ECTS Information package · ECTS Information package 2018/2019 . Contents The European Credit...

ECTS Information package

2018/2019

Contents

The European Credit Transfer System (ECTS)

The I.J. Paderewski Academy of Music in Poznań

Education system at the Academy

Faculties, majors, specializations

Artistic and research activities

Partner institutions

Academy premises and facilities

Accommodation

Faculty of Composition, Conducting, Theory of Music and Eurhythmics Introduction

ECTS-credits

Faculty of Instruments

Introduction

ECTS-credits

Faculty of Vocal Performance and Acting

Introduction

ECTS-credits

Faculty of Choir Conducting, Music Education and Church Music Introduction

ECTS-credits

Faculty of Bowed Instruments, Harp, Guitar and Violin-Making Introduction

ECTS-credits

EUROPEAN CREDIT TRANSFER SYSTEM ECTS (European The standard developed by the European Comission functions within the ERASMUS+

Credit Transfer community education programe. It facilitates the recognition of studies abroad by a home institution

System) and makes the cooperation between the European Union institutions easier. A student can study at

the partner institution abroad for a period from three up to twelve months. ERASMUS+

scholarship can be granted once only and first-year students are not eligible. During their stay

at the partner institutions, students keep all their scholarships awarded to them by their home institutions.

Documents listed below are the basis ensuring the proper functioning of institutional exchange:

DOCUMENTS Information package Aimed at students and teachers of partner institutions. It covers the organization and structure of studies,

facilities, health care, insurance and administrative procedures. The most important part consists of

the detailed description of subjects offered by a given faculty (specialization) and corresponding

ECTS-credits. Subjects with ECTS-credits are those which are an integral part of studies (Physical education,

language courses, and partly Pedagogical Unit are excluded). In case of subjects without credits, the grades

are copied.

Learning Agreement The document is prepared before students start their studies abroad and it covers planned study programme

and ECTS-credits that will be awarded for the course completion. The agreement is valid for the three

parties who are obliged to sign it: a home institution, a partner institution and a student (often the ‘transcript

of records’ describing students achievement at the home institution must be attached).

Transcript of Records All subjects (series of classes) completed by a student abroad must be described here together with

the corresponding ECTS-credits. The transcript of records is issued by the receiving institution. The home

institution recognizes the credits awarded to a student at other institutions – credits awarded for completed

subjects (series of classes) are replaced by points that would have been received at the home institution

during the comparable period of studies.

ECTS-credits ECTS-credits are numerical value allocated to the course units. They specify a student’s workload required

to complete a course (lectures, classes, individual work, exams etc.). This is a relative value.

60 ECTS-credits represent the full workload of an academic year, and 30 ECTS-credits a semester.

A student should obtain an adequate number of ECTS-credits to complet a semester (year) of studies.

The ECTS system does not eliminate grades which are used to evaluate a student.

Indicative scale of ECTS-credits* Points at

ECTS

the Academy Definition

grade

in Poznań

25 A EXCELLENT Excellent performance with only minor mistakes.

21-24 B VERY GOOD Above the average standard but with some mistakes.

16-20 C GOOD Generally good work but with many noticeable mistakes.

14-15 D SATISFACTORY Satisfactory, but with significant defects.

11-13 E SUFFICIENT Performance meets the minimal requirements.

10 F, FX FAIL Credits will be awarded when a student revises everything thoroughly.

Grading is considered individually.

AKADEMIA MUZYCZNA

IM. I. J. PADEREWSKIEGO W POZANIU

AUTHORITIES RECTOR

Prof. AM dr hab. Halina Lorkowska

VICE-RECTOR FOR ARTISTIC AFFAIRS, RESEARCH AND INTERNATIONAL COOPERATION

Prof. AM Janusz Stalmierski

VICE-RECTOR FOR STUDENT AFFAIRS AND EDUCATION

ad. dr hab. Krzysztof Przybyłowicz

* * *

The history of the Academy goes back to 1920 when the State Academy and School of

Music was established. In 1922 its name was changed to the State Music Conservatory.

In 1947 it became the State Higher School of Music, and since 1981 it has been known

as the I.J. Paderewski Academy of Music in Poznań. Since the very beginning we have

prided ourselves on teaching staff - outstanding characters of the Polish music circles.

Since September 2012 the Academy has been run by Rector Prof. AM dr Halina

Lorkowska. The Academy offers education at five faculties. We are one out of nine

Music Academies/Universities and the only one which offers violin-making

specialization.

Since the moment the Academy gained its own concert hall – Aula Nova (9.10.2006), the number of artistic events hasve increased a lot. Besides its basic role as an

educational institution, the Academy has become a cultural centre and now it is one of the most important points on the music map of Poznań. Aula Nova offers to young

performers various artistic opportunities of presentation – Poznań music lovers can choose among: symphonic, chamber, choir, composition and vocal concerts as well as recitals. The concert cycles have been popular for many years: Mondays at the

Academy, Vocal Thursdays, Organ Wednesdays, Early Music Thursdays, Strings at the Academy, Masterpieces of Chamber Music, Teachers and their Choirs, From Students

to Students, Creaspirations, Wired Music, Summer Townhall Concerts, etc. In the last five years we have organized about 600 concerts – students and teachers presented

varied repertoire, from the early music to the literature of the 21st

century.

The Academy aims at the highest level of teaching, attractive music events, promotion

of its artistic potential and inspiration for creative activities – we cooperate effectively

with the T.Szeligowski Poznań Philharmonic, the H.Wieniawski Music Society, the

S.Moniuszko Grand Theatre, Music Theatre, Polski Theatre, Cultural Centre ‘Zamek’

and Estrada Poznańska. Thanks to the signed agreements the Academy have

participated in organization of many important festivals, such as Poznań Music Spring,

Nostalgia Festival, International MALTA Festival, Made in Chcago Festival, Poznań

Baroque Festival.

Education system at the Academy

Students at the Academy learn at five faculties:

Faculty of Composition, Conducting, Theory of Music and Eurhythmics which

includes: Composition and Theory of Music Department, Symphonic and Opera Conducting Department, Eurhythmics and Piano Improvisation Department, Theory of Music Unit, Electroacoustic Music Studio, Psychology of Music Laboratorio

Faculty of Instruments which includes: Piano, Harpsichord and Organ Department, Wind Instruments and Accordion Department, Percussion Department (the only one in Poland), Jazz and Entertainment Music Unit, Historical Instruments Unit

Faculty of Vocal Performance and Acting which includes: Vocal Studies

Department, Songs and Chamber Vocal Music Unit, Opera Music Unit

Faculty of Choir Conducting, Music Education and Church Music which inludes: Choir Department, Music Education Department, Church Music Unit

Faculty of Bowed Instruments, Harp, Guitar and Violin-Making which includes: Bowed Instruments, Harp and Guitar Department

First-cycle studies (three-year studies with the B.A degree), and second-cycle studies (two-year studies with M.A. degree)

Grading scale Grading is based on the following scale:

excellent 25 points 5++

very good 24 points 5+

23 points 5

22 points 5-

21 points 5- -

good 20 points 4++

19 points 4+

18 points 4

17 points 4-

16 points 4- -

satisfactory 15 points 3++

14 points 3+

13 points 3

12 points 3-

11 points 3- -

fail 10 points 2

Faculties, majors and specializations at the Academy

FACULTY MAJOR SPECIALIZATION SYSTEM OF

STUDIES

composition and theory of full-time studies

COMPOSITION, music COMPOSITION 3-year first-cycle

CONDUCTING,

2- year second-cycle

THEORY OF MUSIC THEORY OF MUSIC

AND

EURHYTHMICS EURHYTHMICS

conducting symphonic conducting full-time studies

3-year first-cycle

symphonic and opera conducting full-time studies

2- year second-cycle

piano, harpsichord, organ, accordion, full-time studies

INSTRUMENTS INSTRUMENTAL flute, oboe, clarinet, basoon, saxophone,

STUDIES horn, trumpet, trombone, tuba, 3-year first-cycle

percussion 2- year second-cycle

instrument playing in jazz and full-time studies

entertainment music:

piano, saxophone, trumpet, trombone, 3-year first-cycle double bass, bass guitar, guitar, 2- year second-cycle percussion

composition and arrangement

jazz vocal studies

historical instruments: baroque violin, full-time studies baroque cello, viola da gamba, violone, 3-year first-cycle vienna double bass, lute, traverso flute, 2- year second-cycle baroque oboe, baroque basoon, natural

trumpet, natural horn

solo singing full-time studies

VOCAL VOCAL STUDIES 3-year first-cycle

PERFORMANCE 2- year second-cycle

AND ACTING

music education, choir conducting, full-time studies

CHOIR ARTISTIC EDUCATION church music and part-time studies

CONDUCTING, IN MUSIC ART 3-year first-cycle

MUSIC EDUCATION

AND CHURCH music education, choir conducting, full-time studies

MUSIC church music,

wind orchestra conducting 2- year second-cycle

violin, viola, cello, double bass, harp, full-time studies

BOWED INSTRUMENTAL guitar, lute

INSTRUMENTS, STUDIES 3-year first-cycle

HARP, GUITAR AN 2- year second-cycle

VIOLIN-MAKING artistic violin-making full-time studies 3-year first-cycle 2- year second-cycle

Artistic and research activities

The Academy of Music is actively engaged in various artistic activities. For Poznań music lovers the Academy offers symphonic, chamber, choral, composition and vocal evenings, as well as recitals which take place at the Academy or other concert halls in the city. Students can also participate in artistic events in Poznań, in Poland and abroad. Artistic, research an organizational activities of studens and teachers are supported by the Foundation of the I.J. Paderewski Academy of Music.

The Academy of Music in Poznań is also an important centre on the map of national and international music competitions. We organize or co-organize the following competitions:

International Piano Competition Halina Czarny Stefańska in memoriam in Poznań, International H. Wieniawski Violin Competition in Poznań, International Chamber Music Festival Q’arto Mondi, International Flute Festival,

International Composers Forum in Poznań, Academic Organ Competition Romuald Sroczyński in memoriam in Poznań, Academic Harpsichord Competition,

National Zdzisław Jahnke Violin Competition in Poznań,

National Eugenia Umińska Young Violinists Competition in Poznań,

National Włodzimierz Kamiński Violin-Making Competition in Poznań,

National Dezyderiusz Danczowski Cello Competition in Poznań,

National Adam Bronisław Ciechański Double Bass Competition in Poznań,

National Jan Rakowski Viola Competition in Poznań,

National Choir Conductors Competition, International Composition Competition to celebrate the 90th anniversary of the Academy of Music in Poznań,

Harpsichord Composition Competition.

Research and teaching activities are also undertaken by interfaculty units: 1. Interfaculty Chamber Music Department – mentors the teaching staff and organises educational

process of chamber ensembles teaching, stimulates students and teachers towards artistic activities in chamber music at the the Academy and beyond, looks after students preparing for chamber music competitions; heads: prof. Bogumił Nowicki, prof. Bartosz Bryła.

2. Interfaculty Ear Training Unit – mentors the teaching staff and organises educational process, takes care of reasearch and consults in ear training issues; head: ad. dr Anna Kędzierska.

3. Study Centre for pedagogy granting teaching qualifications; head: prof. Anna Organiszczak. 4. Study Centre for Physical Education – organises classes of aerobics, yoga,

bodybuilding, football, swimming; head: st. wykł. Anna Rychlewska. 5. Study Centre for Foreign Languages – offers classes of English and German; head: st.

wykł. Donata Żukowska.

