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Transcript of European Niche Fashion DigitalIQ 2011
8/3/2019 European Niche Fashion DigitalIQ 2011
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SCOTT GALLOWAYNYU Sern
© L2 2011 L2TTa.o
A Think TAnk f or DiGiTAL innOVATiOn
®
nOVe m be r 1 7 , 2 0 1 1
Fas
EurOpEAn
o
Niche
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No brand in the inaugural European Niche Fash-
ion Index nabbed Genius status—an L2 Digital IQ
Index® first—and a staggering 70 percent ofbrands are characterized as Challenged or
Feeble. One-third of brands are still not selling
online, and less than half are participating in paid
search. Adoption and community size on popular
social media platforms—Facebook, YouTube, and
Twitter—lag global fashion players.
Icoic vs. IelevatMany of the brands in this Index do not have the
capital to compete toe-to-toe with larger peers
across traditional print and brick-and-mortar
channels. Digital provides a measureable and
scalable opportunity for smaller brands to level
the playing field and establish direct relationships
with the end consumer via e-commerce and
social media platforms. Investing in emerging
digital platforms, at what is likely a fraction of the
future cost, may be the litmus test for which niche
brands become iconic versus irrelevant.
Digital IQ = Shaeholde ValeOur thesis is that digital competence is inextrica-
bly linked to shareholder value. Key to managing
and developing this competence is an action-
able metric. This study attempts to quantify the
digital competence of 46 European niche fashion
brands. Our aim is to provide a robust tool to di-
agnose digital strengths and weaknesses as well
as help brands achieve greater return on incre-
mental investment. Similar to the medium we are
assessing, our methodology is dynamic, and we
hope you will reach out to us with comments that
improve our methodology, investigation, and find-
ings. You can reach me at [email protected].
Regards,
ScOTT GALLOwAy
Founder, L2
Clinical Professor of Marketing, NYU Stern
2
DIGITAL IQ InDEx®:
euoa n Faso
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i n T r O D U c T i O n
AbsetWhile digital continues to dominate, many of Europe’s
niche fashion brands remain absent online.
DiGiTAL in eUrOpe
UK ITALY FRANCE GERMANY SPAIN
E-Commerce
(2010)1
$91.5 B
$9.4 B
$25.4 B$33.7 B
$12.3 B
Smartphone Penetration
(Approximate of 2010 rates)3
34% 35%25% 24%
38%
Facebook Adoption
(Percent of Internet Users 2010)2
82% 78%73%58% 69%
1. “Wesern Eurean Ecmmerce Marke Cninues Srng Grwh ,” eMarkeer, Augus 15, 2011.
2. “2010 Eure Digia Year in Review,” CmScre, February 24, 2011.
3. “Mbie Year in Review 2010,” CmScre, February 14, 2011.
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Digital iQ inDex®:
European Niche Fashion
© L2 2011 L2TTa.o
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CONTACT US
meThODOLOGy
A b O U T T h e r A n k i n G S
Site: 40% Effeciveness f brand sie
FunCTIOnALITY & COnTEnT: 75%• St Tolog
• navgato, podut & St Sa
• Soal mda itgato
• custo Sv & Sto Loato
• podut pag
• cout
• Aout
•
itatoal custozato: Language,Currency, Consistency, Shipping
Digital Maketig: 30%Search, disay, and emai markeing effrs
• Sa: Traffic, SEM, SEO, Web Authority
• Advtsg & iovato: Display, Retargeting, Recent Brand Initiatives, Presence on Tumblr
• blog & Ot Us-Gatd cott: Mentions, Sentiment
• eal: Frequency, Content, Social Media Integration, Tactics
Social Media: 15% Brand resence, cmmuniy sie, cnen, and engagemen n majr scia media afrms
• Faoo: Likes, Growth, Tabs and Applications, Responsiveness, Engagement
• Ttt: Followers, Growth, Tweet Frequency, Online Voice
• youTu: Views, Number of Uploads, Subscriber Growth, Viral Videos
Mobile: 15%Cmaibiiy, imiain, and markeing n smarhnes and her mbie devices
• mol St: Compatibility, Functionality, Transaction Capability
• OS Alatos (po & pad): Availability, Popularity, Functionality, iPad Differentiation
• Ot platfos (Adod, bla): Availability, Popularity, Functionality
DiGiTAL iQ cLASSeS
IQ Range IQ Cass
140+ GeniUS
Digital competence is a point
of differentiation for these brands.
Site content is searchable,
shareable, and mobile-optimized.
Social media efforts complement
broader digital strategy.
110–139 GiFTeDBrands are experimenting and
innovating across site, mobile, and
social platforms. Digital presence
is consistent with brand image and
larger marketing efforts.
90–109 AVerAGe
Digital presence is functional yet
predictable. Efforts are often siloed
across platforms.
70–89 chALLenGeD
Limited or inconsistent adoption of
mobile and social media platforms.
Site lacks inspiration and utility.
<70 FeebLe
Investment does not match
opportunity.
