©e ™h™khkÞýküf{T - Swaminarayan · 2019. 2. 11. · Lord Shree Krishna, and Ramanand Swami...

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Sarth Kirtnavali

1

©e ™h™khkÞýküf{T

yðŒeÞo r™òûkhkí…hkrËn {qíÞk O ƒËheð™u ÂMÚkŒ: >

¼wrð¼khŒSðþ{oýu ™h™khkÞýËuð …krn{k{T >>1>>

ÞËw…Þo¼ðíf]…k Œð ‚ ™hk u áüwr{nknorŒûký{T >

™ …h: ‚wh‚¥k{k uàLÞÚkk ™h™khkÞýËuð …krn{k{T >>2>>

«rÚkŒt [ ƒúnËTðúŒ t íðÞk s™ŒkÞk r™sÄk{÷çÄÞu >

yðƒkuÄ™{w¥k{t ¼wrð ™h™khkÞýËuð …krn{k{T >>3>>

s„Œku s™™t rn …k÷™t «÷Þt [kr…fhk ur»k r™íÞËk >

hs‚k Œ{‚k [ ‚íðŒku ™h™khkÞýËuð …krn{k{T >>4>>

Ér»k Y…Äht Œ…ùht Ìkð{LÞuŒ fËkr… fù™ >

‚ ¼ðuí‚ŒŒt [ ™khfe ™h™khkÞýËuð …krn{k{T >>5>>

Œð {qŠŒrhÞt ‚w¾kóÞu s™ŒkÞk: rf÷ Œk…þkLŒÞu >

{hýMÞ sÞkÞ r™íÞËk ™h™khkÞýËuð …krn{k{T >>6>>

s„ËLÞŒ™qMŒÚkkrðŒw t Ähr‚ íðt [ Þw„uÞw„uàãði >

nrhf]»ý Œ™wMíðÞkÄ]Œk ™h™khkÞýËuð …krn{k{T >>7>>

rðrÄþt¼w{w¾k{hðúsùhýkiŒu ‚ŒŒt ‚{[orŒ >

…h{kËhŒù ®[ŒrŒ ™h™khkÞýËuð …krn{k{T >>8>>







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MkkÚko feíkoLkkð÷e

2

1 ykhíke

sÞ MkËTøkwÁ Mðk{e

Mk. økw. {wõíkkLktË Mðk{e h[eík.

sÞ MkËTøkwÁ Mðk{e sÞ MkËTøkwÁ Mðk{e,

MknòLktË ËÞk¤w,(2) çk¤ðtík çknw Lkk{e. sÞ. 1

[hý Mkhkus ík{khkt ðtËw fhòuze,

[hýu r[¥k ÄÞkoÚke (2) Ëw:¾ LkkÏÞkt íkkuze. sÞ. 2

LkkhkÞý Lkh ¼úkíkk rîs fw¤ íkLkw Äkhe,

Ãkk{h Ãkíkeík WØkÞko (2) yøkýeík Lkh Lkkhe.sÞ. 3

rLkíÞ rLkíÞ Lkki¥k{÷e÷k, fhíkkt yrðLkkþe,

yzMkX íkehÚk [hýu (2) fkuxe økÞk fkþe.sÞ. 4

ÃkwÁ»kku¥k{ «økxLkwt su ËþoLk fhþu,

fk¤ f{oÚke Aqxe (2) fwxwtçk Mkrník íkhþu. sÞ. 5

yk yðMkh fÁýkrLkrÄ,fÁýk çknw feÄe,

{wõíkkLktË fnu {wÂõík(2) Mkwøk{ fhe MkeÄe. sÞ. 6

yk ykhíke Au, ykíkoLkkË Úke Ãkh{kí{kLku Ãkwfkhðk{kt ykðu íÞkhu íku

¼õíkLkk ¼kðLku òuRLku «¼w íkífk¤ ¼õíkLke ðnkhu ËkuzeLku ykðu Au.

ÓËÞ{ktÚke ykíkoLkkË íkku íÞkhu s Awxu ßÞkhu Ãkqýo ÁÃku Ãkh{kí{kLkk

MðÁÃk{kt áZ rLkck MkkÚku Mk{ŠÃkík ÚkR sðkLkku rLkùÞ rLk»fÃkx ¼kðÚke

òøk]ík ÚkkÞ Au. íkuLku s ykíkoLkkË fnuðkÞ Au. íku{kt Ãký ßÞkhu yríkþÞíkkLke

MkkÚku yLkLÞk©Þíkk ¼¤u Au, íÞkhu ykÃkýu íkuLku ykhíke Lkk Lkk{Úke

yku¤¾eyu Aeyu. íku{kt ftRf yuðku s ¼kðkr¼ÔÞõík ÚkkÞ Au. Mk.økw.

{wõíkkLktË Mðk{eLku ßÞkhu ¼økðkLk ©e Mðkr{LkkhkÞýu Mk{kÄe «fhý

[÷kÔÞkLkk Mk{k[kh {éÞk íÞkhu {Lk{kt {wtsðý ÚkR fu ykðwt hk{kLktË

Mðk{eyu Ãký õÞkhuÞ fÞwO LkÚke yLku yk íku{Lkk MÚkkLku rðhks{kLk ÚkRLku

MknòLktË Mðk{e yk þw ? fhðk {ktzâk Au. Ãký økw\ su{Lku {wõíkkLktË

{wrLk Mkkûkkík ©ef]»ýLkku yðíkkh s {kLkíkk níkk yLku íkuyku ©eLke yk¿kk







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Sarth Kirtnavali

3

1 AARTI

JAY SADGURU SWAMI

Sad Guru Muktanand Swami

Jay Sadguru Swami Jay Sadguru Swami

Sahjanand Dayalu, (2) Balvant Bahunami, Jay. Dev (2)…1

Charansaroj Tamara Vandu Kar Jodi;

Charane Sish Dharyathi, (2)Dukh Nakhya Todi.. Jay. Dev (2…2

Narayan Narbhrata Dwijkul Tanudhari;

Pamar Patit Udharya, (2) Aganit Narnari.. Jay. Dev (2) …4

Purushottam Paragatnu Je Darshan Karse

Kal Karamthi Chhuti, (2) Kutum Sahit Tarase.. Jay. Dev(2)…5

Aa Avsar Karunanidhi, Karuna Bahu Kidhi;

Muktanand Kahe Mukti (2)Sugam Kari Sidhi.. Jay. Dev (2…6

This is the Aarti. When a devotee sings this Aarti with trueemotion, heart and just to praise the Almighty, Bhagwan trulylistens and comes running to aid the devotee. However, thisAarti must be sung with the conviction that you are praying tothe Almighty who is always in His unequivocally great andglorious form, and it must be sung with the most selfless ofintentions without any treachery or malice in the heart of thedevotee and only then will Lord Swaminarayan listen to thedevotee’s prayers.

When Muktanand Swami received the news about theSamadhi Prakran and how Swaminarayan Bhagwan was puttingpeople into Samadhi so easily, Muktanand Swami startedthinking that when Ramanand Swami was the Guru and theAcharya of the Sampradaya, He never sent people into Samadhiin the way that Swaminarayan Bhagwan was doing so and so







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4

Au, fu yk MknòLktË Mðk{e {khk MÚkkLku Au. íkuÚke íkuyku økw\ MÚkkLku

rðhks{kLk Au. Ãký yk Mkt«ËkÞLke heík LkÚke íku{ òý íkku fhðe s Ãkzþu,

íkuðwt Mk{SLku fåA¼qs Úke ykÔÞk yLku ©enrhLku {¤eLku Lkkhksøke çkíkkðe

©enrhyu Ãký íku{Lkwt {kLk hkÏÞwt. ÃkhLíkw {wõíkkLktË Mðk{e suðk Mk{Úko

MktíkLku ÃkkuíkkLkk MkðkuoÃkrh ¿kkLkÚke õÞkt MkwÄe yòý hk¾ðk yk{ rð[krhLku

yuf rËðMk íku{Lkku ¼ú{ rLkðkhý fhðkLkku rLkýoÞ fÞkuo rð¢{ Mktðík

1859 Lkk fkíkof MkwË 10 Lku íkk. 5 MkÃxuBçkh 1802 Lku þw¢ðkhLkk hkus

rLkíÞ ¢{ «{kýuMkki Mktíkku yLku ©e nrh Ãký fk÷ðkýe økk{{kt MLkkLk Lkk

rLkr{¥ku LkrË feLkkhu ÃkÄkÞko støk÷{kt Mk.økw. {wõíkkLktË {wrLkLku WØkðkðíkkh

hk{kLktË Mðkk{eyu rËÔÞ ËþoLk ykÃkeLku yk MknòLktË Mðk{e yuíkku

Mkkûkkík Ãkqýo Ãkw\»kku¥k{LkkhkÞý Au.yLku nwt su ík{Lku Mkki Lku fnuíku níkuk fu

nwt íkku zwøk zwøke ðøkkzLkkh Awt ¾hku ¾u÷ ¼sðLkkh íkku ykððkLkk Au,íku yk

s Mkkûkkík ©enrh MknòLktË Mðk{e ©eMðkr{LkkhkÞý ¼økðkLk Mkðo

yðíkkhLkk yðíkkhe Au. økw\Lkk ð[LkÚke {Lk{kt su MktþÞ níkku íku Lkkþ

Ãkk{e økÞku yLku nðu íkku Mkkûkkík «økx ¼økðkLkLkku yk©Þ «kó ÚkÞku Au,

nðu fkuR ðkíkLke ¾k{e ™Úke hne yuðk Ãkqýo rðïkMk MkkÚku íku ¼økðkLk

©enrhLkk þhýku{kt ykí{ Mk{Ãkoý fhe ËuðkLku MktÃkqýo rLkck Ãkqðof íkiÞkh

ÚkÞk íÞkhu {wõíkkLktË {wrLk Lkk frð ÓËÞ{kt Úke su yks MkwÄe MktþÞ \Ãk

yÃkhkÄ fÞkuo íkuLkk rLkðkhý {kxu Lkk su þçËku rLk©e Ãkzâk íkuLkkÚke

søkíkLkk fux÷kÞ Sðku yks Ãký Mkt«ËkÞ{kt Ãkhçkúñ Ãkh{kí{k Mkðkoðíkkhe

ÃkqýoÃkw\»kku¥k{ MkðkuoÃkrh ¼økðkLk ©eMðkr{LkkhkÞýLke ykíkoLkkËÚke «kÚkoLkk

fhu Au. yLku yûkh Äk{Lku «kó fhu Au, íkuðk yËT¼qík þçËkuLkk ¼kðLku

òýðkLkku «ÞíLk fheyu.

sÞ MkËTøkw\ Mðk{e, sÞ MkËTøkw\ Mðk{e. :- yÚko ºkefk¤kçkkÄeík

MkËk MkíÞ ( ºkýuÞ fk¤{kt) yuf Mkh¾wt suLkwt Mð\Ãk hnu Au. MkËk ¼qík

¼rð»Þ Lku ðíkko{kLk{kt {Lk çkwrØ yLku ðkýe yuf Mkh¾k hnu, íkuLku fnuðkÞ

MkíÞ yÚkkoík MkíkT íku{kt økw\ y¿kkLk \Ãk rík{khtÄfkh{kt Úke ¿kkLk \Ãke







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Sarth Kirtnavali

5

Muktanand Swami became concerned as to why SwaminarayanBhagwan began this new practice. Muktanand Swamiconsidered his Guru, Ramanand Swami, to be an incarnation ofLord Shree Krishna, and Ramanand Swami ordered all thedevotees of the Uddhav Sampradaya to follow SwaminarayanBhagwan as their Guru and the Acharya of the UddhavSampradaya as Swaminarayan Bhagwan is the successor ofRamanand Swami. Nevertheless, Muktanand Swami wanted tolet Swaminarayan Bhagwan know that he was uncomfortablewith the way that Bhagwan was sending everyone into a tranceso easily. Swaminarayan Bhagwan had the utmost respect forMuktanand Swami and the guidance Swamiji gave, but Bhagwanrealized Muktanand Swami would only understand whatSahajanand Swami was doing when Swamiji understands whoSwaminarayan Bhagwan really is.

On Kartik Sud 10 of V.S. 1859 (Friday, September 5, 1802)Maharaj and the Santo had gone to the river in Kalvani to taketheir daily bath. During all of this, Ramanand Swami appearedin his divine form in front of and gave darshan to MuktanandSwami, and Ramanand Swami reminded Muktanand Swami ofsomething that Ramanand Swami used to say. RamanandSwami said, “Your new guru, who you all know as SahajanandSwami, is actually the Supreme Almighty. Remember that Iused to tell you all that I am just the drummer of the band, butthe lead singer has yet to come. Well! I was talking aboutSahajanand Swami; He truly is the incarnation of all incarnations.After receiving this last sermon from Guru Ramanand Swami,Muktanand Swami forgot all his doubts aboutwhomSwaminarayan Bhagwan was and he resolutely made uphis mind that Swaminarayan Bhagwan was truly the SupremeAlmighty and on that very day with true conviction thatSwaminarayan Bhagwan is God he sang the Aarti for the veryfirst time.







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6

«fkþ{kt ÷R òÞ íku økw\ søkíkLke {kÞk{ktÚke AkuzkðeLku Ãkh{kí{kLke

MkkÚku ¼uxku fhkðu íÞkhu SðLkk ÓËÞ{kt Úke y¿kkLk Lkkþ Ãkk{u Au. ¿kkLk

\Ãke «fkþ {kºkLku {kºk Ãkh{kí{k rMkðkÞ çkesu õÞktÞ ™Úke, ÃkkuíkkLkk{kt

òuzkðkÚke SðLkwt y¿kkLk x¤íkwt LkÚke. fkhý fu Ãkkuíkk{kt s ¿kkLk \Ãke «fkþ

LkÚke íku çkeòLku þwt ? «fkþ ykÃkþu.{kxu ¼økðkLk rMkðkÞ SðLkk økw\

ÚkðkLke fkuRLkuÞ ÞkuøÞíkk LkÚke. yux÷k {kxu {wõíkkLktË Mðk{e ©enrhLku

WÃk{kt ykÃku Au, MkËTøkw\ ík{khe Mkðoºk sÞ ÚkkÞ Au fu{fu ík{u íkku Sð

«kýe {kºkLkk yLku {khk ykí{kLkk Mðk{e Aku, {k÷ef Aku, fíkko níkko Aku,

yLíkÞko{e Aku. yLktík fkuxe çkúñktzkuLkk yrÄÃkrík Aku. Aíkkt ËÞ¤w íkku fuðk

Aku, Mkns {kºk{kt fkuR Ãký Sð ykÃkLkwt M{hý fhu fu Lkk{ çkku÷ðk

{kºk{kt ykÃk íkuLku {kuxk {kuxk Þkuøkeyku Lku Ãký su Mð¡{kt Ãký Mk{kÄe Lke

rMkrØ Lk {¤u íku MkkÄkhý SðLku ík{ku íkífk¤ çkúñkLktË Lkk ykLktËLkku

ykMðkË ËÞk fheLku ykÃkku Aku. Mkns Mðk¼krðf Ãkýu ykÃkLkk Mð\Ãk{kt

ËÞkLkku ¼tzkh ¼hu÷ku Au. {nkçk¤ðkLk ík{khe {kÞk suLkk ÃkkhLku Ãkk{ðk

{kxu {kuxk {kuxk ¿kkLke Þkuøke yLku íkÃkMðeyku Ãký íkhe LkÚke þfíkk íku

{kÞkLku íkku su ík{khk þhýu ykðe Lku ík{khk yLktík Lkk{ku{kt Úke yuf Ãký

Lkk{Lkwt Wå[khý fhðk {kºkÚke íkuLkkÚke ík{ku íkífk¤ hûkk fhku Aku yuðk

ík{khk Lkk{ çk¤þk¤e Au yLku íkuðk Lkk{ku çknws «fkhLkk Au. 1

yux÷k {kxu nu Mðk{e nwt {wõíkkLktË ík{khk f{¤ suðk fku{¤

[hýku {kt çku nkÚk òuzeLku ðtËLk f\ Awt.Lk{Mfkh f\ Awt. fkhý fu ík{khk

[hýku{kt r[¥k Ähðk {kºk Úke rþ»k Lk{kððk {kºkÚke Ëw:¾ {kºk Lkku Lkkþ

ÚkkÞ Au. 2

nu «¼w ík{ku íkku Mkkûkkík LkkhkÞý Aku, þk†ku{kt LkkhkÞý íkku

ðifwtXÃkrík ÷û{eLkkhkÞý, ïuíkrîÃkÃkrík ðkMkwËuðLkkhkÞý yLku rðhkxLkkhkÞý

yuðk yLkuf Lkk{kuÚke «rMkØ Aku Ãkhtíkw {wõíkkLktË Mðk{e yk «fkhu Mkðoºk

«rMkØ Ãkh{kí{k LkkhkÞý{ktÚke ík{ku íkku Mkkûkkík søkíkLkk rník {kxu

çkÿefk©{ Äk{{kt MkËk íkÃk: ÃkhkÞý yuðk ¼økðkLk Lkh Ér»kLkk {kuxk







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Sarth Kirtnavali

7

The meaning of the Aarti is as follows:Jay Sadaguru Swami, Prabhu Jay Sadaguru Swami

Swaminarayan Bhagwan’s divine form is unremitting throughthe past, present, and future. He uncovers our ignorance andsheds the light of knowledge upon us, and so He is also ourGuru. True knowledge can only be obtained by the grace ofBhagwan, and therefore, only Bhagwan can guide the soul tosalvation as that soul’s Guru. This is why Muktanand Swamihails undisputed victory to Lord ShreeSwaminarayan, the Lordof all of creation.

Sahajanand Dayalu, Balawant BahunamiEven with His infinite power, Swaminarayan Bhagwan is so

merciful that He so easily graces those who chant His holyname with the divine happiness of his divine form. The Maya,or illusion, that in which He created this universe is so strongthat yogis, who have performed the most austere of penance,have not been able to overcome this illusion. But, He is somuch stronger than this illusion that he so easily helps Hisdevotees overcome the illusions when they just simply chantHis name, and He has many such names.

Charan saroj tamaara vandu kar jodi,Charane sheesh dharyaathi, dukh naakhya todi

Oh Lord! I bow down to Your lotus-feet because by simplyplacing my head at Your lotus-feet, all of my sorrows disappear.

Narayan Nar Bhraata Dvij kul tanu dhaari,Paamar patit uddhaarya, aganit nar naari

Dear Lord! You are Narayan, Himself. The scripturesdeclare that You reside in Vaikunth in the form ofLakshmiNarayan, in Shwetdeep in the form of Vasudev Narayan,in the form of Virat Narayan, and others, but, You are alsoforever performing austere penance in Badrikashram for thewelfare of the universe as Bhagwan Narayan, the older brother







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8

¼kR LkkhkÞý Ér»k Aku. íku ík{ku yu Ãkrðºk MkÞwoÃkkrh çkúñý fw¤ Ä{oËuðLkk

Ãkwºk\Ãku {Lkw»Þ þheh Äkhý fÞwO Au. søkíkLkk yrík Ãkk{h yLku MðÄ{oÚke

Ãkríkík yuðk {Lkw»Þ {kºkLkku WØkh fÞkuo Au. su{kt yMktÏÞ †e yLku Ãkw\»kku

ykÃkLkk ËþoLk {kºkÚke íkhe økÞk Au. 3

«ríkrËLk hkusu hkus ¼õíkkuLkk Mkw¾ {kxu LkrðLk LkrðLk ÷e÷kykuLku

fheLku ÃkkuíkkLkk ¼õíkkuLkk r[¥kLku yrðLkkþe yuðk ík{khk Mð\Ãk{kt òuzku

Aku. suLkkÚke Sð {kºkLku çkúñkLktËLkk ykLktËLkku yLkw¼ð ÚkkÞ Au. íkuÚke

rð»kÞ Mkw¾{kt Úke ðihkøÞ Ãkk{eLku {kuûkLku yÚkkoík yrðLkkþe Mkw¾Lku «kó

fhu Au.yuðk ík{khk [hýu su ykðu Au íkuLku fkuR fhkuz økÞkSLke fu fhkuz

ð¾ík fkþeLke Þkºkk fhu fu yÂøLkÃkwhký{kt fnu÷ 68 yzMkX íkeÚkkuoLke

Þkºkk fhu yLku su ÃkwÛÞ «kó ÚkkÞ Au íku ík{khk [hý MÃkþo {kºkÚke «kó

ÚkkÞ Au.4

«økx Ãkw\»kku¥kLkkhkÞý yuðk ík{k\ su fkuR SðLku ËþoLk Úkþu fu

M{hý fhþu íku Sð fk¤ f{o yLku {kÞk Lkk çktÄLkÚke Awxe fwxwtçk Ãkrhðkh

Mkrník MktMkkh MkkøkhLku íkheLku {kuûkLku «kó fhþu ík{khk rËÔÞ Äk{Lkku

yrÄfkhe çkLkþu.5

yk ¼ÞkLkf f¤efk¤{kt yk ð¾íku yrík f\ýkLkk Mkkøkh yuðk

ík{kuyu yrík f\ýk fheLku yÃkkh ËÞk fhe Au Sð WÃkh yuðwt yk

{wõíkkLktË søkíkLku sýkðíkkt fnu Au fu òu {wÂõíkLku ({kuûk) Lku Mkh¤íkk Úke

«kó fhðku nkuÞ íkku ykðku yðMkh Vhe ð¾ík {¤þu Lkne. 6

2 MktæÞk ykhíke

ykhíke «økx «¼wSfe

Mk. økw. çkúñkLktË Mðk{e

ykhíke «økx «¼wSfe fesu,

[hý f{¤ ÷¾e ytíkh ÷esu. ykhíke. 1

MkLkfkrËf LkkhË rºkÃkwhkrh,

rð{¤ Lkk{ hxu ðkhtðkhe. ykhíke. 2







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Sarth Kirtnavali

9

of Nar Bhagwan. You graced this earth by taking birth into thepious Saryupaareen Brahmin family ofShree Dharmadev, andby doing so; you have led countless souls to salvation just bygiving them darshan.

Nitya NityanautamleelakartaAvinashi,Adsathteerathcharane, koti GayaaKashi

You always do things to make your devotees happy, and bydoing so, You captivate Your devotees with Your divine andindestructible form, from which Your devotees achieve divinehappiness. Furthermore, simply bowing down to and touchingYour lotus feet is equivalent to making countless pilgrimages toGayaa, Kashi, and the 68 holy places listed in the Agni Puran.

Purushottam Pragat nu je darshan karsheKaalkaramthichooti, kutumbsahittarshe

Whosoever does darshan of Your divine and ever-presentform will be free from the cycle of life and death and theillusion of the world, and along with their families, will attainsalvation and a place in Your divine abode, Akshardham.

Aaavasarkarunaneedhi, karunabahukeedhi,Muktanand kahemukti, sugamkariseedhi

Muktanand Swami rejoices in the fact that during this era ofKaliyug, You, the treasure of mercy, are so merciful that Youhave made it so very easy to attain salvation and that thischance might never come again.

2 SANDHYA AARTI

AARTI PRAGAT PRABUKI

Sad Guru Brahmanand Swami

Aarti Pragat Prabhujiki Kije,Charan Kamal lakhi antar lije. Aarti. 1

Sanakadik narad tripurari,Vimal nam rate varamvari. Aarti. 2







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10

yLktík fukxe ¼wðLkuþ ¼ðkLke,

Mkçk rðrÄ {rn{k þfík Lkrn òLke. ykhíke. 3

Ähík æÞkLk áZ Þkuøke {wrLkïh,

þu»k MknMºk{w¾ hxík rLkhtíkh. ykhíke. 4

Lkh Lkkxf ûkh yûkh LÞkhk,

ÃkwÁ»kku¥k{ Ãkqhý sLk ÃÞkhk. ykhíke. 5

Lkki¥k{ ÁÃk yf¤ Açke LÞkhe,

çkúñkLktË òðík çk÷enkhe. ykhíke. 6

MktæÞk Mk{Þu su «kÚkoLkk fhðk{kt ykðu íkuLkwt {n¥ð ftRf swËk s

«fkhLkwt Au. yux÷k {kxu s ©enrhyu rþûkkÃkºke suðk ÃkkuíkkLkk nkËo

yr¼«kÞLku ÔÞõík fhíkkt {nk økúLÚk{kt Ãký MÃkü yk¿kk fhe Au fu ykr©ík

{kºkyu MktæÞk Mk{Þu ¼økðkLkLkk {trËh{kt yð~Þ sðwt. ¼økðL{trËht Mkðio:

MkkÞt økLíkÔÞ{Lðn{T > 63. yk yk¿kk «{kýuçkkRyku yLku ¼kRyku yu

yð~Þ Ãkýu MktæÞ Mk{Þu ¼økðkLkLkk {trËh{kt sRLku «¼wLke Míkwrík «kÚkoLkk

fhðkLke yk¿kk Au. MkkÚku MkkÚku Lkk{ MktfeíkoLk fhðkLkwt Au. MktæÞk Mk{Þu su

ykíkoLkkËÚke ykí{Mk{Ãkoý MkkÚku su Míkwrík fhðkLke Au íkuLkku «fkh swËk

«fkhLkku Au. fkhý fu þk†ku{kt ðýoLk ykðu Au fu MktæÞk Mk{Þu ykMkwhe

ík¥ðkuLkwt çk¤ ðÄíkwt nkuÞ Au. suÚke {kLkðLkk {kLkMk{kt hòuøkwý yLku

ík{kuøkwýLkwt «ÄkLk Ãkýwt ÚkR òÞ Au. hskuøkwý yLku ík{kuøkwýLkk «¼kðLku

ykuAku fheLku þwØ Mk¥ðøkwýLke ð]rØ fhu yuðe «kÚkoLkk Ãkhçkúñ Ãkh{kí{k

¼økðkLk ©eMðkr{LkkhkÞýLku fhðkLke Au.íkuÚke fheLku hòuøkwýLkk fkhý¼qík

yuðk fk{Lku SíkðkLkku Au. yLku fk{Lku Síkðk {kxu þk†Lkk ð[Lk

«{kýufkuR yLkw¼ðe ÃkkMkuÚke yk rðãk rþ¾ðe Ãkzu. yk rðãkLkk òýfkh

su{Lku MðÞt ¼økðkLk ©eMðkr{LkkhkÞýu Þíke Lke WÃk{k ykÃke Au yuðk

çkúñkLktË Mðk{e rMkðkÞ çkeò fkuý {¤e þfu íku{ Au. yux÷k {kxu s

©enrhyu Mkt«ËkÞLkk ykr©ík {kºkLku MktæÞk Mk{Þu økkðk {kxu Lke ykhíkeLkk

ÃkË Lke h[Lkk fhðkLke yk¿kk fhe yLku çkúñkLktË Mðk{eyu yk¿kk







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Sarth Kirtnavali

11

Annat koti bhuvanesh bhvani,

Sab vidh mahima shakat nahi jani. Aarti. 3

Dharat dhyan dradh yog munishvar,

Shesh sahstra mukh ratat niranatr. Aarti. 4

Nar natak khsar Akshar nyara,

Purushottam puran jan pyara. Aarti. 5

Nautam roop akal chhabi nyari,

Brahmanand javat balihari. Aarti. 6

Understanding the greatness of why evening prayers have tobe performed is unique and difficult to contemplate. That iswhy Lord Swaminarayan has commanded in the Shikshapatriverse 63. My devotees should go to the Temple every dayduring the evening to do darshan and perform Aarti andprayers. Devotees must also sing hymns and chant theSwaminarayan Mahamantra. Performing prayers during theevening is different from performing prayers in the morningbecause the morning is considered to be pure and auspicious,whereas, during the evening, as described by the Scriptures, theatmosphere is filled with inauspicious elements, and so peoplemust perform a prayer that helps them overcome theseinauspicious elements and praise God. For this reason, BhagwanSwaminarayan ordered Brahmanand Swami to create an Aartithat would help Bhagwan’s devotees to pray properly to God,and this is when Brahmanand Swami wrote the Sandhya Aarti.Maharaj has ordered His devotees that when they go in front ofa Bhagwan’s Idol to pray, they shall not perceive the Idol as justan idol made of metal, but rather, that the Idol is SwaminarayanBhagwan, Himself, and this is what Brahmanand Swami teachesus through the Sandhya Aarti.

Aarti Pragat Prabhuji ki keeje,Charan kamal lakhi antar leeje







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12

«{kýus MktæÞk Mk{Þu ykhíke WíkkhðkLkk Mk{Þu økkðk ÞkuøÞ ÃkËLke h[Lkk

fhe su Mkttt¼¤eLku ©enrhyu Mktíkku ¼õíkkuLku MkËk yk ÃkË økkRLku s MktæÞk

ykhíke fhðkLke yk¿kk fhe Au.

Ãkh{kí{kLke {qŠík MkL{w¾ sRLku W¼khneyu íÞkhu ykÃkýk EüËuð

¼økðkLk ©eMðkr{LkkhkÞýLke yk¿kk Au fu íku {qŠík Lku Äkíkw fu Ãkk»kkýLke

{qŠík Lk {kLkðe Ãkhtíkw íku{kt Mkkûkkík {khk Eü Ëuð {qŠík{kLk rðhks{kLk

Au, íku{ òýeLku ËþoLk ðtËLk fhðk,{qŠík{kt Mkkûkkík «økx ¼kð hk¾eLku

ykhíke MkËk fhðkLke Au, íkuÚke çkúñkLktË Mðk{e ÷¾u Au. - -

ykhíke «økx «¼wSfe fesu. nu Sð Mkk{u «íÞûk rðhks{kLk

ÃkhçkúñÃkh{kí{k ¼økðkLk ©eMðkr{LkkhkÞýLkk [hý f{÷Lku íkkhk

ytíkh{kt Äkhý fhe÷u yLku yuðk Äkhý fh fu su{ ÷¾kÞu÷ ÷¾ký MkËk

hnu Au íku{ íkkhk ytík:fh{{kt «¼wLkk f{÷ suð fku{¤ [hýLku Äkhý

fhe hk¾. 1

su [hýk‹ðËLku {kuxk {kuxk MkLkfkrËf yLku LkkhËS suðk {nkLk

Ér»k{wrLkyku íku{s rºkÃkwhkrh ¼økðkLk rþð MkËk Äkhý fheLku íku Ãkhçkúñ

Ãkh{kí{k ¼økðkLk ©e Mðkr{LkkhkÞýLkk {ÞkLkk Ëku»kÚke hneík yuðk

rð{÷ Lkk{kuLkwt MkËk ðkht{ðkh hxý yLku M{hý fhu Au. 2

su Ãkh{kí{kLkk {nkLk {rn{kLku fhkuzku çkúñktzkuLkk Eïhku yLku

Mkkûkkík ¼ðkLke þkhËk Ëuðe Ãký Ãkqhu Ãkwhk {rn{kLku òýe þfðk Mk{Úko

™Úke yuðk «¼w «økx rðhksLkk{ Au.yLku íku yk SðLku {éÞk Au. 3

yüktøk Þkuøk Lke þkÄLkk su{ýu áZ Ãkýu fhe hk¾e Au yuðk áZ

Þkuøke rþðS yLku {kuxk {wrLkïhku Ãký su{Lke MkwtËh {qŠíkLkwt ÃkkuíkkLkk

ÓËÞ{kt MkËk æÞkLk fhu Au. yLku þu»kS suðk yuf nòh {w¾uÚke MkËk

su{Lkk {tøk÷ fhe Lkk{kuLkwt hxý fÞko fhu Au. 4

Ãk]Úðe WÃkh {Lkw»Þ þheh Äkhý fheLku rð[hý fhku Aku, íku íkku Võík

Lkh Lkkxf s Au, Ãkhtíkw ykÃk íkku ûkh yÚkkoík sz ÃkËkÚko {kºk su Lkkþðtík

Au íku søkík, yûkh yux÷u suLkku ûkÞ (Lkkþ) LkÚke Úkíkku yuðku Sð íku çkuÞ







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Sarth Kirtnavali

13

Dear soul! The Supreme Almighty of infinite Universes,

Lord Swaminarayan, is right in front of you. Imprint His lotus

feet into your soul as if you were stamping them with permanent

ink.

Sanakaadik Naarad Tripuraari,

Vimal naam rate vaaram vaari

Great sages like Naarad, Sanak and his brothers, along with

Lord Shiv constantly chant Swaminarayan Bhagwan’s most

pure name, which is free from the illusions of the world.

Anant koti Bhuvaneshwar Bhavaani,

Sab vidhi mahima sakat nahi jaani

You are in front of and praying to the Supreme Almighty,

whose greatness cannot be fully comprehended even by the

infinite Shiva’s, Parvati’s, and Saraswati’s of the infinite

universes.

Dharat dhyaan dhrad yogi munishwar,

Shesh sahastra mukh ratat nirantar

Ascetics like Shivji and yogis who have mastered the practice

of Ashtang Yog constantly meditate upon Swaminarayan

Bhagwan’s great divine form, and Shesh Narayan uses his one

thousand mouths to constantly praise Lord Swaminarayan.

Nar natak kshar Akshar nyaara,

Purushottam puran jan pyaara

Dear Lord! Even though You have come down to Earth, this

is just one of Your infinite playtimes that You perform for the

welfare of the universe because You are above all that is both

destructible and indestructible. You are completely unique.

You are the greatest and You are so loved by all.







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14

Úke yíÞLík rð÷ûký Mkkð swËk yuðk ík{u Aku.yLku Mkðo «fkhu ÃkrhÃkqýo

Ãkw\»kku¥k{ ík{u Aku, su sLkíkkLkk ÃÞkhk ÷kuf«eÞ ík{khk ËþoLk Au. 5

MkktMkkrhf SðkuLku òýe LkþfkÞ yuðe yf¤ ík{khe yk {qŠík Au,

yks MkwÄe õÞkhuÞ Äkhý Lk fÞwO nkuÞ yuðwt LkðeLk ík{k\ \Ãk Au, {kxu nu

©enrh nwt çkúñkLktË ík{khe yk Açke WÃkh {khk MkðoMð çk¤ þÂõík yLku

çkwrØLku Mk{ŠÃkík f\ Awt.

3 ÄwLk

hk{f]»ý økkurðLË sÞ

WØð Mkt«ËkÞLke rLkíÞ økðkíke ÄqLk h[Lkk yÃkkiÁ»kuÞ Au

hk{f]»ý økkurðLË sÞ sÞ økkurðLË,

nhu hk{ økkurðLË sÞ sÞ økkurðLË. 1

LkkhkÞý nhu ©e{ÒkkhkÞý nhu,

©e{ÒkkhkÞý nhu ©e{ÒkkhkÞý nhu. 2

f]»ýËuð nhu sÞ sÞ f]»ýËuð nhu,

sÞ sÞ f]»ýËuð nhu sÞ sÞ f]»ýËuð nhu. 3

ðkMkwËuð nhu sÞ sÞ ðkMkwËuð nhu,

sÞ sÞ ðkMkwËuð nhu sÞ sÞ ðkMkwËuð nhu. 4

ðkMkwËuð økkurðLË sÞ sÞ ðkMkwËuð økkurðLË,

sÞ sÞ ðkMkwËuð økkurðLË. 5

hkÄu økkurðLË sÞ hkÄuøkkurðLË, ð]LËkðLk[tË sÞ hkÄu økkurðLË. 6

{kÄð {wfwLË sÞ {kÄð {wfwLË, ykLktËfLË sÞ {kÄð{wfwLË. 7

LkhLkkhkÞý Mðkr{LkkhkÞý, LkhLkkhkÞý Mðkr{LkkhkÞý. 8

LkhLkkhkÞý Mðkr{LkkhkÞý, LkhLkkhkÞý Mðkr{LkkhkÞý.

Mðkr{LkkhkÞý Mðkr{LkkhkÞý Mðkr{LkkhkÞý Mðkr{LkkhkÞý

ÃkkuíkkLkk «¼w EüËuðLke ykøk¤ Sð ßÞkhu þhýkøkík ÚkRLku òÞ

Au, íÞkhu Mk{Ãkoý ¼kðÚke ftRf Ãkh{kí{kLku rðLkðu Au, «kÚkoLkk fhu Au. suLku

ykÃkýu Míkwrík «kÚkoLkk ykíkoLkkË (ykhíke) fu feíkoLk, ÃkË yLku yüf yuðk







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Sarth Kirtnavali

15

Nautam roop akal chhabi nyaari,

Brahmanand jaavat balihaari

Your form is so divine and beautiful that it cannot beunderstood by those who are engrossed in and distracted by thematerial world. Your beautiful form is so very unique, and I,Brahmanand, completely surrender my mind, body, and soul toYou.

3 DHOON

RAMKRISHNA GOVIND JAY

Ramkrishna Govind Jay Jay Govind !

Hare Ram Govind Jay Jay Govind. 1Narayan! Hare! Shreemannarayan Hare!

Shreemannarayan Hare! Shreemannarayan Hare. 2Krushnadev Hare Jay Jay Krushnadev Hare !

Jay Jay Krushnadev Hare ! Jay Jay Krushnadev Hare. 3Vasudev Hare Jay Jay Vasudev Hare !

Jay Jay Vasudev Hare ! Jay Jay Vasudev Hare. 4

Vasuev Govind, Jay Jay Vasudev Govind !Vasuev Govind, Jay Jay Vasudev Govind. 5

Radhe Govind, Jay Radhegovind.Vrundavanchand, Jay Radhegovind. 6

Madhav Mukund, Jay Madhav Mukund.Anandkund, Jay Madhav Mukund. 7

Narnarayan! Swaminarayan! Narayan! Swaminarayan. 8Narnarayan! Swaminarayan! Narayan! Swaminarayan.

Swaminarayan Swaminarayan Swaminarayan Swaminarayan

When a soul takes refuge under the grace of the Supreme

Almighty, the soul praises the Lord with a kirtan, dhun,

prarthana, stooti, stotra, etc. The compositions of hymns in







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16

Lkk{Úke rð¼køk Ãkkzeyu Aeyu,íku{k ¾kMk fheLku økwshkíke ¼k»kk{kt ßÞkhu

ykðe h[Lkk ykÃkýk Mkt«ËkÞLkk frð yuðk LktË MktíkkuLke fhu÷e h[Lkk nkuÞ

íÞkhu íku feíkoLk Ãkkt[ fu A fzeLkwt yÚkðk íkuÚke ðÄwLkwt yuf ÃkË yuðk [kh

ÃkËLkwt yÚkðk ðÄkhu ÃkËLkwt yuf feíkoLk fnuðkÞ Au. yuðe s heíku rnLËe fu

ð]s ¼k»kk{kt Ãký íkuðeheíkLkk ÃkËku íkw÷MkeËkMkS MkqhËkMkS fu ykÃkýk

çkúñkLktË Mðk{eLkk ÃkËku Au. Ãkhtíkw MktMf]ík ¼k»kkLke ðkík nkuÞ íÞkhu íku{kt

&÷kuf fnuðkÞ Au. su yLkwüwÃk, rºküwÃk yLku ðMktíkrík÷fk,rþ¾hýe yLku

yüÃkËe yuðk Lkk{Úke yku¤¾kÞ Au, suLku AtË fnuðk{tk ykðu Au, íkuLkwt

¾kMk Mxõ[h {kºkk, Mðh fu yûkhLkk rLkÞ{ «{kýuçktÄkÞu÷ nkuÞ Au. íkuLku

MktMf]ík{kt yüf, Míkkuºk, Míkwrík fu «kÚkoLkk rðøkuhuLkk Lkk{Úke yku¤¾kÞ Au.

yüf íkuLkk Lkk{Úke MÃkü ÚkkÞ Au fu íku{kt ftRf ykX Au. yÚkkoík ykX fze

fu &÷kuf {¤eLku yuf yüf ÚkkÞ Au,yuðk yüfku LktË MktíkkuLke h[Lkk fhu÷k

rLkíÞ økkðkLke ©enrhyu rþûkkÃkºke{kt su MktMf]ík ¼ÛÞk nkuÞ íku{Lku {kxu

¾kMk yk¿kk fhe Au, MíkkuºkkËuhÚk f]»ýMÞ ÃkkX: fkÞo: MðþÂõíkík: >

íkÚkkàLkÄeíkøkeðkoýi: fkÞO íkÒkk{feíkoLk{T >> &÷kuf 57. yk yk¿kk

«{kýuykÃkýk rþ¾hçktÄ {trËhku{kt rLkíÞ «rík Mktíkku yLku ¼õíkku {¤e Lku

yüfku økkÞ Au. yk hk{kLktË Mðk{e ð¾íkÚke [k÷e ykðíke ÃkhtÃkhk Au.

íku «{kýuËhhkus Mkðkh Mkkts ykhíke ÃkAe yk yüfku økkðkÚke ©enrhLke

yrík «MkÒkíkk ÚkkÞ Au. LktË Mktíkkuyu MktMf]ík ¼k»kk{kt ykðk fýor«Þ yLku

©enrhLku r«Þ yuðk yMktÏÞ yüfkuLke h[Lkk fhe Au. su{kt ©enrhLkk

[rhºkku yLku {qŠíkLkwt Lk¾rþ¾ MkwtËh ðýoLk yÚkoøkktr¼Þo Ãkqðof fhu÷ Au. suLku

økkðkÚke fu Mkkt¼¤ðkÚke ©enrhLke {qqŠík Lkku Mkkûkkík fkh ÚkkÞ yuðku {knku÷

¾zku ÚkkÞ Au. íkuÚke yk yüf suLku ykÃkýu hk{f]»ý ÄqLk Lkk{Úke

yku¤¾eyu Aeyu íku Ãký yuf MkwtËh yLku yufË{ Mkh¤ MktMf]ík ¼k»kkLke

h[Lkk Au. su Lku yüf fnuðkÞ Au. yk yüf{kt ¾kMk fheLku yk»koáük

yLku ðuË ðkõÞLkk áükLke su{ {tºkáük yuðk yûkh{wõíkkuyu MðkÞt

©e{w¾{ktÚke ©ðý fheLku økkðkLkku «kht¼ fhu÷ Au, yk fkuR ÔÞÂõíkLke







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Sarth Kirtnavali

17

our Sampradaya are known as kirtans. These kirtans have

been written by our Nand Santos in Gujarati, Hindi, or the

dialect spoken in Vrindavan. Many compositions of hymns

in our Sampradaya are also written in Sanskrit are known as

shloks. They are categorized into the following types:

Anushtap, Trishtup and Vasant-tilakaa, Shikharni, and

Ashtapadi. The compositions that we categorize as “chand”

are composed and sung following a construction of rhythmic

cycles, singing pitch, and precise pronunciation. This may

also be called an Ashtak. As the name suggests, Ashtaks

were composed by Nand Santos in which each composition

comprises eight lines, eight couplets, or eight stanzas. In

the Shikshapatri, Shreeji Maharaj has ordered His devotees

to sing these Sanskrit Ashtaks everyday just as they are

sung in our Mandirs. This is a tradition that began when

Ramanand Swami began the Uddhav Sampradaya. These

Ashtaks describe and praise Shree Hari’s great divine form

and His playtime, and singing these ashtaks creates a very

pure and holy atmosphere that helps devotees concentrate

and meditate upon Bhagwan. One such Sanskrit Ashtak is

the “RamKrishna Govind” dhun that we sing every day

during Aarti. This dhun comprises the divine names of

Shreeji Maharaj that Shreeji Maharaj, Himself, told to the

Aksharmuktas (souls who reside with Swaminarayan

Bhagwan in Akshardham), and so, this dhun is not a man-

made composition, but rather, it was composed by Shree

Hari, Himself. Therefore, suffice it to say that there is

scientific logic that explains the composition of the dhun.

There are eight lines in the Ashtak-dhun, and in each such







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18

h[Lkk LkÚke yÃkki\»kuÞÞ h[Lkk Au. íku{kt rËÔÞ rð¿kkLk ¼hu÷ Au, ykX

&÷uf{kt ykX ð¾ík ¼økðkLkLkk Lkk{ku ykðu Au, {¤eLku [kuMkX ÚkkÞ Au.

su ©enrhLke {qŠík Ãký [kuMkX íkMkwLke Au, ykX ykX ytøkkuÚke ykX ykX

ð¾ík «ýk{ fhðkLke ¼kðLkk Au.æðLkeLkk íkhtøkku Ãký íkk÷ ÷Þ çkØ heíku

yuðk økkuXððk{kt ykðu÷ Au fu su Úke ßÞkt yk ÄqLkLkku yðks Ãknku[u íÞkt

MkwÄe Lkk ðkíkkðhký{kt (yuLkðÞh{uLx){kt íkhtøkkuLkk ðkÞçkúuþLk îkhk

©enrhLke [kuMkX íkMkwLke yËT¼qík {qŠík Mkkfkh \Ãku rðhks{kLk ÚkR òÞ

íkuðe Mkth[Lkk yk Au. íku ¾kMk nt{uþLku {kxu økkðkLke yk¿kk Au yLku

Mkt«ËkÞLke yrðÂåAÒk ÃkhtÃkhk Au. ykðe yËT¼wík ÃkhtÃkhk íkuLkk íkus

Mð\Ãk{kt ò¤ðe hk¾ðe íku ykÃkýe MkkiLke sðkçkËkhe yLku Vhs Au. íku{kt

ykÃkýk øk{íkk Lk øk{íkkLkku WÃkÞkuøk fhe þfkÞ s Lkne. yk Ãkwhu Ãkwhku yuf

MktMf]ík yüf Au, yux÷u íku{kt Ãkwhe ykX fze (&÷kuf) Au, ½ýk ÷kufku yk

LktË Mktíkku îkhk økðkíke [k÷e ykðíke rËÔÞ yËT¼wík ÃkhtÃkhk{kt Ãký

þçËkuLkk fu ÃkËkuLkk VuhVkh fhe Lkk¾u Au, íku MkðoÚkk yÞuøÞ Au.ÃkhtÃkhk

WÃkh yLku ©enrhLkk ð[Lk \Ãk yk¿kk WÃkh fwXkhk ½kík Au. ykðk Ëwü

rð½xLk fkhe ík¥ðkuLku Mkt«ËkÞLkk Mkk[k ykr©íkkuyu yku¤¾e hk¾ðk

òuRyu. ynª Ãký yuðwt s çkLku÷ Au íkuÚke Mkw¿k sLkkuLke òý {kxu s yºku

WÕ÷u¾ fhðk{kt ykÔÞku Au.yk yüfLke AuÕ÷e fze (&÷kuf) fux÷kf

çkku÷íkkt LkÚke.íku{Lku yu ðkíkLkwt y¿kkLk Au fu þk†{kt yuf yuðku Ãký rLkÞ{

Au fu Ãkh{kí{kLke {qŠík õÞkhuÞ Ãký ¾tzeík ÃkqsðkÚke V¤Lke «kró Úkíke

LkÚke. yk ¼økðkLkLkwt ðktøk{Þ MðYÃk Au íkuLku ykÄwh fhðkÚke fu ¾tzeík ÚkÞwt

fnuðkÞ. íkuLkwt rðÃkheík s V¤ {¤u Au. íkuðe s heíku fkuR Ãký Mkíf{o fu

ÃkwÛÞ f{o yÄw\ fhðk{kt ykðu íkuLkwt fkuR Ãký «fkhLkwt V¤ s {¤íkwt ™Úke.

yÄw\ f{o rLk»V¤ òÞ Au. õÞkhuf yÄw\ fhu÷wt f{o rðÃkrhík V¤ Ãký

ykÃku Au,suLkkÚke yLkuf «fkhLkk õ÷uþku WíÃkÒk ÚkkÞ Au. su òuðk {¤u Au.

ßÞkt yk «fkhLkku ÿkun fhðk{kt ykðu Au íÞkt.







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Sarth Kirtnavali

19

line, there are eight of Bhagwan’s names. So, in total, the

dhun sings Bhagwan’s name 64 times. Shree Hari’s divine

form is also 64 inches tall. The rhythms and beats of the

dhun are set up in such a manner that while singing the

dhun, the vibrations of the sound waves of the dhun invoke

the divine form of Shreeji Maharaj to wherever the sound

waves reach, and this completely purifies the environment.

It is for this reason that Shreeji Maharaj has ordered His

devotees to sing this dhun every day, and doing so continues

to be an unbroken tradition of our Sampradaya. Therefore,

while singing this dhun, it is our responsibility that we stay

completely engrossed on the Idol of Shree Hari. Many

people today change or replace the words of the dhun with

other words, and this is absolutely not allowed as this dhun

has come down to us from Supreme Almighty Swaminarayan

Bhagwan, Himself. Furthermore, changing or replacing the

words of the dhun violates and infringes Lord

Swaminarayan’s direct orders. Also, many times, people

will not sing the final line of the Ashtak-Dhun, but this is

also incorrect, and the final line of the Dhun must be sung.

This is because, as explained in our holy scriptures, if a

ritual is not fully completed, or if an Ashtak is not sung

fully, the devotee does not reap the rewards of such pious

activities. In fact, not finishing a religious ceremony or an

Ashtak in the proper manner can back-fire and the devotee

may have to suffer the consequences of not completing the

activities.







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20

4 Úkk¤

s{ku Úkk¤ SðLk òô ðkhe

h[Lkk : Mk. økw. ¼q{kkLktË Mðk{e

s{ku Úkk¤ SðLk òô ðkhe, Äwyku fh[hý fhku íÞkhe. s{ku. xuf.

çkuMkku {uÕÞk çkkòuXeÞk Zk¤e, fxkuhk ft[LkLke Úkk¤e.

s¤u ¼Þko [tçkw [ku¾k¤e. s{ku. 1

fhe fkXk ½ôLke Ãkku¤e, {u÷e ½]ík Mkkfh{kt çkku¤e,

fkZâku hMk fuheLkku ½ku¤e. s{ku. 2

økéÞk Mkkxk ½uçkh Vw÷ðze, ËwÄÃkkf {k÷Ãkwðk fZe,

Ãkqhe Ãkku[e ÚkR Au ½e{kt [ze. s{ku. 3

yÚkkýkt þkf MkwtËh ¼kS, ÷kðe Awt íkhík fhe íkkS,

Ëne ¼kík Mkkfh Au ÍkÍe. s{ku. 4

[¤w fhku ÷kðw t s¤Íkhe, yu÷[e ÷®ðøk MkkuÃkkhe,

ÃkkLkçkeze çkLkkðe Mkkhe. s{ku. 5

{w¾ðkMk {Lkøk{íkk ÷RLku, «MkkrË Úkk¤ íkýe ËRLku.

¼q{kLktË fnu hkS ÚkRLku. s{ku. 6

Sð {kºkLku nuík ÃkkuíkkLkk Ãkkuþý fhLkkh WÃkh ÚkkÞ Au, íkux÷wt çkeò

fkuR Ãký MkkÚku LkÚke Úkíkwt, Ãkþw,Ãkûke,{kýMk fu fex Ãkíktøk MkkiLku ßÞktÚke

ÃkkuíkkLku Ãkkuþý yux÷u fu ¾kuhkf yLku hûký {¤u Au, íÞkt s ykí{eÞíkkt

ÃkkuíkkÃkýwt çktÄkÞ Au. {kíkk rÃkíkkLke MkkÚkuLkwt çktÄLk Ãký íku s fkhý Úke ÚkkÞ

Au. yLku ©eS {nkhksu Ãký yk ðkík Lku Mk{ÚkoLk ykÃkíkkt sýkÔÞwt Au. fu

ÃkhMÃkh fux÷wt nuík Au íku s{kzðk WÃkhÚke sýkÞ ykðu Au. ÃkkuíkkLkk r«Þ

ÃkkºkLku s{kzíke ð¾íku fuðku ¼kð yLku «u{ Au. íku Mðk¼krðf Ãkýu ÔÞõík

ÚkR òÞ Au. ÃkkuíkkLkk EüËuð ¼økðkLk ©eMðkr{LkkhkÞýLku fuðk ¼kð

«u{ yLku ©æÄkÚke Mktíkku yLku ¼õíkku òíku hMkkuE ðLkkðeLku s{kzíkk íku ðkík

MktíMktøk{kt «rMkæÄ Au. íku s ¼kð ©æÄk yLku ¼Âõík Lku ÔÞõík fhðk yk

¼q{kLktË Mðk{eLkwt s{kzíke ð¾íku çkku÷ðk {kxuLkwt ÃkË {kýMk {kºkLku







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Sarth Kirtnavali

21

4 THAAL

JAMO THAAL JIVAN JAU VARI

Sad Guru Bhumanand Swami

Jamo Thaal Jivan Jau Vari, Dhou Kar Charan Karo Tyari. Jamo.Beso Melya Bajothiya Dhali, Katora Kanchanni Thali,

Jale Bharya Chambu Chokhali… Jamo Thaal…1Kari Katha Ghau Tani Poli, Meli Ghrut Sakarma Boli,

Kadhyo Ras Kerino Gholi… Jamo Thaal…2

Galya Sata Dhebar Fulvadi, Dudhpak Malpua Kadhi,Puri Pochi Thai Chhe Gheema Chadhi… Jamo Thaal…3

Athana Shak Sundar Bhaji, Lavi Chhu Tarat Kari Taji,Dahin Bhat Sakar Chhe, Zazi… Jamo Thaal…4

Chalu Karo Lavu Jal Zari, Elachi Laving Sopari,Pan Bidi Banavi Sari… Jamo Thaal…5

Mukhvas Mangamta Laine, Prasadi Thal Tani Daine,Bhumanand Kare Raji Thaine… Jamo Thaal…6

The natural instinct of any Soul is to be concerned about themselves,they would fulfill their personal desires first and then the ones they careabout. Be that a Soul of an animal, bird, human, worm or even a butterflythey will only amass enough food to feed their own stomach and protectthe ones that serve and look after them. The love from our mother andfather is also based on this theory as long as they provide food and shelterfor us we listen to them, but when renounce them, do we ever ask do youneed my help? For this reason, Shreeji Maharaj has said that the way aperson feeds others truly indicates how that person feels about those aroundhim. When you feed someone with true emotions and admiration thatlovecan be felt by the loved instantaneously.

It is well known fact, how the great Saints & devotees during ShreejiMaharaj’s era use to feed the Supreme Lord Swaminarayan with highestdevotion, love and credulous. They would show this affection by preparingvarious menus and serving these elegant dishes to the Almighty Shree Hari.Hence Sadguru BhumanandSwami created this devotional song to generateand demonstrate the ultimate love, devotion and credulous a common personshould have towards Omnipresent Shree Hari. It describes and representsthe purest form of faith towards the Supreme Lord Swaminarayan. It describeshow a mother prepares a nourishing meal for her child with great love andaffection and then how that mother prepares the child to consume the food.







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22

Ãkh{kí{k «íÞuyrík þwæÄ ©æÄkLke yr¼ÔÞrfík fhu Au.fuðk «u{Úke su{

{kíkk ÃkkuíkkLkk çkk¤fLku s{ðk íkiÞkh fhu Au. íku{ «Úk{ nkÚk Ãkøk ÄkuRLku

íkiÞkh fhðkLke ¼kðLkk ÔÞõík fhðk{kt ykðe Au.yk íkku ¼õíkLke «u{Lke

Ãkhkfkck Mkk{Lkk Au. {Lkøk{íkk ¼kusLkkuLke MkkÚku «eÞ ÷køkíkkt ÃkfðkLkku

Lkku hMkÚkk¤ ÃkehMkeLku s{eLku ík]ó ÚkÞk yu{ òýe MkwtøktrÄ{kLk s¤Úke [¤w

fhkðkð MkwÄeLke íkiÞkhe yus «u{Lke Ãkhkfkük Au.íÞkh çkkË {w¾ðkMk

ykÃkeLku hkS fhe ÷uðkLkku fe{eÞku Ãký ËkË {køke÷u íkuðku Au.

5 hkøk : {÷kh

{khk nhS þwt nuík Lk rËMku hu..

h[Lkk : Lkh®Mk {nuíkk

{khk nhS þwt nuík Lk ËeMku hu, íkuLku ½uh rþË sRyu,

íkuLku Mktøk þeË hneyu. 1

nuík rðLkk nwtfkhku Lk Ëuðku, suLkwt nh¾uMkwt niÞwt Lk neMku hu,

ykøk¤ sRLku ðkík rðMíkkhu,suLke yktÏÞwt {kt «u{ LkËeMku hu, íkuLku ½uh. 2

¼Âõík¼kðLkku ¼uË Lk òýu,¼whkÞku ÚkRLku ¼k¤u hu,

÷÷eík ÷e÷kLku htøku Lk hk[u,ÃkAe W÷u[e ytÄkÁt xk¤u hu. íkuLku ½uh. 3

Lkk{ íkýku rðïkMk Lk ykðu,Lku ôzw íku ôzw þkuÄu hu.

òLnðe íkeh íkhtøk íkSLku, ÃkAe íkx{kt sRLku fqÃk ¾kuËu hu. íkuLku ½uh. 4

Ãkk uíkkLke Mkh¾e fheLku òýu,Ãk w\»kk u¥k{Lke fkÞk hu,

LkhMkiÞiLkk Mðk{eLke ÷e÷k, ykuÕÞk {íkeÞkt fnu Au {kÞk hu. íkuLku ½uh. 5

©enrhyu ¼økðkLkLkk ¼õíkLkku fuðku {kuxku {ne{k Au, ð[Lkk{]ík Lkk

ðzíkk÷ «fhýLkk 11 {kt {kt ©enrh fnu Au fu y{Lku [kh sýkLke çknw

çkef ÷køku Au h¾u íku{Lkku yÃkhkÄ Lk ÚkR òÞ íkuLkwt y{u çknws æÞkLk

hk¾eyu Aeyu,íku{kt ¼økðkLk, ¼økðkLkLkk ¼õík, çkúñý yLku økheçk

{ýMk yk [kh Lkku yÃkhkÄ fu ÿkun õÞkhuÞ Lk ÚkkÞ íkuLkwt MkËk æÞkLk

hk¾eyu Aeyu.fkuRLkku Ãký ÿkun íkku {kLkLkk fkhýu s ÚkkÞ Au, íkuÚke {kLke

¼õíkLke ¼Âõík Ãký ykMkwhe s Au. ykðk {kLke ¼õík MkkÚku íkku yk÷kuf







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Sarth Kirtnavali

23

The first step performed before we consume a meal is we have to wash ourhands and feet. Sadguru Bhumanand Swami discourses this as the first stepin getting Bhagwan ready to consume a meal. This is the pinnacle of loveand devotion shown by a devotee towards his Lord and Savior. Further on inthe hymn Swamji describes various dishes consisting of sweets, breads,vegetables, curries and pickles all of this presented on a golden plate andoffered to Shree Hari.My Lord and Savior Swaminarayan has accepted theplate and has started to consume the offerings I made. The Lord AlmightyShree Hariis satisfied with the food. After consuming the food I wash bothhis divine hands with fragranced water. This is the ultimate symbol ofdevotional love towards the Shree Hari. After that, the idea of serving theShree Hari with mouth freshener is also noble compliment.

5 RAAG : MALHAR

MARA HARJIISHNU HET NA DISE RE

Narsinh Mehta

Mara Harjiishnu het na dise re, tene gher shid jaie,Tene sang shid rahie re......1

Het vine hukaro na levo, jenu harakhe shu haidu na hise re,Agal jaine vaat vistare, jeni ankhyuma prem and dise re... tene. 2Bhaktibhavono bhed n jane, bhurayou tahine bhale re,Lalit lilane range na rache, pachhi ulechi andharu tale re. tene. 3Naam tano vishvas na ave, ne undu te undu shodhe re,Jahnvi tire tarang tajine, pachhi tatma jaine kup khode re. tene. 4Potana sarkhi karine jane, Purushottamni kaya re,

Narsaiyane Samini lile, olya matiya kahe chhe maya re. tene. 5Shree Hari has described the greatness, respect and importance

of Bhagwan’s Devotees. In Vadtal 11 Vachnamrut, Shree Harispecifically discourses I am particularly afraid of 4 people. I myselfthe Lord Almighty pay great amount of attention and apply cautionthat I do not offend, slander or even disrespect any of these 4 typesof people.The 4 types of people includeBhagwan, Devotees ofBhagwan, Brahmin, Poor individual.

I am the Lord Almighty, but I constantly make sure that I dooffendthem or disrespect them. Disrespecting or slandering someonea directoutsource of Ego. Therefore the devotion of egocentric devotee is alsoDemonic in nature. Such an egotistic devotee can never be in







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24

yLku Ãkh÷kuf{kt Ãký ¼økðkLk MkkÚku {u¤ çkuMkíkku LkÚke.{kLk ykððkLkwt

fkhý s yu Au fu íkuLku Ãkh{uïhLkwt ÞÚkkÚko ßuðwt Au íkuðwt {nkíBÞ s Mk{òýwt

LkÚke. ¼økðkLk yLku ¼økðkLkLkk ¼õík Lkwt Mkk[w {nkíBÞ Mk{òðu íkuðwt

LkhMke {nuíkkLkwt yk feíkoLkLkwt ÃkË {nkhksu økðhkÔÞwt yLku íkuðks yÚkoLkwt

«ríkÃkkËLk fhíkwt Mk.økw. {wõíkkLktË Mðk{eLkwt ÃkË Ãký {nkhksu økðhkÔÞwt

yLku ÃkAe Mknw ¼õíkkuLku yk¿kk fhe fu yk çku ÃkËku ík{khu çkÄkyu ¾kMk

rþ¾e hk¾ðk yLku Ëhhkus yð~Þ økkðk Lke yk¿kk fhe Au. íku yk ÃkË

Au...

6 hkøk : {÷kh

{khk ðk÷kS þwt ðk÷Ãk rËMku hu...

h[Lkk : Mk.økw. {wõíkkLktË Mðk{e

{khkðk÷kS þwt ðk÷Ãk ËeMku hu, íkuLkku Mktøk þeË íkSyu.

íku rðLkk fuLku ¼Syu hu. 1

MkL{w¾ Úkkíkkt þtfk Lk fesu, {h ¼k÷k íkýku {un ðhMku hu,

ntMk sR nrhsLkLku {¤þu, fk[e íku fkÞk Ãkzþu hu. íkuLkku Mktøk. 2

þw¤e WÃkh þÞLk fhkðu,íkkuÞ MkkÄwLku, Mktøku hneyu hu,

ËwhesLk ÷kuf Ëw¼ko»ký çkku÷u, íkuLkwt Mkw¾Ëw:¾ Mkðuo Mkneyu hu. íkuLkku Mktøk. 3

y{]ík ÃkU yrík {eXk {w¾Úke,nrhLkk [rhºk Mkwýkðu hu,

çkúñk ¼ð MkLkfkrËf suðk, suLkkt ËþoLk fhðk ykðu hu. íkuLkku Mktøk. 4

Lkhf fwtzÚke LkhMkw t ÷køku,ËwhesLkLkw t {w¾ {Lk{kt hu,

{wõíkkLktË {økLk ÚkR {køku,Ônk÷k ðkMk Ëuòu nrhsLk{kt hu. íkuLkku Mktøk. 5

{wõíkLktË Mðk{eLku ©e nrhyu MkíMktøkLke {kt Lkwt çkeÁË ykÃku÷ Au.

{kíkkLku su{ ÃkkuíkkLkk çkk¤f WÃkh nuík nkuÞ íkuðwt rLkËkuo»k nuík ¼økðkLkLkk

¼õíkku WÃkh {wwfkíkkLktË Mðk{eLku Au. íkuÚke íku{Lke ¼Âõík WÃkkMkLkk {kt

õÞktÞ Ãký fk[Ãk Lk hnu íkuLkwt MkËk Sýðx Ãkqðof æÞkLk hk¾eLku

«Mktøku«MktøkuíkuLku MkkðÄkLk fhe Lku Mkk[k {køkuo ðk¤eLku ¼økðkLkLke yku¤¾ký

fhkððk {kxu WÃkËuþ Ãký ykÃkíkkt hnu Au. ¼økðkLkLkk ¼õíku fkuLke MkkÚku







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Sarth Kirtnavali

25

conjunction withthe Lord Almighty either in this World or the Worldafter death. For such a devotee or individual, the reason they have anego is that they have not realized the greatness and the significance ofthe Almighty Shree Hari. Lord Swaminarayan asked everybody to singthis hymn created by Narsinh Mehta which discourses the importanceof Bhagwan & Bhagwan’s devotees. Also another hymn created byS.G. Muktanand Swami also describes a fellow devotee should havegreat respect and affection towards his fellow man and to the AlmightyShree Hari.After hearing this hymn Shree Hari requested everyoneto respectfully sing this hymn and that everybody should learn these2 verses and should recite them every day.

6 RAAG : MALHAR PAD-1

MARA VALAJI SHUN VALAP DISE RE


Mara valaji shun valap dise re, teno sang shid tajiye,

Te Vina Kene bhajie..................1

Sanmukh jaata shanka na kije, mar bhala tano meh varse re,

Hans jai harjijanne re malashe, kachi kaya padashe re. teno. 2

Shuli upar shayan karave, toye sadhune sange rahiye re,

DUrjijan lok durbhasan bole, tenu sukh dukh sarve sahie re. teno. 3

Amrutpe ati mitha mukhthi, harina charitra sunave re,

Brahma bhav sankadik jeva, jena darshan karavane ave re. teno. 4

Narak kundthi narasure lage, durijuannu mukh mannma re,

Muktanand magan thai mage, vhala vas dejo harijanme re. teno. 5Muktanand Swamihas been dubbed as “Mother” of the Satsang by the

Supreme Almighty Shree Hari. A mother’s love towards her child is unconditionaland cannot be compared to entity on this World. This maternal instinct SadguruMuktanand Swamipossessed he would show this motherly love towards all theSaints and devotees. Hence in order to maintain this level of motherly love andnever forget the greatness of Saints and Devotees Muktanand Swami composedthis hymn. Swamiji starts of this hymn by making the devotees aware not divertaway from the path of devotion and prayers. Sadguru Muktanand Swami takesminute care and alerts the devotees from time to time to take the appropriateroute and imparts helpful lectures to identify the God. This hymn teaches us thatwhat types of people we should associate with and what type of people we







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26

nuík «u{ hk¾ðku yLku fkuLke MkkÚku Lk hk¾ðku íkuLke Mkk[e Mk{sý yk ÃkË{kt

ykÃke Au.yLku íku nuík «u{ hk¾ðk{kt fuðe þwhðehíkk hk¾ðe íku Ãký Mðk{e

Mkns ¼kðu fnu Au. Ônk÷ yLku «u{ fÞko suðkíkku yuf ¼økðkLk

Ãkw\»kuÞ¥k{LkkhkÞý Au. su ykí{kLkk Mkk[k Mkøkk Au. íku «¼wLke MkkÚku nuík

fhðk síkkt ¼k÷kLkku ð»kkoË ÚkkÞ íkku Ãký yk «u{{kt rðÎLk Lk ykððk Ëuðwt

fkhý fu òu {]íÞwt Úkþu íkku {kºk Ãkt[ ¼qíkLkk þheh Lkwt Úkþu Ãkhtíkw ykí{k íkku

y{h Au íku íkku sRLku ©enrhLku {÷eLku {nk Mkw¾eÞku Úkþu.ykðwt Mkw¾

yÃkkðLkkh MkkÄw ÃkwÁ»kkuLkku òu Mktøk {¤u íkku íku þw¤e WÃkh þÞLk fhkðu íkku

Ãký íkuLkku íÞkøk íkku fhðku s Lkne. søkíkLkk Ëwü Mð¼kðLkk ÷kufku Ëwðo[Lkku

çkku÷u íkuLku MknLk fhe ÷uðk fkhý fu yk s MkkÄw ÃkwÁ»kku y{]ík fhíkkt Ãký

yíke r{Xk ©e nrhLkk [rhºk Mkt¼¤kðu Au. su ¼ð çkúñkrËf Lk Ãký

Mkkt¼¤ðk {÷íkkt LkÚke. {kxu {wõíkkLktË Mðk{e yuðwt {køku Au fu nu «¼w

nrh¼õíkkuLkk Mktøk{kt MkËk rLkðkMk Ëusku.

7 hkøk : rçknkh

ÃkkuZu «¼w Mkf¤ {wrLk fu ~Þk{


ÃkkuZu «¼w Mkf¤ {wrLkfu ~Þk{, ©eLkhLkkhkÞý rËÔÞ {qhrík,

(Mðkr{LkkhkÞý rËÔÞ) MktíkLkfu rðþhk{. ÃkkuZu. 1

yûkh Ãkh ykLktË ½Lk «¼w feÞku nu ¼qÃkh Xk{,

sune r{÷ík sLk íkhík {kÞk ÷ník yûkh Äk{. ÃkkuZu. 2

þkhË þu»k {nuþ {nk{wrLk sÃkík sune økwý Lkk{,

òMk ÃkËhs þe»k Ähe Ähe nkuðík rLk»fk{. ÃkkuZu. 3

«u{fu ÃkÞOf Ãkh «¼w fhík Mkw¾ ykhk{,

{wõíkkLktË rLks [hý rZøk økwýøkkðík ykXwt ò{. ÃkkuZu. 4

WØð Mkt«ËkÞLke MÚkkÃkLkk WØðkðíkkh søkíøkw\ ©ehk{kLktË Mðk{eyu

fheLku íkuLke Ä{oÄwhk Mkðoðíkkhe MkðkuoÃkrh yuðk ¼økðkLk ©eMðkr{LkkhkÞýu

MðefkheLku søkíkLkk SðLku yufkÂLíkfe ¼Âõík fhkðeLku ykíÞtríkf {kuûkLke







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Sarth Kirtnavali

27

should not associate with.Swami also teaches us how to be brave while keepingand maintaining affection and love towards our fellow devotees. There is onlyone individual we should truly admire and love and that isSupreme LordSwaminarayan. He is the only true relative of this Soul, this SwaminarayanBhagwan has been with us from the day we were born and until the day we willdie. He is the only person that is always going to be with us! Even if there areshowers of long Spears obstructing our love towards Purushottam Narayan, donot let it these obstacles hinder the way of that love even if the death appears.Only this mundane body, made from the 5 elements will be destroyed, but theSoul which is immortal will go and encounter the Divine Lord Shree Hari andwill enjoy the great happiness of his idol. When we are blessed we will meetSaintly people and they might ask us to sleep on the bed of spikes. My dearcomrade! Do not leave the company of such Saintly Men. Even if the Worldlypeople with inappropriate nature slander you, say harsh words towards you justtolerate them. This level of toleration will bring you closer to these Saintlypeople and you will hear the divine pastimes of Shree Hari. These divine pastimesare very pious and sweeter than Nectar. These pastimes of Shree Hari are veryauspicious that great Deities like Shiv and Brahma have the utmost desires tohear them. Hence Sadguru Muktanand Swami requests and prays to God thatO my Lord! Please give a boon that I may always associate and reside in thecenter of these devotees of yours.

7 RAAG: ‘BIHAG’

PODHE PRABHU SAKAL MUNIKE SHYAM


Podhe Prabhu Sakal Munike Shyam; Narnarayan Divya Murti,

Swaminarayan Divya Murti, Santanke Vishram … Podhe.1…

Akshar Par Dnanaddhan Prabhu Koyo He Bhupar Tham;

Jehi Milat Jan Tarat Maya, Lahat Akshardham… Podhe.2…

Sharad Shesh Mahesh Mahamuni, Japat Jehi Gun-nam;

Jaas Padraj, Shish Dhari Dhari, Hot Jan Nishkam… Podhe.3…

Prem Ke Paryank Par Prabhu, Karat Sukh Aaram;

Muktanand Nij Charanraj, Gun Gavat Aatho Jam… Podhe.4…The Uddhav Sector of the Hindu religion was established by Uddhav

Avatar Jagadguru Shree Ramanand Swami. After establishing this sectorShree Ramanand Swami delegated the responsibility as the leader of theSector to the Supreme incarnation and Supreme GodheadShreeSwaminarayan Bhagwan.The Almighty Swaminarayan Bhagwan







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28

«kró ÚkkÞ íkuðku {nk{køko Ãk]Úðe WÃkh «MÚkkrÃkík fÞkuo yk {kuûkLkk

{nk{køkoLke ÃkhtÃkhk MkqÞo [tÿ hnu íÞkt MkwÄe [k÷u íkuðku ÃkhçkútñÃkh{kí{k

ÃkqýoÃkw\»kku¥k{ ¼økðkLk ©eMðkr{LkkhkÞýu MktfÕÃk fÞkuo yLku íku MktfÕÃkLku

ÃkrhÃkqýo fhðk [kh økwZ MktfÕÃkku fÞko 1 WÃkMkLkkLke hûkk {kxu {nk{trËhkuLkwt

rLk{koý fhðwt. 2 Mkíþk†kuLke h[Lkk fhðe. 3 MkíÄ{o hûkf Ä{oðtþ{kt

yk[kÞoLke MÚkkÃkLkk fhðe. 4 ¼økðíke ði»ýðe {nkrËûkkLkku Ãk]Úðe WÃkh

«kht¼ fhkððku. suÚke yLktík Sðkí{kykuLku ykíÞtríkf {kuûk økríkLke «kró

ÚkkÞ yLku yûkh Äk{Lkk yrÄfkhe çkLku. yk heíkLkk nuíkwykuLke ÃkqŠík

fhðLkku «kht¼ Mkki «Úk{ Ãknu÷kt nuíkwLke ÃkqŠík fhðk {kxu økwshkíkLkk

ÃkkxLkøkh yuðk y{ËkðkË þnuh{kt Mkt«ËkÞLkwt rðï{kt Mkki «Úk{ Mk.økw.

ykLktËkLktË Mðk{e ÃkkMku {nk{trËhLkwt rLk{koý fhkÔÞwt. yLku íku{kt Mktðík

1878 Lkk Vkøký MkwË 3 yLku EMkLkT íkk. 24, 2, 1822 Lku hrððkhu

ÃkkuíkkLkk ðhË nMíku ¼hík¾tzLkk hkòrÄhks yuðk MkðkuoÃkrh çkÿeÃkrík

¼økðkLk ©eLkhLkkhkÞýkrË ËuðkuLke «ký «ríkck fhe yLku søkíkLku {kuûkLkwt

{nkLk MkËkðúík çkktÄe ykÃÞwt. ¿kkLk ¼ÂõíkLkku {nkMkkøkh íkiÞkh fhe

ykÃÞku.÷k¾ku ¼õíkku yk ¿kkLk ¼ÂõíkLkk {nkMkkøkh{kt ne÷ku¤ðk ÷køÞk.