PL POZNAN06

AUSTRIA Universität für Musik und darstellende Kunst Wien A WIEN08

Universität für Musik und darstellende Kunst Graz A GRAZ03

Konservatorium Wien University A WIEN52

Joseph Haydn Konservatorium, Eisenstadt A EISENST05

Vorarlberger Landeskonservatorium A FELDKIR03

BELGIUM University College Ghent / Hogeschool Gent B GENT25

ARTS2 Mons B MONS24

Lemmensinstituut Leuven B BRUSSEL43

BULGARIA National Academy of Music “Prof.Pancho Vladigerov” Sofia BG SOFIA13

CZECH REP. Akademie Muzickych Umeni V Praze CZ PRAHA04

Ostravská Universita CZ OSTRAVA02

Janackova akademie muzickych umeni v Brne CZ BRNO03

CYPRUS University of Nicosia CY NICOSIA14

DENMARK Syddansk Musikkonservatorium& Skuespillerskole DK ODENSE22

Det Kongelige Danske Musikkonservatorium – Kopenhaga DK KOBENHA09

ESTONIA Eesti Muusikakadeemia – Tallin EE TALLIN03

FINLAND Tampereen ammattikorkeakoulu SF TAMPERE06

FRANCE Le Conservatoire national supérieur musique et danse de Lyon F LYON24

Pole Alsace d’enseignement superieur des arts: Conservatorire de Strasbourg F STRASBO51

Conservatoire National de Région Rennes F RENNES39

Pole Superieur d’Enseignements Artistiques Nord – Pas de Calais F LILLE71

GREECE Ionian University, Department of Music Studies G ATHINE42

SPAIN Conservatorio Superior de Música"Eduardo Martínez T orner"de Oviedo E OVIEDO03

Conservatorio Superior de Música "Manuel Massotti L ittel" de Murcia E MURCIA02

Conservatiori Superior de Musica de les Illes Balears E PALMA27

Conservatorio superior de Musica de Canarias E LAS-PAL18

Real Conservatorio Superior de Música de Madrid E MADRID27

Centro Superior de Musica del Pais Vasco, Musikene – San Sebastian E SANSEBAB01

Conservatorio Superior de Música Salvador Seguí de Castellón E CASTELL13

Escola Superior de Musica de Catalunya E BARCELO29

NETHERLANDS Hogeschool Zuyd Conservatorium Maastricht NL HEERLEN14

Hogeschool van Beeldende Kunsten, Muziek en Dans, Den Haag NL S-GRAVE05

IRELAND Royal Irish Academy of Music - Dublin IRL DUBLIN22

ICELAND Listaháskóli Íslands , Reykjavík IS REYKJAV06

LITHUANIA Lietuvos muzikos ir teatro akademija LT VILNIUS05

LATVIA Jazepa Vitola Latvijas Muzikas Akademija – Riga LV RIGA05

MALTA University of Malta MT MALTA01

GERMANY Universität der Künste Berlin D BERLIN03

Hochschule für Musik und Theater Hamburg D HAMBURG05

Johannes Gutenberg-Universität – Mainz D MAINZ01

Hochschule fur Musik Detmold D DETMOLD01

Hochschule für Musik Würzburg D WURZBUR02

Hochschule für Musik Köln D KOELN03

Hochschule für Musik „Carl Maria von Weber” Dresden D DRESDEN05

Musikhochschule Lübeck D LUBECK02

Hochschule für Musik und Theater Felix Mendelssohn Bartholdy Leipzig D LEIPZIG05

Hochschule für Musik und Theater Rostock D ROSTOCK02

Hochschule für Musik Karlsruhe D KARLSRU03

Hochschule für Musik und Theater Hannover D HANNOVE04

Hochschule für Musik und darstellende Kunst Frankfu rt am Main D FRANKFU02

Folkwang Universität der Künste - Essen D ESSEN02

Staatliche Hochschule für Musik und Darstellende Ku nst Stuttgart D STUTTGA03

Staatliche Hochschule für Musik und Darstellende Ku nst Mannheim D MANNHEI02

Hochschule für Musik Freiburg D FREIBUR03

NORWAY Hogskolen i Agder Kristiansand N KRISTIA01

Grieg Academy University of Bergen N BERGEN01

Bergen University College N BERGEN05

Norges musikkhogskole N OSLO03

PORTUGAL Escola Superior de Música e das Artes do Espectácul o do Porto P PORTO05

Escola Superior de Musica de Lisboa P LISBOA05

ROMANIA Universitatea Nationala de Musica de Bucuresti RO BUCURES03

Universitatea de Arte «George Enescu» Ia şi RO IASI01

Academia de Muzică “Gheorghe Dima” Cluj-Napoca RO CLUJNAP02

SLOVAKA Katolicka Univerzita V Ruzomberku SK RUZOMBE01

Akademia Umeni v Banskiej Bystrici SK BANSKA02

SLOVENIA Academy of Music Ljubljana SI LJUBLJA01

SWEDEN Kungliga Musikhögskolan I Stockholm/Royal College o f Music in Stockholm S STOCKHO11

Lund University, Malmo Academy of Music S LUND01

TURKEY Istanbul Teknik Universitesi TR ISTANBU04

Anadolu Universitesi Eskisehir TR ESKISEH01

Nevsehir Haci Bektas Veli University TR NEVSEHI02

GREAT BRITAIN Guildhall School of Music and Drama in London UK LONDON081

Royal College of Music UK LONDON061

Royal Welsh College of Music & Drama UK PONTYPR02

HUNGARY Liszt Ferenc Academy of Music In Budapest HU BUDAPEST25

University of Szeged HU SZEGED01

ITALY Conservatorio di Musica "Santa Cecilia" di Roma I ROMA09

Conservatorio di Musica "G. B. Martini" di Bologna I BOLOGNA04

Conservatorio di Musica di Perugia I PERUGIA03

Conservatorio „Antonio Vivaldi” Alessandria I ALESSAN01

Conservatorio di Musica “F.Torrefranca” Vibo Valentia I VIBO-VA01

Conservatorio Statale di Musica “Bruno MAderna” di Cesena I CESENA01

Istituto Superiore di Studi Musicali "Franco Vittadini" - Pavia I PAVIA02

Conservatorio di Musica “Lorenzo Perosi” di Campobasso I CAMPOBA03

Conservatoio Statale di Musica “J.Tomadini” di Udine I UDINE02

Conservatorio Statale di Musica “g.B.Pergolesi” -Fermo I FERMO01

Conservatoriodi Musica G.F.Ghedinidi Cuneo I CUNEO01

Conservatorio di Musica "Niccolò Piccinni", Bari I BARI03

Conservatorio di Musica E.F. Dall Abaco Verona I VERONA02

I stituto Superiore di Studi Musicali "G.Donizetti"Bergamo I BERGAMO03

L’Istituto Superiore di Studi Musicali “V. Bellini” –Caltanissetta I CALTANI01

Conservatorio Statale G.P. Da Palestrina – Cagliari I CAGLIAR02

Conservatorio di Musica "Nino Rota" – Monopoli I MONOPOL02

Conservatorio "Tito Schipa" -Lecce I LECCE03

Conservatorio di Musica "Luigi Cherubini" Firenze I FIRENZE04

Il conservatorio di Musica “L. Refice” – Frosinone I FROSINO02

Istituto Superiore di Studi Musicali-Conservatorio"G.Cantelli"di Novara I NOVARA01

Istituto Superiore di Studi Musicali P. Mascagni – Livorno I LIVORNO01

Conservatoio Statale di Musica "G. Rossini" Pesaro I PESARO01

Conservatorio di Musica “Ottorino Respighi” di Latina I LATINA02

Conservatorio di Musica „Giuseppe Tartini” Trieste I TRIESTE02

Conservatorio di Musica “N.Paganini” –Genova I GENOVA02

Conservatorio Musicale Statale “V.Bellini” Palermo I PALERMO04

Istituto Superiore di Studi Musicali G. Briccialdi di Terni I TERNI01

Conservatorio di musica San Pietro a Majella di Napoli I NAPOLI 07

Istituto Superiore di Studi Musicali “Rinaldo Franci” di Siena I SIENA04

Conservatorio Luisa D'Annunzio, Pescara I PESCARA01

Conservatorio G.Verdi di Milano I MILANO09

Conservatorio Statale di Musica "Cesare Pollini" - Padova I PADOVA02

Conservatorio Statale di Musica “Alfredo Casella” – L’Aquila I L-AQUIL04

Conservatorio di Musica “Domenico Cimarosa” di Avellino I AVELLIN01

Conservtorio di Musica di Stato “a.Corelli” di Messina I MESSINA04

Saint Louis College of Music I ROMA30

Conservatorio di Musica ”Arrigo Boito I PARMA02

Premises and facilities

The Academy is located in Św. Marcin 87, in the centre of Poznań, close to the

A.Mickiewicz Square. The building consists of three parts. The old builing is a post-

German Evangelical House taken over in 1945. The new building has a very modern

shape but its beautiful façade corresponds to the old wing. In September 2006, a new

concert hall was opened. Aula Nova, built according to European standards, can seat

540 people. The Academy has many classrooms and representative halls, chamber and

theatre rooms, a specialized Main Library with rich sources, a Recording Studio, a

Listening Studio, a computer laboratorio, a professional Publishing House and

Computer Music Studio with the professional equipment to create and record music.

The new buildings of the Academy are disabled-friendly. In the main building there is a

canteen and a music shop.

Accommodation

The Academy of Music has owns a Student Hostel (Dom Studencki) in the city center.

Dom Akademicki Akademii Muzycznej im. I . J. Paderewskiego ul. Wroniecka 19/20, 61-763 Poznań

Faculty of Composition, Conducting, Theory of Music and Eurhythmics

Dean – prof. AM dr hab. Hanna Kostrzewska

Vice Dean – ad. Dr Kinga Ceynowa

The faculty offers:

full-time first-cycle studies (3-year Bachelor studies)

full-time second-cycle studies (2-year Master studies)

Majors – composition and theory of music –

specializations: composition

-Theory of music

-eurhythmics

– conducting – specialization:

symphonic conducting (first-cycle studies)

symphonic and opera conducting (second-cycle studies)

BA studies, MA studies,

post-graduate studies

COMPOSITION

The education aim is to offer a thorough development to a young creator-composer by providing solid and comprehensive development of composition abilities and skills. Diploma work consists of two parts: writing a bigger composition for symphonic orchestra or a bigger vocal-instrumental work, and a written thesis on the topic of composition work. A graduate receives a degree of Master of Arts in composition..

THEORY OF MUSIC

The education aim is to provide a graduate with comprehensive knowledge and practical skills necessary for a teacher of theoretical music subjects at primary and secondary music schools. A graduate of this specialization is also prepared for individual research in theory of music and for a work as a journalist and a music critic, as well as an organizer and an animator of a music life.

Master thesis should concentrate on theory of music: music work, its analysis and interpretation, strategies of composition work, aesthethic values, setting a work in athe cultural context.

A graduate receives a degree of Master of Arts in theory of music.

EURYTHMICS

The education aim is to prepare for a work of an eurhythmics teacher in kindergardens, primary and secondary schools, higher education institutions (pedagogical studies), ballet schools, artistic schools for actors and singers and amateur institutions.

As far as rhythmic therapy is concerned, it prepares for leading rhythmic classes in preventive medicine, therapy and physical rehabilitation.

Diploma work consists of two parts. A student needs to prepare music choreography for two pieces and present them at a concert, as well as write a thesis on a subject of eurhyrhythmic or rhythmic therapy.

A graduate receives a degree of Master of Arts in eurhythmics.

SUMPHONIC AND OPERA CONDUCING

The education aim is to teach conducting skills necessary for leading chamber, symphonic and vocal-instrumental and opera ensembles and to present repertoire of different periods and genres.

Diploma work consists of two parts. A student needs to prepare and conduct a concert which includes full symphonic programme and to write a thesis on a subject of interpretation or performance.

A graduate receives a degree of Master of Arts in symphonic conducting.

Structure of the Faculty

COMPOSITION AND THEORY OF MUSIC DEPARTMENT The main aims are:

– initiating research

– mentoring and supervision over individual research of faculty staff

– organising student and teacher composition concerts

– care of the equipment and facilities of the Faculty.

THEORY OF MUSIC UNIT

The Unit does research connected with composers of the 20th and 21st century, including many artists of Poznań and Wielkopolska. It organizes International Research Conferences ‘Musica practica, musica theoretica’ and national methodological and research conferences. The Unit is also interested in teaching issues and quality of teaching.

EURHYTHMICS AND PIANO IMPROVISATION DEPARTMENT

As a part of research activities, the Department staff participate in conferences and scholarly sessions dealing with rhythmics, dance, choreography and rhythmic

therapy issues (movement classes for autistic children, children with cochlear implants or with physical disabilities) As a part of artistic activities, the Department organizes concerts (in Poland and abroad) that presents movement compositions of music works of different periods and piano improvisations.

