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    300 Book Reviews/Novum Testamentum 54 (2012) 293-301

    Holly J. Carey,Jesus Cry from the Cross: Towards a First-Century Understanding of the

    Intertextual Relationship between Psalm 22 and the Narrative o f Marks Gospel, LNTS

    398 (London: T andT Clark International, 2009), xv + 221 pp., ISBN 978-0-567

    01858-8. $130.00.

    In recent years there have been a number of studies on the use of the Old Testament

    in Marks passion narrative. What makes Holly Careys contribution distinctive is her

    concentration on the citation from Ps 22:2 at Mark 15:34 and her focus on current

    issues in intertextuality and reader-response theory. Adopting a narrative-critical

    approach, Carey studies the citation from Ps 22:2 not only in relation to the immedi-

    ate context of Marks passion narrative, but how Mark 15:34 functions in the whole

    narrative of Marks gospel.To make her case Carey confronts two current issues in the study o f intertextuality.

    The first is reader competence. Carey claims that at the heart of her work is a desire to

    see the text through the eyes, or hear the text through the ears of the first century

    readers of the gospel of Mark (23). She argues for a level of competence on the part

    of the implied readers sufficient to understand and interpret Marks use of Psalm 22.

    This competence, she claims, has only to be located in the implied reader, not in

    the average first century Christian (24), many of whom were illiterate. These first

    readers she locates, with the majority of scholars, in the early Roman church.

    The other major issue confronting intertextual studies with a narrative-critical focusis whether Mark, or the other New Testament writers cited scripture atomistically or

    contextually. Reviewing the previous discussions of the use of Psalm 22 in Marks pas-

    sion narrative (6-22) Carey argues strongly for a contextual reading of the Psalm in

    Marks passion/resurrection narrative (PRN) and that Marks earliest implied readers

    would have known the paslm, would have heard the echo, and would have had their

    understanding of Jesus death and resurrection shaped by it.

    To make her case, Carey presents several lines of argument. In Chapter 3 she notes

    the importance of Resurrection in Marks gospel, thus indicating a morphological fit

    between the theme of humiliation/exhaltation in both Psalm 22 and the gospel. She

    reviews Marks use of scripture in Chapter 4, and shows that often Marks citation of

    scripture is contextual (especially the combination of Isa 56:7 and Jer 7:11 in Mark

    11:17). Turning to the socio-cultural context of Marks gospel (Chapter 5) Carey

    demonstrates that the motif of the Righteous Sufferer was indeed a widespread tradi-

    tion in Jewish literature before and during the first century (124) and that language

    from Psalm 22 was sometimes used to express this theme (Wisdom 2-5 and the

    Teacher of Righteousness at Qumran). A review of the Righteous Sufferer theme in

    Mark (Chapter 6) and the meaning and function of Psalm 22 in Marks PRN (Chap-

    ter 7) further strengthen her contention that Marks implied readers would have

    understood the narrative of Jesus death and Resurrection in terms of the story ofPsalm 22.

    Careys focus on one verse (Mark 15:34) in its larger narrative context enables her

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    Book Reviews/Novum Testamentum 54 (2012) 293-301 301

    to the significant textual variation in the verse. The reading of Codex D, the Latin k

    and a few others, why have you reproached me, which she admits could alter

    the significance and meaning of the passage (151), she dismisses as having very littlesupport. She does not mention Harnacks view that this is the original reading, nor

    C.H. Turners argument that since no scribe would have invented this reading, and

    that the change to the normal text is amply accounted for by assimilation to the LXX

    of Ps 22:2 or to Matt 27:46, reproached must be what Mark wrote in 15:34. Now

    Bart Ehrman has proposed a motive for its invention (anti-separationist corruption by

    proto-Orthodox scribes) but Ehrmans work is similarly not mentioned.

    In addition, Careys treatment of the possible echo of Ps 69:22 at Mark 15:36

    downplays the potential influence of this Psalm on Marks passion narrative. Psalm 69

    was also considered a Psalm of the Righteous Sufferer, was used widely in New Testa-ment passion apologetic (Lindars argued that it made the largest contribution) and its

    key word, reproach() is a key word in Mark 15: everybody reproaches Jesus.

    Moreover, Psalm 69 follows the same pattern of humiliation/exaltation as Psalm 22.

    The function of Psalm 69 in Mark 15 should have received more attention. Although

    it is not foregrounded as is Psalm 22, it is nonetheless important.

    Another possible oversight might be Careys lack of references to the Epistle to

    the Hebrews. Careys index mentions only Heb 12:17. The citation of Ps 22:22 at

    Heb 2:12 and the probable allusion to the Psalm in Heb 5:7-8 (and at 2:9, if we take

    the alternative reading apartfrom God)may have a bearing on the broader context in

    which Marks implied readers would have understood the reference to Psalm 22 in

    his PRN.

    This is an impressive study of Psalm 22 in Mark, not least because it provokes such

    textual questions. Careys contribution to the study of Mark, and of the use of the Old

    Testament in the New Testament should not be ignored by anyone who wishes to give

    serious attention to the Gospel.

    Peter R. Rodgers

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