European Art & Old Masters | 06/16/15

European Art & Old Masters06/16/15

Sale 1521Tuesday, June 16, 2015 at 10am1808 Chestnut Street, Philadelphia PA 19103

Friday, June 12 Saturday, June 13 Sunday, June 14 Monday, June 15 $32 in the gallery$38 domestic mail$44 international mail

Inside Front Cover: Lot 96Inside Back Cover: Lot 152

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European Art & Old Masters

10:00am-5:00pm 12:00pm-5:00pm 12:00pm-5:00pm 10:00am-5:00pm

By appointment only on the morning of the sale

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Important Information for Buyers

v2.2015

RegistrationAll potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale.

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Catalogue DescriptionsAll item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

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European Art & Old Masters Department

Whitney LongBids [email protected] 267.414.1207

Bethany MobbsShipping & [email protected] 267.414.1242

Mary Maguire CarrollDirector | Client [email protected] 267.414.1236

David Weiss Senior Vice President | Specialist [email protected] 267.414.1214

Alasdair NicholVice Chairman | Head of [email protected] 267.414.1211

Molly MorrowDepartment [email protected] 267.414.1253

Client Services


European Art & Old Masters lots 1-186

Lot 51 (detail)


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1 151554/1ALBRECHT DÜRER(german 1471-1528)“KNIGHT, DEATH, AND THEDEVIL”1513. Engraving. Meder Bimpression.9 5/8 x 7 7/16 in. (24.3 x 19.1cm)[Anthonie 1513][Bartsch 98][Meder 74]provenance:Private Collection, Buffalo, NewYork.By descent in the family.Private Collection, Pennsylvania.$7,000-10,000

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2 151449/2REMBRANDT VAN RIJN(dutch 1606-1669)“JAN UYTENBOGAERT, THEGOLDWEIGHER”Etching. Baillie impression, ca. 1700-1720.9 7/8 x 8 in. (25 x 20.3cm)[Bartsch 281]provenance:Private Collection, New Jersey.$1,000-1,500

3 151109/1REMBRANDT VAN RIJN(dutch 1606-1669)“SELF PORTRAIT IN VELVET CAPWITH PLUME”Ca. 1700. Etching. Late Basanimpression, unframed.4 x 4 1 1/16 in. (10.2 x 12cm)[Bartsch 20]provenance:Private Collection, New Jersey.$1,000-1,500

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5 141754/16REMBRANDT VAN RIJN(dutch 1606-1669)“SELF PORTRAIT IN VELVET CAPAND PLUME”Etching. Later impression, ca. 1820-1840.5 5/16 x 4 1/16 in. (13.4 x 10.3cm)[Bartsch 20]provenance:Private Collection, New York, NewYork.$1,000-1,500

6 142312/300PARMIGIANINO(italian 1503-1540)STANDING SHEPHERDEtching. Inscribed ‘Parmigianino/superb impression/ B12/ from theMarshall Collection’ in pencil verso,unframed4 1/2 x 2 1 5/16 in. (11.4 x 7.5cm)[Bartsch 12]provenance:The Marshall Collection.Private Collection, New Jersey.$1,000-1,500

4 151449/3REMBRANDT VAN RIJN(dutch 1606-1669)“JACOB HAARINGH”Etching. Basan impression ca. 1800-1840.4 1 1/16 x 4 1/16 in. (11.8 x 10.3cm)[Bartsch 275]provenance:Private Collection, New Jersey.$1,000-1,500


8 151148/24SALVATOR ROSA(italian 1615-1673)“SAINT WILLIAM OF MALEVAL”1661. Etching and drypoint.13 1/2 x 9 1/16 in. (34.3 x 22.9cm)[Bartsch 1]together with:FRANCISCO DE GOYA(spanish 1746-1828)“SI SABRÁ MAS EL DISCUPULO”Plate 37 from “Los Caprichos”. 19thC. Impression. Etching and aquatint.8 3/8 x 6 1/16 in. (21.5 x 15.3cm)[Harris 72 III/III](2)provenance:The Estate of Hilary and IrenaKoprowski.$1,000-1,500


7 15150 1/4FRANCISCO DE GOYA(spanish 1746-1828)“TAN BÁRBATA LE SEGURIDAD COMO ELDELITO” (THE LITTLE PRISONER)1867. Etching.4 1/4 x 3 3/8 in. (10.8 x 8.6cm)Printed by Delátre.Gazette des Beaux-Arts (with the letters belowthe image), publisher.[Harris 26]provenance:Private Collection, Pennsylvania.$1,000-1,500



9 151454/14FRANÇOIS BOUCHER(french 1703-1770)SAINT ANTHONY OF PADUA ANDTHE FINDING OF THE MISER’SHEARTInscribed ‘Carrache’ bottom right;also inscribed ‘dessein de Boucher,d’après le dessein original de LouisCarach, chez M. Croisat/ original estpassé en Suède avec beaucoupd’autres, par le retour de Mn LeConte de Tessin,/ ambassadeur deSuède en France, Lors de La Ventedu Cabinet de Mn Crosat, il étaittrès/ bon Connoisseur. * & * cedessein n’est guère inferieur àl’original que j’ay veu’ verso; alsostamped ‘81383’ and initialed‘EKB/SKB’ verso, pen and brown ink,brown wash over black chalk,heightened with white on paper, lunette9 3/8 x 15 7/8 in. (23.7 x 40.3cm)provenance:Ignace-Joseph de Claussin,collector’s mark [Lugt 485].The Estate of Theodore and AristeaS. Halkedis, New York, New York.

note:The present drawing was executedbetween 1730 and 1740, and is aftera drawing by Lodovico Carracci. Itwas purchased by Count CarlGustaf Tessin, ambassador toFrance from 1739-1742, from thePierre Crozat sale of 1740. CountTessin purchased many drawings forQueen Christina, which laterbecame the collection at theNationalmuseum in Stockholm. Formore, see drawing attributed byPhillip Pouncey to Allesandro Tiariniin Per Bjurström, Drawings from theage of the Carracci: Seventeenthcentury Bolognese drawings fromNationalmuseum, Oxford (AshmoleanMuseum), 2002, no. 83.The attribution to Boucher has beenkindly confirmed by Mr. AlastairLang via use of a digital image, whodates the present work to the1730s. After the aforementionedCrozat sale in 1740, Tessin returnedto Sweden in 1742.$8,000-12,000


10 151542/3PIER FRANCESCO MAZZUCHIELLE, CALLEDMORAZZONE(italian 1573-1626)ANGELS IN FLIGHTInscribed ‘Morazzone’ bottom right, pen and brown inkheightened with white on blue paper8 3/4 x 8 in. (22.2 x 20.3cm)provenance:Binoche-Renaud-Giquello & Accociés, sale of March 9,2007, lot 9.Private Collection, France.$1,000-1,500




11 14258 1/2NEAPOLITAN SCHOOL(17th century)CHRISTIAN ALLEGORYInscribed ‘Boucher inv.’ bottom left; also with indisctinct watermark,pen and brown ink and gray wash over traces of charcoal10 9/16 x 7 7/8 in. (28.6 x 20cm)provenance:Private Collection, New Jersey.note:The female figure with chalice and cross in the present drawingrepresents a personification of Christ and the Eucharist. At her feet liediscarded objects including ewer and plates and a ram with a knife,both of which are symbolic of pagan or Jewish sacrifice. The floatinglamb represents the Lamb of the Apocalypse.$1,000-1,500

12 151422/2ATTRIBUTED TO GIUSSEPPE VALERIANI(italian 1708-1762)“GRAN FREGIO DI SALA”Inscribed with title bottom center, pen and brown ink and brownwash over charcoal on paper7 1/2 x 9 3/8 in. (19.1 x 23.8cm)provenance:Duke G.N. Leuchtenberg and Edmond Fatio (with the latter’sstamp at bottom right corner).Edmond Fatio, collector’s mark [Lugt 3472].Private Collection, New York, New York.exhibited:St. Petersburg, Russia, 1912.literature:A. N. Benois, Starye Gode (magazine), 1912.$1,000-1,500

13 151422/5PIETRO DE GOTTARDO GONZAGA(italian 1751-1831)SCENE DESIGN FOR A RUSTIC BUILDINGExecuted ca. 1790, pen and gray ink with gray wash on paperImage size: 13 3/16 x 20 3/16 in. (33.53 x 51.31cm)Sheet size (with border): 13 7/8 x 20 7/8 in. (35.3 x 53.1cm)provenance:Kyle Fletcher, 1966.Private Collection, New York, New York.$1,500-2,000


14 151542/9CHARLES MONGINOT(french 1825-1900)FOUR FIGURE DRAWINGSThree signed with initials ‘C.M.’,black and white chalk on paperEach: 17 1/4 x 11 1/2 in.(43.8 x 29.2cm)(4)provenance:Private Collection, New York, NewYork.$1,000-1,500

15 15150 1/8ITALIAN SCHOOL(late 18th-early 19th century)STANDING WOMAN WITH BASKET OFFLOWERSPen and gray ink with gray wash on laid paper16 x 11 1/8 in. (40.5 x 28.1cm)together with:STANDING WOMAN WITH SHEATHE OFWHEAT AND SCYTHEPen and gray ink with gray wash on paper16 x 10 1/2 in. (40.6 x 26.7cm)Both with collection stamps ‘KunstammlungKasimir Hagen Köln Nummer’(2)provenance:Private Collection, Pennsylvania.$1,000-1,500




16 151209/2ATTRIBUTED TO EUGÈNEDELACROIX(french 1798-1863)MAN ATTACKED BY TWO LIONSPen and brown ink and brownwashes over charcoal9 7/8 x 11 3/4 in. (23.8 x 29.8cm)provenance:Private Collection, New Jersey$1,000-1,500

17 151209/3GIUSEPPE BERNARDINO BISON(italian 1762-1844)MAN SEATED UNDER A LARGESTATUE OF A LIONSigned ‘Bison’ bottom right, pen andbrown ink and brown wash overcharcoal on laid paper10 1/4 x 8 1/4 in. (25.9 x 21cm)provenance:Private Collection, New Jersey.$1,000-1,500


18 151422/3MANNER OF GIACOMO GUARDI(italian 1764-1835)GRAND CANAL, VENICEBrush and black ink with gray washon laid paper8 9/16 x 12 3/16 in.(21.6 x 30.8cm)provenance:Private Collection, New York, NewYork.note:While it is drawn on old paper, thepresent work notes an eighteenthcentury date, but may have beenexecuted as late as the nineteenthor early twentieth century.$1,000-1,500

19 142250/27FULVIO CRIVELLI(italian early 19th century)“VUE D’UNE PARTIE DU JARDIN CRIVELLI”Signed and dated ‘Fulvie Crivelli fecit 1821’,inscribed with title bottom left; also inscribed‘Souvenir de la Maison Crivelli, en attestation dudesir qu’elle a de n’être jamais oubliée par LadyKinnard’, pen and black and gray ink with blackand gray washes on paperImage size: 7 3/8 x 10 1/2 in. (19 x 26.7cm)


together with:CONTINENTAL SCHOOL(early 19th century)LOUIS XVIIISigned with co-joined initials ‘TG’ and dated‘1815’ bottom left, pen and black ink, black wash,and black chalk heightened with white on paperImage size: 10 3/16 x 7 7/8 in. (25.9 x 19.8cm)(2)provenance:Private Collection, Maryland.$1,000-1,500


21 151148/23UBALDO GANDOLFI(italian 1728-1821)MALE SAINTCa. 1760s. Inscribed ‘Gandolfi’ and stamped‘00401’ verso, pen and brown ink with brownwash on laid paper, oval4 3/16 x 4 3/4 in. (10.6 x 12cm)together with:GENOESE SCHOOL(late 17th century)ANGEL KNEELING OVER FALLEN YOUTHPen and brown ink heightened with white onpaper4 7/8 x 7 1/4 in. (12.3 x 18.3cm)

together with:DOMINICO FIASELLA, CALLED IL SARZANA(italian 1589-1664)THREE CLERICAL FIGURESInscribed ‘Bernasconi 1977’ verso, red chalk onpaper7 1/8 x 4 7/16 in. (180 x 11.1cm)together with:ATTRIBUTED TO JEAN ANTOINE WATTEAU(french 1684-1721)A MAN SMOKING, SEATED AT A TABLERed chalk on paper10 1/2 x 5 1 3/16 in. (26.5 x 14.4cm)(4)


20 151449/1CIRCLE OF FRANÇOIS BOUCHER(french 1703-1770)YOUNG SHEPHERDESS WITH BASKETCharcoal and white chalk highlighted with redchalk on brown laid paperSheet size: 17 3/4 x 11 3/4 in. (45.1 x 29.9cm)provenance:The Estate of Hilary and Irena Koprowski.$2,000-3,000

provenance:Carlo Prayer collector’s mark, [Lugt 2044] (IlSarzana).Bernasconi Collection, (Il Sarzana).L. F. Anderson (Watteau).The Estate of Hilary and Irena Koprowski.note:The drawing attributed to Watteau is annotated‘Attribution confirmed by Jacques Mathey(1970), who compares it to drawings nos. 351and 363 in K.T. Parker and J. Mathey, AntoineWatteau: Catalogue Complet de son oeuvre dessiné,1957’ verso.$3,000-5,000


22 151534/1* LIBERTI(italian 19th century)FEMALE ALLEGORICAL FIGURESOne signed ‘Liberti’ bottom right,four oils on paperEach (sight size): 11 x 9 in.(27.9 x 22.8cm)(4)provenance:Private Collection, Maryland.$1,200-1,800

