Eliot Feld Ballet - Ann Arbor District...

4
Presents Eliot Feld Ballet HELEN DOUGLAS MONA ELGH ELIOT FELD MICHAELA HUGHES BRIAN JAMESON KATE JOHNSO N CHARLES KENNEDY EDMUND LAFoSSE BARRY L EON REM US MARCU LINDA MILLER GREGORY MITCHELL GEORGE MONTALBANO ELIZABETH NESI MARY RANDOLPH CHRISTINE SARRY J EFF SATIN OFF GWYNN TAYLOR PETER LONGIARU, Pianist JOHN H. PAULL III, Production Stage Manager CORA CAHAN, Administrator MONDAY EVENING, FEBRUARY 20, 1978, AT 8:00 POWER CENTER FOR THE PERFORMING ARTS ANN ARBOR, MICHIGAN PROGRAM HARBINGER (1967) Choreography by ELIOT FEW M ll sic by SERGE PROKOFIEFF Cos/limes by STANLEY SIMMONS Lighting by THOMAS SKELTON (Co nce rto #5 for Piano and Orchestra) I JEFF SATIN OFF Mona EIgh, Kate John son, Linda Miller, Elizabeth Nesi, Mary Randolph, Gwynn Taylor II CHRISTINE SARRY, GREGORY MITCHELL III LINDA MILLER, GEORGE MONTALBANO Mona EIgh, Kate John son, Mary Rando lph, Gwynn Tay lor, Brian Jameson, Char les Kennedy, Remu s Marcu Seventeenth Program Seventh Annual Choi ce Series, Power Center Complete Programs 4108

Transcript of Eliot Feld Ballet - Ann Arbor District...

  • Presents

    Eliot Feld Ballet HELEN DOUGLAS MONA ELGH ELIOT FELD MICHAELA HUGHES

    BRIAN JAMESON KATE JOHNSON CHARLES KENNEDY

    EDMUND LAFoSSE BARRY L EON REM US MARCU LINDA MILLER

    GREGORY MITCHELL GEORGE MONTALBANO ELIZABETH NESI

    MARY RANDOLPH CHRISTINE SARRY J EFF SATIN OFF GWYNN TAYLOR

    PETER LONGIARU, Pianist

    JOHN H. PAULL III, Production Stage Manager CORA CAHAN, Administrator

    MONDAY EVENING, FEBRUARY 20, 1978, AT 8 :00 POWER CENTER FOR THE PERFORMING ARTS

    ANN ARBOR, MICHIGAN

    PROGRAM

    HARBINGER

    (1967)

    Choreography by ELIOT FEW M llsic by SERGE PROKOFIEFF

    Cos/limes by STANLEY SIMMONS Lighting by THOMAS SKELTON

    (Concerto #5 for Piano and Orchestra)

    I JEFF SATIN OFF

    Mona EIgh, Kate Johnson, Linda Miller, Elizabeth Nesi, Mary Randolph, Gwynn Taylor

    II CHRISTINE SARRY, GREGORY MITCHELL

    III LINDA MILLER, GEORGE MONTALBANO

    Mona EIgh, Kate Johnson, Mary Randolph, Gwynn Taylor, Brian Jameson , Charles Kennedy, Remus Marcu

    Seventeenth Program Seventh Annual Choice Series, Power Center Complete Programs 4108

  • IV MICHAELA HUGHES, GREGORY MITCHELL, JEFF SATIN OFF

    V Mona Elgh, Michaela Hughes, Linda Miller, Mary Randolph,

    Christine Sarry , Gwynn Taylor Brian Jameson, Charles Kennedy, Remus Marcu, Gregory Mitchell ,

    George Montalbano, Jeff Satinoff

    Choreography by ELIOT FUD Mllsic by ALBERT ROUSSEL Scell ery by MlNc CHO LEE

    INTERM I SSION

    IMPROMPTU ( 1976)

    Cost um e by Wn.LA KlJIr Lighting by THOMAS SKELTON

    Danced by HELEN DOUGLAS

    (Pause)