BrAnD TrAnSLATIOn: 25%• St Astts
• mssagg & iag
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Digital iQ inDex®:
European Niche Fashion
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D i G i T A L i Q r A n k i n G
rak Bad Headqates Digital IQ Class Commets
1 AGEnT prOVOCATEur uK 139 GiftedRacy assets and online voice deliver across channels; strongest mobile presencein the study
2 TED BAKEr uK 128 Gifted Best-in-class Facebook page delivers with contests and user-generated content
3 STELLA McCArTnEY uK 124 Gifted Fastest-growing Twitter community sets social media s tyle standards
4 SupErDrY uK 118 Gifted Regional Facebook strategy pays dividends
5 MOnCLEr Italy 115 Gifted Site relaunch, Grand Central Station flash mob, and social media push impress
6 MOSCHInO Italy 114 Gifted Chic digital experience with iPad optimization
7 LAnVIn Face 113 Gifted Viral video hit led models, bloggers, and customers dancing to its e-commerce site
8 EMILIO puCCI Italy 112 Gifted Strong commerce-oriented site and mobile experience
9 JEAn pAuL GAuLTIEr Face 111 Gifted Namesake lends star power to garner one of the largest Twitter followings
10 LA pErLA Italy 110 Gifted A mobile presence would lift brand IQ
11 THOMAS pInK uK 109 Aveage Tailored site navigation reveals digital attention to detail
12 JIL SAnDEr Gemay 104 AveageFocus should be on establishing a mobile presence, not on manufacturinga smartphone
13 VIVIEnnE WESTWOOD uK 99 Aveage Facebook leader with largest fan base and forthcoming F-commerce
14 ALBErTA FErrETTI Italy 95 Aveage Growing social media voice and e-commerce set foundation
SpAIN
FRANCE
ItAlY
HEADQuArTErS:
UK
GERMANY
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D i G i T A L i Q r A n k i n G
rak Bad Headqates Digital IQ Class Commets
15 FurLA Italy 89 Challeged Robust regional site customization
15 TruSSArDI Italy 89 Challeged Low email frequency hinders site traffic growth
17 MArnI Italy 88 Challeged Commerce-oriented site extends to mobile; burgeoning social voice could lift brand
18 AuBADE Face 87 Challeged “French Art of Loving” campaign created digital buzz, but product sharing wouldincrease reach
19 GIEVES & HAWKES uK 84 Challeged Digital marketing efforts would bolster streamlined e-commerce site
20 CoSTuME nATIOnAL Italy 79 Challeged Static digital footprint does not match brand’s image
20 MISSOnI Italy 79 Challeged Renewed attention to brand diluted by lack of e-commerce
20 SErGIO rOSSI Italy 79 Challeged Social media is isolated from site
23 LAnCEL Face 77 Challeged Brand cultivates a tribe of product-centric Facebook fans
25 ESCADA Gemay 75 Challeged No avenue for site monetization without e-commerce
24 KEnzO Face 76 ChallegedStylish site relaunch weaves a s tronger brand identity, but removing e-commerce
is a poor choice
26 JOHn LOBB uK 72 Challeged Rich branded content would get greater reach through social media
27 LOrO pIAnA Italy 71 Challeged Social media would support relaunch of the brand’s stunning e-commerce site
28 ADOLFO DOMInGuEz Sai 69 Feeble
Foundation in place, but requires stronger emphasis on site functionality
than aesthetics
SpAIN
FRANCE
ItAlY
HEADQuArTErS:
UK
GERMANY
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D i G i T A L i Q r A n k i n G
rak Bad Headqates Digital IQ Class Commets
29 AQuASCuTuM uK 68 Feeble Confusing site strategy leads to geographic disconnect
29 BLuMArInE Italy 68 Feeble Brand makes strides with shareable lookbook despite lack of e-commerce
31 BALMAIn Face 67 Feeble Missing Facebook page hinders IQ
32 COrnELIAnI Italy 65 Feeble Recently released iPhone app moving in right direction, but needs to upgrade site
33 SLOWEAr Italy 64 Feeble Trying to compensate for lack of e-commerce through iOS apps and branded content
34 CéLInE Face 60 Feeble No social media properties to broadcast runway acclaim
35 BrunO MAGLI Italy 59 Feeble Digital voice muffled by protected tweets
36 BrunELLO CuCInELLI Italy 57 Feeble Strong aesthetics, flat functionality
36 nInA rICCI Face 57 Feeble Flash-heavy site with limited regional customization
38 ErES Face 55 Feeble E-commerce site only available in French
39 BErLuTI Face 54 Feeble Strong content is not shareable
39 SOnIA rYKIEL Face 54 Feeble Faulty product links disrupt e-commerce offering
41 FrATELLI rOSSETTI Italy 47 Feeble Product sharing, but not much else
42 BrIOnI Italy 46 Feeble Brand lags without social media and mobile presence
SpAIN
FRANCE
ItAlY
HEADQuArTErS:
UK
GERMANY
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Digital iQ inDex®:
European Niche Fashion
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rak Bad Headqates Digital IQ Class Commets
43 ETrO Italy 44 Feeble Poor site navigation
43 TurnBuLL & ASSEr uK 44 Feeble Digital presence is a relic
45 pOLLInI Italy 37 Feeble No email marketing or search optimization makes site difficult to find
46 GIAnFrAnCO FErré Italy 29 Feeble Absent
D i G i T A L i Q r A n k i n G
SpAIN
FRANCE
ItAlY
HEADQuArTErS:
UK
GERMANY
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Digital iQ inDex®:
European Niche Fashion
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k e y F i n D i n G S DiGiTAL iQ DiSTribUTiOn
% of bads Dgtal iQ class
DIGITAL IQ
>140
GEnIuS0%
DIGITAL IQ
110–139
Agen prvcaeur
ted Baker
Sea McCarney
Suerdry
Mncer
Mschin
lanvin
Emii pucci
Jean pau Gauier
la pera
GIFTED
22%
thmas pink
Ji Sander
Vivienne Weswd
Abera Ferrei
DIGITAL IQ
90–109
AVErAGE9%
Fura
trussardi
Marni
Aubade
Gieves & Hawkes
Csume Naina
Missni
Sergi Rssi
lance
Escada
Ken
Jhn lbblr piana
DIGITAL IQ
70–89
CHALLEnGED
28%
Adf Dmingue
Aquascuum
Bumarine
Bamain
Crneiani
Swear
Brun Magi
Céine
Brune Cucinei
Nina Ricci
Eres
Berui
Snia Rykie
Fraei Rssei
Brini
Er
turnbu & Asser
pini
Gianfranc Ferré
DIGITAL IQ
<70
FEEBLE
41%DIGItAl IQ INDEx ®:EURopEAN NICHE FASHIoN
DIGItAl IQ INDEx ®:FASHIoN
DiGiTAL ADOpTiOn AcrOSS pLATFOrmS
% of euoa n Faso vs. Gloal Faso bads
Absece of Geis
For the first time in a Digital IQ Index®, we did not registera single Genius brand. The ranking distribution reveals
a bifurcation between Gifted brands and those that are
Challenged and Feeble, suggesting a subset of niche European
brands have made competent, yet still undifferentiated forays
on digital platforms while many have largely ignored
digital altogether.