23 151204/4ITALIAN SCHOOL(18th century)AN ALLEGORY OF THE ARTSOil on canvas, oval32 1/8 x 42 1/4 in.(81.6 x 107.3cm)provenance:Sotheby’s, New York, sale ofNovember 3, 1999, lot 13.Private Collection, New York, NewYork.$2,000-3,000

24 151202/3DUTCH (UTRECHT) SCHOOL(17th century)LUTE PLAYEROil on canvas44 1/8 x 38 1/8 in. (112.1 x 97cm)provenance:Nagel Auktionen, Germany, sale ofMarch 27, 2003, lot 783 (as "DieStraßensanger").Acquired from the above.Private Collection, Maryland.$3,000-4,000




25 151534/3CONTINENTAL SCHOOL(18th-19th century)TABLETOP STILL LIFES WITHMIXED FLOWERS AND FRUITFour gouaches on paperEach (sight size): 4 3/8 x 5 in.(11.1 x 12.7cm)(4)provenance:Shreve, Crump, & Low, Inc., Boston,Massachusetts.Private Collection, Maryland.$1,000-1,500

26 151460/1ATTRIBUTED TO JACOB VAN DERKERCKHOVEN(flemish ca. 1637-1712)ROOSTERS WITH BASKETS ANDEARTHENWARE VESSELOil on canvas, unframed29 7/8 x 37 1/2 in. (76 x 95.3cm)provenance:Property of an Estate, New Jersey.$2,000-3,000


27 151460/2ITALIAN SCHOOL(18th century)TABLETOP STILL LIFES WITHASSORTED FRUITS AND BIRDSPair oils on canvas laid to masoniteEach: 18 1/2 x 23 7/8 in.(47 x 60.6cm)(2)provenance:Property of an Estate, New Jersey.$2,000-3,000

28 151202/9FOLLOWER OF TITIAN (TIZIANOVECELLI)(italian ca. 1485-1576)RECLINING VENUS WITH SATYROil on canvas46 1/4 x 75 1/8 in.(117.5 x 190.8cm)provenance:Sotheby's, Olympia, sale of July 6,2004, lot 424 (as Follower of Titan,17th Century).Private Collection, Maryland.$3,000-5,000




29 151202/5AFTER TITIAN (TIZIANOVECCELLI)(italian ca. 1485-1576)THE BACCHANAL OF THEANDRIANSOil on canvas32 3/4 x 24 in. (83.2 x 61cm)provenance:Sotheby’s, Olympia, sale of October31, 2002.Acquired from the above.Private Collection, Maryland.note:The present painting is after theoriginal by Titian in the Museo delPrado, Madrid, Spain.$2,000-3,000

30 141174/1AFTER CARLO DOLCI(italian 1616-1686)THE MARTYRDOM OF ST.ANDREWOil on canvas49 1/2 x 40 in. (125.7 x 101.6cm)provenance:Private Collection, Pennsylvania.note:The present painting is after theoriginal painted by Dolci in 1646 atthe Palazzo Pitti, Florence, Italy.$1,000-1,500

31 151108/112MANNER OF RAPHAEL(italian 1428-1520)HOLY FAMILYSigned ‘Benelli’ bottom center, oil on canvas, in a fine,antique carved and gilded frame28 1/8 x 29 in. (71.5 x 73.7cm)provenance:Private Collection, New Jersey.$1,200-1,800


32 15146 1/2CIRCLE OF VINCENZO CAMPI(italian 1532-1591)ANGEL WITH PRAYING CHRIST INGETHSEMANE GARDENOil on canvas72 x 51 in. (182.8 x 129.5cm)provenance:Auctionhaus Michael Zeller, Lindau,Germany, sale of October 1994, lot1384.Private Collection, Delaware.$4,000-6,000

33 151461/1EMILIAN SCHOOL(17th-18th century)THE PENITENT MAGDALENEOil on canvas19 1/8 x 15 1/4 in. (48.6 x 38.7cm)provenance:Private Collection, Delaware.$2,000-3,000




34 151527/1FOLLOWER OF JEAN BAPTISTE STOUF(french 1742-1826)“L’APPARITION D’UN FANTÔME À BRUTUS”Bears signature ‘Stouf’ bottom left, oil on canvas14 3/4 x 18 in. (37.5 x 45.7cm)provenance:Christie’s, New York, sale of October 31, 1980, lot 28.Jan Milner Collection, London.Salander O’Reilly Galleries, New York, New York.Christie’s, New York, sale of June 9, 2010, lot 119.Private Collection, New Jersey.literature:P. Grunchec, Le Grande Prix de Peinture, Les concours des Prix de Rome de 1797 à 1863,Paris, 1983, pp. 156-157, pl. 1.Shepherd Gallery and J.G. Milner, French 19th Century Paintings, London, 1977, p. 88.note:The present painting was executed in 1814 for the Prix de Rome.$3,000-5,000

35 158029/6FOLLOWER OF HYACINTHE RIGAUD(french 1659-1743)PORTRAIT OF PHILIP V OF SPAIN WEARINGTHE ORDER OF SAINT ESPRITOil on canvas36 x 29 1/8 in. (91.4 x 188cm)provenance:Private Collection, Virginia.note:For a nearly identical portrait, see Christie's, NewYork, sale of October 5, 1995, lot 87.$2,000-3,000

36 14198 7/16FOLLOWER OF PHILIP MERCIER(british 1689-1760)LADY BLOWING BUBBLES WITH ATTENDANTOil on canvas36 1/4 x 28 1/8 in. (92.1 x 71.4cm)provenance:Property of a New Jersey estate.$2,000-3,000

37 141774/24CIRCLE OF ANTOINE CARON(french 1520-1599)ARMIDA AND EUSTACHIO BEFORE GOFFREDO (GERUSALEMMELIBERTA, CANTO IV)Inscribed ‘Goffredio’, ‘Eustachio’, and ‘Armida’ bottom center left, oil oncanvas38 x 52 1/4 in. (96.5 x 132.7cm)provenance:Christie’s, London, sale of June 27, 1975, lot 68 (As Ambroise Dubois).Sotheby’s, London, sale of December 19, 1985, lot 60 (As Attributed toAntoine Caron).Sotheby’s, Monaco, sale of November 30, 1986, lot 464 (As Attributedto Antoine Caron).Christie’s, New York, sale of May 23, 1997, lot 78.Private Collection, New Jersey.$8,000-12,000

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38 151462/1FOLLOWER OF JACOB DE BACKER(flemish ca. 1540-before 1600)LAST JUDGMENTOil on copper, stamped with thepalm symbol (symbol of the city ofAntwerp) on unidentified heartsymbol verso; also stamped withdate ‘1605’ and ‘PAV DELAH’ verso17 3/4 x 13 5/8 in. (45.1 x 34.4cm)provenance:Private Collection, Waterbury,Connecticut.$5,000-7,000

39 142541/1CIRCLE OF ANTHONIE JANSZVAN DER CROOS(dutch 1606-1662)LANDSCAPE WITH FIGURESSigned with indecipherablemonogram bottom left, oil oncradled panel11 1/4 x 13 1/4 in. (28.6 x 33.7cm)provenance:Mr. M. B. Berman, New York, NewYork.By descent in the family.Private Collection, Maryland.note:We wish to thank Ms. Ellis Dullaartof the RKD for her kind assistance incataloguing this painting on thebasis of digital photographs.$3,000-5,000




40 158037/5MANNER OF GASPAR VANWITTEL(flemish ca. 1653-1736)A VIEW OF THE TIBER RIVERWITH CASTEL SANT’ ANGELOAND SAINT PETER’S IN THEDISTANCE; AND A COMPANIONPair oils on canvas; one inscribed‘Gasparo degli Occhiali/ called theRoman/ Cannaletti’ versoOne: 18 5/8 x 24 7/8 in.(47.3 x 63.2cm)One: 18 3/4 x 24 3/4 in.(47.6 x 62.9cm)(2)provenance:Private Collection, Virginia.$3,000-5,000


41 151202/6FOLLOWER OF REINER NOOMS,CALLED ZEEMAN(dutch 1623-1664)SHIPPING IN A CALMOil on panel22 3/8 x 31 1/4 in. (56.8 x 79.4cm)provenance:Sotheby’s, Olympia, sale ofDecember 9, 2013.Acquired from the above.Private Collection, Maryland.$3,000-5,000

42 151148/20ATTRIBUTED TO PIETER JACOBSZVAN LAER(dutch 1599-ca. 1642)TOWNSCAPE WITH FIGURES ATLEISUREOil on canvas26 3/4 x 32 3/4 in.(69.9 x 83.2cm)provenance:Private Collection, Philadelphia,Pennsylvania.$2,000-3,000




43 142570/3LEIDEN SCHOOL(late 18th century)ELEGANT LADY IN AN INTERIOROil on canvas23 7/8 x 18 1/4 in.(60.7 x 46.4cm)provenance:Private Collection, Pennsylvania.$2,500-3,500

44 151108/84AFTER SIR PETER PAUL RUBENS(flemish 1577-1640)MELEAGER AND ATALANTAOil on canvas55 x 42 in. (139.7 x 106.7cm)provenance:Private Collection, New Jersey.note:The present painting is after theoriginal by Rubens in the AltePinakothek, Munich.$1,500-2,500

45 151462/6CIRCLE OF AELBERT CUYP(dutch 1620-1691)TENDING THE CATTLEOil on cradled panel24 3/4 x 32 1/2 in.(62.9 x 82.6cm)provenance:Private Collection, Florida.$2,000-3,000

46 151202/2AFTER SIR ANTHONY VAN DYCK(flemish 1599-1641)PORTRAIT OF PRINCE CHARLES LOUIS,ELECTOR PALATINE (1617-1680) ANDHIS BROTHER, PRINCE RUPERT (1619-1692)Oil on canvas49 x 49 in. (124.5 x 124.5cm)provenance:Victoria Fine Art, St. Albans, England.Acquired from the above.Private Collection, Maryland.note:The present painting is after the originalby Van Dyck in the Musée du Louvre,Paris.$2,000-3,000

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47 151542/6ODLION REDON(french 1840-1916)“COLLOQUE”Signed ‘Od. R’ bottom right; also numbered and inscribed‘7659’ bottom left, pencil on paper9 5/16 x 11 1 3/16 in. (23.6 x 29.9cm)provenance:Jan Krufier, Geneva.Lucien Goldschmidt, New York, New York.Collection of Mr. and Mrs. Edward Powis Jones, since 1967.exhibited:“Exposition d’oeuvres d’Odilon Redon (1840-1916),peintures, pastels, aquarelles, dessins, lithographes, eaux-fortes, art décoratif,” Galerie Druet, Paris, June 11-30, 1923,no. 263.“Suite 13, exposition Odilon Redon,” Galerie Krugier, Geneva,1967, no. 36, (illustrated).literature:“The Temptation of St. Anthony by Odilon Redon,” Amherst,Mead Museum Monographs, vol. 2, 1980, p. 25 (illustrated).Alec Wildstein and Marie-Christine Decroocq, Odilon Redon:Catalogue Raisonné de l’oeuvre peint et Dessiné, Paris, 1988, vol.IV (études et grandes décorations, supplement), p. 127, cat.2374, (illustrated).$5,000-7,000

48 151449/4MAX LIEBERMANN(german 1847-1935)SEATED WOMANSigned ‘M. Liebermann’ upper right,charcoal on paperwith:FIGURAL STUDIESverso, pencil on paperSheet size: 11 x 8 3/8 in. (27.9 x 21.3cm)(2)provenance:Private Collection, New Jersey.$1,000-1,500

49 151542/10THÉODORE ROUSSEAU(french 1812-1867)SKETCH OF PLANTS, TREES, ANDFIGURESWith stamped signature ‘TH. R’ bottomright, pencil on paper7 x 12 in. (17.8 x 30.5cm)[Lugt 2436]provenance:Private Collection, New York, New York.$1,000-1,500




50 151454/12AFTER DAVID ROBERTS(scottish 1796-1864)“THE TEMPLE OF ABOO SIMBEL”Watercolor, gouache, wash, andpencil on paper32 3/4 x 46 1/4 in.(83.2 x 117.5cm)provenance:Robert Brier, New York, New York.Acquired from the above.The Estate of Theodore and AristeaS. Halkedis, New York, New York.$4,000-6,000



51 DAVID ROBERTS(scottish 1796-1864)“BAZAAR OF THE SILK MERCERS,CAIRO”Signed, dated, and located ‘DavidRoberts. R.A./ Cairo Decr 31st 1838.‘bottom left, pencil, watercolor andbodycolor on paper21 x 13 1/4 in. (53.3 x 33.7cm)provenance:Christie, Manson and Woods,“Catalogue of the Pictures,Drawings, and Sketches, in Water-Colours and Oil, of the late DavidRoberts, R.A.,” May 13 and 15, 1865,lot 84 (as “Bazaar of the silk-mercers, with figures”).Acquired from the above byAgnew’s.Collection of John Pender.Christie, Manson and Woods, saleof May 29, 1897, lot 225.Acquired from the above byAgnew’s.Acquired from the above by C.M.Agnew.Private Collections.Bonham’s, Knightsbridge, sale ofJune 20, 1990, lot 41.Acquired from the above by MathafGallery, Ltd., London.Purchased from the above forTheodore and Aristea S. Halkedis,New York, New York (The ThalassicCollection, Ltd.).exhibited:“David Roberts Studio Exhibition,”Conduit Street, London, 1865, no.321.