íku s rËðMku çkúkñ{wnwíkoÚke «kht¼ fheLku hkºke ÃkÞOík ÷k¾ku ¼õíkkuyu rËÔÞ

ËþoLk yLku ¼ÂõíkLkku {nkLk ÷knðku {u¤ÔÞku.hkºke Ãkzðk ykðe íÞkhu MðÞt

Ãkhçkúñ Ãkh{kí{k ¼økðkLk ©eMðkr{LkkhkÞýu {wõíkkLktË Mðk{eLku yk¿kk

fhe fu ykÃkýu yk {nk{trËhLke Mkuðk herík íkku ði»ýðk[kÞo rðê÷LkkÚkSyu

÷ÏÞ «{kýusøkkzðk,ÃkkuZkzðk, s{kzðk, WíMkðku fhðk rðøkuhuLke ÔÞðMÚkk

fhðkLke Au. yk {wŠík yu fkuR Äkíkw fu Ãkk»kký Lke {wŠík LkÚke yu íkku Mkkûkkík

«økx «{ký ¼økðkLk MðÞt ©eLkhLkkhkÞýËuð s Au. {kxu nðu íku{Lku

ÃkkuZkzðkLkku Mk{Þ ÚkÞku Au. íkuÚke ÃkkuZkzðkLke ÔÞðMÚkk fhku. ¼økðkLk

©enrhLke yk¿kk Úkíkkt s {wõíkkLktË Mðk{eyu ¼økðkLk ©e LkhLkkhkÞýkrË

ËuðkuLku ÃkkuZðk {kxu Lke «kÚkoLkk fhe íku yk þçËku Au. íÞkhÚke yks rËLk

ÃkÞOík þÞLk ykhíke ÃkAe yk¾k Mkt«ËkÞ{kt yk {wõíkkLktË Mðk{eLke







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Sarth Kirtnavali

29

accepted the leadership of the Uddhav Sector so that the Souls engrossedin the Worldly pleasures could perform the ultimate devotion and achievethe Ultimate Salvation. To fulfill this pious and unique task, BhagwanShree Swaminarayan established an express highway on this Earth toobtain Salvation. The path to this Ultimate Salvation will stay unrestricteduntil the very existence of the Sun and the Moon. For the pious task to befulfilledThe Supreme PurnaPurushottam Bhagwan ShreeSwaminarayanhad 4 secret ideas that must be put in place for this path to remain openforever.The first was to establish magnificent Temples to protect the pathof worship towards Bhagwan. The second create the pious literature,divine Scriptures. The third to establish Acharyaship in the family ofDharmadev, the main task to be performed by the Acharya is to protectthe Sanatan Dharma and the traditions. The fourth idea was to endorsethe system of Bhagvati Vaishnavi Mahadiksha on this Earth, so thatcountless souls and creatures could obtain the Ultimate Salvation.

To fulfill his first objective Shree Hari started to create Temples allaround Gujarat and the First Swaminarayan Temple of the World wasconstructed and completed in capital city of Gujarat Ahmedabad bySadguru Anandanand Swami. The installation of the Idols ofBharatkhand’s King the divine and Supreme Shree NarNarayan Dev wasinitiated by Shree Hari himself on Falgun Vad Tritiya during the yearSamvat 1878. According to the western calendar the official date was 24-02-1822. It was also a Sunday and on this particular day LordSwaminarayan instigated the eternal path to Salvation upon this World.Lord Swaminarayan also created an Ocean full of Devotion and UltimateKnowledge in which innumerable devotees took holy dips and immersedthemselves in Devotion and Service.

On this very auspicious day, thousands of people regardless of creed,race and religion where truly blessed by obtaining the divine sight of ShreeHari and the level of devotion shown by the Saints and devotees. In theevening the Supreme Being himself Lord Shree Swaminarayan instructedMuktanand Swami to adopt and follow the procedures prescribed by ShreeVallabhcharya on how to serve the Idols and the Temple. The way theDeities should awake in the morning, the way they should go to sleep,the way they should be fed and the way festivals should be celebrated inthe Temple. Shree Hari instructed to all the Saints and devotees pleasedo not think to yourself that these Idols are made from stone or metal, butthese Idols are Shree NarNarayan Dev himself. Now night has befallenupon us, so it is time for Shree NarNarayan Dev to go to sleep. So makethe necessary arrangement for Deities to go to sleep. Sadguru MuktanandSwami hearing this request composed a cradlesong to put the Deities to







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30

h[LkkLkwt ÃkË økkRLku s ¼økðkLkLku ÃkkuZkzðkLke ÃkhtÃkhk [k÷e ykðu Au.

{wõíkkLktË Mðk{eLkk þçËkuLku fkuR íkwåA çkwrØ ðk¤k îu»ke÷k ÃkkÃkec {kýMkku

çkË÷e Lkk¾u íkku yuíkku {wõíkkLktË Mðk{e suðk {nkLk MktíkLkwt ¼ÞkLkf

yÃk{kLk s fnuðkÞ yLku íkuLku õÞkhuÞ {kuûk íkku Lks {¤u Ãký Mkw¾ fu

þkÂLík Ãký Lk s {¤u íku ykðwt neLk yk[hý fhLkkhk{kt Mkðoºk òuðk {¤u

Au.

ÃkkuZu «¼w Mkf¤ {rLkfu ~Þk{, ©eLkhLkkhkÞý rËÔÞ {whrík, : - nu

«¼w ykÃk (Mkf¤) Mkðo {wrLk sLkkuLkk r«Þ ~Þk{ rËÔÞ {qŠík Äkhe nu

LkhLkkhkÞýkrË Ëuð Mktík Ãkw\»kkuLkk r[¥kLku rð©k{ ykÃkLkkhk yuðk ykÃkLku

yLku Mkki Mktík Mk{wËkÞLku Ãký rð©k{Lkku Mk{Þ ÚkÞku Au. {kxu ÃkkuZðkLke

íkiÞkhe fhku.1 yûkhÚke Ãkh su yûkhkríkík Ãkhçkúñ ÃkhkíÃkh Ãkh{kí{k

Ãkw\»kku¥k{ LkkhkÞý Lkk Äk{{kt su ykLktË ½Lk Au, íku çkúñkLktËLkk ykLktË

½LkLku nu «¼w ykÃk Ãk]Úðe WÃkh ík{khk ËþoLk fhu Au fu {¤u Au íku Lku íku

ykLktË ½LkLke «kró fhkðku Aku. {nk{kÞkLku Ãkkh WíkkheLku yûkhÄk{{kt

íkuze òðAku. 2 nu «¼w ík{khk rËÔÞ y÷kifef «íkkÃk þk¤e Lkk{ {kºkLkwt

M{hý fhðk {ºkÚke SðLku {nkLk {kuxe ÃkËðe {¤e òÞ Au.íkuÚke s {kuxk

{kuxk {nkLk {wrLkykuLke MkkÚku þkhËk MkhMðíkeS þu»kS {nkËuðS suðk

Ãký ík{khk Lkk{kuLkwt Mkíkík sÃk fhu Au. yLku íku Lkk{Lkk {nkLk økwýku økkíkkt

Úkkfíkk s ™Úke. søkíkLkk Sðku ík{hk [hýLke hs {Míkf WÃkh Äkhý

fheLku MkktMkkrhf fk{Lkkyku ðkMkLkkykuÚke AwxeLku rLk»fk{ ÚkRLku yûkhÄk{Lku

«kó fhu Au. 3 nu «¼w ykÃkLku «u{ \Ãke ÃkÞOf WÃkh ykhk{ fhðk {kxu

«kÚkoLkk f\ Awt.íÞkt Mkw¾ Ãkqðof rð©k{ fhku yuðe nwt {wõíkkLktË ík{khk

íkhýku{kt {Míkf Lk{kðeLku ykXku Ãknkuh ík{khk yk rËÔÞ økwýkuLkwt økkLk

fhíkku Lk{úíkk Ãkqðof «kÚkoLkk f\ Awt. 4







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Sarth Kirtnavali

31

sleep. These are the words that Sadguru Muktanand composed andchanted in front of Lord Shree NarNarayan Dev. Since that day and untiltoday this verse and cradlesong is sung throughout the entireSwaminarayan Sector. This hymn is usually sung after the Shayan(bedtime) Aarti, whilst praying to the Supreme Lord Omnipresent LordShree Swaminarayan.

Certain immature jealous, licentious and immoral people alter thishymn from the original composition recited by Shree Muktanand Swami.Such an act by these resentful people is abundant disrespect and dishonorto a great saint like Shree Muktanand Swami. Such invidious people willnever obtain peace of mind, prosperity or even Salvation. Today we donot have to go and see this physically. This is occurring sincerely in frontof our eyes people who have altered the original prayer do not have peaceof mind, they do not prosper then how will they obtain Salvation!

Podhe Prabhu Sakal Muni Ke Shyam, NarNarayan Divya Murti. DearAlmighty! You are divine, your idol and form is dark in complexion. DearNarNarayan you are very dear to all, you are the ultimate tranquil placefor the minds of all Satpurush’s to rest. Dear Lord it is time for You andyour Saints to rest, so kindly get ready for bed...(1)

You are beyond the divine abode Akshar. Akshar is part of you, butyou are beyond Akshar. You are the Supreme Being and You are also aboveall the souls. Dear Lord! You are Parbrahm Purushottam Narayan himself.My Lord! You are the main pleasure source of Akshar. The pleasure ofAkshar is resplendent and it is incomparable to any entity upon this World.Dear Lord! Due to your benevolence, you take a form upon this Earth,give your divine vision to the mundane people, protect them from thedarkness of ignorance and take them to your heaven abodeAkshardham…. (2)

Dear Lord! Just by remembering and reciting your divine powerfulname, the mundane soul obtains great stature. That is why great Saintsand Devotees like, Sharda Devi, Saraswatiji, Shesha Narayan and Shivjiconstantly recite your name. They obtain immense amount of pleasurefrom reciting your name that they never become fatigued from recitingyour name. The souls of this World become free of all Worldly desires byjust touching the dust of your divine lotus feet and they also achieve youheaven abode Akshardham ... (3)

O Lord! I pray to you gracefully to lie down on the bed I have lovingmade for you. With great pleasure lie down and rest on this couch of love.

I Muktanand Swami throughout the whole day continuously sing yourpraises and your divine virtues without any ego. Dear Lord this is my prayfrom the bottom of my heart to your divine lotus feet… (4)







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32

8 hkøk : økkuze

nrh rçkLk fkuE Lk íkuhk


nrh çkeLk fkuR Lk íkuhk, Mk{s Lkh nrh çkeLk fkuR Lk íkuhk.

[kh rËLkfe [ktËLke çkeíku, ykøku çkkuík ytÄuhk. Mk{s. 1

{Lkw»Þ Ëun ËÞk fhe ËeLke,íkkíku [uík Mkðuhk,

yçkfku yðMkh ¼q÷ òÞuøkku, Mknuøkku Ëw:¾ ½Lkuhk. Mk{s. 2

¼hík ¾tz {æÞu sLk{ rËÞku ni, ßnkt «¼w «økx çkMkuhk,

LkhLkkhkÞý Lkk{ hxý fhe, Ãkkh fhku ¼ð Vuhk.. Mk{s. 3

fk{ ¢kuÄ {Ë ÷ku¼ {kLk íkS, nku MktíkLkfk [uhk,

{wõíkkLktË fnu {nkMkw¾ Ãkkðu,{kLÞ çk[Lk áZ {uhk.. Mk{s. 4

MktíkLku søkík{kt fÁýkLke {qŠík fnuðk{kt ykðu Au, fkhý fu ðøkh

MðkÚkuo yLku ðøkh fkuR Ãký «fkhLkk MktçkÄu íkuLkk ÓËÞ{kt Mkns Mðk¼krðf

fÁýk Sð {kºk WÃkh WÃksu Au. ykðe fÁýk yLku ËÞk su{Lkk rË÷{kt

n{uþk rLkíkÞko s fhu Au yuðk Au. ykÃkýk {wõíkkLktË Mðk{e íkuÚke s íku{Lku

¼økðkLk ©eMðkr{LkkhkÞýu MkíMktøkLke {kíkkLkwt çkeÁË ykÃku÷ Au. su{ {kt

Lku ÃkkuíkkLkk MktíkkLk WÃkh Mðk¼krðf MLkunLkk fkhýu ËÞk nkuÞ Au. íku{ Sð

{kºk WÃkh fÁýkÿo ËÞk ðk¤k {wõíkkLktË Mðk{eLku søkíkLkk SðLku {kÞkLkk

{kun {kt VMkkÞu÷ òuRLku íkuLku {kÞk{kt Úke Wøkkhðk {kxu fÁýkLkku ytfwh

Vwxe LkeféÞku yLku íku{Lkk {w¾{kt Úke yk rËÔÞ þçËku MVwhkÞ{ký ÚkÞk su

Sð {kºkLku [uíkðýe ÁÃk Au.yk MktMkkh{kt sux÷k Ãký MktçkÄku Au, íku çkÄk

s søkíkLkk MðkÚko {kxu s Au. Mkk[ku yLku rLkMðkÚko MktçkÄ òu fkuR nkuÞ íkku

íku yuf s ©enrhLkku Au. {kxu nu Lkh {Lkw»Þ (Sð) íkqt Mk{S rð[kh fheLku

òuR ÷u. [kh rËLkfe [ktËLke yÚkkoík ßÞkt MkwÄe ÞwðkLke nþu, MkkÁ ÄLk

f{kíkku nþu, íÞkt ÷øke Mkki fkuR Mkøkk yLku MkçktÄe Úkðk ykðþu. ßÞkt

ÞwðkLke sþu ÄLk sþu ÃkAe fkuR Mkøkku Úkðk Lkne ykðu fu MkçktÄe Úkðk Lkne

ykðu. íÞkhu íkku Võík Lku Võík ©enrhLkk [hýu sðk rþðkÞ fkuR ykþhku







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Sarth Kirtnavali

33

8 RAAG : GODI PAD

HARI BIN KOYI NA TERA


Hari bin koyi na tera samaj nar hari bin koyi na tera.Chaar dinki chaandani bite, aage bot andera-samaj 1.

Manushya deh daya kari dino, taate chet savera,Abko avasar bhul jaayego, sahego dukh ghanera-samaj. 2

Bharat khand madhye janam diyo he, jaha prabhu pragat basera,Nar narayan naam rattan kari, ppar karo bhav fera - samaj. 3

Kamm krodh mad lobh mann taji, ho santan ka chera,iMuktanand kahe mahasukh paame, maan vachan dradh mera. 4

Saints are called the idols of compassion, because without any self-interest or any associations they show immense amount of compassionfrom their heart to all the Souls. Our Muktanand Swami was one of thesegreat Saints that had immense amount of compassion and mercy flowingfrom his heart towards other Saints and Devotees. This is why ShreeSwaminarayan Bhagwan gave him the entitlement Mother of the Satsang.Muktanand Swami had that amount of compassion flowing from his heartthat when he saw a soul engrossed in the darkness of ignorance or theWorldly pleasures that mercy will flow from his heart and he would teachthe ignorant soul the right path. Just like a mother teaches their own childwhat is right from wrong, the same way Muktanand Swami would guidethe ignorant soul upon the right path by discoursing this hymn to them.The divine composition and the structuring of the words of this particularhymn drive an arrow straight in to our hearts. These are the sort of wordShree Muktanand Swami has used in this particular hymn.

All the associations we have with relatives, friends, people of thisWorld and mundane Worldly objects are fabricated inside our self to fulfilla particular need. If we truly care and love someone, that love should bebased upon unselfish needs. The true selfless and purposeful relationshipyou can have is only with Shree Hari. Therefore Dear Soul! Contemplateto yourself what is true love and unselfish love. The love and affectionwe have towards our Worldly relations last only until you have youth onyour side and wealth and once these are gone, no one will want to keepattachment or relationship with you. The only person who is always goingto be with you in your wholesome time and unscrupulous times is ShreeHari himself. Therefore always be alert and remember why we haveobtained this human body. It is a useful tool to realize and understandShree Hari, makes sure you do not waste this valuable gift bequeathed to







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34

s ™rn hnu. {kxu Mkðuhk íkqt [uíke ò suÚke ËÞk fheLku íkLku ykÃku÷ yk

{Lkw»Þ Ëun íkuLku MkkÚkof fhe ÷u. Vhe ðkh ykðku {Lkw»ÞLkku Ëun {¤ðku çknw

Ëw÷o¼ Au.íku{kt Ãký yk ¼hík ¾tz{kt íkLku sL{ {éÞku Au fu ßÞkt «íÞûk

«økx «{ký ¼økðkLk ©eLkhLkkhkÞý rðhksu Au. su{Lkk Lkk{ hxý

fhðk {kºk Úke {kÞk Lkk Ëw:¾ {kºk Úke íkkhku Awxfkhku Úkþu yLku ßL{

{]íÞwLkk VuhkÚke Awxfkhku {¤þu. {kxu nu Sð fk{, ¢kuÄ, {Ë, ÷ku¼ yLku

{kLk Lkku íÞkøk fheLku òu íkqt ©eLkhLkkhkÞýLkku yk©Þ fheLku ¼sLk fheþ

íkku ¼ðs¤ Ãkkh Ãkk{eLku Ãkh{kí{kLkk Ä{{kt sRþ yu{ {wõíkkLktË Mðk{e

MkkiLku MkkðÄkLk fhíkkt yk ÃkË{kt fnu Au.

9 hkøk : Mkk{uhe

nrh ¼síkkt Mknw {kuxÃk


nrh ¼síkkt Mknw {kuxÃk Ãkk{u sL{{hý Ëw:¾ òÞu hu,

ÃkkhMk ÃkhMke ÷kun ft[Lk ÚkR, {ku½u {q÷u ðu[kÞ hu. nrh. 1

{wrLk LkkhËLke òík Lkk òLkwt, ËkMkeÃkwºk søk òýu hu,

nrhLku ¼S nrhLkwt {Lk fuðkýkt, ðuË Ãkwhký ð¾kýu hu.. nrh. 2

hkÄkS yrík «u{ {økLk ÚkR, Wh ÄkÞko røkhÄkhe hu,

nrhðh ðhe nrh íkwÕÞ ÚkÞk, suLkwt ¼sLk fhu LkhLkkhe hu.. nrh. 3

~Þk{¤eÞkLku þhýu su ykðu,íkuLkk íku ¼ðËw:¾ ðk{u hu,

{wõíkkLktËLkk LkkÚkLku {¤íkkt, y¾tz yu ðkíký Ãkk{u hu. nrh. 4

{kLk MkL{kLk søkíkLkk Sð {kºkLku {u¤ððkLkwt MkËk {Lk{kt hÌkk fhu

Au. íkuÚke {wõíkkLktË Mðk{e fnu Au fu nu Sð òu íkkhu Mkk[w {kLk fu {kuxÃk

{u¤ððe nkuÞ íkku ©enrhLkwt ¼sLk fhe ÷usu íku{kt Mkki «fkhLke {kuxÃk íkLku

{¤þu. fkhý fu íkuðeLkk sL{ {hýLkwt Ëw:¾ çkeò fkuR WÃkkÞu fheLku sðkLkwt

LkÚke.su{ ÃkkhMk {ýeLkk MÃkþoÚke ÷ku¾tz MkkuLkwt ÚkRLku {kuxe fª{ík yÚkkoík

{kLk {u¤ðu Au. íku{ ¼sLkLkk MÃkþoÚke suðe heíku LkkhË {wrLk yuf ËkMkeLkk

Ãkwºk nkuðk Aíkkt ¼sLkLkk «íkkÃku fheLku MktMkkh{kt MkkiÚke {kuxwt {kLk ¼økðkLkLkk







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Sarth Kirtnavali

35

you. It is extremely difficult or almost impossible to get such human bodyin the Scriptures it describes the human body to be priceless. You havebeen given this priceless human body and by the grace of Bhagwan youare born in Bharatkhand. Bharatkhand is the land where the ever residingomnipresent Shree NarNarayan Bhagwan is present. It is the only landwhere Bhagwan manifest himself and the land of great Saints. Just recitingthe name of the omnipresent Shree NarNarayan Dev will relieve you fromall your sorrows generated by the Worldly desires and also from therepeated births and deaths we. Therefore O Soul! You should surrenderyourself to the lotus feet of Shree NarNarayan Dev leaving all of yourdesires, anger, proudness, greed, ego and worship Shree NarNarayan Dev.You will be relieved from the grief from this World and obtain the heavenabode of Brahmadham. This is why Muktanand Swami is alerting all thesouls in this hymn.

9 RAAG : SAMERI

HARI BHAJTA SAHU MOTAP


Hari bhajata sahu motap pame janmamaran dukh joye re,Parash parshi loh kanchan thai, modhe mule vechay re. Hari. 1Muni naradni jat na janu, dashiputra jag jane re,Harine bhaji harinu man kevana, ved puran vakhane re. Hari. 2Radhaji ati prem magan thai, ur dharya girdhari re,Harivar vari hari tulya thaya, jenu bhajan kare narnari re. Hari. 3Shyamaliyane sharne je ave, tena te bhav dukh vame re,Mukahantnandna nathne malta, akhand e vatan pame re. Hari. 4

All the souls of this World have the utmost desire to achieve recognitionand honor. That is why Muktanand Swami discourses that Dear Soul! If youwant to achieve the true honor and the everlasting respect you should worshipand serve the lotus feet of Almighty Shree Hari. Just by performing thesetasks you will obtain true greatness. The sorrow you obtain from the cycleof birth and death will not end by any other therapy. This sorrow and theachievement of great honor you will obtain only by worship of Shree Hari.When the Philosopher’s stone touches Iron, the iron gets converted into goldand is sold very high price. The same way a devotee doing the devotion serviceof Shree Hari will obtain great honor and respect. Just like the great devoteeNarad Muni, he was born in a servant’s house to a servant maid, but byworshipping Lord Shree Hari he received great respect and honor from theScriptures and Saints, they had to classify him as being the mind of Bhagwan.Dear Devotee! If you take refuge under the devotional umbrella then youwill obtain greater respect and honor then even Naradji obtains throughout







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36

{Lk nkuðkLkwt {u¤ðu Au. íku{ íkqt Ãký òu ¼sLkLkku yk©Þ fheþ íkku yuÚke Ãký

rðþu»k {kLk yLku MkL{kLk {u¤ðe þfeþ.suðe heíku hkÄkS yu ¼økðkLkLku

«u{ fÞkuo íkku MðÞt ¼økðkLkLke su{ íku{Lku ÷kufku ¼sðk {tzâk Au. yux÷wt

{kuxwt {kLk {kuxÃk ¼sLkLkk «íkkÃku fheLku {¤u Au.~Þk{¤eÞk Ãkh{kí{kLkk

þhýu ykðu íkuLkk ¼ð Ëw:¾ {kºk Lkkþ ÚkkÞ Au. {wõíkkLktË {wrLk fnu Au yu

LkkÚk Lku {¤þku íÞkhu yk ðkík Lkwt hnMÞ Mk{sðk{kt ykðþu.

10 hkøk : økhçke

{kunLkLku øk{ðkLku EåAku {kLkLke


{kunLkLku øk{ðkLku EåAku {kLkLke,

íÞkøkku Mkðuo sqXe {LkLke xufòu.

ÃkríkðúíkkLkku Ä{o y[¤ fhe Ãkk¤òu,

nrh[hýu hnuòu yçk¤k ÚkR Auf òu {kunLk. 1

ð¤e yuf ðkík fnwt Awt yrÄf rððufLke,

Mkkt¼¤ çkuLke íkkhk Mkw¾Lku fks òu.

nrhsLk Mktøku hk¾ku Ãkqhý «eíkze,

íÞkøkku {Ë {íMkh sqXe fw¤÷ks òu {kunLk. 2

Mkw¾ËkÞf íkwt òýu MkwtËh~Þ{kLku,

yrík Ëw:¾ËkÞf {Lk ÃkkuíkkLkwt òýòu.

{wõíkkLktËLkku LkkÚk {økLk ÚkR Mkuðòu,

Mk{S rð[khe çkku÷ku y{]ík ðuý òu. {kunLk. 3

MktMkkhLkku MktçkÄ fuðku {kÞk¤w Au, yLku fuðku MðkÚko ÃkhkÞý Au. íkuLku

Mkk[k yÚko {kt òu Mk{sðwt nkuÞ íkku yk {wõíkkLktË Mðk{eLkk þçËku WÃkh

¾kMk rð[kh fhðk suðku Au.ÃkkuíkkLkku Ãkwºk MktMkkh AkuzeLku ¼økðkLkLkwt ¼sLk

fhu íku{kt þk†ku yu{ fnu Au fu yufkuíkuh ÃkuZeLkku WæÄkh fhu Au. rËfhku

f{kRLku ÷kðu íkku yuf ÃkuZe Mkw¾uÚke hne þfu Ãký òu ¼økðkLkLkk þhýu òÞ

íkku yufkuíkuh ÃkuZeyku MkwÄeLkkLku Mkw¾uÚke hnuðk {¤u Au.Ãkhtíkw {kÞkLkwt çktÄLk







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Sarth Kirtnavali

37

his life time. Similarly if you follow the path of dedication and worship shownby Radhaji towards Lord Shree Krishna. What mammoth task did Radhajiaccomplish that today millions of people worship her the same way theyworship Lord Shree Krishna. Radhaji just performed a minute task of justloving Bhagwan as a husband and she obtained this great honor that her nameis pronounced before Lord Shree Krishna himself. That Great Almighty Soul,the one with the dark complexion, Lord Shree Hari whomever takes refugeunder him and surrender themselves to his divine lotus feet. That Lord isthat merciful that he will relinquish all yours sorrows right from the roots.Muktanand Muni says that this secret will only be revealed to you only whenyou physically meet the Almighty Lord Shree Hari in his true form.

10 RAAG : GARBI

MOHAN NE GAMVA NE ICHHO MAANNI


Mohan ne gamva ne ichho maanni,Tyaago sarve jutthi man nee tek jo,

Pativrata no dharma achal kari ppalji,Hari charne rahejo abala thai chhek jo. mohan... 1

Vali ek vaat kahu chhu adhik vivekni,SaambhalR beni taara sukhne kaaj jo.

Harijan sange raakho puran pritadi,tyago mad matsar juthi kul laaj jo. mohan... 2

Sukhdaayak tu jaane sundar shyaamne,ati dukhdaayak maan potaanu jaan jo

Muktaanand na naath magan thai sevjo,samji vichaari bolo amrut ven jo. mohan....3

If one truly wants to understand how powerful that Darkness of IgnoranceMaya really is, the false sense of security it brings, the attachment it brings tofriends and relatives, we have to pay great attention to the words Shree MuktanandSwami has discoursed in this hymn. If your only Son wants to renounce the Worldlypleasures of society and wants to dedicate his life to serve and worship the AlmightyShree Hari. Would we give him permission to leave? Scriptures discourse that ifone member of your family becomes a true devotee of Shree Hari then 71generations of that devotee will obtain Salvation. When our son and daughter askus for permission to enter the Sainthood would we let them depart? In our mindswe would think that forget about the 71 generations if that sin and daughter startto work and whatever salary they earn they surrender to us then we will be happy.Look at how selfish we are! On one side we have our son or daughter who can giveSalvation to 71 generations and on the other side our selfish needs I need themhere to take care of us. Which one would you choose? This is how strong ourattachment is to our family that we cannot contemplate logic. We do not think







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38

yuðwt Au fu yk ðkík òýíkkt nkuðk Aíkkt MðkÚkoLkk fkhýu {kíkrÃkíkk ÃkkuíkkLkk

MktíkkLkLku Akuze þfíkkt ™Úke. yuLku ÃkkuíkkLke su{ s MktMkkhLkk çktÄLk{kt òuíkhu

Au. ynª Ãký yuðwt s ftRf çkLÞwt Au. {wõíkkLktË Mðk{eyu MktMkkh Akuzâku

{kíkkrÃkíkk Lke Mk{òðx fk{ Lk ÷køke íÞkhu çknuLk yuLk ¼kRLkk Ãkrðºk

MLkun Lkku WÃkÞkuøk fhðkLkwt rð[krhLku çknuLkLku {Lkkðk {kxu {kufÕÞk íÞkhu

Mðk{eLkk {w¾{ktÚke su þçËku yLkkÞkMku rLkMkhe Ãkzâk íku Sð {kºkLku

WÃkÞkuøke ÚkR Ãkzu íkuðk Au.

nu {kLkwrLk {kLkLkeÞ çknuLkkS ík{khe {LkLke çkÄe EåAkykuLkku

íÞkøk fhe yuf {kunLk (Ãkhçkúñ Ãkh{kí{k ¼økðkLk ©enrhLku) øk{íkk{kt

hnuðkLkku MktfÕÃk fhku fkhý fu yk çkÄe søkíkLke {kÞk ¾kuxe Au yLku

Lkkþðtík Au. {kÞkLkk çktÄLk Ëw:¾ ËkÞ fAu. Mkk[w Mkw¾ íkku Ãkh{kí{kLkk

þhýu s Au. yLku Ãkh{kí{kLkk þhýu íkku s hnuðkÞ òu ÃkkuíkÃkkuíkLkk Ä{kuo

Mkkhe heíku Ãk¤kÞ íkku þhýu xfe þfkÞ Au. íkuÚke fnu Au nu çkuLkk ík{ku

ÃkríkðúíkkLkku su Ä{o Au íkuLku Mkkhe heíku Ãkk¤þku íkku Ãký ík{khk WÃkh

Ãkh{kí{kLke f]Ãkk Wíkhþu yLku ytíku yûkh Äk{Lke «kró Úkþu.yLku rðþu»k

MktMkkhef MkçktÄkuLku {kÞkLkk çktÄLkku òýe íku{ktÚke MLkun íkkuze ¼økðkLk yLku

¼økðkLkLkk r«Þ ¼õíkku MkkÚku Mkk[ku MLkun fhòu íku{kt s ík{kÁ rník Au.

Sð {kºkLku Mkw¾ ykÃkLkkh yuf ¼økðkLk s Au yLku Ëw:¾ ykÃkLkkh íkku

ÃkkuíkkLkwt {Lk s Au. {kxu {LkLke çkÄe EåAkykuLku yuf çkksw hk¾eLku

Ãkh{kí{kLku ¼S ÷uðk yus Mkk[ku rððuf Au. yk{ Mk{S rð[kheLku

MkkiLkk rníkLkk þçËku Lkku s WÃkÞkuøk fhðku Ãký fkuR«fkhu õ÷uþ ÚkkÞ íkuðwt

íkku õÞkhuÞ Ãký çkku÷ðwt Ãký Lkrn.

11 hkøk : økhçke

ðk÷k h{Í{ fhíkkt fkLk


Ônk÷k h{s{ fhíkkt fnkLk,{khu ½uh ykðku hu.

{khk Ãkwhk fhðk fkuz, nMkeLku çkku÷kðku hu. 1







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Sarth Kirtnavali

39

rationally because of our desires and selfish needs this is called Maya or Darknessof Ignorance. We have all experienced the unhappiness and sorrow of marriedlife; from our experiences we can truly say we were much happier as a bachelor orbachelorette, then why do we convince our loved ones our sons and daughters tojoin the group of sorrow and unhappiness.

During Muktanand Swami’s life a similar experience occurred. Parents havecome to convince Muktanand Swami to come home using parental love us theirweapon, when that did not work they used the love of brother and sister to convinceSwamji to come home. The relationship between brother and sister cannot bediscoursed by great poets that is how string their bond is between each other.Swamji’s parents have sent his sister to convince Swamji to come back home.Swamiji sister has requested an audience with Muktanand Swami from ShreejiMaharaj. Maharaj has smiled and has requested MukatanandSwami to meet withhis sister.

When both brother and sisters eyes met from Muktanand Swami’s heart thefollowing words started to flow. The words where not just discoursed to his sisterbut these words are that powerful that they benefit all the Souls.

Dear Lady! O my respected sister! Put aside all your emotions and desiresand follow the path laid down by of Mohan the Almighty Bhagwan Shree Hari.The pleasure of serving his divine lotus feet nothing in this World can compare tothat pleasure. All the pleasure upon this Earth and all the desires are perishable.Any pleasure upon this Earth is stagnated! The true pleasure is under the refugeof Lord Shree Hari, but it is only possible to obtain those divine feet by observingone’s duties as per ashrams. Swami discourses that O my Dear sister! To make theAlmighty Lord happy you should follow the path of a chaste woman. When youfollow this path of chaste the Almighty Shree Hari will become immensely happyupon you that he bless you with his most choicest blessings and you will obtainthe Divine Abode Akshardham. Realize to yourself that all relationships andattachments you have to family and friends sooner or later will perish, detachyourself away from this unhappiness and attach yourself to the divine love ofShree Hari and his beloved devotees. This is the truth and the truth is alwaysbeneficial to you! The Supreme Being Lord Shree Hari is the ultimate source ofhappiness and He provides that happiness to all the Souls. Who brings us sorrowand misery? Bhagwan is the abode of happiness, where there is happiness andpleasure can unhappiness reside. No! The source of unhappiness is nothing elsebut our mind and our emotions. Hence keep aside your desires and yearnings ofthe mind and with true emotion serve and worship the Almighty Shree Hari.

That is why we should always speak the truth, but thoughtfully (think beforeyou speak), use the appropriate words, which are beneficial to everyone, but weshould never speak words which may generate sorrow, confusion and causeconfrontation.

11 RAAG : GARBI

VAALA RUMJUM KARTA KAAN


Vaala rumjum karta kaan maare gher aavo re,Maara pura karva kod hasine bollavo re. 1







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40

{khu ík{ Mktøk ÷køke «eík, ~Þk{ Mkkunkøke hu,

{Uíkku ík{ Mktøk h{ðk fks, ÷ßò íÞkøke hu. 2

Ônk÷k yçk¤k WÃkh {nuh, fhòu {whkhe hu,

nwt íkku sL{kusLk{Lke LkkÚk, ËkMke ík{khe hu. 3

{khk «ký íkýk ykÄkh, «eík{ ÃÞkhk hu,

Ãk¤ hnku{kt Lkxðh LkkÚk, {wsÚke LÞkhk hu. 4

ykðku Akuøkkt {u÷eLku ~Þk{,Äzf{ Äkhku hu,

{Uíkku Vw÷zu Mk{khe Mkus, ~Þk{ MkwÄkhku hu. 5

Ônk÷k LkÞýkíkýwt V¤ LkkÚk, {wsLku ykÃkku hu,

{wõíkkLktË fnu {nkhks, Ëw:¾zk fkÃkku hu. 6

Sð {kºkLkku Mð¼kð Au fu ßÞkhu çknws Mkw¾ yÚkkoík ÄLk ÄkLÞ

{kLk {kuxÃk {¤u íÞkhu ¼økðkLk Lk ÞkË ykðu Ãký ßÞkhu Ëw:¾ Ãkzu íÞkhu

íkku MkkiLku ¼økðkLkLke ÞkË hkºke rËðMk ykððk {ktzu Au. íkuÚke {kíkk

fwtíkkSyu îkrhfkrÄþ ¼økðkLk ©ef]»ý ÃkkMku yu{ {køÞwt fu nu «¼w {Lku

íkku MkËk Ëw:¾ s ykÃkþku fkhý fu Ëw:¾Lkk Mk{Þ{kt ík{u suðk ÞkË ykðíkkt

níkkt yuðk yk hkßÞÃkkx {éÞk ÃkAe ÞkË LkÚke ykðíkkt yLku Mkw¾ ði¼ðku

s ÞkË ykðu Au su ¾hu¾h Ëw:¾ ËkÞf Au. SðLku Mkk[w Mkw¾ ykÃkðk

ðk¤k íkku yuf ¼økðkLk s Au. MktMkkhLkk çkÄk s Ëw:¾ fkÃkeLku {kuûk ÁÃke

{nkMkw¾ ykÃkLkkh íkku yu ÃkhçkúñÃkh{kí{k s Au. íkuÚke þkherhf Ëw:¾

ykðe Ãkzu íÞkhu Ãký «¼wLku s «kÚkoLkk fhku fu nu «¼w s÷Ëe ykðeLku {khk

Ëw:¾zk Ëqh fhku. «Mktøk yuðku çkLÞku Au yuf Mk{Þu ¼økðkLk ©enrh Ãkkt[

Mkki Ãkh{ntMkkuLku MkkÚku ÷RLku ðzíkk÷ Vw÷Ëku÷ WíMkð su ¼økðkLk ©e

LkhLkkhkÞý Ëuð Lkku sL{kuíMkð fhðk {kxu síkkt níkkt hMíkk{kt ¼÷ «Ëuþ

ykÔÞku íÞkLke [efýe s{eLk{kt [k÷íkkt [k÷íkkt {wõíkkLktË Mðk{e Ãkze

økÞk yLku íku{Lkku Ãkøk ¼ktøÞku nðu [k÷e þfkÞ íku{ LkÚke íkuÚke ©enrhyu

hMíkk{kt ykðu÷ øk{{kt yuf nrh ¼õíkLkk ½hu Mðk{eLku hkufkR sðkLke

yk¿kk fhe yuLku fÌkwt ÃkkAk ykðeþwt íÞkhu ík{ku y{khe MkkÚku [k÷òu.







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Sarth Kirtnavali

41

Maare tam sang laagi prit shyam sohaagi re,

me to tam sang ramva kaaj lajja tyaagi re. 2

Vhaala abla upar maher karjo moraari re,

Hu to janmo janam ni naath dassi tamari re. 3

Maara Praan tana aadhaar pritam pyaara re,

Pal raho ma natyvar naav muj thi nyaara re. 4

Aavo chhoga meli ne shyam dhadak ma dhaaro re,

Me to fulde samaari sej shyam sudhaaro re. 5It is the common behavior among the mortals that when they

obtain sheer happiness meaning; wealth, grains, goodwill, theydo not remember God but when struck with grief and sorrowtheystart thinking of Bhagwan night and day. For that reason,Kuntamata asked king of Dwarika(Shree Krishna),"Oh Lord!Please always give me unhappiness, because in the times of sor-row I always think about You and in the times of happiness Icannot remember you. Only happiness and pleasures are remem-bered which are actually nauseating." God is the sole giver ofhappiness to souls. ParabhramPurshotam Narayan is the only onethat can relinquish the pains of this material world and in turngive eternal happiness-Salvation. Knowing that, even in case ofbodily pains, one should pray; Oh Lord! Please come soon andtake my pain away."

During Shreeji Maharaj time upon this Earth; Bhagwan ShreeHari along with His five hundred supreme Saints was going toVadtal to celebrate Phuldol Ustav which is also the birthday ofNar Narayan dev. On their way they entered Bhal state. Here walk-ing in the sticky, muddy road; Muktanand Swami slipped andfractured his leg. Now that he could not walk, Shree Hari askedhim to stay back at a devotee's house in a village which came ontheir way and said, when we return you can rejoin us. WhilstSwami was waiting for Lord Swaminarayan to return Swamijiwas praying was to Lord Swaminarayanto return soon. Swamji







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42

Mðk{e hkufkRLku ðkx òuíkkt níkkt íÞkhu «¼w ðnu÷kt ykðu íkuðe íku{Lke yk

«kÚkoLkk Au. ÓËÞLku MÃkþeo òÞ íkuðe Au. nu «¼w h{s{ fhíkkt ðnu÷kt

ykðòu yLku {Lku Ëw:¾Úke Lkrn Ãký nMkeLku çkku÷kðòu fkhý fu yk Ëw:¾

íkku þrhhLkwt Au. yLku íku þheh íkku Lkkþðtík Au. {khu íkku ík{khe MkkÚku «eík

çktÄkýe Au íkuÚke þhehLkk Ëw:¾Lke íkku {Lku r[Líkk s ™Úke.

12 hkøk : økhçke

MLkun¼Þko LkÞLku rLknk¤íkk nku..


MLkun ¼Þko LkÞLku rLknk¤íkk nku, ðtËLk ykLktË ½Lk~ÞkLku.

yr{{Þ áüeyu rLknk¤íkkt nku ðtËLk ykLktË ½Lk~Þk{Lku.

AÃkiÞkÃkwh{kt ðk÷ku ykÃku «økx ÚkÞk, Ä{o¼ÂõíkLku ½uh ykLktË WíMkð ÚkÞk.

MktíkkuLku ykLktË WÃkòðíkk nku.. ðtËLk. 1

çkk¤[rhºk fhe ykÃku ðLk rð[Þko, íkeÚkkuo{ktne Vhe Sðku ÃkkðLk fÞko,

Lke÷ftX Lkk{ Ähkðíkk nku.. ðtËLk. 2

ð÷f÷ ð† Ähe Ãkw÷nk©{u hÌkk, çkúñYÃk íkus fhe {kuxk òuøke ÚkÞk,

rLks MðYÃk Mk{òðíkkt nku.. ðtËLk. 3

÷kusÃkwh Äk{ hne MkhswËkMk fkðeÞk, MkðuokÃkhe ¿kkLk fne MktíkkuLku rhÍkðeÞk,

{wõíkkLktË «u{ Úkfe Ãkqsíkk nku.ðtËLk. 4

Mkðkoðíkkhe ÃkqýoÃkwÁ»kku¥k{ ¼økðkLk ©e Mðkr{LkkhkÞýu {Lkw»Þ

þhehu «økx ÚkRLku ykíÞtríkf {kuûkLkku {nk {køko «ðíkkoÔÞku íÞkh ÃkAe yk

{køko MkËkÞLku {kxu [k÷w hnu íku {kxu [kh økwZ MktfÕÃkku Ãkqýo fÞko

{nk{trËhLkwt rLk{koý su{kt Lkð Lkð {nk{trËhku rLk{koý fhkðeLku íku{kt

ÃkkuíkkLkk s rËÔÞ MðÁÃkkuLke MðÞt ÃkkuíkkLkk nMíku {qŠíkykuLke «ký «ríkck

fhe,Mkíþk†kuLke h[Lkk fhe yLku LktË Mktíkku ÃkkMku fhkðe.ykLke hûkk {kxu

ÃkkuíkkLkk s ðtþ Ä{oðtþ{kt yk[kÞo ÃkËLke MÚkkÃkLkk fhe yLku ¼køkðíke

{nkrËûkkLke ÃkhtÃkhk MÚkkÃke. yk rËÔÞ Mkt«ËkÞLke yrðåAeÒk ÃkhtÃkhk

MkËkÞLku {kxu rLkŠðÎLk [kÕÞk fhu íkuðe ÔÞMÚkkLkk MÚkkÃkLk {kxu s Mk{økú

Mkt«ËkÞLkk çku rð¼køk fÞko, W¥kh yLku Ërûký íku{kt W¥kh{kt rðhksíkkt







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Sarth Kirtnavali

43

could not tolerate the pain of being apart from Shreeji Maharaj. Itis a heart touching prayer. Oh Lord! Please return soon and callupon me with pleasant words and admiration, but not with sor-row and unhappiness because this pain is of the body and thisbody is life expectancy is short. I adore You and so I am not wor-ried about any pains associated with this body.

12 RAAG : GARBI

SNEH BHARYA NAYANE NIHAALTA HO


Sneh bharya nayane nihaalta ho, vandan aanand Ghanshyam ne,Amimay drashti ye nihaalta ho, vandan aanand Ghayshyam ne,

Chapaiayapur ma vaalo aape pragat thaya,Dharm-bhakti ne gher aanand utsav thaya

Santo ne aanand upjjavta ho. vandan. 1Baal charitra kari aape van vicharya,Tirtho maahi fari jivo paavan karya,

Nilkanth naam dharaavta ho. vandan. 2Valkal vastra dhari Pulhaashram rahya,Brahma rup tej kari mota jogi thaya,

Nijsvarup samjaavta ho. vandan. 3Lojpur dhaam rahi Sarjudas kaaviya,Sarvo pari gnaan dai santone rijaaviya,

Muktanand prem thaki pujta ho. vandan. 4

The Supreme Lord! Shree Swaminarayan Bhagwan mani-fested himself as a human and established the colossal path toSalvation. To insure this path remains openeternally LordSwaminarayan established five pillars for this path to stand on:Construction of Temples; during His reign on this EarthLordSwaminarayan constructed 9 Grand Temples and installed Idolsat these temples by His own Divine Hands. He composed theHoly Scriptures and also asked Saints to compose Holy Scrip-tures. To protect the Temples, Scriptures, Saints and His Phi-losophy He established Acharyas from His own lineage and







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44

çkÿeÃkrík ¼økðkLk ©eLkhLkkhkÞýËuð Ëuþ y{ËkðkË Lkk{Úke økkrËLke

yku¤¾ fhe yLku Ërûký{kt ©e÷û{eLkkhkÞý Ëuð Ëuþ ðzíkk÷ Lkk{Úke

økkrËLke yku¤¾ fhe, {kuxk ¼kR hk{«íkkÃkSLkk Ãkwºk yÞkuæÞk«MkkËS

yLku LkkLkk ¼kRLkk Ãkwºk h½wðehSLku Ë¥kf Ãkwºk fheLku çku økkrËLkk çku

yk[kÞkuo MÚkkÃÞk, íku{kt W¥kh rð¼køk hk{«íkkSLkk ÃkwºkLkk ¼køk{kt

©eLkhLkkhÞkýËuðLke økkrË ¼køk{kt ykðe íÞkhu {kuxk ¼kR fnu yhu

½Lk~Þk{S ík{uíkku {khk ÃkwºkLku Mkwfku «Ëuþ ykÃÞku. íÞkhu «¼w ©enrh

¼økðkLk ©e Mðkr{LkkhkÞý «MkÒk ÚkRLku çkkuÕÞk fu ¼÷u Mkwfku «Ëuþ Au

Ãký íku{kt nwt ¼u¤ku Awt.Ãký íku {kLÞ{kt fu{ ykðu ík{kuíkku økZÃkwh{kt s

ðÄkhu hnku Aku. íÞkhu yrík «MkÒk ÚkÞu÷k «¼w fnu Au fu nwt íkku {qŠík{kLk

y®n MkËk hrnþ, swyku y{u yk Lkð Lkð {nk {trËhku çkLkkðhkÔÞk íku{kt

©eLkhLkkhkÞý, ©e÷û{eLkkhkÞý, ©ehkÄkf]»ý ykrËf {qŠíkyku ÃkÄhkðe

Au, Ãký y{khe ÃkkuíkkLke {qŠík õÞktÞ ÃkÄhkðe LkÚke. fkhý fu ðirËf rLkÞ{

«{kýuÃkkuíkkLke s {qŠík {kt Ãkkuíku fuðe heíku «kýLkwt ykðknLk fhe þfu. íku íkku

Lk s ÚkR þfu þk†Lkku çkkÄ ykðu Au. íkuÚke y{khe {qŠík y{u òíku íkiÞkh

fhkðeLku ík{khk ÃkwºkLku ykÃkeþwt yLku íku{kt «ký «ríkck ík{khk Ãkwºk fhþu

yux÷u y{u íku {qŠík{kt MkËk «íÞûk rðhk{kLk hrnLku ík{khk ÃkwºkLke yLku

íkuLkk ykr©íkkuLke Mkðo «fkhu hûkk fheLku y{khk rËÔÞ yûkh Äk{{kt íkuze

sðk «økx «{ký rðhks{kLk hneþwt, yk y{khku ðh Au. ykðku ðh

ykÃkeLku MðÞt ©enrhyu ykÄkhkLktË Mðk{e yLku fåA¼qsLkk MkwtËhS¼kR

MkwÚkkhLku yk¿kk fheLku ÃkkuíkkLke MkkÚku y{ËkðkË çkku÷kÔÞk yLku suðwt ÃkkuíkkLkwt

MðÁÃk Au íkuðwt s Lk¾ rþ¾ ÃkÞOík Mkk{u W¼khrnLku {kÃk ykÃkeLku {qŠík

íkiÞkh fhkðe fkheøkhku MkwtËh ©uü Mkw¾zLkk fkü{ktÚke yk¾ku rËðMk {qŠík

ftzkhðkLkwt fk{ fhíkkt íku{kt fkuRf ytøkLkku ykfkh ykÃkðk{kt f[kMk hne

òÞ íkku hkºkeLkk Mk{Þu ©enrhLke yk¿kkÚke ËuðkuLkk rþÕÃke rðïf{ko

ykðeLku íku f[kMkLku Ãkqýo fhe ykÃkíkkt yk{ yrík MkwtËh ©e½Lk~Þk{

{nkhksLke {qŠík íkiÞkh ÚkR íkuLkwt æÞkLk Mkki Mktíkku ¼õíkku yLku ykrË yk[kÞo







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Sarth Kirtnavali

45

also established the tradition of initiation. In order to ensurethat the tradition of this Divine sect continues forever withoutany hindrance, He divided the entire sect in two parts: Northand South. Among them, He acquainted the North by the nameNarNarayanDev region, Ahmedabad; where the King ofBharatkand (ASIA) and Badrikashramreside. And He acquaintedthe South by the name Lakshmi Narayan Dev region, Vadtal.He adopted Ayodhyaprasadji; the son of his older brother,Rampratapji and Raghuvirji; the son of younger brother,Iccharamji and announced them as Acharyas of both the thrones.When Rampratapji’s son His Holiness Ayodhyaprasadji Maharajreceived NarNarayanDev region as his share; Rampratapji com-plained, “Oh Ghanshyam! You gave my son a desert region!”Atthat time Shree Swaminaryan Bhagwan happily said, “be it adesert region, I am present along with it.” But how can onebelieve that? You reside in Gadhada for most of the time. Atthat time Shreeji Maharaja who was extremely elated said, “I’llalways reside here in the idols and protect your son and hisfollowers from all the obstacles and I’ll always be present totake them all to my heaven abode Akshardham. This is myboon. Having given this boon Shree Hari himself ordered andtook along with Him Adharanand swami and Sunderjibhai ofKutch Bhuj to Ahmedabad. He stood in front of them to takemeasurement of his form from his hair to toe and prepare anidol accordingly. The laborers used appropriate Sukhad woodand worked on sculpting the idol all day long. If there happenedto be a defect in shaping any part of the body then at nightVishwakarma, the sculptor of the Devtas(demi-gods) wouldhimself appear with the consent of Shree Hari and fix thedefects.

And thus, a very attractive idol of ShreeGhanshyamMaharaj was ready. All saints and devotees and even formerAcharya, Ayodhyaprasadji started meditating upon this idol of







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46

{nkhks ©e yÞkuæÞk«MkkËS Ãký fhðk ÷køÞk. yk {qŠíkLkk æÞkLk

{kºkÚke ¼õíkkuLku Ãkh{kí{kLkk sL{Úke «kht¼eLku yãkrÃk ÃkÞOík MkwÄeLkk

rËÔÞ [rhºkkuLkk «íÞûk Lkk ËþoLk Úkðk {tzâk íkuÚke Mk{økú MkíkMktøk{kt íkuLke

ðkíkku Úkðk ÷køke íku Mkt¼¤eLku {kuxuhk Mktíkku yLku nrh¼õíkku ËþoLkkÚkuo

ykððk ÷køÞk. íku{kt yuf ð¾ík Mk.økw. {wõíkkLktË Mðk{e Ãký ÃkkuíkkLkk

rþ»Þ {tz¤ Mkrník ÃkÄkÞko yLku {qŠíkLkk ËþoLk fhíkkLke MkkÚku íku{Lkk frð

ÓËÞ{ktÚke yk yrík {Äwh þçËku MVwxe rLkféÞk. ÃkkuíkkLkk Eü Ëuð Lkk

LkÞLkku{kt fuðku yøkkÄ MLkun ¼Þkuo Au, íku yk{qŠíkLkk LkÞLkku{kt áüe fheyu

íÞkhu ¾çkh Ãkzu Au. MLkun yLku ÷kðÛÞíkkLke yk Mkkûkkík {qŠík íku {qŠík s

Au. ykðku rLkËkuou»k «u{ íkku Ãkh{kí{kLkk çkk÷ MðÁÃk{kt s nkuÞLku yLku

Ãkh{kí{kLkk çkk¤ ÃkýLkwt Lkk{ íkku ½Lk~Þk{ Au íkuÚke {wõíkkLktË Mðk{eyu

yk {qŠíkLke ðtËLkk ½Lk~Þk{Lkk Lkk{Úke s fhe íÞkhÚke ¼økðkLk

©eMðkr{LkhkÞýLke yk rËÔÞ {qŠíkLku Mkki ¼õíkku ½Lk~Þk{ Lkk{Úke Ãkwfhkðk

÷køÞk.íku Lkk{Lkwt s hxý yLku ¼sLk fhðk ÷køÞk. fkhý fu yk Lkk{Lkwt

hnMÞ íkku {wõíkLktË Mðk{e suðk fkuRf s òýíkkt níkkt. MknòLktËMðk{e,

LkkhkÞý{wrLk,MkhÞwËkMk,nrh,f]»ý, nrhf]»ý,rLk÷ftX, Mðkr{LkkhkÞý

ykðk Lkk{ku íkku «rMkæÄ níkkt Ãký ÃkkuíkkLkwt ½Lk~Þk{ yuðwt Lkk{ Ãký Au íku

fkuRLku õÞkhuÞ fÌkwt s Lk níkwt. yuðwt yk yrík yËT¼qík [{ífkhef

Ãkh{kí{kLkwt ðkn÷wt ðkn÷wt nw÷k{ýwt Lkk{ ½Lk~Þk{ yk htøk {nku÷{kt

rðhks{kLk {qŠíkLkk ËþoLk fhíkkt s {wõíkkLktË Mðk{eyu «fkþeík fhe

ykÃÞwt Au, su yks rËLk MkwÄe yMktÏÞ ¼õíkkuLku hkusu hkus Lkðk Lkðk Ãkh[k

yLku [{ífkhku Lkk ËþoLk fhkðeLku ÃkkuíkkLkk MðÁÃkLkku áZ rLkùÞ fhkðu Au.

yk {qŠík MkL{w¾ ykðe fkuR Ãký ÔÞÂõík Míkwrík «kÚkoLkk yLku feíkoLk økkÞ

Au íkuLku yð~Þ «íÞûk ©enrhLkk ËþoLk ÚkkÞ Au. {wõíkkLktË Mðk{eLke su{

s rËÔÞ yLkw¼qrík ÚkÞk ðøkh hnuíke LkÚke. fkuR ¼õík Mk.økw. çkúñkLktË

Mðk{eLku ykÃku÷ ðhËkLk «{kýuíku{Lke h[LkkLkk yufMkki feíkoLkku økkRLku

Mkt¼¤kðu íkku íkífk¤ ©e ½Lk~Þk{ «¼w ÃkkuíkkLkk yíke Ëw÷o¼ rËÔÞ ËþoLk







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Sarth Kirtnavali

47

ShreeGhanshyam Maharaj. By meditating on this idol ofGhanshyam Maharaj the saints and devotees started to experi-ence live vision of GhanshyamMaharaj’s past times (Leelas)from His birth to present day which became a topic of discus-sion within the whole fellowship. Hearing this talk highlyrespected Saints and devotees started coming for the glimpse ofthis divine idol. On one occasion even Muktanand swami alongwith his fellow student saints had arrived and no sooner didtheyobserve this idol; these sweet words gusted out of hispoetic heart. One can understand the love filled in the eyes ofGod when one looks at the eyes of this idol. Such innocent lovehas to be in child-like idol of God and Ghanshyam being thechildhood name of God, Muktanand swami bows down to thisidol by the name of Ghanshyam. As of that event, all devoteesstarted addressing this divine idol of Lord Shree Swaminarayanby the name ofGhanshyam Maharaj. They started hymningpraying on this name. The secret of this name was known onlytoo few like Muktanand swami. The names like SahajanandSwami, Narayan Muni, Sarjudas, Harikrishna, Neelkanth, ShreeSwaminarayan were the well-known but He had never toldanyone that He adorned the name Ghanshyam too. Thus thisvery unique miraculous, lovable and dear name Ghanshyam ofGod was revealed by Muktanand Swami at Rangmohal(Ahmedabad) while having the divine glimpse of the idolwhere as of date this idol proves new miracles every day tonumerous devotees building strong faith of His form. Whoeverprays sings glories, devotional songs in front of this idol, surelygets the live vision of Shree Hari. One cannot fail to experiencethe divinity experienced by Muktanand swami. If any devoteerecites 100 stanzas of devotional songs composed byBrahmanand Swami, then according to the boon given toBrahmanand Swami, Shree Ghanshyam will immediately give







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48

y[wf yks Ãký ykÃku Au. «kf]ík fu MktMf]ík ¼k»kkLkk yüfku fu su{kt

¼økðkLk ©enrhLke MkðkuoÃkhe WÃkkMkLkk yLku {qŠíkLkwt íkká~Þ ðýoLk nkuÞ íkuLkwt

økkLk fhðk ðk¤kLku ©e½Lk~Þk{ «¼w ÃkkuíkkLkk rËÔÞ MðÁÃkLkwt y¾tz Mkw¾

ykÃku Au.íkuLkku yLkw¼ð fhðku nkuÞ íkku yufkË ð¾ík yð~Þ Mkðkhu

{tøk¤kLkk ËþoLk fhkðk ykððwt yLku yufkË f÷kf yk rËÔÞ {qŠíkLkk

ËþoLkLkwt Mkw¾ {kýðwt. SðLk ÄLÞ çkLke sþu. yuðk MktíkkuLku hesððk ðk¤k

yk MðÁÃkÚke {wõíkkLktË Mðk{eLku suðku ykLktË ÚkÞku Au íkuðku ykLktË

ykðLkkh MkkiLku yk htøk{nku÷{kt rðhkSLku ©e½Lk~Þk{ «¼w ykÃku Au. íkku

yk yðMkh [wõÞk suðku LkÚke s.

13 hkøk : økkuze

LkhLkkhkÞ Mðk{e...


LkhLkkhkÞý Mðk{e, {uhu rþh LkhLkkhkÞý Mðk{e,

rn{íÞ Mkrník {kunË÷ {kÁ, íkku Mkk[k rLk»fk{e.. {uhu. 1

fk{ ¢kuÄ {Ë ÷ku¼ {uðkMke, fknwtfe þtf Lk ÷kðu,

yçk RLkrf sz{w¤ W¾kÁt, çknkurh Lk rþþ WXkðu. {uhu. 2

fh økwÁ ¿kkLk ¾zøk÷u rLkþrËLk, {kun Vkus Mkçk {kÁt,

hýMku Ãkkð ÄÁt Lkrn ÃkeAk, rn{ík fçknw Lk nkÁt.. {uhu. 3

{kun "Ãkt[e {kÁt hýçke[. Mkçk Íøkzk {ex òR,

{wõíkkLktË {økLk hnwt nrhMktøk, [hLk f{¤ ÷ÃkxkR.. {uhu. 4

MktæÞk Mk{Þ ÚkkÞ yux÷u søkíkLkk çkÄks fkÞkuoÚke rLkð]r¥k ÷RLku

ykæÞkÂí{f {køko íkhV «Þký fhðk Lke íkiÞkhe fhðk {kxu MkkiLku ykðknLk

yÚkkoík yufXk fhðkLkku «ÞíLk fhðku íkuLkwt Lkk{ økkuzeLkk ÃkËku.yk ÃkËku

økkRLku søkíkLkk Sð {kºk Lku ¼økðkLk íkhV ÷R sðk {kxu òøkúík

fhðk{kt ykðu Au. yk{ íkku økkuze yux÷u AtË þk† «{kýuyuf hkøk yux÷u

fu AtËLkwt s Lkk{ Au. Ãkhtíkw íkuLkku fÞk Mk{Þu WÃkÞkuøk fhðku yLku þk ? {kxu

WÃkÞkuøk fhðkku íku ½ýw s {n¥ðLkwt Au. su{ fux÷kf hkøk «¼kík{kt s







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Sarth Kirtnavali

49

His rare darshan without fail. Whosoever recites verses inSanskrit or local language which narrate supreme faith andactual description of the form of Shree Hari; Shree Ghanshayamgives them permanent bliss of his form. To experience this oneshould arrive for the morning Aartiand indulge into the happi-ness derived from this idol at least for an hour. (Your) life willbecome divine. The form of God that pleases the Saints, ShreeGhanshyam, will surely deliver happiness to everyone whocomes just like it did to Muktanand swami. So don’t miss thisopportunity!

13 RAAG : GARBI

NARNARAYAN SWAMI....


Narnarayan swami, mere shir narnarayan swami,Himtya sahit mohadal maru, to sacha nishkami... mere. 1

Kam krodh mad lobh mevasi, kahuki shak n lave,Ab inki jadmul ukharu, bahori na shish uthave. mere. 2

Kar gugu gyan khadgale nisdin, moh foj sab maru,Ranse pav dharu nahi picha, himat kabhu na haru. mere. 3

Moh panchi maru ranbiy, sab zagada mit jai,Muktanand magan rahu harisang, charan kamal laptai. mere. 4

When the Sunsets, it is the time when all living beings retirefrom Worldly affairs and become engrossed in religious activi-ties. Godi pads are created to invite and gather everybody tobecome devote in religious activities. These stanzas are sung toalert people to devote their time to Bhagwan. Normally,Godipads (stanzas) areverses that should only be sung in theevening this is proclaimed in the Scriptures. There are manysongs written by our Divine Saints and it is important to know







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50

økkðk fu Mkkt¼¤ðk Mkkhk ÷køku Au, íku{ s yk hkøk Ãký MktæÞk Mk{Þu

økkðkLkku hkøk Au. yLku íku hkøk{kt Ãkh{kí{kLkk økwý yLku yiïÞoLkwt økkLk

fheLku søkíkLkk SðLku ¼økðkLk íkhV ¾U[e ÷kððkLkku «ÞíLk fhðkLkku Au.

ykÃkýk LktË Ãkh{ntMkkuyu ykðk økkuzeLkk ½ýk s ÃkËkuLke h[Lkk fhe Au,

íku ÃkËku{kt Úke s\h yufkË ÃkË hkus MktæÞk Mk{Þu ykhíke Ãknu÷k yð~Þ

økkðkLke ÃkhtÃkhk ykÃkýk Mkt«ËkÞ{kt Au.

íku{kt ¾kMk fheLku {wõíkkLktË Mðk{e, çkúñkLktË Mðk{e yLku «u{kLktË

Mðk{eLkk ÃkËku yrík ÃkkðLk fkhe Au. íku{kt Úke yk ÃkË {wõíkkLktË Mðk{eLkw

ykÃkýu Lku ½ýwt fne òÞ Au. íkuLkku rð[kh fhðku hÌkku. ¼økðkLk

©eMðkr{LkkhkÞýu ð[Lkk{]ík øk.«.Lkk 48 {kt fÌkk «{kýu{wõíkkLktË

Mðk{e ¼økðkLk ©eLkhLkkhkÞýËuðLku ÃkkuíkkLkk Mðk{e yÚkkoík EüËuð

fneLku fnu Au fu suLkk EüËuð ¼økðkLk ©eLkhLkkhÞýËuð nkuÞ íku íkku

®n{ík Mkrník søkíkLke {kÞkLku yLku {kun ò¤Lku íkífk¤ Síke òÞ Au.

suLkk hûký fhLkkh {Míkf WÃkh ©eLkhLkkhkÞýËuð Au íkuLku ð¤e ËwrLkÞkLke

fkuR Ãký þÂõík fu íkkfkíkLkku ¼Þ þuLkku nkuÞ. Mkk[k rLk»fk{e ÚkRLku

fk{,¢kuÄ,÷ku¼ yLku hMkkMðkËLku sz {w¤Úke W¾kzeLku íÞkøk fhe ËuÞ Au.

Vhe Úke {kÚkwt ô[fðkLkwt Lkk{ s Lk ÷uÞ íkuðk fhe Lkk¾u Au çkÄks

ytík:þºkwykuLku. «Ãkt[ yLku Íøkzk íku{Lku íÞkt õÞkhuÞ ykðíkkt s ™Úke yk

«íkkÃk Au ©eLkhLkkhkÞýËuðLkku yu{ {wõíkkLktË Mðk{e fnu Au. íkuÚke íkuðk

¼õíkku {økLk ÚkRLku ©enrhLkk [hýku{kt ÷ÃkxkRLku hnu Au. yux÷k {kxu s

nu søkíkLkk Sðku ykðku yLku ©eLkhLkkhkÞýËuðLkku yk©Þ fheLku ¼ðs¤Lku

Ãkkh Ãkk{ku,yLku Auðxu yrðLkkþe yuðk yûkh ÃkË yÚkkoík yûkhÄk{Lkk

yûkh {wõík çkLkku. yk rMkðkÞ fkuR Ãký WÃkkÞu fheLku yûkhÄk{ MkwÄe

Ãknku[ðwt {wþfu÷ s Lkrn Ãký yþõÞ Au.







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Sarth Kirtnavali

51

at what time of year, what day, when, whyand where to singthat Song. Certain verses like Prabhatya can only be sung in themorning, the melody and vibration that prevail from thoseverses are only pleasant to hear in the morning. The sametheory applies here; this particular song is produced fromRaagGodi and it should be sung in the evening, this versepraises the glory of Bhagwan and directs the souls towardsBhagwan. Our Saints have composed many similar verses inthis melody. By the tradition laid down by our Great Saints atleast one of these verses is sung before the evening Aarti.

Among them, verses are composed by MuktanandSwami, Brahmanand Swami and PremanandSwami are verysanctifying. Amongst them, this stanza by Muktanand Swamitells us a lot that we need to ponder upon. As mentioned byLord Swaminarayan in Vachnamrut 48 of Gadhada First chap-ter, Muktanand Swami addressing NarNarayanDev as his Lord,savior and his favorite God. Swamiji discourses whoever choosesNarNarayanDev as their Lord and Master they instantly tri-umph over this illusionary World. Why will a person be afraidof Worldly powers if they are blessed by NarNarayanDev?They become truly free of alldesires that much so that theyuproot the roots of their desires, anger, greed and taste. Theyare never bothered by their inner enemies. This is the glory ofNarNarayanDev says Muktanand Swami. Because of this, thedevotees happily rest at the divine feet of Shree Hari. For thatreason, Oh souls! Take sanctuary of NarNarayanDev, cross theocean of life and ultimately become liberated soul ofAkshardham. Without this, even with countless other means itis not only difficult but almost impossible to reach Akshardham.







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52

14 hkøk : økkuze

ðuË Ãkwhký Ãkkufkhu


ðuË Ãkwhký Ãkkufkhu, MkwLknw Mkçk ðuË ÃkwhkLk Ãkkufkhu,

LkhLkkhkÞý Ëuð ¼ßÞkt rçkLkw, ¼ðs÷ fkuW Lk íkkhu.. MkwLknwt. Xuf.

yLktík ¼wðLkfu EMk nu íkËrÃk, yrÄf ¼hík¾tz hkò,

rLksíkÃk V÷Ëu ¼hík ¾tz {æÞ, fhík MkçkLk fku fkò.. MkwLknwt. 1

swøk swøk ðuË ð[Lk «ríkÃkk÷Lk, Eþ Ähík yðíkkhk,

hk{f]»ý ykrËf ðÃkw Ärhfu, Ãkríkík rfÞu ¼ðÃkkhk.. MkwLknwt. 2

yune «¼w yf¤ÁÃk yðíkkhe, yune Mkçk ytíkhò{e,

«økx «{ký rçkhksík ¼qÃkh, {wõíkkLktËLkk Mðk{e.. MkwLknwt. 3

Mk.økw.{wõíkkLktË Mðk{e yk økkuzeLkk ÃkË{kt søkíkLkk Sð {kºk Lku

MkkðÄkLk fheLku fnu Au. nu ¼kR Mkkt¼¤ku Mk{økú ðuËku yLku Ãkwhkýku Ãký

Ãkkufkh fheLku fnu Au fu ©e LkhLkkhkÞýËuðLku ¼ßÞk ðøkh yk ¼ÞkLkf

¼ðMkkøkh Lku Ãkkh Ãkk{e þfkÞ íku{ s ™Úke.Vhe ðkh MkkðÄkLk fhu Au,

çkÄks þk†ku ðkhtðkh fnu Au fu íku ©eLkhLkkhkÞýËuð yLktík fkuxe

çkúñktzkuLkk yrÄÃkrík Au Aíkkt Ãký rðþu»kuÞ fheLku yk ¼hík ¾tz{kt ðMkíkk

¼õíkkuLku ¾kMk WÃkMkLkk fhðk Ér»k ÁÃk Äkhý fheLku çku MðÁÃku íkÃk fhu

Au yLku íku íkÃkLkwt V¤ su Sðkí{k ©eLkhLkkhkÞýËuðLkku yk©Þ fhu Au íkuLku

ykÃke ËuÞ Au. suÚke Sðkí{kLku Ãkh{kí{kLkk MðÁÃkLkwt ¿kkLk ÚkkÞ Au.fkhý

fu ðuËku yu{ fnu Au íkÃk fÞko rðLkk Mkk[wt ¿kkLk Úkíkwt LkÚke. yLku Mkk[k ¿kkLk

rðLkk {kuûk {¤íkku LkÚke. Éíku: ¿kkLkkLLk {wÂõík: > íkÃkMkk r[Þíku çkúñ >>, yk

ðuË ðkõÞ Au.økeíkkLkk ð[Lk «{kýuÞwøku Þwøk{kt yðíkkh ÄheLku hk{

f]»ýkrËf MðÁÃku ðuË Ä{oLkwt Ãkk÷Lk fhku Aku yLku fhkðku Aku. yuðk nu

ÃkhçkúñÃkh{kí{k ©eLkhLkkhkÞýËuð «økx «{ký ytíkÞkor{ yk Ãk]Úðe

WÃkh yk y{ËkðkË{kt {qŠík{tík MðÁÃku rðhks{kLk Aku. ykðk nu «¼w

ík{khk þhýu su Sð ykðu Au íkuLku s ykíÞtríkf {kuûk ÁÃk yûkh Äk{Lke

«kró ÚkkÞ Au.







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Sarth Kirtnavali

53

14 RAAG : GODI

VED PURAN POKARE


Ved puran pokare, sunhu sab ved puran pokare,

Narnarayan dev bhajya binu, bhavjal kou na tare. sunhu. Tek

Anant bhuvanke ias he tadpi, adhik bharatkhand raja,

Nijtap falde bharat khand madhya, karat saban ko kaja. sunhu. 1

Jug jug ved vachan pratipana, ias dharat avatar,

Ramkrushna aadik vapu dharike, patit kiye bhavpara. sunhu. 2

Ehi prabhu akalarup avatair, ehi sab antarjami,

Pragat prman birajat bhupar, muktanandve swami. sunhu. 3

SadguruMuktanand Swami awakens people of the Worldin this verse saying, “Oh brother! Listen! All the Vedas andPuranas discourse that it is impossible to cross this terrifyingWorld which is like a vast Ocean. Again, he alerts people thateven though NarNarayandev is the King of infinite UniversesHe exclusively adorns the form of two sages and practicespenance for people residing in Bharatkhand. He delivers thefruits of His penance to people who take this shelter because ofwhich the souls get knowledge of the form of God. Vedas saythat one cannot obtain true knowledge without performingausterities.

“TapsaChiyateBrahm” is a saying from the Vedas. Ac-cording to Geeta, You manifestin every age, follow the Dharmaprescribed in Veda and cultivate it. That Supreme God, ShreeNarNarayanDev is ever present on this earth in Ahemdabad. OhLord! Whosoever comes to your shelter, they receive ultimatesalvation ie. They go to Akshardham.







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54

15 hkøk : økkuze

Mktík Mk{køk{ fesu nku rLkþ rËLk

h[Lkk : Mk.økw. çkúñkLktË Mðk{e

Mktík Mk{køk{ fesu nku, rLkþrËLk.. Mkt. xuf.

{kLkíkS MktíkLkfu {w¾Mku,«u{MkwÄk hMk Ãkesu nku. rLk. 1

ytíkh fÃkx {uxfu yÃkLkk, ÷uWLkfwt {Lk Ëesu nku. rLk. 2

¼ðËw:¾x¤u çk¤u Mkçk Ëw"¢eík, MkçkrðÄ fkhs Mkesu nku. rLk. 3

çkúñkLktË MktíkLkfe Mkkuçkík, sL{ MkwV÷ fhe ÷esu nku. rLk. 4

Mk.økw. çkúñkLktË Mðk{e yk økkuzeLkk ÃkË {kt {wõíkkLktË Mðk{eLke su{

s [uíkðýe ykÃkíkkt fnu Au. nu søkíkLkk rð»kÞ ò¤{kt VMkkÞu÷ Sð íkqt

{kLk {kuxÃk Lkku íÞkøk fhe Mkk[k Mktík ÃkwÁ»kkuLkku Mk{køk{ fheLku íkkhk

ykí{kLkwt fÕÞký ÚkkÞ íkuðku WÃkkÞ fhe ÷usu. yLku íku WÃkÞ Au «¼wLke «u{

÷ûkýk ¼Âõík ytíkh{ktÚke fÃkxLku AkuzeLku {Lk ÃkhçkúñÃkh{kí{k MkkÚku

òuzeþ íkku ¼ðku ¼ð sL{ yLku {]íÞwLktk {nk ¼ÞkLkf Ëw:¾Úke Awxfkhku

{¤þu.sL{sL{ktíkhku{kt sux÷k Ãký Ëw»f{o fÞko nþu íku çkÄk Mktík Mk{køk{

fhðkÚke s Lkkþ Ãkk{þu {kxu nu Sð íkkhk çkÄk s fkÞkuo rMkæÄ fhðk nkuÞ

íkku Ëhhkus MktíkLkku Mk{køk{ fhðk yk ©eLkhLkkhkÞýËuðLkk {trËh{kt

rLkíÞ «rík ykðe ò.òu fkuR Ãký Sð yk {trËh{kt ykðeLku Mktík Mk{køk{

fhþu íkku íkuLkku {Lkw»Þ sL{ su Ãkh{kí{kyu ËÞk fheLku ykÃÞku Au íku MkkÚkof

Úkþu.