Adoption of digital platforms among European niche fashion
brands is limited compared to the 49 brands in this year’s Digital
IQ Index®: Fashion—European brands trail on every platform.
Unlike in the U.S., where small, nimble brands such as Genius
Kate Spade and Gifted Tory Burch and Diane von Furstenberg
have made impressive strides growing their digital footprint and
are punching above their weight class, niche European brands
lag behind their larger peers.
E-commerce EmailFacebook Twitter YouTube Mobile(Site & App)
Blogs
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4. “Frreser Frecas: onine Reai Saes Wi Grw t $250 Biin By 2014,” Erick Schnfed, techCrunch, March 8, 2010.
DiGiTAL iQ by cOUnTry OF OriGin
(*oher = Germany and Sain)
WItH
WItHoUt
SiTe FUncTiOnALiTy
% of Sts wt Ls to t Follog
(ocber 2011)
Befoe Shaeable, Fidable A number of European niche fashion brands lack basic site
features. Only half of the brands offer site search, while 43
percent of sites are not equipped with basic product filtering.
The connection to brick-and-mortar retail is limited with
functionality and navigability lacking; two-thirds of the brand
sites did not map stores or post hours, and almost 80 percent
did not list store services.
67%
91%
9%
76%
65%
35%
50%
57%
33%
43%
50%
Store Locator
24%
Product FilteringEmail Opt-InCustomer Service(Email)
Video Site Search
Islad of Iovatio
Brands headquartered in the UK register higher Digital IQs thanthose from other countries. Replicating the findings of the Digital
IQ Index®: Fashion, Italy and France continue to lag behind
their British peers by a considerable margin. Culture, access to
digital talent, and vendors all contribute. The top four brands,
including Digital IQ leader Agent Provocateur, call the UK home.
Furthermore, 90 percent of UK-origin brands boast e-commerce
capability.
UK
(n=10)
Other*
(n=3)
Italy
(n=22)
France
(n=11)
Shaky Digital Fodatio
Through 2014, annual Western European e-commerce growth isexpected to reach 11 percent.4 Despite this trajectory, one-third
of the brands in this Index do not support e-commerce. Brands
without e-commerce averaged a Digital IQ score 35 points lower
than those selling online. Additionally, sites with e-commerce
recorded more than 1.6 more page views, 110 percent higher
three-month traffic growth, and an almost four percent lower
bounce rate.
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k e y F i n D i n G S
WItHWItHoUt
podct Seclsio
Brands are not only making their products hard to find, butalso difficult to share. Only a third of the brands offer product
tweeting, and less than 30 percent allow sharing via email.
Escada, Lancel, and Pollini are compensating for their lack
of e-commerce functionality by experimenting with social
media-driven product sharing for their lookbooks and
campaign materials.
Shareability drives incremental traffic—product pages with the
Facebook “like” button saw a 34 percent increase in one-month
site traffic growth versus only nine percent for sites without
the “like” button. Additionally, brands that included shareablecontent—notably, video sharing and blogs—also saw an almost
100 percent increase in traffic growth versus those without.
I Seach of SeachEuropean niche fashion brands aren’t managing one of their
most important storefronts: Google.
This digital disconnect shows no signs of improving, as only 43
percent of brands purchase their own brand terms on Google.
Ted Baker and Thomas Pink stand out among that minority of
brands. They not only optimize their search with product and
geolocal information, but also with paid search ads.
It is noteworthy that 28 percent saw the presence of a third-
party e-commerce provider within their “above-the-fold” organic
Google search results, while 67 percent found these e-tailers
appear within their top three paid search results. Even more
alarming, discount sites such as eBay and Vente-Privée were
purchasing against one-third of brands.
Video Sharing Blogs Links toSocial Media
ProductTweets
ProductFacebook
“like”
Brand Site Discount Site Department Store MediaE-Tailer
One-mOnTh TrAFFic GrOwTh
b St Fatu
(Aea, ocber 2011)
GOOGLe pAiD SeArch reSULTS: brAnD key wOrD
% To T pad Ads
(ocber 2011)
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5. “the Eurean Scia Media and Emai Markeing Sudy—A 6 Cunry Sudy abu he Digia Diague beween Facebk, twier and Emai (par 2) (Eurean Summary Cnsumer Resus) ,” Vker Wiewer and Rf Anweier, eCirce, December 2010.