literature:“Visits to Private Galleries: TheCollection of John Pender, Esq. M.P.Arlington Street,” Art Journal, 1872,p.10.Pictures, Drawings and Sculptureforming the Collection of Sir JohnPender, GCMG, MP, from 10Arlington Street, SW & Foot’s CrayPlace, Kent, 1894. p. 181, no. 208.Bob Brier, “A revealing painting byDavid Roberts,” The British ArtJournal, November, 2004, vol. V, no. 2, p. 71, fig. 7 (illustrated).note:When David Roberts returned toCairo in December 1838, after hislong journey up the Nile, he wasdetermined to augment his alreadyvaluable portfolio of sketches ofancient Egyptian monuments withviews of the Islamic city. “Subjectsof another class of equal interestremain yet at Cairo- and equallyuntrodden ground…. I think muchmay be made of the splendidmosques, the tombs of theMamalooks, Caliphs etc.”(December 20, 1838, MS EasternJournal, National Library of Scotland,Acc.7723/1). It was not an easytask, since a European sketchingopenly in the crowded streets wasan object of curiosity, if not hostility:he was “jostled and stared at until Icame home quite sick,” but he washopeful that his sketches would“add to the general knowledgealready acquired of the generalstyles of Architecture existing indifferent ages” (January 1, 1839, MSEastern Journal) . Despite the difficultconditions and his bewilderment atthe “extraordinarily picturesquenature of the streets and buildings

of this most wonderful of all cities”(December 28, 1838, MS EasternJournal) he made a visual survey ofmany of the Islamic monuments,changing into Ottoman dress andobserving local proprieties in orderto draw inside the mosques. Hemade the sketch on which thepresent watercolor is based(present location unknown) onDecember 31st, recording in hisjournal: “Made one drawing todayof the principal Bazaar, the bestdrawing I have yet taken in Cairo.”The Ghuriya, or mosque complex ofSultan Qansuh al-Ghuri, built 1503-1505, remains one of the mostimpressive Mamluk ensembles inCairo, with the madrasa-mosque onthe western side, and the khanqah-mausoleum-sabil-kuttab on theeastern (see Caroline Williams,Islamic Monuments in Cairo: thePractical Guide, The AmericanUniversity in Cairo Press, Cairo andNew York, 2008, pp. 166-168). InOttoman times, the two were linkedby a wooden roof (now restored),covering the Sharia al Mu’izz li-DinAllah, the site of the Silk Market,hence the name given to thelithograph made from thiswatercolor. The lithograph wasincluded in the third volume ofEgypt & Nubia, part of the Holy Landseries comprising 248 tintedlithographs in total, and one of themost ambitious and successfulpublishing ventures of thenineteenth century.We are grateful to Ms. BrionyLlewellyn for preparing thiscatalogue entry.$25,000-40,000



52 DAVID ROBERTS(scottish 1796-1864)“GREEK CHURCH OF THE HOLYSEPULCHRE, JERUSALEM”Signed ‘David Roberts R.A.‘ bottomright; also titled, located, and dated‘Greek Church of the Sepul[chre]/Jerusalem/ April 11th 1839.‘ bottomleft, pencil, watercolor, andbodycolor on paper12 13/16 x 19 1/16 in. (32.5 x 48.4cm)provenance:Collection of Lord Francis Egerton(1st Earl of Ellesmere).Dowager Countess of Ellesmere, by 1857.Christie, Manson and Woods,“Catalogue of the CelebratedDrawings of the Holy Land, by DavidRoberts, R.A. (...) From theCollection of the late Rt. Hon.Francis, 1st Earl of Ellesmere (...)”,April 2, 1870, lot 3 (as “GreekChurch of the Holy Sepulchre: PalmSunday, 1839”).Acquired from the above byAgnew’s.Collection of Sir Thomas Brassey (cr.Lord Brassey 1886, and 1st EarlBrassey 1911).By descent to his son, 2nd EarlBrassey.Christie, Manson and Woods, saleof November 28, 1919, lot 39.Acquired from the above by BoydellGalleries, Liverpool.Christie, Manson and Woods, saleof March 7, 1924, lot 99.Acquired from the above by BoydellGalleries, Liverpool.Kunsthay Lempertz, Cologne, sale ofJune 23, 1988, lot 349.Acquired from the above by TheFine Art Society, London.Mathaf Gallery Ltd., London.Purchased from the above byTheodore and Aristea S. Halkedis,New York, New York (The ThalassicCollection, Ltd).

exhibited:“Art Treasures Exhibition,”Manchester, Section 7 (Drawings inWater-Colours), 1857, no. 762.“Spring 1989,” The Fine Art Society,London, 1989, no. 11 (as “Interior ofthe Church of the Holy Sepulchre,Jerusalem”).lithographed:Holy Land, 1842, vol. 1, pl. 4 (as“Greek Church of the Holy Sepulchre,Jerusalem“).Holy Land, 1855, vol. 1, pl. 4.note:Roberts and his companions reachedJerusalem on March 28, 1839, bygreat good luck, the day that thequarantine, which had been imposedon it by a plague epidemic, had beenlifted. A couple of days later theyvisited the Church of the HolySepulchre, containing chapels ofdifferent Christian sects, includingthe Greek Orthodox catholicon,which, Roberts described in hisjournal as “by far the richest and isone mass of gold and carving verymuch in the style of that of StCatharine’s of Mount Sinai but in badtaste, the style that is usuallyassigned to the middle ages or moreproperly Byzantium. In the centre,” hecontinued, “is an elegant chandelierof polished steel and brass presentedto them by the present EmperorNicholas…. Immediately behind thisis the chapel covering the site of thecrucifixion” (March 30, 1839, MSEastern Journal, National Library ofScotland, Acc. 7723 / 2). Thefollowing day he witnessed the PalmSunday procession into the Churchduring which the Greek bishops“seating themselves on two gildedthrones on each side of the Chapeldistributed a basketful of consecratedbread.” Roberts has represented theelaborate iconostasis, on the east sideof the catholicon and, to the northand south, the thrones of the GreekOrthodox patriarchs. Below the

chandelier, he has also depictedthe omphalos or votive vase, thenthought to stand upon thespiritual and cosmological centreof the world.The next day, Roberts and hiscompanions left to visit Jericho,the Dead Sea and Bethlehem,returning to Jerusalem on April 8.Roberts then spent several daysmaking sketches in the city,among them the one on whichthis watercolor is based (now inthe Harris Museum and ArtGallery, Preston, Lancashire), buthe found the ruined state of thebuildings distressing: “Even theHoly Sepulchre itself comesunder this head, the fire in 1810[in fact, 1808] having destroyedeverything like architecture aboutit and it is now replaced by themost monstrous jumble of walls,arches and domes that could beput together by people justemerging from Barbarism” (April13, 1839, MS Eastern Journal).Roberts finally left the city onApril 15 to continue his journeynorthwards towards Lebanon.We are grateful to Ms. BrionyLlewellyn for preparing thiscatalogue entry.$15,000-25,000



53 151454/8AFTER DAVID ROBERTS(scottish 1796-1864)“GENERAL VIEW OF THE ISLANDOF PHILAE, NUBIA”Watercolor and bodycolor overpencil on paper, 183834 3/8 x 56 3/8 in.(87.3 x 143.2cm)provenance:Robert Brier, New York, New York.Acquired from the above.The Estate of Theodore and AristeaS. Halkedis, New York, New York.literature:“The Collector’s Eye: Masterpieces ofEgyptian Art from the ThalassicCollection, Ltd.”, Michael C. CarlosMuseum, Emory University, Atlanta,Georgia, fig. 1, p. XXVIII, (illustrated).$4,000-6,000



54 151454/9HOWARD CARTER(british 1873-1939)“PORTRAIT OF SHEPSUT(HATSCHEPSUT) FROM TIBETANTOMB NO. 51”Signed and dated ‘Howard Carter1910’ bottom right; also inscribed ‘Alady.../ from the mural painting/Sheikh abd el Qurna/ Thebes/ byHoward Carter/ 1910’ verso,watercolor on paper in finearchitectural frameSight size: 23 1/2 x 11 3/4 in.(59.7 x 29.9cm)provenance:Henry J. Murcott, London.Rupert Wace Ancient Art Limited,London.Acquired from the above for TheEstate of Theodore and Aristea S.Halkedis, New York, New York.literature:“The Collector’s Eye: Masterpiecesof Egyptian Art from the ThalassicCollection, Ltd.”, Michael C. CarlosMuseum, Emory University, Atlanta,Georgia, 2001, figure M, p. XXXXI,(illustrated).note:Howard Carter, the subject of DanielMeyerson’s recent major publicationIn the Valley of the Kings, is, ofcourse, best known as an importantBritish Egyptologist andarchaeologist whose discovery ofthe tomb of Tutankhamen propelledhim to international fame. Anaccomplished artist in his own right,his early twentieth centurywatercolors of Near Easternpyramids, temples and - as in thepresent work - Pharaohs, reveal hisability as an accomplisheddraughtsman - a skill that heperfected in the 1890s serving asPrinciple Artist to the EgyptianExploration Fund for the excavationsof Deir el Babri.$5,000-8,000


55 151462/7EDMUND JOHN NIEMANN(british 1813-1876)“EAST GATE ROW, CHESTER”Signed ‘Niemann f’ bottom right (onwindow ledge), oil on canvas44 x 34 1/4 in. (111.8 x 87cm)provenance:Frost and Reed, London.Private Collection, Darien,Connecticut.exhibited:(Possibly) Royal Academy, London,1944.$8,000-12,000




56 151422/4WILLIAM PARS(british 1742-1782)IRISH LANDSCAPE WITH FIGURESWatercolor, ink, and wash on paper10 1/16 x 14 in. (25.5 x 35.6cm)provenance:Bill Thompson, Albany Gallery,London.Private Collection, New York, NewYork.$2,000-3,000


57 158029/1AUGUSTUS EDWIN JOHN(british 1878-1961)DORELIA MCNEILLBlack chalk on paper10 x 12 1/2 in. (25.4 x 31.8cm)provenance:Joan and Lester Avnet Collection,inventory no. EL 70.668, (n.d.).Private Collection, Virginia.exhibited:Museum of Modern Art, New York,New York.$1,000-1,500

58 151480/2GEORGE ROMNEY(british 1734-1802)MOTHER AND CHILD WITHTHREE FIGURESPen and brown ink with brown washover traces of pencil on paper,unframedSheet size: 10 x 10 3/8 in.(25.4 x 26.4cm)provenance:Private Collection, Sweden.By descent in the family.Private Collection, New York, NewYork.$1,000-1,500

59 151402/1ATTRIBUTED TO JOHNCONSTABLE(british 1776-1837)BATTLESHIPS OF MIDWAYPencil on Bristol paper3 7/8 x 6 1/2 in. (9.9 x 16.5cm)provenance:Collection of R. Howitt.Private Collection, Ohio.Acquired from the above.Private Collection, Ohio.note:The present drawing is thought tohave been executed ca. 1816.$2,000-3,000




60 151204/1FREDERICK GOODALL(british 1822-1904)“RETURNING FROM THE LABOUR OF THE DAY, EGYPT”Signed with monogram ‘FG’ bottom left; also inscribed with title and dated‘May 21, 1901’ on stretcher bar, and ‘G. Rowney & Co., London’ preparer’sstencil verso, oil on canvas24 1/8 x 50 3/8 in. (61.5 x 128cm)provenance:Christie’s, New York, sale of December 16, 2009, lot 164.Acquired from the above.Private Collection, New York, New York.$4,000-6,000

61 151202/7EDMUND THORNTON CRAWFORD(british 1806-1885)ON THE FRENCH COASTSigned ‘E.T. Crawford’ and indistinctlydated bottom left, oil on canvas36 x 49 7/8 in. (91.4 x 126.7cm)provenance:Dixon and Dixon, New Orleans,Louisiana.Acquired from the above, May, 1996.Private Collection, Maryland.$7,000-10,000


62 151498/1JOHN WAINWRIGHT(british 19th century)OUTDOOR STILL LIFE WITHMIXED FLOWERSSigned ‘J. Wainwright’ upper left, oilon canvas21 1/8 x 17 in. (53.7 x 43.2cm)provenance:Sotheby’s Arcade, sale of July 23,1993, lot 577.Private Collection, Philadelphia,Pennsylvania.$8,000-12,000




63 151454/11WILLIAM CLARK(scottish 1803-1883)THE EAST INDIA MAN‘ZEMINDAR’ LEAVING THE CLYDESigned and dated ‘W**** Clark 1841’bottom left, oil on canvas29 3/4 x 43 3/4 in. (75.6 x 111.1cm)provenance:Paul Mellon Collection with RichardGreen, London.The Estate of Theodore and AristeaS. Halkedis, New York, New York.literature:A.S. Davidson, Marine Art and The Clyde, 100 Years of Sea, Sail, &Steam, Jones-Sands publishing,2000, p. 50.$10,000-15,000


64 151158/9NEAPOLITAN SCHOOL(19th century)“HIS MAJESTY’S SHIP ST. FIORENZO ENGAGING THE LA PIÉMONTAISE, MARCH 1808”Four oils on canvas, unframedEach: 18 1/4 x 23 3/4 in. (46.4 x 60.3cm)(4)provenance:Private Collection, London.Acquired from the above, 1970.Private Collection, Maryland.note:Commanded by Captain George Nicholas Hardinge, the ship St.Fiorenzo encountered Piémontaise, a French frigate that had beenraiding British shipping off the Indian coast. After intermittentfighting, the St. Fiorenzo defeated the Piémontaise in the Gulf ofMannar on March 8, 1808.$3,000-4,000




65 151047/3J.W. WEBB(british 19th century)SHIPPING OFF A JETTYSigned ‘JW Webb’ bottom left, oilon canvas29 1/2 x 50 in. (74.9 x 127cm)provenance:Christie’s, New York, sale of July 25,2007, lot 165.Acquired from the above.Private Collection, Connecticut.$3,000-5,000