16 hkøk : ¾{k[

yksLke ½ze hu


yksLke ½ze hu, ÄLÞ yksLke ½ze.

{U LkehÏÞk MknòLktË, ÄLÞ yksLke ½ze. xuf.

fk{ ¢kuÄ Lku ÷ku¼,rð»kÞ hMk Lk þfu Lkze,

{kðSLke {qŠík {khk, ÓËÞ{kt ¾ze hu. ÄLÞ. 1







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Sarth Kirtnavali

55

15 RAAG : GODI

SANT SAMAGAM KIJE, HO NISHDIN


Sant samagam kije, ho nishdin...

Man taji santanke Mukhse, Prem sudharas pije.... ho 1

Antar kapat metke apna, le unku Man dije.... ho 2

Bhavdukh tale bale sab dushkrit, sabvidhi karaj sije.... ho 3

Brahmanand kahe santki sobat, janma sufal kari lije.... ho 4

Like Muktanand Swami, SadguruBrahmanand Swami, inthis Godi verse, alarms the people saying, Oh you soulscaptured by worldly pleasures! Put aside your pride and good-will, associate with a true saint and find a means of salvationwhich is engaging in devotional service of God with love. Ifyou put aside dishonesty from your mind and unite your mindwith Supreme God then you will be relieved from the terrifyingcycle of life and death. Sins of countless life forms will bedestroyed by association with a saint. For the same reason,Oh!You people! If you want to make your deeds worthwhile,come to the temple of NarNarayanDevevery day and associatewith the saints. Whosoever comes to this temple and associateswith the saints will make their human life gifted by Godworthwhile.

16 RAAG : KHAMAR

AJNI GHADI RE


Ajni ghadi re, dhanya ajnai ghadi,Me nirakhya Sahajanand, dhanya ajni ghadi....

Kam krodh ne lobh vishe (vishay), ras na shake nadi,Mavji kehi murti mara, hradayma khadi re... dhanya 1







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56

SðLke çkwÂæÄ òýe Lkþfu, yu {kuxe yze.

MkËTøkwÁLke áüe òuíkkt, ðMíkw yu sze hu. ÄLÞ. 2

[kuÞkoMke [nw ¾ký{kt nwt íkku, ÚkkõÞku ykÚkze.

ytíkh nrhMkwt yufíkk íkkhu, ËwøÄk ËqÄ Ãkze hu. ÄLÞ. 3

¿kkLkfwt[e økwÁ øk{MkU, økÞkt íkk¤kt Q½ze.

÷kzw MknòLktË rLknk¤íkkt, Xhe ykt¾ze hu. ÄLÞ..4

yLktíkfuxe çk úñktzLkk yrÄÃkrík Ãk qýoÃk wÁ»kk u¥k{ ¼økðkLk

©eMðkr{LkkhkÞý yk Ãk]Úðe WÃkh {Lkw»Þ þheh Äkhý fheLku ÃkkuíkkLkku

rËÔÞ «íkkÃk Mk{krÄ «fhý [÷kðeLku søkíkLku çkíkkÔÞku yux÷u ËwðkoMkk

{wrLkLkk þkÃkÚke su yXâkMke nòh Ér»k{wrLkyku yu {Lkw»Þ Ëun Äkhý

fÞkuo níkku íkuyku Mkðuo ykðe ykðeLku MknòLktË Mðk{e ÁÃk {nkMkkøkh{kt

rð÷eLk Úkðk ÷køÞk.fkuRLku «íÞûk fu fkuRLku Ãkhkuûk ÁÃku Ãkh{kí{kLkk

«køkxâLkk Mk{k[kh {éÞk yLku íkuyku ½hçkkh fwxwtçk ÃkrhðkhLkku íkífk¤

íÞkøk fheLku [k÷e rLkMkÞko. íku{kt fux÷kÞ rðîkLkku yLku ÄLkðkLk «ríküeík

økhkMk Ëkhku Ãký níkkt ¼økðkLk ©eMðkr{LkhkÞýLkk ËþoLk Úkíkkt s ÃkkuíkkLke

Mkk[e yku¤¾ý ÚkRLku ykí{ ¿kkLk «kó ÚkÞwt ÃkAe fkuR hnu {kÞk{kt {kºk

Ëw:¾ ðuXðk yu íkku [k÷e s rLkMkÞko. ÃkqðoLkk yLkkrË yûkh {wõík yuðk

÷kzwËkLkS su{Lkku sL{ hksMÚkkLkLkk ¾ktý økk{{kt ÚkÞku Au. rðãkLkku

yÇÞkMk fhðk fåA¼qsLke ®Ãkøk¤ þk†Lke ÃkkXþk¤k{kt Mkkhe heíku rðãk

«kó fheLku frðíð þÂõíkÚke {kuxk {kuxk hkò{nkhkòykuLke Mk¼k{kt

rðsÞ {u¤ðeLku ¼ðLkøkhLkk {nkhkò rðsÞ®MknSLke Mk¼k{kt ykÔÞk.

y®n íku{Lku ¼økðkLk ©eMðkr{LkhkÞýLkk Mk{k[kh {éÞk Mk¼k sLkku

yLku hkòLkk fnuðkÚke ¼økðkLk ©e Mðkr{LkkhkÞýLke Ãkheûk fhðkLkk

rLkr{¥ku [kh «rík¿kk fheLku ¼kðLkøkhÚke økZÃkwh ykÔÞk. ¼økðkLk

©eMknòLktË Mðk{e ©eMðkr{LkkhkÞý {nk«¼wyu íku{Lke [khuÞ «rík¿kk

Ãkqýo fhe yLku ÃkkuíkkLkk rËÔÞ MðÁÃkLkwt y÷kifef ¿kkLk ykÃÞwt. íkuÚke íkífk¤

çkÄkus {kLk{híkçkku yuf çkksw {wfeLku ©enrhLkk [hýku{kt MkËkLku {kxu







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Sarth Kirtnavali

57

Jivani buddhi jani na shake, e moti adi,

Sadguruni drashti thata, vastu e jadi re... dhanya 2

Choryashi chahu khanma, hu thakyo athdi,

Antar harishu ekta thata, dugdha dudh padi re... dhanya 3

Gnan kunchi guru gamse, gaya tala ughdi,

Ladu Sahajanand nirkhata, thari ankhadi re... dhanya 4The King of countless universes, the one who possesses

a complete form, Lord Shree Swaminarayan, took humanform on this Earth and with his divine powers started andshowed Samadhi to the World. At that juncture, the eightyeight thousand sages who had taken human form becauseof the curse of Sage Durvasa started merging into the vastocean, Sahajanand Swami. Some witnessed the news of ar-rival of God while others found out through someone elseand they all immediately left their homes and family.Among them there were many reputed noble people. Theyrealized their original form and also obtained the knowl-edge of their soul on having the glimpse of Swaminarayan.Who will then struggle in this illusionary world? Theywalked away immediately. Eternal liberated soul ofAkshardham, Ladudan; who was born in the Khand villageof Rajasthan, obtained education from Pingal languageschool of Kutch Bhuj, who won the assembly of manynoble Kings, arrived at the courtyard of the King ofBhavnagar,'Vijaysingh.' Here he received the news and thefame of Lord Swaminarayan. When told by the other court-iers and the king himself; to test the authenticity of ShreeHari, he took 4 vows and came to Gadhpur fromBhavnagar. Lord Shree Swaminarayan completed all the fourvows of Ladudan and gave him the knowledge of His di-vine and supernatural form. Because of that, he put asideall his pride and surrendered himself to the lotus feet of







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58

Mk{ŠÃkík ÚkR økÞk. MkkÚku ykðu÷kt íku{Lkk {k{©e ftR fnuðkòÞ íku Ãknu÷kt

íkku frðhks ©e÷kzwËkLkSLkk {w¾{kt Úke yk rËÔÞ þçËku yLkkÞkMku

frðíkkLkk ÁÃk{kt rLkMkhe Ãkzâk. yks íkku {hk SðLkLke ÄLÞ ½ze Au,

fkhý fu {Lku yks ¼økðkLk ©eMknòLkktËLkk ËþoLk ÚkÞk Au. yLku íku

Ãkh{kí{kLke {Lku Mkk[e yku¤¾ ÚkR Au. nðu {hk {kxu çkesw fkuR ¿kkLk

{u¤ððkLkwt hnuíkwt LkÚke. nðu {Lku søkíkLkk fk{ ¢kuÄ {kLk ÷ku¼ fu rð»kÞ

ðkMkLkk fkuR Ãký «fkhu ÷ku¼krð þfu íku{ LkÚke. fu{ fu {khk ÓËÞ{kt Úke

yk çkÄk ytíkþºkwykuLku {U çknkh íkøkuze {wõÞk Au, yLku {khk ÓËÞ{kt íkku

nðu {kºk Lk u {kºk {khk {kðS Ãkhçk úñÃkh{kí{k ¼økðkLk

©eMðkr{LkkhÞkýLke {qŠík s Au. yk ðkíkLku søkíkLkk Sð þwt òýe þfu

yuíkku suLku MkËTøkwÁ {éÞk nkuÞ íkuLke çkwÂæÄ Ãkh{kí{kLkk MðÁÃkLku yku¤¾e

þfu çkkfe çkeòLkwt íku{k fk{ Lk[k÷u. fkhýfu ykíkku {khk yLkw¼ðLke ðkík

fnwt Awt. nwt íkku Mkkhk MktMkkh{kt Vhe [wõÞku Awt. {khe su{ s søkíkLkk Sð

{kºk Ãký [kuÞkoMke ÷k¾ ÞkuLkeyku{kt sL{sL{ktíkhkuÚke ¼xfu Au, ðkhtðkh

sL{ yLku {]íÞwLkk {w¾{kt nku{kÞ Au. Aíkkt íkuLku Mkk[k MkËTøkwÁLke «kró

LkÚke ÚkR íÞkt MkwÄe íkuLkk Sð{kt yk ¿kkLk ykðíkwt LkÚke. {Lku íkku SðLkk

Mkk[k MkËTøkwÁ yuðk ¼økðkLk ©e MknòLktË Mðk{eLkku ¼uxku ÚkR økÞku Au.

nðu fkuR òíkLke f[kMk hnuðk Ãkk{e LkÚke. ykðe heíku ÷kzwËkLkSyu

ÃkkuíkkLkk {k{k©eLku ÃkkuíkkLke MÚkerík çkíkkðeLku ð¤kðe rËÄk. yLku MðÞt hne

økÞk ¼økðkLk ©e MknòLktË Mðk{e ©eMðkr{LkkhkÞýLkk [hýku{kt MkËkÞLku

{kxu.

17 hkøk : økhçke

hu MkøkÃký nrhðhLkwt Mkk[wt


huu MkøkÃký nrhðhLkwt Mkk[wt, çkesw Mkðuo ûký¼tøkwh fk[wt. hu MkøkÃký. xuf.

hu Mkki MkkÚku «erík xk¤e, hu ¼køÞwt {Lk r{ÚÞk ¼k¤e,

Au ðhðk suðk yuf ðLk{k¤e hu. MkøkÃký. 1







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Sarth Kirtnavali

59

Shree Hari. Before his uncle who had also accompaniedLadudanji could say anything, these words emerged out ofthe great poet mouth. Today is the most auspicious day ofmy life because I have obtained the divine apparition ofShree Sahajanand. I have obtained the opportunity to beacquainted with Bhagwan. Now I have obtained the trueknowledge there is no other knowledge I need to obtain.Lust, anger, pride, greed or addiction to any worldly plea-sures cannot seduce me. This is because I have exoneratedall these inner enemies and now I only have the image ofmy Lord Shree Swaminarayan in my heart. How can a per-son indulged in Worldly pleasures understand this? Only theintelligentpeople, the people who have met a true spiritualteacher but none other can recognize the True Form ofBhagwan. I am saying this from my own experience. Ihave travelled this whole World. Alike me, all souls in thisWorld are wandering in the 8.4 million species cycle andare victims of life and death over and over again; yet; theyhave not got this knowledge in their soul till they meet atrue spiritual teacher. I have met my soul's true spiritualteacher, Lord Shree Sahajanand Swami. Now there is noroom for any deficiency. Thus, Ladudanji bid his goodbyesto his uncle disclosing his state of mind and decided tostay at the lotus feet of Shree Shajanad Swami, ShreeSwaminarayan forever.

17 RAAG GARBI

RE SAGPAN HARIVAR NU SACHU

Sad Guru BrahmanandSwami

Re sagpan Harivar nu sachu, biju sarve kshanbhangur kachu re. sagpanRe sau sathe priti tali, re bhangyu man mithya bhali,

Chhe varva jeva ek Vanmali. re. sagpan. 1







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60

hu ÂMÚkh Lkrn ykðhËk Úkkuze, hu íkwåA òýe ykþk Akuze,

{U søkLkk SðLk MkkÚku òuze hu. MkøkÃký. 2

hu Vkuøkx Vuhk Lkð Vheyu, hu Ãkh½h Ãkkýe þwt ¼heyu,

ðheyu íkku LkxðhLku ðheyu hu. MkøkÃký. 3

hu ¼qÄh ¼uxâk ¼Þ ¼ktøÞku, hu Mknw MkkÚku íkkuzÞku Äkøkku,

hu hrMkf htøke÷kÚke htøk ÷køÞku hu. MkøkÃký. 4

hu yuðwt òýeLku MkøkÃký feÄwt, hu {uýwt íkku rþh WÃkh ÷eÄwt,

çkúñkLktËLkwt fkhs MkeÄwt hu. MkøkÃký. 5

{nkfrð ÷kzwËkLkS ¼økðkLk©eMðkr{LkkhkÞýLkk [hýku{kt hkufkR

økÞk yLku ÃkkuíkkLku sL{ ykÃkLkkh {kíkk rÃkíkkLku {¤ðk Ãký Lk økÞk íÞkhu

íku{Lkk {k{kSyu sRLku Mk{k[kh ykÃÞk íÞkhu hksMÚkkLkÚke çkÄk Mkøkk

MktçkÄe {nkfrð ÷kzwËkLkSLku Mk{òðeLku íkuze sðk {kxu ykÔÞk. Ãký

y®n íkku ftRf swËk s «fkhLke ÂMÚkrík òuðk {¤e. ykðu÷kt MktçkÄeyku

ÃkkuíkkLke yku¤¾ký ykÃkðk ÷køÞk fu ík{khk çknuLkS Au yLku yk ík{khk

{kíkkS yLku ík{khk rÃkíkkS rðøku hu ðkíkku Mkkt¼¤eLku {nkfrð ÷kzwËkLkSLkk

ytíkh{kt Úke þçËku Vwxe rLkféÞk Au. yhu ¼kR MkøkÃký íkku yk SðLkwt

Mkk[w «¼wLke MkkÚku nkuÞ yLku «¼w {Lku {¤e [wõÞ Au. søkíkLkk çkÄk s

MkøkÃký Lkkþ {kÃke òÞ Au. Ãký yuf Ãkh{kí{kLke MkkÚku òuzkÞu÷ MkçktÄ

õÞkhuÞ Lkkþ Úkíkku LkÚke. yux÷kt {kxu {ut íkwxe òÞ íkuðk MkøkÃký {kºkLkku

íÞkøk fhe ËeÄku Au. ík{khk MkkiLke MkkÚku MLkun «eíkLkku Lkkíkku íkkuze LkkÏÞku

Au. {kxu nðu çkeS fkuR Ãký «fkhLke ykþk fu EåAk h¾þku Lkne. fkhý

fu yk SðLku ðhðk suðk yuf s Au, ÃkhçkúñÃkh{kí{k yLku íkuLku nwt ðhe

[wõÞku Awt. yLku «rík¿kk {U Mk{sý Ãkqðof yLku rþh Mkkxu ðhý fhu÷ Au

{kxu íku{kt fkuR Ãký «fkhLkku VuhVkh ÚkR þfu íku{ LkÚke. íkuÚke ík{ku ykþk

Akuze ËußÞku. yLku {Lku {kÁ fk{ {kuûk {u¤ððk ÁÃke Mkh¤ ÚkR Ãkzu íku{kt

rðÎLk Lk Lkk¾þku yu s ík{Lku MkkiLku {khe ¾kMk ¼÷k{ý Au. yk{ fne

Lku Mkøkk MktçkÄe MkkuLku ÷kzwËkLkSyu Ãkhík ð¤kðe ËeÄk yLku Ãkkuíku ©enrhLkk







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Sarth Kirtnavali

61

Re sthir nahi avarda thodi, re tuchchh jani asha todi,

Me jagna Jivan sathe jodi re. sagpan. 2

Re fogat fera nav farie, re par gher pani shu bharie,

Varie to Natvarne varie re. sagpan. 3

Re bhudhar bhetya bhay bhago, re sahu sathe todyo dhago,

E rasik rangilathi rang lago re. sagpan. 4

Re evu janine sagpan kidhu, re me’nu to shir upar lidhu,

Brahmanandnu karaj sidhu re. sagpan. 5

Distinguished poet Ladudanji remained in the service

of Lord Shree Swaminarayan and did not even go to

meet the very parents that gave birth to him. His

maternal uncle gave the news to his family, who then

decided to travel from Rajasthan their home state, to

convince Ladudanji to return home; but the state of

matter was something totally different. The family started

to remind Ladudanji of their relationships – this is your

sister, your mother, your father; the words that erupted

from Ladudanji’s heart were - Fellows, the true alliance

of one’s soul is that with the Lord and I have found

that Lord the Almighty Shree Hari. All Worldly

associations are bound to be destroyed except for the one

with Almighty Sahajanand Swami. That alone is the

reason for me to renounce all of these demising love

bound and associations. So please do not expect any

admiration or relationships from me. There is only one

tie powerful enough that binds me and that bind is with

Bhagwan Swaminarayan and Him alone; this thoughtful

decision of mine is irrevocable. I thus request you to

refrain from trying to deflect me from my path to

Salvation. Having said this to his family, Ladudanji gave







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62

[hýku{kt Mk{ŠÃkík ÚkR økÞk yLku yûkh {wõík Ãkh{ntMkkuLke «Úk{ nhku¤{kt

«Úk{ rðhks{kLk ÚkRLku nrh økwý økkðk{kt s SðLk ÃkÞOík ykLktË

{u¤ÔÞku.

18 hkøk : økhçke

Mkwýku [íkwh Mkwòý


Mkwýku [íkwh Mkwòý,(2) yu{ Lk ½xu hu ík{Lku ËeLkkLkkÚkS,

{khk «kýLkk ykÄkh, su{ hk¾ku íku{ hneyu ð[LkLku MkkÚkS.. xuf.

y{u ík{fkhý MkÌkkt {uýkt LkkÚk Lkeh¾ðkLku Mkwýðkt ðuýkt,

y{u ík]ó Lkð feÄkt Lkuýkt.. Mkwýku. 1

y{u ÷kuf ÷ks fw¤Lke ÷kuÃke, y{u fnuðkÞk røkhÄhLke økkuÃke,

y{u ík{ fkhý Ãknuhe xkuÃke.. Mkwýku. 2

Ãknu÷e «eík fhe þeËLku ykøku, ËqÄ Ëu¾kze Lku {kÞko zktøku,

ÃkAe íkuLku íku fuðwt ðMk{wt ÷køku.. Mkwýku. 3

fktR ËÞk ykðu íkku ËþoLk Ëuòu, Lkrn íkku y¾tz ytíkh{kt hnuòu,

yu{ ©ehtøkLkk Mðk{eLku fnuòu.. Mkwýku. 4

¼økðkLk ©e Mðkr{LkkhkÞýu Ãkk[Mkku Ãkh{ntMkkuLku søkíkLkk yuf

ykËþo Mktík fkuLku fnuðkÞ íku Ëu¾kzðk MkkÁ Ä{o rLkÞ{Lke fzf fuze WÃkh

[÷kÔÞk yLku ðhtðkh íku {køkoLku çkË÷íkkt Ãký hÌkk, SðLku fXý Ãkzu yuðk

ykfhk rLkÞ{ku Lkwt Ãkk÷Lk yk Ãkh{ntMkku ÃkkMku fhkðíkkt yLku Lkðk Lkðk s

hkusu hkus «fhý çkË÷kðeLku çkhkuçkh [fkMkýe fheLku s ÃkkuíkkLke «MkÒkíkk

çkíkkðíkkt. yuðwt fnuðkÞ Au fu {nkhksu 84 [kuÞkoMke «fhýku çkËÕÞk níkkt.

ßÞkhu suðe sÁh Ãkzu íÞkhu íkuðku Ä{o yLku rLkÞ{ Ãkk÷Lk fhðkLkwt Vh{kLk

fhu íkuLku Mktíkku yk Lkðwt «fhý [÷kÔÞwt Au íku{ fnuíkkt. yuf ð¾ík Lkðwt s

«fhý [÷kÔÞwt Mkki MktíkkuLku yk¿kk fhe fu ík{khu fkuRLkuÞ {khk ËþoLk fhðk

Lk ykððwt yLku yks Úke s íkuLkku y{÷ fhku çkÄkLku {kuf÷e ËeÄk

økk{zkyku{kt ßÞkt MkwÄe yk¿kk Lk ÚkkÞ íÞkt MkwÄe ykððkLkwt LkÚke. yLku







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Sarth Kirtnavali

63

them a farewell and returned to the service of Shree Hari

whereby he enjoyed lifelong singing of Lord’s praises in

the presence of other distinguished elevated souls.

18 RAAG GARBI

SUNO CHATUR SUJAN

Sad Guru BrahmanandSwami

Suno Chatur sujan (2) Am Na Ghate Re Tamane Dinanathaji,

Maara Pran na Aadhar, Jem Raakho Tem Rahiye Vachan Ne Saathaji. TekAme Tam Karan Sahya Mena, Nathi Nirakhava ne Sunava Vena,

Ame Trupta Nav Kidha Nena. Suno. 1Ame Lok Laaj Kula Ni Lopi, Ame Kahevaya Giradhar Ni Gopi,

Ame Tam Karan Paheri Topi. Suno. 2Paheli Preet kari Shida ne Aage, Dudh Dekhadi Ne Maarya Daange,

Pacchi Tene Te Kevu Vasamu Laage. Suno. 3Kaayi Daya Aave To Darshan Dejo, Nahi To Akhand Antarma Rahejo,

Am Shree Rang na Swami Ne Kahejo. Suno. 4To demonstrate the characteristics of an ideal saint, Lord

Shree Swaminarayan used to require strict adherence to therules (dharma) and regulations (Niyam) and used to frequentlychange them for the five hundred Saints (Paramhanso) tofollow. These Paramhanso were tested daily thoroughly bythe changes in the rules, testing their resilience, and in returnwinning Lord’s happiness. It is believed that Shreeji Maharajhad decreed such resolutions 84 times for theses Paramhansas the times called for it, to which the saints would call ‘thismust be a new referendum”. One such referendum wasdisallowing anyone to meet the Lord face to face to do theLord’s darshan. Everyone was thus sent to faraway villagesand were instructed that until the referendum was lifted nobody were to return to do darshan of the Lord; additionally,







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64

rðþu»k{kt yk¿kk fhe fu nwt íkku Mðíktºk Awt yux÷u øk{u íÞkhu øk{u íÞkt sðwt

Ãký ík{khu nwt ßÞkt ykðwt íÞktÚke rLkf¤e sðwt Ãký fkuR Ãký «fkhu {khk

ËþoLk fhðk yk¿kk ßÞkt MkwÄe Lk ÚkkÞ íÞkt MkwÄe ykððw s Lkrn. ykðe fzf

yk¿kk fheLku Mkki Ãkh{ntMkkuLku hðkLkk fÞko. Mkki ðkx òuíkkt níkkt fu yufkË

{Mk{kt ËþoLkLke yk¿kk {¤þu. Ãký yk¿kk íkku {¤e s Lkne yLku rËðMkku

WÃkh {neLkkyku rðíkðk {ktzâk. «u{e Ãkh{ntMkkuÚke nðu «eÞík{Lkk ËþoLk

rðLkk hnuðkíkwt LkÚke Ãký fhðwt þwt. fkuý ©enrhLku fnuðk òÞ yLku òÞ íkku

yk¿kk ÷kuÃk fÞkoLkku yÃkhkÄ ÚkkÞ Au. rðÞkuøk{kt ykfw¤ ÔÞkfw¤ Mktík

Ãkh{ntMkku ËþoLk rðLkk Ëw:¾e Ëw:¾e Au. yuðk{kt ©enrh Vhíkkt Vhíkkt

Mkkihk»xÙLkk LkkLkfzk yuðk fheÞkýk Lkk{Lkk økk{{kt ÃkÄkÞko Au. íkuðk

Mk{k[kh Mk.økw. çkúñkLktË Mðk{eLku {éÞk yLku rLkýoÞ fÞkuo fu yks íkku Mkki

Ãkh{ntMkkuLkwt yk {nkËw:¾ Ëqh fhðkLkku WÃkkÞ fhðku s Au. MkkÚku Lkk rþ»Þ

{tz÷Lku fÌkwt [k÷ku {nkhks ÃkkMku ËþoLk fhðk sRyu íÞkhu rþ»Þku Ãký

{nkhks Mkt«ËkÞ{kt Úke fkZe {wfu òu yk¿kk rðLkk sRíkku yu{ fneLku fkuR

MkkÚku ykððk íkiÞkh Lk ÚkÞwt íÞkhu MðÞt çkúñkLktË Mðk{e yuf÷kt s [k÷e

rLkMkÞko. hMíkk{kt yuf ¾uzwíkLku fkuMk [÷kðíkku òuRLku rð[kh fÞkuo ÷kðLku

{nkhksLke yk¿kk {u¤ðe ÷uðk yk ¾uzwíkLkuu {nkhks ÃkkMku {kuf÷wt. ¾uzwíkLku

{nk Ãkhkýu íkiÞkh fÞkuo íÞkt {nkhksu ÷e÷k fheLku fÌkwt fu íkuLku íkku Äfk

{kheLku ðkze çknkh fkZe {wfku. y{huíkku íkuLkwt {kuZw Ãký LkÚke òuðwt fkhý

fu íkkuíkku yÃkþwfLkeÞk¤ Au. Ãku÷ku yòÛÞku ¾uzwík íkku yk þçËku Mkkt¼¤eLku

yk¼ku s çkLke økÞku. rð[kh fÞkuo n{ýkt s sRLku íkhík s fkZe {wfw Awt.

Ãký ßÞkt ðkze{kt ÃknwåÞku íÞkt íkku [{ífkh ÚkÞku yk yûkh {wõík Lku

Ãkrh©{ fhíkkt òuRLku Mkkûkkík ðÁý Ëuð «økx ÚkÞk yLku Ãku÷kt ¾uzwíkLkku

fwðku yk¾ku ÃkkýeÚke A÷ku A÷ ¼hkR økÞku. yk òuRLku søkík{kt su{

fnuðík Au Lku fu ßÞkt [{ífkh íÞkt Lk{Mfkh yu LÞkÞu ¾uzwíkLkku rð[kh

çkË÷kR økÞku yLku fnuðk ÷køÞku fu Mðk{eS ík{u s ¼økðkLk Aku ík{khu

ð¤e çkeòLkk ËþoLk fhðk sðkLke õÞk sÁh Au. {kxu nwt ík{khku ¼õík







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Sarth Kirtnavali

65

a specific mandate was put in action for these Saints to exita village, and not to do darshan in any way, if the Lord perhis free-will were to visit such a village. Everyone thoughtthat such a referendum will not last long, but if it did, daysbecame months….everyone was getting desperate to dodarshan but if even if someone were to go and advocaterepealing of this decree they would indeed be infringing onLord’s very directive. All the Saints were nostalgic, grim andgetting impatient without getting to do darshan of the Lord.Meanwhile, Brahmanand Swami received news of Shree Haricoming up to a small village of Kariyana in Saurastra district;Swami decided to become the catalyst in ceasing the immensepain of all Saints and Paramhans by trying to get the ‘nodarshan’ decree lifted. He called upon other Saints, studentsfrom his own faction inviting them to go along with him todo darshan of Shreeji Maharaj – the junior saints werehesitant in fear of Lord abandoning them from satsang for notfollowing His direct orders and thus passed on the invite;BrahmanandSwami thus went on alone.

On his way he saw a farmer working hard siphoning waterfrom a well and requested the farmer to go see ShreejiMaharaj on his behalf. The farmer after many requests fromBrahmanand Swami finally conceded; went to see ShreejiMaharaj and to his surprise was instructed by Shreeji Maharajto kick Brahmanand Swami out of his farm. The farmer saidto himself, I should have never come down here, wasted mytime from crop and watering, to do this errand for Swami;now it does seem like a good plan to kick that Swami outfrom my farm. On his arrival to the farm, he was astonishedto see the well overflowing with water making it unnecessaryto siphon water from it for farming. This miracle changed his







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66

yLku ík{ku {khk ¼økðkLk y®n {khe ðkze{kt s hnku. ykðwt fnuðk ÷køÞku

Ãký ©enrhyu fnu÷kt þçËku çkku÷e Lk þõÞku. íÞhu Mðk{eyu MÃküíkk fhefu

¼økðkLk íkku Mðkr{LkkhkÞý rMkðkÞ yk MktMkkh{kt fkuR LkÚke yLku fkuRÚke

ÚkðkÞ íku{ Ãký LkÚke. {kxu íkqt íku{Lke yk¿kk Mkt¼¤kð Ãký Ãku÷k ¾uzwíkÚke

yuðk þçËku çkku÷e þfkÞk s Lkne. íÞkhu Vhe Úke «ký «eÞ r«ík{Lku

MktçkkuÄeLku çkúñkLktË Mðk{eyu yk ÃkË yuf ð]ûkLkk ÃkktËzk WÃkh ÷¾eLku

ykÃÞwt yLku {nkhksLku Ãknw[kzðk ykøkún fheLku ¾uzwíkLku {kufÕÞku. íku

ÃkËLkk yk þçËku Au. - - Mkwý [íkwh Mkwòý... ©enrhLkk nkÚk{kt yk ÃkË

ykðíkkts yu «u{{kt øk¤k zwçk «u{e çkúñkLktËLku ÃkkuíkkLkk r«Þík{Lkkt ÷¾u÷kt

þçËLku òuíkkt s çkku÷e WXâk fu õÞkt Au yu {khku çkúñkLktË yuðwt çkku÷íkkt

çkku÷íkkt s {kýfeLke ðkx LkòuR yLku Ãkøk{kt {kusze Ãknuhðk Ãký Lk

hkufkÞk yLku Ëkux {wfeLku «u{Lku ðþ Ãkh{kí{k rLkf¤e Ãkzâk yLku ¾uzwíkLke

ðkze{kt sRLku ¼uxeLku çkúñkLktË Mðk{eLku {éÞk. íku s yk ÃkË yºku ykÃku÷

Au.

19 hkøk : fkVe

yks {U íkku ¼uxâk hu...


yks {U íkku ¼uxâk hu,ytf ¼h «økx nrh,

ykLktË WøkeÞku hu, Lkeh¾e Lksh Xhe... xuf.

ÄLÞ Mk¾e rËLk yksLkku, ð¤e ÄLÞ {qnwíko ÄLÞ ðkh,

fÁýk rLkrÄ {ws fkhýu {khu {trËh ÃkÄkÞko {kuhkh,

Ëwçko¤ skýehu {ws Ãkh {nuh fhe.. yks. 1

MðuåAkyu ykÔÞk [k÷eLku, ykøkwLke yku¤¾ký,

íkLk {Lk ÄLk {kunLk Açke WÃkh, fhe Lkk¾wt fwhçkký,

yZ¤f Z¤eÞk hu, Mk¾e {wLku y¼h ¼he yks. 2

nwt Mkwíke íke ¼hrLkÿk{kt,søkðe ~Þk{ sÁh,

¼uxíkkt ytíkhÚke ¼køÞwt, {kun {kÞkLkwt Ãkqh,







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Sarth Kirtnavali

67

heart and insisted Swami to stay on his farm and make hima disciple. The farmer told Swami that he thought of him asGod and that no such miracle can be done by an ordinarybeing. Brahmanand Swami told the farmer that there wasonly one God in universe and that was Shreeji Maharaj.Swami asked him of Maharaj’s directive but the farmer couldnot repeat the instructions of Maharaj witnessing the greatnessof Swami. Brahmanand Swami thus wrote a letter this timeon a leaf and asked the farmer to take it to his beloved masterShreeji Maharaj. The words of this letter are none other thanthe now well-known hymn “SunoChaturjSujan”. On readingthe letter from his dearly loved saint, Shreeji Maharaj askedwhere BrahmanandSwami was, got up and started walkingwithout caring to wear sandals or waiting for his horse ride.The immense love of Swami drew Shreeji Maharaj to thefarm where he met the Swamiin great esteem.

19 RAAG : KAAFI

AAJ ME TO BHETYA RE


Aaj me to bhetya re, ankabhar pragat hari,

Aanand ugiyo re nirkhi najar thari. Tek.

Saakhi : dhanya sakhi din aaj no, vali dhany muhrat dhany vaar,

Karunanidhi muj kaarne, maare mandir padhaarya moraar,

Durbal Jaani re, muj par meher kari. Aaj. 1

Saakhi : sva ichha aavya chaali ne, aaguni olakhaan,

Tan mun dhan mohan chhabi upar, kari naakhu kurbaan,

Adhlak dhaliyare, sakhi mune abhar bhari. Aaj. 2

Saakhi : hu suti hati bhar nindra ma, jagvi shyaam jarur,

Bhetta antar thi bhaangyu, moh maaya nu pur,







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68

yt¾eÞk W½zehu ÚkR Au ¾çkh ¾he. yks...3

MkwtËh ~Þk{ {Lkkunh Mkqhík, {qhrík çkuW Mk{kLk,

çkúñkLktË ÚkR Awt hMk çkMk, Ëu¾íkkt økw÷íkkLk,

þtfk {uxe hu, nwt íkku ðh y{h ðhe..yks..4

¼økðkLk ©enrh su heíku Ãku÷kt ¾uzqíkLke ðkze{kt çkúñkLktË Mðk{eLku

ykðe {éÞk yLku íÞkhu su ykLktË ÚkÞku íkuLku ÔÞõík fhíkkt yk çkúñkLktË

Mðk{eyu ÃkË Lke h[Lkk fhe Au. fux÷ktf rËðMkku yLku {rnLkkykuÚke su

«¼wLkk ËþoLk yLku MÃk]þo Úke hrník níkkt íku yks ËþoLk yLku MÃk]þoLkku su

ykLktË {éÞku Au íku íkku y÷kifef Au. íku ðkík Lku «økx fhíkkt Mðk{e fnu Au

yks íkku nwt çkkÚk{kt ÷RLku «økx ÚkÞu÷kt Mkkûkkík Ãkhçkúñ Ãkh{kí{kLku

¼uxâku Awt. {khk suðk MkkÄkhý Sð WÃkh Ãký yu yLktík fkuxe çkúñktzkuLkk

yrÄÃkrík Ãkqýo ÃkwÁ»kku¥k{ Ãkh{kí{k ËÞk fheLku {Lku Ëwçko¤ òýeLku ykðeLku

{nuhçkkLke fheLku {éÞk Au. ÃkkuíkkLke EåAkyu fheLku Mkk{u [k÷eLku y®n

¾uíkhku{kt ykðeLku {Lku {éÞk Au. íkuíkku ÃkqðoLke yku÷¾ký níke íÞkhu þõÞ

çkLÞwt Au. yk sL{u fheLku yuðk ÃkwÛÞ {u¤ðe þfkíkkt LkÚke fu yk{ «¼w

ykðeLku {¤u. íkuLkku Ãký Mðk{eyu ¾w÷kMkku fhe ËeÄku Au. nwt íkku y¿kkLk ÁÃke

®Lkÿk{kt níke fu nðu þwt Úkkþu yLku y[kLkf ykðeLku {éÞk íÞkhu {kÁt

y¿kkLk Lkkþ ÃkkBÞwtt. yLku {kun {kÞkLkwt ykðu÷ Ãkwh Wíkhe økÞwt. nðu rLkùÞ

ÚkÞku fu nwt Mkk[k ðhLku ðhe Awt. õÞktÞ ¾kuxe søÞkyu sRLku LkÚke ¼hkýe

yuðku áZ rðïMk ÚkÞku Au. çkÄk s «fkhLke þtfkfwþtfk ytíkh{kt Úke Lkkþ

Ãkk{e økR Au.

20 hkøk : {uðkze

{w¾zkLke {kÞk ÷køkehu...


{w¾zk Lke {kÞk ÷køkehu {kunLk íkkhk. xuf

{w¾zwkLke {eXe ðkýe, íkuýu {Lk ÷eÄwt íkkýe.

ÍçkfeLku Mkwíke òøke hu. {kunLk. 1







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Sarth Kirtnavali

69

Ankhiya ughadi re thai chee khabar khari. Aaj. 3

Saakhi : sundar shyaam manohar surat, murat beu samaan,

Brahmanand thai chhu rasbas, dekhanta gulttan’

Shanka meti re hu to var amar vari. Aaj. 4

Another hymn composed by Brahmanand Swami

commemorates the end of deprivation of ShreejiMaharaj’s

darshan and touch that lasted many months. The joy of

finally meeting and embracing Shreeji Maharaj is captured

in the sentiment of this hymn where BrahmanandSwami

states that his ordinary soul today is immensely blessed

by generosity of the Almighty and that it was only

possible because of previously knowing who HE was. It

seems impossible to attain enough merits in this lifetime

to earn such pleasure from the Almighty Swaminarayan

Bhagwan. Swami then goes on to say that he was in

a state of ignorant trance and it was Bhagwan’s

intervention that brought him out, ascending him from

the plunges of Moh-Maya; and it is now that he have

no reservations or dilemma but a staunch faith in the

Almighty.

20 RAAG : MEVADI

MUKHADANI MAYA LAGI RE


Mukhadani Maya Lagi Re, Mohan Tara. Tek

Mukhdani Meethi Vani, Tene Mun Lidhu Taani;

Jabaki Ne Suti Jagi Re. Mohan. 1







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70

{w¾zwt {U òuÞwt íkkÁt, çkesw Mkðuo ÚkÞwt ¾kÁt.

nðu nwt íkku çkz¼køke hu. {kunLk. 2

{w¾zwt òuðkLku {kxu, Mkne feÄwt rþh Mkkxu.

{nuýwt {U íkku ÷eÄwt {ktøke hu. {kunLk. 3

çkúñkLktË òÞ ðkhe, ykþk yuf {wLku íkkhe.

íkhAkuze { Úkkþku íÞkøke hu {kunLk. 4

©enrhLkwt {¾kh®ðË fuðwt MkwtËh Lku Mkkunk{ýwt Au. ËþoLk fhLkkhLkk

{LkLku íkífk¤ Ãkkuíkk{kt íkkýe ÷uÞ íkuðwt Au. íkuLkwt ðýoLk fhíkkt Mðk{e fnu Au.

nu {nkhks ík{khk {w¾Lke íkku yuðe {kÞk ÷køke Au.fu ô½{k tMkwíkkt nkuÞ

íÞkhu yufË{ ÍçkfeLku òøke sðkÞ Au. yLku òýu ík{khk {w¾Lke Mkw{Äwh

ðkýe Mkt¼÷kðk {ktz uAu. ßÞkh Úke {ut {w¾zk Lkk ËþoLk fÞko Au. íÞkhÚke

{hk {Lk {kt çkesw çkÄwt s ¾kÁt ÚkR økÞwt Au. ík{kÁ {w¾zw òuðk {kxu íkku

{ut òýe òuRLku {khk {kÚku {uýwt {ktøkeLku ÷eÄwt Au. {kxu nu «¼w {khk fkuR

Ãký yÃkhkÄLku ÷RLku {Lku íkhAkuzeLku {khku íÞkøk Lk fhþku.

21 hkøk : økhçke

íkkhku [xf htøke÷ku Auz÷ku


íkkhku [xf htøke÷ku Auz÷ku, y÷çku÷k hu,

fktR Lkð÷ fMkwtçke Ãkk½, htøkLkk hu÷k hu.

rþh ysçk f÷tøke þku¼íke, y. nizk{kt hkÏÞk ÷køk. htøk. 1

{ku¤ezwt AkÞwt {kuíkezu, y. Vw÷zkLke MkwtËh Vkuh.. htøk. 2

½uhu htøku økwåA økw÷kçkLkk, y. òuR ¼ú{h ¼{u íku Xkuh. htøk.. 3

íkkhe Ãkk½÷zeLkk Ãku[{kt, y. {kÁ r[¥kzwt ÚkÞwt [f[wh. htøk.. 4

çkúñkLktË fnu íkkhe {qhrík, y. ðýËeXu ½u÷e íkqh.. htøk. 5

¼økðkLk ©e Mðkr{LkkhkÞý ÃkkuíkkLkk Ëhuf ¼õíkLku Ãkh{ yufktríkf

rLkhÒk{wõík suðk áZ fhðk {kxu ðkht{ðkh Lkðe Lkðe yk¿kkyku fheLku íkuLku

¼õíkku ÃkkMku Ãkk÷Lk fhkðíkkt. yuf ð¾ík [kíkwh {kMk{kt Mkki ¼õíkkuLku hkºke







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Sarth Kirtnavali

71

Mukhadu Me Joyu Taru, Biju Sarve Thayu Kharu;

Haave Huto Badbhagi Re. Mohan. 2

Mukhadu Jovane Maate, Sahi Kidhu Shir Saate;

Mahenu Meto Lidhu magi Re. Mohan. 3

Brahmanand Jaye Vari, Aasha Ek Mune Taari;

Tarchhodi Ma Thasho Tyagi Re. Mohan. 4

The face of Shree Hari is so beautiful and adorable thatanybody who sees it gets drawn to HIM; describing it furtherSwami states: Hail Almighty, I am so captivated by thebeauty of your face that I suddenly wake up from my sleepcraving to listen to your sweet voice. Since the day, I haveseen your face, everything has become repulsive. Hence OhMaharaj, I have asked for avowal to always be able to see youand not to abandon me because of my insincere mistakes.

21 RAAG : GARBI

TARO CHATAK RANGILO CHHEDLO


Taro chatak rangilo chhedlo albela re;Kai naval kasumbi pagb rangna rela re...

Shir ajab kalangi sbobhti, albela re, Haidama rakhya lal...rang 1Motidu chhayu motie, albela re, Fuldani sundar for...rang 2Ghere range guchchh gulabna, albela re Joi bhramar bhame te thor...rang 3

Tari paghaldina pechma, albera re, Maru chittdu thayu chakchur...rang 4Brahmanand kahe tari murti, albela re, Vandithe ghelitur...rang 5

Bhagwan Shree Swaminarayan to test the devotion of thedevotees used to change rule and regulations on the spot andrequested the Saints and devotees to follow them. Shreeji Maharajperformed these tasks to mold the devotees in becomingAksharmuktos- residents of his Divine abode Akshardham. Onetime during Chaturmass, Bhagwan started a new chapter in rule andregulations and told the devotees and Saints to pay attention whilst







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72

ÃkÞOík fÚkk ðkíkko fhðkLkwt yLku Mkkt¼¤ðkLkwt rLkÞ{ ykÃÞwt. yLku íku fÚkk ðkíkko

Úkíke nkuÞ íÞkhu òu fkuRLku rLkÿtk ykðu íkku íkuLku ©enrh MðÞt ÃkkuíkkLkk nkÚk{kt

{k¤k økýðk {kxuLkku su MkkuÃkkheLkku çkuh¾ku hk¾íkk íku {khðkLkku ykðuk

rLkÞ{ fÞkuo íkuÚke Mkki MkkðÄkLk ÚkRLku fÚkk Mkt¼¤íkkt.rËðMku íkku Ãkkt[ Mk{Þ

hkus fÚkk Úkíke s yLku yk rðþu»k rLkÞ{ níkku. íkuÚke fux÷ktf ¼õíkkuLku Úkkf

Lkk fkhýu òu òufwt ykðe òÞ íkku Vsuíkku ÚkkÞ yufíkku çkuh¾ku ðkøku yLku

ÃkkAk W¼k ÚkRLku íku çkuh¾ku Ãkhík ykÃkðk sðwt Ãkzu. ½ýkt ¼õíkku yLku Mktíkku

Ãký yf¤kýk fu òu {nkhks yk «fhý Vuhðu íkku çknw MkkÁt. Lkrníkh

fk[k Ãkku[k fux÷kÞ ¼õíkku MkíMktøk AkuzeLku síkkt hnuþu. Ãký {nkhksLku

õÞkt fkuRLkeÞ Ãkze Au. íku{Lku íkku xfkuhkçktÄ s ¼õíkku òuRyu Au. yuf

ð¾ík hkºkeLkk {kuzk MkwÄe fÚkk [k÷e MkkiLkwt þheh fk{ fhíkwt Lk níkwt Ãký

{nkhksLke yk¿kk rðLkk Mk{kró ÚkkÞ Lkrn. Mkwhk¾khLku {nkhks MkkÚku

Mk¾k ¼ð íkuLkkÚke hnuðkýwt Lkne. íkuÚke fe{Þku þkuÄe fkZâku yLku Mk¼k{kt

W¼k ÚkRLku VheÞkË fhðk {ktzâk fu {nkhks ík{khk hkßÞ{kt Ãký

ÃkûkÃkkík ÚkkÞ Au. òuðku Lku y{khk suðk fkuR ô½u íkku íkhíks ík{ku çkuh¾ku

{hku Aku, yLku yk ík{hk «eÞ Ãkh{ntMk çkúñkLktË Mðk{e ô½u Au yLku ík{ku

fktÞ fnuíkkt Ãký LkÚke. íÞkhu ©enrhyu çkúñkLktË Mðk{eLku ÃkwAâwt fu Mðk{e

yk ðkík Mkk[e Au ík{ku ô½íkk níkkt íÞkhu Mðk{e çkkuÕÞk Lkk {nkhks nwt

íkku ykt¾ çktÄ fheLku ík{khe {qŠíkLkwt ðýoLk fhíkwt LkðeLk feíkoLk Lke h[Lkk

fhe hÌkku níkku. yk Mkk¼¤eLku ©enrhu çkkuÕÞk íkku yu LkðeLk feíkoLk MkkiLku

Mkt¼¤kðku. Mðk{e íkku þe½ú frð níkkt íku{ýu íkífk¤ W¼k ÚkRLku {nkhksLke

{qŠíkLku rLkh¾íkkt òÞ yLku økhçke hkøkLkwt S÷ýeÞwt yk feíkoLk [k÷wt fhe

ËeÄwt yLku MkkiLku çkku÷kðhkÔÞwt yuðk [kh ÃkËku økðhkÔÞk íÞkt Mkðkh ÚkR

økÞwt. íku feíkoLkLkk yk þçËku Au.. - - íkkhu [xf htøke÷u Auz÷u y÷çku÷k hu.







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Sarth Kirtnavali

73

listening to the discourses of Scriptures. During the night sessionsand whilst Sermon was being performed if anyone fell asleep,Bhagwan used to throw bag of betel nut at them. The consequenceof this was whoever the bag landed on they have to bring the bagback and give to the Almighty Shree Hari in front of the assembly.The reaction to this new rule was that every one used to listen to theSermons with their full attentiveness. Shreeji Maharaj had astringent regimeduring the day there used to be at least five Sermonsgiven every day and this was additional to the other compulsory taskthey has to perform. Shreeji Maharaj was very intelligent usingpsychology to stop the devotees and Saints from falling asleep inthe Sermons. Many devotees and even Saints became very frustratedwith this regime and wished this new rule to be banished. If the rulewill not change some Saints were worried that many weak devoteesmight run away from the Congregation. Shreeji Maharaj did notworry about the concern of the Saints; he was looking for onlystrong, motivated and pious devotees. One day the Sermon wenton late into the night. Everyone was tired, but without ShreejiMaharaj’s permission the Sermon could not be stopped.Surakhachar was a very dearfriend of Shreeji Maharaj. He couldnot resist himself and come up with ascheme to change the new rulewhich had been implemented. He stood up in the middle of theassembly and said ‘Maharaj! There is discrimination in your ranksand even in your assembly! Look, if a devotee like me fallsasleepthan we get a bag full of betel nuts thrown at us, but your belovedBrahmanandSwami falls asleep and hedoes not get noticed and isignored. Shree Hari asks BrahmanandSwami, Dear Swami! Is thistrue? Were you sleeping? Then Swami says no Maharaj I was notsleeping, but myeyes were closed and I was remembering yourdivine form and composing a new hymn. After hearing thisresponse, Shreeji Maharaj asks Swami to sing the newly composedhymn for everyone. Swami was a great spontaneous composer;Swamji could create a hymn on the spot. He stood up and requestedDear BhagwanI will sing the song I was composing only if thedevotees sing after me. I will sing one line and then the devoteeswill repeat it after me. Instantly by looking at Shreeji Maharaj‘sdivine form started singing this GarbiRaag hymn and he madeeveryone sing with him. By the time the four verse where over itwas already morning.







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74

22 hkøk : økhçke

{khu yks «eík{ ½uh ykðþuS hu...


{khu yks «eík{ ½uh ykðþuS hu, {wLku nuíku fheLku çkku÷kðþuS hu. {khu. 1

yuLkk MkkÚkezkLku MkkÚku ÷kðþu, fhe ÷xfkt íkk¤e ËR økkðþuS hu {khu. 2

nrh nuíku fheLku Mkk{wt ¼k¤þu, htøkzkLke íku hu÷wt ðk¤þuS hu. {khu. 3

fhe ÏÞk÷ y÷kifef ¾u÷þu, {kÚku Vw÷zkLkkt Akuøk÷kt {u÷þuS hu. {khu. 4

çkúñkLktËLkku Mðk{e ~Þk{¤ku, Mkw¾ Ëuþu ykðeLku Wíkkð¤kuS hu. {khu. 5

Ãkhçkúñ Ãkh{kí{k ¼økðkLk ©eMðkr{LkkhkÞýLke yk¿kkÚke {nk

{trËhkuLkwt rLk{koý fkÞo Lkð Lkð søÞk yu [k÷íkwt níkwt. yLku íku íku ©enrhLkk

rËÔÞ Äk{ku{kt ðMkíkkt ¼õíkku ðhtðkh ©enrhLku yk{tºký ykÃkeLku ÃkkuíkkLkk

økk{ Lkøkh{kt ÃkÄhkðíkkt. íkuðe s heíku Ík÷kðkz «Ëuþ{kt {w¤eÃkwh Äk{{kt

Mk.økw.çkúñkLktË Mðk{e {nk{trËhLkwt fk{ fhkðíkkt níkkt íÞkhu íÞktLkk hkò

hk{k¼kR Ãkh{khu ¼økðkLk ©enrhLku ðMktík Ãkt[{eLkku Mk{iÞku fhðk

ykððkLkwt yk{tºký ykÃÞwt.{nkhksu íku yk{tºký MðefkÞwO yux÷u çkÄe

íkiÞkheyku Úkðk {ktze. {nkhksLkk ykððkLkk Mk{k[khÚke su{Lkwt ÓËÞ

f{¤ ¾e÷e WXâwt Au yuðk çkúñkLktË Mðk{eLkk ÓËÞ{kt Úke yk þçËku Mkhe

Ãkzâk Au. {khu yks «eík{ ½uh ykðþu. MkkÚku Ãkkt[Mkki Ãkh{ntMkkuLku ÷kðþu

yLku ðMktíkLkk htøku h{þu yu su ytíkfhýLkku W{¤fku yLku íkuLkku su ykLktË

Au íku yk ÃkË{kt ÔÞõík ÚkÞku Au.fuðe þku¼k Äkhý fhþu yLku fuðwt y÷kifef

Mkw¾ ykÃkþu yuLke ÞkË ykðíkkt s økkºkku «VwÕ÷eík ÚkR òíkkt nkuÞ yuðwt

÷køku Au. yk ÃkË Lkk þçËku WÃkh Úke íku íkká~Þ ÚkkÞ Au.

23 hkøk : Ãkhs

íkkhe {qhrík hu


íkkhe {qhrík hu, Au òu LkUýwLkku þýøkkh. LkuýwtLkku þýøkkh,

{khk nizk fuhku nkh. íkkhe. xuf







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Sarth Kirtnavali

75

22 RAAG : GARBI

MARE AJ PRITAM GHER AVSHE JI RE


Mare aj pritam gher avshe ji re, Mune hete karine bolavshe ji re...mare 1

Ena sathidane sathe lavshe ji re, Kari latka tali dai gavshe ji re...mare 2

Hari hete karine samu bhalshe ji re, Rangdani te relu valshe ji re...mare 3

Kari khyal alaukik khelshe ji re, Mathe fuldana chhogala melshe ji re...mare 4

Brahmanandno Swami Shyamlo ji re, Sukh deshe avine utavlo ji re...mare 5The Supreme Almighty Bhagwan Shree Swaminarayan’s desire to

construct and develop new Majestic and Divine Temple was in progress.The devotees residing in the area, were these Temples where being con-structed would on numerous occasions invite the Almighty Shree Harito their villages. Brahmanand Swami was assigned to overlook the con-struction and development of the Temple at Muli village in the Jhalavaddistrict. RajabhaiParmar was the King of Muli village and he had invitedShree Hari for VasantPachmi festival. Shree Hari accepted the invita-tion and all the adequate preparations were made for the welcoming ofAlmighty Shree Hari and the festival. When hearing the news the Al-mighty Shree Hari was coming to Muli, Brahmanand Swami became over-whelmed and felt immensely happy and these words flowed from his heart.“Mare Aajpritamgharaavse.” My beloved Supreme Lord Shree Hari willbe coming to my home, with Him He will bring five hundred Paramhansoalong. Once He has arrived Shree Hari and Santo’s will be playing withVasant’s color, colored powder with each other. Happiness and excite-ment of such enjoyment are described in this hymn. Brahmanand Swamihas closed his eyes and made an assumption on how the festival will cel-ebrated, what sort of clothes Bhagwan will wear, the happiness feltthroughout the community and villages. From the words of this hymnyou can picture the entire event in your mind.

23 RAAG : GARBI

TAARI MURATI RE


Taari Murati Re Chhe Jo Nenu No Shanghar;Nenu No Shanghar Mara Haida Kero Haar. Tek.







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76

{kunLk íkkhe {qŠík òuRLku, ¼q÷e Awt íkLk ¼kLk.

Lkeh¾íkkt Lkshk{kt ÚkR Awt, økshk{kt økw÷íkkLk. íkkhe. 1

{kÚku Íeýe Ãkk½ {Lkkunh, MkwtËh ~Þk{ þheh.

LkÚke hnuíke íkkÁt ÁÃk rLknk¤e,ðúsLkkheLku Äeh. íkkhe. 2

çkktÞ szkðwt çkktÄu÷ çkksw,fksw LktËfeþkuh.

çkúñkLktË fnu {kune Awt ðuýu, Lkuýu òËw òuh. íkkhe. 3

çkúñkLktË Mðk{eLkk ÓËÞ{kt {nkhksLke {qŠík{kt fuðku «u{ Ãkqýo MLkun

Au. íku ðýoLk fhíkkt fnu Au. nu {nkhks {khk LkÞLkku Lkku þýøkkh íkku ík{khe

{qŠíkLkk ËþoLk s Au. íkuLku þýøkkhðk {kxu çkeò fkuR ÃkËkÚkoLke sÁh LkÚke.

fks¤ fu Mkwh{ku Lkku þýøkkh íkku ÄkuðkR òÞ Ãký yk ík{khe {qŠík {khk

LkUýk{kt ðMke økR Au íku õÞkhuÞ ÄkuðkRLku síke hnu íkuðe LkÚke. yLku íku

{qqŠíkLkk ËþoLk fheLku nwt íkku {khk þhehLkwt ¼kLk s ¼w÷e økR Awt. yuðe

økw÷íkkLk ÚkRLku VÁt Awt fu {khk{tk Äehs s ¾wxe økR Au. ík{khk þçËku

yLku fÁýkË]o áüeÚke {kun Ãkk{eLku Mk{ŠÃkík ÚkR Awt, íkku {khku Mðefkh

fhþku yLku ík{khe fheLku hk¾òu ík{khk rËÔÞ yûkh Äk{{kt ðkMk

ykÃkòu.

24 hkøk : økhçke

Mk¾e økkufw¤ økk{Lkk [kuf{kt hu...


Mk¾e økkufw¤ økk{Lkk [kuf{kt hu, ¾ktíku {ktzâku hMke÷u ¾u÷,

h{u hkMk htøke÷ku htøk{kt hu. xuf.

[nw fkuhu Mk¾kLke {tz¤ehu, Q¼k ð[{kt Au÷ku y÷çku÷. h{u. 1

Mk¾e [k÷kuLku sRyu Ëu¾ðk hu, ðnk÷u ÃknuÞko Au ð† þku¼eík. h{u. 2

íkk¤e Ãkkzu ÁÃkk¤e íkkLk{kt hu, {w¾u økkðu {Lkkunh økeík. h{u. 3

þku¼k çkLke Mk÷wýk ~Þk{Lke hu, Q¼e ðúsLke Lkkhe òuðk fks. h{u. 4

nMke nuhu Açke÷ku nuík{kt hu, çkúñkLktËLkku ðnk÷ku ðúshks. h{u. 5

¼økðkLk ©e nrh ðMktík Ãkt[{eLkku Mk{iÞku fhðk {w¤eÃkwh Äk{{kt







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Sarth Kirtnavali

77

Mohan Taari Murati Joy Ne, Bhuli Chhu Tan Bhaan;

Nirakhata Najara ma Thai Chhu, Gajara ma Gulataan. Taari. 1Mathe Jini Paagh manohar, Sundar Shyam Sharir;

Nathi Raheti Taaru Roop Nihali, Vrajnari Ne Dhii. Taari. 2Bahy Jadau Bandhel Baju, Kaaju Nandkishor;Brahmanand Kahe Mohi Chho Vene, Nene jaadu Jor. Taari. 3

In this divine hymn Brahmanand Swami expresses how muchaffection and true love he has for Shreeji Maharaj’s divine formby saying, Dear Maharaj! Your divine idol and form is the onlytrue ornaments of my eyes, I do not need anything else to deco-rate my eyes. Eye makeup like Collyrium or Surma fade awaywhen washed but your divine form has penetrated my eyes insuch a way that it can never be washed away. By just looking atyour divine Idol and form I disregard this body and mind, I be-come totally engross upon your idol that whilst I am travellingand do not see your beloved form I lose my serenity. I have sur-rendered myself to your divine words and your lotus eyes, what-ever you command me to do I will do it, please accept me asyours and keep me close to you and give me residence in yourdivine Abode Akshardham.

24 RAAG : GARBI

SAKHI GOKUL GAMANA CHOKMA RE


Sakhi Gokul gamana chokma re, khante mandyo rasile khel;

Rame ras rangilo rangma re...

Chahukore sakhani mandli re, ubha vachma chhel albel. rame 1

Sakhi chalone jaie dekhva re, va’le paherya chhe vastra shobhit...rame 2

Tali pade rupali tanma re, mukhe gave manohar git...rame 3

Shobha bani saluna Shyamni re, ubhi Vrajni nari jova kaj...rame 4

Hasi here chhabilo hetma re, Brahmanandno vahalo Vrajraj...rame 5Shree Swaminarayan Bhagwan had come to Muli to celebrate

the festival of VasantPanchmi and so the devotees of the Jhalawad







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78

ÃkÄkÞko yux÷u yu Ík÷kðkz «ËuþLkk ¼õíkku ne÷ku¤u [zâk Au. {kLkð

{nuhk{ý hk{k¼kR hkòLkk Ëhçkkh økZ{kt W{xe Ãkzâku Au. ©enrhyu

yk økk{Lku økkufw¤eÞwt çkLkkðe ËeÄwt Au. ðMktík Lkk y{e Aktxýk {u¤ðeLku

¼õíkkuLku ykLktË Lkku fkuR Ãkkh LkÚke. ykðk rËÔÞ ykLktËLku òuRLku ©enrh

Ãký ykLktË {kt ykðe økÞk yLku Mkki ¼õíkkuLke MkkÚku yËT¼qík hkMk ¢ezk Lkku

ykLktË ykÃkðk hkMkLkku «kht¼ fhkÔÞku. su{kt Ãkkt[Mkki Ãkh{ntMkku yLku

÷k¾ku ¼õíkku òuzkRLku çkúñkLktËLkuk ykLktË hMk {kýðk ÷køÞk. íÞkhu su

þku¼k çkLke íku òuRLku suLkk ÓËÞ{k t MkkiÚke ðÄkhu ykLktË AðkÞ økÞku Au.

yuðk çkúñkLktË Mðk{eLkk {w¾{kt Úke yk þçËkuLke Mkhðkýe Lkku «ðkn ðne

rLkféÞku su{kt søkíkLkk rðfkh {kºk íkýkRLku õÞktÞ yá~Þ ÚkR økÞk Au.

íkuÚke Mðk{e Mkki fukRLku yk á~Þ òuðkLkwt òýu rLk{tºký ykÃkíkk nukÞ íkuðk

¼kðÚke fnu Au. [k÷kuLku sRyu Ëu¾ðk hu.fuðk {LkLku nhe ÷uÞ íkuðk {Äwh

Mðh Úke økeíkku økðkÞ Au. yLku fuðwt {tË {tË nMkíkkt Úkfkt ©enrhLke

Mkkunk{ýe Açke þku¼u Au. íkuLku su sLk rLkh¾u Au íku yk ¼ðs¤Lku Ãkkh

Wíkhe skÞ Au.

25 hkøk : Ãkhs ¾{k[

ðkík÷ze hnkuLku hkík÷ze


ðkík÷ze hnk uLk u hkík÷ze, Ônk÷k Ãk qAw t yuf ðkík÷ze. xuf.

Ãkeíkktçkh Mkkxu {khk «eík{, Mkkze ÷kÔÞk Lkðe ¼kík÷ze. Ônk÷k. 1

{kuh÷ze ÷RLku {Lk{kunLk, ËeÄwt ðu÷ý fkuýu Ëkík÷ze. Ônk÷k. 2

suLku ½uh hsLke ík{u òøÞk, fkuý níke íkuLke òík÷ze. Ônk÷k. 3

çkúñkLktË fnu MktþÞ ÚkÞku Lkne, ÄLÞ Au ík{khe Akík÷ze. Ônk÷k. 4

Ãkhçkúñ Ãkhk{kí{kyu yk WæÄð Mkt«ËkÞLke Ä{oÄwhk Mkt¼k¤eLku

søkíkLkk yLktík Sðku Lku ykíÞtríkf {nk{kuûk ÁÃke yûkh Äk{Lke «kró

ÚkkÞ íku nuíkw Úke. Mk{økú søkík{kt »kzûkhe {nk{tºk ©eMðkr{LkkhkÞý

økwtsíkku fÞkuo. su fkuR Sð yk {nk {tºkLkwt hxý fhu íkuLkk Mkðo {LkkuhÚkku







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Sarth Kirtnavali

79

district where Mulivillage is located was overcome with immensejoy. The courtyard of King Ramabhai was filled with jubilantdevotees. Shree Hari had transformed Muli into Gokul. Thedevotees could not contain their happiness as they were celebrat-ing VasantPanchmi with the Almighty Lord Swaminarayan. LordSwaminarayan also became elated to see all of His devotees andso He began playing circular dance with His devotees just fortheir own divine pleasure. Shree Hari began playing circular dancewith His 500 Paramhans and hundreds of thousands of devoteesand they all experienced the most divine of joys. BrahmanandSwami just could not contain his excitement while witnessingLord Swaminarayan’s divine playtime, and so BrahmanandSwami, whose divine hymns have defied the laws of nature, be-gan singing this most celestial hymn, in which he invites us all towitness Shree Hari play His divine raas. Brahmanand Swamisays that just listening to the hymn that was being sung whileShree Hari was performing the circular dance and just to see ShreeHari’s great divine form while He was performing the circulardance is enough to attain Salvation.

25 RAAG : KHAMAY

VAATALADI RAHONE RAATALADI


Vaataladi Rahone Raataladi, Vahala Puchhu Ek Vaataladi; tek

Pitambar Saate Maara Pritam, Sadi Laavya Navi Bhtladi. Vahala. 1

Moraladi Layne Manmohan, Didhu Velan Kone Daataladi. Vahala. 2

Jene Gher Rajani Tame Jaagya, Kon Haati Teni Jaataladi. Vahala. 3

Brahmanand Kahe Sanshay Thayo Nahi, Dhanya Chhe Tamaari Chhataladi. Vahala. 4

When Supreme Almighty Lord Shree Swaminarayan took thereins as the leader of the Uddhav Sampraday, He spread theSwaminarayan Mahamantra so that if His devotees chanted this di-vine name, they would attain Salvation. Shree Hari has promisedthat whosoever chants the Swaminarayan Mahamantra will get theirwishes fulfilled, and they will become fully devout and more and







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80

Ãkqýo fheLku íkuLku yufktríkf ¼õík çkLkkðeLku {kuíkkLkk rËÔÞ Äk{{kt íkuze

sðkLkku fku÷ ykÃÞku Au. íku «{kýuÍk÷kðkz «Ëuþ{kt økk{u økk{ çkúñkLktË

Mðk{eyu økheçk fu ÄLkðkLk fu ô[ Lke[Lkk ¼uË ¼kð ðøkh yk rËÔÞ

{nk{tºkLkwt hxý fhíkkt fhe ËeÄk Au. suðk økwÁ «u{k¤ íkuðks rþ»Þ Ãký

rLkÔÞkos «u{Úke «¼wLkwt yk y÷kifef {knk{tºk Lkwt Lkk{ M{hý fhu Au. yLku

Mkðoðíkkhe yu Ãkqýo ÃkwÁ»kku¥k{ Ãkh{kí{k Ãký íku ¼õíkkuLkk ¼ð yLku

©æÄkLku òuRLku íkífk¤ íku ¼õíkkuLke ¼ez ¼ktøkðk Ãknwt[e òÞ Au. íkuðks

yuf ¼õík Lku Mk.økw. çkúñkLktË Mðk{eyu yuf ð¾ík çku ËkíkýLkk çkË÷k{kt

yk »kzûkhe {nk{tºk ykÃÞku yLku fÌkwt Ëw:¾ Ãkzu íkku yk {tºkLkwt hxý fhsu.

Mkkð økheçk yLku òíkeyu fheLku Ãký Mk{ks{kt suLkwt LkkLkw yLku ÃkkÃkLkwt fk{

Sð ®nMkk yux÷u fu rþfkh fhLkkh rþfkhe Mkøkúk{ Lkk{Lkk ðk½he

¿kkíkeLkk yk ¼õíku ÃkkuíkkLke ð]æÄkðMÚkkLke ðuËLkkÚke Awxðk hkºkeLkk Mk{Þu

yrík Ãkezk Úkðk {tze íÞkhu yk{tºk ÞkË ykÔÞku íkuLkwt hxý [k÷wt fÞwO. yLku

fnuðkÞ Au fu íku Mk{Þu {w¤eÃkwhLkk hkò hk{k¼kR ËhçkkhLkk Ëhçkkh

økZ{k tZku÷eyu ÃkkuZu÷k ©enrhLkku Zku÷eÞku ¾U[kðk {kzâku. íÞkhu ©e nrh

fkuRLku Ãký fÌkk rðLkks yk rLkËkuo»k ¼õíkLku ÃkkuíkkLkk rËÔÞ MðÁÃkLkwt ¿kkLk

ykÃkðk íku økheçk ¼õíkLkk ½kMkVwMkLkk fwtçkk{kt Vkxu÷e íkqxu÷e økkuËze{kt

ð]æÄ yLku çke{kh ¼õíkLku Mkw¾ Ëuðk Ãknwt[e økÞk. Mkðkh Ãkzíkk Mkki òøkeLku

©enrhLku økkuíkðk {tzâk Ãký {éÞk Lkrn íÞkhu fkXe Ëhçkkhku yLku

Ãkh{ntMkku [khufkuh þkuÄíkkt þkuÄíkkt yk ¼õíkLkk økk{{kt {w¤eÃkwhLke LkSf

s ykðu÷ ÷ªçk÷e økk{{kt ykðe Ãknwt[eÞk. íÞkhu Ãkk»koËku yLku fkXe

ËhçkkhkuÚke AwÃkkðk {kxu ©enrh íku ¼õíkLke †eykuLkk ð†ku ÃknuheLku

†eykuLke MkkÚku AwÃkkRLku [k÷ðk {ktzâk íÞkhu [fkuh çkúñkLktË Mðk{eLke

Lke[u Ãkøk íkhV Lksh økRLku yku¤¾e økÞk fu yk [k÷ íkku †eLke LkÚke {kxu

sÁh íku Ãkh{kí{k Au. yk rLkùÞ Úkíkkt s Mðk{eLkk {w¾{kt Úke yk

hMk{Äwh þçËku rLkMkhe Ãkzâk Au. yLku ¼økðkLk ©eMðkr{LkkhkÞý fuðk

¼õík ðíMk÷ Au, íku søkíkLku òuðk {éÞwt fkhý fu íku Mk{Þ{kt fuðe







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Sarth Kirtnavali

81

more engrossed upon the divine form of Lord Swaminarayan andat the end, Lord Swaminarayan will take them to His divine AbodeAkshardham. To spread the Mahamantra, Brahmanand Swamiwould perform sermon and discourses in the villages, towns, andcities of Gujarat and he would set devotees on the path to worship-ping Lord Swaminarayan irrespective of what their status in soci-ety was or how much wealth they possessed. Brahmanand Swamiwould perform discourses and sermons with admiration and com-passion and he also taught that you must worship the Lord with love.Shreeji Maharaj would be very pleased with the devotional servicethat these devotees practiced and for this reason He always madesure that they were safe and happy. One unique incident occurredin Jhalawad, near Muli. Once while Brahmanand Swami wasspreading the divine word of Lord Swaminarayan, he met a verypoor hunter who was from a lower caste of society and his namewas SagraamVaaghri. Sagraam Vaaghri had given BrahmanandSwami some toothbrushes to use and in exchange for the tooth-brushes Brahmanand Swami gave Sagraam Vaaghri theSwaminarayan Mahamantra to chant. Brahmanand Swami advisedSaghraam Vaaghri to chant the Swaminarayan Mahamantra when-ever he faced any difficulties. So, once in his old age when he wasfeeling pain as a result of his old age, he remembered theSwaminarayan Mahamantra and began chanting it with enthusiasmand compassion. As he was chanting, Shreeji Maharaj who at thetime was sleeping in the palace of Ramabhai Darbar in the nearbycity of Muli felt His bed being pulled towards the door of His room.So, Shreeji Maharaj without telling anyone went to rescue Histroubled and sick devotee from his agonizing pain and sufferingand to enlighten Sagraam Vaaghri about the greatness of ShreejiMaharaj’s great and divine form. In the morning the devotees inMuli realized that Shreeji Maharaj was missing and they started tolook for him in all four directions and eventually came to the nearbytown of Limbli, which is where Sagraam Vaaghri lived. Realizingthat the Parshads and Kaathi Darbar Haribhaktas had come look-ing for HimShreeji Maharaj tried to hide and put on women’s clothesto look like a woman. He began walking alongside women to try toblend in with them, but the very intelligent Brahmanand Swami sawShreeji Maharaj’s feet, and realized that it was not a woman walk-ing and so therefore it must be Maharaj who is walking alongsidethe females. Upon realizing this Brahmanand Swami began sing-ing Vaataladi Rahone Raataladi. Bhagwan is so loving and affec-







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82

{kLÞíkkyku níke yufçkeòLkk ½hu sðkLke íkku ðkík s Lk ÚkÞ Ãký yufçkeò

Lkku MÃk]þo MkwtÄk Lknkuíkk fhíkkt íÞkhu ©enrhyu yk çkÄk ¼uË¼kðLku

íke÷kts÷e ykÃkðk {kxu s yk økheçk ¼õíkLke ðkhu «¼w Ãknw[e økÞk y™u

yk¾e hkík íku{Lke MkkÚku {kuxk rðîkLkku MkkÚku ÚkkÞ íkuðe þk†kuLke [[ko

ykí{k Ãkh{kí{kLkk ¿kkLkLke ðkíkku fheLku ¼õíkLkk ík{k{ Ëw:¾kuLkku ytík

ykýe ËeÄku yk Au, ¼økðkLk ©eMðkr{LkkhkÞ{Lkku MkËk Mkðoºk Mkðo{kt

Mk{kLkíkkLke ¼kðLkk yLku íku MkðoLkku {kuûk {u¤ððk{kt Mk{kLk s yrÄfkh

Au.