Facilities

The Faculty has seven classrooms (including one for movement class for the eurhythmic specialization), an electroacoustic music studio, and a student computer lab.

CONDUCTING FIRST-CYCLE Sposób 1st year 2nd year 3rd year Plan studiów prowadzenia

LP Subject zajęć s. 1 ECTS s.2 ECTS s. 3 ECTS s.4 ECTS s. 5 ECTS s.6 ECTS Ilość godzin ECTS

1 Conducting I 30

E 9 30

E 10 30

E 10 30

E 10 30

E 10 30

Z 11 180

60

2 Orchestra for conductors Zb 20 K 2 25 K 2 20 K 2 25 K 2 90 8

3 Score reading I 15 K 1 15 E 1 15 K 1 15 E 1 15 K 1 15 E 1 90 6

4 Ear training Zb 30 K 1 30 K 1 30 K 1 30 K 1 30 E 1 150 5

5 Music literature Zb 30 K 1 30 E 1,5 30 K 1 30 E 1,5 15 E 2 135 7

6 History of world music Zb 15 K 1 15 K 1 15 K 1 15 K 1 15 E 2 75 6

7 Analysis of musical forms Zb 30 K 1 30 K 1,5 30 K 1,5 30 K 1,5 30 K 1,5 150 7

8 Classical harmony Zb 30 K 1 30 E 2 60 3

9 Improvisation and practical harmony I 7,5 Z 1 7,5 E 1 7,5 K 1 7,5 E 1 30 4

10 Harmony of the 20th

and 21st centuries Zb 30 K 1 30 E 2 60 3

11 Piano with elements of improvisation I 15 K 2 15 E 2 15 K 2 15 E 2 60 8

12 Technical basics of instrumentation Zb 15 K 1 15 E 2 30 3

13 Instrumentation I 7,5 K 0,5 7,5 K 0,5 7,5 K 0,5 7,5 E 0,5 30 2

14 Computer score edition Zb 15 Z 1 15 K 1 30 2

15 Counterpoint Zb 30 K 1 30 K 1 30 K 1 30 E 1 120 4

16 Composition techniques of the 20th and 21st centuries Zb 30 K 1 30 E 1 30 K 1 30 E 2 120 5

17 Propedeutics of electroacoustic music Zb 30 K 1 30 1

18 Polish music Zb 30 K 1 30 K 2 60 3

19 Choir/ Orchestra Zb 60 Z 4 60 Z 4 120 8

20 History of philosophy Zb 30 Z 1 30 E 1 60 2

21 Foreign language (German or English) Zb 30 K 2 30 K 2 30 K 2 30 E 3 120 9

22 Physical education Zb 30 Z 1 30 1

COMPOSITION FIRST-CYCE Sposób 1st yearI 2nd year 3rd year Plan studiów

prowadzenia

LP Subject zajęć s. 1 ECTS s.2 ECTS s. 3 ECTS s.4 ECTS s. 5 ECTS s.6 ECTS Ilość godzin ECTS

1 Basics of composition I 30 E 10 30 E 10 30 E 10 30 E 10 30 K 10 30 Z 11 180 61

2 Technical basics of instrumentation Zb 15 K 1 15 E 2 30 3

3 Score reading I 7,5 Z 1 7,5 K 1 7,5 Z 1 7,5 E 2 30 5

4 Improvisation and practical harmony I 7,5 Z 1 7,5 E 1 7,5 Z 1 7,5 E 1 30 4

5 Instrumentation I 7,5 K 1 7,5 K 1 7,5 K 1 7,5 K 1 7,5 K 1 7,5 E 1 45 6

6 Composition techniques of the 20th

and 21st centuries Zb 30 K 1 30 E 1 30 K 1 30 E 2 120 5


and 21st centuries Zb 30 K 1 30 E 2 60 3

8 Computer score edition Zb 15 Z 1 15 K 1 30 2

9 Propedeutics of electroacoustic music Zb 30 K 2 30 2

10 Propedeutics of computer music Zb 15 Z 1 15 Z 1 30 2

11 Polish music Zb 30 K 1 30 K 2 60 3

12 Music literature Zb 30 K 1 30 E 1,5 30 K 1 30 E 1,5 15 E 2 135 7

13 History of world music Zb 15 K 1 15 K 1 15 K 1 15 K 1 15 E 2 75 6

14 Analysis of musical forms Zb 30 K 1 30 K 1,5 30 K 1,5 30 K 1,5 30 K 1,5 150 7

15 Ear training Zb 30 K 1 30 K 1 30 K 1 30 K 1 30 E 2 150 6

16 Piano with elements of improvisation I 15 K 2 15 E 2 15 K 2 15 E 2 60 8

17 Counterpoint Zb 30 K 1 30 K 1 30 K 1 30 E 1 120 4

18 Choir/ Orchestra Zb 60 Z 4 60 Z 4 120 8

19 Classical harmony Zb 30 K 1 30 E 2 60 3

20 History of philosophy Zb 30 Z 1 30 E 1 60 2

21 Foreign language (German or English) Zb 30 K 2 30 K 2 30 K 2 30 E 3 120 9

22 Physical education Zb 30 Z 1 30 1

ELECTROACUSTIC COMPOSITION Rodzaj

Sposób 1st year 2nd year 3rd year Plan studiów prowadzenia

LP Subject zajęć

zajęć s. 1

ECTS s.2

ECTS s. 3

ECTS

s.4

ECTS s. 5

ECTS s.6

ECTS Ilość godzin

ECTS

1 Basics of electroacustic composition W

I 30

E 10 30 E 10 30

E 11

30

E 11 30

K 14 30

Z 14 180 70 obieralny III rok

2 Live electronics WĆ

I 7,5

Z 1 7,5 K 1 7,5

Z 1

7,5

E 2

30 5

3 Acustic S

Zb 15

K 1 15 E 2

30 3

4 Acustic - practice WĆ

I

15

K 1

15

K 1 7,5

K 2 7,5

E 2 45 6

5 Computer music I WĆ

Zb

30

K 1

30

E 2

60 3

6 Computer music II WĆ

Zb

30

K 1 30

E 2

60 3

7 Sensors and controllers WĆ

Zb

15

Z 1

15

K 1

30 2

8 Electronic music I W

Zb 30

K 1 30 E 2

60 3

WĆ

Zb

30 K 1 30

K 1

60 2 9 Electronic music II

WĆ

Zb 30

K 2

30 2 10 History of electroacustic music

11 History of computer music WĆ

Zb

15

Z 1

15

Z 1

30 2

12 Music literature W

Zb 30

K 1 30 E 1,5 30

K 1

30

E 1,5 15

E 2

135 7

13 History of world music W

Zb 15

K 1 15 K 1 15

K 1

15

K 1 15

E 2

75 6

14 Analysis of musical forms S

Zb 30

K 1 30 K 1,5 30

K 1,5

30

K 1,5 30

K 1,5

150 7

15 Ear training WĆ

Zb 30

Z 1 30 K 1 30

K 1

30

K 1 30

E 2

150 6

16 Piano WĆ

I 15

K 2 15 E 2 15

K 2

15

E 2

60 8


and 21st centuries W

Zb

30

K 1

30

E 1 30

K 1 30

E 2 120 5

18 Polish music W

Zb

30

K 1 30

K 2 60

3

W

19 Improvisation

Zb

7,5

Z 1

7,5

E 1 7,5

Z 1 7,5

E 1 30

4

21 Choir WĆ

Zb

60

Z 4 60

Z 4 120 8

22 History of philosophy W

Zb

30

Z 1 30

E 1 60 2

W

Zb

30

Z 1

30 1 23 Propedeutyka badań naukowych

24 Foreign language (German or English) WĆ

Zb 30

K 2 30 K 2 30

K 2

30

E 3

120 9 obieralny

25 Physical education Ć

Zb

30 Z 1

30 1 obieralny

Music journalism FIRST CYCLE Rodzaj Sposób 1st

year 2nd year 3rd year Plan studiów

LP Subject zajęć prowadzenia

s. 1

ECTS s.2

ECTS s. 3

ECTS

s.4

ECTS s. 5

ECTS s.6

ECTS Ilość godzin

ECTS zajęć

1 Music journalism S

Zb 30 Z 9 30 E 11 30 Z 9

30 E 11 30 Z 10 30 E 11 180 61 obieralny

2 Seminar of bachelor thesis W

I

15 Z 10 15 Z 11 30 21 obieralny

3 History of world music W

Zb 15 K 1 15 K 1 15 K 1

15 K 1 15 E 2

75 6


Zb 30 K 1 30 E 1,5 30 K 1

30 E 1,5 15 E 2

135 7

5 Polish music

S

Zb

30 K 1 30 E 2 60 3

6 Propedeutyka badań naukowych S

Zb

30 Z 1

30 1 obieralny

7 Classical harmony W

Zb

30 K 1 30 E 2 60 3

8 Podstawy edytorstwa Ć

I

30 Z 1

30 K 2

60 3

9 Computer score edition WĆ

Zb

30 Z 1

30 1

10 Historia muzyki komputerowej WĆ

Zb

15 Z 1

15 Z 1

30 2

11 Historia muzyki elektroakustycznej WĆ

Zb 30 K 2

30 2

12 Technical basics of instrumentation S

Zb

15 Z 1

15 E 2

30 3

13 Composition techniques of the 20th and 21st centuries W

Zb

30 K 1

30 E 1 30 K 1 30 E 2 120 5

14 Piano WĆ

I 15 K 2 15 E 2 15 K 2

15 E 2

60 8

15 Choir Ć

Zb

60 Z 4 60 Z 4 120 8

Ć

16 Stage practice

20 Z 1 20 Z 1

40

2


Zb

30 Z 1 30 E 1 60 2

WĆ

30 K 2

30 K 2

30 K 3

obieralny

Zb 30 K 2

120

9 18 Foreign language (German or English) obieralny

EURHYTHMICS FIRST-CYCLE Rodzaj Sposób 1st year 2nd year 3rd year Plan studiów prowadzenia

LP Subject zajęć zajęć s. 1 ECTS s.2 ECTS s. 3 ECTS s.4 ECTS s. 5 ECTS s.6 ECTS Ilość godzin ECTS

1 EURHYTHMICS WĆ

Zb 30 E 5 30

E 5 30

E 5 30

E 5 30

E 5 30

E 6 180 31

2 Movement composition of musical pieces WĆ

Zb 30 Z 1 30

K 2 30

Z 1 30

K 2 30

Z 1 30

K 2 180 9

3 Piano improvisation WĆ

I 15 E 2 15

E 2 15

E 2 15

E 2 15

E 2 15

E 2 90 12

4 Classical dance techniques Ć

Zb 30 Z 1 30

K 1

60 2

5 Movement technique Ć

Zb

30 K 1 30

K 1 30

K 1 30

E 1 120 4

Facial expressions and stage Ć

Zb 30

K 1

30 1 6 movements

7 Emil Jaques Dalcroze’s method –proseminar W

Zb 30 K 2

30 2

8 Folk dance WĆ

Zb

30 K 1 30

K 1 30

K 1,5

90 3,5

9 Eurhythmic group Ć

Zb

30 K 1 30

K 1 60 2

10 Practical harmony Ć

Zb 15 K 1 15

K 1 15

K 1 15

K 1

60 4

11 Voice emission WĆ

Gr 15 K 1 15

K 1

30 2


Zb

30

Z 17

30 17 obieralny


Zb 30 K 1 30

E 1,5 30

K 1 30

E 1,5 15

E 2

135 7

14 History of contemprorary music W

Zb 15 K 1 15

K 1 15

K 1 15

K 2 15

E 2

75 7

15 Analiza form muzycznych S

Zb

30 K 1,5 30

K 2

60 3,5

16 Ear training WĆ

Zb 30 K 1 30

K 1

60 2

17 Piano WĆ

I 15 K 2 15

E 2 15

E 2

45 6

18 Choir/ Orchestra Ć

Zb 30 K 4 30

K 4 30

K 4 30

K 4

120 16

19 Counterpoint WĆ

Gr

30 K 1 30

E 1

60 2

20 Dalcroze = solfege 30 K 2 30 2

21 Harmony W

Zb 30 K 1 30

E 2

60

3

Foreign language (German or WĆ

Zb 30

K 2 30

K 2 30

K 2 30

E 3

120 9 22 English) obieralny


Zb 30

K 1

30 1 obieralny

THEORY OF MUSIC FIRST-CYCLE Rodzaj Sposób 1st year 2nd year 3rd year Plan studiów