66 151047/7JAMES WEBB(british 1825-1895)FISHER BOAT IN ROUGH SEASOil on canvas30 3/4 x 53 in. (78.3 x 134.6cm)provenance:Collection of Bernard Winters,Armonk, New York.By descent in the family.Private Collection, Connecticut.$1,500-2,500


67 158027/1BENJAMIN WILLIAMS LEADER(british 1831-1923)PASTORAL SCENE WITH FIGURESAND COWS WATERINGSigned ‘B.W. Leader’ bottom left, oilon canvas25 x 41 1/8 in. (63.5 x 104.5cm)provenance:Private Collection, Virginia.$4,000-6,000

68 148115/1JAMES BAKER PYNE(british 1800-1870)TIVOLISigned and dated ‘J.B. Pyne 6431850’ bottom center left, oil oncanvas25 1/8 x 40 1/8 in.(63.8 x 101.9cm)provenance:Sotheby Parke Bernet, sale of April2, 1976.Private Collection, Virginia.$2,500-3,500

69 158029/3EDWARD STEEL HARPER(british 1878-1951)“RADNOR FOREST”Signed and dated ‘E.S. (HARP)ER/1923’ bottom right, oil on canvas20 x 26 in. (50.8 x 66cm)provenance:The Royal Institute of Painters,London.The Fine Art Society, Ltd., London.Private Collection, Virginia.$2,000-3,000




70 142243/9WILLIAM POWELL FRITH(british 1819-1909)SCENE FROM WALTER SCOTT’S“THE BRIDGE OF LAMMERMOOR”Signed ‘W.P. Frith’ bottom left, oil onpanel17 7/8 x 13 7/8 in. (45.5 x 35.3cm)provenance:David Price, Esq.L. Butters, Esq.Roland Hilary, Esq.Private Collection, Virginia.exhibited:Royal Academy Exhibition, 1854.Royal Academy Winter Exhibition,1911.International Exhibition, 1962.$3,000-5,000

71 151314/1WILLIAM POWELL FRITH(british 1819-1909)PORTRAIT OF A LADYSigned ‘W.P. Frith’ bottom right, oilon canvas, oval22 3/8 x 19 3/8 in. (57.1 x 49.4cm)provenance:Private Collection, New Jersey.$2,000-3,000


72 15153 1/2JOSEPH SEVERN(british 1793-1879)MAIDENS SPIED ON BY SHEPHERDSigned, located, and dated ‘J.Severn/ Rome 184*’ bottom right,oil on canvas laid to masonite31 1/4 x 42 in. (79.4 x 106.7cm)provenance:Private Collection, Philadelphia,Pennsylvania.By descent in the family.Private Collection, Maryland.$3,000-5,000

73 151531/1BRITISH SCHOOL(19th century)READING THE LETTER; POSSIBLYMALVIOLO AND OLIVIA FROMSHAKESPEARE’S TWELFTH NIGHTWith partial preparer’s label verso;also with unidentified label inscribed‘der’ verso, oil on panel30 1/2 x 41 in. (77.5 x 104.1cm)provenance:Private Collection, Philadelphia.By descent in the family.Private Collection, Maryland.$2,000-3,000




74 158037/2BRITISH SCHOOL(19th century)ALBERT, PRINCE CONSORT, WITHHIS HORSE AND HUNTING DOGSOil on canvas40 1/4 x 50 3/8 in.(102.2 x 128cm)provenance:Private Collection, Virginia.$2,000-3,000

75 141613/3JAMES BARENGER, THEYOUNGER(british 1780-1831)“LOST HIM”Signed ‘Barenger’ bottom centerright, oil on canvas20 1/8 x 27 in. (51.1 x 68.6cm)provenance:Newhouse Galleries, New York, NewYork.Private Collection, Virginia.$1,500-2,000

76 151204/2JOHN FREDERICK HERRING, THEYOUNGER(british 1815-1907)FARMYARD SCENESOne signed and dated ‘J.F. Herring1854’ bottom center left; one signed‘J.F. Herring’ bottom right, pair oilson canvasEach: 16 x 14 1/2 in.(40.6 x 36.8cm)(2)provenance:Frost and Reed, London.Doyle, New York, sale of June 6,2012, lot 29.Acquired from the above.Private Collection, New York, NewYork.$3,000-5,000


77 142295/13MARIA L. ANGUS(british fl.1887-1910)“OUT OF MISCHIEF”Signed and dated ‘M.L. Angus 1891’bottom left, oil on canvas20 x 27 in. (50.8 x 68.6cm)provenance:Doyle, New York, sale of May 20,1998, lot 161.Private Collection, New York, NewYork.$5,000-8,000

78 148108/3WILLIAM H. HOPKINS(british 1853-1890)SPOILS OF THE HUNTSigned and dated ‘ W. H. Hopkins1871’ bottom left, oil on canvas,unframed36 x 30 in. (91.4 x 76.2cm)provenance:Private Collection, Florida.$1,000-1,500

79 151346/1HENRY CLOWES(british 1799-ca. 1871)COCK FIGHTSEach signed and dated ‘HenryClowes pinx 1826’ bottom centerright, pair oils on canvasEach: 9 1/2 x 7 3/4 in.(24.1 x 19.7cm)(2)provenance:Private Collection, Delaware.$1,200-1,800




80 151101/1WILLIAM R.C. WATSON, JR.(british 1831-1921)HIGHLAND CATTLESigned and dated ‘W. Watson 1884’bottom right, oil on canvas36 x 24 in. (91.4 x 61cm)provenance:Sotheby’s Arcade, sale of July 19,1990, lot 399.Private Collection, Maine.$4,000-6,000

81 151437/3ALFRED HOLST TOURRIER(british 1836-1892)THE SUITORSigned ‘A.H. Tourrier’ bottom left, oilon board10 7/8 x 6 3/4 in. (27.6 x 17.2cm)provenance:Private Collection, Pennsylvania.$1,000-1,500


82 151266/2BRITISH SCHOOL(18th-19th century)FIVE PORTRAITS OILSLADY WITH BOOK SEATED ININTERIORandGENTLEMAN SEATED ININTERIORPair ovalsEach: 9 7/8 x7 3/4 in.(25.1 x 19.7cm)

83 151266/1BRITISH SCHOOL(18th-19th century)FOUR THREE-QUARTER LENGTH PORTRAITSEach: Oil on canvas, ovalA LADY WITH WHITE GLOVES SEATED IN ABUTTON TUFTED CHAIRandA GENTLEMAN COMPANIONEach:14 3/4 x 11 3/4 in. (37.5 x 29.9cm)together with:A LADY SEATED, LANDSCAPE IN THE DISTANCE14 7/8 x 12 in. (37.8 x 30.5cm)together with:GENTLEMAN SEATED WITH A BOOK14 1/2 x 11 1/2 in. (36.8 x 29.2cm)(4)provenance:Private Collection, Florida.$1,000-1,500


together with:ATTRIBUTED TO JOHNDOWNMAN(british 1750-1824)HALF-LENGTH PORTAIT OF ALADY WITH HEADDRESSOil on canvas, oval11 3/8 x 9 1/4 in. (28.9 x 23.5cm)together with:HALF-LENGTH PORTRAIT OF AGENTLEMAN IN HIS STUDYInscribed on a portion of backingpaper verso, oil on panel, oval8 5/8 x 7 1/8 in. (14.3 x 18.1cm)

together with:HALF-LENGTH PORTRAIT OF ALADY WITH BONNETOil on panel, oval5 3/8 x 4 1/4 in. (13.7 x 10.8cm)(5)provenance:The Former Two: R. Cribb & Son,High Holborn.Private Collection, Florida.$2,000-3,000



84 151202/8SIR MARTIN ARCHER SHEE(irish 1769-1850)PORTRAIT OF JOHN REIDOil on canvas50 x 40 in. (127 x 101.5cm)provenance:Sotheby’s, London, sale of May 22,1995, lot 19.Acquired from the above.Private Collection, Maryland.$5,000-7,000


85 151202/4BRITISH SCHOOL(late 18th/early 19th century)PORTRAIT OF A GENTLEMAN,THREE-QUARTER LENGTH,LANDSCAPE BEYONDOil on canvas36 x 27 7/8 in. (91.4 x 70.6cm)provenance:Dixon and Dixon, New Orleans,Louisiana.Acquired from the above, May,1995.Private Collection, Maryland.$2,000-3,000

86 151422/10MARK SENIOR(british 1864-1927)BRUGES MARKETSigned and titled ‘M. Senior Co***rMarket, Bruges’ bottom right, oil oncanvas19 3/4 x 24 in. (50.2 x 61cm)provenance:Private Collection, New York, NewYork.$1,500-2,000




87 151333/2MAURICE CANNING WILKS(irish 1911-1984)“MULROY BAY, COUNTYDONEGAL”Signed ‘Maurice C. Wilks’ bottomright; also titled on stretcher verso,oil on canvas20 x 24 in. (50.8 x 61cm)provenance:Frost and Reed, London.Private Collection, Connecticut.$2,000-3,000

88 151333/1MAURICE CANNING WILKS(irish 1911-1984)“EARLY AUTUMN, MULROY BAY,COUNTY DONEGAL”Signed ‘Maurice C. Wilks’ bottomleft; also titled on stretcher verso, oilon canvas20 x 24 in. (50.8 x 61cm)provenance:Frost and Reed, London.Private Collection, Connecticut.$2,000-3,000

89 151501/9WILLIAM BLANDFORD FLETCHER(british 1866-1936)OLD WHITBY, FISHING VILLAGEALONG YORKSHIRE COAST,ENGLANDSigned ‘Blanford Fletcher’ bottomright, oil on canvas20 x 16 in. (50.8 x 40.6cm)provenance:Private Collection, Pennsylvania.$3,000-5,000


90 151331/1DONALD GRANT(british 1930-2001)HIPPOPOTAMISigned ‘Donald Grant’ bottom right,oil on canvas20 x 30 in. (50.8 x 76.2cm)provenance:MacConnal-Mason & Son, Ltd.,London.Private Collection, South Carolina.$2,000-3,000

91 151331/3DONALD GRANT(british 1930-2001)WILDEBEESTSigned ‘Donald Grant’ bottom right,oil on canvas20 1/4 x 30 in. (51.4 x 76.2cm)provenance:MacConnal-Mason & Son, Ltd.,London.Private Collection, South Carolina.$2,000-3,000

92 15133 1/4DONALD GRANT(british 1930-2001)WATER BUFFALOESSigned ‘Donald Grant’ bottom right,oil on canvas26 x 36 in. (66 x 91.4cm)provenance:MacConnal-Mason & Son, Ltd.,London.Private Collection, South Carolina.$2,000-3,000




93 151331/6DONALD GRANT(british 1930-2001)ELEPHANT WITH EGRETSSigned ‘Donald Grant bottom right,oil on canvas30 x 40 in. (76.2 x 101.6cm)provenance:MacConnal-Mason & Son, Ltd.,London.Private Collection, South Carolina.$2,500-3,500

94 151331/5DONALD GRANT(british 1930-2001)WATER BUFFALOES WITH EGRETSSigned ‘Donald Grant’ bottom right,oil on canvas24 x 36 in. (61 x 91.4cm)provenance:MacConnal-Mason & Son, Ltd.,London.Private Collection, South Carolina.$2,000-3,000

95 15133 1/2DONALD GRANT(british 1930-2001)PELICANS IN FLIGHTSigned ‘Donald Grant’ bottom right,oil on canvas16 x 22 in. (40.6 x 55.9cm)provenance:MacConnal-Mason & Son, Ltd.,London.Private Collection, South Carolina.$2,000-3,000


96 151177/1LAURENCE STEPHEN LOWRY(british 1887-1976)“PEEL PARK, SALFORD”Signed ‘L.S. Lowry’ and indistinctly dated bottom right, oil on canvas16 1/8 x 12 in. (41 x 30.5cm)provenance:The Lefevre Gallery, London.Acquired from the above.Private Collection, Pennsylvania.exhibited:“New Paintings by L.S. Lowry”, The Lefevre Gallery, London, October, 1961,no. 21.note:One of the undisputed favorite twentieth century British painters, L.S.Lowry’s northern industrial landscapes populated by half-unreal ‘matchstickmen’ have been endlessly documented and dissected. His paintings arehoused in numerous important royal, private, and public collections, mostprominently in The Lowry, a gallery devoted to his work and located inSalford, where he was born, and also the site of the present painting. Iconicand easily identifiable in style, Lowry’s paintings featuring factories andtextile mills populated by working men and women in a state of coming-and-going are nowhere as naïve or simplistic as they appear on firstexamination. While he described himself as “a man who paints” rather thanan artist, Lowry studied at the Manchester School of Art and the SalfordRoyal Technical College, ultimately developing his very own unique style.The throngs of ‘matchstick men’ that haunt Lowry’s canvases were,according to the artist, “[...] part of a private beauty that haunted (me). Iloved them and the houses in the same way: as part of a vision.” Peel Park,Salford was one of his best loved subjects, and is here treated in the artist’sstraightforward but dreamlike manner. Acquired by the present owner’sfamily directly from the Lefevre Gallery, it is presented at auction here forthe first time.The present painting will be accompanied by a copy of The Lefevre Gallerycatalogue, “New Paintings by LS Lowry,” October, 1961, featuring this work(illustrated).$250,000-350,000



97 151108/153V. P. DE CASORATI(italian 19th century)THE CONNOISSEURSigned, dated, and located ‘Vna P. deCasorati/ Roma/ 1899’ bottomcenter right, oil on canvas59 x 29 1/2 in. (149.9 x 74.9cm)provenance:Private Collection, New Jersey.$3,000-5,000