    CORTEGE PARISIEN ( 1970)

    Choreography by ELIOT FELD Costumes by FRANK THOMPSON

    Music by ElI!J\[ANUF.L CHABRIER (Fete Polona ise)

    CHRISTINE SARRY MICHAELA HUGHES LINDA MILLER REMUS MARCU JEFF SATIN OFF GEORGE :MONTALBANO

    INTERMISSION

    A FOOTSTEP OF AIR ( 1977 )

    Choreography by ELlOT FELD Music by LUDWIC VAN BEETHOVEN

    (Iris h and Scottis h Folk Songs)

    CHRISTINE SARRY JEFF SATIN OFF

    Orches trat.ion by SOL BERKOWITZ Costumes by WILLA KIM Lighting by THOMAS SKELTON

    LINDA MILLER EDMUND LAFoSSE GREGORY MITCHELL ELIOT FELD

    Mona Elcrh, Kate Johnson, Elizabeth Nesi, :Mary Randolph, Gwynn Taylor, Brian Jameson, Charles Kennedy, Barry Leon, Remus Marcu

  • MUS1 CAL NOTE: Most of Beethoven's folk song arran gements, wlrich l1umber more than one hundred-seventy all told, were commissioned by George Thomson (1757-1839), for many years secretary 1.0 the "Board Jar tire Encouragement of Arts and j"Ianufactures in Scotland," who saw il. as his li fe 's work to collect Scottish, Irish, and Welsh folk songs . He enlisted the aid of disl.inguished poets (Burns, Lord Byron, Ho gg, Scott ) and well knowlI composers (Haydn, Koseluh, Pleyel, alld Beethovell ) . Beelhoven accepted tiris work from 1809 until 1823 in order to im.prove his fi nancial posil.ioll. In view of the simplicity of existing melodies, Beethoven was careful to keep as much variety to I he rito l'llelli and accompalliments. Thus he often took a potent motive from the melody and developed it 1.0 bol.h I.he prelude and postlude to a song. Sometimes he illustrated the meanillg of the words with melodic fi.gures of symbolic sig1l ifi cance . These songs were originally scored for violin, cello, alld piano. The co'rnpany is dan cing to a special orchestra.tion by Sol Berkowil= for chall/ber orchestra.

    Yc Shcph crds of This P leasant Valc Music, Love and '

  • This is an Encore Company Clu.b night

    Encore is the membership organization of the Musical Society. Members of the new Company Club are community-oriented businesses whose generous support helps bridge the gap between ticket revenue and the ever-increasing cost of presenting the performing arts. Ten performances are designated this season to honor them and their employees.

    Tonight we especially recognize the newest member of Encore Company Club:

    F. Jos. Lamb Company of Warren, Michigan

    Philippe Entremont, Pianist ( replacing Laza r Berman, originally scheduled last November)

    Saturday, April I, at 8 :30 in Hill Auditorium

    BACH: Partita No.1 in B-f1at major BEETHOVEN: Sonata in D major , Op. 28 ("Pastorale") CHOPIN: Nocturne in D-f1at, Op. 27, No.2; Scherzo No. 2 RAVEL: Sonatine; Gaspard de la nuit

    All ticke ts for the Berman recita l will be honored on April 1 ;

    add itional ti ckets are ava ilable from $4 to $10.

    REMAINING EVENTS

    ELIOT FELD BALLET Tuesday, February 21 Choreographed by Feld: The Real McCoy (Gershwin ); Mazurka (Chopin ); The Consort (Dowland and anonymous composers) .

    ELIOT FELO BALLET Wednesday, February 22 Choreographed by Feld : Harbinger (ProkofIev) ; Santa F e Saga (Gould ) ; The Consort (Dow-land and a nony mous composers) ; A Footstep of Air (Beethoven).

    CARLOS MONTOYA, Guitarist Thursday, February 23 ALEKSANOER SLOBOOYANIl