LP Subject zajęć prowadzenia

s. 1

ECTS s.2

ECTS s. 3

ECTS

s.4

ECTS s. 5

ECTS

s.6

ECTS Ilość godzin

ECTS zajęć

1 Seminar of theory of music S

Zb 30

Z 10 30

E 12 30

Z 10

30 E 12

120 44


I

15

Z 10 15

Z 11

30 21 obieralny

3 Historia muzyki powszechnej W

Zb 15

K 1 15

K 1 15

K 1

15 K 1 15

E 2

75 6


Zb 30

K 1 30

E 1,5 30

K 1

30 E 1,5 15

E 2

135 7

5 Polish music S

Zb

30

K 1 30

E 2

60 3

6 Analysis of musical forms S

Zb 30

K 1 30

K 1,5 30

K 1,5

30 K 2 30

E 2

150 8

7 Ear training WĆ

Zb 30

K 1 30

K 1 30

K 1

30 E 1

120 4

8 Classical harmony W

Zb 30

K 1 30

E 2

60 3

9 Improvisation and practical harmony Ć

I 7,5

Z 1 7,5

E 1 7,5

Z 1

7,5 E 1

30 4


and 21st centuries WĆ

Zb

30

K 1

30 E 2

60 3

11 Counterpoint WĆ

Zb 30

K 1 30

K 1 30

K 1

30 E 1

120 4

12 Technical basics of instrumentation S

Zb 15

1 15

E 2

30 3

13 Instrumentation S

I

7,5

K 1

7,5 E 1

15 2


and 21st century W

Zb 30

K 1 30

E 1 30

K 1

30 E 2

120 5

15 Propedeutics of computer music WĆ

Zb

15

Z 1

15 Z 1

30 2

16 History of electroacustic music WĆ

Zb 30

K 2

30 2

17 Score reading Ć

I 7,5

Z 1 7,5

K 1 7,5

Z 1

7,5 E 2

30 5

18 Piano / accompanist WĆ

I 15

K 2 15

E 2 15

K 2

15 E 2

60 8

19 Choir/ Orchestra Ć

Zb 60

Z 4 60

Z 4

120

8


Zb

30

Z 1 30

E 1

60 2

21 Computer text edition W

Zb

30

Z 1

30 1

22 Computer score edition WĆ

Zb

15

Z 1

15 K 1

30 2

23 Foreign language WĆ

Zb 30

K 2 30

K 2 30

K 2

30 E 3

120 9 obieralny

24 Psychology W

Zb 30

Z 1 30

E 2

60 3 obieralny

25 Pedagogic W

Zb 45

Z 2 45

E 3

90 5 obieralny

CONDUCTING SECOND-CYCLE Sposób 1st year 2nd year Plan studiów Rodzaj prowadzenia

LP Subject zajęć

zajęć s. 1

ECTS s.2

ECTS s. 3

ECTS s.4

ECTS Ilość godzin ECTS

W

I 30

E 6 30

E 6 30

E 12 30

Z 12 120 36 1 Conducting obieralny II rok

W

I 15

E 2 15

E 2 30

E 2 30

E 2 90 8 2 Opera conducting

W

Zb 20

K 2 25

K 2 20

K 2 25

K 2 90 8 3 Orchestra for conductors

Ć

Zb 15

K 1 15

E 1

30 2 4 Score reading

W

Zb 15

K 1 15

K 1 15

K 1 15

E 1 60 4 5 History of interpretation

W

I 15

Z 1 15

K 2

30 3 6 Propedeutics of composition

WĆ

I 15

Z 1 15

K 1

30 2 7 The art of acompaniment

Ć

Zb

15

Z 1

15 1 8 Orchestra practice

Ć

Zb 15

Z 1

15 1 9 Choir practice

Ć

Zb

15

Z 1

15 1 10 Opera practice

W

Zb 30

K 1 30

E 3

60 4 11 Jazz and entertainment music

WĆ

I 7,5

Z 1 7,5

Z 1

15 2 12 Percussion

WĆ

I

5

Z 1 5

Z 1 10 2 13 Pisemna praca dyplomowa

S

Zb

30

K 1

30 1 14 Seminar of master thesis

WĆ

Zb

30

K 1

30 1 15 Computer score edition

W

Zb

30

Z 2

30 2 16 Diction and elements of stage movement

W

Zb 30

K 1 30

K 1

60 2 17 Voice emission

W

Zb 30

K 1 30

E 2

60 3 18 Aesthetics

W

Zb

30

E 1

30 1 19 Psychology of music

W

Zb 10

Z 2 10

Z 2 10

Z 2 10

Z 2 40 8 20 Wykład monograficzny obieralny

WĆ

Zb 15

Z 1 15

E 2

30 3 21 New improvisation practice – theory and artistic projects

W

Zb

30

Z 1 30

K 2 60 3 22 Music production

W

Zb 30

Z 1 30

E 2

60 3 23 History of culture

W

Zb

30

Z 1 30

E 2 60 3 24 History of art

W

Zb

30

E 2

30 2 25 Prawo autorskie i prawa pokrewne

W

Zb 30

Z 1 30

E 2

60 3 26 Marketing i animacja kultury

W

30

K 2

Zb

30 2 27 Seminar of prelection obieralny

WĆ

Zb 30

K 2 30

E 3

60 5 28 Foreign language (German or English)


Zb 30

Z 1

30 1 obieralny

COMPOSITION SECOND-CYCLE Sposób

1st year 2nd year Plan studiów

Rodzaj prowadzenia

LP Subject zajęć

zajęć s. 1

ECTS s.2

ECTS s. 3

ECTS s.4


1 Composition W

I 30

E 10 30

E 10 30

K 10 30

Z 10 120 40 obieralny II rok

W

Zb 30

K 1 30

E 2

60 3 2 Ethnomusicology

W

I 15

K 1 15

E 3

30 4 3 Electroacoustic composition

Analysis and interpretation of the 20th and 21st

century music WĆ

Zb 30

K 2 30

E 3

60 5 4

S

Zb

30

K 1

30 1 5 Seminar of master thesis

WĆ

Zb 30

K 1 30

E 3

60 4 6 Jazz and entertainment music

WĆ

Zb 15

K 1 15

K 2

30 3 7 Computer music technologies with the elements of acoustics

WĆ

I 15

K 1 15

K 2

30 3 8 Sound Design

WĆ

Zb 15

Z 1 15

K 2

30 3 9 Live electronics – programming and artistic projects

W

Zb 30

E 3

30 3 10 Theatre and film music obieralny

W

Zb 15

K 1 15

K 2

30 3 11 Transkrypcja na zespoły kameralne obieralny

WĆ

Zb

30

K 2

30 2 12 Diction and elements of stage movement

WĆ

I

5

Z 1 5

Z 1 10 2 13 Pisemna praca dyplomowa

W

Zb 30

E 2

30 2 14 Sonology obieralny

WĆ

Zb

30

Z 1 30

E 2 60 3 15 Propedeutic of Conducting

W

Zb 30

K 1 30

K 1

60 2 16 Voice emission

W

Zb 10

Z 2 10

Z 2 10

Z 2 10

Z 2 40 8 17 Wykład monograficzny obieralny

W

Zb 30

K 1 30

E 2

60 3 18 Aesthetics

W

Zb

30

E 2

30 2 19 Psychology of music

W

Zb 15

Z 1 15

E 2

30 3 20 New improvisation practice – theory and artistic projects

W

Zb

30

Z 1 30

K 2 60 3 21 Music production

W

Zb 30

Z 1 30

E 2

60 3 22 History of culture

W

Zb

30

Z 1 30

E 2 60 3 23 History of art

W

Zb 30

Z 1 30

E 2

60 3 24 Marketing i animacja kultury

W

Zb

30

E 2

30 2 25 Prawo autorskie i prawa pokrewne

WĆ

Zb 30

K 2 30

E 3

60 5 26 Foreign language B2+

WĆ

Zb

30

K 1

30 1 27 Computer text edition


Zb 30

Z 1

30 1 obieralny

TOTAL: 460 34 490 49 165 18 135 19 1250 120

EURHYTHMICS SECOND-CYCLE Sposób 1st year 2nd year Plan studiów Rodzaj prowadzenia

LP Subject zajęć

zajęć s. 1

ECTS s.2

ECTS s. 3

ECTS s.4


1 EURHYTHMICS W

Zb 30

E 7 30 E 7 30

E 8 30

E 8 120 30

2 Choreography of music W

Zb 30

Z 1 30 K 2

60 3

3 Motion interpretation of music WĆ

Zb

30

K 7 30 Z 9 60 16

obieralny

4 Piano improvisation WĆ

I 15

E 2 15 E 2

30 4

5 Piano improvisation with elements of jazz and entertainment music WĆ

I

15

E 1

15 1

6 Metodyka nauczania improwizacji fortepianowej W

Zb

30

K 1

30 1 obieralny

7 Metodyka prowadzenia rytmiki w szkolnictwie ponadpodstawowym WĆ

Zb

15

E 1

15 1 obieralny

8 Metodyka nauczania techniki ruchu w szkolnictwie ponadpodstawowym WĆ

Zb

15 Z 1

15 1

9 Pedagogical practice Ć

30

Z 1

30

Z 1

60 2 obieralny

10 Rytmika z elementami terapiii muzyczno - ruchowej WĆ

Zb 30

K 1

30 1

11 Propedeutic of Rhythmic therapy WĆ

Zb

30 K 1

30 1

12 Movement technique W

Zb 30

K 1 30 K 1 30

E 1

90 3

13 Historical dance WĆ

Zb 30

K 1 30 K 1 30

K 1

90 3

14 Modern dance WĆ

Zb

30 K 1 30

K 1 30

K 1 90 3

15 Psychologiczne podstawy działań terapeutycznych WĆ

Zb 30

Z 1

30 1

16 Propedeutyka anatomii W

Zb 30

Z 1

30 1

17 Kompensacja i korektywa WĆ

Zb

30 K 1

30 1

18 Choir/ Orchestra WĆ

Zb 30

K 2 30 K 2 30

K 2 30

K 2 120 8

19 Seminar of master thesis S

Zb

30 K 1

30 1

20 Pisemna praca magisterska WĆ

I

15

Z 5 15 Z 5 30 10

obieralny

21 Analysis and interpretation of the 20th and 21st century 30 K 2 30 E 3 60 5

22 Prawo autorskie i prawa pokrewne W

Zb

30 E 1 30 1

23 History of culture W

Zb 30

Z 1 30 E 2

60 3

24 Marketing i animacja kultury W

Zb 30

Z 1 30 E 2

60 3


30

K 2 30 E 3

60 5

obieralny

26 Psychology of music W

Zb

30 E 2

30 2

27 History of art W

Zb

30

Z 1 30 E 2 60 3

28 Seminarium krytyki muzycznej S

Zb 30

K 3

30 3

29 Seminary of prelection S

Zb

30 K 2

30 2

30 Physical education WĆ

Zb 30

K 1

30 1 obieralny

TOTAL: 465 28 480 34 315 30 195 28 1455 120

THEORY OF MUSIC SECOND-CYCLE Sposób 1st year 2nd year Plan studiów Rodzaj prowadzenia

LP Subject zajęć

zajęć s. 1

ECTS s.2

ECTS s. 3

ECTS s.4


1 Methodology of research work W

Zb

30 E 16

30 16

2 Theory of music history S

Zb 30

K 3 30 E 5

60 8

3 Seminar of master thesis S

I

30

Z 11 30 Z 15 60 26

obieralny

4 Ethnomusicology W

Zb 30

K 1 30 E 2

60 3

5 Seminarium krytyki muzycznej S

Zb 30

K 3

30 3

6 Seminar of prelection S

Zb

30 K 2

30 2

7 Analysis and interpretation of the 20th and 21st

century music WĆ

Zb 30

K 2 30 E 3

60 5

8 Propedeutics of composition WĆ

I 15

Z 2 15 K 2

30 4

9 Propedeutics of conducting WĆ

Zb

30

Z 1 30 E 2 60 3

10 Jazz and entertainment music WĆ

Zb 30

K 1 30 E 3

60 4

11 Theatre and film music W

Zb 30

E 3

30 3

12 Sonology W

Zb 30

E 2

30 2

13 Voice emission W

Zb 30

K 1 30 K 1

60 2

14 Diction and stage motion WĆ

Zb

30 K 2

30 2

15 Wykład monograficzny W

Zb 10

Z 2 10 Z 2 10

Z 2 10

Z 2 40 8

obieralny

16 Aesthetics of music W

Zb 30

K 1 30 E 2

60 3

17 Psychology of music W

Zb

30 E 2

30 2

18 New improvisation practice – theory and artistic projects W

Zb 15

Z 1 15 E 2

30 3

19 Music production W

Zb

30

Z 1 30 K 2 60 3

20 History of culture W

Zb 30

Z 1 30 E 2

60 3

21 History of art W

Zb

30

Z 1 30 E 2 60 3

22 Marketing i animacja kultury W

Zb 30

Z 1 30 E 2

60 3

23 Prawo autorskie i prawa pokrewne W

Zb

30

E 2

30 2


Zb 30

K 2 30 E 3

60 5

25 Stage practice obieralny

20 Z 1 20 1


Zb 30

Z 1

30 1 obieralny

FACULTY OF INSTRUMENTS

Dean – Prof. Alicja Kledzik

Vice Deans – dr Maciej Łakomy, ad.