98 151108/15ACHILLE GUERRA(italian 1832-1903)POPE JULIUS II RECEIVINGRAPHAELSigned and dated ‘Guerra 1878’bottom left, oil on canvas39 1/4 x 53 3/4 in.(99.7 x 136.5cm)provenance:Private Collection, New Jersey.note:For a related painting by Guerra,please see Sotheby’s, SouthKensington, sale of October 12,2000, lot 209.$4,000-6,000




99 151206/3POMPEO MASSANI(italian 1850-1920)WOMAN WITH PEARLSSigned ‘P. Massani’ upper right, oil oncanvas18 1/8 x 25 5/8 in. (46.1 x 64.9cm)provenance:Private Collection, New York, New York.$2,500-3,500

100 151063/3A. FOLLI(italian 19th century)YOUNG GIRL WITH HER PARAKEETSigned ‘A. Folli 89’ and indisctinctly dated centerright, oil on canvas36 x 28 in. (91.4 x 71.1cm)provenance:Private Collection, New York, New York.$2,000-3,000

101 151104/3CLAUDIO RINALDI(italian b. 1852)A PINCH OF SNUFFSigned and located ‘Rinaldi/ Firen(ze)’ upper left,oil on canvas21 x 17 in. (53.3 x 43.2cm)provenance:Private Collection, Maryland.$1,000-1,500


102 151501/3GIORGIO LUCCHESI(italian 1855-1941)STILL LIFE WITH SUNFLOWERS IN AFAIENCE VASE AND DAMASK DRAPERYSigned ‘G. Lucchesi’ upper right, oil on canvas45 1/4 x 21 3/8 in. (114.9 x 54.3cm)provenance:McClees Galleries, Philadelphia,Pennsylvania.Private Collection, Pennsylvania.$6,000-9,000




103 15150 1/2RICCARDO PELLIGRINI(italian 1863-1934)THE VEGETABLE SELLERSigned ‘Riccardo Pellegrini’ bottom left, oil on canvas25 1/2 x 15 1/4 in. (64.8 x 38.7cm)provenance:Private Collection, Pennsylvania.$3,000-5,000

104 151437/1FRANÇOIS BRUNERY(italian 1849-1926)A KNOCK AT THE DOORSigned and dated ‘F. Brunery 77’bottom right, oil on panel12 3/4 x 9 5/8 in. (32.4 x 24.5cm)provenance:Private Collection, Pennsylvania.$1,500-2,000

105 142254/2FEDERICO ANDREOTTI(italian 1847-1930)THE SUITORSigned and located ‘F. Andreotti/Firenze’ bottom right, oil on canvas16 1/2 x 23 in. (41.9 x 58.4cm)provenance:Private Collection, New Jersey.$3,000-5,000


106 151465/1GIUSEPPE CADENASSO(italian/american 1858-1918)SPRING LANDSCAPE WITHMARSHSigned ‘G. Cadenasso’ bottom left,oil on canvas18 1/8 x 16 1/8 in. (46.1 x 41cm)provenance:McClees Galleries, Haverford,Pennsylvania.Private Collection, Philadelphia,Pennsylvania.$3,000-5,000

107 151422/12GIOVANNI PANZA(italian 1894-1989)PULLING THE CANOE ASHORESigned ‘G. Panza’ bottom right, oilon canvas27 x 39 in. (68.6 x 99.1cm)provenance:Private Collection, New York, NewYork.$2,500-3,500

108 151496/4EMILIO ALVAREZ MOYA(spanish 19th century)“ALCALÁ DE GUADAÍRA”Signed and located ‘A/ Moya/Alcalá de Guadaíra’ bottom right, oilon canvas14 1/8 x 27 5/8 in. (35.9 x 70cm)provenance:J.J. Gillespie and Co., Pittsburgh,Pennsylvania.Private Collection, New England.$5,000-7,000




109 151358/1PIERRE FRÉDÉRIC DE LA CROIX(french/dutch 1709-1782)PRINCESS CAROLINA FREDERICAOF SAXE-COBERG;KARL WILHELM FREDERICK OFBRANDENBERG;LOUISA AUGUSTA WILHELMINAAMALIA OF PRUSSIA;FREDERICK WILHELM I, KING OFPRUSSIASet of four pastels on laid paperaffixed to panel, each signed anddated ‘P.F. de la Croix/ Fecit 1753’upper right; two with partial labelsversoEach: 12 7/8 x 10 1/4 in. (32.7 x 26cm)(4)provenance:Dr. van Laer Collection, Utrecht, TheNetherlands, 1889.Private Collection, New Jersey.$4,000-6,000

110 151542/5VICTOR MAREC(french 1862-1920)SELF PORTRAITSigned, dated, and inscribed ‘F.Villet/ 03(?)/ Victor Marec 1904’bottom right, oil on canvas21 5/8 x 18 1/4 in. (55 x 46.5cm)provenance:Private Collection, New York, NewYork.$1,000-1,500


111 151462/5AIMÉ PERRET(french 1847-1927)“PREMIER AVEU”Signed ‘Aimé Perret’ bottom right;also inscribed with artist and title onlabel verso, oil on canvas25 1/4 x 32 in. (64.1 x 81.3cm)provenance:Edward Brandus Gallery, New York,New York.Private Collection, New York.$7,000-9,000

112 141894/1CHARLES EDOUARD FRÈRE(french 1837-1894)GENTLEMEN IN AN INTERIORSigned and dated ‘Ed Frere 64’bottom left; also with Parisianstencil verso, oil on canvas9 3/4 x 13 1/4 in. (24.8 x 33.7cm)provenance:Private Collection, Maryland.$1,000-1,500

113 151542/2JEAN JULES ANTOINE LECOMTEDU NOÜY(french 1842-1923)“LES ALPES ET LE DAUPHINEVUES DU MONT-PILAT (RHÖNE-ALPS)”Titled on stretcher verso, oil oncanvas8 1/4 x 12 1/4 in. (21 x 31cm)provenance:The Artist.By descent in the family.Private Collection, New York, NewYork.


exhibited:“From Homer to the Harem: The Artof Jean Lecomte du Noüy,” DaheshMuseum of Art, New York, NewYork, June 22 - September 19, 2004.literature:“From Homer to the Harem: The Artof Jean Lecomte du Noüy,” DaheshMuseum of Art, New York, NewYork, June 22 - September 19, 2004,Exhibition Catalogue, p. 154, cat. no.62, fig. 35, p. 33 & 35, (illustrated).$1,500-2,500



114 151335/1PIERRE-AUGUSTE RENOIR(french 1841-1919)“BAIGNEUSES”Signed with initial ‘R.’ bottom right,watercolor, gouache, and traces of oil onpaper11 1/8 x 19 1/4 in. (28.3 x 49cm)provenance:Possibly Ambroise Vollard, Paris.Henri M. Petiet, Paris.Hotel Druot, Paris, Estate Sale, 2000.Christie’s, New York, sale of May 5, 2005,lot 110.Private Collection, New York, New York.literature:A. Vollard, Tableaux, pastels et dessins dePierre-Auguste Renoir, Paris, 1918, vol. II,p.121, (illustrated).note:Shunned by the official Parisian artestablishment, Renoir and his peers, whichincluded Edgar Degas, Claude Monet, andAlfred Sisley amongst others, exhibitedtheir then-radical ‘Impressionist’ paintingsat the Salon des Refusés. A reaction to

realist painting, the Impressionists werethus born in the 1870s, the name derivingfrom a comment directed at Monet’s‘Impressionism Sunrise’ (1873) by art criticLouis Leory in Le Charivari. Between 1874and 1886 the Impressionists mounted eightshows - their canvases continuing to elicitcriticism from critics and the public alike,who considered the vibrant, bold, plein-airpaintings filled with strokes of strong colorby Renoir and the other group members tobe unfinished, lacking in skill and not theworks of serious artists. In addition to hisrich treatment of elegant figures in sun-dappled parks, still lifes, and landscapes,one of Renoir’s favored themes was femalenudes, a subject whose depiction he didnot treat humbly, including, as in thepresent example, bathers. It was a subjecthe turned to repeatedly, in oil, pastel,etching, and lithography.The present work will be included in theBerheim-Jeune archive of authentic worksby Pierre-Auguste Renoir authored by GuyPatrice and Michael Dauberville.$50,000-70,000


115 151462/4VICTOR PIERRE HUGUET(french 1835-1902)TRAVELERS AND HORSES AT RESTSigned ‘V. Huguet’ bottom right, oil on panel15 x 18 1/8 in. (38.1 x 46.1cm)provenance:Galerie Bai D’Urfe, Quebec.Private Collection, Naples, Florida.$6,000-8,000


116 151542/8AUGUSTE (FRANÇOIS AUGUSTE)BONHEUR(french 1824-1884)LANDSCAPE WITH VIEW OF LOWLYING MOUNTAINSStamped ‘Bonheur’ bottom left, oilon paper laid to canvas, unframed7 1/4 x 13 in. (18.4 x 33cm)provenance:Studio of the Artist, Magny-les-Hameux, near Versailles.Private Collection, New York, NewYork.$1,000-1,500

117 151542/7AUGUSTE (FRANÇOIS AUGUSTE) BONHEUR(french 1824-1884)LANDSCAPE WITH MOUNTAIN IN DISTANCEStamped ‘Bonheur’ bottom left, oil on paper laidto canvas, unframed6 x 12 1/8 in. (15.2 x 20.3cm)provenance:Studio of the Artist, Magny-les-Hameux, nearVersailles.Private Collection, New York, New York.$1,000-1,500

118 151542/11CHARLES CAIUS RENOUX(french 1795-1846)ITALIAN CLOISTERSigned and dated ‘Renoux 1825’ bottomright, oil on canvas13 x 9 1/2 in. (32 x 24cm)provenance:Private Collection, New York, New York.$1,000-1,500



119 151501/1EDOUARD LÉON LOUIS EDY-LEGRAND(french 1892-1970)“GIRL IN GREEN DRESS”Signed and dated ‘Edy Legrand/ 29’bottom right, oil on canvas39 1/2 x 32 in. (100.3 x 81.3cm)provenance:Marie Sterner Gallery, New York.Private Collection, Pennsylvania.exhibited:Lawrence Rill Schumann ArtFoundation, Boston, Massachusetts,n.d.California Palace Legion of Honor,n.d.$6,000-8,000

120 151542/4EUGÈNE FROMENTIN(french 1820-1876)“BOULEAUX À MONTOIRE, PRÈS DEBLOIS, 1865”Signed, inscribed, and dated ‘PourMarguerite F/ son père Eug. Fromentin/1865’ bottom left, oil on panel15 3/4 x 11 1/2 in. (40 x 29.5cm)provenance:Gift of the Artist to his daughter,Marguerite.By descent in the family.Sotheby’s, Paris, sale of June 19, 2007,lot 123.Private Collection, New York, New York.exhibited:“Fromentin, le peintre et l’écrivan (1820-1876),” La Rochelle, BibliothèqueMunicipale et Musée des Beaux Arts,(probably) no. 24, (as “Arbres àMontoire”).literature:James Thompson and Barbara Wright,Eugène Fromentin, ACR, Paris, 1987, p.210, (illustrated).(Probably) Eugène Fromentin au Muséedes Beaux-Arts de la Rochelle, 1988, p.45.

note:A highly accomplished writer as well asa painter, Eugène Fromentin workedclosely in the style of his countrymanEugène Delacroix, and was a majorfigure associated with the nineteenthcentury French Romantics. While hisoeuvre is comprised of a large numberof views of North Africa - with aparticular emphasis on Algeria -Fromentin also depicted scenes of hisnative France, including Neuilly,influenced by his mentor, thelandscapist Louis Cabat. Deftlyexecuted, this elegant view of a figure atleisure in the central French countrysideis a testament to the artist’s skills, withthe bright palette of the present workbeing in contrast to many of the artist’smore somber pictures.$6,000-8,000


121 151358/2JULES-SALLES WAGNER(french 1814-1898)“LA MAISON DES CARTES”Signed ‘Salles Wagner’ bottom left,oil on canvas28 3/4 x 21 1/4 in. (73 x 54cm)provenance:Dr. van Laer Collection, Utrecht, TheNetherlands, 1889.Private Collection, New Jersey.$1,200-1,800

122 15110 1/2JACQUES WEISMANN(french b.1878)DRUMMER BOYSigned ‘Jacques Weismann’ upperright, oil on canvas32 x 21 1/4 in. (81.3 x 54cm)provenance:Sotheby’s, New York, sale of July 19,1990, lot 328.Newman Galleries, Philadelphia,Pennsylvania.Private Collection, Maine.$2,000-3,000

123 151437/2HENRI JULIEN DUMONT(french 1859-1921)THE MUSIC LESSONSigned ‘H. Dumont’ bottom right, oilon canvas31 1/8 x 24 7/8 in. (79.12 x 63.1cm)provenance:Private Collection, Pennsylvania.$2,000-3,000




124 151206/1GASTON BUSSIÈRE(french 1862-1929)AN EXOTIC BEAUTYSigned ‘Gaston Bussiere’ bottom left, oil on canvas23 1/2 x 28 1/4 in. (59.7 x 71.8cm)provenance:Christie’s, New York, sale of June 2, 2005, lot 134.Acquired from the above.Private Collection, New York, New York.$6,000-8,000

125 151206/2A. GUIBERT(french 19th century)EXOTIC DANCERSigned ‘A. Guibert’ bottom left, oilon canvas32 1/4 x 19 5/8 in. (81.9 x 49.7cm)provenance:Private Collection, New York, NewYork.$3,000-5,000