26 hkøk : økhçke

MkkuLkkLkk çkkuh Íw÷u LktËrfþkuh


Mkk u L k kLk k çkk uh Í w÷ u Lk tËfeþk uh, ÃÞkhkLk u Ã k khý u Mkk u L k kLk k t çkk uh.

nehk{kýuf çknw srzÞk ÃkkhrýÞu, fksw þku¼u Au Áze {kuíkezkLke fkuh. ÃÞkhk. 1

fkuRf fkLkkLku Lkuýu Mkkhu fksr¤Þwt, fkuRf çkLkkðu Áze fMíkwheLke ¾kuh.. ÃÞkhk. 2

ne÷ku økkðuLku {kíkk nrhLku Íw÷kðu, nkÚku økúne Au Áze neh÷kLke Ëkuh. ÃÞkhk. 3

çkúñkLk tË fnu {w¾ hrMkÞk ðk÷{Lkw t, økk uÃke swðu Au su{ [tÿ [fkuh.. 4

©enrh økk{u økk{ {kuxk {kuxk WíMkðku yLku Mk{iÞk fheLku yLkuf

¼õíkkuLku ¼u¤k fhíkkt íku{kt òu fkuR Ãkk{h Sð Ãký ykðe òÞ yLku íkuLku

ytík Mk{Þu yk WíMkð Mk{iÞkLke ÞkË ykðe òÞ íkku íkuLkk ¼u¤e {nkhksLke

{qŠík Ãký ÞkË ykðu yLku íkuýu fheLku íkuLkk ykí{kLkwt fÕÞký ÚkR òÞ íku

nuíkw Úke s ykðk WíMkðku fhíkkt níkkt. íku{kt hk{ Lkð{e,sL{kü{e, yLku

ðMktík Ãkt[{e íkÚkk yLÞ Ãký íknuðkhkuLkk {kuxk WíMkðku Úkíkkt. {nkhks su

økk{Lkk ¼õíkku WíMkð fhðkLkwt yk{tºký ykÃku íÞkt ÃkÄkheLku íku «ËuþLkk

÷k¾ku ¼õíkkuLku ÃkkuíkkLkk rËÔÞ MðÁÃkLkww ¿kkLk ÚkkÞ íkuðk Ãkºkku ÷¾kðeLku

íkuzkðíkkt yLku Ä{o¼Âõík ¿kkLk ðihkøÞLkku WÃkËuþ ykÃkíkkt. {w¤eÃkwhLkk hkò

hk{k¼kR Ãkh{kh Lkk yk{tºkýÚke ©enrh Ãkk[Mkki Ãkh{ntMkku MkkÚku

sL{kü{e Lkku WíMkð fhðk ÃkÄkÞko Au. ©kðý ðË 8 yü{eLkk ¼økðkLk







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Sarth Kirtnavali

83

tionate to all of His devotees irrespective of their class in societyand this fact is so clearly evident in this divine playtime. Beforepeople of a higher class in society used to ostracize and shun peopleof a lower class in society, but Shreeji Maharaj ignored and brokeall of these barriers by coming to the aid of this poor devotee andspending the whole night with him discussing the scriptures andthe relationship between the Soul and the Almighty Shree Hari inthe manner in which scholars would discuss these topics. By do-ing this, Shreeji Maharaj vanquished all of Sagraam Bhagat’s pain.This divine pastime shows usShreeji Maharaj divine vision and howwe shouldtreat everyone equal rights and that everyone has an equalopportunity to attain Salvation.

26 RAAG : GARBI

SONANA BOR JHULE NANDKISHORE


Sonana bor jhule Nandkishore, pyaarane paarane sonana bor...Hira manek bahu jadiya paraniye,

Kaju shobhe chhe rudi motidani kor...pyara 1Koik ka’nane nene sare kajaliyu,

Koik banave kasturini khor...pyara 2Hilo gave ne mata harine jhulave,

Hathe grahi chhe roodi hiralani dor...pyara. 3Brahmanand kahe mukh rasiya va’lamhu,

Gopi jue chhe jem chandra chakor...pyara 4Shreeji Maharaj would always celebrate different festivals and

celebrations with His devotees. He would celebrate these festivalsso that if anyone who came to the celebration andremembered anypart of the festival in their final moments of their life whilst theyare about to leave this Earth, the memory such a festival would helpthem remember the divine form of the Supreme Lord SwaminarayanBhagwan. In their dying moment they remembered the divine idolSwaminarayan Bhagwan they would obtain Salvation. ShreejiMaharaj would celebrate Ram Navmi, Janmashtami, VasantPanchmi, and many other grand festivals throughout the year.Shreeji Maharaj would go to the village, town, or city of the devo-tees that invited Him to celebrate the festival and He would invite







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84

©e f]»ýLkku "køkxâ WíMkð fheLku MkwtËh Ãkkhýwt íkiÞkh fhu÷ Au. íku{kt

{nkhksu ÷k¾ku ¼õíkkuLkk {LkkuhÚk Ãkwhk fhðk rËÔÞ ËþoLk ykÃÞk ÃkkhýkLke

[khu çkksw íkus íkus yLku nehk {kýuf s¤n¤ðk {ktzâkt íku òuRLku

çkúñkLktË Mðk{e Lkk {w¾{kt Úke yk MkwtËh feíkoLkLkk þçËku Lke Mkhðkýe Lkku

«ðkn ðne Ãkzâku.

27 hkøk : økhçke

fkuzu fkuzu yufkËþe


fkuzu fkuzu yufkËþe feSyuhu, yuðwt ðúík òðk Lkð ËeSyu hu. 1

yu ðúík fhu íku ÄLÞ {kLkðe hu, íku íkku LknkÞku fkuxefðkh òöðe hu. 2

suýu ð[Lk «{kýuðúík ykËÞwO hu, íkuýu fkhs ÃkkuíkkLkwt Mkðuo fÞwO hu. 3

yuLkku {rn{k {wrLkðh økkÞ Au hu, yrðLkkþe {ÕÞkLkku WÃkkÞ Au hu. 4

çkúñkLktË fnu yu{kt nrh hÌkk ðþe hu, feÄe WØð «{kýuyufkËþe hu. 5

MkíMktøk{kt WíMkðLkwt Lkk{ ykðu yux÷u ¼õíkkuLku ykLktË ykLktË ÚkR

òÞ. íku{ktÞ {nkhksLkwt yk{tºký ykðu yux÷u íkku WíMkð fhðk ¼õíkku Ëqh

Ëqh Úke Mkt½ku ÷RLku ykððk {ktze Ãkzu. {nkhks™e yk¿kk Au fu Þkºkk {kt

yÚkkoík Ëuð ËþoLk fhðk sRyu íÞkt fkuRyu Ãkkhfwt yÒk Lk ¾kðwt òuRyu

fkhý fu su ËþoLk ðtËLk fu íkÃk fÞwO nkuÞ íkuLkwt V¤ yÒk ykÃkLkkhLku {¤u Au.

íkuÚke WíMkð{kt ykðLkkh ¼õíkku ÃkkuíkkLkk ½hu Úke ¼kíkwt MkkÚku ÷RLku ykðíkk

níkkt. ykðku s WíMkð ¼Ëhðk MkwË 11 s¤S÷ýe yufkËþeLkku WíMkð

{nkhksu y{ËkðkË þnuh{kt fÞkuo yLku Mkki «Úk{ Mkt«ËkÞ{kt økýÃkríkSLkku

ðh½kuzku yk¾k þnuhLke sLkíkkLku ËþoLk ÚkkÞ íku {kxu ðksíku økksíku WíMkð

fhíkkt Mkkçkh{íke LkËeLkk MkóŠ»kLkk ykhu Ãkkt[Mkki Ãkh{ntMkku yLku ÷k¾ku

¼õíkkuLke MkkÚku MðÞt {nkhks økýÃkríkSLku s¤ S÷kððk ÃkÄkÞko.

ykðu÷k nòhku ¼õíkku yk¾ku rËðMk WíMkð fÞkuo yLku feíkoLkku çkkuÕÞ hkºke

Ãkzðk ykðe íÞkhu ÚkkõÞk yLku ð¤e ÃkkAk ¼wÏÞk Ãký ÚkÞk níkkt. Úkkfu÷kt

yLku ¼wÏÞk ¼õíkku ftRf ¾kðk {¤u íkuLke þkuÄ fhðk {tzâk fux÷ktf MkkÚku







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Sarth Kirtnavali

85

hundreds and thousands of devotees to participate and celebrate thefestival with Him. During all the celebrations and festivities, ShreejiMaharaj would teach His devotees about the greatness of His di-vine form and the importance of Dharma (pious path rules and regu-lations), Bhakti (devotional service), Gnaan (true knowledge), andVairagya (detachment from World entities and attached only to theLord Almighty Swaminarayan).

27 RAAG : GARBI

KODE KODE EKADASHI


Kode Kode ekadashi Kijiye re, Evu vrat Java nav Dijiye re...kode 1E vrat kare te dhanya manvi re, Te to nahyo kotik var jahnavi re...kode 2Jene vachan pramane vrat adaryu re, Tene karaj potanu sarve karyu re...kode 3Eno mahima munivar gay chhe re, Avinashi malyano upay chhe re...kode 4Brahmanand kahe ema Hari rahya vasi re, Kidhi Uddhav pramane ekadashi re...kode 5

In the holy fellowship the word festival brings joy and en-lightenment to the devotees. That joy is magnified when the Al-mighty Lord Swaminarayan sends an invitation all the devotees,many devotees from all around Bharat would come and take partin the festivals. The Almighty Lord Swaminarayan Bhagwan hadadvised us, that while performing pilgrimages from one piousplace to another or just going to meet the divine form of LordShree Hari one should not accept the food from other people, byjust performing this task the fruits obtained by meeting Bhagwan,devotional services and austerities gets transferred to the personwho donates the food. For that reason people coming for the fes-tival would bring food along with them. A similar celebrationwas organized on Bhadarva Sud JaljiniEkadashi by ShreejiMaharaj in the city of Ahmedabad. For the first time in the fel-lowship a grand parade was organized so that the people of thecity can view and see, Shreeji Maharaj Himself arrived alongwith his 500 Supreme Saints and devotees to sail the image ofLord Ganesh. All the people who attended the celebrations hadsung devotional songs throughout the whole day. At dusk they







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86

÷kðu÷kt ¼kíkk ¾ku÷eLku çkuMke økÞk íÞkhu ©en rhLke «uhýkÚke yLku ð[LkÚke

yk ¼õíkkuLku yufkËþeLkwt {nkíBÞ yLku íkuLkwt ðúík fhðkLke «uhýk ykÃkíkwt yk

ÃkË Mkt¼¤kðeLku MkkðÄkLk fÞko. fkuzu fkuzu yufkËþe..... nu ¼õíkku yufkËþeLkk

ðúíkLkwt V¤ íkku çkÄks ðúíkku yLku Þ¿kku fhíkkt Ãký yrÄf Au. þk†Lkk ð[Lk

«{kýusu fkuR ¼õík yufkËþeLkwt ðúík fhu Au. íkuLkwt SðLk ÄLÞ ÚkR òÞ Au.

yLku íkuLku íkku Mkkûkkík yrðLkkþe Ãkh{kí{k ¼økðkLk ©eMðkr{LkkhkÞýLke

«kró ÚkkÞ Au. ykðku {rn{kt {kuxk {kuxk {wrLk yku økkÞ Au. yLku

ykíÞtríkf {kuûkLkwt {kuxk{kt {kuxwt MkkÄLk yk yufkËþeLkwt ðúík fhðwt íku Au.

{kxu nu ¼õíkku òu ík{khu yrík ¼q¾Lkk fkhýu hne þfkíkwt Lk nkuÞ íkku ÕÞku

y{u ík{Lku V¤kuLkku «MkkË ykÃkeyu íku LkkÚke ¼q¾ ík]ó f hku Ãký çkeswt fkuR

ÃkËkÚko ¼ûký fheLku ðúík ¼tøk Lk fhþku. yu{ fneLku Mk.økw. çkúñkLktË

Mðk{eyu Mkki WíMkðeÞk ¼õíkkuLku {trËh{ktÚke fu¤kLkku «MkkË yÃkkÔÞku. yLku

yufkËþe rLkÞ{ Ãkqðof fhðkLkku {køko çkíkkÔÞku. íÞkhÚke yks rËLk MkwÄe

y{ËkðkËLkk økýÃkríkSLkku ðh½kuzku rLkf¤u Au yLku íku{kt ykðu÷kt ík{k{

¼õíkkuLku {trËh íkhVÚke fu¤kLkku «MkkË ðh½kuzku Ãkwhku ÚkkÞ íÞkhu yÃkkÞ Au.

28 hkøk : Äku¤ ÃkË

økE’íke økE’íke ¼hðkLku Lkeh


økRíke økRíke ¼hðkLku Lkeh, MkÞihLkk Mktøk{kt hu ÷ku÷.

h{íkkt ËeXk ~Þk{ Mkwòý, htøke÷ku htøk{kt hu - - ÷ku÷. 1

òuÞwt hrMkÞkSLkwt ÁÃk,y÷kifef yksLkwt hu ÷ku÷.

òýu þhË ÃkqLk{Lkku [ktË, ðËLk ðúshksLkwt hu - - ÷ku÷. 2

MkLk{w¾ ykðu øksøkíke [k÷, fu ytøk {hkuzíkkt hu ÷ku÷.

hrMkÞku Lkuýwt MkkÚku Lkuý fu, òuhu òuzíkkt hu - - ÷ku÷. 3

Lkk¾e çkúñkLktËLku LkkÚk, y[kLkf ykt¾ze hu ÷ku÷.

{khk r[¥k{kt ÷køke [kux fu, ½kÞ÷ ÚkR Ãkze hu - - ÷ku÷. 4

yuf ð¾ík Ãkkt[Mkki Ãkh{ntMkku MkkÚku {nkhks {w¤eÃkwh{k thk{k¼kR







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Sarth Kirtnavali

87

were all tired and hungry. The tired and hungry people startedlooking for food. Some who had brought food along with themstarted opening their packages. At that time, with the inspirationalwords of Shree Hari, this song, describing the importance ofEkadashi and inspiring the people to follow the fast was sung toalert them. The benefit of doing Ekadashi is higher than any othervows or performing sacrosanct rituals. The people who observethis vow of Ekadashi, their life becomes worthwhile and theybecome reunited to Almighty Lord Shree Swaminarayan. This isthe glory sung by respected Saints. Observing the vow of Ekadashiis a great tool to obtain Ultimate Salvation. Therefore, Oh Devo-tees! If you cannot bear the hunger then we will give you someblessed gifts of fruits but do not break your fast by eating anygrains. Thus, Brahmanand Swami gave the blessed gracious fruitsof banana from the temple to all the devotees who attended thecelebration and showed them the way to perform Ekadashi fol-lowing the righteous path. From that day, even today the paradeof Lord Ganesh of Ahmedabad and at the end of the parade, apious food of banana is given out from the temple to all the atten-dants.

28 RAAG : GARBI

GAITI GAITI BHARAVANE NIR


Gaiti gaiti bharavane nir, Saiyarana sangma re lol;

Ranata ditha shyam sujan, Rangilo rangma re...lol. 1

Joyu rasiyajinu roop, Alaukik aajnu re lol;

Jane sharad punamno chand, Vadan vrajrajnu re...lol. 2

Sanmukh aave gajgati chal, Ke ang marodata re lol;

Rasiyo nenu sath nen ke, Jore jodata re...lol. 3

Nakhi brhamanandne nath, Achanak ankhadi re lol;

Mara chitama lagi chot ke, Ghayal thai padi re...lol. 4Lord Swaminarayan and His 500 enlightened Saints visited

the royal estate of King Ramabhai. During their stay every morn-







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88

hkòLkk Ëhçkkh{kt ÃkÄkÞko níkkt yLku rLkíÞ Mkðkhu ßÞkt MkwÄe hkufkýkt

íÞktMkwÄe ðnu÷kt ¼kuøkkðk LkrËyu MLkkLk fhðk ÃkÄkhíkkt yLku Mktíkku MkkÚku yu

¼kuøkðíke LkrË{kt s¤ ¢ezk fhíkkt yLku ¼õíkkuLku ykLktË ykÃkíkkt. ysðk¤e

ÃkkA÷e hkík nkuÞ yLku Mktíkku yLku ¼õíkku {Äwh Mðhu feíkoLkku økkíkk nkuÞ

rþík¤ þktík rLkhð ðkíkkðhý{kt ykLktË{kt ykðe økÞu÷k {nkhks Mkki Lke

MkkÚku íkkLk ykÃkeLku økkíkk økkíkkt hkMk h{ðk ÷køke økÞk íÞkhu su rËÔÞ ËþoLk

Mk.økw.çkúñkLktË Mðk{eLku ÚkÞk íkuLkwt Mkw{Äwh ðýoLk yk feíkoLkLkk [kh [kh

ÃkËku økkRLku ©enrhLku hkS hkS fhe ËeÄk.yLku yZ¤f Z¤u÷kt {nkhksu

Mk{økú MkíMktøkLku ðhËkLk ykÃÞwt fu yk çkúñkLktË {wrLkLkk yk [kh ÃkËku su

¼õíkku {qŠíkLku Mkt¼kheLku Ëhhkus økkþu íkuLkk WÃkh y{u hkS ÚkRLku y{kÁt

yûkh Äk{ ykÃkeþwt.

29 hkøk : ¼ihðe

yÄ{ WØkhý yrðLkkþe íkkhk...


yÄ{ WæÄkhý yrðLkkþe íkkhk rçkÁËLke çkr÷nkhe hu,

økúne çkktÌk Akuzku Lkrn røkrhÄh yrð[¤ xuf ík{khe hu. yÄ{. 1

¼he Mk¼k{kt ¼qËhS ík{u ÚkÞk Aku {kze {khe hu,

çkuxkLku nuíku çkku÷kðku yðøkwrýÞk rðMkkhe hu. yÄ{. 2

suðku íkuðku Ãkwºk ík{khku yýMk{sw yntfkhe hu,

Ãkux Ãkzâku íku yð~Þ Ãkk¤ðku ðk÷{ swyku rð[khe hu. yÄ{. 3

yLk¤ yne òu økúnu yòýu íkuk Akuzkðu hkuðkhe hu,

çkk¤fLku sLkLke Mk{ çkeswt Lkrn søk{kt rníkfkhe hu. yÄ{. 4

çkúñkLktË Lke yus rðLkíke {Lk Äkheyu {whkhe hu,

«eík Mkrník Ëþo ÃkhMkkËe òuÞu Mkkts Mkðkhe hu. yÄ{. 5

{kuxk {kuxk {wrLkyku Lku Ãký {kLkð þheh Äkhý fhu yux÷u

{Lkw»ÞLkk Ä{o Ãkk¤ðk Ãkzu. yLku {Lkw»ÞLkk Ä{uo fheLku þheh{kt su sL{

{]íÞwt hkuøk Ãkezk ykðu íku Mðefkhðk Ãkzu. íku LÞkÞu Mk.økw.çkúñkLktË Mðk{eLku







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Sarth Kirtnavali

89

ing Lord Swaminarayan and the enlightened Saints bathed in theBhogava River. They enjoyed having fun in the river to all theamusement for the devotees watching nearby. Saints and devo-tees are filling the air with melodious song & music praising thedivine environment all are experiencing. The atmosphere is fan-tastic and tranquil.Elated with joy, Lord Swaminarayan was inpure synchronicity with the music as He performed the circulardance with His devotees and Saints. Viewing this most holy ofscenes, the eminent enlightened Saint Brahmanand Swami sopoetically praised the Lord in this quadruple versed devotionalhymn. Each and every word admiring Lord Swaminarayan trulypleased Him so much! So overjoyed, Lord Swaminarayan be-stowed His heaven to any devotee that focused on the image theLord and daily sang all four verses of this devotional hymn. (Thisepisode was documented in Adharanand Swami’s book of wis-dom.)

29 RAAG : BHAIRAVI

ADHAM UDDHARAN AVINASHI TARA


Adham uddharan Avinashi tara, Birudni balihari re;Grahi bahya chhodo nahi Giridhar, Avichal tek tamari re...Adham 1Bhari sabhama Bhudharji tame, Thaya chho madi mari re...

Betane hete bolavo, Avguniya visari re...Adham 2Jevo tevo toye putra tamaro, Ansamju ahankari re;

Pet padyo te avashya palvo, Va’lam juone vichari re...Adham 3Anal ahi jo grahe ajane, To chhodave rovari re;

Balakne janni sam biju, Nahi jagma hitkari re...Adham 4Brahmanandni ej vinanti, Man dharie Murari re;

Prit sahit darshan parsadi, Joiye sanj savari re...Adham 5Great Revered Saints are born upon this Earth as humans and they

also have to follow the path of righteousness. It is the characteristic ofthe human body to be born, also to become deceased, have diseases, fallingill, suffering pain all of these entities affect the human body and we haveto accept them with a smile. A perfect example of this would be the ex-ample of Sadguru Brahmanand Swami. He himself was a divine soul whohad come from the heavens with the Almighty Shreeji Maharaj, but to







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90

þhehu {tËðkz ykÔÞku. íÞkhu ©enrh ¾çkh ytíkh ÃkwAðk ÃkÄkÞko òuRLku

{nkhks çkkuÕÞku fu nðu Mðk{eLke ykÞw»Þ Ãkwhe Úkðk ykðe Au. yk

Mkk¼¤eLku Mktíkku yLku ¼õíkku çknw Ëw:¾e ÚkR økÞk íku{kt Ãký †e rð¼køk{kt

íkku fux÷ktf íkku Ãkkuf {wfeLku hzðk {ktzâk.yLku {nkhksLku «kÚkoLkk fhðk

÷køÞk nu {nkhks ík{kuíkku EïhkuLkk Ãký Eïh Aku. yLku fíkwO yfíkwO

yLÞÚkk fíkwO Mk{Úko Aku. {kxu øk{u íku{ fhku Ãký Mðk{eLku hk¾ku s íÞkhu

{nkhksu MkkiLku ÃkkuíkkLke ykÞw»Þ ykÃkðk fÌkwt íkuÚke Mkkiyu ÃkkuíkkLke ykÞw»Þ{kt

Úke y{wf rËðMkku ykuAk fheLku Mðk{eLku Vk¤ÔÞk. Mðk{eLke ykÞw»Þ ðÄe

yLku þhehu Ãký MkkÁ ÚkR økÞwt. Ãkhtíkw yuf rËðMk y[kLkf su{Lke MkkÚku

økkZ MLkun Au íkuðk {wõíkkLktË Mðk{e MkkÚku ðkËrððkË ÚkÞku íÞkhu ©enrh

çkkuÕÞku fu ykíkku fkuRf ðZfýe Lke ykÞw»ÞLkku rËðMk nþu íkuÚke yk{ ÚkÞwt

Au. yLÞÚkk {wõík {wrLk yLku çkúñ {wrLk{kt rððkË ÚkÞ s Lkne. yk

ðZfýeLkku rËðMk Ãkwhku ÚkÞku yLku Mkðkh{kt Mðk{e ©enrhLke ÃkkMku sRLku

ÃkkuíkkLkkÚke ðkËrððkË ÚkR økÞku íku çkË÷ ûk{k «kÚkoLkkLkk ÁÃk{kt yk

«¼kíkeÞktLkwt feíkoLkLkk MkwtËh þçËku frðíkkLkk ÁÃk{kt rLkMkhe Ãkzâk su

søkíkLkk Sð {kºkLku {kxu ©enrhLkk þhýu Úkðk{kt WÃkÞkuøke ÚkR Ãkzâk

Au.

30 hkøk : økhçke

ykuhk ykðku {khk ÷uh¾zk ÷uhe


ykuhk ykðku {khk ÷uh¾zk ÷uhe, feÄku ík{ MkkÁt {U søk ðuhe. ykuhk. xuf.

fksw Lkki¥k{ ò{k shfMkeÞk, þku¼u Ãkk½÷ze rþh MkkuLkuhe. ykuhk. 1

Lktøk szeyu÷ çkksw çkuh¾zk, fh ÃkkU[e nu{fzkt Ãkuhe. ykuhk. 2

ík{u hMkeÞk htøkzkLkk ¼heÞk, {w¾ {kuh÷ze ðkíkk ½uhe. ykuhk. 3

çkúñkLktËLkk Au÷k Akuøkk¤k, [k÷ku [k÷ {÷Ãkíkk øksfuhe. ykuhk. 4

Ëh ð»kuo ¼økðkLk ©eLkhLkkhkÞýËuðLke sL{ sÞtrík yux÷u fu

Vw÷Ëku÷Lkku WíMkð {nkhks Äk{Äw{Úke y{ËkðkË, ðzíkk÷, økZÃkwh,







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Sarth Kirtnavali

91

give justice to the human body Sadguru Brahmanand Swami has alsofallen ill. The all merciful Lord Swaminarayan Bhagwan has come toassess the status of Swamiji’s health. After investigating Swamiji’s symp-toms Shreeji Maharaj articulates to all the devotees and Saints, “that thelifespan of Brahmanand Swami is coming to an end.” Just by hearingthis news the devotees and Saints become immensely distressed, thefemale devotees could not contain themselves and started to cry outverbally and started to plea and pray to Shreeji Maharaj.Dear Maharaj!You are the Supreme Almighty Bhagwan himself and Youare the Creatorand the Controllerof the Universe and All that is in it. Dear Maharaj! Dowhatever is necessary, but keep our beloved Brahmanand Swami alive.Shreeji Maharaj tells the devotees nothing in this World comes for free,to increase the lifespan of Swamiji you all should be willing to give upsome of your lifespan. All the devotees and Saints agreed and each gave3 to 4 days according to their abilities to Swamiji. The lifespan of Swamijiincreased dramatically and the illness he had in his body disappeared.One day the Saint who Brahmanand Swami admire and respected themost Sadguru Muktanand Swami, Brahmanand Swami was arguing withhim. Shreeji Maharaj was watching this commotion and intervened, thisargument and commotion would never take place between these Saints,but there is only reason that this has occurred and this because a femalewho always quarrels has offered her lifespan to Swami. The day offeredby that quarrelsome female had passed, in the morning the Saints havegone to the river and had a bath and asked the Almighty Shree Hari forhis forgiveness. The prayer they offered to Shreeji Maharaj automati-cally became a hymn and was sung in the Prabhatiya rhythm. This divinehymn today has become the pillar of the Swaminarayan fellowship andbecome beneficial to all Worldly Soul.

30 RAAG : GARBI

ORA AAVO MAARA LERAKHDA LAHERI


Ora aavo maara lerakhda laheri, kidho tarn saaru me jag very. Ora.

Kaaju nautam jaama jarakasiya, shobhe paaghladi shir soneri. Ora. 1

Nang jadiyel baaju berakhda, kar ponchi hem kada paheri. Ora. 2

Tame rasiya rangda na bhariya, mukh morldi vaata gheri. Ora. 3

Brahmanand na chhela chhogala, chaalo chaal chatakata gaj keri. Ora. 4Every year the divine form of NarNarayan Dev’s birthday is celebrated

throughout Gujarat. This celebration is called Phuldolutsav and duringShreeji Maharaj time on this Earth, the Lord Almighty used to celebrate thisfestival in Ahmedabad, Vadtal, Gadhpur, Muli and many different villages







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92

{w¤e yu{ Ëhuf Äk{ku{kt fhíkkt yLku ¼õíkkuLke MkkÚku ¾wçk htøk h{íkkt yLku

h{kzíkkt. yuðe s heíku y{ËkðkË þnuhLkk ¼õíkkuLku MkíMktøkLkku htøk [zkðe

Ëuðk {kxu Ãkh{ntMkku yLku nòhku ¼õíkku MkkÚku {nkhksu ©eLkhLkkhkÞýkrË

ËuðLkk MkkrLkæÞ{kt [kuf{kt Vw÷Ëku÷Lkku WíMkð fÞkuo yLku çku xwfzeyku ÃkkzeLku

Mktíkku yLku fkXe Ëhçkkhku yLku Ãkk»koËku Lku MkkiLku yksíkku htøku htøkkR sðkLkku

ykËuþ ykÃÞku. yçke÷ økw÷k÷ Lke Aku¤ku Wzðk {tze yufçkeòLkk {w¾

WÃkh yLku {Míkf {kt ¾kuçkk ¼he ¼heLku yçke÷ økw÷k÷ ÃkhMÃkh høkËku¤ðk

{tzâk. yk òuRLku {nkhks yrík h{ws fhíkkt MkkiLku «kuíMkkrník fhíkkt

níkkt.çkúñkLktË Mðk{e yLku Mkwhku¾k[h yk{ íkku Mk¾k Ãký yksu çkhkuçkhLkk

Mkk{Mkk{ htøk h{ðk ykðe økÞk yLku Mðk{eLke [kux÷e ÃkfzeLku Mkwhk¾k[hu

Ãkkze ËeÄk yLku htøk htøk fhe {wõÞk íÞkhu Mðk{e Mkwhk¾khLkk {kÚku nkÚk

Vuhðkð {tzkÞk òýu nwt Ãký íkuLke [kux÷e Ãkfzwt Ãký yuíkku xk÷ ðk¤k níkk

yk á~Þ òuRLku ©enrh ¾z¾zkx nMkíkkt ©enrh fnu Mðk{e íkuíkku xk÷

ðk¤k Au. yk þçËku Mkkt¼¤eLku Mðk{eLku rð[kh ÚkÞku fu yk çkÄw fk{

{nkhksLkwt s Au. íku{ýu s Mkwhk¾k[hLku {kuf÷u÷ Au. íkuÚke nðu íkku

{nkhksLku s htøkðk Au. ykðwt rð[khLku fnuðk {ktzâk fu nu {nkhks

ík{khk fnuðkÚke yk {U htøk h{ðkLkwt [k÷wt fÞwO Au. yLku ík{ku íkku yk{ Ëqh

W¼k W¼k Mkkhk Mkkhk sheÞkLke ð†ku ÃknuheLku çkÄwt òuÞk fhku Aku íkku. nðu

ykuhk ykðku Lkrn íkku nwt ykðwt Awt yLku ík{Lku htøkÚke ¼he ËW Awt. fkhý

fu ík{ku íkku íku{kt hrMkÞk Aku. Äehu Äehu øks [k÷u íku{ [k÷íkkt ykðku yLku

yk{khk MkkiLkk {LkkuhÚk Ãkqýo fhku. Mðk{eLke yk «kÚkoLkk Mkt¼¤e yLku

©enrh Ãký htøku htøkkR økÞk.

31 hkøk : økhçke

yuf÷zkt fu{ hu’ ðkÞ...


yuf÷zkt fu{ huðkÞ ík{ rðLkk ðk÷kS,

{trËheÞwt ¾kðkLku ÄkÞ. ík{. 1







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Sarth Kirtnavali

93

throughout Gujarat. During this festival numerous amount of devoteeswould gather and the Supreme Lord Himself Swaminarayan Bhagwanplayed with paint powder with the devotees. One memorable moment waswhen Shreeji Maharaj celebrated Phuldoutsav at Ahmedabad. All the devo-tees, non-devotees and the enlightened Saints have all gathered in the middleof open space in front of the divine idols of NarNarayan Dev. Shreeji Maharajhas split all the people gathered in to groups. The Saints, devotees, KatiDarbar and Parshads and has requested, Today! Everyone should be cov-ered from head to toe in paint. Fragranced red and white powder is beingthrown in the air, devotees faces, hands and body are all covered with thispaint powder. Shreeji Maharaj is encouraging the devotees to play more withthe powder even to the extent with His divine hands He is giving the devo-tees the powder to play with. Brahmanand Swami and SuraKachar very closefriends, but today they are on opposite parties and are ready to play powderpaint with each other. SuraKachar predominantly does not know how to playthis game, so he reverts to mundane tactics and grabs Brahmanand Swami’spigtail swings him around, throws Swamiji on the floor and cover him withpaint. Brahmanand Swami realizes that SuraKachar is using unfair tacticsand Swamiji tries to grab SuraKachar ponytail, but to no advantage,SuraKachar himself was bald he did not have a pigtail. Shreeji Maharaj re-siding on his throne is watching this and laughs with amusement, DearSwami! He is bald he does not have a pigtail. Hearing these words Swamirealizes that what was happening today was the will of Shreeji Maharaj.Shreeji Maharaj organized the whole event and He is the one that SuraKacharto play with me. If Shreeji Maharaj is the person who instigated this then Ihave to cover Shreeji Maharaj with paint. With this thought in his mindBrahmanand Swami shouted out, Dear Maharaj! It was your wish for allthe Saints and devotees to play with paint powder we have started the gameoff, but the main player, my beloved Bhagwan You have not entered thearena. It is no good You standing up there wearing your golden and silverthreaded clothes either You come down over here and play or I will comeup there and play with you. Without you physically taking part in this fes-tival this festival has no flavor. You are the one that brings flavor and ex-citement in to all activities my Dear Lord Shree Hari. Just like an elephantwalks slowly, please come down join in the procession and fulfill all ourdesires. Shreeji Maharaj has smiled at Brahmanand Swami’s request andhas entered the arena and from head to toe totally covered in paint by all thedevotees and Saints,

31 RAAG : GARBI

EKAALADA KEM RAHEVAY


Ekaalada kem rahevay, tarn vina valamji,mandiriyu khava dhay. Tarn. 1







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94

niÞkLke fkuý Ãkqhu nk{, ík{...

{khu nkÚk Lk ÷køku fk{ ík{. 2

fkuý {kLku rË÷Lke ðkík, ík{..

Mkw¾ Lkkðu rËLk Lku hkík. ík{.. 3

{khe swøk íkw÷ hsLke òÞ, ík{..

{nk Ëw:¾ Au niÞk {ktÞ.. ík{. 4

çkúñkLktËLkk Mðk{e òý, ík{...

nwt fu{ fhe hk¾wt «ký. ík{. 5

«u{eLku ÃkkuíkkLkk r«Þík{ rðLkk yuf ûký Ãký hne þfkíkwt LkÚke. íku íkku

Mkk[k «u{eLku ¾çkh Ãkzu fu{ ÚkkÞ Au. su{ {kA÷e Ãkkýe rðLkk yuf ûký

Ãký hrn þfíke LkÚke íku{ r«ík{{kt suLku økkZ MLkun çktÄkýku Au. íku fu{ hrn

þfu. yLkLÞ «u{ yus þhýkøkrík suLku þk†ku{kt «ÃkÒk ¼Âõík fnu Au.

yus þhýk økrík ¼Âõík Úke s Ãkh{kí{kLke «kró ÚkkÞ Au. ykíÞtríkf {kuûk

þhýkøkrík rðLkk fkuR Ãký MkkÄLku fheLku {¤íkku LkÚke. r«Þík{Lkk rðÞkuøk{kt

«u{eLke su Ëþk ÚkkÞ Au, íku Ëþk þhýkøkík ¼õíkLke ÃkkuíkkLkk «¼wLkk

rðÞkuøk{k ÚkkÞ Au. Mkðkoðíkkhe ¼økðkLk ©eMðkr{LkkhkÞý yk Ãk]Úðe

WÃkhÚke ytíkhÄkLk ÚkR økÞk Au. Ãký çkúñkLktË Mðk{eLku {trËhkuLkwt fk{ Ãkqýo

ÚkkÞ MkwÄe hkufkðkLke yk¿kk fhíkkt økÞk Au. {w¤e {trËh{kt hkÄkf]»ý

ËuðLke «ký «ríkckíkku ©enrh ÃkkuíkkLkk ðhË nMíku fhíkkt økÞk Au. Ãký

çkkfeLkwt su fk{ Au íku ÃkwÁ fhðkLkwt Au. Ãký çkúñkLktË Mðk{eLku nðu yk

fk{{kt {Lk ÷køkíkwt LkÚke. íkuÚke «¼wLku «kÚkoLkk fhíkkt fnu Au. nu «¼w nðu

yuf÷kt hrn þfkíkwt ™Úke. yuf yuf hkík òýu Þwøk Þwøk sux÷e ÷ktçke ÚkR

òÞ Au. yk ðkík {khu fkuLku fnuðk sðe yLku {kLku Ãký fkuý {khk «ký

Lku nwt fu{ fheLku hk¾wt nðu «ký Lkrn xfu {kxu nu «¼w {khk WÃkh {nuh

fhòu.







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Sarth Kirtnavali

95

Haiyani kon pure ham-Tarn.

Mare hath na lage kam. Tarn. 2Kon mane dil ni vat- Tarn.

Sukh nave Din ne raat. Tarn. 3Mare jug tul rajni jay-Tarn.

Maha dukh chhe haiya may. Tarn. 4Brahmanandna swami jan Tarn.

Hu kem kari rakhu pran. Tarn. 5A true lover cannot stay one moment without his darling sweet-

heart. When you have experienced this, then and only then haveyou experienced true love. Just like a fish, it cannot live withoutwater for even a second, he who is in deep love and has immenseaffection for his beloved, cannot stay away from their loved one.

What is true love? True love is surrendering yourself to youloved one. The Scriptures calls it devotional refuge.Ultimate Sal-vation cannot be attained with any instrumental means but sur-rendering yourself to the wishes of the Almighty Shree Hari. Thepain and suffering that a lover suffers when separated from theirloved one, is very similar to what a surrendered devotee feelswhen separated from their Lord and Savior Shree SwaminarayanBhagwan.

The Supreme Lord Bhagwan Shree Swaminarayan has departedfrom his physical form on this Earth and has commandedBrahmanand Swami to stay on this Earth until the constructionofMuli Temple is complete.

The divine idols of RadhakrishnaDev’s initiation process(pranprathistha) were already performed by the divine hands ofthe Almighty Shree Swaminarayan Bhagwan whilst He was stillpresent on this Earth in the majestic village ofMuli. Everyonewas anxiously waiting for the temple construction to be com-pleted, but Brahmanand Swami isunable to pay attention on theconstruction work. So, he is praying to Almighty Shree Hari, DearLord! It is hard to stay alone now. Every moment feels like an erahas passed. Who can I tell my feelings too and who will believethem? How can I live in this situation? I do not think I can stayalive now so my Beloved Lord! Please have mercy upon me.







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96

32 hkøk : {kZ

{kýfeyu [zâk hu....

h[Lkk : Mk.økw. «u{kLktË Mðk{e

{kýfeyu [zâk hu {kunLk ðLk{k¤e, þku¼u Áze fh{kt ÷økk{ ÁÃkk¤e,

{kýeøkh MkkiLku fnu Au Úkkyku íkiÞkh,

{wrLk ðhýe ÃkËkíkeLku yMkðkh, ð]íkÃkwhe òðk fÞkuo rLkhÄkh.{kýfeyu. 1

fuMkh çkuhe çkkuË÷eLku Vq÷{k¤,íkksý íke¾e ðkøkýeLkku ½ýku íkk÷,

þku¼u ½ýkt Ônk÷k ÷køku Au {hk¤. {kýfeyu. 2

«u{e ¼õík rðLkíke fhu Ëkuze Ëkuze, ÷kun[wtçkf ð]r¥k {qhrík{kt òuze,

LkÚke òíke Ëhçkkh{ktÚke ½kuze. {kýfeyu. 3

yk¿kk ykÃkku y{u òÞu ðúíkÃkwhe, òðku «¼w hk{Lkð{e LkÚke Ëqhe,

Mkuðf ËkMk «u{kLktË nsqhe. {kýfeyu. 4

søkíkLkk rMkæÄku MkkÄfku WÃkkMkfku yLku íkÃkMðeyku MkkiLku øk{u íku{

fheLku Ãký ¼økðkLk {u¤ðe ÷uðk Au. yÚkkoík ÃkkuíkkLkk fhe÷u ðkLke ¾uðLkk

Au. Ãký þk~ºkku{kt yuðwt ykðu Au fu fkuR Ãký WÃkkÞ fu MkkÄLku fheLku

Ãkh{kí{k fkuRLkuÞ õÞkhuÞ ðþ Úkíkkt s ™Úke. fkhý fu Ãkhçkúñ Ãkh{kí{k

íkku Mðíktºk Au. søkík yk¾w Ãkhíktºk Au yLku yuf {kºk Ãkh{kí{k s Mðíktºk

Au. Ãkhtíkwt «u{e ¼õík òu fkuR {¤e òÞ íkku íku rLkËkuo»k rLk»fÃkx «u{Lke

ykøk¤ «¼w ÃkkuíkkLkk çkLkkðu÷k çkÄk s rLkÞ{kuLku yufçkksw hk¾eLku íku «u{e

¼õíkLke {køkýeykuLku ykrÄLk ÚkRLku íku «u{e ¼õíkLku ðþ ÚkR òÞ Au.

¼økðkLk ©eMðkr{LkkhkÞý Mkkík ð»koo ðLk{kt rð[hý fÞwO ½ýkt {kuxk

hkskyku yLku {kuxk ¿kkLke æÞkLke íkÃkMðeyku {éÞk níkkt Mkki rLk÷ftX ðýeo

{nk«¼wLku hkufeLku ÃkkuíkkLkk fhe ÷uðk «ÞíLk fhe òuÞku Ãký õÞktÞ Lk

hkufkýk yLku y®n økZÃkwh{kt yu¼÷ ¾k[hLkk ÃkrhðkhLkku rLkËkuo»k «u{

skuRLku yuðk íkku hkufkR økÞk fu çkesu sðwt nkuÞ íkkuÞ íku «u{e ¼õíkkuLke hò

÷RLku s òÞ Au. yuðku «u{÷ûkýk ¼ÂõíkLkku «¼kð Au. ©enrhLku ðzkíkk÷

©eLkhLkkhkÞýËuðLke sÞtrík su Vw÷Ëku÷kuíMkð fnuðkÞ Au. WíMkð fhðk

ykððkLkwt yk{tºký ykÔÞwt Au. yLku ðzíkk÷ sðwt Au. Mkki íkiÞkh Ãký ÚkR







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Sarth Kirtnavali

97

32 RAAG : MAGH

MANAKIYE CHADYA RE

Sad Guru Premanand Swami

Manakiye chadyare mohan vanmali, shobhe rudi karama lagam rupali.Manakiye Manigar sahune ke’chhe thao tyar,muni varani padati ne asvar; Vratpuri Java karyo nirdhar. manakiye. 1Kesar, beri, bodali ne fulmal, tajan, tikhi, vangali no ghano tal,

Shobhe Ghana vala lagechhe maral. manakiye. 2

Premibhakt vinanti kare dodi dodi, lohchumbak tulya vrutti Murtima Jodi,Nathi jati dai barmanthi ghodi. manakiye. 3

Aagnya aapo ame jaie Vratpuri, jao prabhu ram navmi nathi duri,Sevakdas premanand hajuri. manakiye. 4

All of the yogis, worshippers and devotees of the World all havea simple desire, they all want to attain Bhagwan and take refuge inHis great divine form in any way possible, which means they wantto make Bhagwan their own. The problem with this is the Scrip-tures say that the Almighty Lord cannot be bound to anyone by anymeans, because the Almighty Lord is completely independent andliberated to the ways of the World, whereas, we the souls of the Worldare bound by Bhagwan’s laws of nature and creation. However,whenever Bhagwan meets with and comes across a loving devoteewhose love for Bhagwan is pure, innocent, and selfless, He over-looks His own rules of nature and becomes bound by His devotee’strue and pure love.

Swaminarayan Bhagwan spent seven years on his pilgrimagethroughout India. Throughout His pilgrimage, NilkanthVarni metmany Kings, Scholars, Yogis, and Saints and they all tried to stopHim and keep Him with them, but He did not stop for anyone andleft everyone behind. Time passed and He met EbhalKhachar andhis family in Gadhada, their pure and genuine love for Him com-pelled Him to stay in Gadhada, so much so that He would have totake their permission whenever He wanted to go to other towns andvillages. This is the true effect of devotional service marked by truelove (prem-lakshana bhakti).

One year, the devotees of Vadtal invited Shreeji Maharaj to cel-ebrate NarNarayan Dev Jayanti – Phuldolotsav in Vadtal, and







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98

økÞk Au. Mktíkku Ãkk»koËku yLku ¼õíkku MkkÚku [k÷Lkkh ½kuzuïkhku Ãkkuík ÃkkuíkkLkk

½kuzkykuLku íkiÞkh fhkLku W¼k Au. MðÞt ©enrh Ãký ÃkkuíkkLke {kýfe ½kuze

WÃkh [zeLku íkiÞkh W¼k Au. fkXe Ëhçkkhku yLku Ãkk»koËkuyu fkuRyu ÃkkuíkkLke

ÃkkýeËkh fuMkh òíkLke ½kuze íkku fkuRyu, ÁÃkk¤e çkuhe òíkLke ½kuze, fkuRyu

økðoðtrík çkkuË÷e òíkeLke ½kuze íkku fkuRLku ð¤e Vw÷{k¤,íkku fkuRLku íkksý,

íke¾e, yLku ðkøkýe òíkeLke ½kuzeyku Mkki íkiÞkh fheLku ðkx òuðu Au. fhý

fu {nkhksLke {kýfe ËhçkkhøkZ{ktÚke çknkh LkÚke rLkf¤íke, íkuLkwt fkhý

Au, Sðwt çkk yLku ÷kzw çkk {nkhksu ðzíkk÷ sðkLkku rLkhÄkh fÞkuo Ãký yk

ð¾íku Võík ÃkwÁ»kkuLku s MkkÚku ÷eÄk Au. †e ¼õíkkuLku ykððkLkwt fÌkwt LkÚke.

íkuÚke íku{Lku «¼wLkku rðÞkuøk MknLk fhðkLkku ðkhku ykÔÞku Au. yLku «¼wLkku

rðÞkuøk MknLk ÚkR þfu íku{ ™Úke. yLku {kýfe ½kuze Ãký íku «u{e ¼õíkkuLku

MkkÚk ykÃkðk òuzkR økR Au. yk hnMÞ òýíkkt «u{Mk¾e «u{kLktË

Mðk{eLkk {w¾{kÚke yk MkwtËh feíkoLkLkk þçË™ku «ðkn frðíkkLkk ÁÃk{kt

rLkf¤e Ãkzâku Au. yk Au «u{ ÷ûkýk ¼ÂõíkLke Ãkhkfkük ykðuk MLkun

Ãkh{kí{k{kt ykðu íÞkhu yûkhÄk{{kt sðk {¤u.

33 hkøk : MkkuhX

htøk¼eLkk hu þk{¤eÞk


htøk¼eLkk hu þk{¤eÞk ykðku Íw÷eÞu hu,

çkktÄw Vw÷®nzku¤ku ÃÞkhk, Ãknuhkðwt Ãkx¼q»ký Mkkhk.

LktËfwtðh ík{Lku Lkeh¾eLku Vw÷eÞu hu. htøk.1

[h[wt [tËLk ¾kuh Açke÷k, Lkki¥k{ heíkuMÞw htøke÷k.

[ktË÷eÞku fhðk Q¼e ftfw÷eÞuhu. htøk. 2

shfMkLkk Ãknuhku nrh ò{k, ykðku Au÷Açke÷k ~Þk{.

r[¥kzw [kuhku çkktÄeÃkk½ y{wr÷Þuhu. htøk. 3

y÷çku÷k Wh{kt ÷¾e,íkLk{Lk ík{Ãkh ðkhe Lkk¾wt.

«u{kLktË fnu yðMkh Lkrn ¼w÷eÞuhu. htøk. 4







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Sarth Kirtnavali

99

Shreeji Maharaj accepted the invitation and was planning to go toVadtal. He and His Saints, Parshad, and devotees were all ready toleave. Those who were going to walk with Maharaj were ready toleave, and those who were going to ride their horses to Vadtal wereready with their horses. Even Shreeji Maharaj had climbed ontohis horse called MankiGhodi and was ready to leave for Vadtal.Some of the KaathiDarbars and Parshads had climbed onto theirmahogany horses, while others had climbed onto their white horses.Others had climbed onto many different kinds of horses, likeGarvavantiBodli, Taajan, Teekhi, and Vaagni, and everyone wasready to leave. But, Shreeji Maharaj’s Manki would not leave fromDada Khachar’s courtyard. The reason for this was Jivuba andLaduba. When Maharaj decided to go to Vadtal, He only asked themale devotees to go along with Him and neglected the female devo-tees, who would have to stay behind in Gadhada. The female devo-tees could not bear the absence of Shreeji Maharaj, becauseMankiGhodi understood this she decided to show her support forthe female devotees by not leaving the courtyard. When PremanandSwami discovered the reason for why MankiGhodi would not leave,he began to sing this hymn. This is the true meaning of true devo-tional service. When you love Bhagwan relentlessly you will at-tain salvation in Akshardham.

33 RAAG : SORATH

RANGBHINARE SHYAAMLIYA


Rangbhinare Shyaamliya Avo Juliye Re;

Bandhu phool Hindolo Pyara, Paheravu Pat Bhushan Sara;

Nandkuvar Tamne Nirakhine Fuliye Re. Rangbhina. 1

Charchu Chandan Khor Chhabila, Nautam Rite Shu Rangila;

Chandaliyo Karava Ubhi Kankuliye Re. Rangbhina. 2

Jarkasia Pahero Hari Jama, Avo Chhelchhabila Shyam;

Chitadu Choro Bandhi Paag Amuliye Re. Rangbhina. 3

Albela Urma Lakhi Rakhu Tan Man Tarn Par Vari Nakhu;

Premanand Kahe Aa Avsar Nahi Bhuliye Re. Rangbhina. 4







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100

Mkðkoðíkkhe Ãkhçkúñ Ãkh{kí{k Ãkqýo Ãk wÁ»kku¥k{ ¼økðkLk

©eMðkr{LkkhkÞý økZÃkwhÚke ðzíkk÷ ©eLkhLkkhkÞýËuðLkku sL{kuíMk

Vw÷Ëku÷uíMk Vkøký ðË 1 Lkku Mk{iÞku fhðk ÃkÄkÞko Au. økwshkík yLku

[hkuíkhLkk nòhku ¼õíkku yufXk ÚkÞk Au. Mktíkkuyu WíMkðLke MkwtËh íkiÞkheyku

fhe Au. yçke÷ yLku økw÷k÷Lkk íkku økkzu økkzk ¼heLku {tøkððk{kt ykÔÞk

Au. {kuxku htøkLkku nkus ¾kMk yk WíMkð {kxu s çkLkkððk{kt ykÔÞku Au.

yLku «¼wLku sw÷kððk {kxu MkwtËh f÷kfkheøkehe ðk¤ku ®nzku¤ku rLk»fw¤kLktË

Mðk{eyu òíku Ëu¾ hu¾ hk¾eLku fhkÔÞku Au. su{kt çkkh çkkh çkkhýkyku

MkwtËh f{kLkku ðk¤k þku¼e hÌkk Au. ykðe MkwtËh þku¼k òuRLku «u{kLktË

Mðk{eLkk ÓËÞ{k tW{¤fku ykðe økÞku yLku {nkhksLku MktçkkuÄeLku fnuðk

÷køÞk nu «¼w ykðku yk MkwtËh sw÷ku íkiÞkh Au. ykÃkLke Ãkwò fheLku Mkkhk

Mkkhk ð†k¼q«ký ÃknuhkðeLku yk Vw÷Úke økhfkð ®nzku¤u Íw÷kðwt. ík{u yk

{khe {Lkkufk{Lkk Ãkqýo fhku nwt {khk íkLk {Lk yLku MkðoMð ík{khk WÃkh

fwhçkkLk fhe Lkk¾wt. ykðku yðMkh SðLk{kt Vhe Lkne ykðu yLku StËøke

ÃkÞOík õÞkhuÞ ¼w÷kþu Lkrn.

34 hkøk : {kZ

ÃkÄkhkuLku MknòLktËS nku....


ÃkÄkhkuLku MknòLktËS nku, økwLkk fheLku {kV. xuf.

«ýk{ Au Ä{oíkkíkLku, ¼Âõík{kíkLku «ýk{.

«ýk{ Au suü ¼úkíkLku, EåAkhk{Lku «ýk{ nu. økwLkk. 1

Ãkrík {uÕÞk rÃkÞwík{ fkhýu, {u÷e fw¤ {hòË.

{kíkk rÃkíkk {qõÞk Au Mðk{e, yuf ík{khu fks nku. økwLkk. 2

økÁz íkSLku Ãkk¤k ÃkÄkÞko, øksMkkÁ {nkhks.

yu heíku ík{u ykðku ËÞk¤w, fhðk y{khk fks nku. økwLkk. 3

y{ suðk ík{Lku ½ýk, Ãký ík{ku y{khu yuf.

«u{Mk¾e rðLkíke fhu Au, òu hk¾ku n{khe xuf nku. økwLkk. 4







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Sarth Kirtnavali

101

SarvopariParBhramParamatma, Purna Purushottam BhagwanShree Swaminarayan is traveling from Gadhada to Vadtal tocelebrate Phuldolutsav on Fagan vad 1. The devotees from Gujaratand Charotar have gathered for this grand celebration. Saints havemade full preparation for the celebration. Carriages full of Abil andGulal are being delivered for this colorful event. Preparation on theground is also being made for the colors.

NishkulanandSwami has taken the responsibility of preparing aswing for Shreeji Maharaj just for this occasion. The swing is beingcarved in full depth also has 12 different doors, so that all the devoteesfrom all 12 directions can obtain the divine darshan of ShreejiMaharaj as He swings in this beautifully decorated swing.

Experiencing such a grand celebration, Premanand Swami’sheart is exploding with admiration and happiness and Swamji isasking Shreeji Maharaj to sit inside this exquisitely decorated swing.Premanand Swami asks Shreeji Maharaj, “We want to performworship of your divine feet, offer you rendering homage and cladeyou in the finest clothes and jewelry as you swing. Please fulfill ourwishes. I surrender my mind, body, and soul to you Shreeji Maharaj.This type of event will not come again and will be lifelongmemorabilia.”

34 RAAG : MAADH

PADHAARO NE SAHAJANANDJI HO


Padhaaro ne sahajanandji ho, gunha karine maaf. Tek.

Pranaam chhe dharm taat ne, bhakti maata ne pranam;

Pranaam chhe jesth bhraat ne, ichharaam ne pranaam re ho. Guna. 1

Pati melya piyu tarn kaarane, meli kul marajaad;

Maatpita mukya chhe swami, ek tamaare kaaj re ho. Guna. 2

Garud tajine paala padhaarya,gaj saaru mahaaraaj;

Evi rite tame aavo dayaalu, karva amaara kaaj re ho. Guna. 3

Am jeva prabhu tamne Ghana pan, tamo amaare ek;

Premsakhi vinaanti kare chhe, raakho amaari tek re ho. Guna. 4







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102

¼õíkLku n{Uþk ÃkkuíkkLkk EüËuðLke ÃkkuíkkLkk ytíkfhý{kt nkshe

nkuÞ íkkus ykLktË {¤u Au. òu ytíkh{kt «¼wLkku ðkMk Lk nkuÞ íkku òýu çkÄwt

Vefwt Vefwt ÷køÞk fhu Au. íku s fkhýu søkík{kt çkÄks «fkhLkk ÷kufku

n{uþk ÃkkuíkkLkk «kýr«Þ «¼wLku «kÚkoLkk fhíkkt nkuÞ Au. suÚke «¼w «kÚkoLkk

Mkkttt¼¤eLku yk ¼õíkkuLke ¼ez ¼ktøkðk yLku íkuLkk çkÄk {LkkuhÚkku Ãkqýo fhðk

ytíkÞko{e MðÁÃku MkËk nkshk nswh hnu Au. ykðe «u{÷ûkýk ¼Âõík

«u{Mk¾e «u{kLktË{kt s òuðk{¤uLku çkesu õÞkt ykðku «u{ yLku MkÃkÃkoýLke

¼kðLkk økkuíkeÞ Lk szu yuðku Wíf]ü MLkun Ãkh{kí{kLke MkkÚku yk LktË

Ãkkt[Mkki Ãkh{ntMkku yu fhe hkÏÞku níkku. yk¿kk Ãkk÷Lk fhðk{kt yLku ð[Lk

«{kýuÄ{orLkÞ{{kt áZíkk hk¾ðk{kt íkku yk Mktíkkuyu fkuR f[kMk ÃkkuíkkLkk

SðLk ÃkÞOík õÞkhuÞ ykððk ËeÄe s LkÚke.«u{kLktË Mðk{e yux÷u íkku yk

ÃkË{kt fnu Au nu ÃkeÞwt ík{khk {kxu fw¤ {wõÞwt Au. sL{ ykÃkLkkh

{íkkrÃkíkkLkku íÞkøk fÞkuo Au. ÷kuf ÷ks Ãký {wfe ËeÄe Au. {kxu nu «¼w su{

ík{u Ãku÷k yuf Ãkþw nkÚke {kxu økÁzLkku Ãký íÞkøk fheLku ÃkøkÃkk¤k íkífk¤

ÃkÄkÞko Aku. yu{ nu ËÞk¤w y{Lku Ãký yk ¼ÞkLkf MktMkkhLkk {kun ò¤{kt

Úke Akuzkððk ËÞk fheLku ÃkÄkhòu yLku y{khe {kuûk {u¤ððkLke xufLku

MkÚkðkhku ykÃkþku. Ãký «¼w ykðk íkku yMktÏÞ ¼õíkku ík{Lku Au Ãký

y{khk {kxu íkku ík{u yuf s Aku.

35 hkøk : hkøkçke Äku¤

{kxu Mðkr{LkkhkÞý ¼sðk...


{khu Mðkr{LkkhkÞý ¼sðk, ËwrhsLkeÞkt Lkk MktøkLku íksðk. 1

{Uíkku {uÕÞku MktMkkheÞku {kze, òuðk Mðkr{LkkhkÞý Ëkze. 2

{Lku Mðkr{LkkhkÞý ¼kðu, ÷kuf Mðkr{Lke fneLku çkku÷kðu. 3

ðkxu ½xu Lku òíkkt ð¤íkkt, Mðkr{LkkhkÞý ©ðýu Mkkt¼íkkt. 4

{w¾u Mðkr{LkkhkÞý økkô, ÷kuf÷ks Úkfe Lk ÷òô. 5

«u{Mk¾e fu Mðkr{Lku MkkÁt, fwhçkkLk fÞwO rþh {kÁt. 6







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Sarth Kirtnavali

103

A true devotee is content and happy only when he is able tohave constant presence of Bhagwan within him. If the presenceof Bhagwan is not constantly felt, everything else feels empty.Therefore people around the entire World strive to keep Bhagwanconstantly in their hearts. When the Almighty Bhagwan residesin the heart of his true devotees, He protects them and fulfills alltheir wishes.

This type of true devotion is perceived by Premanand Swami.To have that level of devotion and surrender everything to thelotus feet of Shree Hari is a difficult or more impossible task toaccomplish. This type of love and devotion is also seen in the500 Paramhans. Lord Shree Swaminarayan used to require strictadherence to the rules (dharma) and regulations (Niyam) and usedto frequently change them for the five hundred Saints (Paramhans)to follow throughout their lives on this earth.

Premanand Swami states; “Hey Piyu” meaning “Oh Beloved”,for you I have given up by birth parents, my birth caste, and societalhappiness. You have given mercy to the elephant and walkedbarefoot rather than ride on Garud the kings of the birds. Likewise,please protect us from this World’s illusion and give us Salvation.Dear Almighty, you have thousands of devotees like us, but forus you are the one and only Supreme Bhagwan.

35 RAAG : DHOL

MAARE SWAMINARAYAN BHAJVA


Maare swaminarayan bhajva re, durijaniya na sang ne tajva. 1

Meto melyo sansaariyo maadi, jova swaminarayan da’di. 2

Mane Swaminarayan bhaave, lok swami ni kahine bolaave. 3

Vaate ghaate jaata valata, swaminarayan shravane saambhalata. 4

Mukhe Swaminarayan gaau, lok laaj thaki na lajaau. 5

Premsakhi ke swami ne saaru , kurabaan karyu jivan maaru. 6







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104

yk MktMkkh{kt økkuÚkk ¾kíkk yLku ðkht{ðkh sL{{]íÞwLkk Vuhk Vhíkkt

SðLku òu fkuR WøkhðkLkku ykhku nkuÞ íkku íku Au. ¼økðkLkLkwt ¼sLk. yuðku

¼sLk fhðkLkku yðMkh {éÞku nkuÞ yLku ¼sLk fhðkLkku {tºk {¤e økÞku

nkuÞ íkku íkuLku Mk{sw {kýMk õÞkhuÞ Lk Akuzu. íkuðk ¼kðLku Ëþkoððk {kxu

«u{kLktË Mðk{e fnu Au. nu MktMkkhe Sðku ykÃkýu íkku Mkðoðíkkhe ¼økðkLk

©eMðkr{LkkhkÞýLkwt ¼sLk fhðwt Au. suÚke sL{{]íÞwLkk {nk füÚke

Awxfkhku {¤u. yk MkíÞ ðkíkLku {U ßÞkhÚke òýe Au íÞkh Úke {u íkku rLkùÞ

fhe ÷eÄku Au {khu íkku ©eMðkr{LkkhkÞýLku s ¼sðk Au. yLku ÷kufku {Lku

Mðkr{LkkhkÞýLke ¼õíkkýe fnu þu íkku Ãký {Lku çknw øk{þu. fkhý fu {U

íkku Mðkr{LkkhkÞý {kxu {kÁt SðLk fwhçkkLk fhe ËeÄwt Au. íkuÚke nðu {Lku

÷ukf ÷ksLke fkuR çkef s LkÚke. rLk®ùík ÚkRLku EüLku ¼sðk{kts ykLktË

{kýðku Au.

36 hkøk : økhçke

yks {khu ykuhzu hu...


yks {khu ykuhzu hu, ykÔÞk yrðLkkþe y÷çku÷.

çkkR {U çkku÷kðeÞk hu, MkwtËh Akuøkkðk¤k Au÷.. yks. 1

LkehÏÞk Lkuýkt ¼he hu, Lkxðh MkwtËh ©e½Lk~Þk{.

þku¼k þe fnwt hu, Lkeh¾e ÷ksu fkuxef fk{. yks. 2

økqtÚke økw÷kçkLkk hu, ftXu ykhuÃÞk {U nkh.

÷RLku ðkhýkt hu, [hýu ÷køke ðkh{ðkh. yks. 3

ykÃÞku {U íkku ykËhu hu,çkuMkðk [kf¤eÞku fhe ÃÞkh.

ÃkqAâk «eík þwt hu, çkkR {ut Mkðuo Mk{k[kh. yks. 4

fnkuLku nrh õÞkt níkkt hu, õÞkt Úkfe ykÔÞk Ä{ofw{kh.

MkwtËh þku¼íkkt hu, ytøku MkSÞk Au þýøkkh. yks. 5

Ãknuhe «eíkþwt hu, Mkwhtøke MkwtÚk÷ýe Mkw¾Ëuý.

Lkkze nehLke hu, òuíkkt ík]ó Lk ÚkkÞu Lkuý. yks. 6







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Sarth Kirtnavali

105

Reciting the divine hymns of Bhagwan is the only route oneshould choose to become free from the cycle of birth and death. Anintelligent person would not spend his valuable time doing mundanetask, but will take the opportunity to do worship the Lord AlmightyShree Hari and to chant this divine mantras.

To portray such love and respect to the Premanand Swami isawakening the Souls engrossed in Worldly pleasure by stating weshould worship the Almighty Lord Shree Swaminarayan. By onlyworshipping and performing devotional services to LordSwaminarayan can one be freed from the cycle of birth and death!Ever since I have learned of this truth, I have been determined to donothing else, but worship and pray to the Supreme Bhagwan ShreeSwaminarayan. I will be delighted to hear one refer to me as“SwaminarayaniBhaktani” since I have surrendered my life to LordSwaminarayan. Hence, I have no worry or concern about whatpeople have to say about me. I want to enjoy the devotional serviceof Bhagwan Shree Swaminarayan and care for nothing else.

36 RAAG : GARBI

AJA MARE ORADE RE


Aja mare orade re, avya Avinashi Alabel,

Bai Me bolaviya re, sundara chhoganvalo Chhela. 1

Nirkhya Nena bhari re, Natavar sundar Shri Ghanshyam,

Shobha si kahun re, nirakhi laje kotika kama. 2

Gunthi gulabanare, Kanthe aropya men haar,

Laine varana re, charane lagi varamavara. 3

Apyo mein to adare re, besava cakaliyo kari pyaar,

Puchhya pritasun re, bai Me sarve samachara. 4

Kahone Hari Kyam hatare, Kyan thakiavaya Dharmakumar,

Sundar Sobhata re, ange sajiya chhe sanagara. 5

paheri pri tasun re, surangi suthaladi sukhadena,

Nadi hi rani re, jotan trupta na thaye nena. 6







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106

WÃkh ykuZeyku hu, økqZku hUxku òuÞk ÷køÞ.

MksLke íku Mk{u hu, ÄLÞ ÄLÞ LkehÏÞk íkuLkkt ¼køÞ. yks. 7

{Míkf WÃkhu hu, çkktæÞwt {ku¤ezwt y{qÕÞ. fkuxef hrð þþe hu.

íku íkku Lkkðu íkuLku íkwÕÞ. yks. 8

huþ{e fkuhLkku hu, fh{kt MkkÌkku Au Á{k÷.

«u{kLktË íkku hu, yu Açke Lkeh¾e ÚkÞku rLknk÷. yks. 9

yk [kh ÃkËku ykuhzk Lkk ÃkËku yuðk Lkk{u ykÃkýk Mkt«ËkÞ{kt

½ýks «rMkæÄ Au. «u{Mk¾e «u{kLktË Mðk{eLku yLku Ãkh{kí{k ©enrhLku

ÃkhMÃkh fuðku økkZ MLkun Au. íku yk ÃkËLke h[LkkLkk RríknkMk òýðk

{kºkÚke Mk{swLku íkhík s Mk{òR òtíkkt ðkh Lk ÷køku. {nkhksLke {qŠíkLkwt

®[íkðLk fhíkkt fhíkkt MkwtËh þýøkkh yLku yu þýøkkh Mksu÷k ÃkkuíkkLkk

r«Þík{Lku ykÃkðkLkku ykðfkh íku íkku yk þçËku{kt yr¼ÔÞõík ÚkR s òÞ

Au. {qŠíkLke ÁÃk ÷kðÛÞíkk ËÞk¤wíkk fÁýíkk rðøkuhu rËÔÞ y÷kifef þw¼

økwýkuLkwt ðýoLk çku ÃkË MkwÄeLke h[Lkk Mðk{e fheLku ÃkAe rð[khðk ÷køÞk

fu nðu «¼w Lkk yiïÞkuo yLku «íkkÃkLkwt fuðk þçkkËku{kt ðýo fhðwt. yk{

yÄðå[u h[Lkk hk¾eLku ËunLkk fk{u ÷køÞ yLku ÃkkuíkkLkk «u{e ¼õíkLke

çkÄes {Lkkufk{Lkk Ãkqýo fhíkkt Ãkh{kí{k yu MðÞt ykðeLku çkkfeLkkt yÄwhkt

çku ÃkË Ãkqýo fhe ykÃÞk Au. su{kt ÃkkuíkkLkwt s MkðkuoÃkhe Ãkýwt yLku ÃkkuíkkLkk

yiïÞkuoLkwt søkíkLkk Sð {kºkLku ¿kkLk ÚkkÞ íkuðe Mkh¤íkk yLku MkníkkÚke

ðýoÔÞk Au.

37 hkøk : økhçke

suLku òuEyu íku ykðku {kuûk


suLku òuR íku ykðku {kuûk {køkðk hu ÷ku÷,

yksu Ä{oðtþeLku îkh LkhLkkhe. suLku. xuf

ykðku «økx «¼wLku Ãkøku ÷køkðk hu ÷ku÷,

ðk÷ku íkwhík Wíkkhu ¼ðÃkkh LkhLkkhe. suLku. 1







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Sarth Kirtnavali

107

Upara odhiyo re, gudho rento joya laag,

Sajani te same re, dhayna dhanya nirakhya tena bhagya. 7

Mastaka upare re, bandhyun molidun amulya,

Kotik ravi shashi re, te to nave teni tulya. 8

Reshami korano re, karaman sahyo chhe rumala,

Premanand to re, A chhabi nirakhi thayo nihala. 9These four verses are known as “Oradaanaapado” and are very

famous in our fellowship. Premanand Swami and SwaminarayanBhagwan had a lot of love and admiration for each other and thislove becomes very apparent just by understanding the historybehind the composition of this four-pad hymn. In the first twoverses, Premanand Swami describes Shreeji Maharaj’s divine andvery majestic form and His most beautiful facadewhile meditat-ing upon Maharaj. He describes Maharaj as the most beautifuland most merciful. After the first two verses, Premanand Swamiwanted to use the third and fourth verses to describe the great-ness of Shreeji Maharaj and divinity, but he could not decide uponthe right vocabulary to use to describe Maharaj’s incomprehen-sible greatness, so he left the kirtan with its two verses alone sothat he could come back to it and finish it at a later time and wenton about with his daily routine and activities. It was at this timethat Maharaj came and He, Himself, composed the third and fourthverses of the hymn and in them, He describes His own greatnessin a way that everyone can understand and by doing so, He ful-filled the wishes of countless devotees.

37 RAAG : GARBI

JENE JOIE TE AAVO MOKSH


Jene joie te aavo moksh magava re lol;Aaje dharmvanshine dhvar narnari...jene. tek.

Aavo pragat prabhune page lagava re lol;Valo turat utare bhavpar narnari...jene. 1







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108

sL{ {]íÞwLkk ¼Þ Úkfe Aqxðk hu ÷ku÷,

þhýu ykðku {w{wûkw sLk LkhLkkhe. suLku.

þeË òyku Aku çkesu rþh fqtxðk hu ÷ku÷,

Þkt íkku íkwhtík Úkkþku ÃkkðLk LkhLkkhe. suLku. 2

¼qtzku þeËLku ¼xfku Aku {ík ÃktÚk{kt hu ÷ku÷,

ykðku MkíMktøk {u÷eLku {kuûkÁÃk LkhLkkhe. suLku.

ykýku «u{ "íkerík Mkk[k Mktík{kt hu ÷ku÷,

Úkkþu {kuûk yríkþu yLkwÃk LkhLkkhe. suLku. 3

swyku yktÏÞ W½kze rððufLke hu ÷ku÷,

þeË fhku økku¤ ¾ku¤ yuf Ãkkz LkhLkkhe. suLku.

÷eÄe ÷ks çkeò økwÁ ¼u¾Lke hu ÷ku÷,

fk{ ¢kuÄ ðøkkze Au hkzâ LkhLkkhe. suLku. 4

yuðk y¿kkLke økwÁLkk rðïkMkÚke hu ÷ku÷,

òþku Lkhfu ðøkkzíkkt Zku÷ LkhLkkhe. suLku.

ðk÷ku íkwhík Akuzkðu fk¤ÃkkþÚke hu ÷ku÷,

«u{kLktË fnu ykÃku Au nrhfku÷ LkhLkkhe. suLku. 5

¼økðkLk©e Mðkr{LkkhkÞýu «økx ÚkRLku søkíkLkk Sð {kxu {kuûkLkku

{nk{køko fuðku Mkh¤ fhe ykÃÞku Au. íku ðkík ËwrLkÞkLkk ÷kufkuLku sýkððk

{kxu «u{kLktË Mðk{e fnu Au. nu Sðkí{kyku òu ík{khu {kuûk òuR íkku nukÞ

íkku nðu íkku {ktøkíkkLke MkkÚku s {¤e sþu fkhýfu Mkðkoðíkkhe ¼økðkLk ©e

Mðkr{LkkhkÞýu ÃkkuíkkLkk s ðtþ{kt Ä{ofw¤{kt yk[kÞoíðLkwt MÚkkÃkLk fheLku

{kuûkLkku {nk{køko MkËk yrðhík [k÷íkku hnu íkuðe y÷kifef rËÔÞ Mkt«ËkÞLke

ÔÞðMÚkk fhe Au. Ãknu÷kt Þwøk{kt íkku {nk¼ÞkLkf fXkuh íkÃk fhu. yÚkðk

{kuxk {kuxk Þ¿kku fhu íkkuÞ {kuûk {¤ðkLke fkuR ¾íkkhe Lk níke. ¼køkðíkkrË

þk†ku{kt «rMkæÄ Au fu Ãkrhûkeík Lkk{Lkk hkòLku {kuûk {u¤ððk {kxu fkuR

Ér»k{wrLk WÃkkÞ çkíkkðe þõÞk Lk níkkt Auðxu þwËuðSyu Mkkík rËðMk{kt

{kuûk yÃkkððkLkwt ð[Lk ykÃÞwt. Ãký y®n íkku fkuR Ãký søkíkLkku Sð







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Sarth Kirtnavali

109

Janma mrutyuna bhay thaki chhotva re lol;

Sharane aavo mumukshu jan narnari...jene.

Shid jao chho bije shir kuntva re lol;

Ya to turat thasho pavan narnari...jene. 2

Bhundo shidane bhatako chho mat panthama re lol;

Aavo satsang meline mokshroop narnari...jene.

Aano prem pratiti sacha santma re lol;

Thashe moksh atishe anup narnari...jene. 3

Juo ankhya ughadi vivekni re lol;

Shid karo gol khol ek pad narnari...jene.

Lidhi laj bija guru bhekhani re lol;

Kam krodhe vagadi chhe radya narnari...jene. 4

Eva agnani guruna vishvashthi re lol;

Jasho narake vagadata dhol narnari...jene.

Valo turat chhodave kalapashthi re lol;

Premanand kahe aape chhe harikol narnari...jene. 5In this hymn, Premanand Swami discourses the main reason

why Lord Swaminarayan Bhagwan manifested upon this Earthand truly paved the way for all Souls to attain Salvation in thesimplest way possible. He writes, “Dear Soul! If you want Sal-vation, then there has never been a better time than now to obtainthat because the Lord of Lords, Swaminarayan Bhagwan, has es-tablished the Acharyaship and Guru Parampara within His ownfamily and so His family will lead you on the path to Salvation.

In the first era, doing even the most austere and rigorous ofpenance and holiest of yagnas did not guarantee that you wouldattain Salvation. In the ShrimadBhagavat Puran we learn that noRishi or Muni was able to show King Parikshit a way to attainSalvation. In the endhowever, Shukdevji promised King Parikshithe would attain salvation in seven days. King Parikshit hadShukdevji to show him the path to Salvation, but what about now?Any Soul can take refuge the the grace of the Acharya







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110

þhýu ykðeLku {ktøkýe fhu yLku íkuLku MkkÄkhý Lkne Ãký ykíÞtríkf {kuûk

su økeíkk{kt yÃkwLk¼oð Lkk Lkk{Úke ¼økðkLk ©ef]»ýyu yku¤¾kðu÷ Au.