-mgr Marek Lipiec, wykł.

ECTS coordinators:

-dr Maciej Łakomy, ad.

-mgr Marek Lipiec, wykł.

The Faculty offers:

full-time and part-time studies, first-cycle (3-year Bachelor studies)

full-time and part-time studies, second-cycle (2-year Master studies) There are no part-time studies in the specialization of jazz and

entertainment music.

Major: instrumental studies

piano, harpsichord, organ, accordion, flute, traverso flute, oboe, baroque oboe, clarinet, bassoon, baroque bassoon, saxophone, horn, natural horn, trumpet, natural trumpet, trombone, tuba, percussion

education for virtuoso and chamber playing,

preparation for work in an orchestra, providing skills of management and culture (music) promotion

instrument playing in jazz and entertainment music: piano, saxophone,

trumpet, trombone, double bass, bass guitar, guitar,

percussion composition and arrangement

jazz vocal studies

historical instruments: baroque violin, baroque cello, vila da

gamba, violone, Vienna double bass, lute, traverse flute, baroque oboe, baroque bassoon, natural trumpet, natural horn.

PIANO FIRST-CYCLE

Subject

1st year 2nd year 3rd year

Type

hours ECTS

Semestr I

Semestr II

Semestr III Semestr IV

Semestr V Semestr VI

godz. zal. ECTS godz. zal. ECTS godz. zal. ECTS godz. zal. ECTS godz. zal. ECTS godz. zal. ECTS

Main instrument obowiązkowy W/I 30 EK 10 30 EK 10 30 EK 10 30 EK 10 30 EK 10 30 Z 19 180 69

Chamber music obow./obieral. W/G 30 EK 4 30 EK 4 30 EK 4 30 EK 4 120 16

Organ obowiązkowy W/G 30 E 2 30 2

Harpsichord obowiązkowy W/G 30 E 2 30 2

Accompaniment training with sight obowiązkowy Ć

15 Z 1,5 15 E 2 15

Z 1,5 15 E 2 60 7 reading

Choir obowiązkowy W/G 60 Z 4 60 Z 4 60 Z 4 60 Z 4 240 16

Mai

n

Stage practice obow./obieral. Ć 15 Z 1 15 Z 1 15 Z 1 15 Z 1 60 4

Specialist literature obowiązkowy W/G 30 K 2 30 E 2 60 4

History of music obowiązkowy W/G 30 E 2 30 2

History of music and literature obowiązkowy Ć 30 Z 1 30 E 2 60 3

Music literature of the 20th century obowiązkowy W/G 30 Z 1 30 E 2 60 3

Analysis of a musical work obowiązkowy Ć/G 30 Z 1 30 E 2 60 3

Ear training obowiązkowy Ć/G 30 Z 1 30 E 2 60 3

Harmony obowiązkowy Ć/G 30 Z 1 30 E 2 60 3

Harmony with improvissation obowiązkowy Ć/G 30 Z 1 30 E 2 60 3

History of culture obowiązkowy W/G 30 Z 1 30 E 2 60 3

Foreign language obow./obieral. Ć/G 30 K 2 30 K 2 30 K 2 30 E 3 120 9

Physical education obow./obieral. Ć/G 30 Z 1 30 1

PIANO SECOND-CYCLE

Subject 1st year 2nd year

Type

Semestr I

Semestr II Semestr III Semestr IV hour. ECTS

godz. zal. ECTS godz. zal. ECTS godz. zal. ECTS godz. zal. ECTS

Main instrument obowiązkowy W/I 30 EK 10 30 EK 10 30 EK 14 30 z 26 120 60

Seminar of M.A. obow./obieral. Ć/I 4 Z 4 4 4

Chamber music obow./obieral. W/G 30 EK 5 30 EK 5 60 10

Accompaniment training and sight-reading obowiązkowy Ć 15 Z 1,5 15 E 2 30 3,5


Harmony with improvissation obowiązkowy Ć/G 30 Z 1 30 E 2 60 3

mai

n Specialist literature obowiązkowy W/G 30 E 2 30 2

Seminar of prelection obowiązkowy W/G 30 K 2 30 2

Philosophy obowiązkowy W/G 30 E 2 30 2

Aesthetics obowiązkowy W/G 30 E 2 30 2

Propedeutics of contemprorary music obowiązkowy W/G 30 Z 1 30 E 2 60 3

Performance issues of early music obowiązkowy W/G 30 Z 1 30 E 2 60 3

Construction of the instrument obowiązkowy Ć/G 15 Z 0,5 15 0,5


Foreign language obow./obieral. Ć/G 30 K 2 30 E 3 60 5

ORGAN FIRST-CYCLE 1st year 2nd year 3rd year

EC

Subject

Type

Semestr I

Semestr II Semestr III Semestr IV

Semestr V Semestr VI hour.

TS





Harpsichord obowiązkowy W/G 15 E 2 15 2

Piano obowiązkowy W/G 15 E 2 15 2

Liturgy obowiązkowy Ć/G 15 Z 1 15 E 2 15 Z 1 15 E 2 60 6


Mai

n



History of music with literature obowiązkowy Ć 30 Z 1 30 E 2 60 3

Literature of the 20th century obowiązkowy W/G 30 Z 1 30 E 2 60 3

Analysis of a musical work obowiązkowy W/G 30 Z 1 30 E 2 60 3

Countrpoint with fugue obowiązkowy Ć/G 30 Z 1 30 E 2 60 3

Basso continuo obowiązkowy Ć/G 30 Z 1 30 E 2 60 3


Harmony obowiązkowy Ć/G 15 Z 0,5 15 E 1 15 Z 0,5 15 E 1 60 3

Organ-building obowiązkowy W/G 30 Z 1 30 E 2 60 3




ORGAN SECOND-CYCLE 1st year 2nd year

Subject Type

Semestr I Semestr II Semestr III Semestr IV hour. ECTS

godz zal ECT godz zal ECT godz zal ECT godz zal ECT

. . S . . S . . S . . S

Main instrument obowiązkowy W/I 30

E 10 30

E 10 30

E 14 30 Z 26 120 60

K K K

Seminar of master thesis obow./obieral. Ć/I 4 Z 4 4 4

Chamber music obow./obieral. W/G 15

E 4 15

E 4

30 8

K K

Gregorian chant practice obowiązkowy Ć/G 30 Z 1 30 Z 2 60 3


Ma

in Harmony with improvissation obowiązkowy Ć/G 30 Z 1 30 E 2 60 3

Specialist literature obowiązkowy W/G 30 E 2 30 2


Philosophy obowiązkowy W/G 30 E 2 30 2


Propedeutics of contemporary music obowiązkowy W/G 30 Z 1 30 E 2 60 3


Rules of construction and maintainance of organ obowiązkowy Ć/G 30 K 2 30 2



HARPSICHORD FIRST-CYCLE


EC

Subject

Type

Semestr I


Semestr V Semestr VI hour. TS



Organ obowiązkowy Ć/I 15 Z 1 15 E 2 30 3





Mai

n



Music literature of the 20th

obowiązkowy W/G

30

Z 1 30 E 2 60 3 century


Basso continuo obowiązkowy Ć/G 15 Z 1 15 E 2 15 Z 1 15 E 2 60 6

Historical dance obowiązkowy Ć/G 30 Z 1 30 K 2 60 3


Countrpoint obowiązkowy Ć/G 30 Z 1 30 E 2 60 3




HARPSICHORD SECOND-CYCLE

Subject 1st year 2nd year

Type

Semestr I







Historical performance practice obowiązkowy Ć/G 15 Z 1 15 E 2 30 3

Historical musical treatises obowiązkowy W/G 30 E 2 30 2

Improvisation obowiązkowy Ć/G 30 Z 1 30 E 2 60 3

Basso continuo obowiązkowy Ć/G 15 Z 0,5 15 E 1 15 Z 0,5 15 E 1 60 3

Ma

in Specialist literature obowiązkowy W/G 30 Z 1 30 E 2 60 3


Philosophy - problems and schools obowiązkowy W/G 30 E 2 30 2




Rules of construction and maintainance of obowiązkowy Ć/G 15

K

0,5

15 0,5

instruments



HISTORICAL INSTRUMENTS FIRST-CYCLE 1st year 2nd year 3rd year

Subject

EC Type Semestr I Semestr II Semestr III Semestr IV Semestr V Semestr VI hour

TS

godz. zal. EC

godz. zal. EC

godz. zal. EC

godz. zal. EC

godz. zal. EC

godz. zal. EC

TS TS

TS

TS

TS

TS



Work with an accompanist obowiązkowy Ć/I 15 Z 0,5 15 Z 0,5 15 Z 0,5 15 Z 0,5 15 Z 0,5 15 Z 0,5 90 3

Baroque orchestra obowiązkowy W/G 45 Z 3 45 K 3 45 Z 3 45 K 3 45 Z 3 45 K 3 270 18

Renaissance ensembles obowiązkowy W/G 15 K 2 15 EK 2 30 4

Orchestra studies and sight- obowiązkowy Ć/G

30 K

1 30 E

2 60 3 reading


Ma

in




Music literature of the 20th obowiązkowy W/G

30 Z

1 30 E

2 60 3 century


Basso continuo with elements of obowiązkowy Ć/G

15 Z

1 15 E

2 30 3 improvisation


Contrpoint obowiązkowy Ć/G 30 Z 1 30 E 2 60 3




HISTORICAL INSTRUMENTS SECOND-CYCLE

1st year 2nd year

Subject

Type

Semestr I

Semestr II Semestr III Semestr IV hours. ECTS


Main instrument obowiązkowy W/I 30 EK 10 30 EK 10 30 EK 14 30 Z 26 120 60



Work with an accompanist obowiązkowy Ć/I 15 Z 0,5 15 Z 0,5 15 Z 0,5 15 Z 0,5 60 2

Baroque orchestra obowiązkowy W/G 45 Z 1,5 45 K 1,5 45 Z 1,5 45 K 1,5 180 6


Historical improvisationwith elements of diminution obowiązkowy Ć/G 30 K 1 30 E 2 60 3

Mai

n Specialist literature obowiązkowy W/G 30 Z 1 30 E 2 60 3


Philosophy- problems and schools obowiązkowy W/G 30 E 2 30 2




Paleografia obowiązkowy W/G 15 K 0,5 15 0,5



OBOE AND BASSOON FIRST-CYCLE 1st year 2nd year 3rd year

Subject

Type

Semestr I

Semestr II

Semestr III

Semestr IV Semestr V Semestr VI hours ECTS




Work with a pianist obowiązkowy Ć/I 15 Z 0,5 15 Z 0,5 15 Z 0,5 15 Z 0,5 30 Z 1 30 Z 1 120 4

Practice in accompaniment class obowiązkowy Ć 15 Z 0,5 15 Z 0,5 30 1

Orchestra obowiązkowy W/G 60 Z 3 60 Z 3 60 Z 3 60 Z 3 240 12

Orchestra studies and sight-reading obowiązkowy Ć/G 30 K 1 30 K 1 30 K 1 30 E 2 120 5

Mai

n








Harmony with improvissation obowiązkowy Ć/G 30 E 2 30 2





PERCUSSION FIRST-CYCLE 1st year 2nd year 3rd year

Subject

EC Type

Semestr I


Semestr V

Semestr VI h.. TS

godz. zal. ECTS godz. zal.

