!forums!and!communities.!

Some!fans!only!participate!during!the!broadcast!of!the!show!and!others!participate!

at!times!when!the!show!is!not!being!broadcast.!These!varying!levels!of!involvement!

are!ripe!for!investigation!to!better!understand!the!practices!and!rituals!involved!

with!watching!television.!Ron!Lembo’s!categories!of!television!are!helpful!here.!

These!categories!include!Discrete!Users!who!are!highly!involved!and!concentrate!on!

the!content!they!are!consuming,!Undirected!Users!who!have!the!television!on,!but!

share!their!focus!with!other!activities!and!Continuous!Users!who!basically!leave!

television!on!as!background!noise,!occasionally!paying!attention!to!it.13!This!same!

type!of!categorization!would!be!useful!to!apply!to!Social!TV!users.!At!a!more!ina

depth!level,!the!practices!and!rituals!of!Discrete!Users!participating!in!Social!TV!

could!be!investigated!to!reveal!various!subacategories!of!use!to!organize!the!

different!types!of!engagement!described!above.!!

All!of!these!activities!have!allowed!fans!more!direct!and!immediate!ways!to!

speak!back!to!production!personnel.!Whereas!Elana!Levine!described!General!

Hospital’s!established!system!for!reviewing!and!summarizing!audience!sentiment!

through!the!analysis!of!fan!mail,!the!direct!nature!of!social!media!feedback!

eliminates!these!gatekeepers!and!production!personnel!are!left!to!interpret!the!

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oftenavast!amounts!of!information!they!are!receiving.!At!Bones,!the!greatest!amount!

of!information!is!being!received!by!the!showrunners!who!are!becoming!increasingly!

active!participants!in!the!conversations!surrounding!their!shows.!These!experiences!

have!resulted!in!showrunners!becoming!stars!of!their!shows,!much!in!the!same!

manner!as!the!actors.!In!the!case!of!Bones,!I!would!argue!that!Hanson!and!Nathan!

have!become!bigger!celebrities!than!several!of!the!primary!cast!members.!!

The!producers!of!the!1970’s!and!early!1980’s!such!as!Norman!Lear,!James!L.!

Brooks,!Grant!Tinker!and!Garry!Marshall!described!by!Newcomb!and!Alley!in!The!

Producer’s!Medium,!spent!less!of!their!time!worrying!about!interacting!with!

viewers.14!!As!Hanson!states,!!

I!think,!the!social!networking!has!given!showrunners!a!profile!that!they!have!not!traditionally!had…in!the!old!days…you!could!name!on!one!hand!who!wrote!shows.!No!one!knew.!Even!when!we![industry!insiders]!all!knew!who!they!were,!and!felt!like!they!were!famous,!America!didn’t.!And!now,!more!people!know!what!a!showrunner!is.15!!!

This!awareness!of!his!celebrity!status!has!caused!Hanson!to!create!an!entirely!new!

persona!he!refers!to!as!“Showrunner!Hart.”!This!individual!is!always!positive,!

protective!of!his!privacy!and!approaches!social!media!as!a!game!he!needs!to!play!as!

part!of!his!job.!“If!a!friend!of!mine!says,!‘I!keep!up!with!you!on!Twitter,’!I!say,!‘you’re!

not!keeping!up!with!me!on!Twitter.!You’re!keeping!up!with!the!showrunner,!my!

career,!guy.’!I!seldom!put!in!stuff!about!my!family!and![other!personal]!stuff![on!

social!media].”16!Hanson!continues,!!

I!would!say!my!prime!motivation!is!that!I!be!known!as!someone!who!will!play!the!game,!to!my!bosses!who!hire!me...I!would!like!to!not!be!part!of!it,!but!I’ll!do!it.!Because!I!want!my!studio,!when!it!comes!time!for!me!to!do!my!overall!deals!to!say,!‘Well,!he’s!worth!it.!He’ll!do!all!

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the!things!he’s!supposed!to!do.!Of!the!100!things!he’s!supposed!to!do,!he’ll!also!take!part!in!the!second!screen!stuff.’”17!

!Despite!situating!his!involvement!in!social!media!as!“playing!the!game,”!it!is!

apparent!that!Hanson!gains!some!enjoyment!from!his!activities.!This!is!evidenced!by!

his!high!degree!of!involvement.!Other!showrunners!such!as!Graham!Yost!and!David!

Shore!have!been!highly!successful!as!producers!and!writers,!and!they!choose!not!to!

be!involved,!so!success!or!obtaining!work!is!certainly!not!dependent!on!Social!TV!

involvement.!Although!Hanson!does!situate!it!as!only!one!of!one!hundred!things!he’s!

supposed!to!do,!if!he!did!not!participate,!there!would!likely!not!be!any!meaningful!

repercussions.!!

Aside!from!his!public!use!of!social!media!platforms,!Hanson!is!aware!of!the!ways!

social!media!use!is!influencing!production!personnel!and!processes!and!resulting!in!

changes!to!production!practices.!As!discussed!in!Chapter!Eight,!the!activities!of!

office!personnel,!Props,!Casting,!actors,!writers,!producers!and!others!have!clearly!

been!influenced!by!social!media.!Some!changes!have!created!challenges,!such!as!the!

need!to!learn,!understand!and!employ!new!social!media!etiquette!that,!if!ignored,!

can!lead!to!upsetting!coaworkers!for!either!personal!reasons!(they!did!not!want!

their!picture!taken!and!posted!online)!or!for!business!reasons!(leaking!information!

is!making!their!job!more!difficult).!These!platforms!are!also!being!used!as!a!research!

tool,!to!help!advance!a!career,!as!a!means!of!giving!back!to!fans!and!many!other!

ways.!Some!of!these!changes!are!useful!for!production,!such!as!the!ability!to!“give!

back”!to!fans!through!Easter!eggs.!Still!others!are!more!directly!related!to!

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developing!content,!such!as!learning!what!openaended!issues!the!fans!would!like!to!

know!about!and!paying!those!off.!!