íkuðku {kuûk yk Ä{oðtþe yk[kÞoLkk þhýu ykððk {kºkÚke {køÞku {¤u Au.

yuðwt «u{kLktË Mðk{e ykÃkýLku MkkiLku MkkðÄkLk fheLku fnu Au. Mðk{e fnu

Au yk nwt LkÚke fnuíkku MðÞt Ãkh{kí{k ©enrh yu fku÷ ykÃku÷ Au.

38 hkøk : ¼ihð

n{ íkku yuf MknòLktË....


n{íkku yuf MknòLktË [hLkfu WÃkkMke,

÷økLk {økLk {íkðkhu Akuze Mkçk ykMke. n{. xuf

yzMkX Mkçk fkuLk fhu fkuLk Vehu fkþe,

yü rMkÂæÄ ykrË [nwt {wÂõíkMkU WËkMke. n{. 1

[kiË÷kuf ¼kuøkfu Mkw¾ òLku Mkçk VktMke,

MknòLktË ÃkËÃktfs {fhtËfu ÃÞkMke. n{. 2

[hLk f{÷ hMk ÷ku¼e {ríkfu WòMke,

LkkhË MkLkfkrËf {ÄwÃk økwtsík çkLkðkMke. n{. 3

ÃkwÁ»kku¥k{ MknòLktË òLku Mkw¾hkrþ,

«u{kLktË ykÞku þhLk [hLkfku rLkðkMke. n{. 4

WÃkkMkLkkLke fuðe áZíkk nkuðe òuRyu íku WÃkh ¼kh{wfðk {kxu

«u{kLktË Mðk{e fnu Au, ykÃkýu yuf ðkík MkwrLkrùík fhe ÷uðkLke Au.

ykÃkýu fkuLkk [hýLkk ËkMk çkLkðkLkwt Au. íkuLkku ßÞkt MkwÄe þtMkÞ Lkne òÞ

íÞktt MkwÄe ík{khku {kuûk fuðk «fkhLkku Au. íku Ãký Lkne Mk{òÞ {kxu «Úk{

yu ðkík Lkfe fhe ÷uðk Lke ¾kMk sÁh Au. æÞkLk fhðwt íkku fuðk MðÁÃkLke

Mk{sý MkkÚkuLkwt fhðwt. WÃkkMkLkk íkku¾e Lk ÚkkÞ íÞkt MkwÄe çkeS çkÄe

ðkíkku{kt Ãký ÷ku[ku hÌkk fhu Au. íkuÚke Mðk{e ÷¾u Au ¼kR y{u íkku yuf

s Ãkhçkúñ Ãkh{kí{k ¼økðkLk ©e MknòLktË Mðk{e ©eMðkr{LkkhkÞýLkk

s [hý Mkuðf Aeyu. y{khu yzMkX «fkhLkk íkeÚkkuo{kt sRLku fkuRLkkuÞ







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Sarth Kirtnavali

111

Maharajshree of our fellowship and just by asking that soul willattain not any ordinary Salvation, but Ultimate (aatyantik) Salva-tion, which is described by Lord Shree Krishna in the BhagavadGeeta as Apurnabhavna. Premanand Swami explains that he isnot justmaking this up, but rather Shree Hari, Himself, has prom-ised that any soul that takes refuge under the grace ofDharmavanshi Acharya they will attain the Ultimate Salvation.

38 RAAG : BHAIRAV

HUMTO EK SAHAJANAND


Humto ek sahajanand sahajanand gave,

Hamare man swaminarayan, Dusara na bhave...hum. tek.Tap tirath sadhanme svapane nahi jave,

Jese koi ghrut chand, Chhasko na khave...hum. 1

Animadik japase triy tapako bujhave,

Sabako fal sahajanand charan chitt lave...hum. 2

Sahajanand japase triy tapako bujave,

Inhike pratapse apar gati pave....hum. 3

Aagam nigam kathin rahasya hame na samajhave,

Premanand sar sugam sahajanand aave...hum. 4In this hymn, Premanand Swami describes how firm a

devotee’s devotion to Shreeji Maharaj must be. We mustdecide, with the utmost conviction, upon who it is we worship,or else we cannot attain Salvation. We must be resolute in onlymeditating upon the great divine form of SwaminarayanBhagwan. We cannot please Bhagwan with our devotionunless it is pure and selfless. So, it is with these feelings thatPremanand Swami composed this hymn. In it, he writes, “DearSoul! I only worship and serve the Supreme Almighty LordSwaminarayan. I do not have to make a pilgrimage to any ofthe 68 holy places, like Kashi and Kedar or serve anyone else.







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112

yk©Þ þkuÄðkLke sÁh LkÚke.yÚkðk fkþe fu fuËkh sRLku fkuRLkk Ãký

[hýLke Mkuðk fhðk sðkLke sÁh LkÚke. ykX «fkhLke rMkÂæÄyku yLku

[kh «fhk™e {wÂõíkyku{ktÚke yufkuR {kt {Lku shkÞ Ãký hMk LkÚke. fkhý

fu íku{kt íkku {Lku yux÷kt {kxu Mkw¾ Ëu¾íkwt LkÚke íku íkku MkkÄLkÚke {u¤ðe þfkÞ

Au. yLku su MkkÄLkÚke {u¤ðe þfkíkwt nkuÞ íku íkku ytíke{ Lks nkuÞ ytíke{

íkku Ãkh{uïhLke f]ÃkkÞu fheLku su «kró ÚkkÞ íku s Au. íkuÚke {kuxk LkkhË

MkLkfkrËf suðk Ãký Ãkh{uïhLke WÃkkMkLkk s fhu Au. yLku nwt Ãký íku s

ÃkhçkúñÃkh{kí{k Mkðkoðíkkhe MkðuoÃkhe ¼økðkLk ©eMðkr{LkkhkÞýLkk s

yuf [hý Lkku WÃkkMkf Awt.

39 hkøk : MkkuhX

Yzk ÷køkku Aku hksuLÿ....


Ázk ÷køkku Aku hksuLÿ {trËh {khu ykðíkkt hu, Ázk. xuf

shfMkeÞku ò{ku nrh Ãknuhe, {kÚku çkktÄe Ãkk½ MkkuLkuhe.

økqZku huxku ykuZe {Lk ÷÷[kðíkkt hu. Ázk. 1

nizu nkh økw÷kçke Vkuhu, r[¥k {kÁt hkufe hkÏÞwt íkkuhu.

økshk fksw çkksw {Lk {khu ¼kðíkk hu. Ázk. 2

fLkf Aze MkwtËh fh ÷RLku,øksøkrík [k÷ku n¤ðk hneLku.

r[¥kzwt [kuhku Aku {eXwt {eXwt økkðíkk hu. Ázk. 3

«u{kLktËLkk LkkÚk rðnkhe, òô íkkhk ðËLkf{¤ Ãkh ðkhe.

nuíku þwt çkku÷kðe íkkÃk Mk{kðíkk hu. Ázk. 4

ÃkkuíkkLkk Eü Ëuð{kt fuðku yøkkÄ MLkun Au. íku yk ÃkË{kt «u{kLktË

Mðk{e ÔÞõík fhu Au. nu «¼w ík{ku ßÞkhu {khk ytík:fhý{kt MVwhkÞ{ký

Úkkð Aku. íÞkhu fuðk MkwtËh þku¼ku Aku. òýu fu hkòykuLkkÞ hkò nkuð íkuðe

íkku ík{khe {qŠíkLke þku¼k Au.fuðk MkwtËh ð†ku ÃkrhÄkhý fÞko Au. yLku íkuLke

MkkÚku MkwtËh MkwøktrÄ{kLk Ãkw»ÃkkuLkk þýøkkh íkku {Lkw»Þ {kºkLkk r[¥kLku

nrh÷uÞ yuðk Au.MkwðýoLke Aze nkÚk{kt Äkhý fheLku òýu fu {kuxku







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Sarth Kirtnavali

113

I have no interest in obtaining any of the eight supernaturalpowers or four types of salvation, and I do not find themappealing because they can be obtained by any ordinary means.Anything that can be obtained by using ordinary tools or meanscannot possibly lead to everlasting happiness. Everlastinghappiness can only be attained by pleasing the Lord and livingin His merciful graces. It is for this everlasting happiness thateven the greatest of Rishi’s and Muni’s, including the likes ofNarad, Sanak, they all worship the Supreme Almighty LordSwaminarayan, and I too worship the Supreme Almighty LordSwaminarayan.

39 RAAG : SORATH

RUDA LAGO CHHO RAJENDRA


Ruda lago chho rajendra mandir mare avta re. Tek

Jarkasiyo jamo Hari paheri, Mathe bandhi pagh soneri;

Gudho rento odhi man lalchavta re. ruda. 1

Haide bar gulabi fore, Chitt maru roki rakhyu tore;

Gajra kaju baju man mare bhavta re. ruda. 2

Kanak chhadi sundar kar laine, Gajgati chalo halva rahine;

Chittdu chho mithu mithu gavta re. ruda. 3

Premanand na Nath vihari, Jau tara vadankamal par vari;

Hete shu bolavi tap shamavta re. ruda. 4Premanand Swami in this poem describes his true love for his

Savior Lord Swaminarayan. Oh Lord! When you stimulate mymind, you look very enchanting. Describing the radiance ofBhagwan’s image Premanand Swami discoursesthe divine beau-tiful garments which Almighty Shree Hari has adorned! Alongwith that, aromatic flower ornaments makes a person believe thatyou are the King of all the Kings. Such beauty takes my mindaway. You have adorned a stick made out of gold and you make







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114

nkÚkeykuLkku hkò [kÕÞku ykðíkku nkuÞ íku{ {tË {tË økíke Úke [k÷íkkt

ykðeLku {khk ÓËÞ{kt òýu {eXk {Äwh økeíkku Lkwt økkLk Úkíkwt nkuÞ íku{

çkku÷kðeLku Mk{økú íkkÃkLku íkífk¤ þ{kðe ËuÞ yuðwt ík{kÁ ÁÃk Au.

40 hkøk : Ãkhs

ytík fk¤u ykðe hu {khe

h[Lkk : Mk.økw. ËuðkLktË Mðk{e

ytík fk¤ u ykðeh u {khe, ©e½LkMÞk{ fhk u M knkÞh u . x uf

hku{ fkuxe ðªAe íkLk{kt ÚkkÞ ðuËLkk, fVò÷u ftXÁtÄkÞ Au. ytík. 1

þwæÄ Lk hnu ßÞkhu ÃkkuíkkLkk þhehLke, íkLkzkLkk Lkkzíkwxe òÞ Au. ytík. 2

½hLkkt {kýMk ßÞkhu ½uhe çkuMku ÃkkMk¤u, Ãkw{zwt ÷RLku s¤ ÃkkÞ Au. ytík. 3

ËuðkLktË fnu Ëun íksðk xkýu, nizw nk÷f÷ku÷ ÚkkÞ Au. ytík. 4

¼økðkLk ©eMðkr{LkkhkÞýLkk Ãkkt[Mkki Ãkh{ntMkku{kt su{ ði»ýðku{kt

yü frð MkqhËkMk rðøkuhu «rMkæÄ Au. yk Ãkh{ntMkku{kt Ãký ykX {nkLk

Mktík frðyku Lkwt {tz¤ Au. íku{kt Mk.økw.ËuðkLktË Mðk{eLkwt MÚkkLk økwshkíke

MkkrníÞ{kt yLku Mkt«ËkÞ{kt ykøkðwt Au. {kuxk ¼øku íku{Lke h[Lkkyku{kt yk

MktMkkhLkk SðLkku WæÄkh fu{ ÚkkÞ íku nuíkwÚke WÃkËuþ «ÄkLk Ãkýu òuðk {¤u

Au. íkku Ãký ©enrhLkk {qŠíkLkk ytøku ytøkuLkwt Ãký hMk{Äwh ðýoLkLkk ÃkËku

íku{Lkk Au. yºku yk ÃkË{k tMðk{e Sð {kºkLku MkkðÄkLk fhu Au fu ytík

Mk{Þ ykðþu íÞkhu ©e½Lk~Þk{ rðLkk fkuR MknkÞ fhðk ðk¤w Lkne {¤u.

{kxu ©e½Lk~Þk{Lke «kÚkoLkk yLku ¼Âõík fhe ÷uðk suðe Au. fhkuzku ðªAe

fhzu Lku suðe ðuËLkk ÚkkÞ íkuðe ðuËLkk yk SðLku þheh Akuzíke ð¾íku ÚkkÞ

Au. íÞkhu Võík Lku Võík ©e½Lk~Þk{ s MknkÞ fhðk ðk¤k Au.Lkkzeyku

íkwxíke nkuÞ þhehLkwt ¼kLk Lk nkuÞ niÞwt ßÞkt íÞkt ¼{íkwt nkuÞ íÞkhu òu

©e½Lk~Þk{Lku Mkt¼hþku íkku hûkk Úkþu íku rðLkk çkÄk ðkÞËk s Au.







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Sarth Kirtnavali

115

me believe that the King of the elephants is approaching. Thusyou walk so elegantly and you call upon me blushing like thesweet music playing in my heart. Your beauty takes away all mypain and suffering.

40 RAAG : PARAG

ANAT KALE AVIRE MARI

Sad Guru Devanand Swami

Anat kale avire mari, Shri Ghanshyam karo sahayare. Tek

Rom koti vinchi tanma thay vedna, kafjale kanthrudhay che. Ant. 1

Shuddh na rahe jyare potana sharirni, tanadana nadtuti jay che. Ant. 2

Gharna manas jyare dheri bese pasale, pumdu laine jal pay che. Ant. 3

Devanand kahe deh tajva tane, haidu halkalol thay che. Ant. 4Just like the great 8 poets of India like Surdas in

Vaishnavsfellowship arefamous; similarly, amongst the 500 en-lightened Saints of Swaminarayan, there was a group of 8 greatpoet Saints. Amongst them,SadguruDevanand Swami’s positionin Gujarati literature and in the sect is exclusive. A large part ofhis compositions are seen as an advice on how and what can aWorldly person do for the betterment of his Soul. Yet, there aremany beautiful compositions by him that describe the form ofShree Hari. Here in this hymn Swami alerts people that; whentime comes to leave this World, none but Shree Ghanshyam willcome to rescue them and therefore devotion and praying to ShreeGhanshyam is a sure thing to do. One experiences the pain equiva-lent to the stings of millions of scorpions when the Soul leavesthe body. At that time Shree Ghanshyam is the only one whocomes to your aid. When veins are breaking, body is unconscious,heart is wandering here and there at that time if you rememberthe Almighty Shree Ghanshyam Maharaj then only will you beprotected. Everything else will just remain an idle promise.







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116

41 hkøk : økhçke

fh «¼w MktøkkÚku áZ


fh «¼w MktøkkÚku áZ «eíkze hu, {he òðwt {u÷eLku ÄLk{k÷.

ytíkfk¤u Mkøkwt Lkrn fkuRLkwt hu. xuf.

MktMfkhu MktçktÄe Mkðuo {éÞk hu, yu Au sqXe {kÞk fuhe ò¤. ytík. 1

{kÁt {kÁt fhe ÄLk {u¤ÔÞwt hu, íku{kt íkkÁt LkÚke ík÷¼kh. ytík. 2

Mkw¾ Mð¡ suðw t Au MktMkkhLkw t hu, suLku òíkkt Lk ÷køku ðkh ytík. 3

{kxu Mkuðu íkw t Mkk[k MktíkLku hu, íkkhk x¤þu rºkrðrÄLkk íkkÃk ytík. 4

yrík {kuxk Ãk wÁ»kLk u ykMkhu hu, çk¤u Ãk qðosL{Lkk t ÃkkÃk. ytík. 5

yuðwt Mk{SLku ¼s ¼økðkLkLku hu, Mkw¾fkhe MkËk ½Lk~Þk{. ytík. 6

ËuðkLktËLkku ðnk÷ku Ëw:¾ xk¤þu hu, {LkðktrAík Ãkqhýfk{. ytík. 7

MktíkLkku Mð¼kð Au fu øk{u íku{ fheLku Ãký yk SðLku Ëw:¾ku{kt Úke

Akuzkððku. yu SðLku øk{u fu Lk øk{u Ãký MkíÞ ðkík íkuLku Mk{òððk {kxu

fzðk ð[Lkku fneLku Ãký íkuLkwt rník fu{ ÚkkÞ yuðku s MkËk rð[h fhu íkuLkwt

s Lkk{ Mktík.yuðk s ¼økðkLk ©eMðkr{LkkhkÞýLkk yk Ãkh{ntMk Mktík

Mk.økw. ËuðkLktË Mðk{e yu Sð {kºkLku [uíkðýe ykÃkíkk fnu Au fu nu Sð

íkqt søkíkLkk Mkøkk MkçktÄe ÄLk Ëku÷ík yLku {kLk {kuxÃk{kt Úke MLkun AkuzeLku

òu íkqt «¼wLke MkkÚku «erík fheþ íkku íkkhk çkÄk s«fkhLkk Ëw:¾ku Lkku ytík

ykðe sþu. Ëun AkuzðkLkku ðkhku ykðþu íÞkhu fkuR fk{{kt ykððkLkwt LkÚke

íku MkLkkíkLk MkíÞðkík Au. yk çkÄk íkku Ãkqðo ¼ðLkk f{oLkk ÷uýËuýLkk

MktMfkhLkk fkhýu ykðeLku Mkki {éÞk Au. íku{ktÚke yuf Ãký íkkhk yÚkkoík yk

SðLkk Mkk[k MkçktÄe LkÚke. òu íkq Mkk[k MktíkLkku yk©Þ fheþ íkku íkkhk

yuLkuf sL{sL{ktíkhkuLkk Ãkwðo Lkk ÃkkÃk çk¤eLku ¼M{ Úkþu. ÃkkÃkLkk fkhý

ÁÃk rºkðeÄ Ëw:¾ku Lkkþ Ãkk{þu. yuðwt Mk{SLku òu íkwt ¼økðkLkLkwt ¼sLk

fheþ íkku MkËk Mkw¾fkhe ©e½Lk~Þk{ íkkhk çkÄk {LkðktAeík fk{LkkykuLku

Ãkqýo fhþu yLku ytíku {nkV¤ ÁÃku ykíÞtríkf {kuûk Ãkh{kí{kLkk yrðLkkþe

yuðk yûkh ÄkýLke «kró Úkþu.







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Sarth Kirtnavali

117

41 RAAG : GARBI

KAR PRABHU SANGATHE DRADH


Kar Prabhu sangathe dradh pritdi re, mari javu meline dhanmal;Antkale sagu nahi koinu re.

Sanskare sambandhi sarve malya re, e chhe juthi maya keri jal. ant. 1Maru maru karine dhan melavyu re, tema taru nathi talbhar. ant. 2Sukh svapna jevu chhe sansarnu re, tene jata na lage var. ant. 3Mate seve tu sacha santne re, tara talshe trividhna tap. ant. 4Ati motapurushne ashre re, bale purva janamna pap. ant. 5Evu samjine bhaj Bhagwanne re, sukhkari sada Ghanshyam. ant. 6Devanandno vahalo dukh kapshe re, manvanchhit puran kam. ant. 7

It is the habit of a true Saint to liberate this Soul from painby any means possible. A true Saint is the one who woulddiscourse bitter words to explain the truth to the Soul whetherhe or she likes it or not. Similarly theenlightened Saints ofBhagwan Swaminarayan, Devanand Swami, cautiously dis-courses; if you put aside your desire for Worldly pleasures,boosting you ego and fame and develop true love for theAlmighty Shree Hari then all your sorrows will become ban-ished. This is the eternal truth that when time comes to leavethis body no one is going to come to rescue you. All yourrelatives have paid their debts owed to you from their past lifeand the debts you owned them have also been paid off. Noneof these are the true relatives of the Soul. If you take refugeunder a true saint, then the sins of your infinite life forms willbe forgiven. Thereare three types of pain which are experienceddue to our pass sins, they will be destroyed and banished.Keeping that on your mind if you worship the Almighty ShreeGhanshyam Maharaj, He will fulfill all your desires and ulti-mately you will receive the sweetest fruit of your deeds, theUltimate Salvation Akshardham.







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118

42 hkøk : Äku¤

Äehs ½h íkwt yhu yÄehk...


Äehs Äh íkwt yÄehk, Eïh Ãkqhu yÒk òuLku.

¾÷f íkýku ¾xfku «¼wLku,Mkk[wt {kLku {Lk òuLku. 1

sLBÞwt íkuLku SðkzðkLku, WÃkkÞ þkuæÞku þwæÄ òuLku.

nkz {ktMkLkk niÞk {æÞu,Ëuðu MkhßÞkt ËqÄ òuLku. 2

fezeLku fý nkÚkeLku {ý, [kh ÃkøkkLku [kh òuLku.

fkuþexk{kt fex ðMku Au, Eïh Ãkqhu yknkh òuLku. 3

{MkeË fuhk fkux {eLkkhk, WÃkh QøÞkt Íkz òuLku.

ÃkÚÚkh WÃkh Ãkkýe ðhMku, íku EïhLkku Ãkkz òuLku. 4

yhÛÞ {æÞu ysøkh hnu Au, zøk÷wt Lk ¼hu Ëkuz òuLku.

rðït¼hLkwt rçkÁË rð[khku, ¾kðkLke þe ¾kux òuLku. 5

yLk¤ Ãkûke hnu ykfkþu, {ËÍh ¼h¾u {kuxk òuLku.

Ãkh{uïhLke f]Ãkk ðzu íkku, çkrLkÞk s¤Lkk økkuxk òuLku. 6

{hk¤Lku {kuíkeLkku [khku, ð¾íku ykÃku ðk÷ku òuLku.

ËuðkLktË fnu Ëuð ¼hkuMku, {økLk ÚkRLku {k÷ku òuLku. 7

MktMkkhLkk {nk¼ÞkLkf Ëw:¾ku{kt heçkkíkk SðLku Mk.økw.ËuðkLktË Mðk{e

fnu Au, nu Sð íkwt ËunLkk Ãkku»kýLke ®[íkk Lk fheþ, fkhý fu Ãkh{kí{kyu

MkkiLkwt Ãkku»ký fhðkLke suLku suðe sÁh íkuðe yøkkWÚke s ÔÞðMÚkk fhu÷ Au.

su{ fu feze suðk Sýk SðLku LkkLkk yuðk fýÚke [k÷u íkku íkuLkk {kxu fý

íkkiÞkh s hkÏÞk Au. yLku nkÚke suðk rðþk¤ fkÞ «kýeLku {ýyuf ¾kuhkf

òuRyu íkku íkuLkk {kxu Ãký íkuLkku ¾kuhkf Ãkh{uïhu íkiÞkh s hkÏÞku Au. su

Lku suðk yknkhLke sÁh Au íkuLku íkuðku «¼w ykÃku Au. {kxu íkw yk MktMkkhLke

WÃkkÄeLku AkuzeLku Ãkh{uïh WÃkh ©æÄk hk¾eLku íkkhk {kuûkLkwt MkkÄLk fhe÷u

yu{kt s íkkhk {Lkw»Þ sL{Lke MkkÚkofíkk Au.







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Sarth Kirtnavali

119

42 RAAG : DHOL

DHIRAJ DHAR NE ARE ADHIRA


Dhiraj dhar ne are adhira, ishvar pure anna jone,

Khalak tano chhe khatko prabhu ne,saachu mane manjone. 1

Janmyu tene jivaadvane, upaay shodhyo shudh jone,

Haad maas na haiya madhye, deve sarjya dudh jone. 2

Kidi ne kan haathi ne man, chaar pagaane chaar jone;

Koshita ma kit vase chhe, Ishvar pure aahaar jone. 3

Matsjit kera kot minaara, upar ugya jaad jone,

Patthar upar paani varse, te Ishvarno paad jone. 4

Arany van ma ajagar rahe chhe,dagalu na bhare dot jone;

Visvambhar nu birud vichaaro, khaavani shi khotjpne. 5

Anal pakshi aakaashe rahe chhe, madjar bharkhe mota jone;

Parmesvar ni krupa vade to, baniya jal na gota jone. 6

Maraal ne moti no chaaro, vakhte aape vaalo jone;

Devanand kahe dev bharose, magan thai ma’lo jone. 7Devanand Swami is discoursing to all the Souls suffering in

the terrifying pains of this World, Dear Soul! Do not worry aboutnourishing your body as Almighty Shree Hari has already madearrangements for this in advance for everybody based on theirindividual requirements. For example the Soul of an ant requiressmall particles of food, so the Lord Almighty has prepared smallparticles of food for the ant.Also mammoth animals like elephantsrequire approximately 20kgs of food per day and so the AlmightyShree Hari has prepared his meal in advance. The All MercifulLord Swaminarayan provides and donates food to everybodybased on their requirement. For that reason, forget the burden ofthis World, have faith in Lord Ghanshyam Maharaj and plan yoursalvation. The praiseworthinessof your human life lays in that.







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120

43 hkøk : Äku¤

Mkðuo Mk¾e SðLk òuðkLku [k÷ku hu

h[Lkk : Mk.økw. ¼q{kLktË Mðk{e

Mkðuo Mk¾e SðLk òuðkLku [k÷ku hu,

þuhzeÞwt{kt ykðu ÷xftíkku ÷k÷ku hu. Mkðuo Mk¾e 1

yuLke þku¼k {w¾u ðýoðe Lk òÞ hu,

suLku Lkeøk{ Lkurík Lkurík fhe økkÞ hu. Mkðuo Mk¾e 2

hkuÍu ½kuzu hksuïh rçkhksu hu,

Açke òuR fkuxef ftËÃko ÷ksu hu. Mkðuo Mk¾e 3

{éÞk ykðu {nk{wrLkLkkt ð]tË hu,

íku{kt þku¼u íkkhu ðªxâku su{ [tÿ. Mkðuo Mk¾e 4

þwf MkLkfkrËf W¥k{ Þþ økkðu hu,

Lk]íÞ fhu LkkhË rðýk ðòðu hu. Mkðuo Mk¾e 5

Lkes Mk¾k [{h fhu ÷R nkÚk hu,

yk òu ykÔÞk ¼q{kLktËLkk LkkÚk hu. Mkðuo Mk¾e 6

Ãkh{uþðhLkk «u{e ¼õíkLku «¼wLkwt ykøk{Lk ÚkkÞ íku{kt fuðku WíMkkn

yLku ykLktË nkuÞ Au. íku yk Mk.økw. ¼q{kLktË Mðk{eLkk þçËku{kt òuðk {¤u

Au. Mðk{e ykLktË WíMkn Ãkqðof Mkki ¼õíkkuLku yk{tºký ykÃku Au. fu nu

¼õíksLkku Sðkí{kLkk SðLk«ký yuðk Ãkh{kí{k ÃkÄkhe hÌk Au. òwyku

íkku ¾hk fuðk MkwtËh þku¼u Au. hkuÍk ½kuzk WÃkh rðhks{kLk ÚkRLku yk

ík{khk LkkLkk yuðk økk{zkLke Mkktfze þuheyku{kt Ãký fuðk n»ko yLku ykLktË

Úke ÃkÄkhe hÌkk Au. íku{Lke þku¼kíkku ftRf y÷kufef s Au. òýu Mkkûkkík

fk{Ëuð ÃkÄkÞko nkuÞ íkuðe íkku f{LkeÞ {qŠík Au. {kuxk {kuxk {nk{wrLk sLkku

Lkk ð]tË MkkÚku ÷RLku ÃkÄkÞko Au.þwf,MkLkfkrËf, yLku LkkhË suðk yk «¼wLkk

ËþoLk fheLku Lkk[e WXu Au. yk òu òu ykðe økÞk Au. {kxu íkífk¤ ½h

çknkh rLkf¤eLku ËþoLk íkku fhku suÚke ykí{kLku ykíÞtríkf {kuûkLke «kró

Úkþu.







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Sarth Kirtnavali

121

43 RAAG : DHOL

SARVE SAKHI JIVAN JOVA NE CHAALO RE

Sad Guru Bhumanand Swami

Sarve sakhi Jivan Jova Ne Chaalo Re,

Sheradiyu ma Aave Latkanto Laalo Re. 1

Eni Shobha Mukhe Varnavi Na Jaay Re,

Jene Nigam Neti Neti Kari Gaay Re. 2

Roje Ghode Rajeshvar Biraje Re,

Chhabi Joi Kotik Kandarpa Laaje Re. 3

Malya Aave Mahamuni Na Vrunda Re,

Tema Shobhe Taare Vityo Jem Chandra Re. 4

Shuksanakadik Uttam Jash Gave Re,

Nrutya-Kare Narad Veena Bajavae Re. 5

Nij Sakha Chammar Kare Lai Haath Re,

Aajo Aavya Bhumanand Na Naath Re. 6The enthusiasm and happiness experienced by the loving devo-

tees of the AlmightyLord Shree Hari on His arrival is seen in thewords of Bhumanand Swami. Swami invites everybody with greatenthusiasm that, Dear Soul! The Sustainer of the Soul, the Al-mighty Swaminarayan Bhagwan is arriving. Just take a look howelegant and radiant He is,locatedon the horse named Roza. Lookat the happiness and enthusiasm He has upon His face arriving into your village even though the village is small and the streets arenarrow. His charisma is exclusive of this World. His image is asattractive as that of cupid. He has arrived with a group of greatSaints. Saints like Sukhadevji, Sanak and many others, Oh lookatNarada dancing out of excitement on having the divine glanceof Your divine form. Look here, look here, the divine One is com-ing and when the village people hear thesewords they immedi-ately come running out of their houses and have the divine visionof Bhagwan. Just by obtaining the glimpse of the Lord Almightyyour Soul can obtain Eternal Salvation.







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122

44 hkøk : økhçke

÷xfk¤ku ÷xftíkku ykðu

h[Lkk : Mk.økw. rLk»fw¤kLktË Mðk{e

÷xfk¤ku ÷xftíkku ykðu,

{kunLk {kuh÷e ðkíkku hu. ÷xfk¤ku. xuf

Mk¾kLku Mktøku yrík WAhtøku,

økeík {Äwhkt økkíkku hu. ÷xfk¤ku. 1

fuMkheyu ðk½u fMkwtçk÷ ÃkkÄu,

fuMkh htøk{kt hkíkku hu ÷xfk¤ku. 2

Vw÷zkLkkt íkkuhk økshk Lku xkuÃke,

Vw÷kuLku nkhu Vw÷kíkku hu. ÷xfk¤ku. 3

rLk»fw¤kLktËLkku Mðk{e þk{¤eÞku,

ykðu y{ehMk Ãkkíkku hu. ÷xfk¤ku. 4

ðihkøÞ {qŠík Mk.økw. rLk»fw¤kLktË Mðk{eLku ÃkkuíkkLkk EüËuð Ãkhçkúñ

Ãkh{kí{k{kt fuðku MLkun Au. íku yk ÃkË {kt òuðk {¤u Au. «¼w fuðkt MkwtËh

÷xfkt fhíkkt fhíkkt ykðu Au, yLku íku ÷xfk{kt fuðe {Äwhíkkt ¼hu÷e Au. yu

òu òðwt nkuÞ íkku ykðe òð {khk «¼wLkk ËþoLk fhðk yLku ¼ðÚke çkuzku

Ãkkh Ãkk{e òðkLke MkV¤íkk {u¤ðe ÷ku. MkwtøkÄe{kLk Vw÷kuLkk þøkýh

MkSÄSLku ykðíkkt Mk¾kykuLke MkkÚku yu þk{¤eÞku ÃkÄkhu Au.søkíkLku

y{]íkLkwt hMk ÃkkLk fhkððk {kxu. WÃkËuþ ÁÃke yLku ð[Lkku ÁÃke y{]ík ÃkkLk

fheLku ¼ðs¤Lku Ãkkh Ãkk{e sþku. {kxu ykðku yLku ËþoLkLkku rËÔÞ ÷knðku

{kýku Vhe ðkh ykðku yðMkh ykðþu Lkne.







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Sarth Kirtnavali

123

44 RAAG : GARBI

LATKALO LATKANTO RE AVE

Sad Guru Niskulanand Swami

Latkalo latkanto re ave,

Mohan morli vato re... latkalo. Tek

Sakhane sange ati uchhrange,

git madhura gato re. latkalo. 1

Kesarie vaghe kasumbal paghe,

kesar rangma rato re. latkalo. 2

Fuldana tora ne gajrani topi,

fuldana hare fulato re. latkalo. 3

Nishkulanandno Swami Shamaliyo,

ave amiras pato re. latkalo. 4

Sadguru Niskulanand Swami who is renowned as the sym-bol of detachment (Varaigya) has represented his true affectionand love towards the Almighty Shree Hari in this hymn. HowShreeji Maharaj performed different gestures and those ges-tures the Almighty Shree Hari made, the sweetness behindthem are discoursed in this hymn. If you truly have the desireto see the divine form of Shree Hari and have the true desireto obtain Ultimate Salvation of your Soul, this desire will fulfillyour wishes. The Almighty Shree Hari is arriving with hisfriends and the clothes He is wearing give off the sweetfragrance of flowers. My Dear Lord is adding fragrance andflavor to this mundane World by nurturing, giving advice andalso blessing all the Souls upon this Earth. So, come andparticipate and allow yourself to obtain the divine form ofShree Hari. This opportunity will not come again.







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124

45 hkøk : Ãkhs

Mðkr{LkkhkÞý Lkk{ hu


Mðkr{LkkhkÞý Lkk{ hu,

Ônk÷wt ÷køku Mðkr{LkkhkÞý Lkk{ hu, xuf

hkík rËðMk {khk ÁrËÞk,

¼ªíkh sÃkeþ ykXwt ò{ hu. Ônk÷wt. 1

¼ðs¤ íkhðk Ãkkh Wíkhðk,

XhðkLkwt Au Xk{ hu Ônk÷wt. 2

MkðkuoÃkhe ~Þk{ Au Lkhðeh Lkk{,

MkwtËh Mkw¾zkLkwt Äk{ hu. Ônk÷wt. 3

rLk»fw¤kLktËLkk LkkÚkLku ¼síkkt,

ðkhu íkuLkwt Lkrn fk{ hu. Ônk÷wt. 4

Mk.økw, rLk»fw¤kLktË Mðk{e fnu Au {khk EüËuðLkk þk†ku{kt ÷k¾ku

Lkk{ «rMkæÄ Au. Ãký yk »kzûkhe {nk{tºk Mðkr{LkkhkÞý s yríkþu

Ônk÷wt ÷køku Au. fkhý fu íku Lkk{ íkku {khk ÓËÞ{kt hkºke rËðMk Mkíkík

økwtßÞk s fhu Au. yLku nwt Ãký ykXku Ãknkuh íkuLkku s sÃk fÞko fÁt Awt. fkhý

fu ¼ðMkkøkhLkk s¤ Ãkkh Ãkk{ðwt nkuÞ íkku yk yuf s WÃkkÞ {Lku íkku Ëu¾kÞ

Au.çkesu õÞktÞ þktríkÚke XheLku çkuMkkÞ yuðwt fkuR MÚk¤ s {¤íkwt LkÚke. yk

s Ãkhçkúñ Ãkh{kí{k MkðkuoÃkhe Mkðkoðíkkhe Ãkqýo ÃkwÁ»kku¥k{ Au su{Lkwt MkwtËh

{w¾zw òuRLku s {Lku íkku rLkùÞ ÚkR økÞku Au. {kxu nu søkíkLkk Ãkk{h Sð

íkwt Ãký yk s Mðkr{LkkhkÞý {nk{tºk Lkwt M{hý yLku hxý fheþ íkku

ykíÞtríkf {kuûk {ku¤ðeþ.







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Sarth Kirtnavali

125

45 RAAG : PARAJ

SWAMINARAYAN NAAM RE


Swaminarayan naam Re

vhaalu laage Swaminarayan naam Re. Tek

Raat divas maara hrudiyani

bhitar japish aathu jaam. Vhaalu. 1

Bhav jal tarava paar utarava,

tharava nu chhe maare thaaam. Vhaalu. 2

Sarvopari shyaam chhe narvir naam,

sundar sukhda nu dhaam. Vhaalu. 3

Nishkulanand na naath ne bhajta,

vaare tenu nahi kaam. Vhaalu. 4

In this hymn Sadguru Niskulanand Swami is discoursing, thereare countless names of my beloved Bhagwan Lord Shree Haritranscribed in the Scriptures. Out of all the names transcribed Ionly adore one, that name is composed from SixLetters(Shadakshari) and is the name “SWAMINARAYAN”. Thisname keeps playing in my heart night and day and throughout theday I keep reciting this divine name. The main reason I am totallyengrossed in this name is this name is the only way to sail acrossthe bonds of this World (Maya). I cannot see any other place to sitin where I obtain tranquility and peace; this is the power of thisname. This is the Almighty Supreme Lord Purushottam Narayan.I was able to figure this out, when I saw His divine form for thefirst time in my life. That is why, poor Soul of this universe youshould also keep memorizing and chanting this divine name“SWAMINARAYAN” and if perform this task you will attainSalvation.







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126

46 hkøk : fkVe

MknòLktË nrh, «økx ÚkÞk....


MknòLk tË nrh, «økx ÚkÞk MknòLk tË nrh. x uf.

ÔÞkMk{wrLkyu su Ãkqðuo fneíke íkuðkík Mkk[e fhe. «økx. 1

fkiþ÷ Ëkþ{kt «økxâk Ãkkuíku, rîsfw¤ Ëun Ähe. «økx. 2

yÄ{o fuhkt {q¤ W¾uze, MkæÄ{o MÚkkÃÞku Vhe. «økx. 3

rLk»fw÷kLktË fnu ËwøkoÃkwh ykÔÞk, LkehÏÞk {U Lkuýkt ¼he. «økx. 4

¼køkðíkkrË Mkíþk†ku{kt ytLktíkfkuxe çkúñktzLkk yrÄÃkrík Ãkh{kí{k

yk Ãk]Úðe WÃkh Þwøku Þwøk{kt yðíkkh Äkhý fhu Au. íkuðwt ¼økðkLk ðuË

ÔÞMkSyu ÷ÏÞwtwt Au. yLku ©e{ËT¼økðËTøkeíkk{kt Ãký ¼økðkLk ©e f]»ýyu

MðÞt fÌkwt Au. fu nwt ¼õíkkuLke hûkk fhðk, ËwükuLkku Lkkþ fhðk yLku ¼køkðík

Ä{oLke MÚkÃkLkk fhðk Ëhuf Þwøk{kt yðíkkh Äkhý fÁt Awt. yk þk†Lkk

ð[LkLku MkíÞ fhðk MkkÁ s ¼økðkLk yk ¼ÞkLkf f¤e fk¤{kt ©enrh

MknòLktË Mðk{eLkk Lkk{u «økx ÚkÞk Au. íkuLkku ykLktË søkíkLku {¤u íkuÚke

Mðk{e ÷¾u Au. ÔÞkMk {wrLkyu f nu÷ ðkík MkíÞ ÚkR Au. W¥kh fkiþ÷

Ëuþ{kt AÃkiÞk Lkk{Lkk økk{{kt Ãkrðºk çkúñý fw¤{kt {Lkw»Þ þheh Äkhý

fheLku yÄ{oLkk {w¤Lku W¾uzeLku Ãkrðºk Mkk[k Ä{oLke MÚkÃkLkk fheLku yu

Ãkh{kí{k ËwøkoÃkwh{kt ykÔÞk Au.yLku íkuLku {U rLkh¾eLku òuÞk Au, suÚke {khku

sL{ MkV¤ ÚkÞku Au.

47 hkøk : økhçke

íkkhe {qhrík ÷køku Au {Lku ÃÞkhe hu

h[Lkk : Mk.økw. {tswfuþkLktË Mðk{e

íkkhe {qhrík ÷køku Au {Lku ÃÞkhe hu, ©e ½Lk~Þk{. xuf.

Áze [k÷ søkíkÚke LÞkhe hu. ©e½Lk~Þk{. 1

Ÿze Lkkr¼ Au økku¤ økt¼eh hu, ©e½Lk~Þk{.

Ázk ÷køkku Aku ~Þk{ þheh hu. ©e½Lk~Þk{. 2







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Sarth Kirtnavali

127

46 RAAG : KAAFI

SAHAJANAND HARI PRAGAT THAYA


Sahajanand Hari Pragat Thaya Sahajanand Hari. Tek.

Vyaas Muniye Purve Je Kahiti, Te Vaat Saachi Kari. Pragat.1

Kaushal Desh Ma Pragatya Pote, Dwijkool Deh Thari. Pragat.2

Adharma Kera Mool Ukhaadi, Saddharma Sthapyo Fari. Pragat.3

Nishkulanand Kahe Gadhpur Aavya, Nirakhya Me Nena Bhari. Pragat. 4The Lord of Knowledge VedVyas has transcribed in the

ShrimadBhagavatam and many other scriptures that AlmightyLord manifests himself upon this Earth in different forms duringdifferent times. In the ShrimadBhagavatGeeta Lord Krishna hasalso discoursed that, to protect his followers (devotees) and toestablish the pious path (Dharma) I will manifest myself in everyera. To prove this virtue of the Scriptures in this Kaliyug, Bhagwanhas manifested upon this Earth as Shree Hari, Sahajanand Swami.What Lord VedVyas transcribed has become true in reality. Swamihas written this hymn, so the people of this Earth can take joythat Bhagwan fulfilled his transcription. Almighty PurushottamNarayan has manifested himself in the small village of Chhapiyaof Uttar Koshal area, in a holy Brahmin Family. From there hetravelled the whole Bharat Khand and destroyed the evil and re-established the True Dharma. He finally came to Gadhpur and Ihave seen him and experienced His true divinity, so many of myhuman birth has become successful.

47 RAAG : GARABI

SAHAJANAND HARI PRAGAT THAYA

Sad Guru Manjukeshanand Swami

Taari Murati Laage Che Mane Pyari Re, Shree Ghanshyam Tek

Rudi Chaal Jagat Thi Nyari Re. Shree Ghanshyam. 1

Undi naabhi Chhe Gol Gambhir Re. Shree Ghanshyam

Ruda Laago Chho Shyam Sharir Re. Shree Ghanshyam. 2







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128

íkkhe Akíke QÃkzíke ~Þk{ hu. ©e½Lk~Þk{.

Au òu ÷û{e fuÁt Äk{ hu ©e½Lk~Þk{. 3

íkkhk {w¾Lke þku¼k òuR hu. ©e½Lk~Þk{.

hk¾wt ytíkh{kt »kkuÞR hu. ©e½Lk~Þk{. 4

íkkhkt Lkuýkt f{¤Ãkh ðkhe hu,©e½LkMÞk{.

{tswfuþkLktË ðr÷nkhe hu. ©e½LkMÞk{. 5

{kuxk {kuxk Þkuøkeyku æÞkLk îkhk Mk{kÄe MkwÄe fux÷ktf ð»kkuoLkk ytíku

Ãknwt[e þfíkk nkuÞ Au. Ãký ¼økðkLk©eMðkr{LkkhkÞýu íku Mk{kÄeLku Mkh¤

çkLkkðeLku søkíkLkk MkkÄkhý {kýMkLku Ãký íku Mk{kÄeLkwt Mkw¾ «kó ÚkR þfu

íkuðku ykMkkLk WÃkkÞ çkíkkÔÞku. íku Au {qŠíkLkk yuf yuf ytøkLku rLkh¾e

rLkh¾e Lku ÓËÞ{kt WíkkhðkLkwt yLku ÃkAe MktÃkqýo {qŠíkLku yuf MkkÚku ÓøkÞ{kt

Ähý fhðk Úke çkúñMk{kÄe ÚkR sÞ Au. «Úk{ Mk{kÄe «fhý [÷kðeLku

Mk{kÄe{kt su y÷kifef ykLktË {¤u Au, íkuLkwt ¿kkLk fhkÔÞk ÃkAe. yk

Mk{kÄe Lkku ykLktË MkËk {kxu MkkiLku {¤íkku s hnu íkuLkk {kxu {qŠíkLkwt

yLkwMktÄkLk hk¾ðkLkwt ¼õíkkuLku rþ¾ðkzâwt. yu s ðkík rþ¾u÷e yºku MkkiLku

{kxu Mkh¤íkk Úke ÞkË fhe þfkÞ yux÷kt {kxu Mk.økw. {tswfuþkLktË Mðk{e

yk ÃkË {kt yuf yuf ytøkLku ÞkË fheLku ytíkh{kt WíkkhðLkku «ÞíLk fhðkLkwt

çk¤ {÷u yuðwt ðýoLk fÞwo tAu.

48 hkøk : økhçke

«¼w ík{ rðLkk {kÁt fkuý Au...

h[Lkk : Mk.økw. {tswfuþkLktË Mðk{e

«¼w ík{ rðLkk {kÁt fkuý Au, ík{u òýku Auk nrh nrh. xuf.

Ãkrhðkh{kt ík{u Mkkh Aku, MktMkkhLkk ykÄkh Aku.

{khk «kýíkýk ík{u «ký Aku. ík{u. 1

yk ÷kuf{kt ík{u ykÃk Aku, Ãkh÷kuf{kt {kçkkÃk Aku,

Mkðuo søkíkLkk «ríkÃkk¤ Aku. ík{u. 2

{khe ykþkíkýk ík{u Mkqh Aku, yrík fq¤Úke ík{ku Ëqh Aku,

{tswfuþkLktËLkk LkkÚk Aku. ík{u. 3







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Sarth Kirtnavali

129

Taari Chhati Upadati Shyam Re. Shree Ghanshyam.Chhe Jo Laxmi Keru Dham Re. Shree Ghanshyam. 3

Tara Mukh Ni Shobha Joy Re. Shree Ghanshyam.Raakhu Antar ma Proyi Re. Shree Ghanshyam. 4

Tara Nena Kamal Par Vaari Re. Shree Ghanshyam.Manjukeshanand balihaari Re. Shree Ghanshyam. 5

Great yogis throughout their lifetime try to reach the state of truecontemplation (Samadhi), by performing rigorous penance and medita-tion, but the Almighty Lord Swaminarayan has made it very easy for usto achieve and an ordinary person can also experience the great peaceand happiness of this contemplation. Bhagwan taught us an easy to wayto reach this stage. Which is by concentrating and meditating on eachpart of Bhagwan’s divine form and engrossing the whole idol to yourheart and you can eventually reach the stage of contemplation. BhagwanShree Hari gave this knowledge to his followers so that they can take joyand happiness of Bhagwan’s idol. Bhagwan taught us if you build a re-lationship with my idol in reality you are building a relationship withme. When the relationship between you and Me becomes strong thenyou will constantly remember Me. This is the philosophy Shreeji Maharajtaught to all his devotees. Reminding us of Shreeji Maharaj thoughts andphilosophy Manjukeshanand Swami has taken this mammoth task uponhis hands. Swamiji in this hymn has discoursed Shreeji Maharaj idol insuch a unique way that even the ordinary person can easily learn andremember Bhagwan’s divine idol. Manjukeshanand Swami has ex-plained each and every part of Bhagwan’s body, in such an exquisite waythat it helps to bring Bhagwan’s idol in to your heart.

48 RAAG : GARABI

PRABHU TARN VINA MAARU KAUN CHHE

Sad Guru Manjukeshanand Swami

Prabhu tarn vina maaru kaun chhe, tame jaanochho Hari Hari. tek

Parivaar ma tame saar chho, sansaar na aadhaar chho;

Maara praan tana tame praan chho. tame. 1

Aalok ma tame aap chho, parlok ma maabaap chho;

sarve jagat na pratipaal chho. tame. 2

Maari aasha tana tame sur chho, ati kud thi tame dur chho;

Manjukesh nand na naath chho. tame. 3







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130

{qŠíkLku ÓËÞ{kt Ähý fhðe nkuÞ íkku íku{kt Úke ðÄkhkLkwt çkÄwt s

çknkh fkZðwt Ãkzu su MkktMkkhef ÃkÄkÚkkuo ðkMíkð{kt SðLkk fÕÞý{kt zíkh

ÁÃk Au. sux÷kt Ãký MkçktÄku Au íku çkÄk s MktçkÄkuLku ÃkkuíkkLkk Eü «¼wLke

MkkÚku òuzký fheËuðk{kt ykð uíkkus ßÞkt SðLku òuzðkLkku Au íÞkt òuze

þfkÞ Au. yLÞÚkk SðLkwt r[¥k íkku yuðwt Mkt[¤ Au fu ûký ðkh{kt fkuhkuzku

fÕÃkLkkyku fheLku {kuxku sçkhk MktMkkh ðMkkðe ËuÞ íkuðwt Au. yux÷u r[¥kLku

Mk{òððkLkwt Au fu íkkÁ yk{kt fkuý Au. ¾hu¾h SðLkwt yuf Mkðo«fkhu

hûký yLku Mkk[ðLkkh yuf s Ãkh{kí{k Au. ykLke áZíkk fhkððk {kxu s

ykÃkË {kt Mk. økw. {tswfuþkLktË Mðk{e ÃkkuíkkLkk yLkw¼ð rMkæÄ ðkík sýkðu

Au.suLku ÓËÞ{kt WíkkhkðkÚke s {qŠík{kt æÞkLkLke rMkÂæÄ ÚkkÞ Au. yLku

æÞkLk rMkæÄ ÚkkÞ íkku s Mk{kÄe ÚkkÞ. yLku Mk{kÄe ÚkkÞ íkku s Ãkh{uïhLkwt

Mkw¾ {¤u Au.

49 hkøk : ÷kðýe

{khu {trËh ÃkÄkÞko ~Þk{...

h[Lkk : Mk.økw. ÞkuøkkLktË Mðk{e

{khu {trËh ÃkÄkÞko ~Þk{ ÚkR çkz¼køke,

{khu nrhðh MkkÚku nuíkþwt ÷økLke ÷køke. {khu. 1

{khk {LkLke Ãkqhe nk{ f]íkkÚko feÄe,

¼ð çkwzíkkt {khe çkkÌk økúneLku ÷eÄe. {khu. 2

{khk {Lk{kt ðMkeÞk {kð íkkÃk Mkðuo xkéÞk,

{wLku {økLk fhe {nkhks ËwøkoÃkwh [kÕÞk. {khu. 3

{wLku fhðwt Lk MkwÍu fk{ fnku fu{ fheÞu,

sçk {e÷u Lk MknòLktË Xk{ õÞkt XheÞu. {khu. 4

yu Mkw¾Lke þe fnwt ðkík fne LkÚke òíke,

yu Mkw¾ Mkt¼khíkkt yks Vkxu {khe Akíke. {khu. 5

fnu ÞkuøkkLktË{wrLk hkÞ ¼S ÕÞku «eíku,

Lkne ykðu s{Lkk Ëqík þk†Lke heíku. {khu. 6







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Sarth Kirtnavali

131

All devotees have the desire to have Bhagwan’s divine idol residing in theirhearts. For this miracle to occur we first have to remove all the excess garbagefrom our hearts. That excess garbage is nothing else, but all these Worldlypleasures that are obstacles on the path of Salvation. When we gather all the loveand admiration we have for our friends and relatives and direct that passion andattachment towards the Almighty Bhagwan Shree Hari. Then and only then canour Soul become attached to the Supreme Being Swaminarayan Bhagwan’s divineidol. When this love is not directed towards the divine feet of the Almighty if fallin love with Worldly entities, our mind becomes entangled with all their problemsand we never receive peace of mind. When the mind is restless and not under ourcontrol it becomes irrational and runs after desires that can never be obtained.Therefore it is imperative to keep reminding our mind to choose right path. Theright path is worshiping the lotus feet of Shree Hari, He is the only one who cantruly protect our Soul from all obstacles. In order for us to comprehend thisUltimate Truth, Sadguru ManjukeshanandSwami has written this majestic versebased on his experience. When this hymn is understood and applied with trueemotion and admiration from our heart, the level of meditation and the relationshipbetween devotee and Bhagwan increases immensely. This level of devotion allowsthe devotee to obtain Samadhi. When a devotee reaches this state of Samadhionly then one can experience true happiness of the Supreme Lord ShreeSwaminarayan Bhagwan.

49 RAAG : LAVANI

MAARE MANDIR PADHARYA SHYAM

Sad Guru Yoganand Swami

Maare Mandir Padharya Shyam, Thai Badbhagi:

Maare Harivar Saathe Hetshu, Lagani Laagi. Maare. 1

Maara Man an i Puri Haam, Krutarath Kidhi,

Bhav Budata Maari Bahya, Grahine Lidhi. Maare. 2

Maara Manama Vasiya Maav, Taap Sarve Taalya:

Mane Magan Kari Maharaj, Durgpur Chaalya. Maare. 3

Mane karvu Na Suje Kaam, Kaho Kem Kariye :

Jab Meele Na Sahajanand, Tham Kya Thariye. Maare. 4

A Sukhni Shee Kahu Vaat, Kahi Nathi Jaati,

A Sukh Sambharata Aaaj, Faate Maari Chhati. Maare. 5

Kahe Yoganand Muniray, Bhaji Lyo Preete,

Nahi Aave Jamna Doot, Shashrta Ni Reete. Maare. 6







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132

¼økðkLk ðuË ÔÞkMkSyu yZkh Ãkwhký yLku Mkíþn† Mktrníkk yuðk

{nk¼khík{kt ÷ÏÞwt Au. fu yk Sðkí{k yíÞkh MkwÄe{kt fux÷kt sL{ ÷R

[wõÞku Au. økýíkk økýkÞ Lkne yux÷e ð¾ík sLBÞku yLku {Þkuo Au. Aíkkt

nS MkwÄe íkuLkk {kÚkuÚke sL{ yLku {hý Ëw:¾ òíkwt LkÚke. Mk{wÿ{kt sux÷wt

Ãkkýe Au, íkux÷wt íkku {kíkkLkk MíkLk{ktÚke ËwÄ Äkðe økÞku Au. yk Ëw:¾kuÚke

íÞkhu Awxfkhku {¤u ßÞkhu Ãkh{kí{kLke Mkk[e yku¤¾ ÚkkÞ. yLku «kÂÃík

ÚkÞk ðeLkk sL{ {]íÞw yLku s{Lkk ËqíkLke çkef òíke LkÚke. yk s ðkíkLke

áZíkk fhkððk {kxu Mk.økw. ÞkuøkkLktË Mðk{e fnu Au ßÞkhu {khk rË÷{kt

ÓËÞk{kt ¼økðkLk ©eMðkr{LkkhkÞýLkwt ¼sLk Úkðk {ktzâwt íÞkhÚke nwt çknw

{kuxe ¼øÞþk¤e çkLke økR Awt fkhý fu {khk {LkLke çkÄes RåAkyku Ãkqýo

ÚkR økR Au. ßÞkhu {hk ÓËÞ{kt «¼w ðMÞk íÞkhÚke nwt f]íkkÚko ÚkR økR

Awt. søkíkLkwt nðu fkuR fk{ fhðwt Ãký {Lku øk{íkwt LkÚke. yu MknòLktË Mðk{e

Lkk ËþoLk ÚkÞk yLku su {Lku Mkw¾ ykÃÞwt íku Mkw¾Lke nwt þwt ðkík fÁt yu rËÔÞ

y÷kifef Mkw¾Lku Mkt¼híkkt s {khk ÓËÞ{kt ykLktË Mk{kíkku s LkÚke òýu

AkíkeLku VkzeLku yu ykLktËLkku yku½ çknkh rLkf¤e Ãkzþu yuðwt yLkw¼ðkÞ

Au. Mðk{e søkíkLkk Sð {kºk Lku fnu Au òu ík{khu Ãký ykLktË {u¤ððku

nkuÞ íkku ykðe òð yk þk†Lke heík Au. s{Lkk Ëqíkku Lkwt íkuzwt ÃkAe Lkne

ykðu yu ¾kíkhe Au.

50 hkøk : Xw{he

nrh {e÷u çkkuhMkzefe AiÞk

h[Lkk : ykrË yk[kÞo ©e yÞkuæÞk«MkkËS {nkhks

nrh {e÷u çkkuhMkzefe AiÞk. nrh. xuf,

{U ßÞwt økRíke s÷ ¼hLkufwt, nMke çkku÷kR {kuhe MkiÞk. nrh. 1

ïuík Ãkk½ rþh Mkkuník MkwtËh, Vq÷ íkkuhk ÷xfiÞk. nrh. 2

fuMkh rík÷f ¼k÷ çke[ Lkeh¾, ÷Ãkfe ÷Ãkfe Ãkhe ÃkiÞk. nrh. 3

yðÄ«MkkËfu {Lk nh ÷eLkku, MknòLktË Mkw¾ ËiÞk. nrh. 4

¼økðkLk ©eMðkr{LkkhkÞýu ÃkkuíkkLkk ÞÚkkhÚk rMkæÄktík Ãk]Úðe WÃkh







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Sarth Kirtnavali

133

Bhagwan VedVyas has composed the eighteen Puraan and Satsahastra,Samhita and in the Mahabharat he has discoursed that this Soul has takeninfinite numbers of births so far. Innumerous times the Soul has been bornand obtained death, nevertheless it still has not become free from thiscycle of life and death and is still being tortured by it. This Soul has beenborn so many times, that when you accumulate the amount of mothers wewere born from and the amount of milk we have drank from their breasts.The amount of milk we have consumed would equivalent to the oceans.Being born from a mother’s womb is that painful, the pain is excruciatingthat we have forgotten the pain. The Soul can only be freed from thatexcruciating pain when they become free from the cycle of life and death.That is only possible when you have realized the Almighty ParmatmaLord Swaminarayan. Without the realization of the Almighty Shree Harithe agonizing pain of re-births, re-deaths, the torture, pain and the fear ofAngels of Death exists they never go away. In order for us to understandthis fact, Sadguru YoganandSwami says, “My heart has started to worshipthe Supreme Being Lord Shree Swaminarayan Bhagwan and since then Ihave become very blessed and pious that all my heart desires have beenfulfilled. I do not obtain any pleasure in doing Worldly activities; the truepleasure is serving the Almighty Shree Hari. I am that blessed that I wasable to obtain the divine darshan of Shree Sahajanand Swami and thehappiness and pleasure that I received from such a sight cannot be expressedin words. The mere remembrance of that divine happiness fills my heartwith joy, the heart is full of that much joy that it will explode and all thehappiness within will flow out of it. Swami is discoursing to all of us thatif we want to experience this divine joy then we should follow in hisfootsteps. This is the way defined on Holy Scriptures. The path I havediscoursed is the guaranteed path to obtain Shree Hari and when this pathis followed the Angels of Death will never come after you again.

50 RAAG : KAAFI

HARI MILE BORASADIKI CHAIYA

Adi Acharya Shri Ayodhayprasadji Maharaj

Hari mile borasadiki chaiya. Hari. Tek,

May jyu gaiti jal bharneku, hasi bolai mori saiya. Hari. 1

Shwet pagh sohat sundar, ful tora latkaiya. Hari. 2

Keshar tilak bhal bich nirakh, lapaki lapaki pari paiya. Hari. 3

Avadhprasadke man har lino, sahajanand sukh deiya. Hari. 4In order to establish His true principles on this Earth, Bhagwan

Shree Swaminarayan first applied those principles in His own life and







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134

MÚkÃkðk {kxu «Úk{ íku rMkæÄktíkLke ðkíkLku Ãkkuíku MðÞt y{÷{kt {wfeLku ÃkAe

÷kufkuLku íku™ku WÃkËuþ ykÃÞku. {kuûk yÃkkðu yLku yuðk Mk{Úko ¼økkðkLkLkku

¼uxku fhkðu yuðk økwÁ õÞkt {¤u íkku Mk{økú ¼hík ð»ko{kt Vhe ðéÞk. íÞkhu

yuðk ¿kkLke æÞkLke økwÁLke «kró ÚkkÞ Au. yuðwt fnuíkkt Ãknu÷kt MðÞt yk[hý

fhe çkíkkÔÞwt. ¼økðkLk fu{ {¤u MktMkkhLkk Mkw¾ Akuzðk Ãkzu íku Akuzâk íkuLkk

{kxu íkÃk fhðwt Ãkzu íkku íkÃk fheLku søkíkLkk SðLku yLkwMkhý fhðk «uÞko

suÚke yMktÏÞ {w{wûkw Sðku íku {køkuo [k÷eLku øktíkÔÞ MkwÄe ÃknkU[e økÞk Au.

Ãk]Úðe WÃkh Úkíke yÃkkh ®nMkkLku hkufðk íku{kt Ãký Ä{oLkk yLku Þ¿kLkk Lkk{u

Úkíke ®çkMkkLku hkufðk Ãkkuíku yuðk {nkLk {kuxk {kuxk y®nMkk{Þ {nkrð»ýw

Þ¿k yLku yrík Áÿ Þ¿kku fhkÔÞk. ykðk Þ¿kku fhðk suík÷ÃkwhLke h¤eÞk{ýe

¼q{eLku ÃkMktË fhe Mkki «Úk{ ynª {kuxku {nk rð»ýw Þ¿k fÞkuo su{kt

yMktÏÞ ¼qËuðkuLku {kuxe Ëûkeýk yLku {eckÒkku s{kzeLku ík]ó fÞko. Mk{ks

{k tyÄ{ f]íÞ fhðk ðk¤k økýkíkk yuðk Ëun rð¢Þ fheLku ykLktË

{kýLkkh økýefk suðkLkku Ãký WæÄkh fÞkuo. íkku Mkkð økheçk Sðý ¼õík

suðkLkku Ãký {LkkuhÚk Ãkqýo fÞkuo. yuðe Ãkrðºk ¼q{e{kt ¼økðkLk ©enrhLkk

yMktÏÞ ð¾ík Ãkøk÷k Ãkzâk Au. y{ËkðkËÚke ðzíkk÷ yLku ðzíkk÷Úke

økZÃkwh sux÷e ð¾ík òÞ íkux÷e ð¾ík hkMíkk{kt ykðíkkt suík÷Ãkwh{kt íkku

yð~Þ ÃkÄkhíkkt yLku íÞktLkk «u{e ¼õíkkýe øktøkk çkkLkk nkÚkLke hMkkuR

s{eLku s ykøk¤ ÃkÄkhíkkt. yu s heíku Ãkt[Mkki Ãkh{ntMkku MkkÚku suík÷Ãkwh{kt

ÃkÄkÞko Au. yLku MkkiLku rËÔÞ ËþoLk ykÃkeLku Mkw¾e fhe ËeÄk Au íÞkhu

Mkðkh{kt íku{Lkk s Ãkwºk yLku Mkt«ËkÞLkk ykrË yk[kÞo ©eyÞkuæÞk«MkkËS

{nkhks fu su{Lku ©enrh{kt yøkkÄ MLkun yLku Ãkh{uïh ÃkýkLkku áZ

rLkùÞ Au. íku ÃkkuíkkLkk «¼wLke Mkuðk òíku fhðkLkk yk©ÞÚke ðnu÷kt WXeLku

©enrhLkk WÃkÞkuøk {kxu ËuðMkhkuðh{kt Úke ÃkkýeLkku ½zku ¼hðk rLkféÞkt

íÞktíkku yux÷e ðnu÷e Mkðkhu fkuRLku fÕÃkLkk Ãký Lk ÚkkÞ íku{ Ãkh{f]Ãkk¤wt

Ãkh{kí{kt ©enrh ÃkkuíkkLkk ¼õíkLku Mkw¾ ykÃkðk ykðeLku ykLktËkLktË

Mðk{eyu çkLkkðeLku íkiÞkh fhu÷ ðkze{kt çkkuhMk÷eLkk ð]ûk Lke[u ykux÷kt







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Sarth Kirtnavali

135

then He preached them to His disciples systematically. Where can onefind a Guru who can introduce the Souls to the Almighty Bhagwan andcan provide salvation? In order to find a proper qualified Guru BhagwanSwaminarayan traveled the whole India, only then He was able to findnoble, well qualified and knowledgeable Guru. He Himself did thisand then taught His disciples to do the same. How can we obtain theAlmighty Lord Shree Hari? The first step is to renounce all Worldlypleasures. In order to give up those pleasures, one must perform penance.Hence, Almighty Lord Harikrishna Himself performed penance andinspired people to do the same. By doing this, infinite number of Soulsdesiring liberation from this cycle of life and death, have reached theirfinal destination. In order to terminate violence, especially violencedone on the basis of religion and offering oblation to holy fire, BhagwanShree Swaminarayan started performing non-violent Maha Vishnu andAtiRudraYagnas. Lord Swaminarayan Himself chose the pleasant landof Jetalpur to perform this great Maha Vishnu Yagna where He gaveDakshina (gifts given to Brahmins after religious ceremony) to manyBrahmins and gratified them by serving many delicious sweets. Whenseeking refuge, Bhagwan accepted those who were looked down uponby the society, those people which took pleasure by prostitutionBhagwan Swaminarayan gave them Ultimate Salvation. Bhagwan atethe flatbread made out of Turkish Gram brought by JeevanBhagat whowas very poor and fulfilled the devotees desire to feed Bhagwan. Thisis the sacred land of Jetalpur, upon which Shree Hari has implanted hisdivine footsteps numerous times. On His way from Amdavad to Vadtaland from Vadtal to Gadhpur, Shreeji Maharaj would exclusively visitJetalpur and would eat pious meals made by Ganga Baa, a great femaledevotee of Shreeji Maharaj. Once just like always Shree SwaminarayanBhagwan has arrived at Jetalpur, gave darshan and satisfied the thirstof His devotees. At that time, in the morning, His son and the firstAcharya of NarNarayan Dioceses Shree Ayodhyaprasadji Maharaj whohad great admiration and love for Shreeji Maharaj, AyodhyaprasadjiMaharaj also had the realization and knowledge that my foster father isno one else but the Almighty Lord Swaminarayan. On this particularday Ayodhyaprasadji Maharaj has woken up early in the morning inorder to perform rendering of homage to the Almighty Shree Hari.Acharya Shree Ayodhyaprasadji Maharaj went to the small lake calledDev Sarovar and filled up an earthen pot with water for his homage toShreeji Maharaj. As he was returning from Dev Sarovar, he saw ShreejiMaharaj sitting on a verandah, under the tree of borasli (Spanish Cherrytree), in a garden prepared by Sadguru Shree Anandanand Swami.







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136

WÃkh çkuMke økÞk Au. yLku íku Mk{Þu ËkËkLke áüe Ãkzíkkt s frð ÓËÞ yuðk

ËkËkLkk {w¾{kt Úke yk {Äwh hMk íkhçkku¤ þçËku Lke hMk{kÄwhe Lkku «ðkn

ðnuðk {ktzâku. yLku fnuðk ÷køÞk fu {U su{ Ãkøku Ãkze Mkküktøk Ëtzðík

fheLku Ãkøk{kt ÃkzeLku Lk{Mfkh fhðk Lkku «kht¼ fÞkuo íku MkkÚku s {Lku íkku «¼w

¼uxeLku {éÞk {khk çkÄk {LkkuhÚk Ãkqýo ÚkR økÞk íku{ su fkuR søkíkLkku Sð

yu Ãkh{kí{k ©eMknòLktËSLkk [hýku{kt ykðþu íkuLkk Ãký çkÄk {LkkuhÚkku

Ãkqýo Úkþu yLku ytíku yûkh Äk{Lke «kró Úkþu.

51 hkøk : fkVe

y{hLkk MkhËkh nrh {khk

h[Lkk : Mk.økw. f]»ýkLktË Mðk{e

y{hLkk MkhËkh nrh {khk Lkuýkíkýk þýøkkh,

Lkuýíkýk þýøkkh, økwýðtík {kýfeLkk yMðkh. y{h. xuf

{kÚku Äku¤e Ãkk½ {Lkkunh, Akuøkwt {wøkx yLkwMkkh,

Äku¤kt ytçkh íkLk Ãkh þku¼u, Y{k÷ Äku¤ku Mkkh. y{h. 1

¼k÷ rðþk¤ rík÷f fuMkhLkwt, fw{fw{ [tÿ WËkh.

fk{íkýk {ËLku nhLkkhe, ¼úfwxe ÄLkw»Þkfkh. y{h. 2

ËeÃk rþ¾k þwf [t[w÷ ¼khe,LkkMkk Lk{ýe Mkkh.

Ëtík Açke òuR ÷k÷SLke, yÄku{w¾ Íwhu yLkkh. y{h. 3

®çkçk Lkðktfwh Ãkhðk¤kÚke, Mkkhk yÄh yÃkkh.

f]»ýkLktË fnu {w¾ Ãkh ðkÁt. [tÿ Mkhkus nòh. y{h. 4

LkkLkk çkk¤fkuLku su rþûkfku rþûký ykÃkíkkt nkuÞ íkuLku «Úk{ xÙurLkøk

÷uðe Ãkzu Au. íkuLku fu{ rþûký ykÃkðwt yLku fuðe heíku íkiÞkh fhðk. yus heíku

¼økðkLk ©eMðkr{LkkhkÞýu «Úk{ Ãkh{ntMkkuLku ¿kkLk yLku Mk{sýÚke

íkiÞkh fÞko ÃkAe yæÞkí{ {køko{kt çkk¤f suðk SðLku rþûkeík fheLku {kuûk

{u¤ðe þfu íkuðk íkiÞkh fhðkLkwt íku{Lku s MkkUÃke ËeÄwt íku{ktÚke rðîkLk yLku

frðíkk{kt fwþ¤ Ãkh{ntMkku Mk{økú økwshkíkLke sLkíkkLku {kuûk {u¤ððk {kxu

òøkúík fhe íku ftRf ykðk þçËku îkhk s fhe nþuLku su yk Mk.økw.f]»ýkLktË







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Sarth Kirtnavali

137

Acharya Shree Ayodhyaprasadji Maharaj was also a great poet, hiswriting and singing skills were incomparable. Using these unique skillsets Acharya Shree Ayodhyaprasadji Maharaj composed thismagnificent hymn, describing the divine vision he has seen on thatday, “At that moment, as I looked at Shreeji Maharaj, I started to paymyobeisance by lying prostrate on the ground; Shreeji Maharaj suddenlygot up and hugged me. All my desires have come to an end and whoeverwill take refuge under the Divine Lotus feet of Shree SwaminarayanBhagwan will obtain this great level of happiness and they will attainthe divine Abode of Shree Hari Akshardham when they pass away.

51 RAAG : KAAFI

AMAR NA SARADAR HARI MAARA

Sad Guru Krushnanand Swami

Amar na Saradar, Hari Maara Nena Tana Shanghar;

Nena Tana Shanaghar, Gunavant Manaki Na Asavar. Amar. Tek

Maathe Dholi Paagh Manohar, Chhogu Mugut Anusaar;

Dhola Ambar Tan Par Shobhe, Rumaal Dholo Saar. Amar. 1

Bhaal Vishal Tilak Kesar Nu, Kumkum Chandra Udaar;

Kaam Tana Mad Ne Harnari, Bhrakuti Dhannshya Aakar. Amar. 2

Deep Shikha Shnk Chanachal Bhaari,NaaSa Namam Saar ;

Danta Chhabi Joy Ne Laaje Chhe, Adhomukh Jhnre Anar. Amar. 3

Bimb Navaaknr Parvaalaathi, Saara Adhar apaar;

Krshnanand Kahe Mukh Par Vaaru, Chandra Saroj Hajaar. Amar. 4The teachers who teach students must first get training in teachingand obtain

the skills on how to teach, how to educate and how to prepare students for theWorld. The same thought passed through Bhagwan Shree Swaminarayan mindand he educated and prepared Paramhanso Saints with knowledge andunderstanding.

Then Shreeji Maharaj delegated the responsibility of teaching to the Saintsand told them to teach every Soul they encounter spiritual knowledge. Havepatients teach them like a teacher teaches a small child. This Spiritual Knowledgeis difficult to comprehend and understand so teach them with compassion andpatients. There were more than 500 Paramhanso great Saints, many of them weregreat scholars and very spontaneous in writing hymns, they enlightened the citizensof Gujarat about obtaining Salvation. Music is the key to the heart, keeping this inmind great Saints like Sadguru Shree KrishnanandSwami composed hymnssimilar to this one. It is a fact that Ultimate Salvation can only be attained by the







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138

Mðk{eLkk Au. Ãkh{uïhLke {qŠíkLkk æÞkLk rðLkk fhkuzku WÃkkÞ fhðkÚke

ykíÞtríkf {kuûk {¤íkku LkÚke íku MkLkkíkLk rMkæÄ ðkík Au. íku Ãkh{uïhLkwt æÞkLk

fu{ fhðwt íku yk Mktík Ãkh{ntMkku ÃkkMku Úke rþ¾ðwt s Ãkzu. ÃkkuíkkLkk Eü

Ãkh{uïh Lke {qŠíkLkk yuf yuf ytøkLku ÓËÞ{kt WíkkheLku áZ fhu ÃkAe MktÃkqýo

{qŠík ÓËÞ{k tÂMÚkh ÚkkÞ íÞkhu æÞkLk fÞkoLkwt Mkw¾ {¤ u Au. íkuÚke ÃkkuíkkLkk

r«Þík{Lke {qŠík fuðe MkwtËh Au íkuLku yËT¼qík WÃk{kyku ykÃkeLku ÓËÞ{kt

MktøkúnðkLkku «ÞíLk fÞkuo Au. suLkk ytíkh{kt yk {qqŠík XMke òÞ íkuLku ÃkAe

çkesw fktR fhðkLkwt hnuíkwt LkÚke.

