Early Christian, Byzantine, and Islamic Art Review.

29
Early Christian, Byzantine, and Islamic Art Review

Transcript of Early Christian, Byzantine, and Islamic Art Review.

Page 1: Early Christian, Byzantine, and Islamic Art Review.

Early Christian, Byzantine, and Islamic Art Review

Page 2: Early Christian, Byzantine, and Islamic Art Review.

Directions

• Try to identify each work and click on the slide to check your accuracy.

• As you look at the slides, reflect on important qualities and terms associated with each work.

• What is it that makes each work Early Christian, Byzantine, or Islamic?

Page 3: Early Christian, Byzantine, and Islamic Art Review.

Christ as the Good Shepherd (catacomb painting)

Page 4: Early Christian, Byzantine, and Islamic Art Review.

Sarcophagus of Junius Bassus

Page 5: Early Christian, Byzantine, and Islamic Art Review.

Old Saint Peter’s Basilica

Page 6: Early Christian, Byzantine, and Islamic Art Review.

Christ as Good Shepherd (Mausoleum of Galla Placidia)

Page 7: Early Christian, Byzantine, and Islamic Art Review.

Miracle of Loaves and Fish (Sant’ Apollinare Nuovo Church,

Ravenna)

Page 8: Early Christian, Byzantine, and Islamic Art Review.

Sant’ Apollinare Nuovo Basilica

Page 9: Early Christian, Byzantine, and Islamic Art Review.

Vienna Genesis

• The oldest well-preserved painted manuscript with biblical scenes

• Part of a codex – early form of books with separate leaves (folios) enclosed in a cover and bound at one side

Page 10: Early Christian, Byzantine, and Islamic Art Review.

Rebecca and Eliezer at the well, folio 7, Vienna Genesis

Page 11: Early Christian, Byzantine, and Islamic Art Review.

Justinian as World Conqueror (Barberini Ivory)

• Observe how the artist blends classical references and imagery with the new standards of Christianity.

Page 12: Early Christian, Byzantine, and Islamic Art Review.

Saint Michael as Archangel

• Ivory

• Part of diptych (other part is lost)

• Blends classical imagery with new standards for Christian art

Page 13: Early Christian, Byzantine, and Islamic Art Review.

Hagia Sophia

Page 14: Early Christian, Byzantine, and Islamic Art Review.

Hagia Sophia

Page 15: Early Christian, Byzantine, and Islamic Art Review.

San Vitale

Page 16: Early Christian, Byzantine, and Islamic Art Review.

San Vitale

Page 17: Early Christian, Byzantine, and Islamic Art Review.

Justinian Mosaic (Justinian and his attendants)

Page 18: Early Christian, Byzantine, and Islamic Art Review.

Theodora and her attendants

Page 19: Early Christian, Byzantine, and Islamic Art Review.

Theotokos (Mary) and Child flanked by Saints and Angels

Page 20: Early Christian, Byzantine, and Islamic Art Review.

Jesus Christ Savior of Lost

Souls icon

Page 21: Early Christian, Byzantine, and Islamic Art Review.

Vladimir Virgin icon

Page 22: Early Christian, Byzantine, and Islamic Art Review.

Harbaville Triptych

Page 23: Early Christian, Byzantine, and Islamic Art Review.

Koran Page written in Kufic (special Arabic calligraphy)

Page 24: Early Christian, Byzantine, and Islamic Art Review.

Dome of the Rock, Jerusalem

Page 25: Early Christian, Byzantine, and Islamic Art Review.

Great Mosque, Kairouan, Tunisia, ca. 836–875

Page 26: Early Christian, Byzantine, and Islamic Art Review.

Malwiya minaret of the Great Mosque, Samarra, Iraq, 848–852

Page 27: Early Christian, Byzantine, and Islamic Art Review.

Prayer hall of the Great Mosque, Córdoba, Spain,

Page 28: Early Christian, Byzantine, and Islamic Art Review.

Mihrab from the Madrasa Imami, Isfahan, Iran

Page 29: Early Christian, Byzantine, and Islamic Art Review.

Selim II Mosque (Istanbul) by Sinan