6. Ibid.
Superdry
Moncler
La Perla
Marni
Agent Provocateur
Moschino
Emilio Pucci
Sergio Rossi
Alberta Ferretti
Slowear
2.17
2.00
1.48
1.35
1.29
1.13
0.86
0.75
0.60
0.53
0 . 0
0 . 5
1 . 0
1 . 5
2 . 0
2 . 5
TOp 10: weekLy emAiL FreQUency
nu of eals, Avag Aoss All mats
(ocber 2011)
Emty Iboes
Although more than 70 percent of Western European consumerssign up for email newsletters,5 only 65 percent of the brands
in the Index offer email opt-in, and averaged only 0.29 emails
per week. While more is not necessarily better, email marketing
remains the most effective call-to-action vehicle for e-commerce
sales. Superdry and Moncler were the only brands with robust
email marketing programs, sending 2.17 and 2.0 emails per
week respectively.
Email sophistication is also limited, as just 30 percent provide
links to social media. Eight percent of emails were shareable via
social media, and 41 percent optimized the email for viewing ona mobile device. Mobile optimization is an opportunity, as one-
quarter of consumers in the UK, Italy, and Spain read emails on
their mobile devices daily.6
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k e y F i n D i n G S
Vv wstoods laugF-o soo
@Stllamcatats a dalogut ts Tttfollos
Socially Awkwad
Adoption of the big three social media platforms lags in theEuropean niche fashion community. The average Facebook fan
page of European niche fashion brands were 20 times smaller
than their Digital IQ Index®: Fashion peers. Additionally, tab
functionality and programming was rudimentary: only 23 percent
of pages had a custom landing page, and just five percent host
Facebook applications.
Vivienne Westwood is on a solid trajectory for continued growth
through expanding and managing this study’s largest Facebook
community. Its forthcoming experimentation with F-commerce
should also help the brand.
Fifty-five percent of Twitter accounts retweet content, 61
percent reply to tweets and 55 percent link to the brand’s
other social media properties. For example, @StellaMcCartney’s
tweet stream is packed with tweets complimenting and following
up with customers. Additionally, Index leaders Agent
Provocateur and Furla have established personas on Twitter
that successfully deliver the personality of the brand in
140 characters or less.
European niche fashion brands’ YouTube adoption is less
sophisticated than on any other social platform. Brands primarily
used YouTube to showcase fashion show coverage, behind-the-
scenes commentary, and campaign videos. When available,
much of this content simply replicates what can be found on the
brands’ sites.
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Vivienne Westwood
Superdry
Lanvin
Stella McCartney
Agent Provocateur
Aubade Paris
Jean Paul Gaultier
Kenzo
Moschino
Lancel
276,705
353,162
173,305
139,468
120,000
111,894
66,348
60,406
56,100
56,071
0
1 0 0 , 0 0
0
2 0 0 , 0 0
0
3 0 0 , 0 0
0
4 0 0 , 0 0
0
Superdry USA
Blumarine
Fratelli Rossetti
Missoni
Superdry Spain
Corneliani
Lancel
Furla
Sergio Rossi
Etro
74%
124%
22%
20%
19%
16%
13%
12%
10%
10%
0 % 3 0 %
6 0 %
9 0 %
1 2 0 %
1 5 0 %
k e y F i n D i n G S
TOp 10: FAcebOOk “LikeS”
(ocber 2011)
TOp 10: FAcebOOk FAn pAGe GrOwTh
eludg pags wt < 2000 Fas
(Seember–ocber 2011)
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@StellaMcCartney
@JPGaultier
@EmilioPucci
@FollowWestwood
@balmainparis
@Superdry
@kenzo_paris
@ted_baker
@sergiorossi
@LaPerlaLingerie
0
5 , 0 0
0
1 0 , 0 0 0
1 5 , 0 0 0
2 0 , 0 0 0
17,798
17,344
13,530
12,723
12,349
8,149
8,018
6,205
5,121
194,554
beST in TweeT: TOp 10 TwiTTer FOLLOwerS
(ocber 2011)
TOp 10: FASTeST-GrOwinG TwiTTer AccOUnTS
(Seember–ocber 2011)
k e y F i n D i n G S
@StellaMcCartney
@JPGaultier
@EmilioPucci
@LANVINofficial
@FollowWestwood
@Superdry
@Moschinofficial
@balmainparis
@MissoniUSA
@ted_baker
0 % 2 % 4 % 6 % 8 %
23.4%
6.1%
4.5%
3.7%
2.5%
2.4%
1.7%
1.7%
1.6%
1.4%
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Se Sells
Agent Provocateur gained viral infamy with its 2006 videofeaturing Kylie Minogue riding a mechanical bull. This video was
later banned from television, but secured a cult-like following
for the brand. Agent Provocateur’s official YouTube channel has
almost 1.3 million upload views, more than 10 times the average
for European niche fashion brands (121,774). The latest video
series with Paz de la Huerta has generated 452,312 views on the
brand’s YouTube channel. To reinforce its video reign, the brand
drives video views with a custom YouTube tab on its Facebook
page and a video library on its site.
k e y F i n D i n G S
0
2 6 0 , 0
0 0
5 2 0 , 0
0 0
7 8 0 , 0
0 0
Agent Provocateur
Corneliani
Jil Sander
Trussardi
Thomas Pink
Turnbull & Asser
Stella McCartney
Costume National
Vivienne Westwood
Lanvin
1,287,708
457,434
249,215
146,513
138,359
131,785
59,687
38,495
34,617
29,021
TOp 10: brAnDS youTu bad cal Uload Vs
(ocber 2011)
Agt povoatu'spaz d la huta vdoaag
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COHORTS CROWDS
FAMILIES TRIBES
Aubade
Lancel
Jean Paul Gaultier
k e y F i n D i n G S
SiZe OF cOmmUniTy
not: Horizontal axis (Size of Community) is graphed on a logarithmic scale.