52 hkøk : støk÷ku

nku LkhLkkhkÞý Mðk{e


nku LkhLkkhkÞý Mðk{e, ¼SÞu Mkçk Mkw¾Äk{e. nku Lkh. xuf

nku ËeLkçktÄwt rníkfkhe, «økx ËÞk Wh Äkhe. nku Lkh. 1

nku LkhLkkhkÞý nuíkwt, f ÷e{U ¼ð s¤ Mkuíkwt. nku Lkh. 2

nku çkÿeÃkrík «kýLkkÚk, Ãkríkík sLk økúnu nkÚk. nku Lkh. 3

nku «u{kLktË òLke ËkMk, ËeLkku [hLku rLkðkMk. nku Lkh. 4

ÃkkuíkkLkk ÓËÞ økík yr¼«kÞ fkuR çkÄkLku fnuíkkt LkÚke Ãký ßÞkt yuf

çkeòLku ÃkhMÃkh yíÞtík «u{ nkuÞ íÞkt fkuR ÃkkuíkkLke ¾Lkøke ðkík Ãký

AwÃkkðíkwt LkÚke. «u{{kt ¼uË hnuíkku LkÚke. ÃkkuíkkLkk yíÞtík MktðuËLk rþ÷

hnMÞLku Ãký «u{eLke ykøk¤ Mkk[k «u{e rLk»fx ¼kðÚke ònuh fhe ËuÞ

Au. íkurðLkk øk{u íkuðk {kuxkLke MkkÚku ðkíkku fhu Ãký ÃkkuíkkLkwt hnMÞ Lk sýkðu.

íku{ ¼økðkLk ©enrhLkwt Mkk[w hnMÞ íku{Lkk «u{e yuðk Ãkh{ntMkku rMkðkÞ

fkuý òýe þfu Au. íku{kt Ãký yrík «u{Lkk fkhýu su{Lkwt Lkk{ s «u{Mk¾e

Ãkze økÞwt íku Mk.økw. «u{kLktË Mðk{e fnu Au fu nu søkíkLkk Sð íkkhu òu çkÄk

s «fkhLkk Mkw¾ òuRíkk nkuÞ íkku su{ fu søkíkLkwt Mkw¾ yux÷u fu ÄLk MktÃkr¥k,

Ãkwºk f÷ºk, {kLk MkL{kLk, hkßÞ Mk¥kk, yk çkÄwt yLku íkuLke MkkÚku MkkÚku

Ãkkh÷kufef Mkw¾ yÚkkoík ykíÞtríkf {kuûk, yLku Ãkh{uïhLkk MðÁÃkLkwt ¿kkLk







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Sarth Kirtnavali

139

meditation of Bhagwan’s Divine Idol. The technics needed to perform meditationmust be acquired from these Paramhanso Saints. Meditation should only beperformed on Idols of your Ishtadev (favorite Bhagwan). First step is to focus onevery single part of body of the Lord Almighty Shree Hari body. From the top ofhis head to the tip of the toe and place each part of the body in the middle of yourheart. After this procedure is complete then you should meditate on the entireform of Bhagwan Swaminarayan and allow the Idol to enter the heart. Whilst theIdol is entering the heart we will experience great joy and peace and that joy andhappiness is incomparable to anything on this Earth. Many Scholars have tried tocompare the beauty of Bhagwan’s Idol to Worldly products and describe Himmetaphorically. But there education come to no avail they cannot compare theIdol of Shree Hari to any mundane Worldly entity. Those who have Bhagwan’sdivine Idol instilled in their hearts they do not have to achieve anything greater,because they achieved the Ultimate goal and have attained their Salvation.

52 RAAG : JANGALO

HO NARNARAYAN SWAMI


Ho Narnarayan Swami, Bhajiye sab sukhdhami. Ho Nar. Tek

Ho dinbandhu hitkari, pragat daya ur dhari. Ho Nar. 1

Ho Nanarayan het, ke lime bhav jal setu. Ho Nar. 2

Ho Badripati prannath, patit jan grahe hath. Ho Nar. 3

Ho Premanand jani das, dino charne nivas. Ho Nar. 4One never reveals their true opinions or feelings to everyone,

but one also does not keep their feelings and secrets from theirloved ones. There is no differentiation in love. Hence, all thesensitive secrets are being disclosed openly and honestly to theloved ones. Such secrets are never disclosed in front of anyoneelse, no matter how great that person may be. Likewise, BhagwanShree Hari’s true secret is only known to the Paramhanso’s Santoswho loved Him dearly. Especially the one who is named afterlove itself Premsakhi. Sadguru Premanand Swami discourses, “Ohdear Soul, bounded by this materialistic World! If you want allthe pleasures and happiness namely, Worldly pleasures such aswealth, children, prestige, fame, nation’s authority and with thattrue happiness beyond this World like Ultimate Salvation and thetrue knowledge of Bhagwan’s divine form then be the disciple ofonly one Parmeshwar Bhagwan Shree Badripati NarNarayan Dev.







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140

yk çkÄwt s yuf Ãkh{uïh yuðk Ãkhçkúñ Ãkh{kí{k ÃkqýoÃkwÁ»kku¥k ¼½ðkLk

©e çkÿeÃkrík LkhLkkhkÞýËuðLkku yk©Þ fheLku íku{Lkwt ¼sLk fhe ÷u fkhýfu

yus ËÞk fheLku ËeLkçktÄw søkíkLkk SðLkwt rník fhðk {kxu yk f¤efk¤{kt

{khk «kýLkkÚk «økx ÚkÞk Au. yLku íkuLkku ËkMk çkLkeLku [hýu rLkðkMk fhðk

{ktøkw Awt. yk Au «u{kLktË Mðk{eLkk þçËku. yk þçËkuLku Mk{SLku su ¼õíkku

SðLk{kt Wíkkhþu íku yk ÷kuf{kt yLku Auðxu Ãkh÷kuf{kt çkÄk s Mkw¾kuLku

{u¤ðþu.yLku yrðLkkþe yuðk yûkhÄk{Lkk rLkðkMke ÚkRLku yûkh{wõíkLke

Mkt¿kk Lku {u¤ðþu.

53 hkøk : fÔðk÷e

søkík{U SðLkk Úkkuhk...


søkík{U SðLkk Úkkuhk, { ¼q÷u Ëu¾e íkLk økkuhk.

¾zk rþh fk÷ Mkk ðuhe, fhuøkk ¾k¾fe Zuhe. 1

fh{fwwwttt Mk{sfu fhLkk, rþhu Lkes ¼kh Lkk ¼hLkk.

fkøkË LkefMkík ne sçkne,fXeLk nu çkku÷Lkk íkçkne. 2

Lk®n íknkt Mkøkk fkuR yÃkLkk, yÂøLkfe Ík÷{U íkÃkLkk.

÷u¾k s{hks sçk fhne, feÞu f]ík ¼kuøkLku Ãkhne. 3

çkúñkLktË fník nu íkw{fwt, Lk Ëeòu Ëku»k yçk n{fwt.

Ãkkufkhu Ãkexfu íkk÷e, òÞuøkk nkÚk ÷u ¾k÷e. 4

©enrhyu ÃkkuíkkLkk økwZ MktfÕÃkkuLke ÃkqŠík {kxu {nk{trËhkuLkwt rLk{oý

fkÞo Ãkqh òuþ{kt [÷kððkLke Ãkh{ntMkku Lku yk¿kk fhe íku{kt Mk.økw. çkúñkLktË

Mðk{eLku ºký ºký {kuxk {nk{trËhkuLke sðkçkËkhe MkkUÃkðk{kt ykðe Au.

ðzíkk÷, {w¤e yLku swLkkøkZ íku{kt swLkkøkZ{kt {wM÷e{ hkßÞ Au, yLku

íkuLkk {tºkeyku Lkkøkhku çkúñýku Au, íku ¼økðkLk ©eMðkr{LkkhkÞýLkk

rðhkuÄeyku Au. òík òíkLkk ðtkÄkyku ðkht{ðkh ykøk¤ ÄheLku ftRLku ftRf

rðÎLk Lkk¾ðkLkku «ÞíLk fhu Au. yk çkÄkyu ¼u¤k ÚkRLku LkðkçkLku [zðýe

fhefu yk Mðkr{LkkhkÞýLkwt {trËh fhkðu Au íku çkúñkLktËS Ãknu÷kt ÷kzw







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Sarth Kirtnavali

141

I Premsakhi love and adore Him and immensely enjoy singingHis praises for He has graced and had mercy upon me and allliving Souls by manifesting Himself on to this Earth in the middleKaliyuga. I want to be the servant of this Omnipresent Bhagwanand be seated near His divine Lotus feet, so I can serve them forall eternity. These are the deep down feelings of PremanandSwami. One who will understand the true meaning of Swami’swords and apply them in their lives will definitely obtain all thepleasures of this World and the divine pleasures of the Worldafter and will receive the status of an Aksharmukta and will be aresident of Akshardham.

53 RAAG : KAVAALI

JAY SADGURU SWAMISad Guru Brahmanand Swami

Jagatme jivna thora, me bhule dekhi tan gora.

Khada shir kal sa veri, karega khakhaki dheri. 1

Karmaku samajke karna, sire nij bhar na bharna.

kagad niksat hi jabhi, kathin he bolna tabhi. 2

nahi taha saga koi apna, aganiki zalme tapana.

lekha jamraj jab karhi, kiye krut bhogne parhi. 3

Brahamanand kahat he tumku, na dojo dosh ab hamku.

Pokare pitake tali, jayega hath le khali. 4According to his own principles the Almighty Shree Hari commands

the Saints to start construction of Divine Temples. Out many Templesconstructed during Shreeji Maharaj’s era there were 3 magnificentTemples Vadtal, Muli and Junagadh which were allocated to SadguruBrahmanand Swami to construct. Junagadh used to be a Muslim State;in this state most of the leaders were Nagar Brahmins, who opposedLord Shree Swaminarayan and his philosophy. These Nagar Brahmintried to rein havoc and create obstacles so the Swaminarayan Sectorcould not propagate in Junagadh. One time the Nagar Brahmin’sinformed Navab (Leader of state) that Brahmanand Swami is going tobuild a magnificent Swaminarayan Temple in Junagadh. ThatBrahmanand Swami is no one else, but he used to be known asLadudanjiGadhavi and he use to create great poems and hymns for







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142

økZðe níkkt yLku {kuxk {kuxk hkòykuLke frðíkkyku çkLkkðíkkt níkkt íkuyku

çknw Mkkhe frðíkk çkLkkðe òýu Au. íku ykÃkLku {¤ðk ykðu íkku ík{khe yuf

frðíkk çkLkððkLkwt yð~Þ Vh{kLk fhòu. Mðk{eLku {trËhLkk fk{fksÚke

sðkLkwt ÚkÞwt yLku Lkðkçku Ãku÷kt ÷kufkuyu fne hkÏÞwt níkwt íku{s ðkík fhe íÞkhu

Mk{sðk{kt yrík [íkwh yLku nksh sðkçke yuðk Mðk{eyu yk RM÷k{ef

MkkrníÞ{kt ðÃkhkíkk AtËLkku yk©Þ ÷RLku {wM÷e{ Mktøkeík fkhku su{

yÕ÷knLke çktËøkeLke fÔðk÷e{kt økkÞ Au. íku{ s íkk÷ yLku hkøk{kt yk

yuf fÔðk÷e Ãkkuíku h[eLku Mkt¼¤kðe su{kt

yk SðLke Ëþk ytík Mk{Þu þwt ÚkðkLke Au çkíkkðíkk fnuðk{kt ykÔÞw

t Au fu ßÞkhu yk xwtfk SðLkLku AkuzeLku sðkLkwt Úkþu íÞkhu Þ{hkò çkÄku s

rnMkkçk òuþu {kxu su f{o fhku íku Mk{S rð[kheLku fhòu Lkrn íkku

ÃkAíkkðLkku ðkhku ykðþu. íÞkt fkuR ykÃkýku Mkøkku fu òýeíkku LkÚke íkuÚke

fkuR Ãký «fkhLke ÷køkðøk yku¤¾ký [k÷ðkLke LkÚke.íkk÷e Ãkkze ÃkkzeLku

Ãkkufkh Ãkkzþku íkku Ãký fkuR Mknkhku ykÃkðk ykððkLkwt LkÚke. {kxu nu

søkíkLkk Sð yk çkúñkLktË Ãknu÷ktÚke fne ËuÞ Au suÚke ÃkkA¤Úke {khku

fkuR fktR Ãký «fkhLkku ðktf fkZþku Lkne.

54 hkøk : {uðkze

MknòLktË Mkw¾fkhe


MknòLktË Mkw¾fkhe (2) MknòLktË Mkw¾fkhe,

Mk÷qýe Açke MknòLktË Mkw¾fkhe hu. xuf.

ðuËktíke yÁÃke fnu Au, LÞÞ yLkw{kLku ÷u Au.

íku yk ðnk÷ku Mktíkku{kt huAu hu. Mk÷wýe. 1

rLkøk{ fnu yLkw{kLku, {wrLkðhLku Lkkðu æÞkLku.

ðnk÷ku íku yk ¼eLku ðkLku hu. Mk÷wýe. 2

Mkðo fhíkk MkðkoÄkhku, Mkðo{ktne MkðoÚke LÞkhku hu.

«økx ÁÃk íku yk ÃÞkhku hu. Mk÷wýe. 3







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Sarth Kirtnavali

143

famous kings. He knows how to write poetry very well. When he comesto see you, then please request him to write a poem for you. Swamijiwas a very intelligent Swami before the construction of the Templecommences I should go and visit the Navab and receive his blessings.Brahmanand Swami has come to the Navab Palace and Navab haswelcomed Swamiji in and requested Swamji to create a poem for him.This was the not the idea of the Navab but the idea came from theNagar Brahmins. Swamiji smiled at the Navab and very intelligent andin a smart manner responded instantly to Navab request. Swamiji wasvery aware of his surroundings I am in a state were the vast populationis Muslim so if I am going to sing then I have to sing in a way where Itake the Islamic Literature into consideration. Swamiji cleared his throatand sung a ‘kavvali’ the same way Muslim singers do. The singers andmusicians were astonished; Swamji did not only sing Kavvali but alsocreated one the one we are singing in this hymn. In this hymn, Swamijiis discoursing what happens to the Soul after leaving this short andmundane life and how Yamaraja (King of death) after we die will bringa complete report of all the ‘Karma’s’ (actions) we have committee.Therefore whatever ‘Karma’ you do please consider the pros and consthen implement the actions, do it after such understanding otherwiseyou will have to repent. Nobody will be there to help as there will notbe any relative or know person in Hell. In Hell even if you ask for helpagain and again, nobody will come to save you. So, O Worldly Soul!Brahmanand Swami is warning you in advance, so please do not blameme afterwards.

54 RAAG : MEVAADI

SAHJAANAND SUKH KAARI


Sahjaanand sukh kaari (2) Sahjaanand sukh kaari,

Saluni chhabi; Sahjaanand sukh kaari re, Tek.

Vedaanti arupi ke ‘chhe, nyaay anumaane le chhe;

Te vahaalo santo ma rahe chhe re. saluni. 1

Nigam kahe anumaane, munivar ne naave dhyaane;

Vahaalo te aa bhine vane re. saluni. 2

Sarva karta sarva dhaaro, sarva maahi sarv thi nyaaro;

Pragat rop te aa pyaaro re. saluni. 3







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144

søkSðLk ytíkhò{e, Lkk{ MkðoLkku Au Lkk{e.

íku yk çkúñkLktËLkku Mðk{e hu. Mk÷wýe. 4

íkíð¿kkLk{kt çkúñLku »kxËþoLk{kt A «fkhu swËe swËe heíku ðýoðu÷

Au, íku AÞ A «fkhLku yne Mk.økw.çkúñkLktË Mðk{e fux÷e Mkh¤íkk yLku

Mknsíkk Úke MkkÄkhký {kýMkLku Ãký Mk{òÞ íkuðe heíku fnu Au. ðuËktík

yÁÃke fnu Au íku çkúñ íkku Mkkûkkík ©eMknòLktË Mðkr{ Au.LÞkÞ þk† suLku

fuð÷ yLkw{kÚke òýe þfkÞ Au, yu{ fnu íku Ãký yk ©eMðkr{LkkhkÞýeÞ

Mktík {tz¤e{kt rðhksu Au. Þkuøk þk† suLkwt æÞkLk fhðkLkwt fnu Au íku s yk

~Þk{¤eÞku ©e½Lk~Þk{ Au. MkðoLkk fíkkoníkko yLku Mkðo ¼qík«kýe {kºkLkk

ykÄkh yuðk Ãký yks {khk EüËuð ¼økðkLk ©eMðkr{LkkhkÞý s Au,

yus ytíkÞko{e yLku søkík{kt sux÷kt Ãký Ãkh{kí{kLkk Lkk{ku Au íku çkÄkLkk

Lkk{e Au. yuðwt nwt áZíkk Ãkqðof {kLkeLku yu Mk÷wýe MkwtËh {qŠík {kt Mkw¾ {kLkwt

Awt.

55 hkøk : Ãkhs

Lkuýkt hk¾wt.....


Lkuýkt hk¾wt hu, Lkuýk{kt hk¾wt hu,

LkkÚkSLku síkLk fheLku {khk ........ xuf0

rþð MkLkfkrËf þwf suðk Þkuøke,

nkhu suLke ðkxwt swðu Au ÷k¾wt hu, LkkÚk0 1

Au÷ Açke÷kSLke {qhrík WÃkh,

nkthu {khk «ký ðkhe ðkhe Lkkt¾wt hu, LkkÚk0 2

LkÞýu rLkh¾e nrhLku Wh{kt WíkkÁt,

nkthu yuLkk økwý÷k rLkþrËLk ¼k¾wt hu, LkkÚk0 3

«u{kLktË fnu nrhhMk y{]ík,

nkthu nwt íkku «u{u fhe rLkíÞ [k¾wt hu, LkkÚk0 4

þk†ku{kt ¼økðkLkLkkt MðYÃk{kt {LkLke y¾tz ð]r¥k hk¾ðe, íkuLku







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Sarth Kirtnavali

145

Jagjivan antarjaami, naam sarvano chhe naami;Te aa Brahmanand no swami re. saluni. 4

‘Brahm’ has been described as 6 different forms in metaphysics.Sadguru Brahmanand Swami explains all of those 6 schools of thoughtsvery easily that even an ordinary man can understand it. Vedantidescribes ‘Brahm’ as being formless, that Brahm is no one else, but mybeloved Lord Sahajanand Swami. School of Logic (Nyaya Scriptures)cannot comprehend you so they base their philosophy on you usingperception. They cannot comprehend my Lord and Savior ShreeSwaminarayan Bhagwan resides in the hearts of these Saints. ‘YogShastra’ keeps on discoursing to us we should meditate, but meditateupon whom? The one we should meditate upon is no other than AlmightyShree Ghanshyam Maharaj. My Lord is that powerful that He has controlover everything and everybody simultaneously who is responsible foreverything and he is the Supreme Being Lord Shree Swaminarayan.He resides in everybody’s Soul and there are many names given to theAlmighty, but the name given to my Lord Swaminarayan Bhagwan isthe supreme name. I Brahmanand Swami firmly accept this and foreverenjoy the happiness of this divine Idol.

55 RAAG : PARAG

NANA RAKHU.........


Nana rakhu re, nenama rakhu re,Nathjine jatan karine mara. ........ Tek0

Shiv sankadik shuk jeva yoig,Hare jeni vatu juve che lakhu re, Nath0 1

Chhel Chhabilajini murati upar,Haare mara pran vari vari nakhu re, Nath0 2

Nayane nirkhi harine urma utaru,Hare Ena gunala nishdin bhaku re, Nath0 3

Pramanand kahe harirash amrut,Hare hu to preme kari nita chakhu re, Nath0 4

In the Scriptures it has been discoursed that concentratingcontinuously upon Bhagwan’s Idol is the most strenuous task toaccomplish. Keeping your concentration upon that attractive and







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146

yrík fXý {kLke Au yLku ßÞkhu yu s Ãkh{kí{kLke {Lkkunh, h{ýeÞ

{qŠíkLku Lkshku{kt {kæÞ{Úke ÓËÞMÚk fhðe íku yrík øknLk Au. ßÞkhu ¼õík

íku Ãkh{kí{kLkkt {Lkkunh MðYÃkLkkt ËþoLk, íku ({qŠík)Lku Lkshku Mkk{uÚke

ykuÍ÷ Lk Úkðk Ëu yÚkkoíkT íkuLkwt MkíkíkT ®[íkLk fÞko fhu, íÞkhu s íku {qŠík

ÓËÞ{kt MÚkkLk Ãkk{u Au. ¼økðkLkLke {Lkkunh {qŠíkLkkt ËþoLk fÞko çkkË

¼õíkLkwt ÓËÞ íku MðYÃkLku rLkh¾íkkt fuðku hku{kt[ yLkw¼ðu Au, íku ¼kð

MkËTøkwÁðÞo «u{kLktË Mðk{eLkkt þçËkuÚke Mk{S þfkÞ Au.

MkËøkwÁ «u{kLktË Mðk{e Ãkqðko©{Úke s ¼økðkLk «kró {kxu ykøkúne

yLku WíMkkne níkkt. ¼økðkLk ©enrh MkkÚku «Úk{ {u¤kÃk Úkíkkt s íku{Lkwt

r[¥k ¼økðkLk ©enrh{kt ykf»kkoÞwt yLku íkuykuyu ÃkkuíkkLkwt SðLk ©enrhLke

Mkuðk{kt Mk{ŠÃkík fÞwO. ©eS {nkhksLke yk¿kk «{kýu «u{kLktË Mðk{eyu

WL{ík øktøkk ½u÷k LkËeLkkt fktXu Ãkýofwrxh{kt çkLkkðe íku rLkðkMk fhíkkt yLku

Ëhçkkh økZ{kt sE ¼økðkLkLkkt MðYÃkLku Lk¾-þeþ MkwÄe rLknk¤íkkt yLku

ÃkkuíkkLke Ãkýofwrxhu sE íku MðYÃkLkwt rLkíÞ æÞkLk fhíkkt. MkËTøkwÁ «u{kLktË

Mðk{e Ãkqðko©{ Úke s Mkkhtøke ðkËLk{kt rLkÃkwý níkk yLku íku «íÞu íku{Lku

økkZ ÷økkð níkku. Ãkhtíkw ©eS {nkhksu íku{Lkkt æÞkLk ¼sLk{kt rðûkuÃk Lk

Ãkzu íkuðk ykþÞÚke íku{Lke ÃkkMkuÚke Mkkhtøke {køke ÷eÄe. «u{kLktË Mðk{eyu,

Mkkhtøke «íÞu økkZ ÷økkð nkuðk Aíkkt ©eS {nkhksLke yk¿kkLku rþhkuÄkÞo

fhíkkt, Mkkhtøke ©eS {nkhksLku Mkn»ko yÃkoý fhe ËeÄe.

yuf ð¾ík ËkËk ¾k[hLkkt Ëhçkkh{kt rðþk¤ Mk¼k ¼hkELku çkuXe

níke. Mktíkku, nrh¼õíkku ÞÚkkÞkuøÞ MÚkkLku çkuXk níkk. íku Mk¼k{kt ¼økðkLkLkkt

ËþoLkkr¼÷k»ke «u{kLktË Mðk{e Ãký WÃkÂMÚkík níkk yLku Mkðuo ¼økðkLk

©enrhLkkt ykøk{LkLke ykíkwhíkkÃkqðof hkn òuíkk níkk. yux÷k{kt s ¼økðkLk

©enrh çkúñ[kheyku yLku yLÞ Ãkk»koËku MkkÚku Mk¼k{kt ÃkÄkhu Au, yksu

{nkhksu sheÞkLke ò{ku, MkkuLkuhe Mkwhðk¤ yLku fwMktçk÷e Akuøkkðk¤e Ãkk½

Äkhý fhe Au. {kuíkeLkk çkkswçktÄ, ftXu Ãkw»ÃkLke MkwøktrÄík {k¤k, fuzu WÃkh

{u¾÷kt yLku [kÁt ÍktÍh Äkhý Þko Au. Mkki Mk¼ksLkku [fkuh ÃkûkeLke su{







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Sarth Kirtnavali

147

beautiful form of Shree Hari can be simple, but transferring whatyou see with your eyes into your heart is a grueling task. The firststep to accomplish this arduous task is to focus our eyes upon theall attractive Idol of Shree Hari. We should not allow our eyes todivert away from the Idol for even a second. Do this for 12 minutesand slowly closes your eyes and through the eye of the mind allowthe Idol to enter your mind and constantly think about that Idol.Just by continuously thinking about the Idol the Idol will enterthe heart. When the Idol of Almighty Shree Hari has entered theheart of the devotee the enjoyment he receives from those idols,that form, they can comprehend the words of Sadguru PremanandSwami.

Sadguru Premanand Swami was very eager and enthusiasticto meet Bhagwan Swaminarayan from a very young age. The firsttime Premanand Swami encountered Lord Shree Hari his mindbecame totally engrossed in the divine form of Shree Hari andfrom that day on dedicated his life to serve the Lotus feet of ShreeHari. As per the directions of Shreeji Maharaj, Premanand Swamibuilt a tent made from leaves near the bank of river ‘Ghela’ inGadhada City and used to go to Darabargadh, Dada Khachar’sHome and watch Shreeji Maharaj carefully. Swamji used tomemorizes all the moles and marks on Bhagwan’s body and thenreturn back to the tent of leaves and sit down to meditate. SadguruPremanand Swami was an expert in playing ‘Sarangi’ (MusicalInstrument) from his childhood because he was immenselyinterested in playing it. A skill which is obtained and not put intopractice will banish after a while, so Swamiji spent any free timehe had practicing. Shreeji Maharaj assumed that playing theSarangi might interfere with Swamiji’s meditation, so ShreejiMaharaj seized the Sarangi from Premanand Swami.

Respecting Shree Maharaj’s wishes Premanand Swami withenthusiasm gave the ‘Sarangi’ to Shreeji Maharaj even though hehad deep affection for it.

One day a large assembly has gathered at Dadakhachar’sDarbar.All the Saints and devotees have sat at their respective places.Premanand Swami who had the desire to meet Shreeji Maharajwas also present there. All were waiting patiently for Bhagwan toenter the assembly. During that time, Lord Shree Hari enters grandassembly with Saints and devotees. Today Maharaj is wearing a







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148

¼økðkLk ©enrhLkkt yk MðYÃkLku rLknk¤e ykLktË rð¼kuh çkLke hÌkk Au.

Mkðuo Mk¼ksLkkuLkwt r[¥k ©enrhLkkt MðYÃk{kt ÂMÚkh ÚkE økÞwt Au. íÞkt íkku

y[kLkf ¼økðkLk ©enrh «u{kLktË Mðk{e ÃkkMku ykðíkkt s ÚkkuÇÞkt yLku

«u{kLktË Mðk{eLkkt ¾¼k WÃkh rLks Mk¾kLke su{ nkÚk {wfeLku ÃkkuíkkLkk

®MknkMkLk íkhV ykøk¤ ðÄu Au. Mkðo Mk¼ksLkku yk rËÔÞ ËþoLkLku rLknk¤e

hÌkkt níkkt. ¼økðkLk ©enrh ÃkkuíkkLkk ®MknkMkLk WÃkh rçkò{kLk ÚkÞk Au

yLku MkËTøkwÁ Mðk{e ¼økðkLkLke MkL{w¾ nkÚk òuzeLku W¼k hne ËþoLk

fhðk ÷køku Au. yksu «u{kLkËt Mðk{eLke ykt¾ku{ktÚke Íhíkku ¼kð òuE

¼økðkLk ©enrh íku{Lku «MLku fhu Au fu nu Mðk{e ! ík{u yk heíku þwt òuE

hÌkk Aku ? íku yk Mk¼kLku sýkðku {nkhksLke ðkýe Mkkt¼¤e «u{kLktË

Mðk{eyu rðLktíke fhe fu nu {nkhks, yksu ykÃkLkkt rËÔÞ ËþoLk fheLku nwt

su {khk ÓËÞ{kt ykLktËLke WŠ{ yLkw¼ðwt Awt íku ðýoLk fhðkLke yk¿kk

ykÃkku. ¼økðkLk ©enrh íku{Lkku yÚkkøk «u{ yLku ¼kð òuE «MkÒk ÚkkÞ

Au yLku ÃkkuíkkLkkt Ãkk»koË ÃkkMku «u{kLktË Mðk{eLke Mkkhtøke {tøkkðe yu ©eS

{nkhksu Mðk{eLku Mkkhtøke ykÃkíkkt fÌkwt nðu “ík{u {wõík ÚkELku ík{khku

¼kð ðýoLk fhku.”

{nkhksLke yk¿kk yLku ykþeðkoË {¤kt s Mðk{e ykLktËeík ÚkE

WXâkt yLku ÃkkuíkkLkkt ytíkhLke WŠ{Lku «økx ífhíkkt yk ÃkËLke h[Lkk fhe.

56 hkøk : n{eh fÕÞký ÃkË

“yihe yihe yks htøk{n÷...”

h[Lkk : Mk. økw. «u{kLktË Mðk{e

yuhe yuhe yks htøk, (2) {n÷ {æÞ çkuXu {kunLk rÃkÞk,

økshk økw÷kçke økwtÚkfu nwt ÷Ehe; yksu xuf.

hksík ©e ½Lk~Þk{ y{eík ykLktË Äk{,

÷ufu {uhku Lkk{ Lkefx çkku÷kÞu ÷Ehe. yks 1

fEfu «Lkk{ Wh ½khe ÷u {U Vw÷Ëk{,







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Sarth Kirtnavali

149

golden embroided top, golden trousers and s turban mixed withorange and gold stripes on his head. Pearls are tied around hishands, flower garlands are place around his neck. Everybodywatching this divine image and have become totally engrossedupon Maharaj’s Idol. Just like an owl never gets tired watchingthe moon, the devotees continuously watch the divine form ShreeHari. Everybody’s minds are completely fixated upon Shree Hari.Suddenly, Shreeji Maharaj comes towards Premanand Swami andputs his hand on Premanand Swami’s shoulder, started walkingtowards his elegant Throne. Everybody in the assembly iswatching this divine scene. Then, Lord Shree Hari seats on hisThrone and Sadguru Premanand Swami stands in front of Lordwith both hands folded. Today, after looking at PremanandSwami’s emotional eyes, Lord Shree Hari asks Premanand Swami,What are you looking at this way? ‘I want the entire congregationto know your answer.’ From hearing the words of Lord ShreeHari, Premanand Swami starts to discourse. ‘My Dear Lord ShreeHari, I am happy and ecstatic after seeing your divine love andaffection, please give me permission to discourse this affection.Seeing the emotions of Premanand Swami, Shreeji Maharajrequests his Butler to bring the Sarangi. Shreeji Maharaj givesthe Sarangi to Premanand Swami and requests him to ‘feel freeto express your emotions.’

As soon as Swamji heard the order and received the blessingof Lord Shree Hari, Premanand Swami created this hymnexplaining his heart’s inner feelings through this hymn.

56 RAAG : HAMIR KALYAN PAD

ERI ERI AAJ RANGMAHAL


Eri eri aaj rang, (2) mahal madhya bethe mohan piya,

Gajara gulabi guthake hu lairi, Aje Tak.

Rajat Shri Ghanshyam amit anand dham,

Leke mero nam nikat bolaye nairi. Aaj 1

Kaike pranam ur dhari le me fuldam,







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150

økshk Ãku’hkÞu fh {økLk nwt ¼Ehe. yks 2

çkksík {]Ëtøk íkk÷ økkðík {wrLk {hk÷,

{kuMkwt fnu yuf íkkLk økk íkwt LkEhe. yks 3

økkE {U íkku yuf íkkLk Ëwþk÷ku Wíkkhe fnkLk,

«u{kLktË heÍu nrh {kus ßÞwt ËEhe. yks 4

yuf ð¾Úk suík÷Ãkwh økk{{kt ík¤kðLku ykhu htøk{nku÷{kt ©enrh

rçkhks{kLk níkk. MkhkuðhLke Mkwhr¼ MkkÚku {tË {tË þeík¤ Mk{eh ðne

hÌkku níkku. MkËTøkwÁ {wõíkkLktË Mðk{e, çkúñkLktË Mðk{e, ËuðkLktË Mðk{e

ykrË rðrðÄ Mktíkku ðktrsºkku ÷ELku ©enrhLku «MkÒk fhðk íku{Lke Mk{ûk

ykLktËrð¼kuh çkLke feíkoLk fhe hÌkkt níkk. feíkoLkLkku {Äwh Mkwhku økøkLk{kt

økwtS hÌkk níkkt.

feíkoLkLke hMk¼h s{kðx MkkÚku «u{kLktË Mðk{e ©enrh {kxu Vw÷nkh

yLku økshk ÷ELku WÃkzíku Ãkøku «ðuþîkh íkhV ykðe hÌkk níkk Ãký

©enrhLku hkS fhðk{kt {øLk LktË Mktíkku yLku feíkoLk Mkkt¼¤ðk{kt {þøkw÷

©enrhLku òuELku feíkoLk-¼Âõík{kt rðûkuÃk Lk Ãkzu yLku {ÞkoËk s¤ðkE hnu

íku nuíkwÚke «u{kLktË Mðk{e «ðuþîkhk ÃkkMku s Úkt¼e økÞk. «MkÒk r[¥k ÚkE

feíkoLk Mkkt¼¤e hnu÷k ©enrhyu «u{Mk¾eLkkt ytíkh{kt W{xu÷k «u{¼kð

yLku {w¾ WÃkhLke ykíkwhíkk yku¤¾eLku ©enrhyu «u{Mk¾eLku yuf {eXku

ykðfkh ykÃkíkk ÃkqAâwt “«u{Mk¾e ! íÞkt fu{ W¼k hne økÞk ? ytËh

ykðku.” ÃkkuíkkLkwt Lkk{ ©enrhLkk yÄhkuÚke Mkkt¼¤íkkt s «u{rð¼kuh

çkLku÷k «u{Mk¾e ©enrhLku «ýk{ fhe fuz{kt Mkw{Lk{k¤k Ãknuhkðe, ©enrhLkk

{w¾kh®ðËLku yrLk{u»k rLknk¤íkkt ©enrhLkkt çktLku nkÚku økshk Ãknuhkðe

ÃkkuíkkLkk ytíkh{kt ÄLÞíkk yLkw¼ðu Au. íkkLk, {]Ëtøk, rMkíkkh, MkhkuË ÷E

LktË Mktíkku íkÚkk Ãkh{ntMkku feíkoLkLke ¼khu s{kðx fhe ©enrhLkkt MLkun{kt

{øLk ÚkE økkE hÌkk níkk, íku òuE «u{Mk¾eLkkt ytíkh{kt «u{hMk Vu÷kE

økÞku.

ytíkÞko{e ©enrhyu «u{Mk¾eLkk {LkLke WíMkwfíkk òýe «u{Mk¾eLku







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Sarth Kirtnavali

151

Gajara pejaye kar magan hu bhairi. Aaj 2

Bajat mrudang tal gavat muni maral,

mousu kahe ek tan ga tu nairi. Aaj 3

Gai me to Eak tan dushali utari kahan,

Premanand rize hari moj jyu dairi. Aaj 4One day Shreeji Maharaj was at Rangmahol in the village of

Jetalpur. Next to the small lake a mild wind was blowing withnatural music. Sadguru Muktanand Swami, Brahmanand Swami,Premanand Swami, Devanand Swami and others great Saints weresinging hymns accompanied by musical instruments to make theAlmighty Shreeji Maharaj happy. The sweet words of those hymnswere travelling through the sky.

Whilst the hymns are being sung the whole atmosphere aroundJetalpur is full of joy and tranquility. To welcome Shreeji Maharaj,Premanand Swami has a flower garland and gajra in his hand andwas running towards the main door to place the Flowers Garlandand Gajara around Shree Hari’s neck and arms. Whilst runningSwami looked at all the Saints, who were engrossed in singingBhagwan’s hymn and Shreeji Maharaj was also captivated inlistening to these divine hymns. Premanand Swami stopped atmain door and stood very still, Swamji did not want to create adisturbance between the devotees, respected Saints and ShreejiMaharaj. After observing the love and affection in PremanandSwami’s heart, Shreeji Maharaj who was captivated listening tothe hymns asked Premanand Swami, ‘Dear Premsakhi! Why haveyou stopped over there next to the entrance, please come in.’Hearing these sweet Worlds from the mouth of the Almighty ShreeHari Swami could not control himself and came running towardsShree Hari. Swamji greeted Shree Hari and gave ‘Sumanmala’ toShree Hari and then looking continuously at Shree Hari,Premanand Swami offers the ‘Gajara’ to Lord Shree Hari. Whenoffering the flower garlands and Gajra to Almighty Shree thedivine Saints were singing divine hymns whilst playing differentmusical instruments Taan, Mrudang, Sitar, Sarod, the Saints weresinging and playing these instruments with adoration and passionfor Shree Hari. Premanand Swami’s heart was full of greatadmiration.







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152

fktEf LkðeLk íkkLk økkE Mkt¼¤kððkLkku ykøkún fÞkuo. «u{kLktË Mðk{eyu

ÃkkuíkkLkk {LkLke EåAk ©enrhLkk {w¾Úke Mkkt¼¤íkkt s rðLkk rð÷tçku íku{Lkk

ykøkúnLkku Mðefkh fhíkkt s ©enrhLku «ýk{ fhe LktËMktíkku MkkÚku çkuMke

fk{Xe [zkðu Au. yÃkqðo yk÷kÃk fheLku yuf LkðeLk íkkLk AuzeLku feíkoLk økkÞ

Au yLku íku{Lkkt MkwhkuÚke çkúñ¼eLkkt ðkíkkðhý{kt {Äwhíkk «Mkhe òÞ Au

íkÚkk Mk¼ksLkku {øLk ÚkELku çkku÷e WXu Au. yk òuE «MkÒk ÚkÞu÷kt f]Ãkk

rLkrÄ ©enrh Ãkkuíku s W¼k ÚkE òÞ Au yLku ðkn ! «u{Mk¾e ðkn ! yu{

fnuíkkt «u{ktË Mðk{e ÃkkMku ykðe Ãkkuíku ykuZu÷e Ëwþk÷k «u{Mk¾eLku ykuZkze

Ëu Au. ©eS {nkhksLke yk¿kkLku rþhkuÄkÞo fhe «u{Mk¾e yu økkÞu÷ Mkkð

Lkðe s íkkLkLku {kLk ykÃkíkkt {nkhksu ÃkkuíkkLkkt ytíkhLke f]Ãkk «u{kLktË

Mðk{e WÃkh ðhMkkðe. «u{kLktË Mðk{e Ãkkuíku þe½ú frð nkuðkÚke Ãkkuíku økkÞu÷

LkðeLk íkkLk {k÷fkIMk yLku Ãkrhýk{ YÃku {¤u÷e ©enrhLke {nk{w÷e

Ëwþk÷k {kusLkk Mkw¾Ë «MktøkLku ÃkkuíkkLkk fkÔÞ{kt MkhMk heíku økqtÚke ÷eÄku. íku

Mkw¾Ë M{]ríkfkÔÞLkwt ynª rLkYÃký fÞwO Au.

57 hkøk : {k÷fkIMk

yks çktøk÷u {u ½wt½Y


yks çktøk÷u {u ½wt½Át çkksu...

rçkútËkðLkfe fwts{u çktøk÷k,

snkt hk½u~Þk{ rçkhksu..... yks0 1

çkksík {]Ëtøk økkðík økkuÃkesLk,

ÚkuE ÚkuE nkuík Mk{ksu..... yks0 2

Lkk[ík MkwtËh ~Þk{ hkrÄfk,

Lkeh¾e hríkÃkrík ÷ksu..... yks0 3

«u{kLktË ½Lk~Þk{ MkwtËh Açke,

yrð÷kufeík Ëw:¾ ¼ksu..... yks0 4







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Sarth Kirtnavali

153

Shree Hari being omniscient could see the great desirePremanand Swami had to sing a hymn, so Bhagwan insistedPremanand Swami to compose a new hymn. Instantly hearingthese divine words Premanand Swami prepared himself with theSarangi. Swami has sat down and started to compose the song,Swamiji voice was majestic, but with the passion he was singingwith spread into atmosphere forcing everybody to praise him.Shree Hari is watching all of this commotion and is very pleasedand says, ‘Good Premsakhi! Good!’ Then Shree Hari comes nearPremanand Swami and gives his blanket, which the Lord Almightyhimself was wearing. This was only all possible because of ShreeHari’s blessings, Lord Swaminarayan requested PremanandSwami to sing and play the Sarangi, whilst playing and singingsweet words come out of the mouth of Premanand Swami andthis hymn was composed. Shree Hari respected the new composedand gave blessings to Premanand Swami. As Premanand Swamiwas spontaneous creator of hymns and also played the new hymnin the Malkauns rhythm and received a gift the blanket from ShreeHari, Premanand Swami wrote this beautiful kirtan.

57 RAAG : MALKAUNS

AAJ BUNGALE ME GHUGHURU


Aaj bungale me ghughuru baje....

Brindavanki kunjme bungala,

Jaha Radheshyam biraje..... Aaj0 1

Bajat mrudang gavat gopijan,

Thei their hot samaje........... Aaj0 2

Nachat sundar shyam radhika,

Nirakhi ratipati laje..... Aaj0 3

Premanand Ghanshyam sundar chabi,

Avilokit dhukh bhaje..... Aaj0 4







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154

yuf ð¾ík økZzk{kt ©enrh ËkËk¾k[hLkkt Ëhçkkh{kt Mk¼k ¼heLku

çkuXk níkk. yu yðMkhu ©enrh ÃkkMku øðkr÷ÞhÚke økðiÞk ykÔÞkt. økkÞLk{kt

fwþ¤ íkuykuyu ¼kðLkøkh ykrËf hsðkzk{kt økkÞLk fheLku Mkkhk rþhÃkkð

{u¤ÔÞkt níkkt. íku{ýu yuðwt Mkkt¼¤u÷wt fu Mðkr{LkkhkÞýLkk LktË Mktíkku økkÞLk

feíkoLk{kt ¾qçks nkurþÞkh níkk fu òýu Mkkt¼¤ðk økktÄðo, Ëuðku íkÚkk

Ér»k{wrLkyku Ãký AíkktÞ ftEf ykþÞÚke ©eS {nkhks Mkk{u LktË Mktíkku

MkkÚku «ríkÞkurøkíkk ÞkusðkLkku ykøkún fÞkuo.

©eS {nkhksLkk {w¾kh®ðË{kt {tË{tË ÂM{ík AðkE økÞwt. ÃkkuíkkLkk

LktË MktíkkuLke «rík¼k òýðk AíkktÞ ©erhyu øðkr÷ÞhÚke ykðu÷k økðiÞkykuLku

ÃkkuíkkLkk LktËMktíkkuLke «rík¼k yLku ûk{íkk çkíkkððk íku «ríkÞkuøkeíkkLkku

Mðefkh fÞkuo. ©eS {nkhksu s{ýe çkksw LktËMktíkkuLku çkuMkðkLke yk¿kk

fhe yLku zkçke çkksw øðkr÷ÞhLkk økðiÞkykuLku çkuMkðkLkku ykøkún fÞkuo.

«ríkÞkuøkeíkk{kt ¼køk ÷uðk WíMkwf LktËMktíkku rðrðÄ ðktrsºkku ÷ELku ©enrh

Mk{ûk WÃkÂMÚkík ÚkE økÞk. ©eS {nkhksu [kufLku ð¤kðe íku{kt ftfw

AtxkÔÞwt. ÃkAe ©enrhyu LktËMktíkkuLku feíkoLk økkLk fhðkLke yk¿kk fhe. su

Mkkt¼¤íkk s «u{kLktË Mðk{e su Ãkqðko©{Úke s rLkÃkqý Mkkhtøke ðkËf níkk.

íku{ýu Mkkhtøke ÷E yuf Mkw{Äwh Mkwh MkkÚku feíkoLk økkLk fhðkLkwt þY fÞwO

yLku {wõíkkLktË Mðk{eyu Ãkøk{kt ½wt½Át çkktÄeLku íkÚkk nkÚk{kt fhíkk÷ ÷E

©enrhLke yk¿kkLku rþhkuÄkÞt fhe ¼kðrð¼kuh çkLke Mk¼k{kt «u{kLktË

Mðk{eLkk Mkwhku MkkÚku íkk÷çkæÄ ÚkE Lk]íÞ fhðk ÷køÞk. yk÷kÃk MkkÚku

íkk÷çkæÄ ÚkE {wõíkkLktË Mðk{eLkk yk Lk]íÞLku òuE yk¾eÞu Mk¼k «u{hMk

ÚkE ykLktË rð¼kuh ÚkE WXu Au yLku øðkr÷ÞhÚke ykðu÷k økðiÞkyku Ãký

{wõíkkLktË Mðk{eLkk yk Lk]íÞLku òuE ¾qçk s rçkhËkðu Au.

íÞkhu yk òuE ©eS {nkhksLkk {w¾kh®ðË Ãkh n»ko ¼Þwo ÂM{ík

AðkE økÞwt yLku ©eS {nkhksu n»ko WÕ÷kMk MkkÚku øðkr÷ÞhLkk økðiÞkykuLkwt

[kuf íkhV æÞkLk ËkuÞwO. ßÞkt {wõíkkLktË Mðk{eyu Lk]íÞ fhíkkt fhíkkt ÃkkuíkkLkk

ÃkøkLke yuzeÚke f÷kí{f heíku nkÚkeLkwt r[ºk ËkuÞwO níkwt íku r[ºk òuE







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Sarth Kirtnavali

155

One day the Supreme Lord Shree Hari has held an assemblyin Gadhada at the home of Dada Khachar. Whilst the assembly isgoing on Singers have come from ‘Gvaliar’ and have cometowards Lord Shree Hari. They were expert in singing and wonmany awards for their singing in Bhavnagar and other States.They have heard that the Saints of Swaminarayan are very skillfulin the act of singing. The way the Saint composed and sung thehymns of Lord Shree Hari was majestic that great ‘Gandharvo’and Demigods would come and watch them perform. Even thoughthe Gvaliar knew this fact they still insisted in having a singingcompetition with Saints of Lord Shree Hari.

Shree Hari’s majestic divine face was covered with a smile.Shree Hari knew the expertise of the Saints and Shree Hariaccepted the challenge. Shree Hari requested the Saints to seaton the right side of the assembly and requested the Gvaliar singersto seat on left side. All the Saints who were going to participatein the competition became ready; they gathered their musicalinstruments and sat down near Shreeji Maharaj. As per the requestof Shree Hari, the whole area where the competition was goingto take place was cleaned and then ‘kumkum’ was spread all over.Then Shree Hari ordered the Saints to start singing the divinehymns. Immediately hearing this words Premanand Swami, whowas expert in playing Sarangi from his childhood, started singinghymns with the sweet voice Bhagwan had blessed him with andMuktanand Swami tied ‘Ghunghroo’ (ankle bracelets) around hislegs and picked up a ‘kartal’ in his hands. Accepting Shree Hari’sblessings Muktanand Swami starts to dance with the rhythm andemotions of Premanand Swami’s kirtan. Everybody including theGvaliar Singers started to praises Muktanand Swami’s dancing.

When Shreeji Maharaj saw everyone praising MuktanandSwami He smiled and requested Gvaliar singers to look at floorwhere Muktanand Swami was dancing. Muktanand Swami whilstdancing has drawn majestic picture of an elephant with the soleof his feet. After seeing that picture the Gvaliar singers bowedtheir heads at the divine feet of Shreeji Maharaj, they had realizesthey did not have the skill set to compete against this. The ego







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156

øðkr÷ÞhLkkt økðiÞkykuLkku økðo íkqxíkkt s íkuyku ©eS {nkhksLkkt [hýku{kt

Lkík{Míkf ÚkE òÞ Au yLku Mkwh íkk÷çkæÄ Lk]íÞ yLku f÷kf]ríkLkku Mk{LðÞ

òuE Ãkkuíku ÄLÞíkk yLkw¼ðu Au.

{wõíkkLktË Mðk{eyu su feíkoLk WÃkh íkk÷çkæÄ ÚkE Lk]íÞ fhe nkÚkeLkwt

r[ºk ËkuÞwO níkwt íku «{kLktË Mðk{e hr[ík feíkoLk ynªÞk «Míkíkw Au.

58 hkøk : hu¾íkk

{nuçkqçk {Lk{u õÞkt hnwt

h[Lkk : Mk. økw. {wõíkkLktË Mðk{e

{nuçkqçk {Lk{U õÞkt hnw, {uhk rË÷ ÷ku¼kLkk ðu,

ytíkh rËËw t Ëufíkk, ònh sLkkLkkt ðu. {nuçkwçk 1

{kus fhe {ws WVhu, yZ¤f ZéÞk nu ðu;

ykMk ÷økeykt WLkMku, {nkMkwf {e÷k nu ðu. {nuçkwçk 2

økwtøkufw sçk økwz {e÷k, íkçk õÞk çk¾kLku ðu;

ytíkhò{e ytíkhu, Mkçk çkkík òLku ðu. {nuçkwçk 3

økw÷íkkLk [Zâk htøk økuçkfk, y÷{Mík y÷kne ðu;

÷kzwt fnu nhË{MkU, yçk ÷u’ ÷økkne ðu. {nuçkwçk 4

yZ¤f Z¤eÞku hu... þk{¤eÞku..... ¼økðkLk hkS ÚkkÞ íÞkhu

õÞkhuf ykÃku hu ytøkLkk ð† Wíkkhe.... õÞkhuf ykÃku hu «MkkËeLkk Úkk¤

ykðe s yuf ½xLkkLkk Mkkûke çkLku÷, LktË Mktíkku{kt þe½ú frðLkwt

rçkÁË {u¤ðLkkh çkúñkLktË Mðk{e....

yufðkh ÷û{eðkze{kt rçkhksu÷ ©eS {nkhksu {nkfrð©eLkk

feŠík{trËh WÃkh ºký Mkwðýo f¤þ [Zkððk YÃke ºký «§ku ÃkqAâk : (1)

ík{ku fkuý Aku ? (2) õÞktÚke ykÔÞk Aku ? (3) õÞkt òðLkk Aku ?

©eS {nkhksLke yk y{]íkðkýe Mkkt¼¤eLku ÷kzqËkLkSLkku «íÞw¥kh

Mkkt¼¤ðk Mk{økú Mk¼k{kt rLkhð þktrík AðkÞ íÞkt s {nkfrð MkkiLku

Mkt¼¤kÞ yuðk Wå[ yLku {Äwh Mðhu ©eS {nkhksLku Lk{Mfkh fheLku







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Sarth Kirtnavali

157

they had was destroyed by great Saints like Muktanand Swamiand Premanand Swami’s expertise. The Gvaliar felt blessed, todaywe have received the opportunity to experience the great voice,dancing and rhythm combined together and presented by theseSaints. This is the hymn that was composed by Premanand Swamiand the one Muktanand Swami danced too.

58 RAAG : REKHATA

MAHEBUB MANME KYA RAHU


Mahebub manme kya rahu, mera dil lobhana ve,

Antar didu dekhata, jahar janana ve. Mahebub 1

Moj kari muj ufare, adhalak dhalya he ve,

Aash lagiya unse, mahasukh mile he ve. Mahebub 2

Gugeku jab gud mila, tab kya bakhane ve,

Antarjami antare, sab bat jane ve. Mahebub 3

Gultan chadya rang gebaka, alamastan aalahi ve,

Ladu kahe hardamse, ab le lagahi ve. Mahebub 4AdhalakDhaliyo re… be very bounteous in giving..Shamaliyo...

the one with the dark complexion.When the Almighty Swaminarayan Bhagwan becomes pleased

what does he not do for his devotees? ‘’Kyarek ape reangnavastrautari..Sometimes He will take of his divine clothesand give them away...kyarek ape re prasadinathaal… SometimesHe will give the food plate is was consuming away’’

Brahmanand Swami who was given the title of ‘Spontaneouscomposer of hymns,’ had the pleasure of such an experience.

One day Shreeji Maharaj was residing in Laxmivadi inGadhada, in this holy place the Lord Almighty wanted to awardBrahmanand Swami the greatest award a poet can obtain. To obtainthese awards Swamiji had to answer 3 questions presented tohim by no other than Lord Swaminarayan himself.

(1) Who are you ? (2) From where did you come? (3) Wherewill you be going?







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158

W¥kh{kt sýkðu÷, (1) nwt çkúñ Awt. (2) çkúñÄk{{ktÚke ykÔÞku Awt yLku

(3) çkúñÄk{{kt sðkLkku Awt. W¥kh ÃkkXðeLku þe½ú yuf f]ríkLke, hu¾íkk

hkøk{kt h[Lkk fheLku ©eS {nkhksLku økkE Mkt¼¤kðeLku íku{Lkwt rË÷ Síke

÷eÄwt níkwt.

÷kzqËkLkSLkku {Lk{kLÞku sðkçk yLku «¼w {rn{kÚke ¼hÃkqh fkÔÞ

Mkkt¼¤eLku ©eS {nkhksu Ãkkuíku {kÚku çkktÄu÷e MkkuLkuhe Ãkk½, Mkðo Ãkkuþkf,

½huýkt ykrË WíkkheLku çkûkeMk fhe. «MkkËeLkku {kuøkhkLkku Ãkw»Ãknkh

÷kzqËkLkSLkk zkuf{kt Ãknuhkðe, ©e Mðkr{LkkhkÞý ¼økðkLku “çkúñÃkwÁ»k

fe sÞ” yu{ þçËæðrLk fhe ÷kzqËkLkSLkk LkkËYÃkeq rðsÞ æðs VhfkÔÞku

yLku Mk{økú Mk¼k{kt sÞ nku... sÞ nku..... LkkË Úkðk ÷køÞku. ykðku

ykÃkýu Ãký ©ðý fheyu hu¾íkk hkøkLke h[Lkk {nuçkqçk {Lk{U õÞkt

hnw....

59 hkøk : Äku¤ ÃkË

Mkw¾ËkÞf hu Mðk{e

h[Lkk : Mk. økw. {wõíkkLktË Mðk{e

Mkw¾ËkÞf hu Mðk{e MknòLktË,

«økx ÃkwÁ»kku¥k{ ©enrh ... xuf0

suLkwt Mðkr{LkkhkÞý Lkk{ Au,

suLku ¼sLku hu Ãkk{u ¼ðs¤Ãkkh ... «-1

suLkkt ËþoLk EåAu {nk{wrLk,

fYýkrLkrÄ hu «¼w Ãkh{ WËkh ... «-2

ðnk÷u fr¤ {æÞu yrík fYýk fhe,

ÄkÞkuo rîs fw÷ hu økwý rLkrÄ yðíkkh ... «-3

ðnk÷u Mkíkswøk Mk{ Ä{o MÚkkrÃkÞku,

xkéÞk rLks sLkLkk, {LkÚke {Ë{kh ... «-4







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Sarth Kirtnavali

159

Everybody heard these 3 questions and where eager to hearLadudanji’s answer, the whole assembly has become quite andrespecting Shree Hari replied with a loud and sweet voice.

(1) I am Brahm. (2) I have come from Brahmdham. (3) I willbe going back to Brahmdham.

After giving this answer, Ladudanji immediately composed ahymn in ‘Rekhata’ rhythm and sung the composition in front ofShreeji Maharaj and won his heart.

After hearing the composition of Ladudanji’s hymn and theresponse given to the question Maharaj had asked. Shreeji Maharajwas immensely pleased with the hymn which describes thegreatness of Bhagwan and personifies Ladudanji’s expertise.Shreeji Maharaj got up from his throne and gifted Ladudanji witha Golden Turban which Shreeji Maharaj himself was wearing,also gave him ornaments and clothes to show his appreciation.The final gift Shreeji Maharaj gave was a flower garland madefrom Jasmine flowers; placed it around Ladudanji’s neck andshouted out, ‘Brahmpurush ki jay’. The entire assembly also joinedwith Shreeji Maharaj and award the status of Brahmpurush toLadudanji the entire assembly shouted out ‘Jay ho’ ‘Jay ho.’ Solet us all get together and listen to this ‘Rekhata’ raag hymn.

59 RAAG : DHOL PAD

SUKHADAYAK RE SWAMI


Sukhadayak re Swami Sahajanand,

Pragat purushottam Shrihari .... Tek0

Jenu Swaminarayan name che,

Jene bhajane re pame bhavjalpar ... Pra-1

Jena darshan Iche mahamuni,

Karunanidhi re Prabhu param udar ... Pra-2

Vahale kali madhye aati karuna kajr,

Dharyo dvij kul re gun nidhi avatar ... Pra-3

Vahale satjug sam dharm sthapayo,

Telya nij janana, manthi madmar ... Pra-4







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160

yuLkku su sLku rfÄku ykþhku,

íku íkku íkhe økÞk hu, fw÷ Mkrník MktMkkh ... «-5

{wõíkkLkËt fnu {rn{k yÃkkh Au,

fhu rLkþrËLk hu, Lkurík rLkøk{ Ãkkufkh ... «-6

yk MktMkkh{kt Ëhuf ÔÞÂõík Mkw¾ yLku þktríkLke þku½{kt Au Ãkhtíkw

y¿kkLkíkkLku ðþ ¼kiríkfMkw¾Lke ÃkkA¤ ¼xfu íkku Ãký íkuLku ík]ÂÃík yLku þktrík

{¤Úke LkÚke. íÞkhu ykÃkýk ðirËf Ä{o þk†kuyu Sðkí{kLku ¿kkLkYÃke

«fkþ ykÃke ykí{k yLku Ãkh{kí{kLkwt ËþoLk fhkðu Au.

yk{ íkku ¼õíkLku {kxu Ãkh{Mkw¾ yLku fÕÞkýfkhe òu fkuE nkuÞ íku

íkku ÃkkuíkkLkkt ykhkæÞ EüËuðLkkt økwý økkðkt yLku Mkkt¼¤ðkt.

yuf ð¾ík Eïh EåAkÚke MkËTøkwÁ {wõíkkLktË Mðk{eLkwt {Lk WËTðuøkÚke

ÄuhkÞu÷ níkwt... {wõíkkLktË Mðk{eyu íku WËTðuøk{ktÚke {wõík Úkðk yLkuf

WÃk[kh fÞko. ÃkkuíkkLkk {LkLku çkeò fkÞo{kt Ãkhkuððk «ÞíLk Ãký fÞkuo Ãkhtíkw

{LkLku þktrík Lk ÚkE. Auðxu íkuyku økZÃkwh {æÞu yûkh ykuhze{kt rçkhks{kLk

¼økðkLk ©enrh ÃkkMku økÞk. ËtzðíkT «ýk{ fhe ¼økðkLk MkL{w¾ çkuXk

yLku {nkhksLku rðLktíke fhe fu “nu {nkhks ! {khk ytík:fhý{kt þktrík

ÚkkÞ íkuðe f]Ãkk fhku. íku Mkkt¼¤eLku ©eS {nkhks çkkuÕÞk. y{u MkËTÄ{oLke

MktMÚkkÃkLkkLku yÚkuo yLku yLktík Sðkí{kLkkt fÕÞkýLku yÚkuo ËwðkoMkk{wrLkLkk

þkÃkLku rLkr{¥k çkLkkðeLku AÃkiÞk økk{{kt ©e Ä{oËuð ¼Âõík{kíkk Úkfe sL{

÷eÄku. yLkuf çkk÷[rhºkku fÞko, f]íÞku fu fkr÷Ë¥k ðøkuhu yMkwhkuLkku Mktnkh

fÞkuo yu{ ©eS {nkhks Ãkkuíku ykøk¤ ðkík fhu íku Ãknu÷k {wõíkkLkËt Mðk{e

çkku÷e WXâk nu {nkhks ! nwt ykÃkLku, {Lku ytíkh{kt þktrík ÚkkÞ íkuðe ðkík

fhðkLkwt fnwt Awt, Ãkhtíkw ykÃk fktEf çkeS ðkík fhku Aku. {Lku f]Ãkk fheLku

þktrík ÚkkÞ íku{ fhku. ©eS {nkhksu {tË nkMÞ fÞwO yLku ykøk¤ ðkík fhe

fu y{u (11) ð»koLke ô{hu øk]níÞkøk fÞkuo. rn{k÷Þ ykrË íkeÚkkuo{kt

rð[hý fÞwO. ÃkwÕnk©{Lku rðþu íkÃk fÞwO. ½ýk Mk{ÞÚke y{khk ËþoLkLku

Ít¾íkk yLku íkÃk fhíkkt økkuÃkk¤ÞkuøkeLku ËþoLk ËeÄkt. yüktøk Þkuøk MkkæÞ







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Sarth Kirtnavali

161

Aeno je jane kidho asharo,

Te to tari gaya re, kul sahit sansar ... Pra-5

Muktanand kahe mahima apar che,

Kare nishdin re, neti nigam pokar ... Pra-6In this World every human being is looking for happiness and

peace of mind, however if he or she becomes attached to theWorldly material substances because of their ignorance, he orshe cannot attain satisfaction and peace. At this time, our ancientVedic religious Scripture’s provides us light of knowledge andallows our Soul to obtain the divine vision of the Almighty ShreeHari.

Irrespective of the state of devotion of a devotee, the devoteeonly finds true happiness and benefit by residing in a secludedspace listen and sings the hymns of the Almighty Bhagwan ShreeHari.

One time Lord Swaminarayan wanted to test the faith ofMukatanandSwami. Muktanand Swami was one of the great NandSaints during Shreeji Maharaj’s time on this Earth. Shree Hariput Muktanand Swami to the test by making Muktanand Swami’smind full of anxiety and confusion. Muktanand Swamiendeavored ever avenue to get rid of that anxiety and confusion,he tried to engage his mind in other activities, but Swamiji couldnot bring his mind to a peaceful state. Finally, he went to the LordSwaminarayan who was residing in Gadhpur in Akshar Ordi. Heoffered observances to Lord Swaminarayan, bowed down to himand joins his hands and asked him for his mercy. He askedBhagwan to have mercy upon him and bless him with the blessingsthat would provide peace to his Soul. Hearing Muktanand Swami’sagonizing words, Bhagwan replied that, to establish pious religionon this Earth, give Salvation to numerous souls, I accepted thecurse given by DurvashaRushi. I was born on to this Earth asLord Swaminarayan. I was born in Chhapaiya at the home ofDharmdev and Bhaktidevi. During my youth period I performedmany pastimes. I also slayed many demons like Krutyas and







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162

fÞkuo. Lkð÷¾kt Ãkðoík WÃkh Lkð ÷k¾ ÞkuøkeykuLku íkux÷k s MðYÃkku Äkhý

fheLku ËþoLk-ËuðkLkwt Mkw¾ ykÃÞwt yLku rð[hý fhíkkt ÷kusÃkwh ykÔÞk, íÞkt

íkku ©eS {nkhks ðkík ykøk¤ fhu íku Ãknu÷k {wõíkkLkËt Mðk{e Vhe çkku÷e

WXâk nu {nkhks ! {Lku {Lk{kt þkrík ÚkkÞ íkuðe ðkík fhku. {wõíkkLktË

Mðk{e yk{ ðkhtðkh Ëþkoðu÷ yr¼øk{ òuE {nkhksu ðkík Vuhðe yLku

Mðk{eLku fÌkwt fu fu økwshkík{Lkkt nrh¼õíkkuLkku fkøk¤ ykÔÞku Au {kxu ík{u

økwshkík «ktík{kt MkíMktøk fhkððk òð.

ÃkkuíkkLkk {Lk{kt ¼økðkLkLkkt þçËkuLkku yÚko yLku WÆuþ Lk Mk{síkkt

{wõíkkLktË Mðk{e ¼økðkLk ©enrhLke yk¿kk rþhku{kLÞ fhe økwshkík sðk

íkiÞkh ÚkÞk.

©eS {nkhksLke yk¿kk ÷E MkËTøkwÁ økkuÃkk¤kLktË Mðk{e ykrË

Mktíkku {wõíkkLktË Mðk{eLku hkÄkðkð MkwÄe ð¤ððkt òÞ Au. {køko{kt {wõíkkLktË

Mðk{e ©e økkuÃkk¤kLktË Mðk{eLku ÃkkuíkkLkk yLkw¼ðe ðkík fhe. íku Mkkt¼¤e

©e økkuÃkk¤kLktË Mðk{eLku ½ýwt ykùÞo ÚkÞwt yLku fnuðk ÷køkÞTkt fu ík{khk

suðk rðîkLkLku Ãký ¼økðkLk ©enrhLke ðkík Mk{òýe Lknª íku ykùÞoLke

ðkík Au. yhu Mðk{e ! yk MktMkkh{kt ¼økðkLkLkkt [rhºkku Mkkt¼éÞktÚke

rðþu»k fkuE MkkÄLk {LkLku þktrík yÃkkðLkkh LkÚke. su Ãkh{kí{kLkkt rËÔÞ

[rhºkkuLku Mkkt¼¤ðkt ELÿkrËf Ëuðku Ãký Ít¾u Au, su [rhºkku Mkkt¼¤ðkÚke

¼økðkLkLkkt MðYÃk{kt «erík áZ ÚkkÞ Au, íkuðk [rhºkkuLkwt ©ðý ¼køÞþk¤eLku

s ÚkkÞ. ¼økðkLkLkkt ykðk rËÔÞ [rhºkku Mkkt¼¤ðkÚke Ãkh{ þktríkLke

yLkw¼qrík ÚkkÞ ðøkuhu yLkuf çkkçkíkkuÚke økkuÃkk¤kLktË Mðk{eyu {wõíkkLktË

Mðk{eLku {rn{k Mk{òÔÞku.

økkuÃkk¤kLktË Mðk{eLkkt yk þçËku Mkkt¼¤eLku {wõíkkLktË Mðk{e ¾qçk

rË÷økeh ÚkÞk yLku ÃkùkíkkÃk fhðk ÷køÞk fu Ãkkuíku ¼økðkLkLkkt rËÔÞ

[rhºkkuLkku {rn{k Lk Mk{ßÞk yLku ¼økðkLku fnu÷e ðkíkku{kt æÞkLk Lk

ykÃÞwt yux÷u s {Lk{kt þktrík Lk ÚkE.... yk «{kýu ÃkùkíkkÃk fhíkkt

{wõíkkLktË Mðk{e hkÄkðkð{kt MLkkLk fhe ¼khu {Lku økwshkík íkhV «Þký







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Sarth Kirtnavali

163

Kalidat, but when Muktanand Swami heard Bhagwan reply tohis question Swamiji interrupted Manaharaj and asked him to dosomething that will give him peace of mind. However, LordSwaminarayan with his lotus eyes looked at Swami and smiledand then He continued with his story. Bhagwan further mentionedthat He renounced all Worldly pleasures and took exile in thejungle of north east India for 11 years. During this journey, I wentto mount Himalaya, Pulashram and performed severe penance ,gave darshan to Gopalyogi, acquired knowledge of Aastangyoga(8 types of yoga), went to Mount Navalakha and gave my divinedarshan to nine hundred thousand yogis by taking that many forms.Finally after going to all these pious places I came back to westernIndia in a small town called Loj. Bhagwan Swaminarayan keepson discoursing His life’s journey, however Muktanand Swamiwants to obtain internal peace and he asked Bhagwan to stop andshow him how to get peace of mind. Bhagwan ignores Swami’srequest and asks him to go to all the different towns and villagesand preach religion to the devotees.

Muktanand Swami keeps thinking about the questions he askedand the answer Shreeji Maharaj gave, but could not comprehendwhat Shreeji Maharaj was trying to say, so Swamiji decides tofollow Shreeji Maharaj’s orders and gets ready to leave for Gujarat.After taking permission from Bhagwan Swaminarayan,Gopalanand Swami and other Saints have gone to Radhavav tosee off Muktanand Swami on his journey to Gujarat. On theirway, Muktanand Swami confers about his experience toGopalananadSwami. Gopalanand Swami was surprised whenhe heard Muktanand Swami discourse and conversed withSwamiji, that divine and educated Saint like yourself cannotunderstand Bhagwan divine playtimes. O Swami! In this Worldthere is nothing superior than listening to Bhagwan divinepastimes, by listening to Bhagwan’s miracles and pastimes youwill get peace of mind. To listen to Bhagwan’s miracles andpastimes all the Demigods and Goddesses in Swarga get togetherand listen to these pastimes. By listening to these divine miracles







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164

fhu Au yLku ¼økðkLk ©enrhyu fnu÷k ÃkkuíkkLkkt rËÔÞ [rhºkkuLku ðkhtðkh

ðkøkku¤u Au. ¼økðkLkLkkt [rhºkkuLkwt M{hý fhíkkt fhíkkt Mðk{eLkku WËTðuøk

þ{e òÞ Au yLku ¼økðkLk ©enrhLkkt ËþoLk {kxu {Lk ykíkwh çkLku Au.

çkeS çkksw hkÄkðkðuÚke {wõíkkLktË Mðk{eLku ð¤kðe Ãkhík ykðu÷k

økkuÃkk¤kLktË ykrË Mktíkkuyu ©eS {nkhksLku {wõíkkLkËt Mðk{eLkk rË÷økeheLkkt

yLku ÃkùkíkkÃkLkkt rðþu ðkík fhe yLku rðLktíke fhe fu {wõíkkLktË Mðk{eLkwt

{Lk ¼khu Au íkku f]Ãkk fhe ykÃku íku{Lku ÃkkAk çkku÷kðku íkku MkkÁt. ©eS

{nkhksu ÃkkuíkkLkkt ½kuzu Mkðkh nswheLku Mðk{eLku ÃkkAk çkku÷kðk {kufÕÞk.

©eS {nkhksLkku MktËuþku Mkkt¼¤íkk s {wõíkkLktË Mðk{e ykLktË

rð¼kuh çkLÞkt yLku su{ økkÞLku òuELku ðåAzw Ëkuzu íku{ Mðk{eyu økZÃkwh

íkhV Wíkkð¤kt Ãkøku «Þký fÞwO yLku ËhçkkhøkZ{kt «ðu~Þkt ¼økðkLkLkkt

ËþoLk {kxu ÔÞkfq¤ çkLku÷k {wõíkkLktË Mðk{eyu yûkh ykuhze íkhV Ëkux

{wfe yLku yûkh ykuhze{kt {nkhksLkkt rËÔÞ ËþoLk fhe ykLktËrð¼kuh

çkLÞkt. {Lk{kt ík{k{ WËTðuøkku þ{e økÞkt yLku ykLktËLke WŠ{yku «Mkhðk

÷køke. íkhík s ykLktË yLku ¼kðrð¼kuh çkLku÷kt {wõíkkLktË Mðk{eLkkt

{w¾uÚke þçËku Mkhe Ãkzâkt.....

60 hkøk : økhçke

nrhfwt hk½u Lkk[ Lk[kðu

h[Lkk : Mk. økw. çkúñkLktË Mðk{e

nrhfwt hk½u Lkk[ Lk[kðu.....

nrhfwt hk½u Lkk[ Lk[kðu, nrhfwt hk½u Lkk[ Lk[kðu,

ÃkkðLk{U Lk uÃk wh fhe ËeLk u, fh [whe Ãknhkðu;

r{÷fu swík Mkçk ðúsLkkhe, ÷k÷fwt ÃÞkhe çkLkkðu.

ÁArLk ftçkrhÞkt Ëqh çknkÞ fu, ÷u ÷ntøkku Ãkn÷kðu,

Ãkk½ WÃkkh ykuZkE [wLkrhÞkt, LkuLkLk fksh ÷økkðu,

{ktøk Mk{kh ¼k÷ Ëu ®çkËe, fhøkúne ÷k÷ rþ¾kðu.







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Sarth Kirtnavali

165

one’s faith will get stronger and stronger day by day, those humanbeings who obtain access to these divine miraculous stories ofBhagwan are considered to be very fortunate. Hence GopalanandSwami explained the significance and greatness of Bhagwan’spastime to Muktanand Swami.

Listening to Gopalanand Swami, Muktanand Swami becomessad and keeps thinking about Bhagwan’s journey while taking abath in Radhawav. He keeps meditating and memorizing thestories while he is going back to Gujarat. Eventually by doingthis Swami’s anxiety goes away and he becomes enthusiastic tosee Bhagwan’s divine form. On the other hand, GopalanandSwami had mentioned to Lord Shree Hari about MuktanandSwami’s mental status and showed his concern. Listening to this,Bhagwan asked one of his horsemen to go and call MuktanandSwami back from his journey. Once Muktanand Swami hearsabout Bhagwan’s message he gets excited and runs back toGadhada to see the divine Lord Shree Hari. He goes to Darbarghadand observed the divine form of Lord Swaminarayan. Once hesaw this divine form all his anxiety, tension, and confusiondisappears. Muktanand Swami becomes very emotional and hecomposes this hymn.

60 RAAG : GARBI

HARIKU RADHE NACH NACHAVE


Hariku radhe nach nachave......

Hariku radhe nach nachave, Hariku radhe nach nachave,

Pavanme nepur kari dine, kar churi pahrave,

Milke jut sab vrajnari, lalku pyari banave,

Ruchhani kambariya dur bahay ke, le lahango pahlave,

Pagha upar odhai chunriya, nenan kajar lagave,

Manga samar bhal de bindi, kargrahi lal shikhave.







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166

hkÄu-hkÄu fnkLk-fnkLk fne, Lk[ðík íkkLk r{÷kðu.

YÃk çkÞkLk ÷økkÞ fu ½wt½x, sMkku{rík Ãki ÷u òð;

çkúnkLktË fnu íkuhu Mkwíkfwt, yurn fwtðrh ÃkhLkkðu.

©eS {nkhks ßÞkhu ÃkkuíkkLke {Lkw»Þ÷e÷k Mktfu÷e MðÄk{ ÃkÄkÞko

íÞkhu çkúñkLktË Mðk{e ¾qçks þkuf{kt ykðe hzðk ÷køÞk. økkuÃkk¤kLktË

Mðk{e çkúñkLktË Mðk{eLkku nkÚk ÃkfzeLku økkuÃkeLkkÚkS {nkhksLke {qŠík

Mk{ûk ÷E sELku fnu Au fu, {nkhks íkku MðÞt {qŠík{kt s rçkhks{kLk Au.