One!of!the!most!significant!outcomes!of!Social!TV!influence!on!production!

practices!is!the!question!of!fan!power!and!the!ability!for!viewers!to!influence!

content!by!speaking!back!through!social!media.!The!executive!producers!of!Bones!

say!“no,”!they!would!never!change!their!storylines!or!be!influenced!by!fan!responses.!

This!is!consistent!with!other!Showrunners!such!as!Kurt!Sutter!(Sons!of!Anarchy)!

who!says!fans!do!not!influence!his!vision.18!But!other!showrunners!such!as!Michelle!

and!Robert!King!(The!Good!Wife)!state!they!would!be!willing!to!change!their!stories!

and!have!done!so!in!the!past.19!!

Despite!their!adamant!“no”!response,!the!producers!of!Bones!are!making!

changes!to!the!show!based!on!fan!feedback.!Their!incorporation!of!Easter!eggs!into!

the!show!is!situated!by!the!showrunners!as!a!means!of!“giving!back”!to!fans,!but!it!

can!also!be!interpreted!as!changing!the!show!based!on!viewer!feedback.!Although!it!

is!not!a!change!to!a!major!plotline!like!the!King’s!response!to!fans!on!The!Good!Wife,!

it!is!still!a!modification!of!content!based!on!feedback.!In!addition!to!these!observable!

responses,!there!is!the!possibility!that!unobservable!processes!are!also!occurring.!

For!example,!it!is!possible!that!during!the!writing!process,!a!writer!might!think,!“the!

fans!will/will!not!react!a!certain!way!to!this”!or!“the!fans!will!like/dislike!this”!based!

on!information!received!during!social!media!use.!Since!the!writers!engage!in!Social!

TV!to!varying!degrees!and!they!have!differing!views!on!this!phenomenon,!someone!

making!these!types!of!comments!in!the!writers!room!would!runt!the!risk!of!being!

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ridiculed.!Comments!such!as!these!were!not!observed!in!the!writers!room.!But!that!

does!not!mean!they!are!not!part!of!a!writers!internal!dialogue!or!private!

conversations!among!smaller!groups!of!writers!who!engage!with!Social!TV!activities!

in!the!same!way.!

All!of!this!online!talk!is!what!John!Fiske!refers!to!as!a!“third!text.”!20!Fiske!

proposes!that!the!television!“text”!is!not!simply!the!sounds!and!images!presented!in!

the!program.!This,!he!describes!as!the!“primary!text.”!A!“secondary!text”!also!exists!

and!these!include!writings!about!television,!advertisements,!posters!and!other!

components!that!are!“read!back!into!the!text.”21!!A!“third!text”!is!the!resulting!talk!

produced!by!viewers!resulting!from!discussions!about!individual!readings!of!the!

primary!text.!!Fiske!suggests!that!these!three!types!of!texts!result!in!an!“open”!text!

that!allows!viewers!to!negotiate!meanings.!Social!TV!use!can!further!expand!the!

meaning!of!“open”!to!include!the!possibility!that!the!text!is!“open”!for!modification!

based!on!the!expression!of!negotiated!meanings!that!make!their!way!back!to!

production.!The!future!texts!are!therefore!“open”!to!change!based!on!the!received!

messages.!These!changed!texts!can!then!be!considered!“influenced.”!

Examples!of!direct!viewer!feedback!to!production!personnel!through!social!

media!are!plentiful.!On!any!given!day,!production!personnel!are!found!reading!social!

media!interactions!between!fans!and!communicating!directly!with!fans.!Yet,!it!was!

surprising!to!find!that!there!appears!to!be!little!influence!from!social!media!

platforms!flowing!to!production!personnel!after!being!gathered!by!network!and!

studio!personnel.!!Although!there!was!no!evidence!of!network!or!studio!personnel!

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gathering!social!media!feedback!and!sharing!that!information!with!production!

personnel!observed!or!revealed!during!interviews,!that!does!not!mean!the!network!

and!studio!personnel!are!not!aware!of!viewer!sentiment.!It!is!possible!that!they!are!

using!that!information!to!help!guide!their!feedback!to!production!during!processes!

such!as!the!giving!of!script!notes,!but!they!did!not!disclose!this!information.!!Writers!

told!one!story!of!the!network!rejecting!a!storyline!where!the!victim!was!a!child.!

While!networks!are!concerned!about!viewer!reactions!and!cautiously!approach!

these!types!of!stories,!it!is!possible!that!an!awareness!of!social!media!has!the!

potential!to!intensify!concerns!and!be!a!contributing!factor!in!these!types!of!

decisions.!

All!of!the!developments!explored!here!are!taking!place!at!a!time!when!Social!TV!

is!a!rapidly!changing!field.!During!the!research!period,!changes!were!taking!place!in!

the!Social!TV!industry!that!had!an!influence!on!the!business!decisions!being!made!at!

the!network!and!possibly!on!the!way!fans!engage!with!the!show.!Examples!of!these!

changes!include!the!reabranding!of!GetGlue!to!TVTag!and!a!move!by!Facebook!to!

challenge!Twitter’s!claim!of!being!the!dominant!platform!for!Social!TV!activities.!

Facebook!had!previously!voiced!objections!to!this!opinion!but!did!not!present!an!

argument!to!support!their!agenda.!In!February!2014!they!directly!challenged!claims!

of!Twitter!dominance!by!releasing!data!about!Social!TV!activities!on!their!

platform.22!!

These!developments!in!Social!TV!are!mirrored!in!the!changing!approaches!to!

studying!these!types!of!phenomena.!!Television!research!projects!have!traditionally!

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been!categorized!into!specific!areas!such!as!“audience!studies”!or!“industry!studies,”!

but!I!do!not!situate!this!dissertation!under!any!specific!umbrella.!I!find!these!labels!

too!limiting!to!properly!classify!the!multiple!areas!explored!here.!!This!view!is!

consistent!with!contemporary!research!trends!that!suggest!television!should!be!

studied!in!conjunction!with!other!media!as!part!of!a!more!complex!system!of!

interrelated!and!increasingly!interdependent!forms.!!