L e V e L O F e n G A G e m e n T
FAcebOOk cOmmUniTy SiZe vs. enGAGemenT rATeSeludg pags wt < 2,000 Fas
(ocber 2011)
= “tRIBES” BRANDS:
Brands wih large Facebk
Cmmuniies and HighEngagemen
= BRANDS NARRoWING oN
“tRIBES” CAtEGoRIzAtIoN
KEY:
podut-t
osts a tfous of Lal'sFaoo statg
ra otogasad f gfts sult
g gagtfo Auad
Sie vs. Egagemet
Success on Facebook is no longer limited to the size of abrand’s page; it is also determined by its level of engagement.
As a group, European niche fashion brands have relatively small
communities, averaging approximately 55,000 “likes” and a
Facebook interaction rate of 0.16 percent compared to Fashion
Index's 0.10 percent. Aubade and Lancel are the only brands
to earn the elusive “Tribe” status, cultivating large communities
with strong engagement. Both brands have product-centric
posting strategies that maintain a connection with their fans.
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k e y F i n D i n G S OVerAchieVerS & UnDerAchieVerS
Atual Faoo Fas vs. pdtd Faoo Fas
(Based n Gge Mnhy Gba Search Vume, ocber 2011)
FAcebOOk pOST cOnTenT
% of bads Usg vs. itato rat
(ocber 2011)% oF BRANDS USING
INtERACtIoN RAtE
Event
77% 0.59%0.60%
0.44%
0.22%
0.31%
0.44%
0.29%
Product
84%
30%
Celebrity
37%
QuestionAd/Commercial
12%
General Statement
35%
Tip/Advice
9%
Overachievers:
Underachievers:
S l o w e
a r
B e r l u
t i
B r u n
o M a g l i
M a r n i
E r e s
V i v i e n
n e
W e s t w
o o d
S u p e r d r
y
A g e n t P r o v o c a t e u r
L a n v i n
S t e l l a M c C
a r t n e y
98%
89%
65%
53%
45%
-97% -99% -99% -99% -100%
-100%
-50%
0%
50%
100%
Oveachieves vs. udeacheives
Comparing a brand’s Facebook “likes” to the number of globalmonthly organic searches for its brand name on Google
(a proxy for brand equity online) provides a metric for identify-
ing brands that are underachieving and overachieving on the
social network.
As with Digital IQ, a bifurcation exists. Of the 36 brands with an
official Facebook account, an overwhelming 78 percent are un-
derachievers, suggesting they have paid limited attention to the
popular social network. Of the remaining brands overachieving
on Facebook, Vivienne Westwood is the standout. Its commu-
nity of 353,000 fans is actively promoted through the brand’s
site and email marketing.
podct resoates Although European Niche Fashion brands utilize a variety of
content to engage Facebook fans, a whopping 84 percent post
about products—and for good reason. Product posts garnered
the highest average interaction rate, 0.6 percent. Brands were
almost as talkative about events, which also earned a high
average interaction rate.
Contrary to popular belief, two of the least effective posts at
generating fan interaction focused on celebrities and adver-
tising materials, which 37 percent and 30 percent of brands
discuss, respectively.
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Store Locator
Social Sharing
M-Commerce
Customer Service
44%
22%
67%
56%
78%
33%
11%89%
mObiLe FeATUre ADOpTiOn
% of mol Sts
(ocber 2011)WItH
WItHoUt
Store Locator
E-Commerce Enabled
Mobile Site Search
29%
29%
7%
71%
71%
93%
iMobile
Mobile adoption is considerably low among the 46 Europeanniche fashion brands included in this year’s Index. Only 33 per-
cent of the brands provide any mobile experience—18 percent
have developed a mobile-optimized site and 17 percent have
developed applications. Only two brands, Agent Provocateur
and Blumarine, have both a mobile-optimized site and an ap-
plication. Furthermore, one in five brand sites do not load
on a smartphone.
The brands that do offer a mobile-optimized experience often
do little more than personalize the mobile domain. Less than
30 percent support m-commerce or incorporate a store locator.
This low rate of brand mobile-site adoption is particularly stag-
gering in light of the high mobile adoption rate of Europe’s
population. Not only do countries like Spain, Italy, and the UK
boast smartphone penetration rates above 30 percent, but
approximately 55 percent of smartphone users—more than 10
percentage points above the U.S.—have devices that enable
them to browse and perform web-based transactions.7
Although it outpaces mobile site development, iOS application
adoption still lags at 33 percent. Just one brand, Superdry,has an m-commerce enabled iOS app, and just 11 percent
feature customer service. Furthermore, a third of brands fail to
incorporate a store locator.
k e y F i n D i n G S
ADOpTiOn OF OS FUncTiOnALiTy FeATUreS
% of bads
(ocber 2011) WItH
WItHoUt
7. “Mbie Year in Review,” CmScre, February 14, 2011.