126 151501/6ANTOINE CALBET(french 1860-1944)JEUNE FILLE AUX FLEURSSigned and dated ‘A. Calbet 1920’ bottom left; alsoinscribed with ‘Emballeur Exposition de...’ on stretcherlabel verso, oil on canvas27 x 36 1/4 in. (68.6 x 92.1cm)provenance:Private Collection, Pennsylvania.note:For a related painting by Calbet, please see Cornette deSaint-Cyr, Paris, sale of June 14, 2006, lot 37.$2,000-3,000


127 151417/1GEORGES D’ESPAGNET(french 1870-1950)“FLEURS”Signed with initials ‘G d E’ bottomright, oil on panel18 x 14 1/4 in. (45.7 x 36.2cm)provenance:Wally Findlay Galleries, New York,New York.Sotheby’s, New York, sale ofSeptember 29, 2007, lot 130.Acquired from the above.Private Collection, Philadelphia,Pennsylvania.$4,000-6,000

128 151148/26LEONOR FINI(argentine/french 1908-1996)PORTRAIT OF HILARY KOPROWSKISigned ‘Leo*** Fini’ bottom right; also with‘Blanchet Paris’ preparer’s stencil verso, oil oncanvas13 3/4 x 10 5/8 in. (34.9 x 26.8cm)provenance:The Artist.Acquired from the above.The Estate of Hilary and Irena Koprowski.$2,000-3,000

130 14254 1/2FOLLOWER OF JEAN FRANÇOIS MILLET(french 1814-1875)BOY WITH FLUTEBears initials ‘JFM’ lower left, oil on canvas16 1/4 x 13 in. (41.3 x 33cm)provenance:Mr. M. B. Berman, New York, New York.By descent in the family.Private Collection, Maryland.$2,000-3,000


129 15106 3/4EDOUARD JEAN DAMBOURGEZ(french 1844-1931)CHEZ UN AMISigned and dated ‘E. Dambourgez 1882’ bottomright, oil on canvas31 3/4 x 46 in. (81 x 116.8cm)provenance:Private Collection, New York.Christie’s East, sale of May 23, 1995, lot 296.Private Collection, New York.$4,00-6,000



131 151504/4RAOUL DUFY(french 1877-1953)“CHAMP DE COURSES À CHANTILLY”Signed ‘Raoul Dufy’ bottom right, watercolor on paper19 5/8 x 25 5/8 in. (50 x 65cm)provenance:Palais Galleria, sale of June 17, 1976.Briest, Paris, sale of December 15, 2000, lot 65.Sotheby’s, New York, sale of November 8, 2001, lot 164A.Christie’s, London, sale of June 28, 2001, lot 444.Galerie Fabien Boulakia, Paris.Acquired from the above, 2004.Private Collection, Washington, DC.exhibited:“12 Aquarelles de Courses de Raoul Dufy”, Hôtel Georges V, Paris, 1972.literature:Fanny Guillon-Laffaille, Raoul Dufy, Catalogue Raisonné des Aquarelles,Gouaches et Pastels, Paris, 1981, vol. 1, p. 324, no. 889.$40,000-60,000


132 151496/3ANDRÉ CLAUDOT(french 1892-1982)“DANS LA VIGNE (LE MATIN)”Signed ‘A Claudot’ bottom right, oilon canvas25 1/2 x 32 in. (64.8 x 81.3cm)provenance:Galerie Cardo, Paris.Private Collection, New England.$5,000-7,000

133 151504/3JEAN MIOTTE(b. 1926)UNTITLED (ABSTRACT COMPOSITION)Signed ‘Miotte’ bottom right, oil on canvas39 1/2 x 32 in. (100.3 x 81.3cm)provenance:Galerie Frédéric Gollong, Saint-Paul-de-Vence,France.Acquired from the above, 1986.Private Collection, Washington, DC.$2,500-3,500

135 151101/3JEAN KEVORKIAN(french b.1933)“CHEMIN EN AUTOMNE”Signed ‘Jean Kevorkian’ bottom right, oil oncanvas23 3/8 x 28 1/2 in. (59.6 x 72.4cm)provenance:Newman Galleries, Philadelphia, Pennsylvania.Private Collection, Maine.$1,000-1,500


134 151492/1JEAN JANSEM(french 1920-2013)PORTRAIT OF A WOMAN WITH HEAD SCARFSigned ‘Jansem’ bottom left, oil on canvas25 3/4 x 18 1/4 in. (65.4 x 46.4cm)provenance:Private Collection, Washington, DC.$2,500-3,500



136 151422/13SERGE SHART(french 1927-2011)“LA NEIGE À GONESSE”Signed and dated ‘Shart 62’ bottomleft; also inscribed on artist’sstretcher label verso, oil on canvas39 1/4 x 28 3/4 in. (99.7 x 73cm)provenance:Private Collection, New York, NewYork.$1,200-1,800

137 142364/2JULES PASCIN(french 1885-1930)“HERMINE”Signed ‘Pascin’ bottom right, crayon,watercolor, and pencil on paper10 5/8 x 7 7/8 in. (26.5 x 19.5cm)provenance:Makler Gallery, Philadelphia,Pennsylvania.Private Collection, Pennsylvania.literature:Yves Hemin, et al, CatalogueRaisonné of the Paintings, Watercolors,Pastels and Drawings, Paris, 1984-2010, vol. 1, no. 322, p. 165(illustrated).$1,000-1,500

138 151501/7MAXIME MAUFRA(french 1861-1918)LANDSCAPE AT DAWNSigned ‘Maufra’ bottom right,watercolor and charcoal on paperSight size: 9 x 11 1/4 in.(22.9 x 28.6cm)provenance:Brooks Reed Gallery, Boston,Massachusetts.Private Collection, Pennsylvania.$1,000-1,500

139 142364/1ARISTIDE MAILLOL(french 1861-1944)“NU”Signed with monogram bottom center right,charcoal on brown paper12 1/2 x 8 1/2 in. (31.8 x 21.6cm)provenance:Makler Gallery, Philadelphia, Pennsylvania.Perls Gallery, New York, New York.Private Collection, Pennsylvania.$1,000-1,500


140 151386/2LUCIEN ADRION(french 1889-1953)STREET IN BIÈVRESSigned ‘Adrion’ bottom right, oil oncanvas18 x 21 5/8 in. (45.7 x 54.8cm)provenance:The Artist.Acquired from the above.By descent in the family.Private Collection, New York, NewYork.$2,500-4,000

141 151386/1LUCIEN ADRION(french 1889-1953)APPARTEMENT PARISIENSigned, dated, and inscribed ‘à Mme.Garvin en toute sympathie/ Adrion25.5.49’ bottom right, oil on canvas,unframed21 1/4 x 25 5/8 in. (54 x 65cm)provenance:The Artist.Acquired from the above via Artist’scommission, 1949.By descent in the family.Private Collection, New York, New York.$4,000-6,000

142 151384/1LUCIEN ADRION(french 1889-1953)RIVER PAYSAGESigned ‘Adrion’ bottom right, oil oncanvas13 1/8 x 16 1/8 in. (33.4 x 41cm)provenance:Private Collection, Utah.$1,500-2,000




143 151432/1ANTOINE (ANTO) CARTE(belgian 1886-1954)“L’ENFANT ROI”Signed and dated ‘Anto Carte/ 1919’bottom right; also inscribed withartist on label verso, watercolor onpaper30 x 16 1/4 in. (76.2 x 41.3cm)provenance:The Collection of Madame A.Neyrinck, Brussels.By descent in the family.Private Collection, New York, NewYork.exhibited:“Anto Carte.” Société Auxiliaire desExpositions du Palais des Beaux-arts, Brussels, 1959.note:Belgian artist Antoine (Anto) Carte’sworks are unique in that theyinclude characteristics ofsymbolism, naturalism, andexpressionism. His subjects areinspired by the lives of laborers suchas miners, farmers, and fishermen.The son of a furniture maker andcarpenter, he attended the Academyof Mons and Brussels from 1897 to1908, where he studied with artistssuch as Constant Montald, ÉmileFabry, and Jean Delville. Theseimportant Symbolist paintersprofoundly influenced his practiceand his style. From 1912 to 1913Carte traveled to Paris on ascholarship to work for the BalletsRusses, and came into contact withRussian artists such as Léon Bakst,Pierre Puvis de Chavannes, andMaurice Denis. After having severalexhibitions in Brussels, Paris, andother European cities, a majorretrospective of his work was held atthe Carnegie Institute Pittsburgh in1925, which ensured long-termsuccess with the American public.A teacher, scholar, and successfulartist, Carte founded anexpressionist style group with hisfriends in 1928. He also produceddrawings, engravings, bookillustrations, posters, lithographs,banknotes, stamps, fresco design,sculpture, stained glass windows,and carpets.$10,000-15,000


144 151501/5HENRI VAN SEBEN(belgian 1825-1913)GATHERING WOODSigned and dated ‘H van Seben1866’ bottom right, oil on canvas21 7/8 x 28 1/8 in. (55.6 x 71.4cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

145 158029/5PETRUS PAULUS SCHIEDGES, THEELDER(dutch 1812-1876)GRAIN BARGES OFF THE COASTOF EAST ANGLIASigned and dated ‘Schiedges 61’bottom left, oil on panel9 5/8 x 13 3/8 in. (24.4 x 334cm)provenance:Private Collection, Virginia.$1,500-2,500

146 141287/15JACOB JAN VAN DER MAATEN(dutch 1820-1879)COWS IN A MEADOWSigned ‘JJ vd MAATEN f ‘ bottomleft, oil on canvas13 5/8 x 19 7/8 in. (34.3 x 50cm)provenance:Private Collection, Pennsylvania.$1,000-1,500


147 151202/1EDGARD FARASYN(belgian 1858-1938)THE PRINCESS IN THE TOWER(EDWARD V AND THE DUKE OFYORK)Signed ‘Farasyn’ and indistinctlydated bottom left, oil on canvas31 x 37 3/8 in. (78.7 x 95.2cm)provenance:Sotheby’s, London, sale of July 17,2002, lot 338.Private Collection, Maryland.note:The present work follows PaulHippolyte Delaroche’s (French 1797-1856) painting in the Historic RoyalPalaces, Tower of London.$2,000-3,000

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148 151462/3EUGENE RÉMY MAES AND JANDAVID COL(belgian 1849-1931) and (belgian1822-1900)FARMYARDSigned ‘E.R. Maes/D. Col’ bottomright; also inscribed ‘Theundersigned declares that thispicture has been painted by himelf/to the order of A. DH (?) ofAntwerp/ E.R. Maes/ Je declareavoir peint les figures ci contre/David. Col. Antwerp’ verso, oil oncanvas17 x 26 in. (43.2 x 66cm)provenance:Private Collection, New York.$3,000-5,000

149 142418/2EUGENE RÉMY MAES AND JANDAVID COL(belgian 1849-1931) and (belgian1822-1900)OFFICER AND MAIDENSigned ‘E. R. Maes/ D. Col’ centerright; also inscribed ‘Je soussignédeclare que le tableau ei contre cotoriginal et peint par mei, E. R. Maes/Je déclare avoir peint les figures ei-contre, David Col. Antwerp.’ verso,oil on canvas31 1/2 x 25 5/8 in. (80 x 64.9cm)provenance:Private Collection, Pennsylvania.$3,000-5,000

150 151455/1FLORENT WILLEMS(belgian 1823-1905)THE DAY’S LABORSInscribed with artist on label verso,oil on panel22 x 16 1/4 in. (55.9 x 41.3cm)provenance:Private Collection, Vermont.$3,000-5,000

151 151422/11F. DE WIT(belgian 19th-20th century)FLORAL STILL LIFE WITH TILED WALLSigned, dated, and indistinctly inscribed‘F. De Wit/ Richmond (?)/ 1884’bottom center left, oil on panel24 3/4 x 20 5/8 in. (62.9 x 52.2cm)provenance:Private Collection, New York, New York.$2,000-3,000

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152 151451/3RUDOLF ERNST(austrian 1854-1932)SPINNING YARN IN THE HAREMSigned and dated ‘R. Ernst 86’ bottom right, oil on panel24 x 20 1/8 in. (61 x 51.2cm)provenance:Frederick Thom Gallery, Toronto.Acquired from the above.The collection of Dr. and Mrs. L.S. Morgan.By descent in the family.Private Collection, Midwest.note:Rudolf Ernst was one of the leading second generation Orientalist painters,following in the tradition of earlier painters such as Horace Vernet, EugèneDelacroix, Alexandre-Gabriel Decamps and Théodore Chasseriau. Wellbefore the late eighteenth and early nineteenth centuries when those artistspainted romanticized scenes of life in North Africa, prominent Renaissance,Baroque and Rococo artists included figures in Middle Eastern dress in manyof their compositions. Reaching its zenith in the nineteenth century,Orientalism as a recognized art movement coincided with Europeanfascination with antiquity and the Near East. Practitioners of Orientalist arttended to focus their attention on genre scenes, including sumptuousinteriors replete with recumbent odalisques, hookahs, oriental and tiger skinrugs, decorative tiles and all manner of accoutrements. Ernst begandepicting Orientalist themes in the 1880s following his travels toConstantinople, Tunis, Egypt, Morocco and Spain. In an interesting exampleof life imitating art, Ernst is said to have not only decorated his home in anOttoman style but to have painted while wearing an Eastern tasseled cap.$100,000-150,000



153 OWNED/507FRANZ HECKENDORF(german 1888-1962)MIXED FLOWERSSigned and dated ‘F. Heckendorf 32’bottom right, oil on canvas29 1/2 x 39 1/4 in. (74.9 x 99.7cm)provenance:Private Collection, Pennsylvania.$4,000-6,000