Situating!this!dissertation!within!this!trend!towards!hybrid!categorization!places!

this!research!in!conversation!with!works!such!as!Jonathan!Gray’s!Show!Sold!

Seperately:!Promos,!Spoilers!and!Other!Media!Paratext.!Gray!seeks!to!demonstrate!

“how!meaning!and!value!are!constructed!outside!of!what!we!have!often!considered!

to!be!the!text!itself.”23!This!investigation!of!Bones!and!Social!TV!activities!similarly!

seeks!to!understand!how!viewer’s!engagements!with!each!other!and!production!

personnel!work!to!create!meanings!in!similar!ways!as!the!text.!For!example,!viewers!

reported!using!Social!TV!platforms!to!connect!with!other!viewers!to!deconstruct!the!

text!and!make!new!meanings.!Therefore,!meanings!are!constructed!through!

interactions!and!the!sharing!of!ideas!instead!of!interpretation!of!the!text.!These!

activities!surrounding!the!show!additionally!create!new!value!for!viewers,!

complementing!value!gained!from!their!engagement!with!the!text.!This!is!

demonstrated!by!the!fan!comments!about!the!friendships!they’ve!formed!and!the!

communities!created!amongst!different!groups!of!fans.!

To!accomplish!this!research!in!these!areas!beyond!the!text,!Gray!engages!with!

multiple!mediums!and!conversations,!an!approach!that!not!only!covers!the!

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“triumvirate!of!Text,!Audience!and!Industry”!but!also!the!“paratexts!that!fill!the!

space!between!them.”24!His!investigation!of!the!promos,!synergy!and!hype!

surrounding!television!programs!employs!a!variety!of!methods!including!“close!

reading,!audience!research,!and!structural/political!economic!analysis.”!Gray’s!work!

therefore!breaks!out!of!traditional!research!categories,!combines!multiple!methods!

and!bridges!multiple!mediums!and!areas!of!focus.25!This!dissertation!has!followed!

this!same!strategy!through!the!combining!of!observation,!interview!and!textual!

analysis!methods!across!multiple!mediums.!Not!only!were!television!activities!

investigated,!but!also!online!interactions!and!business!practices,!establishing!

multiple!areas!of!focus.!!

In!Spreadable!Media,!Henry!Jenkins,!Sam!Ford!and!Joshua!Green!similarly!seek!to!

connect!multiple!mediums!discussing!the!circulation!of!content!and!how!

information!is!dispersed!throughout!networks!of!individuals.26!Using!these!concepts!

to!investigate!spreadable!content!on!Bones!for!example,!found!production!personnel!

to!have!an!increased!awareness!of!the!implications!surrounding!their!social!media!

use!resulting!in!an!embracing!and!fearing!the!spreadability!of!their!content.!!When!

Hart!Hanson!posted!a!picture!of!Christine,!the!daughter!of!Booth!and!Bones,!taken!

on!the!production!set!during!shooting!of!the!wedding!episode!he!was!embracing!

spreadability,!hoping!the!photo!would!reach!as!many!fans!as!possible!and!appease!

the!individuals!who!were!upset!by!her!exclusion!from!the!episode.!Conversely,!

Hanson!and!his!team!were!also!concerned!with!the!spreadability!of!information!and!

feared!the!unauthorized!release!of!information!or!pictures!before!the!airing!of!the!

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wedding!episode.!They!feared!the!release!would!spoil!the!show!for!viewers!and!they!

were!aware!that!once!information!is!posted!on!the!Internet,!it!couldn’t!be!taken!

back.!Researching!these!issues!across!mediums!required!investigation!of!the!text,!

audiences,!production!and!business!practices!that!spanned!traditional!

categorizations!of!study!“type”!and!demonstrates!how!various!forms!of!media!form!

a!complex!system!of!interrelated!forms.!

Building!on!these!ideas,!James!Bennett!argues!in!Television!as!Digital!Media!that!

television!must!now!be!approached!as!a!“nonasiteaspecific,!hybrid!cultural!and!

technological!form!that!spreads!across!platforms.”27!Investigating!these!new!

connections!requires!new!approaches.!To!address!that!concern,!the!essays!in!

Connected!Viewing:!Selling,!Sharing,!and!Streaming!Media!in!a!Digital!Era!focus!on!

these!new!connections,!address!current!changes!and!offer,!according!to!James!

Bennett,!a!“set!of!methods!and!perspectives!for!studying!this!critical!moment!in!

media!culture.”28!!Today’s!“critical!moment”!is!a!time!when!many!aspects!of!

television!are!changing!but!many!also!remain!the!same.!Shows!are!created!and!

produced!following!many!of!the!same!guidelines!as!the!past,!networks!and!cable!

channels!continue!to!deliver!the!content!into!our!homes!and!many!viewers!still!

consume!television!content!on!a!big!box!in!our!living!rooms.!Although!television,!in!

these!ways,!may!be!fundamentally!the!same,!there!are!many!changes!occurring!that!

are!beginning!to!disrupt!this!status!quo.!Video!on!Demand!services!are!on!the!rise!

and!the!number!of!“cord!cutters”!is!slowly!but!steadily!increasing.!Netflix!is!

disrupting!traditional!delivery!strategies!by!releasing!entire!seasons!of!a!show!at!

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one!time.!Viewers!are!able!to!watch!an!entire!season!or!series!in!marathon!viewing!

sessions.!Nielsen!is!now!tracking!DVR!+!7!ratings.!The!recent!Aereo!controversy!has!

made!it!all!the!way!to!the!Supreme!Court!and!could!have!wide!spread!effects!on!the!

future!of!television,!cloud!computing!and!the!quality!of!wireless!services.!!

The!focus!of!this!dissertation,!Social!TV,!is!one!important!element!of!this!critical!

moment!in!media!culture.!!In!Chapter!One,!I!proposed!a!working!taxonomy!of!Social!

