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EARLY RENAISSANCEARCHITECTURE

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Renaissance- AnOverview

The spread of the Renaissancemovement

RENAISSANCE- REBIRTH , A REVIVA !" THE #REE$ AN% R!&ANCASSICA A#E

The Vitr'vian man- h'manism,h'man proportionsRenaissance-

Ear() RenaissanceHi*h Renaissance&annerist movement

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Renaissance- AnOverview+'attrocento Ear() Renaissance ./00-.1002 3

concepts of architect'ra( order e4p(ored and r'(es

5ere form'(ated6

Hi*h renaissance .100-.1712 - concepts derivedfrom c(assica( anti8'it) 5ere deve(oped and 'sed5ith *reater s'ret)6

&annerism .170-.9002 3 architectse4perimented 5ith architect'ra( forms toemphasis so(id and spatia( re(ationships6

A:ove;

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llipo Brunelleschi

&echanica( technica( *eni's

%evised scheme for constr'ctin* the "(orence Cathedra( a(on* 5ithre8'ired mechanica( devices, hoists, etc6

Credited 5ith deve(opin* (inear perspective6

"(orence Cathedra( and its iconicdome

"i(ippo Br'ne((esc

%ome interior vie5

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llipo Brunelleschi

"i(ippo Br'ne((esc

San oren=o, "(orence &ain nave space

Vie5 of side chape(s, perspectiverecession

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llipo Brunelleschi

"i(ippo Br'ne((esc

!rphana*e

*enera( ?atness ofc(assica( detai(

dra5n on pietra serena, *re)sandstone, on so(id 5hitep(aster :ac@*ro'nd6

!speda(e %e*(i Innocenti, "(orence

Caref'( attention to proportion in threedimensions6

E4amp(e of ne5 civic spirit

Ro'nd arches c(assica( pro(es

Re*'(arit) of p(anp(an

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llipo Brunelleschi

"i(ippo Br'ne((esc

Santo Spiriti, vie5

Interior vie5

idea(, :a(ancedproportions ininterior space ande4terior massin*

ais(es have a more so(id fee(6 C(assica( detai(s6

contin'o's am:'(ator) of s8'are :a)s

faade 5as nished (ater6 C'rved vo('tes seenover ais(es 5hich co'(d have :een A(:erti>s

in?'ence6

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on Baisa Al!erini

A(:ertini

rst theorist of the ne5 h'manist arts6

5rote treatises on paintin*, sc'(pt're and architect're6

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on Baisa Al!erini

Santa &aria Nove((a, "(orence

'sed proto- Renaissance

pattern e(ements, parts of#othic "acade and c(assica(Roman architect'ra(voca:'(ar)

the str'ct're ts 5ithin aperfect s8'are

more so(idit), pi(asterends, stron* separation:ands :et5een (eve(s

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chiecural Ele"e"s

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nclu#in$ In%erences

Ear() Renaissance :'i(din*s disp(a)ed a certain so:riet) Dh'm:(e,

in5ard (oo@in* and separation :et5een the p':(ic Dfacade and theprivate Dinterior, co'rt)ard e(ementsThe interp(a) :et5een repetitive mod'(es, no5 ca((ed for *ro'pin*and a(ternatin* of the same e(ements6

"or instance, e8'idistant apert'res in the facade 5ere no5 *ro'pedto*ether fo((o5ed :) a(ternatin* 5ide or narro5 :(an@ masonr) strips6

The apert'res themse(ves ass'med *reater importance and 5ereframed 5ith com:inations of pi(asters, architraves or arches, andortrian*'(ar or ro'nded *a:(es, fre8'ent(), a com:ination of a((

perm'tations and com:inations6

The o:vio's distin*'ishin* feat'res of C(assica( Roman architect're5ere adopted :) Renaissance architects6

The ancient orders 5ere ana()sed and reconstr'cted to serve ne5p'rposes