154 151024/1ROBERT SCHIFF(austrian 1869-1935)THE NEW BABYSigned and located ‘Robert SchiffWien’ bottom left; also dated andinscribed ‘1915/ 2090’ on stretcherbar label verso28 x 23 5/8 in. (71.1 x 60cm)provenance:Sotheby’s, New York, sale ofOctober 24, 1996, lot 410.Private Collection, Virginia.$3,000-5,000




155 141987/21RUDOLPH EPP(german 1834-1910)PORTRAIT OF A LADYSigned ‘R. Epp’ bottom center right, oil on panel8 5/8 x 6 1/4 in. (21.6 x 15.9cm)together with:BARBIZON SCHOOL(19th century)INTÉRIEUR DE FORÊTWith Parisian stencil verso, oil on board9 5/8 x 12 3/4 in. (24.2 x 32.4cm)(2)provenance:Property of a New Jersey estate.$1,200-1,800

156 151535/1WILHELM (WILLI) LORENZ(german 1901-1981)STAGS IN A CLEARINGSigned ‘Willi Lorenz’ bottom right; alsosigned ‘Willi Lorenz’ verso, oil on canvas23 7/8 x 31 3/4 in. (60.6 x 80.6cm)provenance:Kunst Schaefer, Wiesbaden, Germany.Private Collection, Maryland.$1,000-1,500

157 141774/27JULIUS HERMANN KUMMER(german 1817-1872)EXTENSIVE LANDSCAPE WITH BOATERSSigned ‘J. Kummer’ bottom left, oil on canvas30 1/4 x 40 1/8 in. (76.8 x 101.9cm)provenance:Private Collection, New Jersey.$1,500-2,000

158 141458/2NEL (NELIUS) GRÖNLAND(german 1859-1918)AFTER THE HUNTSigned and dated ‘Nel Grönland1899’ bottom left, oil on canvas26 x 46 in. (66 x 116.8cm)provenance:Private European Collection.Acquired from the above, ca. 1920s.By descent in the family.Private Collection, Virginia.$1,500-2,000

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159 151272/4SÁNDOR BRODSZKY(hungarian 1819-1901)DEER WATERINGSigned and dated ‘A. Brodszky 1855’bottom left; also with ‘MUNCHEN’preparer’s stamp verso, oil oncanvas25 1/2 x 23 1/4 in. (64.8 x 59.1cm)provenance:Private Collection, New Jersey.$3,000-5,000

160 151493/1GEORGI ALEXANDROVICHLAPCHINE(russian 1885-1950)FLOWER MARKET, PARISSigned ‘G. Lapchine’ bottom right,oil on canvas8 5/8 x 10 3/4 in. (21.9 x 27.3cm)together with:PARISIAN BRIDGE VENDORSWITH NOTRE DAME CATHEDRALIN THE DISTANCESigned ‘G. Lapchine’ bottom left, oilon canvas8 3/4 x 10 5/8 in. (22.2 x 27cm)(2)provenance:Private Collection, Texas.$2,000-3,000




161 151148/21FELIKS TOPOLSKI(polish 1907-1989)FIVE DRAWINGS; INCLUDING WINSTON CHURCHILL,BERTRAND RUSSELL AND HYDE PARK, SUMMERFour signed ‘Feliks Topolski,’ also with inscriptions; three dated:‘1940’, ‘1942’, and ‘1946’, pen and ink and pencil on paperLargest, sight size: 9 3/4 x 7 3/8 in. (24.8 x 19cm)(5)provenance:J. Davey & Sons, Manchester, (“Hyde Park” drawing).The Estate of Hilary and Irena Koprowski.$1,000-1,500



162 151376/1LÉON BAKST(russian 1866-1924)LA COEUR DE LA MARQUISEInscribed in Cyrillic, signed, anddated ‘L Bakst/ 1900’ bottom right,pencil, ink, watercolor, and gouacheon paper laid to card12 x 9 in. (30.5 x 22.9cm)provenance:Private Collection, Massachusetts.Acquired from the above.Private Collection, New York, NewYork.$4,000-6,000



164 141458/1DIMITRI EMIL’EVICH MARTEN(russian 1860-1918)BLACK FORESTSigned in Cyrillic and dated ‘1901’bottom left, oil on canvas36 x 61 in. (91.4 x 154.9cm)provenance:Private European Collection.Acquired from the above, ca. 1920s.By descent in the family.Private Collection, Virginia.$20,000-30,000

163 142505/2LUDOLF LIBERTS(latvian/american 1895-1959)THE TOWER BRIDGE, LONDONSigned ‘L. Liberts’ bottom right, oilon canvasboard22 1/2 x 17 1/4 in. (57.2 x 43.8cm)provenance:Marquand Gallery, New York &Paris.Presumably acquired from theabove.Private Collection, New York, NewYork.By descent in the family.Private Collection, New York, NewYork.$3,000-5,000


165 151392/1IVAN FEDOROVICH CHOULTSÉ(russian 1877-1932)MOUNTAIN SUNRISESigned ‘Iw. F. Choultsé’ bottom leftwith:LANDSCAPE AT DUSKandLANDSCAPE AT DAWNverso, oil on board9 1/2 x 12 1/4 in. (24.1 x 31.1cm)provenance:Private Collection, New York, New York.note:For a similar painting by Choultsé, please see ShapiroAuctions, New York, sale of February 16, 2013, lot 94.$12,000-18,000


(front) (back)



166 151204/3VICTOR VULCOV(russian 19th century)TROIKA IN WINTERSigned ‘V. Wulkow’ bottom left, oilon canvas19 3/4 x 32 1/8 in. (50.2 x 81.6cm)provenance:Doyle, New York, sale of December7, 2010, lot 83.Private Collection, New York, NewYork.$2,000-3,000

167 151090/4MANNER OF VASILI VASILIEVICHVERESHCHAGIN(russian 1842-1904)COSSACK ON HORSEBACKBears signature ‘Vereshchagin’bottom right, oil on copper9 1/8 x 7 in. (23.2 x 17.8cm)provenance:The Estate of Dr. Philip Mouer, York,Pennsylvania.$1,200-1,800

168 141360/2CONSTANTIN ALEKSANDROVICHWESTCHILOFF(russian 1877-1945)SNOW COVERED BRIDGESigned ‘C. Westchiloff’ bottom left,oil on canvas21 3/8 x 25 9/16 in.(53.9 x 64.9cm)provenance:Private Collection, New Jersey.$2,500-3,500


169 151108/64FRANCISZEK ZMURKO(polish 1859- 1910)LADY IN HER BOUDOIRSigned and dated ‘F Zmurko/ 18’bottom right, oil on canvas63 x 77 3/4 in. (160 x 197.5cm)provenance:Private Collection, New Jersey.$6,000-9,000




170 151542/1HEINRICH HENSEN(danish 1821-1890)THE SPANISH SHEPHERDSigned with initials ‘H.H.’ bottomleft; located and dated ‘Granada 50’bottom right; also signed ‘HeinrichHensen’ and inscribed ‘N.10’ verso,oil on board10 x 8 5/8 in. (25.5 x 22cm)provenance:Private Collection, New York, NewYork.$2,000-3,000

171 141360/7PHILIP BARLAG(norwegian 1840-1913)SKIPPING STONES ALONG THELAKESigned 'Barlag' and indistinctlydated bottom right, oil on canvas37 x 54 in. (94 x 137.2cm)provenance:Georg Mørch, Ramme OgKunsthandel.Private Collection, New Jersey.$3,000-5,000

172 141360/4MORTEN MÜLLER(norwegian 1828-1911)VIEW ACROSS THE VALLEYSigned and dated ‘M. Müller 1851’bottom right, oil on canvas13 1/2 x 18 3/4 in. (34.3 x 47.6cm)provenance:Georg Mørch, Ramme OgKunsthandel.Private Collection, New Jersey.$1,000-1,500


173 141360/5CARL WILHELM BARTH(norwegian 1847-1919)BOATING ON A CALM LAKESigned with initials ‘C.W.B.’ bottomleft, oil on canvas16 3/8 x 24 3/4 in. (41.8 x 60.3cm)provenance:Georg Mørch, Ramme OgKunsthandel.Private Collection, New Jersey.$2,000-3,000

174 141360/6CHRISTIAN ERIKSEN SKREDSVIG(norwegian 1854-1924)HUNTERS SETTING OFFSigned and dated ‘Skredsvig 92’ bottom right; also inscribed‘Skredsvig 1892’ on stretcher verso, oil on canvas20 1/8 x 39 3/4 in. (51.1 x 101cm)provenance:Georg Mørch, Ramme Og Kunsthandel.Private Collection, New Jersey.$3,000-5,000




175 151422/15MOSHE CASTEL(israeli 1909-1992)PORTRAIT OF A YOUNG MANSigned ‘Castel’ bottom left, oil oncanvas15 x 18 1/8 in. (38.1 x 46.1cm)provenance:Private Collection, New York, NewYork.$2,000-3,000

176 151542/12TOSHIO BANDO(japanese/french 1895-1973)5 HERRINGS ON A PLATESigned ‘Bando’ and ‘Toshio’ (inJapanese) bottom right, oil oncanvas9 7/16 x 13 in. (24 x 33cm)provenance:Millon & Associés, sale of March28, 2008, lot 52.Private Collection, New York, NewYork.exhibited:Galerie Chéron, Paris, ca. 1925.$3,000-5,000

177 151496/5HENRI RONDEL(french 1857-1919)ELEGANT INTERIORSigned ‘H. Rondel’ bottom right, oilon canvas24 1/4 x 13 3/8 in. (61.6 x 34.2cm)provenance:Private Collection, New England.$4,000-6,000


178 151335/2FRANCISCO ZÚÑIGA(mexican 1912-1998)“DOS MUJERES SENTADAS”Signed and dated ‘Zgà 1970’ bottomleft, blue and brown conte crayon onpaper19 5/8 x 25 1/2 in. (50 x 64.8cm)provenance:The Artist.Acquired from the above.Bonham's, San Francisco, sale ofMay 1, 2005, lot 158.Private Collection, Pennsylvania.note:The authenticity of the presentdrawing has been kindly confirmedby the Artist’s son, Mr. Ariel Zúñiga.$3,000-5,000

179 151185/5FEVZI KARAKOC(turkish, b. 1947)COMPOSITION (FIGURES ON HORSEBACK)Signed and dated ‘Fevzi Karakoc 89’ bottomright, watercolor on paper20 7/8 x 15 3/8 in. (52.8 x 39.3cm)provenance:Tem Sanat Galerisi, Istanbul.Private Collection, South Africa.$1,000-1,500

180 151543/1HANS ERNI(swiss 1909-2015)NUDESigned ‘Erni’ bottom right, charcoalon paper19 3/4 x 27 1/2 in. (50.2 x 69.9cm)provenance:Private Collection, Maryland.$1,000-1,500




181 158042/2MARIO URTEAGA ALVARADO(peruvian 1875-1957)WOMEN MAKING TEXTILESSigned and dated ‘M. Urteaga 1939’bottom right, oil on canvas17 1/2 x 23 1/8 in. (44.5 x 58.8cm)provenance:Private Collection, North Carolina.$3,000-5,000

182 158042/1IGNACIO AGUIRRE(mexican 1900-1990)LANDSCAPE WITH HUTS‘Signed and dated ‘I. Aguirre 47’bottom right, oil on cavas laid toboard19 5/8 x 25 1/2 in. (49.1 x 64.8cm)provenance:Private Collection, North Carolina.$2,500-3,500


183 151208/1GIORGIO DE CHIRICO(italian 1888-1978)“CONVERSAZIONE MISTERIOSA”FROM “MYTHOLOGIE”1934. Pencil signed and numbered‘87/120’ in the margin, lithograph9 1/2 x 7 1/16 in. (24.1 x 17.9cm)Quatre Chemins, publisher.[Ciranna 91]provenance:Private Collection, New Jersey.$1,000-1,500

184 151504/2ALBERTO GIACOMETTI(swiss 1901-1966)“NU DEBOUT II”1961. Edition of 75. Signed ‘AlbertoGiacometti’ bottom right andnumbered ‘56/75’ bottom left,lithograph29 7/8 x 22 1/8 in.(75.9 x 56.2cm)Maeght Editeur, Paris, publisher.[Lust 36]provenance:Private Collection, Washington, DC.$3,000-5,000

185 142581/1ANDRÉ MASSON(french 1896-1987)“LE MORT”1964. Set of nine color etchings andaquatint. Each pencil signed andnumbered ‘29/60’ in the margin,each unframed.Au Vent d’Arles, Paris, publisher.Each: 9 1/8 x 13 in. (23.2 x 33cm)[Saphire/Cramer 66](9)provenance:Swann Galleries, sale of March 3,2011, lot 605.Private Collection, New Jersey.$1,500-2,000

186 151313/1PIERRE BONNARD(french 1867-1947)“PLACE LE SOIR” FROM“QUELQUES ASPECTS DE LA VIEDE PARIS”1899. Edition of 100. Colorlithograph.10 7/8 x 15 3/16 in. (27.7 x 38.6cm)Ambroise Vollard, Paris, publisher.[Bouvet 64]provenance:Ferdinand Roten Galleries, Inc.,Baltimore, Maryland.Private Collection, Pennsylvania.$2,000-3,000

END OF SALE


186

185 (one of nine)

184183



Adrion, L., 140, 141, 142Aguirre, I., 182Alvarado, M.U., 181Andreotti, F., 105Angus, M.L., 77