TV!platforms!because!the!marketplace!is!rapidly!changing!as!new!platforms!are!

introduced,!unsuccessful!platforms!disappear!and!others!merge!and!form!

partnerships.!!Due!to!these!changes,!Technology!Writer!Janko!Roettgers!declared!

the!death!of!Social!TV,!much!in!the!same!way!many!scholars!once!predicted!the!

death!of!television!due!to!the!rise!of!the!Internet.!!Roettgers!article!argues,!“as!the!

secondascreen!space!is!consolidating,!it’s!time!to!face!reality!and!admit!that!Social!

TV!is!dead.”29!What!Roettgers!misses!is!that!the!changing!marketplace!is!a!feature!of!

this!critical!moment!in!time.!We!are!in!a!time!of!experimentation!as!the!networks,!

studios!and!production!personnel!try!to!figure!out!how!to!best!leverage!these!new!

tools.!The!Social!Media!Department!at!FBC,!for!example,!is!trying!to!find!

communities!of!viewers!and!enter!those!spaces.!The!Publicity!Department!is!now!

working!with!bloggers,!fanacritics!and!other!“influencers.”!Production!personnel!are!

engaging!with!fans,!investigating!how!these!social!activities!can!help!their!careers!

and!assist!with!work!tasks.!All!of!these!activities!are!changing!relationships!between!

production!personnel!and!fans,!allowing!more!direct!access,!influencing!content!and!

possibly!disrupting!existing!power!relationships.!!These!are!the!ways!Social!TV!is!

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contributing!to!this!critical!moment!in!media!culture.!A!moment!that!must!be!

investigated!in!new!ways,!seeking!answers!across!forms,!in!the!gray!areas!between!

forms!and!in!the!ways!different!forms!of!media!are!becoming!increasingly!

interrelated.!The!future!of!television!does!not!appear!to!be!clear,!but!it!is!apparent!

this!is!a!moment!of!change!and!the!ways!this!medium!is!studied!must!be!modified.!!!!

Despite!these!challenges,!several!additional!research!questions!have!emerged!

from!this!dissertation.!Because!the!events!described!here!are!specific!to!one!

moment!in!time!for!Bones,!FBC!and!20th!Century!Fox!Television!Studios,!they!cannot!

be!made!generalizable!to!explain!other!shows!or!companies.!However,!this!study!

can!be!used!as!a!template!to!guide!similar!studies.!This!is!one!advantage!of!the!

selected!case!study!approach.!As!Robert!Yin!explains,!“In!analytic!generalization,!

previously!developed!theory!is!used!as!a!template!against!which!to!compare!the!

empirical!results!of!case!study.”30!Therefore,!the!completion!of!additional!case!

studies!can!seek!to!answer!questions!about!the!similarities!and!differences!between!

this!show!and!others.!This!would!provide!a!clearer!perspective!on!fan,!organization!

and!personnel!activities!across!the!industry.!For!example,!two!primary!platforms!for!

fan!activities!were!identified!for!Bones.!Do!fans!of!other!shows!interact!in!the!same!

way!and!on!a!greater!or!fewer!number!of!platforms?!Are!they!driven!by!similar!

motivations?!Have!fans!of!other!shows!formed!cliques!in!the!same!way!as!the!Bones!

fans?!Since!Bones!is!in!its!ninth!season!at!the!time!this!research!was!completed,!how!

might!these!findings!differ!for!shows!that!are!newer?!Will!corporate!activities!be!

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more!focused!on!acquiring!fans!instead!of!maintaining!an!existing!fan!base?!These!

types!of!questions!are!also!highly!relevant!to!discussions!of!genre.!!

A!SocialGuide!report!found!some!of!the!“most!social”!shows!to!be!sporting!

events!and!special!events!such!as!awards!shows.31!How!does!Social!TV!activity!differ!

by!the!type!of!show!or!other!factors!such!as!broadcast!time,!broadcast!day,!channel!

and!other!factors?!Bones!was!identified!as!a!hybrid!type!of!program!containing!

elements!from!both!episodic!and!serial!shows.!How!is!social!activity!different!for!a!

shows!fitting!the!stricter!definitions!of!each!genre?!How!do!factors!such!as!the!need!

to!pay!closer!attention!to!certain!types!of!shows!influence!social!media!use?!!

In!addition!to!what!people!are!watching,!it!is!equally!important!to!consider!the!

geographic!location!of!viewers.!The!fans!of!Bones!participating!in!social!media!

activities!are!not!exclusively!located!in!the!United!States.!It!would!be!of!interest!to!

investigate!how!international!fans!are!engaging!with!the!show.!These!viewers!are!

often!watching!pirated!versions!of!shows!obtained!shortly!after!their!U.S.!broadcast!

and!these!viewers!can!participate!in!U.S.!based!Social!TV!activities!with!minimal!

delay.!But!there!are!also!viewers!who!are!watching!previous!seasons!in!syndication!

and!it!would!be!interesting!to!know!how!they!are!engaging!with!archived!social!

content!on!sites!such!as!Bonesology.!Furthermore,!are!the!networks!broadcasting!

these!syndicated!episodes!trying!to!engage!with!fans!and!attempting!to!fuel!the!

social!aspects!of!the!show!in!the!same!way!FBC!tries!to!build!fan!communities!

amongst!fans!for!firstarun!broadcasts?!These!types!of!studies!could!be!modeled!off!

the!work!of!researchers!such!as!Tamar!Liebes!and!Elihu!Katz!who!sought!to!

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understand!how!television!viewers!around!the!world!responded!to!the!program!

Dallas.32!Their!findings!support!views!of!audiences!being!active!viewers!and!

participating!in!negotiations!with!texts.!So,!if!these!viewers!are!engaging!with!texts!

in!the!same!way!as!U.S.!viewers,!how!are!their!online!social!activities!similar!or!

different?!Since!most!legal!viewing!of!U.S.!television!shows!syndicated!in!other!

countries!is!occurring!longer!after!production!has!concluded,!do!international!

viewers!have!different!expectations!for!being!able!to!influence!a!show?!!

