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Early acquisition of musical aural skills Richard Parncutt 1 Gary McPherson 2 Margit Painsi 1 Fränk...
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![Page 1: Early acquisition of musical aural skills Richard Parncutt 1 Gary McPherson 2 Margit Painsi 1 Fränk Zimmer 1 1 Department of Musicology, University of.](https://reader038.fdocuments.us/reader038/viewer/2022103122/56649ccd5503460f94998359/html5/thumbnails/1.jpg)
Early acquisition Early acquisition of musical aural skillsof musical aural skills
Richard Parncutt1 Gary McPherson2 Margit Painsi1 Fränk Zimmer1
1Department of Musicology, University of Graz2 School of Music, University of Illinois
ICMPC Bologna 21-26 August 2006
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AimsAims
How and why do children spontaneously recognize musical pitch structures?
Improve “ear training”?
Exploratory qualitative study
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Acquisition of musical aural skills: Acquisition of musical aural skills: Intuitive cognitive model Intuitive cognitive model
1. Exposure phaseaural (visual, tactile-motor, linguistic) memory
2. Experimentation phasematch memory to performance by trial and error
3. Recognition phaseauditory pattern memory linguistic label
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Background: Skill acquisitionBackground: Skill acquisition
Nature/nurture:– interaction between genes & environment
Expertise approach:– more practice more skill
Critical periods: – earlier practice more skill
(Intrinsic) motivation: – motivation practice skill
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Background: Subskill interdependenceBackground: Subskill interdependence
Musical skills– general musicality or– independent specific skills?
Is audiation central?– Origins of musicality = origins of audiation?
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Relation to other approachesRelation to other approaches
Other studies Our study
real-time retrospective
any or average children
children who will later have good aural skills
N = small - medium N = large
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Methodological problem: MemoryMethodological problem: Memory
Strong for– meaningful events
Unreliable if– long ago
BUT Longitudinal observation is also problematic
– implicit skill acquisition
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Methodological problem: QuestionnairesMethodological problem: Questionnaires
Aspect ProblemOpen question Unclear
Closed question Leading
Quantitative data Needs many participants
Qualitative data Needs openness and trust
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Specific issuesSpecific issues
InstrumentSpecific early experiences Age at onset of recognitionSituationsActive or passiveMotivation Belief in talent
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Data collectionData collection
period– Sep 2005 to June 2006
publicity– email lists
participants– 196
missing data– many
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Sex of participantsSex of participants
112 female 84 male
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Nationality of participantsNationality of participants
51% USA19% UK 7% Canada 5% Australia
Language of questionnaireWestern bias of internet
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Age of participantsAge of participants
mean 36 years– min 18– max 83
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Aural skills of participantsAural skills of participants
Best grade for an ear training testA: 109B: 23C: 3D: 1E: 1
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Years of musical practiceYears of musical practice
mean 28 – min 4 – max 70
Does practice make perfect?
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““CV” of average participantCV” of average participant
Began to play regularly… – aged 7 years (min 2, max 21)
Played continuously…– stops for only 1 year
Filled our questionnaire – aged 36 years
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InstrumentInstrument
Are some instruments better
for ear training than others?
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Main instrumentMain instrument
59% piano 8% guitar 7% flute 5% violin
Keyboard represents aural structures visually?Parents of talented children choose piano?
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First year of playing: Instruments playedFirst year of playing: Instruments played
piano 63% violin 13% flute 6%guitar 5%recorder 4%others 9%
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Instruments in the homeInstruments in the home
140 people named 311 instruments: piano (106) guitar (40) violin (28) recorder (22) … flute, keyboard, trumpet, harmonica, cello,
organ, clarinet, accordion, banjo/mandolin…
Important for ear training? 86% yes 10% no 4% can‘t remember
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Why piano?Why piano?
Upper middle class parents
Piano in houseGeneral support
for music
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Early musical experiences Early musical experiences
“Early” = before learning first instrument
What early musical experiences promote development of aural skills?
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Early musical experiencesEarly musical experiences
Age at middle of period4.5 years
Frequency of musical experiences5.3 (1 = very rare … 7 = very frequent)
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Family member whose musical Family member whose musical activities experienced most oftenactivities experienced most often
49 % mother31 % father 8 % sister 4 % brother
Specific activity No. of entries
Playing an instrument 108
Singing – at home 48
Listening to music 23
Singing – choir, church ... 17
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Early musical activities: MaterialsEarly musical activities: Materials
Examples: Mother at piano, kids play drums & sleigh bells
Dad made up songs about our family
My brother and I made up Gregorian chants
• lullabies• hymns• traditional and folk songs• Christmas songs• Suzuki songs
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Early musical activities: How enjoyable?Early musical activities: How enjoyable?
mean 6.3 (1 = not at all … 7 = very)
enjoyment motivation practice
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Early musical activities: Specific emotionsEarly musical activities: Specific emotions
Music as:
private experience– It was amazing to produce sounds.– Music always gave me an immediate feeling of exhilaration.
part of intensive personal interaction– Happy, closeness with family members, fun and joy in
learning the tune and rhythm of songs– I could switch off from the unhappy family life and escape
into music.– I enjoyed this time because I gave our family the 'glue' that
held us together.