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D i G i T A L p r O J e c T i O n S
L2’s oadma fo avigatigthe ast, eset, ad fte ofEoea niche Fashio olie
Customer Service
E-Commerce
Facebook Engagement
Online Voice
iOS Experience
YouTube Video
Market Strategy
tday tmrrw Yeserday
kzoNo email address, no web form, and no storefinder; only offers one phone number withlimited hours
Td baOnly brand in Index to offer live chat
es“Eres Is at Your Service” lets you request acustomer service call from a U.S.or European adviser
Adolfo DoguzBalmain • John LobbLookbook-centered sites equipped with bareminimum in e-commerce
Loo paaIntegrates brand lifestyle content with e-tail
Agt povoatuSite account lets you customize youre-commerce shopping experience
Balmain • Gianfranco FerréNo official Facebook page; unaffiliated pageshave cropped up to fill the void
Emilio Pucci • Furla • La PerlaFacebook programming features custom andgated tabs
Vv wstoodFull F-commerce soon to come
buo maglProtected Twitter account discouragesfollowers
Furla • EscadaStrong personality on Twitter, but isolated asonly cross-platform promotion is link from site
Agt povoatuBrand personality evident in tweet stream,which is also featured in widgets onFacebook and site
Adolfo Doguz
Sergio Rossi • Loro PianaSites are too flash-heavy to load ona mobile device
Agent Provocateur • BlumarineOnly brands with both a mobile site andan iOS presence
SudOnly brand with fully e-commerce enablediPhone and iPad apps
Corneliani • Escada • LancelCookie-cutter collections of videos featuringad campaigns, behind-the-scenes coverage,and fashion shows
Agt povoatuScandalous video after scandalous videocements brand’s video following
Lav Viral fall 2011 campaign video ties to offlinebrand buys
Gvs & hasTuull & AssThese men’s brands stick to traditionalpaid media
Stlla mcatSergio Rossi • Emilio PucciUsing some paid digital media
molDigital marketing is a combination of earnedand paid media—Grand Central Station flashmob attracted the attention of bloggers
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F L A S h O F G e n i U S
Models Take to the Dace FlooTo announce its Fall/Winter 2011 collection, Lanvin released
a video lookbook shot by Stephen Meisel. The video features
supermodels Karen Elson and Raquel Zimmerman performing
a synchronized dance to Pitbull’s “ I Know You Want Me (Calle
Ocho)” while wearing different pieces from the collection.
Introducing silliness to high fashion, the video garnered more than
150,000 views within a few days of release, delighting viewers with
its self-mockery. Lanvin Creative Director, Alber Elbaz, even makes
a cameo appearance at the end, showcasing his own dancemoves. The video was released weeks after still images of Elson
and Zimmerman in the same setting were published. Additionally,
Lanvin capitalized on the video’s popularity by letting dance pairs
enter a raffle to compete in a dance-off during its Fashion’s Night
Out event in New York, which the brand shared with followers and
fans via tweets and Facebook posts.
Lav’s Fall 2011caag vdofatus suodlska elso ad
raqul Zadag uso toptull’s “i ko youwat m (call Oo)”
pas ould ot a da ottofo zs, atgo ott fo tssoal da latfosat a Lav FnO vt nyc
Lav sot aagotos ojutot t vdo
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F L A S h O F G e n i U S
Ted Bake Goes WildTed Baker launched an integrated Instagram and Facebook
campaign this October called “It’s Rutting Season” to
promote its winter collection. The brand held events in its
Glasgow, Manchester, and London stores and invited fashion
bloggers including Les Garçons de Glasgow, Sara Luxe, and
Mademoiselle Robot to take the brand’s Instagram feed and
snap photos of in-store shoppers. Shoppers posed in an
ensemble from the latest collection in a doe or stag mask and
their pictures were uploaded to the brand’s global Facebookpage. Rutting models were encouraged to solicit “likes” from
their Facebook networks, and the two photo subjects with the
most “likes” each week won a Ted Baker shopping spree. The
campaign was promoted on the brand’s Twitter account as well
as on the blogger/photographers’ personal digital platforms.
During the promotions, Ted Baker added an average of
60 percent more fans per day than before the campaign.
Faso loggs tooistaga otos ofsos o t
dfft das, tdfft Uk ts
“it’s ruttg Saso”usto Faoo
alato
potos
uloadd toTd ba’sFaoo agad Ttt fd
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F L A S h O F G e n i U S
Hye-LocalSuperdry is the only brand in the Index taking a regional
approach to Facebook, managing distinct pages for each
major European market. In addition to regional pages, the
brand’s global page provides exclusive content for fans in
other geographies.
Markets are also championing regional innovation. Superdry
USA launched a campaign on October 3 targeting digitally savvy
college students. Students at participating universities were
encouraged to apply to become a brand ambassador for the
chance to win a $1,000 Superdry wardrobe and a $500 cash
prize. To qualify, applicants were required to have at least 1,000
Facebook friends and recruit 10 percent of them to become
Superdry USA Facebook fans. This campaign continues to fuel
Superdry USA’s staggering fan growth, which was 124 percent
from mid-September to mid-October, beating the other brands in
the Index by a wide margin.