The!observation!and!interview!activities!in!this!case!show!the!multitude!of!

interests!companies!and!individuals!have!in!Social!TV.!Constant!activities!are!

showing!experimentation!and!learning!taking!place.!!Social!TV!does!not!appear!to!be!

a!fad.!Many!different!individuals!and!organizations!are!making!huge!investments!of!

time,!money!and!resources!into!this!phenomenon.!As!a!recent!report!by!NATPE,!the!

National!Association!of!Television!Program!Executives!announced!“second!screen!is!

here!to!stay”!and!the!industry!is!expressing!optimism!for!Social!TV.!33!This!optimism!

has!led!to!our!current!period!of!testing!resulting!in!many!advantages!for!audiences,!

networks,!studios!and!shows.!On!Bones,!we!have!seen!that!as!changes!are!occurring,!

they!are!impacting!both!production!practices!and!the!show’s!content.34!

Notes!

1!Ibid!Mike!Proulx!and!Stacey!Shepatin,!p.!10.!

2!Holt,!Empires!of!Entertainment!:!Media!Industries!and!the!Politics!of!Deregulation,!1980A1996.!

3!Hart!Hanson!in!Discussion!with!the!Author!(2),!September!23,!2013.!

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241!

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

4!Turner!and!Tay,!Television!Studies!after!Tv!:!Understanding!Television!in!the!PostA!Broadcast!Era.!

5!The!Wall!Street!Journal,!"Social!Media!+!Pop!Culture!=!?".!

6!Cait!Hood!in!Discussion!with!the!Author!(2).!

7!Jordan!Levin!in!Discussion!with!the!Author!(2),!February!25,!2014.!

8!Fiske,!Television!Culture,!81.!

9!Hobson,!'Crossroads':!Drama!of!a!Soap!Opera.!

10!PRNewswire.com,!"TvaRelated!Social!Media!Use!Is!Primarily!Driven!by!Functional,!Communal!and!Playful!Factors,!According!to!New!MultiaCountry!Research!from!Viacom".!

11!ibid!PRNewswire.com.!

12!Ericcson,!"Tv!and!Video:!An!Analysis!of!Evolving!Consumer!Habits."!

13!Lembo,!Thinking!through!Television.!

14!Newcomb!and!Alley,!The!Producer's!Medium!:!Conversations!with!Creators!of!American!Tv.!

15!Hart!Hanson!in!Discussion!with!the!Author!(2).!

16!Ibid.!

17!Ibid.!

18!Flaherty,!"The!Showrunner!Transcript:!Sons!of!Anarchy’s!Kurt!Sutter".!

19!See!Kalinda!and!Nick!story!in!Chapter!Four!

20!Fiske,!Television!Culture,!85.!

21!Ibid.!

22!Based!on!a!study!completed!by!social!media!analytics!firm!SecondSync,!this!was!“the!first!inadepth!analysis!of!Facebook’s!social!TV!data!across!multiple!territories,!and!the!first!time!Facebook!has!released!social!TV!analytics!to!the!industry!at!this!scale.”!The!rationale!behind!the!release!was!that!“huge!volumes!of!public!

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242!

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!conversations!on!Twitter!have!meant!that!until!now!social!TV!has!largely!been!synonymous!with!one!social!network.!SecondSync’s!findings!offer!an!additional!perspective,!one!that!is!able!to!draw!on!Facebook’s!rich!demographics,!broad!reach,!and!multiple!interaction!types.”!SecondSync,!"Watching!with!Friends:!How!Tv!Drives!Conversation!on!Facebook,"(2014).!!23!Jonathan!Gray,!Show!Sold!Seperately:!Promos,!Spoliers!and!Other!Media!Paratext(NYU!Press,!2010),!ix.!!24!Ibid.,!23.!!25!Ibid.,!4.!!26!Henry!Jenkins,!Sam!Ford,!and!Joshua!Green,!Spreadable!Media!:!Creating!Value!and!Meaning!in!a!Networked!Culture,!Postmillennial!Pop!(New!York!;!London:!New!York!University!Press,!2013).!!27!James!Bennett!and!Niki!Strange,!Television!as!Digital!Media,!ConsoleaIng!Passions!(Durham,!NC:!Duke!University!Press!Books,!2011),!2.!!28!Ibid.!!29!Janko!Roettgers,!"Let's!Face!It:!Social!Tv!Is!Dead,"!!http://gigaom.com/2014/01/29/letsafaceaitasocialatvaisadead/.!

30!Yin,!Case!Study!Research:!Design!and!Methods.!

31!SocialGuide!Intelligence,!"About!Sgi".!

32!Liebes!and!Katz,!The!Export!of!Meaning!:!CrossACultural!Readings!of!Dallas.!

33!Global!License,!"Natpe:!SecondaScreen!Is!Here!to!Stay,"!!http://www.licensemag.com/licenseaglobal/natpeasecondascreenahereastay#.UucUiFCiv4s.twitter.!

34!Additionally,!this!dissertation!serves!as!an!example!to!support!Turner!and!Tay’s!suggestion!that!television!can!no!longer!be!studied!as!an!independent!medium!and!it!must!be!studied!in!relation!to!the!other!technologies!that!exist!in!cooperation!with!it.!!

!

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Kim!Kurland!in!Discussion!with!the!Author.!February!12,!2014.!

Kim,!Sujeong.!"Rereading!David!Morley's!the!'Nationwide'!Audience."!Cultural!Studies!18,!no.!1!(2004):!84a108.!

Kissell,!Rick.!"Social!Tv!Chatter!Grows!800%!on!Twitter!over!2012."!Variety.com.!http://www.variety.com/article/VR1118063975/.!

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Koontz,!Charley.!!Last!Modified!October!29,!2013.!http://instagram.com/p/gEmUbKtWku/.!