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AgeAge
At what age do children
acquire basic aural skills?
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First memory of recognizing pitch structuresFirst memory of recognizing pitch structures
Age:Age: mean 8. mean 8.66 years (min years (min 22, max 1, max 188))
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Age at which specific structures recognizedAge at which specific structures recognized
Means Perform Notate Understand
Melodic intervals 9 11 12
Chord qualities 9 11 12
Chord functions 11 13 14
Close modulations 13 14 15
Distant modulations 15 15 16
Melodic inversion 15 15 16
Basic structures learned between 8 and 14Basic structures consolidated before building on them
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Role of situationRole of situation
In what situations do children
acquire aural skills?
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First year of playingFirst year of playing
Situations in which learned about music Conventional music lessons 64% (130)
Working out pieces by ear alone 24% (103)
Mental practice 16% (54)
Composing alone at instrument 16% (72)
Playing by ear with friends or family 16% (46)
Composing with friends or family 19% (9)
But our participants may not be representative
Percentage: average of those who replied (In brackets: number who replied to question)
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First memory of recognizing pitch structuresFirst memory of recognizing pitch structures
AP Heard mother make mistake on piano. Played by ear before starting lessons. Recognized tones while dad tuned / mother played piano.
Harmony Cried when hearing IV6 – iv6. Transcribed pop progressions. Played "Smoke on water" at guitar group.
Theory Theory class in high school - ear training exercises. Correspondence course in theory and ear training.
Choir Singing back a pattern for choir auditions.
Melody Matching pitches, singing back melodies, singing in tune.
Piano Apparently played a song on piano by ear.
Wide variety of situations. Examples:Wide variety of situations. Examples:
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Context in which skill originally acquiredContext in which skill originally acquired
Aural skills are learnedLearning is mainly active
Wide variety of responses• family and outside• formal and informal• group and solo• instrumental and choral• theory and practice
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Musical styles in which structures recognizedMusical styles in which structures recognized
Participant bias towards “classical” musicParticipant bias towards “classical” music
Rank order:1. classical2. children’s3. pop/rock4. religious
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Learning stylesLearning styles
Active or passive?Motivated or “just happened”?
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Most important factor in developing this skillMost important factor in developing this skill
Category
N=82
Examples
active music making
28 sightsinging, solfege, tuning instrument
starting to play at an early age regularity, persistence, hard work teaching myself experimenting with instrument
listening to music
16 learning how to listen active or intense listening hearing music in many different
contexts Role of active learning
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Why motivated to acquire this skill?Why motivated to acquire this skill?Category N=9
6Examples
learning goal
27 to learn specific songs to sing on the correct pitch to do well in music courses, be a better performer to learn music quickly, understand music, compose to sing or play like a specific performer
joy, fun 21 I loved it; it was fun, like a game
no special intention
20 I wasn’t motivated, it just sort of happened a consequence of joining the school choir it was just what we did – it was family
useful-ness
14 reading music took too much time and effort hearing melody helped me hear bass and chords important to make low brass section sound good
Role of relevant, useful goals
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Inherited or learned?Inherited or learned?
Questions about origins of skills: – All answers involved musical activities– No-one objected that skills were inborn
“How important were your early musical activities for the development of your aural abilities?”– 5.8 (1 = not at all … 7 = very)
Participants believe skills are learned
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Inherited or learnedInherited or learned
Inherited Learned
Opinion then 44% 56%
Opinion now 39% 61%
Source of info for “opinion then”:Source of info for “opinion then”:46% 46% compare memory with current compare memory with current knowledge knowledge 18% 18% parents then parents then 15%15% peer comparison then peer comparison then
Real learning + belief in talent
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Interesting but unreliable dataInteresting but unreliable data
Metacognition is weak– Even for the most talented
Memory is unreliable– Respondents may invent or exaggerate
Our participants are biased toward– upper middle class– “classical” music
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Consistent with expertise modelConsistent with expertise model
motivation practice skill
Critical periods?
phase age
exposure 3-7
experimentation 7-10
recognition 9-14
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Interdependence of musical subskillsInterdependence of musical subskills
Musicality as– independent specific skills
Central role of audiation– supports other subskills
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Educational implications: HomeEducational implications: Home
Parents should hear, make, enjoy music themselves own and play several instruments encourage child from an early age (6?) to
– hear, make, enjoy a lot of music– experience keyboard and choral singing – take music lessons– develop own musical tastes and passions
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Educational implications: InstitutionalEducational implications: Institutional
Offer parental training incl. music More music in school Musical interaction teachersparents Ear training at school, not university