Sud USA’s“Sud Uvst”aag augtsts ad fa got
T SD Gloal ta sooatd o aof Sud’s out
ags, ovdg a lto Faoo ags
aoss t glo
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Mocle Takes Cete StageTo celebrate Fashion Week last February, Moncler staged a flash
mob in Grand Central Station. The brand hired 160 dancers clad
in Moncler skiwear, as well as 200 extras in order to orchestrate
a 10–minute dance routine in the station’s main concourse.
To increase virality and buzz around the event, Moncler invited
editorial and media guests to a pre-flash mob reception in the
balcony above the terminal. Among the guests were many
fashion bloggers who provided their own digital coverage
of the event. Moncler did not upload a video of the dance
spectacle to its YouTube channel, but instead let blogger and
press videos, photos, and articles bring the event to life online.
The top five videos of the event have amassed almost 150,000
views combined. Moncler has also taken other critical steps
to increase its digital footprint this year, joining Facebook and
Twitter in September.
mol latdFaso w oFua 13 tagov Gad ctalStato t a o ofdas dssd t
ad’s sa
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Stella McCatey’s ipad AStella McCartney released the second version of its iPad
app “Stella’s World” this past summer to coincide with its
e-commerce launch in 28 European countries. The app features
content about new collections and fashion shows, as well as
selections of Linda McCartney’s photography and behind-the-
scenes coverage of the British Olympic Team shoot.
A particularly engaging hub is the “Stella McCartney Kids”
section, which is loaded with interactive features embedded
in each of the campaign photos. When making a productselection on the “Kids” section, the app seamlessly directs the
user to the brand’s e-commerce site.
T a luds sval otos fo t oo Linda McCartney:
Life in Photographs tat sltd
Stlla mcat
bd-t-ss vdo of bta’s Ol Ta
Stlla mcat’s dsgs ollaoato
t Addas
T “Stlla mcat kds” sto as aatd fatus
vstos a l toug to ag t s
codg t tlas of t a,Stlla mcat addd28 o euoaouts to ts-o st
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The Loo piaa LifestyleWith the launch of e-commerce in October, Lora Piana went live
with one of the most interactive online shopping experiences in
the Index. Although flash technology hinders page transitions
and mobile browsing, the site is beautifully designed and
nabbed one of the highest brand translation scores in the Index.
Illustrations of lifestyle scenes greet the user and highlight
Portfonio products. Navigation to the product page is somewhat
cumbersome, but once there the brand delivers up to 11
product views, strong customer service options, and the ability
to favorite and gift. Additionally, the brand aims to drive visitors
to retail by automatically detecting IP addresses and displaying
local store, time, and weather throughout the site.
itatv ss t“Ou wold” sto of
t st g t adsoalt to lf
St dtts uss’ loatosad dslas foato fot ast stos
podut agsav a tsv
ollto ofodut otos
F L A S h O F G e n i U S
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F L A S h O F G e n i U S
Aget povocate A key reason Agent Provocateur propelled to the top of this
Index is the brand’s rich site experience and superior navigation.
Site account holders can personalize their e-commerce enabled
site experience by entering their sizes to display only relevant
products. Additionally, users can select their preferred currency
upon login. Products can be filtered by size, style, and color,
and all product previews can be switched from front view to
back view.
The site also has a section dedicated to the current—and
notorious—Paz de la Huerta spokeswoman lookbook that gives
users the option to shop for outfits from each of the campaign
photos. Finally, the site drives visitors to Agent Provocateur’s
social media properties with homepage links to Facebook,
Twitter, and YouTube, and also displays a live Twitter feed widget.
Aout allossos toustoz tst ott tt szs adfd u
Ol sosa us t
paz d la hutaaag otos
ad so t loos
Tts fo tsau @TmssAp
a dslad ot oag’s
Ttt dgt
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ScOTT GALLOwAy clal pofsso of matg, nyU StFoud, L2
Scott is a Clinical Professor at the NYU Stern School of Business
where he teaches brand strategy and luxury marketing and is the
founder of L2, a think tank for prestige brands. Scott is also the
founder of Firebrand Partners, an operational activist firm that
has invested more than $1 billion in U.S. consumer and media
companies. In 1997, he founded Red Envelope, an Internet-
based branded consumer gift retailer. In 1992, Scott founded
Prophet, a brand strategy consultancy that employs more than
120 professionals in the United States, Europe, and Asia. Scott
was elected to the World Economic Forum’s “Global Leaders of
Tomorrow,” which recognizes 100 individuals under the age of 40
“whose accomplishments have had impact on a global level.”
Scott has served on the boards of directors of Eddie Bauer
(Nasdaq: EBHI), The New York Times Company (NYSE: NYT),
Gateway Computer, eco-America, and UC Berkeley’s Haas School
of Business. He received a B.A. from UCLA and an M.B.A. from
UC Berkeley.
VérOniQUe VALcU
L2
Véronique began her career in Deloitte Consulting’s Strategy &
Operations practice where she worked with some of the world's
largest corporations in retail, manufacturing, and pharma.
While there, she conducted extensive social media analyses of
consumer-facing brands and contributed to the firm’s growing
interest in the space. Post Deloitte, she moved to the Winterberry
Group where she performed strategic consulting for advertising
and marketing services companies. At L2, Véronique serves as
the Specialty Retail and European research lead.