Lawson,!Mark.!"The!Wright!Way!Goes!Wrong:!How!Social!Media!Is!Changing!Tv."!TheGuardian.com.!http://www.theguardian.com/tvaandaradio/2013/jul/10/wrightawayasocialamediaachangingatv.!

Lembo,!Ron.!Thinking!through!Television.!Cambridge!Cultural!Social!Studies.!!Cambridge,!UK!;!New!York,!NY:!Cambridge!University!Press,!2000.!

Levine,!Elana.!"Toward!a!Paradigm!for!Media!Production!Research."!Critical!Studies!in!Media!Communication!18,!no.!1!(2001):!66a82.!

Liebes,!Tamar,!and!Elihu!Katz.!The!Export!of!Meaning!:!CrossACultural!Readings!of!Dallas.!!New!York:!Oxford!University!Press,!1990.!

Littelton,!Cynthia.!"Damon!Lindelof!Bows!out!of!Twitter."!Variety.!http://variety.com/2013/digital/news/damonalindelofabowsaoutaofatwittera1200731271/.!

Lopata,!Dean.!"Dean!Lopata!(Dloindustries)!on!Twitter."!Twitter.!https://twitter.com/DLoIndustries.!

Lotz,!Amanda.!"Textual!(Im)Possibiliites!in!the!U.S.!PostaNetwork!Era:!Negotiating!Production!and!Promotion!Processes!on!Lifetime's!Any!Day!Now."!Critical!Studies!in!Media!Communication!21,!no.!1!(2004):!22a43.!

Lull,!James.!World!Families!Watch!Television.!Communication!and!Human!Values.!!Newbury!Park,!Calif.:!Sage!Publications,!1988.!

MacInnes,!Madison.!"Madison!Macinnes!(Madi93)!on!Twitter."!Twitter.!https://twitter.com/Madi93.!

MacMillan,!Gordon.!"Could!Fringe!Be!the!First!Tv!Show!Saved!by!a!Hashtag?".!http://wallblog.co.uk/2012/02/24/couldafringeabeatheafirstatvashowasavedabyaaahashtag/!a!ixzz1qtUoqHSc.!

Makarechi,!Kia.!"'Girls'!Reviews:!New!Hbo!Show!and!Lena!Dunham!Face!Backlash!on!Racism!and!More."!http://www.huffingtonpost.com/2012/04/16/girlsareviewsabacklashahboashow_n_1429328.html.!

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Manavalan,!Raghu.!"Espn!Tries!to!Kill!the!Trolls:!Facebook!Comments!Only."!http://www.marketplace.org/topics/tech/numbers/espnatriesakillatrollsafacebookacommentsaonly.!

MarketsandMarkets.com.!"Social!Tv/Smart!Tv!Market:!Global!Advancements,!Ecosystem,!Business!Models,!Technology!Roadmap,!Worldwide!Market!Forecasts!&!Analysis!(2012!–!2017)."!http://www.marketsandmarkets.com/MarketaReports/socialatvamarketa815.html.!

Martha.!"Martha!(Marthaemilym)!on!Twitter."!Twitter.!https://twitter.com/MarthaEmilyM.!

Martha!Emily!Michulka!in!Discussion!with!the!Author.!November!21,!2013.!

Masked!Scheduler.!"Masked!Scheduler!(Maskedscheduler)!on!Twitter."!Twitter.!https://twitter.com/maskedscheduler.!

Maureen!Ryan!in!Discussion!with!the!Author.!February!19,!2014.!

Mayerowitz,!Scott.!"Nutty!'Jerico'!Fans!Make!Cbs!Reconsider!Canceling!Show."!http://abcnews.go.com/Business/FunMoney/story?id=3214156&page=1!a!.UN2yXInjlvA.!

McNutt,!Myles.!"Tweets!of!Anarchy:!Showrunners!on!Twitter."!Antenna.!http://blog.commarts.wisc.edu/2010/09/17/tweetsaofaanarchyashowrunnersaonatwitter/.!

McRae,!Phil.!"The!Death!of!Television!and!the!Birth!of!Digital!Convergence:!(Re)Shaping!Media!in!the!21st!Century."!SMILE:!Studies!in!Media!&!Information!Literacy!Education!6,!no.!2!(May!2006):!1a12.!

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Megan!Mcnamara!in!Discussion!with!the!Author.!December!13,!2013.!

Mendoza,!Martha.!"How!Facebook!Likes!Get!Bought!and!Sold."!Huffington!Post.!http://www.huffingtonpost.com/2014/01/05/buyafacebookalikes_n_4544800.html.!

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Mitchell,!Amy,!and!Paul!Hitlin.!"Twitter!Reaction!to!Events!Often!at!Odds!with!Overall!Public!Opinion."!http://www.pewresearch.org/2013/03/04/twitterareactionatoaeventsaoftenaataoddsawithaoverallapublicaopinion/.!

Mittell,!Jason.!"A!Cultural!Approach!to!Television!Genre!Theory."!Cinema!Journal!40,!no.!3!(2001):!3a24.!

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Networked!Insights.!"The!Network!Executive's!Social!Tv!Survival!Guide."!

New!York!Magazine.!"Who’s!Running!the!Show?!In!the!Age!of!Creator!as!Star,!Plenty!of!People!Know!Exactly!Who."!http://nymag.com/arts/tv/upfronts/2011/whosarunningatheashowa2011a5/.!

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Newcomb,!Horace,!and!Paul!M.!!Hirsch.!"Television!as!a!Cultural!Forum."!In!Television!the!Critical!View,!edited!by!Horace!Newcomb,!561a73.!New!York:!Oxford!University!Press,!1983.!

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NPR.!"Lena!Dunham!Addresses!Criticism!Aimed!at!'Girls'."!http://www.npr.org/templates/transcript/transcript.php?storyId=152183865.!