ECTS godz. zal. ECTS godz. zal. ECTS godz. zal. ECTS godz. zal. ECTS



Work with a pianist obowiązkowy Ć/I 15 Z 0,5 15 Z 0,5 15 Z 0,5 15 Z 0,5 15 Z 0,5 15 Z 0,5 90 3

Percussion set obowiązkowy W/I 15 Z 0,5 15 E 1 15 Z 0,5 15 E 1 60 3

Orchestra obowiązkowy W/G 75 Z 4 75 Z 4 75 Z 4 75 Z 4 75 Z 4 375 20

Orchestra studies and sight-reading obowiązkowy Ć/G 30 K 1 30 E 2 60 3


M a i n






Harmony with improvisation obowiązkowy Ć/G

30

E

2

30 2 elements

Harmony obowiązkowy W/G 30 Z 1 30 E 2 60 3





PERCUSSION SECOND-CYCLE 1st year 2nd year

Subject

Type

Semestr I

Semestr II Semestr III Semestr IV Godz. ECTS




Work with a pianist obowiązkowy Ć/I 15 Z 0,5 15 Z 0,5 15 Z 0,5 15 Z 0,5 60 2

Orchestra obowiązkowy W/G 75 Z 3 75 Z 3 150 6

Orchestra studies and sight-reading obowiązkowy Ć/G 30 K 1 30 E 2 60 3

Stage practice obow./obieral. Ć/G 45 Z 3 45 Z 3 45 Z 3 45 Z 3 180 12

Mai

n Harmony with improvisation elements obowiązkowy Ć/G 30 Z 1 30 E 2 60 3



Philosopy - problems and schools obowiązkowy W/G 30 E 2 30 2






SAXOPHONE FIRST-CYCLE


Subject

Type

Semestr I


Semestr V

Semestr VI Godz. ECTS




Work with a pianist obowiązkowy Ć/I 15 Z 0,5 15 Z 0,5 15 Z 0,5 15 Z 0,5 30 Z 1 30 Z 1 120 4


Big Band obow./obieral. W/G 60 Z 4 60 K 4 60 Z 4 180 12


Mai

n








Harmony with improvisation obowiązkowy Ć/G 30 E 2 30 2





SAXOPHONE SECOND-CYCLE

Subject

1st year 2nd year

Type

Semestr I

Semestr II Semestr III Semestr IV h. ECTS





Work with pianist obowiązkowy Ć/I 30 Z 1 30 Z 1 30 Z 1 30 Z 1 120 4


Big Band obow./obieral. W/G 60 Z 4 60 K 4 120 8


Mai

n

Harmony with improvisation elements obowiązkowy Ć 30 Z 1 30 E 2 60 3









WIND INSTRUMENTS (without oboe and saxophone) FIRST-CYCLE


Subject

Type

Semestr I

Semestr II

Semestr III

Semestr IV Semestr V Semestr VI hours ECTS




Chamber music - duo obow./obieral. W/G 15 EK 4 15 EK 4 15 EK 4 15 EK 4 wymiennie

Work with pianist obowiązkowy Ć/I 15 Z 0,5 15 Z 0,5 15 Z 0,5 15 Z 0,5 30 Z 1 30 Z 1 120 4


Orchestra obowiązkowy W/G 60 Z 3 60 Z 3 60 Z 3 60 Z 3 240 12


Mai

n








Harmony with improvisation obowiązkowy Ć/G 30 E 2 30 2





WIND INSTRUMENTS (without oboe and saxophone) SECOND-CYCLE

Subject

1st year 2nd year

Type

Semestr I






Chamber music - duo obow./obieral. W/G 15 EK 5 15 EK 5 wymienne

Work with pianist obowiązkowy Ć/I 30 Z 1 30 Z 1 30 Z 1 30 Z 1 120 4


Orchestra studies obowiązkowy Ć/G 30 K 1 30 E 2 60 3

Orchestra obowiązkowy W/G 60 Z 2 60 Z 2 120 4

Ma

i

n Stage practice obow./obieral. Ć 45 Z 3 45 Z 3 45 Z 3 45 Z 3 180 12

Harmony with improvisation obowiązkowy Ć/G 30 Z 1 30 E 2 60 3









COMPOSITION AND ARRANGEMENT FIRST-CYCLE

For 1st year 2nd year 3rd year

Subject

Type ma Semestr I

Semestr II


Semestr V

Semestr VI Godz. ECTS

zajęć


Composition and arrangement obowiązkowy W /I 30 EK 10 30 EK 10 30 EK 10 30 EK 10 30 EK 10 30 Z 19 180 69

Piano obligatory/ Extra instrument obow./obieral. W /I 15 Z 0,5 15 K 0,5 30 1


Big band obowiązkowy W/G 60 Z 4 60 K 4 60 Z 4 60 K 4 240 16


Mai

n Instrumental studies with the basics of

obowiązkowy W/G 30 Z 1 30

Z 1

60 2 instrumentation

History of jazz music and literature obowiązkowy W/G 30 Z 1 30 E 2 60 3

Contemporary composition techniques obowiązkowy W/G 30 Z 1 30 E 2 60 3

Rhythmic exercises obowiązkowy Ć/G 15 Z 0,5 15 Z 0,5 15 Z 0,5 15 Z 0,5 60 2


Counterpoint obowiązkowy Ć/G 30 Z 1 30 E 2 30 Z 1 30 E 2 120 6

Ear training obowiązkowy Ć/G 30 K 2 30 E 2 60 4




COMPOSITION AND ARRANGEMENT SECOND-CYCLE

1st year 2nd year

Subject

Type

Semestr I



Composition and arrangement obowiązkowy W/I 30 EK 10 30 EK 10 30 EK 12 30 Z 24 120 56



Big band obow./obieral. W/G 60 Z 4 60 K 4 120 8


Mai

n

Propedeutics of computer music obowiązkowy W/G 15 Z 1 15 Z 1 30 2

Studio of illustration music obowiązkowy W/G 30 Z 1 30 E 2 60 3







JAZZ INSTRUMENTS (excluding Piano Jazz) FIRST-CYCLE


Subject

EC Type

Semestr I

Semestr II


Semestr V Semestr VI hour.

TS



Main instrument – classical music obowiązkowy W/I 15 Z 1 15 Z 1 30 2

Piano obligatory obowiązkowy W/I 15 Z 0,5 15 Z 0,5 15 Z 0,5 15 Z 0,5 60 2

Chamber music – jazz bands obow./obieral. W/G 30 EK 3 30 EK 3 30 EK 3 30 EK 3 30 EK 3 30 EK 3 180 18

Mai

n

Big band obowiązkowy W/G 60 Z 4 60 K 4 60 Z 4 60 K 4 60 Z 4 60 K 4 360 24

Orchestra studies and sight-reading obowiązkowy Ć/G 15 Z 0,5 15

Z 0,5 15

Z 0,5 15 Z 0,5 15

Z 0,5 15 Z 0,5 90 3



Literature of contemporary popular music obowiązkowy W/G 30 Z 1 30 E 2 60 3






JAZZ INSTRUMENTS (without Piano Jazz) SECOND-CYCLE

1st year 2nd year

Subject

Type

Semestr I






Big band obow./obieral. W/G 60 Z 4 60 K 4 60 Z 4 180 12


Mai

n

Analysis of jazz standards obowiązkowy W/G 30 Z 1 30 K 1 60 2

Basics of arrangment obowiązkowy W/G 30 Z 1 30 K 1 60 2







JAZZ VOCAL FIRST-CYCLE 1st year 2nd year 3rd year

Subject

Forma

Type Semestr I

Semestr II


Semestr V

Semestr VI hour. ECTS zajęć


Vocal jazz obowiązkowy W/I 30 EK 10 30 EK 10 30 EK 10 30 EK 10 30 EK 10 30 Z 19 180 69

Vocal ensambles obow./obieral. Ć/G 30 EK 3 30 EK 3 30 EK 3 30 EK 3 120 12

Voice emission obowiązkowy W/G 15 E 1 15 E 1 15 E 1 15 E 1 15 E 1 15 E 1 90 6

Piano obligatory obowiązkowy W/I 15 Z 0,5 15 Z 0,5 15 Z 0,5 15 Z 0,5 60 2

Mai

n

Choir obowiązkowy W/G 60 Z 4 60 K 4 60 Z 4 60 K 4 240 16

Stage practice obow./obieral. Ć 15

Z 1 15 Z 1 15

Z

1 15 Z 1 60 4


Diction and recitation obowiązkowy W/G 30 Z 1 30 K 2 30 Z 1 30 E 2 120 6

Literature of contemporary popular music obowiązkowy W/G 30 Z 1 30 E 2 60 3






JAZZ VOCAL SECOND-CYCLE

1st year 2nd year

Subject

Type

Semestr I



Vocal jazz obowiązkowy W / I 30 EK 10 30 EK 10 30 EK 12 30 Z 24 120 56


Voice emission obowiązkowy W/G 15 E 1 15 E 1 15 E 1 15 E 1 60 4

Big band obowiązkowy W/G 60 K 4 60 Z 4 60 K 4 180 12

Work with an accompanist obowiązkowy Ć 30 Z 1 30 Z 1 30 Z 1 30 Z 1 120 4


Mai

n


Basics of arrangement obowiązkowy W/G 30

Z

1 30

K 1

60 2







FIRST-

ACCORDION CYCLE

Subject

Forma

3rd G

Type 1st year

2nd year

od ECTS zajęć

year

z.

Semestr Semestr Semestr Semestr Semestr Semestr

I II III IV V VI


Main instrument obowiązkowy W/I 30 EK 10 30 EK 10 30 EK 10 30 EK 10 30 EK 10 30 Z 19 18

69 0

Chamber music obow./obieral. W/G

30 EK 4 30 EK 4 30 EK 4 30 EK 4 12

16 0

Basics of accordion transcription obowiązkowy Ć/G

30 Z 2 30 E 3

60 5

and arrangement

Choir obowiązkowy W/G 60 Z 4 60 Z 4 60 Z 4 60 Z 4 24

16 0

Stage practice obow./obieral. Ć 15 Z 1 15 Z 1 15 Z 1 15 Z 1 15 Z 1 15 Z 1 90 6







Harmony with improvisation obowiązkowy Ć/G

30 Z 1 30 E 2 60 3

elements



Foreign language obow./obieral. Ć/G 30 K 2 30 K 2 30 K 2 30 E 3 12

9 0


ACCORDION SECOND-CYCLE

1st year 2nd year

Subject

Type

Semestr I







Harmony with improvisation elements obowiązkowy Ć 30 Z 1 30 E 2 60 3

Mai

n Specialist literature obowiązkowy W/G 30 E 2 30 2








JAZZ PIANO FIRST CYCLE

Subject 1st year 2nd year 3rd year

Type

Semestr I


Semestr V Semestr VI hour. ECTS



Main instrument – classical music obowiązkowy Ć/I 15 Z 1 15 Z 1 30 2

Chamber music obow./obieral. W/G 30 EK 3 30 EK 3 30 EK 3 30 EK 3 30 EK 3 30 EK 3 180 18

Big band obowiązkowy W/G 60 Z 4 60 K 4 60 Z 4 60 K 4 240 16

Orchestra studies and sight-reading obowiązkowy Ć/G 15 Z 0,5 15 Z 0,5 15 Z 0,5 15 Z 0,5 15 Z 0,5 15 Z 0,5 90 3

Mai

n Accompaniment training and obowiązkowy Ć/I

15 Z 1 15 E 1

30 2

sight-reading

Stage practice obow./obieral. Ć 15 Z 1 15 Z 1 15 Z 1 15 Z 1 15 Z 1 15 Z 1 90 6


Literature of contemporary popular obowiązkowy W/G

30

Z 1 30 E 2 60 3 music






JAZZ PIANO SECOND-CYCLE

1st year 2nd year

Subject

Type

Semestr I






Big band obow./obieral. W/G 60 Z 4 60 K 4 60 K 4 180 12


Mai

n

Basics of arrangement obowiązkowy W/G 30 Z 1 30 K 1 60 2








:

Obowiązkowy – compulsory w – lecture i – individual Obieralny - elective ć – exercises z – small group Z – passed withoud grade, K –passed with grade, E – exam

s – seminar gr – group

FACULTY OF VOCAL PERFORMANCE AND ACTING

Dean – prof. dr hab. Marek Moździerz

Vice dean –wykł. Szymon Musioł

Faculty ECTS coordinator – wykł. Szymon Musioł

Akademia Muzyczna w Poznaniu, room 209 e-mail: [email protected]

Major

– vocal studies (excluding: alto tenor)

VOCAL STUDIES 3+2 (first-cycle + second-cycle)

The Faculty of Vocal Performance and Acting offers vocal and acting studies where students are prepared for solo work in music theatres. In solo singing classes they learn and perfrom opera, oratorio and cantata and song repertoire.