©enrh MðÞt {qŠík{ktÚke «økx ÚkE çkúñkLktË Mðk{eLku ËþoLk ykÃku Au. íÞkh

ÃkAe LktË Mktíkkuyu ©e økkuÃkeLkkÚkS {nkhksLke {qŠík Mk{ûk ÃkkuíkkLke rðÞkuøk

ðuËLkk Xk÷ðíkkt yLku «u{ M{]ríkyku Mkt¼¤kðíkkt yLkuf feíkoLkku håÞkt Au.

©eS {nkhks çkúñkLkËt Mðk{eLku ÃkkuíkkLkk Mk¾k {kLkíkk níkk yLku

çkúñkLktË Mðk{e Ãký ©eS {nkhksLku ÃkkuíkkLkk Mðk{e {kLkíkk níkk íkuíke

s çkúñkLktË Mðk{eLkkt ½ýk yuðk fkÔÞku{kt økkuÃke¼kðu «økx ÚkÞu÷e

«u{÷ûkýk ¼Âõík, ÷e÷k-ðýoLk, þ]tøkkrhf fkÔÞku yLku hkMkküfku, nkMÞ

rðLkkuË suðe «u{÷ûkýk, ¼Âõík rLk»ÃkÒk ÚkkÞ Au.

çkúñkLktË Mðk{eLke «u{÷ûkýk ¼ÂõíkLkku WíftX ¼kð «ËŠþík fhíkwt

yuf W¥k{ ÃkË ynª «Míkíkw Au. yk fkÔÞ yuf yLkku¾e ¼kík WÃkMkkðe

òÞ Au. «u{÷ûkýk ¼ÂõíkÃkËku{kt fu ÷e÷kðýoLk{kt ©ef]»ýLke ÷e÷k

ðýoðkE nkuÞ Au. økkuÃkeyku ©ef]»ýLku MktÃkqýo økkuÃkeðuþ Äkhý fhkðe

sþkuËk{kíkk ÃkkMku ÷E òÞ Au íkuðe çkúñkLktË Mðk{eLke fÕÃkLkk yk ÃkË{kt

¾qçks {Lkkuhtsf Au.

61 hkøk : ÷kðýe ÃkË

ÃkÄkhku ðxÃk¥kLk Mðk{e


ÃkÄkhu ðxÃk¥kLk Mðk{e, ( 2 )

MknòLktË {nkhks ÃkqhLk ÃkwÁ»kku¥k{ çknwLkk{e-ÃkÄkhu







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Sarth Kirtnavali

167

Radhe-radhi kahan-kahan kahi, vachavat tan milave,

Roop bayan lagay ke ghunghat, jasomati pai le jav,

Brahamanand kahe tere sutaku, ehi kuvari parvabe.When Bhagwan Swaminarayan decided to leave this materialistic

World and return back to his heaven Abode Akshardham, BrahmanandSwami became very depressed and started mourning and weeping.Gopalanand Swami out of compassion holds the hand of BrahmanandSwami and takes him to Gadhada Temple and points towards GopinathjiMaharaj’s idol and tells him that , Bhagwan is omnipresent and He isresiding right here in these idols. Lord Swaminarayan emerges fromthe idol of Gopinathji Maharaj and gives Brahmanand Swami thepleasure of His darshan. After this miracle many Saints would come toGopinathji Maharaja’s idol and express their emotional feelings andcompose number of poems and hymns. Bhagwan used to considerBrahmanand Swami as one of his close friends and Swami used toconsider Bhagwan as his Lord and Savior, hence in many of Swami’shymns he has address himself as a Gopi(cow maid) and reacted thelove the Gopi’s had with Lord Krishna. In one of his composition,Swami sees Lord Swaminarayan wearing a Saree with all differenttypes of ornaments and jewelry and he composed a hymn about it. Inother hymn he shows the affection of a lover without his love one closeby. Swamji has even gone that far to compose hymns just to makeBhagwan laugh.

To emphasize Brahmanand Swamis love for Bhagwan and theemotions and feelings he had, the words in this hymn reflect thatadequately. This hymn gives a unique perspective on the feelings theGopi’s had towards Shree Krishna. This hymn discourses the eventwhen Bhagwan is among Gopi’s, the Gopi’s have dressed Lord ShreeKrishna to look like them, they have even puts on all the ornamentsand jewelry and then these Gopi’s take Bhagwan to his mother Yashoda.Further Brahmanand Swamikeeps up his imagination for the Bhagwan’sacts in this him.

61 RAAG : LAVANI

PADHAARE VATPATTAN SWAMI


Padhaare vatpattan swami (2)

Sahjaanand maharaj puran purushottan bahunaami. Padhare.







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168

[÷u ðhíkk÷Mku yrðLkkþe, ( 2 )

ykÞu feÞk {wfk{ økk{ MkktfËhu Mkw¾hkþe-ÃkÄkhu

Mktøk ÷u MkuLkk yrík ¼khe, ( 2 )

[íkwohtøke çk÷ðkLk ÷økík nu Ëu¾ík yrík ÃÞkhe-ÃkÄkhu

ÃkËkíke ½kuzu hÚk nkÚke, ( 2 )

þqhðeh {nk Mkw¼x ËwsoÞ Ëu¾e ftÃku Akíke-ÃkÄkhu

ykÞu økk{ AkLke røkhÄkhe, ( 2 )

«u{kLktË fnu MkL{w¾ ykE Lk]Ãkfe yMkðkhe-ÃkÄkhu

rð.Mkt. 1882 Lkk fkŠíkf ðË-3 Lkk rËðMku ðzkuËhk økkÞfðkz

MkhfkhLkk yk{tºkýLku {kLk ykÃke ©eS {nkhks ðzkuËhk ÃkÄkhu÷. Mk.økw.

økkuÃkk¤kLktË Mðk{e íkÚkk Mk.økw. {wõíkkLktË Mðk{e îkhk ðzkuËhk{kt

Mðkr{LkkhkÞý Mkt«ËkÞLke þYykík ©eS {nkhksLke yk¿kkÚke ÚkÞu÷.

ðzkuËhkLkk MkËkrþð¼kE, ZwtZwçkk, þku¼khk{ þk†e, LkkYÃktík LkkLkk rðøkuhu

½ýk nrh¼õíkkuLku ðzkuËhk MkíMktøk fhkðu÷.

Mk.økw. {wõíkkLktË Mðk{eyu rðê÷LkkÚkS {rËh{kt þk†kÚko fhe

¼ÔÞ rËÂøðsÞ «MÚkkrÃkík fÞkuo níkku. ©e Mðkr{LkkhkÞý ¼økðkLk Au

yLku Mkt«ËkÞ ðirËf Au yuðwt «{krýík fhu÷. íkuLkk yLkwMktÄkLku ©eS

{nkhksLkk ËþoLk fhðk MkÞkShkð økkÞfðkz ðzkuËhkLkk hksËhçkkh{kt

ÃkÄhkððk {kxu ©eS {nkhksLku ¼kð¼ÞwO yk{tºkýLku {kLk ykÃke ©eS

{nkhks ðxÃk¥kLk ÃkÄkhu Au.

©eS {nkhks çkÒku yk[kÞkuo, Mktíkku Ãkk»koËku yLku fkXe Ëhçkkhku

MkkÚku ðzíkk÷Úke MkktfhËk ÃkÄkhu÷ Au. hkºke hkufký MkktfËhk økk{u fhu÷.

çkesu rËðMku ©eS {nkhks Akýe økk{u ÃkÄkhu÷ økkÞfðkz hkßÞLkk

Þwðhks økýÃkíkhkð ÃkkuíkkLke [íkwohtøke MkuLkk ÷ELku ©eS {nkhksLkwt

Mðkøkík fhðk Akýe ykðu Au. ©eS {nkhksLku Mkküktøk Lk{Mfkh fheLku

¼kð¼eLkku Mkífkh fhu Au. ¼økðkLk Mðkr{LkkhkÞý þkne MkL{kLk MkkÚku

ðksíku økksíku AkýeÚke ðzkuËhk ÃkÄkhðk «MkÚkkLk fhu Au Þwðhks







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Sarth Kirtnavali

169

Chale vartal se avinaashi (2)

Aaye kiya mukaam gaam saakarde shukhraashi. Padhare.

Sang le sena ati bhari (2)

Chaturangi balvaan lagat he dekhat ati pyaari. Padhare.

Padaati ghode rath haathi (2)

Shurvir maha subhat durjan dekhi kampe chhati. Padhare.

Aaye gaam chhani girdhaari (2)

Premanand kahe sanmukh ayi nrupki asavaari. Padhare.In the year Vikram Samvat 1882 on Kartakvad 3rd to give the

utmost respect to an invitation given by Gayakwad government,Lord Swaminarayan went to Vadodara in Gujarat. With the authorityand blessings of Lord Shree Hari, Gopalanand Swami andMuktanand Swami established the foundations of SwaminarayanSector in Vadodara. From the association of these great Saints a fewvirtuous devotees like, Sadashivbhai, Dhundhuba,SobharamShastri, Narupanth Nana were created. Just by theassociation of these great Saints also many other devotees gotinfluenced to change their lives, become virtuous, have a moralfoundation, become noble and respected, they all obtain this statusby listening to the preaching’s of the Swamji‘s and acceptedSwaminarayan Sector to be a Vedic congregation and joined thefellowship.

Great Saints like Muktanand Swami have won the title thatSwaminarayan Sector is a Vedic congregation and LordSwaminarayan is Bhagwan himself in Vadodara by interpretingScriptures in Vitthalnathji Temple. In conjunction to this conquestby Muktanand Swami, the King Gayakwad whole heartedly invitesLord Swaminarayan to his palace for his darshan. BhagwanSwaminarayan has entered the palace with both the AcharyaMaharaja’s, five hundred Paramhans (great divine and pious Saints)and all other devotees came from Vadtal to Sakarda, next day hestayed in town called Chaani. The son of the King, Prince Ganpatrao,with his band and army come to town Chaani to welcome BhagwanSwaminarayan and his esteemed guests. He bows down to the lotusfeet of Bhagwan Swaminarayan and does dandvat with greataffection and delight. With all this splendor and joy, Bhagwan isescorted from Chaani to Vadodara. With the humble request from







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170

økýÃkíkhkð íkÚkk LkkYÃktík LkkLkkLkk ykøkúnLku ðþ ÚkE ©eS {nkhks

ytçkkzeÚke þýøkkhu÷ nkÚke WÃkh rçkhks{kLk ÚkkÞ Au. çkeò nkÚke WÃkh

çkÒku yk[kÞkuoLku çkuMkkzu Au. ºkeò nkÚke WÃkh Mk.økw. økkuÃkk¤kLktË Mðk{e

íkÚkk Mk.økw. rLkíÞkLktË Mðk{e yLku [kuÚkk nkÚke WÃkh Mk.økw. {wõíkkLktË

Mðk{e yLku Mk.økw. þwf{wrLkLku çkuMkkzu Au. çkeò MktíkkuLku yLÞ MkkÄLkku{kt

çkuMkkzu Au. Þwðhks økýÃkíkhkð ÃkkuíkkLke [íkwohtøke MkuLkkLke þkne Mkðkhe

MkkÚku AkýeÚke ðzkuËhk ykððk «MÚkkLk fhu Au.

Ãkhtíkw ðzkuËhk hkßÞLkk E»kko¤w ËeðkLk rðê÷hkð {ktËøkeLkwt çknkLkwt

fkZe yk Mkkne Mkðkhe{kt økuhnksh hnu Au. yk þkne Mkðkhe yrík ¼ÔÞ-

h{ýeÞ-rðþk¤ nkuÞ Au. yk ¼ÔÞ þku¼kÞkºkkLku rLknk¤e þe½úfrð

«u{kLkËt Mðk{eLkk {w¾{ktÚke yk feíkoLk îkhk þçËku Mkhe Ãkzu Au yLku çkeò

Mkkík ÃkËku h[e Lkkt¾u Au.

62 hkøk : fÔðk÷e

Ëe¾÷k rËËkh ÃÞkhk


Ëe¾÷k rËËkh ÃÞkhk, {nuçkqçk n{khk, {nu. xuf

{kþqf shk Ëu ËuLkk, LkuLkkUfk Lkòhk;

EíkLku{U íkku nkuðuøkk, ykþfwtËk økwòhk. {nu. 1

fwhçkkLk rfÞk íkuhu Lkk{ Ãkh, ½hçkkhk-MktMkkhk;

Vfehe ÷u fu rVhíkk nwt, fhLkufwt rËËkhk. {nu. 2

íkfMkeh {kV fhLkk, MkwLk MkhsLknkhk;

«u{kLk tËfw {w÷kfkík, ËuLkk Ä{oËw÷khk. {nu. 3

©eS {nkhksu ÃkkuíkkLke nÞkíke{kt {nk{trËhku çktÄkðeLku íku{kt MðÞt

©enrhyu {qŠík «ríkck fhu÷e, su{kt sqLkkøkZ{kt ©eS {nkhksu çkúñkLktË

Mðk{eLku {trËh çkktÄfk{Lke Mk½¤e sðkçkËkhe MkkUÃke níke. íÞkhçkkË

økwýkíkkíkeLktË Mðk{e íÞkt ðÄw hnuíkk yLku økkuÃkk¤kLktË Mðk{e Ëh ð»kuo íÞkt

yuf {kMk fÚkk fhðk hnuíkk suÚke íÞkt MkíMktøkLkku ½ýku rðfkMk ÚkÞu÷ Ãkhtíkw







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Sarth Kirtnavali

171

Narupanth Nana and Prince Ganpatrao, Bhagwan Shree Hari rideson the elephant which is decorated with all the great ornaments and‘Ambadi.’ Behind this magnificent decorated elephant all thedevotees and Saints followed clapping and praising the AlmightyShree Hari. Both of the Acharya Maharaja’s resided on the elephantsfollowing Bhagwan, on third elephant Gopalanand Swami andNityanandSwami followed and on fourth elephant MuktanandSwami and ShukanandSwami also followed. Everyone else is onhorses, and walking behind Bhagwan’s elephant. The whole armyhas left the village of Chaani with great admiration and joy to go toVadodara.

But some envious people like DiwanVitthalrao became verycovetous of this whole welcoming ceremony and did want to attendthis ceremony so he fabricated to be sick. This Royal WelcomeParade with the army and the entire band is very specular. Whilstwatching this Royal Parade, on the spot Premanand Swami starts tocompose a hymn.

62 RAAG : KAVVAALI

DIKHALA DIDAAR PYAARA


Dikhala didaar pyaara, mehboob hamaara, Mahe. Tek.

Maasuk jara ja dena, neno ka najaara;

Itane me to hovega aashkund gujaara. Mahe. 1

Kurbaan kiya tere naam pe, gharbaar sansaara;

Fakiri leke firata hu, karane ko didaara. Mahe. 2

Taksir maaf karana, sun sarjan haara,

Premanand ku mulaakaat dena nand dulaara. Mahe.3During Shreeji Maharaj time on this Earth He initiated

the construction of grand temples and He Himself installedidols at these temples. Amongst them He transferred theresponsibility of construction of Junagadh temple toBrahmanand Swami. After the construction of the Templethe first Prefect of the temple was GunatitanandSwami.







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172

çkúñkLktË Mðk{eLku sqLkkøkZLkk Lkðkçk çknkËwh¾kLk çkkçke MkkÚku Ãkqðko©{{kt

frð nkuðkÚke íkuyku MkkÚku Ãknu÷uÚke Mkkhk MktçktÄku níkk, íkuÚke {trËh çkktÄðk

{kxu Lkðkçku s{eLk Ãký rðLkk {qÕÞu ykÃku÷e yLku çkeS ½ýk «fkhLke

{ËË fhu÷e.

sqLkkøkZLkk LkðkçkLku þYÚke s yuðku yLkw¼ð níkku fu suLkk ykðk

Vfeh (Mktíkku) ykx÷k Mk{Úko nkuÞ íkuLkk ¾wËk (¼økðkLk) fux÷k {nkLk

nkuÞ ? swLkkøkZ {trËhLke «ríkck Mk{Þu LkðkçkLkk yk{tºkýLku {kLk ykÃke

©eS {nkhks íkÚkk yLÞ {kuxk Mktíkku, Ãkk»koËku, çkúñ[kheyku yLku fkXe

Ëhçkkhku MkkÚku LkðkçkLkk {nu÷u ÃkÄkhu Au ©eS {nkhks Lku Mkwðýo

y÷tfkhku, yk¼q»kýku Lku YrÃkÞk ðøkuhuLke ¼ux Ähu Au yLku Lkðkçk «kÚkoLkk

fhu Au fu “ykÃk íkku ¾wËkíkk÷k nku ykÃkfk ne ËeÞk nwðk Þu hks {i fhíkk

nwt. Þu çkzu Mðk{e (økkuÃkk¤kLktË Mðk{e) ykih frð Mðk{e (çkúñkLktË) siMku

çkzu çkzu {nkí{k ykÃkfu fË{Ãkkuþ þkŠøkË nu ykih yiMku íkku fE Vfeh

ykÃkef íknuLkkík{U hníku ni yiMkk {iLku MkwLkk ni. yks ykÃkfu rËËkh fu

ËþoLk Mku {uhu rË÷fku çknkuík íkuLk ykih MkwfwLk r{÷k ni.”

sqLkkøkZLkk Lkðkçk ©eS {nkhks Lku rðLktíke fhu Au fu “nu {nkhks !

n{Lku MkwLkk ni ykÃkfu Vfeh çknwík çknuíkheLk Mktøkeík òLkíku ni, yøkh ðku

MkwLkLku fku r{÷u íkku Þu n{khe ¾wþLkMkeçke nkuøke.”

yk fÔðk÷e{kt ©eS {nkhksLku r«Þík{k {kLkeLku «u{kLktË Mðk{e

«u{÷ûkýk ¼Âõík hsq fhu Au. ©eS {nkhksLku ÃkkuíkkLke {kþwfk {kLku Au

yLku Ãkkuíku ykþf çkLke yhçke yLku VkhMke þçËkuLkku WÃkÞkuøk fhe yk

fÔðk÷eLke h[Lkk fhu Au. yk ÃkË{kt ykþf ÃkkuíkkLke r«Þík{kLkk

{w¾kh®ðËLkk ËþoLk {kxu su{ [kíkf ð»kkoLke hkn swyu Au íku{ «u{ Mk¾e

©eS {nkhksLku ÃkkuíkkLkk ÓËÞ{ktÚke Ëqh Lk sðk rðLktíke fhu Au yLku

íkuykuLku ÃkkuíkkLkk [{o[ûkwykuÚke Ëqh Lk sðk Ëuðk {kxu rðLkðu Au. ÃkkuíkkLkk

r«Þík{Lku rðLkðu Au fu íkkhk ËþoLkLke Í÷f ykÃku íkku Ãký çkMk Au. çkMk,

íkkhk LkshLkku Eþkhku s fkVe Au. yuf EþkhkÚke çkÄwt Mk{S þfkÞ íku{







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Sarth Kirtnavali

173

GunatitanandSwami would only become the Prefect andreside in Junagadh Temple only if Gopalanand Swamiwould come and reside for one month every year forpreaching and whilst Gopalanand Swami was preaching inJunagadh the fellowship started to advance. BrahmanandSwami before being initiated into the Sainthood was aWorld prominent poet and Swamiji shared a respectablerelationship with Emperor Bahadur Khan. Due to thisrelationship the Emperor Bahadur Khan gave the land forthe construction of a grand magnificent Temple, theEmperor donated the land for free and also helped outin many other ways to propagate the Swaminarayan Sector.

The Emperor of Junagadh thought to himself how greatwill this person be if these Saints are calling himBhagwan, the Saint he has in his forte and educated andgreat Scholars? During the installation ceremony of theidols at Junagadh Temple, Shreeji Maharaja along withother respected Saints, Parshads, Celibates, and Soldiers(katidarbars) came to the palace of the Emperor. TheEmperor gifted Shreeji Maharaj with gold ornaments,money, clothes and then prayed saying,” You are Khuda,I am ruling the Empire given to me by you. This respectedSaints like Gopalanand Swami and great Scholars in poetrySaints like Brahmanand Swami are at your feet and theyobey all you commandments. Today just by obtaining yourdivine glimpse has given my heart peace andsanctification”.

The Emperor of Junagadh requested Shreeji Maharajathat,” Oh Lord! I have heard that your Saints haveexcellent knowledge of music. I would consider myself tobe blessed and fortune if I can hear them sing in frontof you. In this song Premanand Swami expresses his lovetowards Shreeji Maharaj the affection Swamiji has shown







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174

Au, {kºk «u{eLku {Lk {eXe Lksh Ãký y{]ík Mk{kLk Au. yk{ ©eS

{nkhksLke y{e ¼hu÷e LkshkuÚke Ít¾Lkk «uMk¾e Ít¾e hÌkk Au. «u{¼he

Lksh yk¾e StËøke¼hLkwt Lkshkýwt çkLke hnuþu. íkkhk Lkk{Lku {kxu íkku yk

MktMkkhLkku íÞkøk fhu÷ku Au, ykÃk MkðkuoÃkhe Aku, ¼økðkLk Aku yux÷u íkku

ík{khk Lkk{Lke ¼u¾ Äkhý fhu÷e Au yLku yux÷u s MkðoMð AkuzeLku

fwhçkkLk fheLku ík{khu ykþhu hÌkk Aeyu. íkkhk ËþoLk fhðkLku {kxu íkku yk

Vfehe, MktMkkh íÞkøk fheLku ¼u¾ Äkhý fÞkuo Au {kºk íkkhk y¾tz ËþoLk

ÚkkÞ yux÷u íkku yk MktMkkh Akuzâku Au. {khe su ftE ¼q÷ ÚkE nkuÞ íku {kV

fhsu yk{ yk MkwrüLkk MksoLknkhLku rðLktíke fhu Au nu LktËLkk Ëw÷khk !

¼ÂõíkLkk Ä{oLkk Ëw÷khk ! «u{Mk¾eLku íkkhk MkËkÞ ËþoLk Úkíkk hnu yuðe

{ktøkýe frð fhu Au.

yhçke yLku VkhMke ¼k»kkLkk þçËLkk yÚkkuo :

ykþf - «u{e (¼õíkkuLku MktçkkuÄLk)

{kþqf - r«Þík{k (©eS {nkhksLku MktçkkuÄLk)

Ëe¾÷k - Ëu¾kz, òuðkËku

rËËkh - {w¾ËþoLk

{nuçkqçk - r«Þík{k

Lkòhk - yuf Lksh

63 hkøk : Ëkunk

{U ZkZe {nkhksfku...


{U ZkZe {nkhksfku, nksh nwf{ nsqh;

økkÞku sMk økku®ðËfku, ÃkkÞku ÄLk ¼qhÃkqh. 1

{U çktËesLk hkðhku, yuf ykþ rðïkMk;

#ÿkrËf çkúñkrËf ¼ð, íkkíku rLkÃkx rLkhkþ. 2

©enrhfku ò[f ynt, ~Þk{ LkkÚk Mk{hÚÚk;

Lkh Mkwh ykøk¤ òÞfu, fçkw Lk ykuzwt nÚÚk. 3







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Sarth Kirtnavali

175

in this particular hymn is between a girlfriend and aboyfriend his lover. He composed this song using Farsiand Arabic words considering Shreeji Maharaja as hisgirlfriend (damsel) and himself enamored of him. In thishymn the lover awaits the glimpse of his damsel, just likethe pied crested cuckoo waits for rain similarly, Premsakhirequests Shreeji Maharaj not to go way from his heart andhis eyesight. Just the signaling of Your eyes is enough.Everything can be understood by one hint. A sweet glanceis like nectar for a lover. Thus, Premsakhi is longing forShreeji Maharaj’s divine glance full eternal mercy. Just oneglance of love will become a gift of a lifetime. I gaveup all Worldly pleasures for your name; You are theSupreme Lord Swaminarayan. Because you are God I’vetake asceticism of your name and that’s why I’ve left andsacrificed everything and taken your shelter. I have the leftthe pleasures of this World and taken asceticism for yourconstant glimpse. Please forgive me if I have committedany mistake. Thus, he requested the creator of this World;Oh son of Nand! Oh son of Dharmadev and Bhaktidevi!The poet asks that, Premsakhi always obtains your divinedarshan.

63 RAAG : DOHA

ME DHADHI MARAJKO ....


Me dhadhi marajko, hajar hukam hajur,

Gayo jash govindko, payo dhan bhurpur. 1

Me bandijan ravaro, Eak ash vishvash,

Indradik brahamadik bhav, tate nipat nirash. 2

Shrihariko jachak aha, shaym nath samarstha,

Nar sur aagal jayke, kabu na odu hathha. 3







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176

ËkMkLkk u {U ËkMk nw t, nrhfu MkËk nsqh;

çkúñkLktËfe rðLkrík, rLk{¾ Lk h¾eyku Ëqh. 4

Mk.økw. çkúñkLktË Mðk{eLkkt «Míkwík ÃkËLke h[Lkk rðrþü Mktòuøkku{kt

ÚkE Au. yk fkÔÞ íku{Lke þe½ú frðíð þÂõíkLkwt ßð÷tík WËknhý Au. ð¤e

yk fkÔÞ þhýkøkík ¼Âõík yLku ËkMk¼ÂõíkLkkt áüktíkYÃk {LkkÞ Au.

fwxwtçk-Ãkrhðkh, Mk¥kk, MktÃkr¥k, sh, òøkeh, feŠíkLku Xkufh {khe Mk{ÃkoýLke

Mkk[e ¼kðLkk «Míkwík ÃkËLke Ãkkïo¼qr{{kt Ãkze Au.

økZÃkwh {æÞu ÷kzwËkLkSLku ÃkwLk: øk]nMÚke çkLkkððk ykðu÷ Mkki fkuE

Mkøkk-MktçktÄe rLkhkþ ÚkkÞ Au, íÞkt s ðzkuËhk hkßÞLkk hksfrð Úkðk

MkL{kLkÃkqðofLkwt rLk{tºký {kxu íÞktLkk y{ehku ykðu Au. 24 økk{Lkwt

Ãkhøkýwt, hnuðk nðu÷e, ðkze-ðSVku, nkÚke, ½kuzk yLku Ãkk÷¾e íku{s

fhkuz Ãkþkð÷e ÷ku¼k{ý ÷k÷[Lkwt fnuý {¤u Au. yk MkðoLku Xkufhu {khe,

÷kzwËkLkS, ©eS {nkhksLkwt þhý Mðefkhe çkúñkLktË s çkLke hnu Au.

hkò-hsðkzkLkk {kLk-{híkçkkLku çkË÷u ©eS {nkhksLkwt ËkMkíð

Mðefkhu Au. yux÷wt s Lknª íku{Lkk ZkZe yÚkkoíkT MkkiÚke Qíkhíke fûkkLkk

Þk[f çkLkðkLkwt ÃkMktË fhu Au. Mk.økw. çkúñkLktË Mðk{eLkku yk fuðku ¼ÔÞ

íÞkøk ! yk fuðe ðehíð ¼he ¾w{khe ! ©eSÚke rLkr{»k {kºk Ãký y¤økk

Lknª ÚkðkLke fuðe yLkLÞ ¼Âõík ! yk ÷ÄwfkÔÞ{kt ¼hu÷e fuðe Wå[

¼qr{fkLke økhe{k ! Mk.økw. çkúñkLktË Mðk{eLkwt nkshsðkçkeÃkýk yLku þe½ú

frðíð þÂõíkLkwt ykÚke ðÄw õÞwt MkkÁt áüktík nkuE þfu ?

yk MkkÚku Mkðo y¤íkkheLkk Ãký MkðkuoÃkhe yuðk søkíkÃkríkLkk

Lkk{M{hý rMkðkÞ Mkðo Mkøkk sqXk-yMkíÞ Au yLku SðLkLke ûký¼tøkwhíkk

Mkk{u Mkðo ÄLk-{k÷ r{ÚÞk Au. yu çktLku ÃkËku Ãký WÃkhkuõík çkkçkíkLkwt

Mk{ÚkoLk fhe òÞ Au.







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Sarth Kirtnavali

177

Dashano me dash hu, harike sada hajur,

Brahmanandki vinati, nimakha na rakhio dur. 4This particular hymn composed by Brahmanand Swami is

composed during a unique situation. This song is a luminousexample of his poetic aptitude. Also, this song is considered asan example of devotion towards Bhagwan by surrendering oneselfand performing devotion to the Almighty Bhagwan as a servant.Rejection of family, wealth, power property and true feelings ofrenunciation of are presented in the background of this song.

All the relatives have gathered together and one by one hadcome to Gadhada to convert Ladudanji back into a householder.They tried everything to persuade Swamiji to give up his orangeclothes and become a householder again but they did not prosper.Just at that moment, the wealthy and noble people from Vadodaracame to visit Swamiji and they also offered the position of theKings poet and to become the number one poet throughout thekingdom. They also offered ownership of 24 villages, a palace toreside, farm, pensions, elephants, horses and palanquin. Herejected all these mundane entities and accepted the refuge ofShreeji Maharaja and remained Brahmanand Swami. He acceptedto be a servant of Shreeji Maharaj instead of ruling a kingdom.Not only did Swamiji gracefully accept being the servant ofBhagwan, but also considered himself to the mundane levelservant of Shree Hari. How impressive is this grand renunciationof Brahmanand Swami! What bravery! What eternal devotion ofnot separating oneself from Bhagwan even for a fraction ofsecond! Which example other than Brahmanand Swami’sspontaneous answering ability and poetic skills can be given?

Reciting the divine name of the Almighty Supreme the Fatherof all the Universes does not compare to all this mundane Worldlypleasures of family, relatives, even this life is temporary, all thewealth we have gather is just an illusion. The only true andeverlasting happiness is that, reciting the divine name of theAlmighty Shree Hari.







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178

64 hkøk : ¼ihð

«ký MLkune Ähwt ykðku...


«ký MLkune ½Át ykðku, yçk ÃkeÞhk Äeh Ähík Lknª {uhk. «ký. xuf

ËhMk rðLkk rË÷ Ëkn Lk çkqÍík, Lknª Mkqsík fAw hksLk yLkuhk. «ký. 1

hrMkf rÃkÞk ½Lk~Þk{ {Lkkunh, hsLke rËðMk hnku ËøkLkuhk. «ký. 2

[kíkf rLkhtíkh r[¥k{U, ík÷¾ík Lkk{ hxík nrh ík uhk. «ký. 3

çkúñkLktËLkk WË íkun ðÄkhLk, ¼ðs÷ íkkhLk nku íkw{ çkuhk. «ký. 4

©eS {nkhksLke EåAkLkwMkkh sqLkkøkZ {trËhLkk fk{ {kxu ©e

çkúñkLktË Mðk{eLku {kuf÷ðk {kxu økZÃkwh{kt Ãkºk ykðu Au. ykÚke ©eS

{nkhks íku{Lku sqLkkøkZ {kuf÷u Au. ÃkkA¤Úke ©eS {nkhksLkk ËunkuíMkøkoLkk

Mk{k[kh {¤u Au. ykÚke íku{Lku rðhn ßðk¤k QÃkzu Au. yk{ Aíkkt yLÞ

Mktíkku Mkk{u ÃkkuíkkLke òíkLku Mkt¼k¤e ÷u Au. ÔÞrÚkík ÓËÞ ßÞkhu økZÃkwh

ykðe ©eS rðLkkLke MkqLke yûkh ykuhze{kt ÃknkU[u Au, íÞkhu ÓËÞLkk

çktÄLkku íkqxe òÞ Au. yu ÃkAe ©eS {nkhksLkk rðhnLkk ÃkËkuLke h[Lkk

ÚkkÞ Au. rðhnkíkwh çkúñ{wrLkLku økkuÃkk¤kLktË Mðk{e økkuÃkeLkkÚkSLkk ËþoLk

fhðk ÷E òð Au. yu ð¾íku Mks¤Lkuºku ËËo¼Þko yðksu “«ký MLkune ÄÁt

ykðku yçk ÃkeÞhk” feíkoLk þÁ fhu Au. yu ð¾íku ©eS {nkhks

økkuÃkeLkkÚkSLke {qŠík{ktÚke «økx ÚkE çkúñ{wrLkLku çkkÚk{kt ¼uxe, {kuøkhkLkku

nkh Mðk{eLku Ãknuhkðe fnu Au : ík{u y{Lku {he økÞk {kLkku Aku ? y{u

íkku MkËk MkíMktøk{kt «økxÃkýu rçkhkSyu Aeyu yLku ík{u ßÞkhu ÞkË fhþku

íÞkhu «íÞûk nksh ÚkE ËþoLk ËEþwt.







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Sarth Kirtnavali

179

64 RAAG : BHAIRAV

PRAN SNEHI GHARI AVO ......


Pran snehi ghari avo, ab piyari dhri dharat nahi mera. Pran. Tek

Darash vina dil dah na buzat, nahi sujal kachu rajan anera. Pran. 1

Rasik piya Ghanshyam manohar, rajni divas raho daganera. Pran. 2

Chatak Nirantar chitame, talkhat name ratat hari tera. Pran. 3

Brahmanand uda teh vadharn, bhavjal taran ho tum bera. Pran. 4According to Shreeji Maharaj’s wishes, a letter is being sent

to Gadhada to assign Brahmanand Swami the duty to construct atemple at Junagadh. The letter is requesting Brahmanand Swamito go to Junagadh. After reading the letter Swamiji smiles andwith his students has left to go to Junagadh. After some time,Swami has heard the news that his beloved Shreeji Maharaj hasleft this Earth and has gone to His heaven Abode Akshardham.Hearing this, Brahmanand Swami felt a fire of separation. Swamikeeps control of his emotions at Junagadh. However, when hereturns to Gadhada to find the Akshar Ordi is empty, Swamifeltthe separation from the Almighty Shreeji Maharaj. Desperate tomeet Shree Hari, Swami composes this hymn of separation andsadness he is feeling.

Then Gopalanand Swami takes Brahmanand Swami todo the darshan of Gopinathji Maharaj. There he begins to singthis unique hymn “Pransnehidharuavoabpyari.” The power andemotion shown by Brahmanand Swami was that great thatAlmighty Swaminarayan Bhagwan appears from the idol ofGopinathji Maharaj and hugs Brahmanand Swami. Maharaj putsa garland made of jasmine flowers on Brahm Muni and says “Haveyou considered me absent from here? I am forever present in thissatsang and will physically become present in front of youwhenever you call upon me.”







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180

{w¾ðkMk (Úkk¤)

÷uíkk òyku hu MkkðrhÞk ! çkeze ÃkkLkLkfe,

çkeze ÃkkLkLkfe Lkkøkh ðu÷Lk fe,

÷uíkk òyku hu MkkðrhÞk ! çkeze ÃkkLkLkfe ... xuf0

fkÚkku [qLkku ðkhe ÷®ðøk MkkuÃkkhe,

yu÷[e {tøkkðw {w÷íkkLkLkfe ... ÷uíkk0 1

yuf yuf çkeze {kuhe MkkMkw LkýtËfe,

ËwMkhe çkeze {kuhu ÷k÷Lkfe ... ÷uíkk0 2

ykðku ©ef]»ý nrh Ãkkxu çkuMkkÁt,

çkkS ¾u÷kðwt Mkkhe huLkLkfe ... ÷uíkk0 3

«u{kLktË fnu ykÃkku «MkkËe,

yux÷e yhs íkkuhu ËkMkLkfe ... ÷uíkk0 4

Míkwrík

rðïuþ Aku ‚f¤ rðï Œýk rðÄkŒk,

ËkŒk Œ{u ‚f¤ {t„¤ þktrŒËkŒk;

{kxu Œ{khw t fhwýkr™rÄ ‚íÞ ™k{,

‚kükt„ ™kÚk Œ{™u fhw t n w t … úýk{.

y¿kk™…kþ fhwýk fhe fk…e ™k¾ku,

r™íÞu …ú¼w Œð …Ëu {{ ð]r¥k hk¾ku;

¼õŒk u™w t …k÷™ fhk u … ú¼w ‚ðo Þk{,

‚kükt„ ™kÚk Œ{™u fhw t n w t … úýk{.

íð{uð {kíkk [ rÃkíkk íð{uð, íð{uð çkLÄw [ Mk¾k íð{uð

íð{uð rðãkt ÿrðýt íð{uð. íð{uð MkðO {{ ËuðuËuð,

rLkòr©íkkLkkt Mkf÷kŠíknLíkk, MkÄ{o¼õíkuhðLkt rðÄkíkk:

Ëkíkk Mkw¾kLkkt {LkMkuÂÃMkíkkLkkt, íkLkkuf]»{kur¾÷{tøk÷t Lk:







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Sarth Kirtnavali

181

MUKHWAS (THAAL)

Leta Jao Re Savariya ! Bidi Pananki,

Bidi Pananki Nagarvelan Ki,

Leta Jao Re Savariya! Bidi Pananki,… Tek

Katho Chuno Vari Laving Sopari,

Elachi Mangavu Multanniki…Leta…1

Ek Ek Bidi Mori Sasu Nanandki

Dusari Bidi More Lalanki…Leta…2

Aavo Shri Krishna Hari Pate Besaru,

Baji Khelavu Sari Renanki…Leta…3

Premanand Kahe Aapo Prasadi,

Etali Araj Tore Dasanki…Leta…4

STUTI

Vishwesh Chho Sakal Vishwa Tana Vidhata,

Data Tame Sakal Mangal Shantidata;

Mate Tamaru Karunanidhi Satya Nam,

Sastang Nath tamane Karu Hun Pranam.

Agyanpash Karuna Kari Kapi Nakho,

Nitye Prabhu Tav Pade Mam Vrutti Rakho;

Bhaktonu Palan Karo Prabhu Sarva Yam,

Sastang Natn Tamane Karu Hu Pranam.

Tvamev Mata Ch Pita Tvamev, Tvamev Bandhu Ch Sakha Tvamev

Tvamev Vidyam Dravidam Tvamev, Tvamev Sarvam Mam Dev Dev,

Nijashritanam Sakalartihanta, Sadharmbhaktervanam Vidhata:

Data Sukhanam Mansepsitanam, Tanotukrushnokhilmangalam Nah:







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182

©e hkrÄfkf]»ýküf

™ðe™S{qŒ‚{k™ðýo hí™kuÕ÷‚ífw tz÷þkur¼fýo{T,

{nkrfhexk„ú{Þqh…ýo ©ehkrÄfkf]»ý{nt ™{kr{ ...1

r™ÄkÞ …krý ÂîŒÞu™ ðuýwt r™ò½hu þu¾hÞkŒhuýw{T,

r™™kËÞLŒt [ „Œki fhuýwt ©e hkrÄfkf]»ý{nt ™{kr{ ...2

rðþwînu{kusð÷…eŒð†t nŒk rhÞwÚkt [ rð™kr… þ†{T,

ÔÞÚke of ]Œk™uf‚whÂîz†t ©ehkrÄfkf]»ý{nt ™{kr{ ...3

yÄ{orŒ»ÞkŠËŒ ‚kÄw…k÷t ‚Ø{o ðihk‚wh ‚tÄfk÷{T,

…w»…krË{k÷t ðúshksƒk÷t ©e hkrÄfkf]»ý{nt ™{kr{ ...4

„kur…r«ÞkhtÂB¼Œ hk‚ ¾u÷t hk‚uïhe hts™f]ŒT«nu÷{T,

MfLÄkuÕ÷‚ífw fwt{r[Ln[u÷t ©e hkrÄfkf]»ý{nt ™{kr{ ...5

ð]LËkð™u «eŒŒÞk ð‚LŒt r™òr©Œk™k…ËWØMŒ™{T,

„ku„ku…„kur…hr¼LËÞLŒt ©ehkrÄfkf]»ý{nt ™{kr{ ...6

rðïÂî»kL{L{ÚkË…onkht ‚t‚krh Sðk©ÞýeÞ‚kh{T,

‚Ëið ‚í…wÁ»k‚kiÏÞfkth ©e hkrÄfkf]»ý{nt ™{kr{ ...7

yk™ÂLËŒkí{ðúsðkr‚Œkuft ™LËkrË‚LËŠþŒ rËÔÞ÷kuf{,

rð™krþŒ Mðkr©ŒSðþkuft ©ehkrÄfkf]»ý{nt ™{kr{ ...8

«kÚko™k

r™ŠðfÕ… W¥k{ yrŒ r™ùÞ Œð ½™~Þk{,

{knkíBÞ¿kk™ÞwŒ ¼ÂõŒ Œð yufk trŒf ‚w¾Äk{ ... 1

{kurn{U Œð ¼õŒ…™ku, Œk{U fk uE «fkh,

Ëk u»k ™ hnu fk uE òŒfk u, ‚wr™Þk u Ä{of w{kh ... 2







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Sarth Kirtnavali

183

SHREE RADHIKAKRISHNASTAK

Navinjimutsamanvarna Ratnollsatkundalshobhikarnam,

Mahairtitagramyurparna Shreeradhikakrishnamaham Namami…1

Nidha Pani Dwitayen Venu Nijaghare Shekharyatrenum,

Ninadyantam Ch Gatau Karenu Shree Radhikakrishnamaham Namami…2

Vishuddhhemojvapitvastram Hata Ryutham Ch Vinapi Shastram,

Vyathirkrutanekasurdwiastram Shree Radhikakrishnamaham Namami…3

Adharmtishyadirt Sadhupalam Saddharm Vairasur Sanghkalam,

Pushpadimalam Vrajrajbalam Shree Radhikakrishnamaham Namami…4

Gopipriyarambhit Raas Khelam Raseshwari Ranjankrutprahelam,

Skandhollsatku Kumchinhchelam Shree Radhikakrishnamaham Namami…5

Vrundavane Prittaya Vasantm Nijashritanapaduddhastanam,

Gogopgopirbhindyantm Shree Radhikakrishnamaham Namami…6

Vishdwisnmanmthdarpharam Sansari Jivasrayniysaram,

Sadaiv Satpurushsaukhyakaram Shree Radhikakrishnamaham Namami…7

Ananditamvrajvasitokam Nandadisandarshit Divyalokam,

Vinasit Swashritjivsokam Shree Radhikakrishnamaham Namami…8

PRATHNA

Nirvikalp Uttam Ati Nischay Tav Ghanshyam,

Mahatmyagyanyut Bhakti Tav Ekantik Sukhdham…1

Mohime Tav Bhaktpani, Name Koi Prakar,

Dosh na Rahe Koi Jatko, Suniyo Dharmkumar…2







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184

Œw{khk u Œð nrh¼õŒfk u, ÿk un fƒw ™rn nk uÞ,

yufk trŒf Œð Ëk‚fk u, Ëesu ‚{k„{ {kuÞ ... 3

™kÚk r™htŒh Ëþo, Œð Ëk‚™fku Ëk‚,

yurn {k„w fhe rð™Þ nrh, ‚Ëk hkr¾Þku …k‚ ... 4

nu f]…k¤w ! nu ¼õŒ…Œu ! ¼õŒðí‚÷ ! ‚w™ku ƒkŒ,

ËÞkr‚LÄk u ! MŒð™ fhe, {k„w ðMŒw ‚kŒ ... 5

‚nò™tË {nkhks fu, ‚ƒ ‚í‚t„e ‚wò™,

Œkfw nk uÞ ÿZ ðŒo™k u rþûkk…ºke «{k™ ... 6

‚ku …ºke{u t yrŒ ƒzu, r™Þ{ yufkËþ òuÞ,

Œkfe rðrfŒ fnŒ nw t, ‚wr™Þku ‚ƒ r[¥k «k uÞ ... 7

®n‚k ™ fh™e stŒwfe, …hrºkÞk ‚t„fku íÞk„,

{k t‚ ™ ¾kðŒ {ãfw t, …eðŒ ™rn ƒz ¼køÞ ... 8

rðÄðkfw t M…þoŒ ™rn, fhŒ ™ ykí{ÄkŒ,

[k uhe ™ fh™e fknw tfe, f÷tf ™ fk uEfw t ÷„kŒ ... 9

®™ËŒ ™rn fkuE Ëuðfw, rƒ™ ¾…Œku ™rn ¾kŒ,

rð{w¾ Sðfu ðË™‚U fÚkk ‚w™e ™rn òŒ ... 10

yune Ä{o f u r™Þ{{U, ƒhŒk u u ‚ƒ nrhËk‚,

¼òu ©e ‚nò™tË …Ë, Akuze ykuh ‚ƒ ykþ ... 11

hne yufkËþ r™Þ{{U, fhk u ©e nrh…Ë «eŒ,

«u{k™tË fu Äk{{U, òyku r™:þtf s„ SŒ ... 12

«kÚko™k

su W¥Ãkrík íkÚkk ÂMÚkrík ÷Þfhu ðuËku Míkwrík Wå[hu,

suLkk hku{ MkwrAÿ{kt yýwMk{k çkúñktz fkurx Vhu,

{kÞk fk÷ hrð þþe Mkwhøkýku yk¿kk Lk ÷kuÃku ûký,

yuðk yûkhÄk{Lkk yrÄÃkrík ©e Mðkr{LkkhkÞý







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Sarth Kirtnavali

185

Tumaro Tav Haribhaktko, Droh Kabu Nahi Hoy,

Ekantik Tav Dasko, Dije Samagam Moy…3

Nath Nirantar Darsh, Tav Dasanko Das,

Ehi Magu Kari Vinay Hari, Sada Rakhiyo Pas…4

He Kripalu! He Bhaktpate! Bhaktvatsal! Suno Bat,

Dayasindho! Stavan Kari, Magu Vastu Sat…5

Sahjanand Mahaaj Ke, Sab Satsangi Sujan,

Taku Hoy Dradh Varatno Shikshapatri Praman…6

So Patrime Ati Bade, Niyam Ekada oy,

Taki Vikit Kahat Hu, Suniyo Sab Chit Proy…7

Hinsa Na Karni Jantuki, Partriya Sangko Tyag,

Maans Na Khavat Madhyku, Pivat Nahi Bad Bhagya…8

Vidhvaku Sparsat Nahi, Karat Na Atmaghat,

Chori Na Karni Kahuki, Kalank Na Koiku Lagat…9

Nindat Nahi Koi Devku, Bin Khapati Nahi Khat,

Vimukh Jivke Vadanse Katha Suni Nahi Jat…10

Ehi Dharm Ke Niyamme, Barato Sab Haridas,

Bhaji Shree Sahjanand Pad, Chodi Aur Sab Aas…11

Rahi Ekadas Niyamme, Karo Shree Haripad Prit,

Premanand Ke Dhamme, Jao Nishank Jag Jit…12

PRATHNA

Je Utpati Tatha Sthiti Laykare Vedo Stuti Ucchare

Jena Rom Suchhidrama Anusama Brahmand Koti Fare,

Maya Kal Ravi Shashi Surgano Agya Na Lope Kshana,

Eva Akshardhamna Adhipati Shree Swaminarayan,







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186

ykðe yûkhÄk{Úke yðrLk{kt su ËunÄkhe ÚkÞk,

ykÃÞk Mkw¾ yLkuf ¼õíksLkLku Ëe÷uÄheLku ËÞk,

feÄk [kY [rhºk økkLk fhðk suýu fYýk fhe,

ðtË w {tøk÷{qŠík Wh Ähe Mkðk u oÃkrh ©enrh

sLBÞk fkuMk÷ Ëuþ ðuþ çkxwLkku ÷i íkeÚko{ktne VÞko,

hk{kLktË {éÞk MðÄ{o [÷ÔÞku Þ¿kkrË {kuxk fÞko,

{kuxk Äk{ håÞk hÌkk økZÃkwhu çku Ëuþ økkËe fhe

yLíkÄkoLk ÚkÞk ÷e÷k nrhíkrý MktûkuÃk{kt Wå[he

rðïuMk Aku Mkf¤ rðï íkýk rðÄkíkk,

Ëkíkk ík{u Mkf¤ {tøk¤ þktríkËkíkk,

{kxu ík{kÁ fYýkrLkrÄ MkíÞLkk{,

Mkküktøk LkkÚk ík{Lku fÁt nwt «ýk{,

y¿kkLkÃkkþ fYýk fhe fkÃke Lkk¾ku,

rLkíÞu «¼w íkðÃkËu {{ ð]r¥k hk¾ku,

¼õíkkuLkwt Ãkk÷Lk fhku «¼w Mkðo Þk{,

Mkküktøk LkkÚk ík{Lku fÁt nwt «ýk{.

Míkwrík

íð{uð {kíkk [ rÃkíkk íð{uð, íð{uð çkLÄw [ Mk¾k íð{uð

íð{uð rðãkt ÿrðýt íð{uð. íð{uð MkðO {{ ËuðuËuð,

rLkòr©íkkLkkt Mkf÷kŠíknLíkk, MkÄ{o¼õíkuhðLkt rðÄkíkk:

Ëkíkk Mkw¾kLkkt {LkMkuÂÃMkíkkLkkt, íkLkkuf]»{kur¾÷{tøk÷t Lk:

s™{t„÷ MŒkuºk

™{ku ™{: ©enhÞu ƒwÂØËkÞËÞkðŒu >

¼ÂõŒÄ{koz„òŒkÞ ¼õŒfÕ…ÿw{kÞ [ >>1>>

‚w„tÄ…w»…nkhkãiŠðrðãi Y…nkhfu: >

‚t…qSŒkÞ ¼õŒkiÄi: r‚ŒkBƒhÄhkÞ [ >>2>>







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Sarth Kirtnavali

187

Aavi Akshardhamthi Avanima Je Dehdhari Thaya,

Aapya Sukh Anek Bhaktjanne Diledharine Daya,

Kidha Charu Charitra Gan Karva Jene Karuna Kari,

Vandu Mangalmurti Ur Dhari Sarvopari Shree Hari

Janmya Koshalo Desh Vesh batune Lai Tirthmahi Farya,

Ramanand Malya Swadharm Chalvyo Yagnadi Mota Karya,

Mota Dham Rachya Rahya Gadhpure Be Desh Gadi Kari

Antrdhan Thaya Leela Harinani Sankshepma Ucchari

Vishwesh Cho Sakal Vishwa TAna Vidhata,

Data Tame Sakal Mangal Shantidata,

Mate Tamaru Karunanidhi Satyanam,

Sastang Nath Tamane Karu Hu Pranam,

Ayanpash Karuna Kai Kapi Nakho,

Nitya Prabhu Tavpade Mam Vruti Rakiho,

Bhaktonu Palan Karo Prabhu Sarv Yam,

Sastang Nath Tamane Karu Hu Pranam.

STUTI

Tvamev Mata Ch Pita Tvamev, Tvamev Bandhu Ch Sakha Tvamev

Tvamev Vidyam Dravidam Tvamev, Tvamev Sarvam Mam Dev Dev,

Nijashritanam Sakalartihanta, Sadharmbhaktervanam Vidhata:

Data Sukhanam Mansepsitanam, Tanotukrushnokhilmangalam Nah:

JANMANGAL STOTRAM

Namo Namah: Shree Haraye Buddhidaydayavate|

BhaktiDharmagjatay Bhaktkalpdrumay Ch ||1||

Sugandh Pushpharadyairvividhyai Rupharikei: |

Sampujitay Bhaktoidhei Sitambardharay Ch ||2||







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188

™kB™k{üku¥khþŒt [Œwðo„o{¼eÃ‚Œk{T >

‚ã: V÷«Ëkt ™]ýkt ŒMÞ ðûÞkr{ ‚íÞŒu: >>3>>

yMÞ ©e s™{t„÷kÏÞMÞ ©enÞoüku¥khþŒ. ™k{MŒkuºk{tºkMÞ

þŒk™tË Ér»k: > y™wwüw… ALË: Ä{o™LË™: ©enrhËuoðŒk > ÄkŠ{f

ErŒ ƒes{T > ƒnËT ðúŒÄh ErŒ þ®õŒ: > ¼ÂõŒ™tË™ ErŒ fe÷f{T

> [Œwðo„or‚ØÞÚkuo s…u rðr™Þku„: >

ÄkŠ{f Míkkuºk

ðŠýðu»kh{ýeÞËþo™t {tËnk‚Yr[hk™™kBƒws{T >

…qrßŒ‚wh™hku¥k{i{woËkÄ{o™tË™{ntrðr[LŒÞu >>4>>

©ef]»ý: ©eðk‚wËuðku ™h™khkÞý: «¼w: >

¼ÂõŒÄ{koí{òuzsL{k f]»ýku™khkÞýkunrh: >>5>>

©e s™{t„÷ ™k{kðr÷

1 H ©e f]»ýkÞ ™{: >

2 H ©e ðk‚wËuðkÞ ™{: >

3 H ©e ™h™khkÞýkÞ ™{: >>

4 H ©e «¼ðu ™{: >

5 H ¼ÂõŒÄ{koí{òÞ ™{: >

6 H ysL{™u ™{: >

7 H f]»ýkÞ ™{: >

8 H ™khkÞýkÞ ™{: >

9 H nhÞu ™{: >

10 H nrhf]»ýkÞ ™{: >

11 H ½™~Þk{kÞ ™{: >

12 H ÄkŠ{fkÞ ™{: >

13 H ¼ÂõŒ™LË™kÞ ™{: >

14 H ƒ]nËTðúŒÄhkÞ ™{: >

15 H þwØkÞ ™{: >

16 H hkÄkf]»ýuüËiðŒkÞ ™{: >







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Sarth Kirtnavali

189

Namnamshtorrarshanam Chaurvargmbhipstam|

Sadhya: Falpradan Nrunan Tasya Vakshyami Satyate: ||3||

Asya Shree Janmangalkhysya Shree Harshastotarshat.

Namostotramantrasya Shatanand Rushi:|

Anustup Chand: Dharmnandan: Shree Harirdevta|

Dharmik Iti Bijam| Bahad Vratdhar Iti Shakti: Bhaktinandan

Iti Kilakam| Chaturvargsiddhyarthe Jape Viniyog:|

Aath Dhyanam

Varniveshramaniydarshanam Mandhasruchirannambujam|

Pujitsurnarottamermudadharmnandanmahamvichintya ||4||

Shri Krishna: Shri Vasudevo Narnarayan: Prabhu: |

Bhaktidharmatmjoajanma Krishnonarayano Hari: ||5||

SHREE JANMANGAL NAMVALI

1. Om Shree Krushnay Namah: |

2. Om Shree Vasudevay Namah: |

3. Om Shree Narnarayanay Namah: |

4. Om Shree Prabhave Namah: |

5. Om Bhaktidharmatjay Namah: |

6. Om Ajanmane Namah: |

7. Om Krushnay Namah: |

8. Om Narayanay Namah: |

9. Om Haraye Namah: |

10. Om Harikrushnay Namah: |

11. Om Ghanshyamay Namah: |

12. Om Dharmikya Namah: |

13. Om Bhaktinandanay Namah: |

14. Om Bruhatvratdharay Namah: |

15. Om Suddhay Namah: |

16. Om Radhakrushnaistdeivatay Namah: |







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190

17 H {Áí‚wŒr«ÞkÞ ™{: >

18 H fk÷e¼ihðkãrŒ¼e»kýkÞ ™{: >

19 H SŒurLÿÞkÞ ™{: >

20 H SŒknkhkÞ ™{: >

21 H ŒeðúðihkøÞkÞ ™{: >

22 H ykÂMŒfkÞ ™{: >

23 H Þku„uïhkÞ ™{: >

24 H Þku„f÷k«ð]¥kÞu ™{: >

25 H yrŒÄiÞoðŒu™{: >

26 H ¿kkr™™u ™{: >

27 H …h{nt‚kÞ ™{: >

28 H ŒeÚkof]Œu ™{: >

29 H ŒiŠÚkfkŠ[ŒkÞ ™{: >

30 H ûk{kr™ÄÞu ™{: >

31 H ‚ËkuÂÒkÿkÞ ™{: >

32 H æÞk™r™ckÞ ™{: >

33 H Œ…: r«ÞkÞ ™{: >

34 H r‚ØuïhkÞ ™{: >

35 H MðŒLºkkÞ ™{: >

36 H ƒúñrðãk«ðŒofkÞ ™{:>

37 H …k»ktzkuåAuË™…xðu ™{: >

38 H MðMðÁ…k[÷ÂMÚkŒÞu ™{:>

39 H «þkLŒ{qŒoÞu ™{: >

40 H r™Ëkuo»kkÞ ™{: >

41 H y‚wh „wðkorË{kun™kÞ ™{: >

42 H yrŒfkÁÛÞ™Þ™kÞ ™{:>

43 H WØðkæð«ðŒofkÞ ™{: >

44 H {nkðúŒkÞ ™{: >

45 H ‚kÄwþe÷kÞ ™{: >







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192

46 H ‚kÄwrð««…qsfkÞ ™{: >

47 H y®n‚Þ¿k«MŒkuºku ™{: >

48 H ‚kfkhƒúñðýo™kÞ ™{: >

49 H Mðkr{™khkÞýkÞ ™{: >

50 H Mðkr{™u ™{: >

51 H fk÷Ëku»kr™ðkhfkÞ ™{: >

52 H ‚åAk†ÔÞ‚™kÞ ™{: >

53 H ‚ã: ‚{krÄÂMÚkrŒfkhfkÞ ™{: >

54 H f]»ýk[koMÚkk…™fhkÞ ™{:>

55 H fki÷Âî»ku ™{: >

56 H fr÷ŒkhfkÞ ™{: >

57 H «fkþÁ…kÞ ™{: >

58 H r™ËoB¼kÞ ™{: >

59 H ‚ðoSðrnŒkðnkÞ ™{: >

60 H ¼ÂõŒ‚B…ku»kfkÞ ™{: >

61 H ðkÂø{™u ™{: >

62 H [Œwðo„oV÷«ËkÞ ™{: >

63 H r™{oí‚hkÞ ™{: >

64 H ¼õŒð{oýu ™{: >

65 H ƒwÂØËkºku ™{: >

66 H yrŒ…kð™kÞ ™{: >

67 H yƒwÂØÓŒu ™{: >

68 H ƒúñÄk{ËþofkÞ ™{: >

69 H y…hkSŒkÞ ™{: >

70 H yk‚{wÿkLŒ‚ífeŒoÞu ™{:>

71 H r©Œ‚t‚]]rŒ{ku[™kÞ ™{:>

72 H WËkhkÞ ™{: >

73 H ‚nò™LËkÞ ™{: >

74 H ‚kæðeÄ{o«ðŒofkÞ ™{:>







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194

75 H fLË…oË…oË÷™kÞ ™{: >

76 H ði»ýð¢ŒwfkhfkÞ ™{: >

77 H …t[kÞŒ™‚L{k™kÞ ™{:>

78 H ™iÂcf ðúŒ …ku»kfkÞ ™{:>

79 H «„Õ¼kÞ ™{: >

80 H r™:M…]nkÞ ™{: >

81 H ‚íÞ«rŒ¿kkÞ ™{: >

82 H ¼õŒðí‚÷kÞ ™{: >

83 H yhku»kýkÞ ™{: >

84 H ËeÄoËŠþ™u ™{: >

85 H »kzqŠ{rðßÞûk{kÞ ™{:>

86 H r™hntf]ŒÞu ™{: >

87 H yÿkunkÞ ™{: >

88 H Ésðu ™{: >

89 H ‚ðkuo…fkhfkÞ ™{: >

90 H r™Þk{fkÞ ™{: >

91 H W…þ{ÂMÚkŒÞu ™{: >

92 H rð™ÞðŒu ™{: >

93 H „whðu ™{: >

94 H yòŒðirhýu ™{: >

95 H r™÷kuo¼kÞ ™{: >

96 H {nk…wÁ»kkÞ ™{: >

97 H ykí{ËkÞ ™{: >

98 H y¾tÂzzŒk»ko{ÞkoËkÞ ™{:>

99 H ÔÞk‚r‚ØkLŒƒkuÄfkÞ ™{: >

100 H {™kur™„únÞwrfŒ¿kkÞ ™{:>

101 H Þ{ËqŒrð{ku[fkÞ ™{: >

102 H …qýofk{kÞ ™{: >

103 H ‚íÞðkrË™u ™{: >







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196

104 H „wý„úkrnýu ™{: >

105 H „ŒM{ÞkÞ ™{: >

106 H ‚Ëk[khr«ÞŒhkÞ ™{:>

107 H …wÛÞ©ðýfeŒo™kÞ ™{:>

108 H ‚ðo{t„÷‚ÿq…™k™k„wý rð[uÂüŒkÞ ™{:>

nLkw{kLkSLke ykhŒe

sÞ frÃk çk÷ðtíkk, sÞ frÃk çk÷ðtíkk

Mk whLkh {wrLksLk ðtrËík, ÃkËhs nLk w{tíkk... sÞ0 1

«kiZ «íkkÃk ÃkðLk Mk wík, rºk¼wðLk sÞfkhe,

yMk wh rhÃk w {Ë øk tsLk, ¼Þ Mk tfx nkhe... sÞ0 2

¼qík rÃkþk[ rðfx øk ún, Ãkezík Lkrn stÃk u,

nLk w{tík nkf Mk wýeLk u, Úkh Úkh Úkh ftÃk u... sÞ0 3

h½wðeh MknkÞ yku÷tõÞku, Mkkøkh yrík ¼khe,

Mkeíkk þk uÄ ÷u ykÞu, frÃk ÷tfk òhe... sÞ0 4

hk{ [hý hrík ËkÞf, þhýkøkík ºkkíkk,

«u{kLk tË fnu nLk w{tík, ðk trAík V¤Ëkíkk... sÞ0 5

hkºkeLkk ¼kusLkLkku Úkk¤ ÃkË-1

Yze hktÄe {U hrMkÞkS, ¾kíku ¾e[ze hu... Yze0 xuf0

[ku¾k Ëk¤ síkLk fhe òuE, rLk{o¤ Lkehu Äehu ÄkuE,

{Äwhu {Äwhu íkkÃku, {kfý þe [ze hu... Yze0 1

½e ½ýwt s{ku y÷çku÷k, yÚkkýkt ÃkkÃkz htøkAu÷k,

[kuÃku þwt [ku¤kLke, fksw fhe ðze hu... Yze0 2

ËqÄ fZeLku Ënª s{kðe, ÷r÷ík ÷®ðøku þwt A{fkðe,

¼qÄhLku s{ðkLku fksu, fhe fZe hu.... Yze0 3

Xtzw s¤ s{LkkLkwt ÷kðe «eíkuÚke s¤ ÃkkLk fhkðe







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Sarth Kirtnavali

197

104. Om Gungrahine Namah: |

105. Om Gatsmayay Namah: |

106. Om Sadhacharpriyataray Namah: |

107. Om Punyashravankirtanay Namah: |

108. Om Sarvamangalsadrupna-nagunvichestitay Namah: |

HANUMANJI NI AARTI

Jay Kapi Balvanta, Jay Kapi Balvanta,

Surnar Munijan Vandit, Padraj Hanumanta. Jay. 1

Praudh Pratap Pavan Sut, Tribhuvan Jayakari,

Asur Ripu Mad Ganjan, Bhay Sankat Hari. Jay. 2

Bhut Pisach Vikat Grah, Pidat Nahi Jampe,

Hanumant Haak Sunine, Thar Thar Thar Kampe. Jay. 3

Raghuvir Sahay Olankgo, Sagar Ati Bhari,

Sita Shodh Le Aaye, Kapi Lanka Jari. Jay. 4

Ram Charan Rati Dayak, Sharanagat Trata,

Premanand Kahe Hanumant, Vanchit Faldata. Jay. 5

BHOJAN THAAL (NIGHT)

Rudi Randhi Me Rasiyaji, Khate Khichdi Re… Rudi… Tek.