Bakst, L., 162Bando, T., 176Barbizon School, 155Barenger, J., 75Barlag, P., 171Barth, C.W., 173Bison, G.B., 17Bonheur, A., 116, 117Bonnard, P., 186Boucher, F., 9, 20British School, 73, 74, 82, 83, 85Brodszky, S., 159Brunery, F., 104Bussière, G., 124

Cadenasso,G., 106Calbet, A., 126Campi, V., 32Caron, A., 37Carte, A., 143Carter, H., 54Castel,M., 175Choultsé, I.F., 165Clark, W., 63Claudot, A., 132Clowes, H., 79Constable, J., 59Continental School, 19, 25Crawford, E.T., 61Crivelli, F., 19Cuyp, A., 45

d'Espagnet, G., 127Dambourguez, E.J., 129de Backer, J., 38de Casorati, V. P., 97de Chirico, G., 183de Goya, F., 7, 8de la Croix, P.F., 109de Wit, F., 151Delacroix, E., 16Dolci, C. 30Dufy, R., 131Dumont, H.J., 123

Severn, J., 72Shart, S., 136Shee, M.A., 84Skredsvig, C.E., 174Stouf, J.B., 34

Titian, 28, 29Topolski, F., 161Tourrier, A.H., 81

Valeriani, G., 12van der Croos, J., 39van der Kerckhoven, J., 26van der Maaten, J.J., 146van Dyck, A. 46van Laer, P.J., 42van Rijn, R., 2, 3, 4, 5van Seben, H., 144van Wittel, G., 40Vereshchagin, V.V., 167Vulcov, V., 166

Wagner, J.S., 121Wainwright, J., 62Watson, W.R.C., 80Watteau, J.A., 21Webb, J., 66Webb, J.W., 65Weismann, J., 122Westchiloff, C.A., 168Wilks, M.C., 87, 88Willems, F., 150

Zmurko, F., 169Zúñiga, F., 178

Liberts, L., 163Liebermann, M., 48Lorenz, W., 156Lowry, L.S., 96Lucchesi, G., 102

Maes E.R. & Col, J.D., 148, 149Maillol, A., 139Marec, V., 110Marten, D.E., 164Massani, P., 99Masson, A., 185Maufra, M., 138Mazzuchielle, P.F. (CalledMorazzone), 10Mercier, P., 36Millet, J.F., 130Miotte, J., 133Monginot, C., 14Moya, E.A., 108Müller, M., 172

Neapolitan School, 11, 64Niemann, E.J., 55Nooms, R., (Called Zeeman), 41

Panza, G., 107Parmigianino, 6Pars, W., 56Pascin, J., 137Pelligrini, R., 103Perret, A., 111Pyne, J.B., 68

Raphael, 31Redon, O., 47Renoir, P.A., 114Renoux, C.C., 118Rigaud, H., 35Rinaldi, C., 101Roberts, D., 50, 51, 52, 53Romney, G., 58Rondel, H., 177Rosa, S., 8Rousseau, T., 49Rubens, P.P., 44

Schiedges,P.P., 145Schiff, R., 154Senior, M., 86

Dürer, A., 1Dutch School, 24

Edy-Legrand, E.L.L., 119Emilian School, 33Epp, R., 155Erni, H., 180Ernst, R., 152

Farasyn, E., 147Fiasella, D. (Called Il Sarzana), 21Fini, L., 128Fletcher, W.B., 89Folli, A., 100Frère, C.E., 112Frith, W.P., 70, 71Fromentin, E., 120

Gandolfi, U., 21Genoese School, 21Giacometti, A., 184Gonzaga, P.D.G., 13Goodall, F., 60Grant, D., 90, 91, 92, 93, 94, 95Grönland, N., 158Guardi, G., 18Guerra, A., 98Guibert, A., 125

Harper, E.S., 69Heckendorf, F., 153Hensen, H., 170Herring, J.F., 76Hopkins, W.H., 78Huguet, V.P., 115

Italian School, 15, 23, 27

Jansem, J., 134John, A.E., 57

Karakoc,F., 179Kevorkian, J., 135Kummer, J.H., 157

Lapchine, G.A., 160Leader, B.W., 67Lecomte Du Noüy, J.J.A., 113Leiden School, 43Liberti, 22

Index



names

attributed to

studio of

circle of

follower of

manner of

school of

after an artist

signatures & dates

measurements

any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to betaken as a statement or representation of fact. freeman’s reserves theright, in forming their opinion, to consult and rely upon any expert orauthority considered by them to be reliable.

Forename(s) and surname of painter is in our opinion a work by that artist;e.g. Charles Willson Peale. When an artist’s forename(s) is not known, aseries of asterisks followed by the surname of the artist, wether preceded byan initial or not, indicates that in our opinion the work is by the artistnamed.

Refers to probably a work by the artist; e.g. Attributed to Charles WillsonPeale.

Refers to a work from the studio of the artist which may or may not havebeen executed under his direction; e.g. Studio of Charles Willson Peale.

Circle of..... refers to a work of the period of the artist executed under hisimmediate influence; e.g. Circle of Charles Willson Peale.

Follower of..... refers to a work by a painter working in the artist’s style,contemporary or nearly contemporary, but not necessarily his pupil; e.g.Follower of Charles Willson Peale.

Manner of..... refers to a work in a style related to that of the artist, but of alater date; e.g. Manner of Charles Willson Peale.

School accompanied by the name of a place or country and a date meansthat we believe the picture was executed at that time and in that location;e.g. Italian School, 18th Century.

After an artist is in our opinion a copy of any date after a work by that artist;e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signatureand/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believethe artist’s name and/or date and/or inscription have been added byanother hand.

All references to signature, inscriptions and dates refer to the present stateof the work.

Dimensions are given height before width.

Glossary



To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date. Collection hours are Monday–Friday, 9:30am–4:30pm. For larger items, please email [email protected] to schedule a loading dock appointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of third party collecting property.

Freeman’s does not handle packing or shipping. The shippers listed have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

Art In TransitNick Clarke314 North 12th StreetPhiladelphia, PA [email protected]

Atelier Art Services ‡

Lynn Smith1330 North 30th StreetPhiladelphia, PA 19144215.235.0402 | Fax: [email protected]

Aiston Fine Art Service ‡

Mark AistonP.O. Box 3434Grand Central StationNew York, NY 10163212.715.0629 | Fax: [email protected]

Cadogan Tate Fine Art ‡

Stacey FergusonCadogan House41-20 39th StreetSunnyside, NY 11104718.706.7999 | Fax: [email protected]

Mr. C’sCharles Cohen1615 North 10th StreetPhiladelphia, PA [email protected]

Malca Amit ‡

Christine Duke153-66 Rockaway BlvdNew York, NY 11434718.525.6100 | Fax: [email protected]

A. Mastrocco Jr. Moving & StorageRoseanne Gebler1060 Louis DriveWarminster, PA 18991215.491.0346 | Fax: [email protected]

The Packaging Store ‡

Duane Freed2333 Welsh RoadLansdale, PA 19446215.361.6940 | Fax: [email protected]

UPS Store ‡

John Bohach51 North 3rd StreetPhiladelphia, PA 19106215.629.4990 | Fax: [email protected]

U.S. Art ‡

Jessica Pierce37-11 48th AvenueLong Island City, NY 11101800.472.5784 | Fax:[email protected]

VG Packaging LLC ‡

Gordon G Murray II12 Salem RoadSchwenksville, PA 19473484.552.8741 | Fax: [email protected]

FURNITURE & LARGE ITEMSFor larger pieces when delivery time is not a rush, we suggest:www.plyconvanlines.comwww.nwdelivery.comwww.freightquote.com

‡ Shippers that can fulfill international deliveries

Purchase removal, shipping and offsite storage information

v1.2015


All property offered and sold (“property”) through Samuel T. Freeman & Co, (“Freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

13A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’sPremium shall be: 25% on the first $100,000 of the hammer price of each lot, 20% on the portion from $100,001 through $2,000,000, and 12% thereafter.

14Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state.

15Freeman’s may, as a service to buyer, arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier is recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer.

16In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid.

17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion.

18These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.

in the original purchase price andwill also be responsible for all costs,including warehousing, the expenseof the ultimate sale, and Freeman’scommission at its regular ratestogether with all related andincidental charges, including legalfees. Payment is a precondition toremoval. Payment shall be by cash,certified check or similar bank draft,or any other method approved byFreeman’s. Checks will not bedeemed to constitute payment untilcleared. Any exceptions must bemade upon Freeman’s writtenapproval of credit prior to sale. Inaddition, a defaulting buyer will bedeemed to have granted andassigned to Freeman’s, a continuingsecurity interest of first priority inany property or money of, or owingto such buyer in Freeman’spossession, and Freeman’s mayretain and apply such property ormoney as collateral security for theobligations due to Freeman’s.Freeman’s shall have all of the rightsaccorded a secured party under thePennsylvania Uniform CommercialCode.

10Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest.

11No “buy” bids shall be accepted at any time for any purpose.

12Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.

8Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require.

9No lot may be removed fromFreeman’s premises until the buyerhas paid in full the purchase pricetherefor including Buyer’s Premiumor has satisfied such terms thatFreeman’s, in its sole discretion,shall require. Subject to theforegoing, all Property shall be paidfor and removed by the buyer athis/her expense within ten (10)days of sale and, if not so removed,may be sold by Freeman’s, or sentby Freeman’s to a public warehouse,at the sole risk and charge of thebuyer(s), and Freeman’s mayprohibit the buyer fromparticipating, directly or indirectly,as a bidder or buyer in any futuresale or sales. In addition to otherremedies available to Freeman’s bylaw, Freeman’s reserves the right toimpose a late charge of 1.5% permonth of the total purchase price onany balance remaining ten (10) daysafter the day of sale. If Property isnot removed by the buyer within ten(10) days, a handling charge of 1%of the total purchase price permonth from the tenth day after thesale until removal by the buyer shallbe payable to Freeman’s by thebuyer; Freeman’s shall charge 1.5%of the total purchase price permonth for any property not soremoved within 60 days after thesale. Freeman’s will not beresponsible for any loss, damage,theft, or otherwise responsible forany goods left in Freeman’spossession after ten (10) days. If theforegoing conditions or anyapplicable provisions of law are notcomplied with, in addition to otherremedies available to Freeman’s andthe Consignor (including withoutlimitation the right to hold thebuyer(s) liable for the bid price)Freeman’s, at its option, may eithercancel the sale, retaining asliquidated damages all paymentsmade by the buyer(s), or resell theproperty. In such event, the buyer(s)shall remain liable for any deficiency

1Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor.

2Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale.

3Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property.

4Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer.

5Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots.

6The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects.

7If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

Terms & Conditions

v1.2015


v1.2015

bidding & registration form

sale no bidder no client no

name business name

address

city state country

zip code e-mail

phone (primary) phone (secondary) fax

resale / tax identification state

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $100,000 of hammer price of each lot, 20% on

the hammer from $100,001 through $2,000,000, and 12% thereafter. All lots must be paid for and removed within 10 days.

lot no description maximum bid

please adhereto the bidding increments

$10until $200 is reached

$25until $500 is reached

$50until $1,000 is reached




$1,000until $30,000 is reached



over $100,000auctioneer’s discretion

bank reference

bank name account no

contact name telephone

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

signed q id confirmed(signature required to execute your bids)

q please send me information to subscribe to freeman’s catalogs

1808 Chestnut Street, Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: [email protected]

www.freemansauction.com


Directory

v2.2015

Officers

Samuel M. Freeman IIChairman

Alasdair NicholVice Chairman

Margaret D. FreemanVice Chairman

Paul S. RobertsPresident

Hanna DougherChief Operating Officer

Departments

AppraisalsAmy Parenti [email protected]

Business DevelopmentThomas B. McCabe IV [email protected]

Client ServicesMary Maguire Carroll [email protected]

FinanceMark Beckerman [email protected]

Marketing & CommunicationTara Theune Davis [email protected]

Museum ServicesThomas B. McCabe IV [email protected]

PhotographyElizabeth Field [email protected]

Press & MediaMelissa Geller [email protected]

Shipping & ReceivingBethany Mobbs [email protected]

Trust & EstatesSamuel T. Freeman III [email protected]

Specialist Departments

American Art & Pennsylvania ImpressionistsAlasdair Nichol [email protected]

American Furniture, Folk & Decorative ArtsLynda Cain [email protected]

American SilverSamuel M. Freeman II [email protected]

Asian ArtsRichard A. Cervantes [email protected]

Books, Manuscripts, Maps & EphemeraDavid Bloom [email protected]

English & Continental Furniture & Decorative ArtsDavid Walker [email protected]

European Art & Old MastersDavid M. Weiss [email protected]

Jewelry & WatchesMichael Larsen, GIA GG [email protected] Virginia B. Salem, GIA [email protected]

Modern & Contemporary ArtAnne Henry [email protected]

Musical Instruments Frederick Oster [email protected]

Oriental Rugs & TapestriesRichard A. Cervantes [email protected]

Photographs & PhotobooksChristiana Scavuzzo [email protected]

PrintsAnne Henry [email protected]

Silver & Objets de VertuDavid Walker [email protected]

Representatives

New EnglandKelly Wright [email protected]

Mid-AtlanticMatthew Wilcox [email protected]

Southeast Colin Clarke [email protected]

West CoastMichael Larsen [email protected]

Main LineThomas B. McCabe [email protected]


www.freemansauction.com1808 Chestnut Street Philadelphia Pennsylvania 19103Tel-215.563.9275 | Fax-215.563.8236

European Art & Old Masters | 06/16/15

Documents

Transcript of European Art & Old Masters | 06/16/15