Nussbaum,!Emily.!"It's!Different!for!'Girls'."!http://nymag.com/arts/tv/features/girlsalenaadunhama2012a4/.!

Oliver!Goldstick!in!Discussion!with!the!Author.!July!24,!2013.!

Page,!Ruth.!"The!Linguistics!of!SelfaBranding!and!MicroaCelebrity!in!Twitter:!The!Role!of!Hashtags."!Discourse!&!Communication!6.2!(2012):!181a201.!

Paley!Center!for!Media.!Bones!A!the!Significance!of!447.!Youtube.com,!2012.!

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Pemberton,!Sarah.!"Bonesday!Posta!Pick!Your!Faves!"!Bones!Theory.!http://bonestheory.wordpress.com/2013/11/15/bonesdayapostapickayourafaves/.!

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Peterson,!Price.!"True!Blood!Showrunner!Brian!Buckner!on!Season!6,!the!Werewolf!Problem,!and!the!JasonaEric!Sex!Dream."!New!York!Magazine.!http://www.vulture.com/2013/08/trueabloodashowrunneranoamoreawerewolves.html.!

Poniewozik,!James.!"Damon!Lindelof!and!Why!Twitter!Is!Not!Always!for!Everyone."!http://entertainment.time.com/2013/10/16/damonalindelofaandawhyatwitteraisanotaalwaysaforaeveryone/.!

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Preston!Beckman!in!Discussion!with!the!Author.!February!12,!2014.!

PRNewswire.com.!"TvaRelated!Social!Media!Use!Is!Primarily!Driven!by!Functional,!Communal!and!Playful!Factors,!According!to!New!MultiaCountry!Research!from!Viacom."!http://www.prnewswire.com/newsareleases/tvarelatedasocialamediaauseaisaprimarilyadrivenabyafunctionalacommunalaandaplayfulafactorsaaccordingatoanewamultiacountryaresearchafromaviacoma208302211.html.!

Proulx,!Mike.!"Last!Night’s!Hawaii!Fivea0!Social!Tv!Stunt."!Hill!Holiday.!http://www.hhcc.com/blog/lastanightsahawaiiafivea0asocialatvastunt.!

Proulx,!Mike,!and!Stacey!Shepatin.!Social!Tv!:!How!Marketers!Can!Reach!and!Engage!Audiences!by!Connecting!Television!to!the!Web,!Social!Media,!and!Mobile.!!Hoboken,!N.J.:!John!Wiley!&!Sons,!2012.!

Quarterbreed.!"Press!Release."!http://bonesology.yuku.com/topic/3941/PressaRelease!a!.UvqBakJdVjt.!

Radar!Staff.!"Broken!‘Bones’?!David!Boreanaz!to!Leave!Hit!Fox!Show!after!Current!Season."!http://radaronline.com/exclusives/2013/10/bonesadavidaboreanazaemilyadeschanel/.!

Rauch,!Michael.!!Last!Modified!October!29,!2013.!https://twitter.com/Michael_Rauch.!

Reichs,!Kathy.!"About!the!Show."!http://kathyreichs.com/bones/.!

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Rick!Millikan!in!Discussion!with!the!Author.!December!13,!2013.!

Rodrigo.!"Different!Research!Strategies!You!Can!Use!in!Your!Dissertation."!The!WritePass!Journal.!http://writepass.co.uk/journal/2013/03/differentaresearchastrategiesayouacanauseainayouradissertation/.!

Roettgers,!Janko.!"Let's!Face!It:!Social!Tv!Is!Dead."!http://gigaom.com/2014/01/29/letsafaceaitasocialatvaisadead/.!

Ross,!Sharon!Marie.!Beyond!the!Box!:!Television!and!the!Internet.!!Malden,!MA:!Blackwell!Pub.,!2008.!

Ruditis,!Paul,!and!Hart!Hanson.!Bones.!The!Official!Companion.!1st!ed.!!London:!Titan!Books,!2007.!

Ryan,!Carrie!Ann.!"Carrie!Ann!Ryan!(Carrieannryan)!on!Twitter."!Twitter.!https://twitter.com/CarrieAnnRyan.!

Saenz,!Michael!K.!"Television!Viewing!as!a!Cultural!Practice."!In!Television:!The!Critical!View,!edited!by!Horace!Newcomb.!New!York:!Oxford!University!Press,!1994.!

Sammy!Rivkin!in!Discussion!with!the!Author.!December!9,!2013.!

Sanford!Golden!in!Discussion!with!the!Author.!December!11,!2013.!

SecondSync.!"Watching!with!Friends:!How!Tv!Drives!Conversation!on!Facebook."!2014.!

Selman,!Matt.!https://twitter.com/mattselman/status/373922987566575616.!

Seriable.!"Serialized!Vs!Procedural!Television!Series."!http://seriable.com/serializedavsaproceduralatelevisionaseries/!a!ixzz2kX1dHS5L.!

Skole.!"Bones!Fan!Spotlight:!Skole."!Bones!Theory.!http://bonestheory.wordpress.com/2010/10/28/bonesafanaspotlightaskole/.!

SocialGuide!Intelligence.!http://sgi.socialguide.com/.!

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SocialGuideIntelligence.!"Monthly!April!2013."!http://sgi.socialguide.com/twitter_tv_rankings/monthly/04a2013.!

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Spigel,!Lynn,!and!Jan!Olsson.!Television!after!Tv!:!Essays!on!a!Medium!in!Transition.!ConsoleaIng!Passions.!!Durham:!Duke!University!Press,!2004.!

Stake,!Robert.!The!Art!of!Case!Research.!!Newbury!Park,!CA:!Sage!Publications,!1995.!

Stanhope,!Kate.!"The!Good!Wife!Bosses!on!Peter's!New!Opponent!and!Wrapping!up!the!KalindaaNick!Story!Line."!http://www.tvguide.com/News/GoodaWifeaKingsaKalindaaNicka1055105.aspx.!

Stephen!Nathan!in!Discussion!with!the!Author.!December!11,!2013.!