Apart from music classes, there are acting and movement classes which end with the performance exam at the end of the third year.

Every year students prepare two opera performances which are also played outside the Academy and they are very popular with audience and critics.

Students of the Faculty of Vocal Performance and Acting need to attend 2-year pedagogical course – it gives them opportunity of the future teaching jobs. The course of ‘Marketing and animation of culture’ gives the graduates skills in management and promotion of culture (music).

The Bachelor exam consists of a practical part in the form of a half-recital and a theoretical part that checks the knowledge of practical and theoretical issues of vocal studies.

The Master exam consists of two recitals. The first one includes a cycle of songs or a selection of songs of one composers as well as arias from old Italian arias, through the Baroque till the present day. The second recital includes various in style arias from Mozart to the present day. The theoretical part consists in a thesis exam. A graduate receives a title of Master of Arts in vocal studies.

STRUCTURE OF THE FACULTY

Vocal Department

Vocal Department mentors the Faculty work. It organises national interpretation masterclasses of oratorio and cantata music and opera music. It coorganises the K.Kurpiński Competition in Włoszakowice.

The Faculty staff deals also with the issues of vocal pedagogy and organizes student opera performances.

Facilities

The Faculty owns nine classrooms, and a theatre room for acting and movement class. Concerts and student performances take place in Sala Kameralna (Chamber Hall), Aula Akademii (Academy Hall) or Aula Nova

FACULTY OF VOCAL PERFORMANCE AND SINGING

FIRST-CYCLE STUDIES

Year I Year II Year III

No. Course Type Semester I Semester II Semester III Semester IV Semester V Semester VI

a b c a b c a b c a B C a b c a b c

1 Solo singing i 30 E 4 30 E 4 30 E 4 30 E 4 30 E 5 30 Z 5,5

2 Work with an

i 30

K 1

30

K 1 30

K

1

30 K

1 30

K

1

30

K 1 accompanist

3 Vocal ensembles -

group 30 Z 4 30 E 4

improvisation

4 Opera workshop group 30 Z 4 30 E 4

5 Basics of acting group 60 Z 3 60 E 3 30 Z 1,5 30 E 1,5

6 Role preparation group 15 Z 1 15 Z 1 45 Z 4 45 E 4,5

7 Diction and recitation group 45 Z 2,5 45 K 2,5 30 Z 1,5 30 E 1,5

8 Stage movement –

group 30

Z 1

30

Z 1 30

Z

1

30 Z

1

dance

9 Rhythmics group 30 Z 1 30 Z 1

Anatomy and physiology

10 of voice group 15 Z 1 15 E 1

11 Improvisation and vocal group 30 Z 2 30 E 2 sight-reading

12 Ear training group 30 K 2 30 E 2 30 K 2 30 E 2 30 K 3 30 E 3

13 Piano - general i 15 K 1,5 15 K 1,5 15 K 1 15 E 1

14 Music studies group 15 Z 1 15 E 2

15 Harmony group 30 E 1 30 E 2

16 Musical forms group 30 Z 3 30 E 3

History of music and

17 vocal literature group 30 Z 2 30 E 2 30 Z 2 30 E 2 30 Z 3 30 E 3

18 Italian language group 60 Z 4 60 K 4 60 Z 4 60 E 4

Propedeutics of German

19 vocal lyrical poetry group 30 Z 1,5

SECOND-CYCLE

Year I Year II

No. Course Type Semester I Semester II Semester III Semester IV

a b c a b c a b c a b c

1 Solo singing i 30 E 4 30 E 4 30 Z 8 30 Z 8

2 Work with an

i 15

K

1

15

K

1 15 K

2 15 K

2 accompanist

3 Opera ensembles grou

120

Z

5

120

E

5 120 Z

7 120 E

7 p

4 Opera parts i 30 E 2 30 E 2 30 E 3 30 E 4

5 Improvisation and grou

30

Z

1

recitatives p

6 German vocal lyrical grou

30

Z

1

poetry p

7 Vocal literature grou

30

Z

2

30

E

3

p

9 Musical illustrations i 15 Z 0,5

History of music grou

10 theatre (lectures every 15 Z 1 15 Z 1

p

second year)

11 Italian language grou

15

K

1,5 30 E

2

p

individual class

group – group class

a – number of hours in a semester

b – assessment (E – exam, K – test, Z – credit)

c – ECTS-credits

FACULTY OF CHOIR CONDUCTING, MUSIC EDUCATION

AND CHURCH MUSIC

Dean - prof. zw. dr hab. Przemysław Pałka

Vice-dean - prof. dr hab. Marek Gandecki

Artistic education in the musical art (musicianship) – specializations:

-choral conducting

-music education

-church music

Postgraduate studies

CHORAL CHAIR It concentrates on:

■ substantial care of the teaching staff development and didactics of directing

ensembles and choral conducting

■ artistic activities

■ cooperation with other educational institutions.

The Choral Chair is also the organizer of the National Choral Conductors’ Competitions for the students of higher education institutions in Poland.

MUSIC EDUCATION CHAIR It concentrates on:

■ artistic, scholar and didactical activities connected with teaching within the

specializations

■ substantial care of teaching staff development

■ cooperation with other scholarly institutions.

The Chair takes care of the Faculty’s teaching equipment.

CHURCH MUSIC DEPARTEMNT

It concentrates on the religious music issues, Gregorian chant performance

traditions, artistic activities connected with religious music and the development of teaching process of Church Music specialization.

FACITILIES

The Faculty owns seven classrooms (including two classrooms with organs), and uses the Academy Hall and the Academy Chamber Room.

Choir conducting FIRST_CYCLE

i l o ś ć g o d z .

semestr 1 YEAR I semestr 2 semestr 3 YEAR II semestr 4 semestr 5 YEAR III semestr 6 Subject

ECTS

a b c a b c a b c a b c a b c a b c

Conducting w i 30 K 4 30 E 4 30 E 4 30 E 4 30 E 4 30 E 5 180 25 Individual voice emission with methodology of

teaching ć i 15 K 1 15 K 1 15 K 1 15 K 1 15 E 2 75 6

Score reading ć gr2 15 K 1 15 K 1 15 K 1 15 K 1 15 K 1 15 K 1 90 6

Piano w/ć i 15 K 2 15 K 2 15 K 2 15 K 2 8 K 1 7 E 1 75 10

Basics of piano improvisation w/ć gr2 15 K 1 15 1

Instrumentation ć gr2 15 Z 1 15 1

Gregorian chant practice w/ć z 30 Z 1 30 1

Choral literature with practice ć 30 Z 2 20 Z 1 50 3

Ear training

w/ć

gr

30

K

2

30

K

2

30

E

3

90 7

Choir

ć

z

60

Z

4

60

Z

4

60

Z

4 60

Z

4 60

Z 4 60

Z 4 360 24

Harmony

w/ć

gr

30

K

2

30

E

2

60 4

Analysis of music works w/ć z 30 Z 1 30 K 2 60 3

History of music with literature

w

z

30

Z

1 30

K

2

60 3

Basics of latin

w/ć

z

30

Z

1 30

Z

1

60 2

Foreign language

ć

z

30

K

2

30

K

2

30

K

2 30

E

3

120 9

Physical education ć z 30 Z 1 30 1

:

i – individual a - number of hours/semester

z – zbiorowe b – (Z – passed without grade, K – passed with grade, E – exam)

gr – grupowe c – numer of ECTS credits

MUSIC EDUCATION DIRST-CYCLE

semestr 1 Year I semestr 2 semestr 3 Year II semestr 4 semestr 5 Year III semestr 6 Subject

ECTS


Conducting w i 15 K 2 15 K 2 15 K 2 15 K 2 15 K 2 15 E 3 90 13

Individual voice emission with methodology of

teaching ć i 15 K 1 15 K 1 15 K 1 15 E 2 60 5

Score Reading ć gr2 15 K 1 15 K 1 15 K 1 15 K 1 60 4

Piano w/ć i 15 K 2 15 K 2 15 K 2 15 K 2 8 K 1 7 E 1 75 10

Basics of piano improvisation w/ć gr2 15 K 1 15 1

Instrumentation ć gr2 15 Z 1 15 1

Harmony w/ć gr 30 K 2 30 E 2 60 4

Vocal ensemble for students’ practice

Ear training w/ć gr 30 K 2 30 K 2 30 E 3 90 7

Score reading ć z 30 Z 1 30 K 2 60 3 History of music with literature w z 30 Z 1 30 K 2 60 3

Academy choir ć z 60 Z 4 60 Z 4 60 Z 4 60 Z 4 60 Z 4 60 Z 4 360 24

Foreign language w/ć z 30 K 2 30 K 2 30 K 2 30 E 3 120 9


i – indywidualne

z – zbiorowe gr

– grupowe

a - number of hours/semester b – (Z – passed without grade, K – passed with grade, E – exam) c – numer of ECTS credits

CHURCH MUSIC FIRST-CYCLE

semestr 1

Year I semestr 2

semestr 3

Year II semestr 4

semestr 5 Year III semestr 6

.

Subject ECTS


Organ ć i 15 K 2 15 K 2 15 K 2 15 K 2 15 K 2 15 E 3 90 13

Conductiong w i 15 K 2 15 K 2 15 K 2 15 K 2 15 K 2 15 E 3 90 13

Organ improvisation with liturgical playing ć gr2 15 K 1 15 E 2 30 3 Score readnig ć gr2 15 K 1 15 K 1 15 K 1 15 K 1 60 4 Voice emission – theoretical basics of vocal

performance ć i 15 K 1 15 K 1 15 K 1 15 E 2 60 5

Liturgical singing ć z 15 Z 1 15 K 1 30 2

Liturgy w z 15 Z 1 15 Z 1 15 Z 1 15 Z 1 60 4

Liturgy and church law w z 15 Z 1 15 Z 1 30 Z 1 60 3 Teoria chorału gregoriańskiego w/ć z 30 Z 1 30 1

Faculty choral ensemble ć z 30 Z 1 30 Z 1 30 Z 1 30 Z 1 120 4 Ear training w/ć gr 30 K 2 30 K 2 30 E 3 90 7