She received her B.A. in Communications from the University of
Pennsylvania.
mAUreen mULLen
L2
Maureen leads L2’s research and advisory practice where she
helped develop the Digital IQ Index®. She has benchmarked digital
marketing, e-commerce, and social media efforts of more than 300
brands across pharma, auto, luxury, specialty retail, beauty, and
the public sector. Maureen also has led digital strategy consultingengagements for a variety of Fortune 1000 clients. Before joining
L2, Maureen was with Triage Consulting Group and led managed
care payment review and payment benchmarking projects for
hospitals, including UCLA Medical Center, UCSF, and HCA. Mau-
reen has a B.A. in Human Biology from Stanford University and an
M.B.A. from NYU Stern.
LLOyD SALmOnSbad Taslato, Outsd L
Lloyd co-founded the social media agency Outside Line back
in 2000. Since then Outside L ine have been busy building
campaigns and communities for global brands including Diesel,
Budweiser, and Virgin Galactic.
Prior to this he was responsible for setting up the international
new-media marketing network at EMI, working across campaigns
for artists such as The Beatles, Queen, Blur, Gorrilaz, Radiohead,
and Robbie Williams. These campaigns pioneered online musicmarketing techniques and won a variety of awards and acco-
lades for digital marketing.
Lloyd has also been chairman of the IAB Social Media Council
helping to put his experience in to ensuring best practice across
the industry.
emiLy hALLQUiSTL2
Emily is a research associate at L2 where she works with the
research team on the Digital IQ Index® reports. Her background
is in international relations, and she interned last year with I nter-
national Business-Government Counsellors (IBC) in Washington,
D.C.. At IBC, she assisted on client engagements pertaining to
their global operations. Emily received a B.A. in Public Policy with
minors in Earth and Ocean Sciences and Political Science from
Duke University.
r. DAnieLLe bAiLey L2
Danielle began her career at The Home Depot, Inc., where she
led a variety of internal consulting engagements focused on
supply chain, merchandising, and in-store process improvement.
She went on to manage the implementation of award-winning
mobile initiatives for several large media clients, including The
New York Times Company, NBC Universal, Disney/ABC, Maxim
magazine, and Zagat. Danielle has a B.S. in Systems Engineer-
ing from the University of Virginia and an M.B.A. from NYU Stern.
chriSTine pATTOn
catv Dto, L2
Christine is a brand and marketing consultant with more than15 years of experience creating brand identities and marketing
communications for aspirational and luxury brands. As creative
director of L2, she leads the translation of the L2 brand across
all touchpoints, with a particular focus on the visual packag-
ing of L2’s research.She began her career at Cosí, where she
developed the brand and oversaw its evolution from concept
through growth to 100 restaurants. Since then she has provided
creative direction for a wide array of clients, including the launch
of Kidville and CosmoGIRL! magazine. Christine received a B.A.
in Economics and Journalism from the University of Connecticut
and an M.B.A from NYU Stern.
JeSSicA brAGAL2
Jessica, a freelance art director, specializes in identity, iconogra-
phy, event graphics, and invitations. Initially beginning her career
in fashion, designing textiles and prints at Elie Tahari’s design
studio in New York City, she then focused on the Elie Tahari brand
aesthetic and consistency in design across its many developing
disciplines. Desiring to explore other facets of design, she went
on to become the art director of a small, prestigious design firm
in Chelsea, where she focused on event graphics, digital and
print collateral, and brand aesthetics f or companies both large
and small. Jessica holds a B.F.A. in Gr aphic Design, as well as
an A.A.S. in Illustration, from Rochester Institute of Technology.
AArOn bUnGeL2
Aaron is a freelance graphic designer who specializes in print
design, branding and identity, packaging, and web design. His
approach to design is both aesthetic and functional; character-
ized by clear, intelligent design that is always appropriate to the
project at hand. He began his career tailoring projects for the
Chinese, Australian, and U.S. markets, across multiple design
disciplines, and in multiple languages. Aaron has a B.F.A. in
Graphic Design from Iowa State University.
T e A m
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L2 s a t ta fo dgtal ovato.
We are a membership organization that brings together thought leadership
from academia and industry to drive digital marketing innovation.
rESEArCH
Dgtal iQ id®: The definitive benchmark for online competence, Digital IQ Index® reports score
brands against peers on more than 350 quantitative and qualitative data points, diagnosing their
digital strengths and weaknesses.
EVEnTS
Fous: Big-picture thinking and game-changing innovations meet education and entertainment.
The largest gatherings of prestige executives in North America.
300+ attendees
cls: Executive education in a classroom setting with a balance of theory, tactics, and
case studies.
120–150 attendees
wog Lus: Members-only lunches led by digital thought leaders and academics.Topic immersion in a relaxed environment that encourages open discussion.
40–60 attendees
mbA masus: Access and introduction to digital marketing talent from top MBA schools.
COnSuLTInG
Advso Svs: L2 works with brands to garner greater return on investment in digital initiatives.
Advisory work includes Digital Roadmaps, Social Media Strategy, and Site Optimization engagements.
MEMBErSHIp Fo s fo ad qus: [email protected]
upCOMInG EVEnTS
L2 cl The Social Graph EUROPE
11.21.11 pas
L2 cl Mobile
01.19.12 n yo ct
01.24.12 pas
L2 cl Digital Marketing
04.13.12 n yo ct05.22.12 pas
L2 cl Social Media
06.14.12 n yo ct
upCOMInG rESEArCH
DiGiTAL iQ inDex® rots:
European Specialty Retail
Travel
Magazines
upCOMInG MEMBEr BEnIFITS
Members Site:
i Q1 L2 ll lau al-t tag of dgtal ts
(vs. s).
preSTiGe 100® rots:
Mobile
Emerging Markets
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w: L2ThinkTank.com
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