Syfy.com.!"Syfy!Sync."!http://www.syfy.com/sync.!

Talbot,!David.!"A!SocialaMedia!Decoder."!Technology!Review,!December!2011.!

Tech!Tree!Staff.!"Facebook:!Largest,!Fastest!Growing!Social!Network."!TechTree.!http://archive.techtree.com/techtree/jsp/article.jsp?article_id=92134&cat_id=643.!

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The!Huffington!Post!UK.!"What!Was!the!Most!Popular!Tv!Show!of!2013,!According!to!Social!Media?"!Huffington!Post.!http://www.huffingtonpost.co.uk/2013/12/06/theawalkingadeadatwitterafacebookamostapopular_n_4397222.html?utm_hp_ref=tv&ir=TV.!

The!Wall!Street!Journal.!"Social!Media!+!Pop!Culture!=!?".!http://online.wsj.com/article/SB10001424127887324412604578515702548585058.html.!

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Thorburn,!David.!"Television!Aesthetics."!http://web.mit.edu/21L.432/www/readings/Thorburn_TelevisionAesthetics.pdf.!

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TVGN.!"Fans'!Primary!Reason!for!Social!Tv!Activity!Is!to!Keep!Their!Favorite!Shows!on!the!Air."!http://www.tvgnpr.com/Home/pressItem?detailID=249.!

———.!"Research!Reveals!Social!Network!Activity!Is!Driving!More!Live!Viewing!and!SecondaScreen!Engagement."!http://www.tvgnpr.com/Home/pressItem?detailID=270.!

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Vonnie#adedicatedfan.!"Vonnie#Adedicatedfan!(Greatvonnie50)!on!Twitter."!Twitter.!https://twitter.com/greatvonnie50!!

Warren,!Christina.!"When!Did!the!'Second!Screen'!Become!a!Thing?"!Mashable,!Last!Modified!May!3,!2013.!http://mashable.com/2013/05/02/secondascreen/?utm_medium=feed&utm_source=feedly&utm_campaign=Feed%3A+Mashable+(Mashable).!

Watercutter,!Anglea.!"Tv!FactaChecker:!Community!Creators!Stay!Honest,!Thanks!to!Twitter."!http://www.wired.com/underwire/2011/09/tvafactacheckeracommunity/.!

Weiss,!Lizzy.!"Lizzy!Weiss!(Lizzyweisssab)!on!Twitter."!Twitter.!https://twitter.com/LizzyWeissSAB.!

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Wright,!Megan.!"Megan!Wright!(Skachild_4)!on!Twitter."!Twitter.!https://twitter.com/SkaChild_4.!

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Yin,!Robert.!Case!Study!Research:!Design!and!Methods.!2nd!ed.!!Thousand!Oaks,!CA:!Sage!Publishing,!1994.!

Yuan,!Jada.!"The!Showrunner!Transcript:!The!Good!Wife’s!Robert!and!Michelle!King!on!the!Series’!Evolution!and!Alicia’s!Love!Life."!New!York!Magazine.!http://www.vulture.com/2011/05/the_kings_showrunner_transcrip.html.!

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!! !

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APPENDIX!!

List!of!Individual!Interviews!!Network!&!Studio!Preston!Beckman,!Senior!Strategist,!Fox!Networks!Group!Cait!Hood,!ViceaPresident!Social!Media,!Fox!Broadcasting!Corporation!Kim!Kurland,!Executive!Director!Publicity,!Fox!Broadcasting!Corporation!!Chris!Kaspers,!Director!Media!Relations,!20th!Century!Fox!Television!Studios!Emily!Murray,!Social!Producer,!Fox!Broadcasting!Corporation!Lauren!Brenner,!Assistant!to!Bruce!Margolis,!20th!Century!Fox!Television!Studios!!Bones!Production!Hart!Hanson,!Executive!Producer!/!Creator!Stephen!Nathan,!Executive!Producer!Ian!Toynton,!Executive!Producer!Jonathan!Collier,!Executive!Producer!Steve!Beers,!CoaExecutive!Producer!Michael!“Jocco”!Phillips,!Jr.,!1st!Assistant!Director!Rick!Millikan,!Casting!Director!Sanford!Golden,!CoaExecutive!Producer!!Dave!Thomas,!Consulting!Producer!Dean!Lopata,!Supervising!Producer!Michael!Peterson,!Supervising!Producer!Patrick!Charles,!Producer!Nkechi!Okoro!Carroll,!Executive!Story!Editor!Keith!Fogleson,!Executive!Story!Editor!Emily!Silver,!Story!Editor!Robert!Hornak,!Script!Coordinator!Ian!Scheibel,!Property!Master!Paul!“Butch”!Kitchen,!Jr.,!Assistant!Property!Master!Joel!McKee,!Assistant!Property!Master!Christine!Ciraolo,!Casting!Associate!!Megan!McNamara,!Writers!Assistant!/!Researcher!Eric!Phillips,!Assistant!to!Hart!Hanson!Jessica!Molo,!Assistant!to!Stephan!Nathan!Yael!Zinkow,!Production!Assistant!Sammy!Rivkin,!Office!Production!Assistant!Assaf!Cohen,!Actor!Fred!Fine,!Actor!!!

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!!Fans!Beatrice!Belli,!iabones.net!Jennifer!Lester,!Bonesology!Martha!Emily!Michulka,!Fan!Cindee!Phillips,!Bonesology!!Miscellaneous!Others!Jordan!Levin,!Executive!ViceaPresident,!Microsoft’s!Xbox!Entertainment!Studios!Oliver!Goldstick,!Executive!Producer,!Pretty!Little!Liars!!David!Shore,!Executive!Producer,!House!Lizzy!Weiss,!Executive!Producer,!Switched!at!Birth!Carolina!AcostaaAlzuru,!Media!Researcher!Josh!Levy,!Far!Field!Productions!Manager!of!Creative!Affairs!Maureen!Ryan,!Television!Critic,!Huffington!Post!!!