Choir ć z 60 Z 4 60 Z 4 60 Z 4 60 Z 4 60 Z 4 60 Z 4 360 24

Harmony w/ć gr 30 K 2 30 E 2 60 4

Analysis of music works

w/ć z

30

Z 1

30

K 2

60 3

History of music with literature

w z

30

Z 1

30

K 2

60 3

Basics of latin

w/ć z

30

Z 1

30

Z 1

60 2

Foreign language ć z 30 K 2 30 K 2 30 K 2 30 E 3 120 9


W tabeli semestralnej:

i – indywidualne a - number of hours/semester

z – zbiorowe b – (Z – passed without grade, K – passed with grade, E – exam)

gr – grupowe c – numer of ECTS credits

CHOIR CONDUCTIONG – second-cycle

r o d z a j z a j ę ć

met

odyn

aucz

ania

Year I

Year II

Subject

liczba

suma

punktów

godzin

ECTS

semestr 1 semestr 2 semestr 3 semestr 4


Conducting

w i

30

E 6

30

E 6

30

E

6

30

E

7

120 25

Score reading

ć gr2

15

K 1

15

E 2

30 3 Voice emission ć gr2 15 K 1 15 1

Voice emission – theoretical basics of vocal performance

ć z

30

Z 1

30

E

2

60 3

Piano improvissation

ć gr2

15

K 1

15

K 1

30 2

Propedeutics of composition and arrangement

ć z

30

Z 1

30 1

Specialist literature w z 30 Z 1 30 Z 1 60 2

Counterpoint

w z

30

Z 1

30 1

Choir

ć z

60

Z 4

60

Z 4

60

Z

4

60

Z

4

240 16

Vocal ensemble for students’ practice

ć z

30

Z 1

30

Z 1

30

Z

1

30

Z

1

120 4

Criticism and lecture seminar

s z

30

K 2

30 2

Literary text interpretation with diction ć z 30 Z 1 30 1

History of culture

w z

30

Z 1

30

E 2

60 3

Astetics w z 30 Z 1 30 1

Foreign language (B

2+) w z 30 Z 2 30 E 3 60 5

Physical education

ć z

30

Z 1

30 1

Metody nauczania: W tabeli semestralnej:

i – indywidualne a – liczba godzin w semestrze z udziałem pedagoga

z – zbiorowe b – rodzaj zaliczenia (Z – zaliczenie bez oceny, K – zaliczenie z oceną, E – egzamin)

gr – grupowe c – liczba punktów ECTS w semestrze

MUSIC EDUCATION –SECOND-CYCLE

ę ć

n i

Subject

m e t o d y n a u c z a a

Year I

Year II

ECTS

semestr 1 semestr 2 semestr

3 semestr

4


Conducting

w i 15

K

3

15

K 3

15

K

3

15

E

4

60

13

Voice emission

ć

gr2 15

K

1

15

1

Piano improvissation

ć

gr2 15

K

1

15

K 1

30

2

Propedeutic of composition

ć

z 30

Z

1

30

1

Choir

ć

z 60

Z

4

60

Z 4

60

Z

4

60

Z

4

240

16

Vocal ensemble for students’

30

Z

1

30

Z 1

30

Z

1

30

Z

1

120

4

practice ć z

History of culture

w

z 30

Z

1

30

E 2

60

3

Criticism and lecture seminar s z 30 K 2 30 2

Literary text interpretation

with diction ć z 30 Z 1 30 1

Physical education

ć

z 30

Z

1

30

1

CHURCH MUSIC second-cycle

r o d z a j z a j ę ć

met

ody

nauc

zani

a

Year I

Year II

Subject

liczba

suma

punktów godzin

ECTS

semestr 1 semestr 2 semestr 3 semestr 4


Conducting w i 15 K 3 15 K 3 15 K 3 15 E 4 60 13

Organ

w i

15

K 3

15

K 3

60 13 15 K 3 15 E 4

Organ improvisation with liturgical playing ć gr2

15

K 1

15

K 1 15

K

1

15

E

1

60 4

Voice emission

ć gr2

15

K 1

15 1

Liturgical singing

ć z

30

Z 1

30 1

Vocal ensemble for students’ practice ć z 30 Z 1 30 Z 1 30 Z 1 30 Z 1 120 4

Propedeutics of composition and arrangement ć z

30

Z 1

30 1

Specialist literature

w z

30

Z 1

30

Z 1

60 2

Counterpoint w z 30 Z 1 30 1

Choir ć z 60 Z 4 60 Z 4 60 Z 4 60 Z 4 240 16

Harmony w/ć z 30 Z 1 30 1

Seminar of M.A. thesis w z 15 Z 1 15 K 1 30 2

Criticism and lecture seminar s z 30 K 2 30 2

Literary text interpretation with diction ć z 30 Z 1 30 1

History of culture w z 30 Z 1 30 E 2 60 3

Foreign language

w z

30

Z 2

30

E 3

60 5

Physical education

ć z

30

Z 1

30 1 Metody nauczania: W tabeli semestralnej:

i – indywidualne a – liczba godzin w semestrze z udziałem pedagoga

z – zbiorowe b – rodzaj zaliczenia (Z – zaliczenie bez oceny, K – zaliczenie z oceną, E – egzamin)

gr – grupowe c – liczba punktów ECTS w semestrze

FACULTY OF BOWED INSTRUMENTS, HARP, GUITAR AND VIOLIN-MAKING

Dean – dr hab. Krzysztof Sowiński, prof. AM.

Vice dean – mgr Jan Mazurek, st. wykł.

Major, specializations

Major:

instrumental studies

Specializations: instrument playing: violin, viola, cello, double bass, harp, guitar violin-making

Types of studies

full-time studies: 3-year first-cycle (BA studies) and 2-year second-cycle (MA studies)

The aim of the Faculty is to prepare instrumentalists for virtuoso concert playing and for chamber and orchestra playing, as well as to prepare teachers of music schools. Graduates also gain the skills in marketing and the animation of culture.

The Faculty of Instruments in the only one in Poland that offers studies in artistic violin-making (construction and maintainance of string instruments).

Graduates of the first-cycle studies receive Bachelor of Arts diploma, graduates of the second-cycle studies receive Master of Arts diploma.

Structure of the Faculty

BOWED INSTRUMENTS DEPARTMENT Its main aims include:

– supervision over the proper educational process in the following areas:

violin, viola, cello, double bass, guitar, harp

– stumulating the artistic activities of students at the Academy and supervision of

students who prepare for national and international music competitions

– research work related to programming the educational proces in the primary

and secondary music schools through the participation in different kinds of

consultations, workshops and masterclasses

– research work related to the curriculum at the higher education institutions

of music, and programme preparation for music competitions

– organisation of music competitions in bowed instruments: National Z.Jahnke

Violin Competition, National J.Rakowski Viola Competition, National

D.Danczowski Cello

Competition and National A.B.Ciechański Double Bass Competition

– organisation of annual masterclasses led by outstanding Polish and foreign teachers

– supervision over young reasearch and teaching staff

– cooperation with other academic institutions in Poland and abroad.

VIOLIN-MAKING DEPARTMENT Its aims include:

– supervisiton over the proper educational process

– initiative in research of instrument acoustics, history of violin-making,

construction and varnishing issues and maintainance problems

– responsibility for equipment in violin-making workshops at the Academy

– organisation of National W.Kamiński Violin-Making Competition

– participation in content-related preparation of International H.Wieniawski Violin-

Making Competition in Poznań

– participation in the organisation

FACULTY OF BOWED INSTRUMENTS, HARP, GUITAR AND VIOLING-MAKING

FIRST-CYCLE Violin, viola, cello, double bass

Year I Year II Year III No.

Course Type Semester I Semester II Semester III Semester IV Semester V Semester VI


1. Main instrument i 30 E 10 30 E 10 30 E 10 30 E 10 30 E 10 30 E 19

2. Chamber music group 30 E 4 30 E 4 30 E 4 30 E 4

3. Work with a pianist i 15 Z 0,5 15 Z 0,5 15 Z 0,5 15 Z 0,5 30 Z 1 30 Z 1

4. Orchestra group 90 Z 4 90 K 4 90 Z 4 90 K 4 90 Z 4

5. Orchestra studies and sight-reading group 30 Z 1 30 Z 1 30 Z 1 30 E 2

6. Specialist literature group 15 Z 1 15 E 2

7. History of music and literature group 30 Z 1 30 E 2

8. Music literature of the 20th century group 30 Z 1 30 E 2

9. Analysis of a musical work group 30 Z 1 30 E 2

10. Harmony with improvisation elements group 30 Z 1 30 E 2

11. Ear training group 30 K 2 30 E 2

12. Physical education group 30 Z 1

Harp, guitar

Year I Year II Year III No.



1. Main instrument i 30 E 10 30 E 10 30 E 10 30 E 10 30 E 10 30 E 19

2. Chamber music group 30 E 4 30 E 4 30 E 4 30 E 4

3. Work with a pianist i 15 Z 0,5 15 Z 1

4. Orchestra group 90 Z 4 90 K 4 90 Z 4 90 K 4 90 Z 4 90 K 4

5. Choir group 60 Z 2 60 Z 2 60 Z 2 60 Z 2

6. Orchestra studies and sight-reading group 15 Z 0,5 15 Z 0,5 15 Z 0,5 15 E 1

7. Specialist literature group 30 E 2

8. History of music and literature group 30 Z 1 30 E 2

9. Music literature of the 20th century group 30 Z 1 30 E 2

10. Analysis of a musical work group 30 Z 1 30 E 2


12. Ear training group 30 K 2 30 E 2

13. Physical education group 30 Z 1 30 Z 1

Violin-making

Year I Year II Year III



Main subject i 30 EK 10 30 EK 10 30 EK 10 30 EK 10 30 EK 10 30 EK 19

Instrument playing i 15 Z 1 15 E 2 15 Z 1 15 E 2 15 Z 1 15 E 2

Work with a pianist i 15 Z 0,5

Choir group 60 Z 4 60 Z 4

Workshop practice group 30 Z 1 30 Z 1 30 Z 1 30 Z 1 30 Z 1 30 Z 1

Maintainance (luthiery) group 30 Z 2 30 E 4 30 Z 2 30 E 4

Designing and modeling group 30 Z 2 30 K 2 30 Z 2 30 E 2

History of luthiery and group 30 Z 1 30

E 2

15

Z 0,5 15

E 1 15 Z

0,5

15 E 1

specialist literature

History of music and literature group 30 Z 1 30 E 2

Music literature of the 20th group

30 Z

1

30 E 2

century

Analysis of a luthier’s work group 30 Z 1 30 E 2

Acoustics of violin-making group 30 Z 1 30 E 2

Analysis of vibrations and group

30

E 2 30

Z 2

sounds

Basics of instrumentology group 15 Z 1 15 E 2

Ear training group 30 K 2 30 E 2

SECOND-CYCLE Violin, viola, cello, double bass

Year I Year II

No. Course Type Semester I Semester II Semester III Semester IV


1. Main instrument i 30 E 10 30 E 10 30 Z 17 30 Z 23

2. Chamber music group 30 E 5 30 E 5

3. Work with a pianist i 30 Z 1 30 Z 1 30 Z 1 30 Z 1

4. Orchestra studies and sight-reading group 30 Z 1 30 E 2

5. Orchestra group 90 Z 4 90 K 4


7. Specialist literature group 15 Z 0,5 15 E 1

8. Propedeutics of contemporary music group 30 Z 1 30 E 2

9. Performance issues of early music group 30 Z 1 30 E 2

10. Rules of construction, tuning and maintainance of group 15 Z

0,5

instruments

Harp, Guitar

Year I Year II

No. Course Type

Semester I Semester II Semester III Semester IV

a

b

c

a

b c

a

b c a b

c 1.

Main instrument i 30

EK 10

30 E 10

30

Z 10

30 Z 23

K

2. Chamber music group 30

EK

5

30

E 5

K

3. Work with a pianist i 15 Z 0,5 15 Z 1

4. Orchestra studies and sight-reading group 30 Z 1 30 E 2

5. Orchestra group 90 Z 4 90 K 4

6. Choir group 60 Z 4 60 Z 4


8. Specialist literature group 15

Z

0,5 15

E

1


10. Performance issues of early music group 30 Z 1 30 E 2

11. Rules of construction, tuning group 15

Z

0,5

and maintainance of instruments

Violin-making

Sposób

Year I Year II

Semester I Semester II

Semester III Semester IV No. Course realizacji

zajęć


1. Main subject i 30 E

10 30 E

10 30 Z 10 30 Z 23 K K

2. Chamber music group 15 Z 1 15 E 2

3. Maintainance (luthiery) group 30 Z 2 30 E 4

4. Designing and modeling group 30 Z 1 30 E 2

5. Analysis of vibrations and sounds group 30 Z 1 30 E 2

6. Choir group 60 Z 4 60 K 4

7. Specialist literature group 15 Z 0,5

15 E

1


ECTS Information package · ECTS Information package 2018/2019 . Contents The European Credit...

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