Chokha Dal Jatan Kari Joi, Nirmal Nire Dhire Dhoi,

Madhure Madhure Tape, Makan Shi Chadi Re… Rudi… Tek…1

Ghee Ghanu Jamo Albela, Athana Papad Rangchhela,

Chope Shu Cholani, Kaju Kari Vadi Re… Rudi… Tek….2

Dudh Kadhine Dahi Jamavi, Lalit Lavinge Shun Chhamkavi,

Bhudharne Jamvane Kaje, Kari Kadhi Re… Rudi… Tek….3

Thandu Jal Jamnanu Lavi Pritethi Jal Pan Karavi







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198

{Lkøk{íkk {w¾ðkMk nrh ÕÞku nuíkÚke hu... Yze0 4

ËÞkLktË fnu rË÷{kt Äkhe, «MkkËe ykÃke rníkfkhe,

{kunLkðhLku nkÚku {wsLku, {kus {¤e hu... Yze0 5

[uük™kt …Ëku

«Úk{ ©enrh™u h u, [hýu rþþ ™{kðw t;

™k iŒ{ ÷e÷k hu, ™khkÞý™e „kðw t ... 1

{kuxk {wr™ðh hu, yufk„ú fhe {™™u;

su™u fksu h u, ‚uð u òE ð™™u ... 2

yk‚™ ‚kÄe hu, æÞk™ Ähe™u Äkhu;

su™e [uük h u, M™un fhe ‚t¼khu ... 3

‚ns Mðk¼krðf hu, «f]rŒ …wÁ»kk u¥k{™e,

‚wýŒk t ‚s™e hu, ƒef {xkzu s{™e ... 4

„kðw t n uŒ u h u, nrh™k t [rhºk ‚t¼khe,

…kð™ fhòu h u, «¼wS ƒwÂØ {khe ... 5

‚ns Mð¼kðu hu, ƒuXk nkuÞ nrh ßÞkhu,

Œw÷‚e™e {k¤k, h u fh ÷E Vuhðu íÞkhu ... 6

h{qs fhŒk hu, hkSð ™uý Y…k¤k,

fk uE nrhs™™e hu, {k„e ÷E™u {k¤k ... 7

ƒuðze hk¾e hu, ƒƒu {ýfk òuz u,

Vuhðu Œkýe hu, f tEf {k¤k Œk uz u ... 8

ðkŒk u fhu h u, h{qs fhe™u n‚Œk,

¼u¤e fhe h u, {k¤k fh{kt ½‚Œk ... 9

õÞkhuÞ {ª[e hu, ™uºk f{¤™u Mðk{e;

«u{k™tË fnu h u, æÞk™ Ähu ƒnw™k{e ... 10

…Ë-2

‚kt¼¤ ‚rnÞh hu, ÷e÷k ™x ™k„h™e,

‚wýŒk t ‚w¾zw t h u, yk…u ‚w¾ ‚k„h™ ... 1







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Sarth Kirtnavali

199

Mangamta Mukhvas Hari Lyo Hetthi Re… Rudi… Tek….4

Dayanand Kahe Dilma Dhari, Prasadi Aapi Hitkari,

Mohanvarne Hathe Mujne, Moj Mali Re… Rudi… Tek….5

CHESTA PAD-1

Pratham Shree Harine Re, Charane Shish Namavu;

Nautam Leela Re, Narayanni Gavu…1…

Mota Munivar Re, Ekagra Kari Manne;

Jene Kaje Re, Seve Jai Vanne…2…

Aasan Sadhi Re, Dhyan Dharine Dhare;

Jeni Chesta Re, Sneh Kari Sambhari…3…

Sahaj Swabhavik Re, Prakruti Purushgottamni,

Sunja Sajni Re, Bik Matade Jamni…4…

Gavu Hete Re, Harina Charitra Sambhari,

Pavan Karjo Re, Prabhuji Buddhi Mari…5…

Sahaj Swabhave Re, Betha Hoy Hari Jyare,

Tulsini Mala, Re Kar Lai Ferve Tyare…6…

Ramuj Karta Re, Rajiv Nen Rupala,

Koi Harijanni Re, Magi Laine Mala…7…

Bevdi Rakhi Re, Babe Manka Jode,

Ferve Tani Re, Kaink Mala Tode…8…

Vato Kare Re, Ramuj Karine Hasta,

Bheli Kari Re, Mala Karma Ghasata…9…

Kyarey Minchi Re, Netra Kamalne Swami;

Premanand Kahe Re, Dhyan Dhare Bahunami…10…

PAD-2

Sambhal Sahiyar Re, Leela Nat Nagarni,

Sunata Sukhdu Re, Aape Sukh Sagaran…1…







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200

™uºk f{¤™u h u, hk¾e W½kzk t õÞkhu,

æÞk™ Ähe™u h u, ƒu‚u Sð™ ƒkhu ... 2

õÞkhuf [{fe hu, æÞk™ fhŒk t ò„u,

òuŒk Sð™ hu, sL{ {hý Ëw:¾ ¼k„u ... 3

…k uŒk yk„¤ hu, ‚¼k ¼hkE ƒu‚u,

‚tŒ nrhs™ hu, ‚k{w òuE hnu Au ... 4

æÞk™ Ähe™u h u, ƒuXk nk uÞ nrh …k uŒ u,

‚tŒ nrhs™ hu, Œ]ó ™ ÚkkÞ òuŒu ... 5

‚kÄw feŒo™ hu, „kÞ ð„kze ðkò;

Œu{™u òuE™u h u, {„™ ÚkkÞ {nkhkò ... 6

Œu{™e ¼u¤k hu, […xe ð„kze „kÞ;

‚tŒ nrhs™ hu, r™h¾e hkS ÚkkÞ ... 7

õÞkhuf ‚kÄw h u, „kÞ ðòze Œk¤e;

¼u¤k „kÞu h u, Œk¤e ËE ð™{k¤e ... 8

yk„¤ ‚kÄw h u, feŒo™ „kÞ ßÞkhu;

…k uŒk yk„¤ hu, fÚkk ðt[kÞ íÞkhu ... 9

…k uŒ u ðkŒk o h u, fhŒk nk uÞ ƒnw™k{e;

¾‚Œk ykðu h u, «u{k™tË™k Mðk{e ... 10

…Ë-3

{™w»Þ ÷e÷k hu, fhŒk {t„÷fkhe;

¼õŒ ‚¼k{kt h u, ƒuXk ¼ð ¼Þnkhe ... 1

su™u òuŒk t h u, òÞu s„ ykþÂõŒ;

¿kk™ ðihkøÞ hu, Ä{o ‚rnŒ su ¼ÂõŒ ... 2

Œu ‚tƒtÄe h u, ðkŒk o fhŒk ¼khe;

nrh ‚{òðu h u, ™es s™™u ‚w¾fkhe ... 3

Þk u„ ™u ‚k tÏÞ hu, …t[ hkºk ðuËk tŒ;

yu þk†™ku h u, hnMÞ fnu fhe ¾k tŒ ... 4







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Sarth Kirtnavali

201

Netra Kamalne Re, Rakhi Ughada Kyare,

Dhyan Dharine Re, Bese Jivan Bare…2…

Kyarek Chamaki Re, Dhyan Karta Jage,

Jota Jivan Re, Janm Maran Dukh Bhage…3…

Pota Aagal Re, Sabha Bharai Bese,

Sant Harijan Re, Samu Joi Rahe Chhe…4…

Dhyan Dharine Re, Betha Hoy hari Pote,

Sant Harijan Re, Trupt Na Thay Jote…5…

Sadhu Kirtan Re, Gay Vagadi Vaja;

Temne Joine Re, Magan Thay Maharaj…6…

Temni Bhela Re, Chapti Vagadi Gay;

Sant Harijan Re, Nirkhi Raji Thay…7…

Kyarek Sadhu Re, Gay Vajadi Tali;

Bhela Gaye Re, Tali Dai Vanmali…8…

Agal Sadhu Re, Kirtan Gay Jyar;

Pota Agal Re, Katha Vanchay Tyare…9…

Pote Varta Re, Karta Hoy Bahunami;

Khasta Aave Re, Premanandna Swami…10…

PAD-3

Manushya Leela Re, Karta Mangalkari;

Bhakta Sabhama Re, Betha Bhav Bhayhari …1…

Jene Jota Re, Jaye Jag Asakti;

Gyan Vairagya Re, Dharm Sahit Je Bhakti …2…

Te Sambandhi Re, Varta Karta Bhari;

Hari Samjave Re, Nij Janne Sukhkari …3…

Yog Ne Sankhya Re, Panch Ratra Vedant;

Ea Shastrano Re, Rahasya Kahe Kari Khant …4…







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202

õÞkhuf nrhs™ hu, Ë uþËuþ™k ykðu;

Wí‚ð W…h hu, …qò ƒnwrðÄ ÷kðu ... 5

òýe …k uŒk™k hu, ‚uðf s™ yrð™kþe;

Œu{™e …qò hu, „úný fhu ‚w¾hkþe ... 6

¼õŒ …k uŒk™k hu, Œu™u ~Þk{ ‚wòý;

æÞk™ fhkðe hu, ¾U[k ™kze «ký ... 7

æÞk™{ktÚke h u, WXkzu ™ess™™u;

Ëun{k t ÷kðu h u, «ký ELÿeÞ {™™u ... 8

‚tŒ ‚¼k{kt h u, ƒuXk nk uÞ yrð™kþ;

fk uE nrhs™ hu, Œuzðk u nk uÞ …k‚ ... 9

…nu÷e ykt„¤e hu, ™uºkŒýe fhe ‚k™;

«u{k™tË fnu h u, ‚kË fhu ¼„ðk™ ... 10

…Ë-4

{kun™S™e hu, ÷e÷k yrŒ ‚w¾fkhe,

yk™tË yk…u h u, ‚wýŒk t LÞkhe LÞkhe ... 1

õÞkhu ðkŒk u h u, fhu {wr™ðh ‚kÚk u,

„wåA „w÷kƒ™k hu, [k u¤u Au ƒu nkÚk u ... 2

þeŒ¤ òýe hu, ÷ªƒw nkh „w÷kƒe,

Œu™u hk¾u h u, yk t¾k u W…h Ëkƒe ... 3

õÞkhuf …k uŒ u h u, hkS…k{k t nk uÞ u,

ðkŒk u fhu h u, fÚkk ðt[kÞ Œk uÞ u ... 4

‚kt¼¤u feŒo™ hu, …k uŒ u fk tEf rð[khu,

…qAðk ykðu h u, s{ðk™w t fk uE íÞkhu ... 5

nkh [zkðu h u, …qò fhðk ykðu,

Œu™k W…h hu, ƒnw ¾eS he‚kðu ... 6

fÚkk ‚k t¼¤Œk hu, nhu nhu fne ƒk u÷u,

{{o fÚkk™k u h u, ‚wýe {„™ ÚkE zk u÷u ... 7







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Sarth Kirtnavali

203

Kyarek Harijan Re, Desdesna Aave;

Utsav Upar Re, Pooja Bahuvidh Lave …5…

Jani Potana Re, Sevak Jan Avinashi;

Temni Pooja Re, Grahan Kare Sukhrashi …6…

Bhakt Potana Re, Tene Shyam Suyjan;

Dhyan Karavi Re, Khencha Nadi Pran …7…

Dhyanmanthi Re, Uthade Nij Janane;

Dehma Lave Re, Pran Indriya Manne …8…

Sant Sabhama Re, Betha Hoy Avinash;

Koi Harijan Re, Tedvo Hoy Paas …9…

Paheli Angli Re, Netrantani Kari San;

Premanand Kahe Re, Sad Kare Bhagwan …10…

PAD-4

Mohanjini Re, Leela Ati Sukhkari,

Anand Aape Re, Sunata Nyari Nyari …1…

Kyare Vato Re, Kare Munivar Sathe,

Guccha Gulabna R, Chole Chhe Be Hathe …2…

Shital Jani Re, Limbu Har Gulabi,

Tene Rakhe Re, Ankho Upar Dabi …3…

Kyarek Pote Re, Rajipama Hoye,

Vato Kare Re, Katha Vanchay Toye …4…

Sambhale Kirtan Re, Pote Kaink Vichare,

Pucchava Aave Re, Jamvani Koi Tyare …5…

Har Chadave Re, Pooja Karva Aave,

Tenma Upar Re, Bahu Khiji Risave …6…

Katha Sambhalta Re, Hare Hare Kahi Bole,

Marm Kathano Re, Suni Magan Thai Dole …7…







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204

¼k™ fÚkk{k t h u, ƒeS r¢Þk {k tÞ,

õÞkhuf y[k™f hu, s{Œkt nhu ƒk u÷kÞ ... 8

ÚkkÞ M{]rŒ hu, …k uŒk™u ßÞkhu Œ u™e,

Úkk uz w tf n‚u h u, ¼õŒ ‚k{w òuE ƒu’™e ... 9

yu{ nrh r™Œ r™Œ hu, yk™tË h‚ ðh‚kðu,

yu ÷e÷k h‚ hu, òuE «u{k™tË „kðu ... 10

…Ë-5

‚kt¼¤ ‚s™e hu, rËÔÞ MðY… {k uhkhe,

fhu [rhºk h u, {™w»Þ rð„ú nkhe ... 1

ÚkÞk {™kunh hu, {k un™ {™w»Þ suðk,

Y… y™w…{ hu, r™ßs™™u ‚w¾ Ëuðk ... 2

õÞkhuf Zk ur÷Þu h u, ƒu‚u ©e ½™~Þk{,

õÞkhuf ƒu‚u h u, [kf¤u …qhý fk{ ... 3

õÞkhuf „k uzËw t h u, yk uAkzu ‚rnŒ,

…kÚkÞw o nk uÞ h u, Œ u …h ƒu‚u «eŒu ... 4

õÞkhuf Zk ur÷Þk u h u, W…h ŒrfÞk u ¼k¤e,

Œu …h ƒu‚u h u, ~Þk{ …÷ktXe ðk¤e ... 5

½ýw tf ƒu‚u h u, ŒrfÞu yk uXª„ý ËE™u,

õÞkhuf „k uXý hu, ƒk tÄ u ¾u‚ ÷E™u ... 6

õÞkhuf hkS hu, ÚkkÞ yrŒþu yk÷e,

‚tŒ nrhs™™u h u, ¼ux u ƒkÚk{k t ½k÷e ... 7

õÞkhuf {kÚk u h u, ÷E {u÷u ƒu nkÚk,

AkŒe {knu h u, [hý f{¤ Ëu ™kÚk ... 8

õÞkhuf yk…u h u, nkh Œk uhk r„rhÄkhe,

õÞkhuf yk…u h u, yt„™k ð† WŒkhe ... 9







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Sarth Kirtnavali

205

Bhan Kathama Re, Biji Kriya Many,

Kyarek Achanak Re, Jamta Hare Bolay …8…

Thay Smruti Re, Potane Jyare Teni,

Thoduk Hase Re, Bhakta Samu Joi Beni …9…

Em Hari Nit Nit Re, Anand Ras Varsave,

E Leela Ras Re, Joi Premanand Gave …10…

PAD-5

Sambhal Sajni Re, Divya Swarup Murari,

Kare Charitra Re, Manushya Vigra Hari …1…

Thaya Manohar Re, Mohan Manushya Jeva,

Rup Anupam Re, Nijjanne Sukh Deva …2…

Kyarek Dholiye Re, Bese Shri Ghanshyam,

Kyarek Bese Re Chakle Puran Kam …3…

Kyarek Goddu Re, Aochhade Sahit,

Patharyu Hoy Re, Te Par Bese Prite …4…

Kyarek Dholiyo Re, Upar Takiyo Bhali,

Te Par Bese Re, Shyam Palanthi Vali …5…

Ghanuk Bese Re, Takiye Othingan Daine,

Kyarek Gothan Re, Bandhe Khes Laine …6…

Kyarek Raji Re, Thay Atise Aali,

Sant Harijanne Re, Bhete Bathma Ghali …7…

Kyarek Mathe Re, Lai Mele Be Hath,

Chhati Mahe Re, Charan Kamal De Nath …8…

Kyarek Aape Re, Har Tora Giridhari,

Kyarek Aape Re, Aangna Vastra Utari …9…







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206

õÞkhuf yk…u h u, «‚kËe™k Úkk¤,

«u{k™tË fnu h u, ¼õŒ Œýk «rŒ…k¤ ... 10

…Ë-6

yuðk t fhu h u, [rhºk …kð™fkhe,

þwfS ‚h¾k hu, „kðu r™íÞ ‚t¼khe ... 1

õÞkhuf S¼™u h u, Ëk tŒ Œ¤u Ëƒkðu,

zkƒu s{ýu h u, …z¾u ‚ns Mð¼kðu ... 2

Aªf ßÞkhu ykðu hu, íÞkhu Y{k÷ ÷E™u,

Aªf ¾kÞu h u, {w¾ …h ykzk u ËE™u ... 3

h{qs ykhe hu, n‚u yrŒ ½™~Þk{,

{w¾ …h ykzk u h u, Y{k÷ ËE ‚w¾Äk{ ... 4

õÞkhuf ðkŒk u h u, fhŒk Úkfk Ëuð,

Auz u Y{k÷™u h u, ð¤ Ëuðk™e xuð ... 5

yrŒ ËÞk¤w h u, Mð¼kð Au Mðk{e™k u,

…hËw:¾ nkhe h u, ðkhe ƒnw™k{e™k u ... 6

fk uE™u Ë w:¾eÞk u h u, Ë u¾e ™ ¾{kÞ,

ËÞk ykýe hu, yrŒ ykf¤k ÚkkÞ ... 7

yÒk Ä™ ð† hu, yk…e ™u Ë w:¾ xk¤u,

fYýk ÿÂü hu, Ë u¾e ðk™s ðk¤u ... 8

zkƒu ¾t¼u h u, ¾u‚ ykz Ak uz u ™k¾e,

[k÷u s{ýk hu, fh{kt Y{k÷ hk¾e ... 9

õÞkhuf zkƒk u h u, fh fuz W…h {u÷e,

[k÷u ðk÷k u h u, «u{k™tË™k u nu÷e ... 10







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Sarth Kirtnavali

207

Kyarek Aape Re, Prasadina Thal,

Premanand Kahe Re, Bhakta Tana Pratipal …10…

PAD-6

Eva Kare Re, Charitra Pavankari,

Shukji Sarkha Re, Gave Nitya Sambhari …1…

Kyarek Jibhne Re, Dant Tale Dabave,

Dabe Jamne Re, Padkhe Sahaj Swabhave …2…

Chhink Jyare Aave Re, Tyare Rumal Laine,

Chhink Khaye Re, Mukh Par Aadi Daine …3…

Ramuj Aarti Re, Hase Aati Ghanshyam,

Mukh Par Aadi Re, Rumal Dai Sukhdham …4…

Kyarek Vato Re, kartha Thaka Dev,

Chhede Rumalne Re, Val Devani Tev …5…

Aati Dayalu Re, Swabhav Chhe Swamino,

Pardukh Hari Re, Vari Bahunamino …6…

Koine Dukhiyo Re, Dekhi Na Khamay,

Daya Aani Re, Ati Aakla Thay …7…

Anna Dhan Vastra Re, Aapi Ne Dukh Tale,

Karuna Drasti Re, Dekhi Vanaj Vale …8…

Dabe Khambe Re, Khes Aad Chhode Nakhi,

Chale Jamna Re, Karma Rumal Rakhi …9…

Kyarek Dabo Re, Ka Ked Upar Meli,

Chale Valo Re, Premanandno Heli …10…







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208

…Ë-7

r™Œ r™Œ ™k i¥k{ hu, ÷e÷k fhu nrhhkÞ,

„kŒk t ‚wýŒk t h u, nrhs™ hkS ÚkkÞ ... 1

‚ns Mð¼kðu h u, WŒkð¤k ƒnw [k÷u,

nuŒ fhe™u h u, ƒk u÷kðu ƒnw Ônk÷u ... 2

õÞkhuf ½k uz u h u, [zðw t nk uÞ íÞkhu,

õÞkhuf ‚tŒ™u h u, …eh‚ðk …Äkhu ... 3

íÞkhu zkƒu h u, ¾t¼u ¾u‚™u ykýe,

¾u‚™u ƒk tÄ u h u, f uz ‚t„kÚk u Œkýe ... 4

…eh‚u ÷kzw h u, s÷uƒe, ½™~Þk{,

sý‚ sBÞk™e hu, ÷E ÷E™u Œu™k t ™k{ ... 5

Vhu Ãk tøkík{k t h u, ðkhtðkh {nkhks,

‚tŒ nrhs™™u h u, …eh‚ðk™u fks ... 6

©Øk ¼ÂõŒ hu, yrŒ ½ýe …eh‚Œkt,

fk uE™k {w¾{kt h u, yk…u ÷kzw n‚Œk, ... 7

…kA÷e hkºk u h u, [kh ½ze hnu ßÞkhu,

ËkŒý fhðk hu, WXu nrh Œu ðkhu ... 8

™kðk ƒu‚u h u, ™kÚk …÷ktXe ðk¤e,

fh ÷E f¤~Þk u h u, s¤ Zk u¤u ð™{k¤e ... 9

fk uh u ð† hu, fhe þheh™u ÷wð u,

«u{k™tË fnu h u, nrhs™ ‚ðu o swyu ... 10

…Ë-8

Yzk þk u u u¼u h u, ™kne™u W¼k nk u uÞ,

ð† …nuh u÷w t h u, ‚kÚk¤ ðå[u r™[k uð u ... 1

…„ ‚kÚk¤ ™u h u, ÷wne™u ‚kht„…kýe,

fk uhk ¾u‚™u h u, …nuh u ‚khe …uX u Œkýe ... 2







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Sarth Kirtnavali

209

PAD-7

Nit Nit Nautram Re, Leela Kare Hariray,

Gata Sunta Re, Harijan Raji Thay …1…

Sahaj Swabhave Re, Utavala Bahu Chale,

Het Karine Re, Bolave Bahu Vahale …2…

Kyarek Ghode Re, Chadvu Hoy Tyare,

Kyarek Santne Re, Pirasava Padhare …3…

Tyare Dabe Re, Khambhe Khesne Aani,

Khesne Bandhe Re, Ked Sangathe Tani …4…

Pirase Ladu Re, Jalebi, Ghanshyam,

Janas Jamyani Re, Lai Laine Tena Nam …5…

Fare Patangma Re, Varamvar Maharaj,

Sant Harijanne Re, Pirasavane Kaj …6…

Shraddha Bhakti Re, Aati Ghani Pirasata,

Koine Mukhma Re, Aape Ladu Hasata …7…

Pachhli Ratre Re, Char Ghadi Rahe Jyare,

Datan Karva Re, Uthe Hari Te Vare …8…

Nava Bese Re, Nath Palanthi Vali,

Kar Lai Kalasyo Re, Jal Dhole Vanmali …9…

Kore Vastra Re, Kari Sarirne Luve,

Premanand Kahe Re, Harijan Sarve Juve …10…

PAD-8

Ruda Shobhe Re, Nahine Ubha Hoy,

Vastra Paherelu Re, Sathal Vachhe Nichove …1…

Pad Sathalne Re, Luhine Sarangpani,

Kora Khesne Re, Pahere Sari Pethe Tani …2…







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210

ykuZe W…hýe hu, h uþ{e fk uh™e Ônk÷u,

ykðu s{ðk hu, [k¾ze yu [ze [k÷u ... 3

{kÚk u W…hýe hu, ykuZe ƒu‚u s{ðk,

fk™ W½kzk h u, hk¾u {ws™u „{ðk ... 4

s{Œkt zkƒk hu, …„™e …÷kUXe ðk¤e,

Œu …h zkƒk u h u, fh {u÷u ð™{k¤e ... 5

s{ýk …„™u h u, hk¾e W¼ku ~Þk{,

Œu …h s{ýku h u, fh {u÷u ‚w¾Äk{ ... 6

Yze heŒu h u, s{u Ë uð™k Ëuð,

ðkhu ðkhu h u, …kýe …e½k™e xuð ... 7

sý‚ MðkËw h u, sýkÞ s{Œkt s{Œkt,

…k‚u nrhs™ hu, ƒuXk nk uÞ {™„{Œk ... 8

Œu{™u yk…e hu, …Ae …k uŒ u s{u,

s{Œkt Sð™ hu, nrhs™™u {™ „{u ... 9

Vuhðu s{Œkt h u, …ux W…h nrh nkÚk,

ykuzfkh ¾kÞ hu, «u{k™tË™k u ™kÚk ... 10

…Ë-9

[¤w fhu h u, {k un™ Œ]ó ÚkE™u,

Ëk tŒ™u ¾k uŒhu h u, ‚¤e Y…k™e ÷E™u ... 1

{w¾ðk‚ ÷E™u h u, Zk ur÷Þu rƒhksu,

…qò fhu h u, nrhs™ nuŒ u ÍkÍu ... 2

…k t…ý W…h hu, yktxk u ÷E y÷ƒu÷k u,

V Uxk u ƒk tÄ u h u, Ak u„w t {u÷e Au÷k u ... 3

ð»kk oÉŒw™u h u, þhËÉŒw ™u òýe,

½u÷k ™Ëe™k t h u, r™{o¤ ™eh ð¾kýe ... 4







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Sarth Kirtnavali

211

Odhi Uparani Re, Resmi Korni Vhale,

Aave Jamva Re, Chakhdi E Chadi Chale …3…

Mathe Uparani Re, Odhi Bese Jamva,

Kan Ughada Re, Rakhe Mujne Gamva …4…

Jamta Daba Re, Pagni Palonthi Vali,

Te Par Dabo Re, Kar Mele Vanmali …5…

Jamna Pagre Re, Rakhi Ubho Shyam,

Te Par Jamno Re, Kar Mele Sukhdham …6…

Rudi Rite Re, Jame Devna Dev,

Vare Vare Re, Pani Pidhani Tev …7…

Janas Swadu Re, Janay Jamta Jamta,

Pase Harijan Re, Betha Hoy Mangamta …8…

Temne Aapi Re, Pachhi Pote Jame,

Jamta Jivan Re, Harijanne Man Game …9…

Ferve Jamta Re, Pet Upar Hari Hath,

Odkar Khay Re, Premanandno Nath …10…

PAD-9

Chalu Kare Re, Mohan Trupt Thaine,

Dantne Khotare Re, Sali Rupani Laine …1…

Mukhvas Laine Re, Dholiye Biraje,

Pooja Kare Re, Harijan Hete Zaze …2…

Panpan Upar Re, Anto Lai Albelo,l

Fento Bandhe Re, Chogu Meli Chhelo …3…

Varsharutune Re, Sharadrutu Ne Jani,

Ghela Nadina Re, Nirmal Nir Vakhani …4…







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212

‚tŒ nrhs™™u h u, ‚kÚk u ÷E™u ~Þk{,

Lnkðk …Äkhu h u, ½u÷u …qhý fk{ ... 5

ƒnw s¤ r¢zk h u, fhŒk s¤{kt LnkÞ,

s¤{kt Œkýe hu, ËE™u feŒo™ „kÞ ... 6

LnkE™u ƒkhk h u, ™e‚he ð† …nuhe,

½k uz u ƒu‚e h u, ½uh ykðu h t„ ÷nuhe ... 7

…kð™ Þþ™u h u, nrhs™ „kŒk ykðu,

Sð™ òuE™u h u, yk™tË Wh ™ ‚{kðu ... 8

„Z…whðk‚e hu, òuE™u s„ ykÄkh,

‚wV¤ fhu Au h u, ™uýk t ðkhtðkh ... 9

ykðe rƒhksu h u, yku‚heyu ƒnw™k{e,

Zk ur÷Þk W…h hu, «u{k™tË™k Mðk{e ... 10

…Ë-10

r™s ‚uðf ™u h u, ‚w¾Ëuðk™u fks,

…k uŒ u «„xâk hu, …wÁ»kk u¥k{ {nkhks ... 1

Vr¤Þk {k tne h u, ‚¼k fhe rƒhksu,

…qhý þþe hu, Wzw„ý{kt su{ Aksu ... 2

ƒúñh‚ ðh‚u h u, Œ ]ó fhu nrhs™™u,

…k uZ u hkºk u h u, s{e ~Þk{ þwØ yÒk™u ... 3

ƒu ykt„¤eyku h u, rŒ÷f fÞk o™e …uh u,

¼k÷ ðå[u h u, W¼e hk¾e™u Vuh u ... 4

‚qŒk t ‚qŒk t h u, {k¤k {k„e ÷E™u,

s{ýu nkÚk u h u, r™¥k Vuhðu r[¥k ËE™u ... 5

¼q÷ ™ …zu h u, f uËe yuðw t ™ u{,

Ä{of w tðh™e hu, ‚ns «f]rŒ yu{ ... 6







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Sarth Kirtnavali

213

Sant Harijanne Re, Sathe Laine Shyam,

Nhava Padhare Re, Ghele Puran Kam …5…

Bahu Jal Krida Re, Karta Jalma Nhay,

Jalma Tani Re, Daine Kirtan Gay …6…

Nhayne Bara Re, Nisri Vastra Paheri,

Ghode Besi Re, Gher Aave Rang Laheri …7…

Pavan Yashne Re, Harijan Gata Aave,

Jivan Joine Re, Anand Ur na Samave …8…

Gadhpurvasi Re, Joine Jag Aadhar,

Sufal Kare Chhe Re, Nena Varamvar …9…

Aavi Biraje Re, Osarie Bahunami,

Dholiya Upar Re, Premanandna Swami …10…

PAD-10

Nij Sevakne Re, Sukhdevane Kaj,

Pote Pragatya Re, Purushottam Maharaj …1…

Faliya Manhi Re, Sabha Kari Biraje,

Puran Shasi Re, Uduganma Jem Chhaje …2…

Brahmras Varase Re, Trupta Kare Harijanne,

Podhe Ratra Re, Jami Shyam Suddha Annane …3…

Be Anglio Re, Tilak Karyani Pere,

Bhal Vachhe Re, Ubhi Rakhine Fere …4…

Suta Suta Re, Mala Magi Laine,

Jamne Hathe Re, Nit Ferve Chit Daine …5…

Bhhul Na Pade Re, Kedi Evu Nem,

Dharmkunvarni Re, Sahaj Prakruti Em …6…







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214

¼h r™ÿk{k t h u, …k uZâk nk uÞ {wr™hkÞ,

fk uE yòýu h u, ÷„kh yze òÞ ... 7

íÞkhu Vzfe h u, ò„u ‚w tËh ~Þk{,

fk uý Au ? …qAu h u, ‚uðf ™u ‚w¾Äk{ ... 8

yuðe ÷e÷k hu, nrh™e y™tŒ y…kh,

{U Œk u „kE hu, fk tEf {rŒ y™w‚kh ... 9

su fk uE «eŒu h u, þe¾u ‚wýu „kþu,

«u{k™tË™k u h u, Mðk{e hkS Úkkþu ... 10

hk„ : ½ku¤

ykuhk ykðk u ~Þk{ M™une ‚w tËh ðh òuW ðk÷k

sŒ™ fhe™u Sð™ {khk, Sð{ktne «k uW Ônk÷k...1

r[ö y™w…{ yt„k u yt„™k, ‚whŒu ‚t¼kY ðnk÷k,

™¾rþ¾ ™eh¾e ™k iŒ{ {khk, Wh{kt WŒkY Ônk÷k...2

yYý f{¤ ‚{ sw„÷[hý™e, þku¼k yrŒ ‚khe ðk÷k,

®[Œð™ fhðk ykŒwh yrŒ, {™ð]Â¥k {khe Ônk÷k...3

«Úk{ Œu ®[Œð™ fY, ‚w tËh ‚k u¤u r[ö™ Ônk÷k;

Wæðoh u¾k yku…e hne, yrŒþu ™ðe™ Ônk÷k...4

yt„wXk ykt„¤e ðå[uÚke, ™e‚he™u ykðe Ônk÷k,

…k™e™e ƒu fk uh u òuŒk t, ¼õŒ ™u {™¼kðe Ônk÷k...5

sw„÷ [hý{kt fnw {™kunh, r[ö Œu™k t ™k{ Ônk÷k,

þwæÄ {™u fhe ‚t¼khŒk ™kþ …k{u fk{ Ônk÷k...6

yüfkuý™u Wæðoh u¾k, MðÂMŒf òtƒw sð Ônk÷k,

ð]s ytfwþ fuŒ w ™u …È, s{ýu …„u ™ð Ônk÷k...7

rºkfk uý f¤þ ™u „k u…Ë ‚w tËh, Ä™w»k ™u {e™ Ônk÷k,

yÄo [Lÿ ™u ÔÞk u u{ ‚kŒ Au, zkƒu …„u r[ö Ônk÷k...8







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Sarth Kirtnavali

215

Bhar Nidrama Re, Pdhya Hoy Muniray,

Koi Ajane Re, Lagar Aadi Jay …7…

Tyare Fadki Re, Jage Sundar Shyam,

Kon Chhe? Puchhe Re, Sevak Ne Sukhdham …8…

Evi Leela Re, Harini Anant Apar,

Mein To Gai Re, Kaink Mati Anusar …9…

Je Koi Prite Re, Sikhe Sune Gase,

Premanandno Re, Swami Raji Thase …10…

RAAG: GHOL

Ora Aavo Shyam Snehi Sunhdar Var Jou Vala

Jatan Karine Jivan Mara, Jivmanhi Prou Vhala …1…

Chinh Anupam Ango Angna, Surate Sambharu Vhala,

Nakhsikh Nirkhi Nautam Mara, Urma Utaru Vhala …2…

Arun Kamal Sam Jugalcharani, Shobha Ati Sari Vala,

Chintvan Karva Aatur Ati, Manvruti Mari Vhala …3…

Pratham Te Chintvan Karu, Sundar Sole Chinh Vhala,

Urdhvarekha Opi Rahi, Atise Navin Vhala …4…

Angutha Angli Vacchethi, Nisrine Aavi Vhala,

Paniini Be Kore Jota, Bhakt Ne Manbhavi Vhala …5…

Jugal Charanma Kahu Manohar, Chinha Tena Nam Vhala,

Suddha Mane Kari Sambharta Nas Pame Kam Vhala …6…

Astkonne Urdhvrekha, Swastik Jambu Jav Vhala,

Vraj Ankush Ketu Ne Padma, Jamne Page Nav Vhala …7…

Trikon Kalash Ne Gopad Sundar, Dhanush Ne Min Vhala,

Ardh Chandra Ne Vyom Sat Chhe, Dabe Page Chinh Vhala …8…







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216

s{ýk …„™k yt„wXk™k, ™¾{ktne r[ö Ônk÷k,

Œu Œk u ™eh¾u su fk uE ¼õŒ, «erŒyu «ðeý Ônk÷k...9

yus yt„wXk™e …k‚u, rŒ÷f yuf ™k iŒ{ ÄkÁ Ônk÷k,

«u{k™tË fnu r™h¾w «eŒu, «ký ÷E ðkY Ônk÷k...10

hk„ „hƒe …Ë-1

nðu {khk ðnk÷k™u ™rn hu rð‚kÁ hu,

ïk‚ WåAðk‚u Œu r™íÞ ‚t¼kÁ hu, 1

…zâw t {khu ‚nò™tËS þw t …k™w t h u,

nðu nw t Œk u f u{ fhe hk¾eþ Ak™w h u, 2

ykÔÞw t {khu nrhðh ðhðk™w t xk¤w t h u,

yu ðh ™ {¤u ¾h[u ™kýw t h u, 3

yu ðh ¼køÞ rð™k ™ð ¼kðu h u,

yu M™un ÷ø™ rð™k ™ð ykðu h u, 4

Ëwrhs™ {™ hu {k™u Œ u{ fnußÞk u h u,

Mðk{e {khk ÓËÞk™e ¼ªŒh hnußÞk u h u, 5

nðu nw t Œk u … qhý …Ëðe™u …k{e hu,

{éÞk {™u r™»fw¤k™tË™k Mðk{e hu, 6

…Ë-2

nðu {khk ðnk÷k ™k Ëþo™ ‚kYt,

nrhs™ ykðu nòhu nòY. 1

Zk ur÷Þu rƒhksu ‚nò™tË Mðk{e,

…qhý …wY»kk u¥k{ ytŒh ò{e. 2

‚¼k {æÞu ƒuXk {wr™™k t ð ] tË,

Œu{k t þk u¼u Œkhu ðexâk u su{ [Lÿ. 3

Ëwh„…wh ¾u÷ håÞk u yrŒ ¼khe,

¼u¤k h{u ‚kÄw™u ƒúñ[khe. 4







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Sarth Kirtnavali

217

Jamna Pagna Anguthana, Nakhmanhi Chinh Vhala,

Te to Nirkhe Je Koi Bhakta, Pritie Pravin Vhala …9…

Ej Anguthani Pase, Tilak Ek Nautam Dharu Vhala,

Premanad Kahe Nirkhu Prite, Pran Lai Varu Vhala …10…

RAAG GARBI PAD-1

Haave Mara Vhalane Nahi Re Visaru Re,

Shwas Ucchwase Te Nitya Sambharu Re …1…

Padyu Mare Sahjanandji Shun Panu Re,

Haave Hun To Kem Kari Rakhis Chhanu Re …2…

Aavu Mare Harivar Varvanu Talu Re,

E Var Na Male Kharache Nanu Re …3…

E Var Bhagya Vina Nav Bhave Re,

E Sneh Lagna Vina Nav Aave Re …4…

Durijan Man Re Mane Tem Kahyjyo Re,

Swami Mara Hradayani Bhintar Rahejyo Re …5…

Haave Hun To Puran Padvine Pami Re,

Manla Mane Nishkulanandna Swami Re …6…

PAD-2

Haave Mara Vhalana Darshan Saru,

Harijan Aave Hajare Hajaru …1…

Dholiye Biraje Sahjanand Swami,

Puran Purushottam Antar Jami …2…

Sabha Madhye Betha Munina Vrund,

Tema Shobhe Tare Vityo Jem Chandra …3…

Duragpur Khel Rachyo Ati Bhari,

Bhela Rame Sadhune Brahmchari …4…







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218

Œk¤e …kzu W…zŒe yrŒ‚khe,

Äq™ ÚkkÞ [k iË ÷k uf Úkfe, LÞkhe. 5

…k½÷ze{k t Ak u„÷eÞw t yrŒ þk u¼u,

òuE òuE nrhs™™kt {™ ÷k u¼u. 6

…ÄkÞk o ðnk÷k u ‚ðu o Œ u ‚w¾™k hkrþ,

‚nò™tË Mðk{e yûkhÄk{™k ðk‚e. 7

¼kt„e {khe sL{ku sL{™e ¾k{e,

{éÞk {™u r™»fw¤k™tË™k Mðk{e. 8

•

hk„ : “„hƒe”

hu ~Þk{ Œ{u ‚k[wt™kýwt, ƒeswt ‚ðuo Ëw:¾ËkÞf òýwt. hu ~Þk{0

hu Œ{u rð™k ‚w¾‚t…Œ fnkðu, Œu Œku ‚ðuo {nkËw:¾ W…òðu;

ytŒu yu{kt fk{ fkuE ™kðu, hu ~Þk{...1

hu {wh¾ ÷kuf {hu ¼xfe, sqXk ‚t„u nkhu rþh r…xfe;

yuÚke {khe {™ ð]Â¥k yxfe... hu ~Þk{.... 2

Au y¾tz y÷kirff ‚w¾ ‚kYt Œu òuE òuE {™ {kuÌkwt {kYt;

Ähk Ä™ Œ{ W…h ðkYt.... hu ~Þk{...3

hu ƒúñkÚke fex ÷„e òuÞwt, swtXwt ‚w¾ òýe™u ð„kuÔÞwt;

{wõŒk™tË {™ Œ{ ‚t„ {kuÌkwt... hu ~Þk{... 4

hk„ : „hƒe …Ë-1

ðtËw ‚nò™tË h‚Y… y™w…{ ‚kh™u h u ÷k u÷;

su™u ¼sŒkt Aqx u V tË, fhu ¼ð …kh™u h u ÷k u÷... 1

‚{Y «„x Y… ‚w¾Äk{, y™w…{ ™k{ ™u h u ÷k u÷;

su™u ¼ð ƒúñkrËf Ëuð, ¼su ŒS fk{™u h u ÷k u÷... 2

su nrh yûkhƒúñ, ykÄkh, …kh fkuE ™ð ÷nu hu ÷ku÷;

su™u þu»k ‚n† {w¾ „kÞ, r™„{ ™urŒfnu h u ÷k u÷... 3







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Sarth Kirtnavali

219

Tali Pade Upadati Atisari,

Dhoon Thay Chaud Lok Thaki, Nyari …5…

Paghaladima Chhogaliyu Ati Shobhe,

Joi Joi Harijanna Man Lobhe …6…

Padharya Vhalo Sarve Te Sukhna Rasi,

Sahnanand Swami Akshardhamna Vasi …7…

Bhangi Mari Janmo Janmni Khami,

Malya Mane Nishkulanandna Swami …8…

•

RAG: ‘GARBI’

Re Shyam Tame Sachu Nanu,

Biju Sarve Dukhdayak Janu. …Re Shyam...0

Re Tame Vina SukhSampa Kahave,

Te To Sarve Mahadukh Upjave;

Ante Ema Kam Koi Nave Re, …Re Shyam...1

Re Murakh Lom Mare Bhatki, JuthaSange Hare Shir Pitki;

Ethi Mari Man Vruti Ataki…Re Shyam...2

Chhe Akhand Alaukik Sukh Saru Te Joi Joi Man Mohyu Maru;

Dhara Dhan Tam Upar Varu…Re Shyam...3

Re Brahmathi Kot Lagi Joyu, Junthu Sukh Janine Vagovyu;

Muktanand Man Tam Sang Mohyu…Re Shyam...4

PAD-1 (RAG: GARBI )

Vandu Sahajanad Rasrup Anupam Sarne Re Lol;

Jene Bhajta Chhute Fand, Kare Bhav Paarne Re Lol…1…

Samaru Pragat Rup Sukhdha, Anupam Nam Ne Re Lol;

Jene Bhav Brahmadik Dev, Bhaje Taji Kamne Re Lol…2…

Je Hari Aksharbrahm, Aadhar, Par Koi Nav Lahe Re Lol;

Jeje Shesh Sahastra Mukh Gay, Nigam Netikahe Re Lol…3…







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220

ðýoðw t ‚w tËh Y… y™w…{, sw„÷ [hýu ™{e hu ÷ku÷,

™¾þe¾ «u{‚¾e™k ™kÚk, hnk u Wh{kt h{e hu ÷k u÷... 4

…Ë-2

ykðku {khk {kun™ {eXzk ÷k÷ fu, òuW Œkhe {qhrŒ hu ÷ku÷,

sŒ™ fhe hk¾wt hr‚Þkhks, rð‚kÁ ™rn WhÚke hu ÷ku÷... 1

{™ {kY {kuÌkw t {kun™÷k÷, …k½÷ze™e ¼kŒ{kt hu ÷ku÷,

ykðku ykuhk Aku„÷kt ¾ku‚w Au÷, ¾ktŒe÷k òuW ¾ktŒ{kt hu ÷ku÷... 2

ðnk÷k ŒkY Í¤fu ‚wtËh ¼k÷, rŒ÷f Yzkt fÞko hu ÷ku÷,

ðnk÷k Œkhk ðk{ fh{kt rŒ÷, Œuýu {™zkt nÞkO hu ÷ku÷... 3

ðnk÷k Œkhe ¼úfwrx ™u ƒkýu ~Þk{, fk¤s {khk fkurhÞk hu ÷ku÷,

™uýu Œkhu «u{‚¾e™k ™kÚk fu, r[¥k {khkt [kuheÞkt hu ÷ku÷... 4

…Ë-3

ðnk÷k {w™u ðþ feÄe ðús hks, ðk÷… Œkhk ðk÷{kt hu ÷ku÷,

{™ {kY Œ÷…u òuðk, fks, xeƒfze Au „k÷{kt hu ÷ku÷... 1

ðnk÷k Œkhe ™kr‚fk ™{ýe ™kÚk, yÄh®ƒƒ ÷k÷ Au hu ÷ku÷,

Au÷k {khk «ký fY fwhƒk™, òuÞk suðe [k÷ Au hu ÷ku÷... 2

ðnk÷k Œkhk ËtŒ Ëkz{™kt ƒes, [ŒwhkE [kðŒk hu ÷ku÷,

ðnk÷k {khk «ký nhku Aku ™kÚk, {eXwt {eXwt „kðŒk hu ÷ku÷... 3

ðk÷k Œkhu n‚ðu nhkýwt r[¥k, ƒeswt nðu ™ð „{u hu ÷ku÷,

{™ {kY «u{‚¾e™k ™kÚk f u, Œ{ fuz u ¼{u h u ÷k u÷... 4

…Ë-4

hr‚Þk òuE Y…k¤e fk ux, Yze h u¾kð¤e hu ÷k u÷;

ðnk÷k {kÁ {™zwt {¤ðk ånkÞ fu òÞ r[¥kzwt [¤e hu ÷ku÷... 1

Ônk÷k Œkhe s{ýe ¼qò™u …k‚, Yze rŒ÷ [kh Au hu ÷ku÷;

ðnk÷k Œkhk ftX ðå[u Œe÷ yuf, y™w…{ ‚kh Au hu ÷ku÷... 2

ðnk÷k Œkhk Wh{kt rð™„wý nkh, òuE ™uýkt Xhu hu ÷ku÷,

ðnk÷k Œu Œku òýu «u{es™, òuE r™íÞ æÞk™ Ähu hu ÷ku÷... 3







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Sarth Kirtnavali

221

Varnavu Sundar Rup Anupam, Jugal Charane Nami Re Lol,

Nakhshikh Premsakhina Nath, aho Urma Rami Re Lol…4…

PAD-2

Aavo Mara Mohan Mithda Lal Ke, Jou Tari Murati Re Lol,

Jatan Kari Rakhu Rasiyaraj, Visaru Nahi Urthi Re Lol …1…

Man Maru Mohyu Mohanlal, Paghladini Bhatma Re Lol,

Aavo Ora Chhogala Khosu Chhel, Khantila Jou Khantma Re Lol …2…

Vahala Taru Zalke Sundar Bhal, Tilak Ruda Karya Re Lol,

Vayhala Tara Vam Karma Til, Tene Manda Harya Re Lol …3…

Vahala Tari Bhrakuti Ne Bane Shyam, Kalaj Mara Koriya Re Lol,

Nene Tare Premsakhina Nath Ke, Chit Mara Choriya Re Lol …4…

PAD-3

Vahala Mune Vash Kidhi Vraj Raj, Valap Tara Valma Re Lol,

Man Maru Talpe Jova, Kaj, Tibakadi Chhe Galma Re Lol …1…

Vahala Tari Nasika Namni Nath, Adharbimb Lal Chhe Re Lol,

Chhela Mara Pran Karu Kurban, Joya Jevi Chal Chhe Re Lol …2…

Vahala Tara Dant Dadamna Bij, Chaturai Chavta Re Lol,

Vahala Mara Pran Haro Chho Nath, Mithu Mithu Gavta Re Lol …3…

Vala Tare Sasve Haranu Chit, Biju Have Nav Game Re Lol,

Man Maru Premsakhina Nath Ke, Tam Kede Bhame Re Lol …4…

PAD-4

Rasiya Joi Rupali Kot, Rui Rekhavali Re Lol;

Vahala Mara Mandu Malva Chyan Ke Jay Chitadu Chali Re Lol …1…

Vahala Tari Jamni Bhujane Pas, Rudi Til Char Chhe Re Lol;

Vahala Tara Kanth Vache Til Ke, Anupam Sar Chhe Re Lol …2…

Vahala Tara Urma Vingun Har, Joi Nena Thare Re Lol;

Vahala Te To Jane Premijan, Joi Nitya Dhyan Dhare Re Lol …3…







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222

hr‚Þk òuE Œ{kY Y…, hr‚f s™ ½u÷zk hu ÷k u÷,

ykðku ðnk÷k «u{‚¾e™k ™kÚk, ‚wtËh ðh Au÷zk hu ÷ku÷... 4

…Ë-5

ðnk÷k Œkhe ¼qò sw„÷ s„Ëeþ, òuE™u òW ðkhýu hu ÷ku÷,

fh™kt ÷xfk fhŒk ÷k÷, ykðku ™u {khu ƒkhýu hu ÷ku÷... 1

ðnk÷k Œkhe ykt„¤eyku™e hu¾k, ™¾{ýe òuE™u hu ÷ku÷,

ðnk÷k {khk r[¥k{kt hk¾wt [kuhe, fnwt ™rn fkuE™u hu ÷ku÷... 2

ðnk÷k Œkh Wh{kt y™w…{ Ak…, òuðk™u Sðykf¤ku hu ÷ku÷,

ðnk÷k {khk nizu nh¾ ™ {kÞ, òýw su n{ýkt {¤ku hu ÷ku÷... 3

ðnk÷k ŒkY WËh yrŒ h‚Y…, þeŒ¤ ‚Ëk ™kÚkS hu ÷ku÷,

ykðku ykuhk «u{‚¾e™k «ký, {¤w ¼he ƒkÚkS hu ÷ku÷... 4

…Ë-6

ðnk÷k Œkhe {qhrŒ yrŒ h‚Y…, hr‚f òuE™u Sðu hu ÷ku÷,

ðnk÷k yu h‚™k [k¾ýnkh, Akþ Œu ™ð …eðu hu ÷ku÷... 1

ðnk÷k {khu ‚w¾ ‚t…Œ Œ{u ~Þk{, {kun™ {™ ¼kðŒk hu ÷ku÷,

ykðku {khu {trËh Sð™ «ký, n‚e™u ƒku÷kðŒk hu ÷ku÷... 2

ðnk÷k ŒkY Y… y™w…{ „kih, {qhrŒ {™{kt „{u hu ÷ku÷,

ðnk÷k ŒkY òuƒ™ òuðk fks, fu r[¥k þhýu ™{u hu ÷ku÷... 3

ykðku {khk hr‚Þk hkSð ™uý, {h{ fhe ƒku÷Œk hu ÷ku÷,

ykðku ðnk÷k «u{‚¾e™k ‚uý, {trËh {khu zku÷Œk hu ÷ku÷... 4

…Ë-7

ðk÷k ŒkÁt Y… y™w…{ ™kÚk, WËh þku¼k ½ýe hu ÷ku÷,

rºkð¤e òuðwt ‚wtËh Au÷, ykðku™u ykuhk y{ ¼ýe hu ÷ku÷... 1

ðk÷k Œkhe ™kr¼ ™kiŒ{ Y…, Wze yrŒ „ku¤ Au hu ÷ku÷,

frx÷tf òuE™u ‚nò™tË, fu {™ht„ [ku¤ Au hu ÷ku÷... 2

ðk÷k Œkhe st½k sw„÷™e þku¼k, {™{kt òuE hnwt hu ÷ku÷,

ðk÷k r™íÞ ™eh¾wt …ªze™u …k™e, fkuE™u ™ð fnw hu ÷ku÷... 3







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Sarth Kirtnavali

223

Rasiya Joi Tamaru Rup, Rasik Jan Ghelda Re Lol;

Aavo Vahala Premsakhina Naath, Sundar Var Chhelda Re Lol …4…

PAD-5

Vahala Tatu Bhuja Jugal Jagdish, Joine Janu Varane Re Lol;

Karna Lataka Karta Lal, Aavo Ne Mare Barane Re Lol …1…

Vahala Tari Aanglioni Rekha, Nakhmani Joine Re Lol;

Vahala Mara Chitma Rakhu Chori, Kahu Nahi Koine Re Lol …2…

Vahala Tar Urma Anupak Chhap, Jovane Jiv Aaklo Re Lol;

Vahala Mara Haide Harakh Na May, Janu Je Hamana Malo Re Lol …3…

Vahala Tatu Udar Aati Rasrup, Shital Sada Nathji Re Lol;

Aavo Aura Premsakhina Pran, Malu Bhari Bathji Re Lol …4…

PAD-6

Vahala Tari Murati Aati Rasrup, Rasik Joine Jive Re Lol;

Vahala E Rasna Chakhanhar, Chhas Te Nav Pive Re Lol …1…

Vahala Mare Sukh Sampat Tame Shyam Mohan Man Bhavta Re Lol;

Aavo Mare Mandir Jivan Pran, Hasine Bolavata Re Lol …2…

Vahala Taru Rup Anupam Gaur, Murati Manma Game Re Lol;

Vahala Taru Joban Jova Kaj, Ke Chit Sharane Name Re Lol …3..

Aavo Mara Rasiya Rajiv Nen, Maram Kari Bolata Re Lol;

Aavo Vahala Premsakhina Sen, Mandir Mare Dolata Re Lol …4…

PAD-7

Vala Taru Rup Anupam Nath, Uder Shobha Ghani Re Lol;

Trivali Jovu Sundar Chhel, Aavone Aura Aam Bhani Re Lol …1…

Vala Tari Nabhi Nautam Rup, Udi Ati Gol Chhe Re Lol;

Katilaknk Joine Sahjanand, Ke Manrang Chol Chhe Re Lol …2…

Vala Tari Jangha Jugalni Shobha, Manma Joi Rahu Re Lol;

Vala Nitya Nirkhu Pindine Pani, Koine Nav Kahu Re Lol …3…







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224

ðk÷k Œkhk [hý f{¤™wt æÞk™, ÄYt yrŒ nuŒ{kt hu ÷ku÷,

ykðku ðnk÷k «u{‚¾e™k ™kÚk, hk¾wt {khk r[¥k{kt hu ÷ku÷... 4

…Ë-8

ðk÷k Œkhk sw„÷ [hý h‚Y…, ð¾kýwt ðnk÷{kt hu ÷ku÷,

ðk÷k yrŒ fku{¤ yYý h‚k¤, [kuhu r[¥k [k÷{kt hu ÷ku÷... 1

ðk÷k Œkhu s{ýu yt„wXu rŒ÷, fu ™¾{kt r[ö Au hu ÷ku÷,

ðk÷k Au÷e ykt„¤eÞu rŒ÷ yuf, òuðk™u {™ Ëe™ Au hu ÷ku÷... 2

ðk÷k Œkhk ™¾™e yYýŒk òuE™u, þþef¤k ûkeý Au hu ÷ku÷,

ðk÷k h‚[kuh [fkuh su ¼õŒ, òuðk™u «ðeý Au hu ÷ku÷... 3

ðk÷k Œkhe Wæðohu¾k{kt r[¥k, hnku fhe ðk‚™u hu ÷ku÷,

{k„u «u{ ‚¾e fh òuze, Ëuòu Ëk™ Ëk‚™u h u ÷k u÷... 4

“hk„ : „hƒe”

…kuZku …kuZku ‚nò™tË Mðk{e; yr¾Þk{kt ®™Ëhk ¼hkýe hu-…kuZku0

nkt hu Œ{u {kÚkuÚke …k½ WŒkhkuhu; …Ae Œ{u ƒ™kŒ™e xku…e Äkhku hu-…kuZku0

nkt hu Œ{u shf‚e ò{ku WŒkhku hu; …Ae nehfkuhe ÄkuŒe Äkhku hu-…kuZku0

nkt hu Œ{u fuz™ku …xfku Akuzku hu; …Ae þk÷ Ëwþk÷k ykuZku hu-…kuZku0

nkt hu …kuZâk «u{k™tË™k Mðk{e hu; ‚¾e òuE òuE yk™tË …k{e hu- …kuZku0

hk„ : „hƒe Úkk¤

‚¾e yk™tË™e ðkŒ fnwt yks hu,

{ut Œku MLkun fhe ™kuŒÞko {nkhks... hu 1

…úu{u [kuf ðå[u [kufe Zk¤e hu,

™kðk QXâk {kun™ ð™{k¤e... hu 2

yt„ [ku¤e yk™tËu ™ðhkÔÞk hu;

…u’he …eŒktƒh {™ ½ýwt ¼kÔÞk... hu 3







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Sarth Kirtnavali

225

Vala Tara Charan Kamalnu Dhya, Dharu Aati Hetma Re Lol;

Aavo Vahala Premsakhina Nath, Rakhu Mara Chitma Re Lol …4…

PAD-8

Vala Tara Jugal Charan Rasrup, Vakhanu Vahalma Re Lol;

Vala Aati Komal Arun Rasal, Chore Chit Chalma Re Lol …1…

Vala Tare Jamane Anguthe Til, Ke Nakhma Chinh Chhe Re Lol;

Vala Chheli Aangaliye Til Ek, Jovane Man Din Chhe Re Lol …2…

Vala Tara Nakhni Arunata Joine, Shashikala Kshina Chhe Re Lol;

Vala Raschor Sahkor Je Bhakt, Jovane Pravin Chhe Re Lol …3…

Vala Tari Urdhvarekhame Chit, Raho Kari Vasne Re Lol;

Mage Prem Sakhi Kar Jodi, Dejo Daan Dasne Re Lol …4…

“RAG : GARBI”

Podho Podho Sahjanand Swami;

Akhiyama Nindara Bharani Re … Podho…

Hanre Tame Mathethi Pagh Utaro Re,

Pachi Tame Banatni Topi Dharo Re…… Podho…

Hanre Tame Jarkasi Jama Utaro Re;

Pachi Hirkori Dhoti Dharo Re… Podho…

Hanre Tame Kedno Patko Chhode Re;

Pachi Shal Dushala Odho Re… Podho…

Hanre Podhya Premanandna Swami Re;

Sakhi Joi Joi Anand Pami Re… Podho…

RAG : GARBI THAAL

Sakhi Anandni Vat Kahu Aaj Re,

Men To Neh Kari Notarya Maharaj… Re…1

Preme Chok Vache Choki Dhali Re,

Nava Uthya Mohan Vanmali… Re…2







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226

…u’he …kð÷kt …ÄkÞko ÷xfk¤ku ,

{khu {trËrhÞu ykÔÞk {h{k¤ku... hu 4

…kxu ƒu‚khe™u …qrsÞk {kuhkhe hu,

yrŒ yk™tË þwt ykhŒe WŒkhe... hu 5

ƒuXk s{ðk s„™ku ykÄkh hu,

{ut Œku …úu{ fhe …ehMÞku ft‚kh... hu 6

þehku …qhe ‚wtðk¤e ‚kƒwze hu,

¾kòt ¾ks÷kt ™u ¾ktz ½ýe Yze... hu 7

‚kxk {u‚wƒ s÷uƒe òw„Œk¤e hu,

½ýk ½uƒh …utzk™e ¼he Úkk¤e... hu 8

ËqÄ…kf ™u …whý …ku¤e hu,

½ýu ½eyu h‚hkux÷e Íƒku¤e... hu 9

ËnetÚkhkt ¼kŒ ¼rsÞkt ™u Ëk¤ hu,

fu¤kthkux÷e ™u …wz÷k h‚k¤... hu 10

„¤e {ku¤e rçkhts fZe ™u fkhu÷kt hu,

{„ {uÚkeyu ð½khe fÞkO ¼u¤kt... hu 11

ŒéÞwt ‚qhý ½ýwt ½e ½k÷e hu,

ðze ðk÷k™u ÷k„u Au ½ýe ðk÷e... hu 12

ŒéÞkt …hð¤ ðk÷ku¤ ™u ðtŒkf hu,

ŒéÞkt ŒwrhÞkt ftfkuzkt fuhkt þkf... hu 13

xktfku ŒktË¤òu ™u ‚wðk-¼kS hu,

{uÚke {ku„he {q¤kÚke …ú¼w hkS... hu 14

s{u òw„Œu þwt Ëe™ËÞk¤ hu,

…k‚u y™ku…{ yÚkkýkt h‚k¤... hu 15

fuhe fk[he Œ¤u÷ ykÚÞkt ykËw hu,

zk¤kt „h{h ™u þu÷hkt MðkËw... hu 16







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Sarth Kirtnavali

227

Ang Choli Anande Navravya Re;

Peri Pitambar Man Ghanu Bhavya… Re…3

Peri Pavla Padharya Latkalo,

Mare Mandiriya Aavya Marmalo… Re…4

Pate Besarine Pujiya Morari Re,

Aati Anand Shun Aarti Utari… Re…5

Betha Jamva Jagno Adhar Re,

Men To Prem Kari Pirasyo Kansar… Re…6

Shiro Puri Sunvali Sabudi Re,

Khaja Khajla Ne Khand Ghanri Ruei… Re…7

Sata Mesum Jalebi Jugtali Re,

Ghana Ghebar Pendani Bhari Thali… Re…8

Dudhpak Ne Puran Poli Re,

Ghane Ghie Raasrotli Zaboli… Re…9

Dahinthara Bhat Bhajiya Ne Dal Re,

Kela Rotli Ne Pudla Rasal… Re…10

Gali Moli Biranj Kadhi Ne Karela Re,

Mag Methie Vaghari Karya Bhela… Re…11

Talyu Suran Ghanu Ghee Ghali Re,

Vadi Valane Lage Chhe Ghani Vali… Re…12

Talya Parval Valon Ne Vantak Re,

Talya Turiya Kankoda Kera Shak… Re…13

Tanko Tandalji Ne Suva-Bhaji Re,

Methi Mogari Mulathi Prabhu Raji… Re…14

Jame Jugate Shun Dindayal Re,

Paase Anopam Athana Rasal… Re…15

Keri Kachri Talel Aathya Aadu Re,

Dala Garmar Ne Shelra Swadu… Re…16







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228

fkòw fuhzk …k…z …ú¼w s{u hu,

…eyu s¤ „úk‚ku„úk‚ {™u „{u... hu 17

s{u {Äwh {Äwh sËwhkÞ hu,

nwt Œku ðetÍýu Zku¤wt ðkÞ... hu 18

s{e yk[{™ fÞwo yrð™kþ hu,

…úeŒu …k™ƒeze fhe {w¾ðk‚... hu 19

‚wh {wr™™u Ëw÷o¼ MðkË hu,

…kBÞk {wõŒk™tË …h‚kË... hu 20

©e þtfh ¼økðkLk™e ykhŒe

sÞ rþð yku tfkhMðk{e rþð yku tfkhk,

ƒúñk rð»ýw ‚Ëkrþð yÄkO„e Äkhk... sÞ

yufk™™ [Œwhk™™ …t[k™™ hksu,

nt‚k‚™ „Yzk‚™ ð]»kðkn™ ‚ksu... sÞ

ËkuÞ ¼ws [kÁt ¼ws Ëþ ¼qs íku ‚kunu,

Œe™k u Y… r™h¾Œk rºk¼wð™ s™ {kunu... sÞ

yûk{k÷k çk™{k÷k Yÿk{k÷kÄkhe,

[tË™ {]„{Ë [LËk ¼k÷u þw¼fkhe... sÞ

Mk w¾fkhe Ëw:¾nkhe søk Ãkk÷Lk fkhe... sÞ

ïuíkk tçkh Ãkeíkk tçkh çkkÄk tçkh ytøk u

MkLkkfkrËf økYzkrËf ¼qíkkrËf Mk tøk u... sÞ

fh{æÞu Mk wf{Ûz÷w [¢ rºkþw÷Äíkk o

søk fíkk o søk ¼íkk o søk Ãkk÷Lk fíkk o... sÞ

çk úñk rð»ýw MkËkrþð òLkík yrððufk

«ýð yûkh {æÞu Þu íkeLkk U yufk... sÞ

rºkøkwý Mðk{efe ykhíke òu fkuE Lkh økkðu

¼ýík rþðkLktË Mðk{e {LkðktrAík V÷ Ãkkðu... sÞ







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Sarth Kirtnavali

229

Kaju Kerada Papad Prabhu Jame Re,Pie Jal Grasogras Mane Game … Re…17

Jame Madhur Madhur Jaduray Re,

Hun To Vinzae Dholu Vay … Re…18

Jami Aachman Karyu Avinash Re,

Prite Panbidi Kari Mukhvas… Re…19

Sur Munine Durlabh Swad Re,

Pamya Muktanand Parsad… Re…20

SHRI SHANKAR BHAGWAN NI AARTI

Jay Shiv Om Kara Prabhu Jay Shiv Om Kara,

Brahma Vishnu Sadashiv, Ardhangi Dhara …Jay

Ekanan Chaturanan, Panchnnan Raje,

Hansasan Garudasan, Vrushvahan Saje... Jay

Doy Bhuj Charu Bhuj Dash Bhuj Te Sohe,

Tino Rup Nirakhata, Tribhuvan Jan Mohe… Jay

Akshamala Banmala, Rudramaladhari,

Chandan Mrugmad Chanda Bhale Shubhkari… Jay

Sukhkari Dukhhari Jag Palan Kari…Jay

Shvetambar Pitambar Badhambar Ange,

Sankadik Garudadik Bhutadik Sange... Jay

Kar Madhye Sukamandalu, Chakra Trishul Dharata,

Jagkarta Jagbharta, Jag Palan Karta…Jay

Brahma Vishnu Sadashiv Janat Aviveka;

Pranav Akshar madhya Ye Tino Eka…Jay

Trigun Swamiki Aarti Jo Koi Nar Gave;

Bhanat Shivanand Swami Manvanchhit Fal Pave…Jay







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230

økýÃkríkS™e ykhŒe

økýÃkrík ÃÞkhk, sÞ økýÃkrík ÃÞkhk,

rðæLk rðLkkÞf {qŠík, Mk w¾ËkÞ Mkkhk... sÞ-1

sÞ sÞ þt¼wfw{kh, þkuf MkËk nhíkk,

Ëuð rðþu»k rð[ûký, hûkýLkk fíkk o... sÞ-2

økk ihe Ãk wºk økýuþ, ðtË w fh òuze,

M{hý fhu Au íkuLkkt, Ëw:¾ Lkk¾ku íkkuze... sÞ-3

÷[Ãk[íkk ÷kzwLk w t , ¼k usLk çknw ¼kðu,

ykÃk rçkhkòu Aku íÞkt, Mktfx Lkð ykðu... sÞ-4

rMkrØ çk wrØ çk uW, þw¼ ÃkíLke Mk tøk u,

þw¼ fk{u ðrðr[hku Aku, yríkþÞ WAhtøku... sÞ-5

Mk whLkh {wrLkðh Mkðo, Mk uð u Au ík{Lk u,

{tøk÷fkhe {qŠík, ykÃkk u Mk w¾ y{Lk u... sÞ-6

sÞ Mktfx nh Mkw¾fh, yhS Wh Ähòu,

þhýkøkík Mk uðfLkk u, yÇÞwËÞ fhòu... sÞ-7

©e n™w{íMíkkuºk{T

(1) ™erŒ«ðeý ! r™„{k„{þkMºkƒwØu !

hkò-rÄhks h½w™kÞf {rLºkðÞo !

®‚Ëwh[Š[Œ f÷uðh ! ™iÂcfUÿ !

©e hk{ËqŒ ! n™w{ŒT ! nh ‚tfxu {U

(2) ‚eŒk r™r{¥ks h½q¥k{ ¼qrhfü

«kuí‚khýi¬ ‚nkÞ ! nŒkMºk…ki½ !

r™ËoøÄÞkŒw …rŒnkxf hksÄk™u ! ©ehk{0

(3) ËwðkoÞo hkðý rð‚ŠsŒþÂõŒ ÄkŒ

ftXk‚w÷û{ý ‚w¾kÓŒSðÕ÷u !







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Sarth Kirtnavali

231

GANAPATIJI NI AARTI

Ganapati Pyara, Jay Ganapati Pyara,

Vidhna Vinayak Murti, Sukhaday Sara …Jay...1

Jay Jay Shambhukumar, Shok Sada Harata,

Dev Vishesh Vichakshan, Rakshan Na Karta…Jay...2

Gauri Putra Ganesh, Vandu Kar Jodi,

Smaran Kare Chhe Tena, Dukh Nakho Todi … Jay…3

Lachapachata Ladunu, Bhojan Bahu Bhave,

Aap Birajo Chho Tyan, Sankat Nav Aave …Jay....4

Siddhi Buddhi Beu, Shubh Patni Sange,

Shubh Kame Vicharo Chho, Atishay Uccharange… Jay....5

Surnar Munivar Sarva, Seve Chhe Tamane,

Mangalakari Murti, Aapo Sukh Amane … Jay....6

Jay Sankat Har Sukhakar, Araji Ur Dharajo,

Sharanagat Sevakno, Abhyuday Karajo … Jay....7

SHRI HANUMANT STOTRAM

(1) Nitipravin! Nigamagam Shastrabuddhe !

Raja-dhiraj Raghunayak Mantrivarya !

Sindurcharchit Kalevar! Naishthikendra !

Shree Ramdut! Hanuman! Har Sankatme !

(2) Sita Nimitaj, Raghutam Bhurikasht,

Protsaranek Sahay! Hatastra Paudhh !

Nirdagdhayatu, Patihatak Rajadhane, Shree Ram 0

(3) Durvarya Ravan, Visarjitshakti Dhat,

Kantha Sulakshman, Sukhaahrutjivalle!







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232

ÿkuýk[÷k ™Þ™ ™ÂLËŒ hk{ …ûk ! ©ehk{0

(4) hk{k„{kuÂõŒŒrh ŒkrhŒƒtæð Þku„

Ëw:¾kÂçÄ {ø™ ¼hŒkŠ…Œ…krhƒno !

hk{ktr½ú…È {Äw…e ¼ ðËLŒhkí{™T ! ©ehk{0

(5) ðkÒkkí{fu‚rh {nk fr…hkxÙŒËeÞ

¼Þko s™eLÃkwYŒ…: V÷…wºk¼kð !

ŒkûÞkuo…{kur[Œ ð…wƒo÷ Œeðúðu„ ! ©ehk{0

(6) ™k™kr¼[krh frð ‚]c ‚ðehf]íÞk

rðÿkðýkÁý ‚{eûký Ëw:«½»Þo !

hku„Î™‚í‚wŒËrð¥kË {Lºkò… ! ©ehk{0

(7) nLkw{kLk: {kY Ëw:¾ nhku,

ÞÒkk{ÄuÞ…Ëf©wrŒ{kºkŒkur…

Þu ƒúñhkûk‚ r…þk[„ýkù ¼qŒk:

Œu {krhfkù ‚¼Þt Ìk…ÞkÂLŒ ‚íðt ©ehk{0

(8) íðt¼õŒ{k™‚‚r{ÂÃMkŒ …qŠŒ þfŒku

Ëe™MÞ Ëw{oË ‚…í™¼ÞkŠŒ ¼kst:

Eüt {{kr… …rh…qhÞ …qýofk{ ! ©ehk{0

©e n™w{Ëüku¥khþíkLkk{kðr÷:

©e nLkw{íku Lk{: (1) ðehkÞ Lk{: (2) {nkðehkÞ (3)

{nkçk÷kÞ0 (4) hkðýºkkMkËk¢kuþkÞ0 (5) MkeíkkþkufrðLkkþLkÞ0

(6) MkwÄehkÞ0 (7) yuûkfw{khæLkkÞ0 (8) hkûkMkki½rðLkkþf]íku Lk{:

(9) ÷tfkËnLkf]íku Lk{: (10) hk{«eríkrððÄoLkkÞ Lk{: (11)

ËkMÞ¼Âõíkr«ÞkÞ0 (12) WsoÂMðLku Lk{: (13) Mktfx¼tsLkkÞ0

(14) {kÁíkÞu0 (15) ¼híkkLktËkÞ0 (16) ÿkuýkrËnkhfkÞ0 (17)

Mkwøkúeðk{kíÞkÞ0 (18) Mkkur{rºk«kýËkÞ0 (19) yrðíkðkLkhkÞ







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Sarth Kirtnavali

233

Dronachala Nayan, Nandit Ram Paksha, Shree Ram 0

(4) Ramagamoktitari Taritbandhva Yog,

Dukhabdhi Magna, Bharatarpitaparibarh!

Ramanghripadma Madhupi Bha Vadantaratman! Shre Ram 0

(5) Vannatamakesari, Maha Kapiratratdiy,

Bharya Janinpurutapa: Falaputrabhav!

Tarkshyopamochit, Vapurbal Tivraveg, Shree Ram 0

(6) Nanabhichari Kavi Srushta Savirkrutya

Vidravanarun Samikshan Dupragharshya,

Rogadhnasatsutvitad Mantrajap, Shree Ram 0

(7) Hanuman Maru Dhukh Haro,

Yannamadheypadakashrutimatratopi,

Ye Brahmarakshas, Pishachaganascha Bhuta,

Te Marikasch Sabhayam Hyapayanti Satvam, Shree Ram 0

(8) Tvambhaktamanasamipsit Purti Shakto,

Dinasya Durmada Sapatnabhayarti Bhajam:

Ishtam Mamapi Paripuray Purnakam, Shree Ram 0

SHREE HANUMANT 108 NAMAVALI

(1) Shri Hanumate Namah: (2) Viray Namah: (3) Mahaviray

Namah: (4) Mahabalay Namah: (5) Ravantrasdakrosay Namah:

(6) Sitashokvinasay Namah: (7) Sudhiray Namah: (8)

Ekshkumaradhnay Namah: (9) Rakshasaughvinaskrute Namah:

(10) Lankadahankrute Namah: (11) Rampritivivardhnay Namah:

(12) Dasyabhaktipriyay Namah: (13) Urjaswine Namah: (14)

Sankatbhanjanay Namah: (15) Marutaye Namah: (16)

Bharatananday Namah: (17) Dronadiharkay Namah: (18)

Sugrivamatyay Namah: (19) Somitripranday Namah: (20)







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234

(20) hkiÿ{qíkoÞu Lk{: (21) MkkiBÞ{qíkoÞu0 (22) yr{íkÃkhk¢{kÞ0

(23) LkirüfuLÿkÞ0 (24) {nkMkíðkÞ0 (25)økúnÃkezknkhfkÞ0

(26) MkeíkkŠÃkík{nknkhkÞ0 (27) r[hkÞw»ku Lk{: (28) MkL{íkÞu0

(29) MkwðýoðýkoÞ0 (30)hõíkkûkkÞ0 (31) hûk:MkiLÞ¼ÞtfhkÞ0

(32) ÿkurýþkÃk¼Þºkkík¼ÂõíkÄ{ko[0 (33) ytsLkeMkwíkkÞ0 (34)

fkuxhkÿkðýkÞ0 (35) yLkuf¼qíkíkkzLkkÞ0 (36) MkwðúíkkÞ0 (37)

{L{ÚkËÃkoæLkkÞ0 (38) ykÃkÒkkþLkkr¼ÄkÞ0 (39) Ä{oMktfüÓíku0

(40) Ä{ofw÷ËuðkÞ0 (41) fÃkeïhkÞ0 (42) ÷¥kkníkrÃkþk[kiÄkÞ0

(43) {wrüíkkrzík¼ihðkÞ0 (44) nrhf]»ýkðLkkÞ0 (45)

nrhr«ÞkÞ0 (46) ®MkËqh[Š[íkkÞ0 (47) nÞoŠÃkíkMðkËwV÷kÞ0

(48) nrhMkuðLkíkíÃkhkÞ0 (49) çkúñkMkúðrhýkÞ0 (50) nhÞu Lk{:

(51) ðòOøkkÞ0 (52) ði»ýðkÞ0 (53) {wüÞk[wÄkÞ0 (54)

{nkðuøkkÞ0 (55) íkkÃkMkkÞ0 (56) ÃkkðLkÞu Lk{: (57)

hk{Lkk{sÃkkLktËkÞ0 (58) hk{ËqíkkÞ0 (59) {nkhðkÞ0 (60)

ËeÄo÷ktøkq÷kÞ0 (61) rLk»ÃkkÃkkÞ0 (62) ðkLkhÞqÚkÃkkÞ0 (63)

ÁÿkðíkkhkÞ0 (64) hk{kí{Lku Lk{: (65) hk{ðknLkkÞ0 (66)

hk{Ëþ Lk{: (67) fk÷Lkur{æLkkÞ0 (68) fk{khÞu0 (69) fk{ËkÞ0

(70) hku{þkÞ0 (71) rð¢ktíks÷ÄÞu0 (72) hkðýkuãkLk¼tsLkkÞ0

(73) ËkrhÿÞËw:¾nºkuo Lk{: (74) ËuðkÞ0 (75) MkíÞr«ÞkÞ0

(76) yÔÞÞkÞ0 (77) y¾trzíkçk úñ[ÞkoÞ0 (78)

çkúñ[krhr«ÞkÞ0 (79) «¼ðu Lk{: (80) yfoÃkw»ÃkMktÃkqsÞkÞ0 (81)

ðþrððÄoLkkÞ0 (82) íki÷MkúkíkkÞ0 (83) yLktíkfeíkoÞu0 (84)

fÕ{»kLkkþLkkÞ0 (85) þqhkÞ0 (86) hk{fÚkkuíftXk0 (87)







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Sarth Kirtnavali

235

Avitvanaray Namah: (21) Raudramurtaye Namah: (22)

Saumyamurtaye Namah: (23) Amitprakramay Namah: (24)

Naistikendray Namah: (25) Mahastvay Namah: (26)

Grahpidaharkay Namah: (27) Sitarpitmahaharay Namah: (28)

Chirayushe Namah: (29) Sanmataye Namah: (30) Suvarnavarnay

Namah : (31) Raktakshay Namah : (32) Raksha:sainyabhayankaray

Namah: (33) Dronishapbhaytratbhaktidharmach Namah: (34)

Anjanisutay Namah: (35) Kotradravanay Namah: (36)

Anekbhuttanay Namah: (37) Suvratay Namah: (38)

Manmathdarpdhnay Namah: (39) Aapannashanabhidhay Namah:

(40) Dharmsankasthute Namah: (41) Dharmkuldevay Namah:

(42) Kapishvaray Namah: (43) Latahatpishachaudhay Namah:

(44) Musthitaditbhairavay Namah: (45) Harikrishnavanay Namah:

(46) Haripriyay Namah: (47) Sindurcharchitay Namah: (48)

Hayrpitswadufalay Namah: (49) Harisevantatparay Namah: (50)

Brahmastravarinay Namah: (51) Haraye Namah: (52) Varjangay

Namah: (53) Vaishvay Namah: (54) Mustyachudhay Namah: (55)

Mahavegay Namah: (56) Tapsay Namah: (57) Pavanaye Namah:

(58) Ramnamjapananday Namah: (59) Ramdutay Namah: (60)

Maryay Namah: (61) Dirghlangulay Namah: (62) Nispapay Namah:

(63) Varyuthpay Namah: (64) Rudravataray Namah: (65)

Ramatmane Namah: (66) Ramvahanay Namah: (67) Ramdash

Namah: (68) Kalnemidhyan Namah: (69) Kamarye Namah: (70)

Kamday Namah: (71) Romshay Namah: (72) Vikrantjaldhaye

Namah: (73) Ravanodhyanbhanjanay Namah: (74)

Daridryadukhhartre Namah : (75) Devay Namah : (76) Satyapriyay

Namah: (77) Avyayay Namah: (78) Akhanditbrahmcharyay

Namah: (79) Bharmcharipriyay Namah: (80) Prabhave Namah:

(81) Arkpuspsampujyay Namah: (82) Vashvivardhnay Namah:







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236

Ä{oÂMÚkhkÞ0 (88) ËÞkrLkÄÞu0 (89) MkðohkuøkkÃkÓíku Lk{: (90)

MkðoþºkwæLkkÞ0 (91) Mkf÷kŠíkÓíku0 (92) Ëtr»xÙºkkMkËkÞ0 (93)

MkÃkkrËrð»kæLkkÞ0 (94) rð»kÞkuorsÍíkkÞ0 (95) MkkÄwsLkºkkºku Lk{:

(96) MkßsLkðÕ÷¼kÞ0 (97) MkíÞðkõÞkÞ0 (98) MkËkþwØkÞ0

(99) {ã{ktMkkrþ¼e»kýkÞ0 (100) þrLkÃkezknhkÞ0 (101)

©eËkÞ0 (102) MkkÄðu Lk{: (103) MkkÄwr«ÞfhkÞ0 (104)

ðhËkÞ0 (105) y¼ÞËkÞ0 (106) ©e{íku Lk{: (107)

¼õíkuüËkÞfkÞ Lk{: (108)

Erík ©enLkw{Æ»zkuºkhþíkLkk{kðr÷: Mk{kók

©eS çkkðLke

sÞ sÞ Mðk{e MknòLktË, ykr©íksLkLku {Lk ykLktË .... 1

sÞ sÞ ©eS fYýkÄeþ, íkð [hýku{kt Lkk{wt þeþ .... 2

fhku f]ÃkkËrü ¼økðkLk, ykÃkku {wsLku ¼Âõík-¿kkLk .... 3

{køkw t fhòuze íkðÃkkMk, {ws ÓËÞ{kt fhòu ðkMk .... 4

Mkhsw rfLkkhu MkwtËh økk{, rLk{o¤ Au AÃkiÞk Äk{ .... 5

Mkk{ðuËe Au rð« ík{k{, sLkBÞk íÞkt ©eS ½Lk~Þk{ .... 6

AÃkiÞk{kt sL{ Ähe, Ä{o¼Âõík fw¤ ÃkkðLk fhe .... 6

ykX ð»ko{kt WÃkðeík Ähe, yrøkÞkh ð»kuo ðLk rð[he .... 8

÷kus Ãkqhu ðrMkÞk sE ykÃk, nhðk ¼õíkkuLkkt MktíkkÃk .... 9

Ëeûkk ËeÄe hk{kLktË, þw¼Lkk{ ËE MknòLktË .... 10

økZÃkwh ykðe ðrMkÞk LkkÚk, W¥k{Lk]ÃkLkku ÍkÕÞku nkÚk .... 11

rLks sLkLkk Aku «kýSðLk, íkð [hýu økZÃkwh ÃkkðLk .... 12







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Sarth Kirtnavali

237

(83) Tailstratay Namah: (84) Anantkirtaye Namah: (85)

Kalmshnasnaay Namah: (86) Suray Namah: (87) Ramkathotkantha

Namah: (88) Dharmsthiray Namah: (89) Dayanidhaye Namah:

(90) Sarvarogaphute Namah: (91) Sarvshatrudhnay Namah: (92)

Sakalarithyute Namah: (93) Drastirrasday Namah: (94)

Sapadivishvidhnay Namah: (95) Vishayorjiztay Namah: (96)

Sadhujantratre Namah: (97) Sajjanvallabhay Namah: (98)

Satyavakyay Namah: (99) Sadasuddhay Namah: (100)

Madhyamansasibhishanay Namah: (101) Shanipidaharaya Namah:

(102) Shriday Namah: (103) Sadhave Namah: (104)

Sadhupriyakaray Namah: (105) Varday Namah: (106) Abhayday

Namah: (107) Shrimate Namah: (108) Bhaktestdaykay Namah:

SHREEJI BAVNI

Jay Jay Swami Sahjanand, Ashritjanne Man Anand …1

Jay Jay Shreeji Karunadhish, Tav Charanoma Namu Shish…2

Karo Kripadrasti Bhagwan, Aapo Mujne Bhakti-Gyan…3

Magu Karjodi Tavpas, Muj Haridayma Karjo Vaas…4

Saraju Kinare Sundar Gam, Nirmal Chhe Chhapaiya Dham …5

Samvedi Chhe Vipra Tamam, Janmya Tyan Shreeji Ghanshyam …6

Chhpaiyama Jam Dhari, Dharmbhakti Kul Paavan Kari…7

Aath Varshma Upvit Dhari, Agiyar Varshe Van Vichari…8

Loj Pure Vasiya Jai Aap, Harva Bhaktona Santap …9

Diksha Didhi Ramanand, Shubhnam Dai Sahjanand …10

Gadhpur Aavi Vasiya Nath, Uttamrnupno Zalyo Hath …11

Nij Janna Chho Pranjivan, Tav Charane Gadhpur Paavan …12







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238

yLkuf Þ¿kku ykÃku fÞko, ¼õíksLkkuLkkt Mktfx nÞko .... 13

rþûkkÃkºke MkËTøkútÚk fÞkuo, ð[Lkk{]íkÚke MktþÞ nÞko .... 14

Mðkr{LkkhkÞý «økxâk ykÃk, fhðk þktík rºkrðÄ íkkÃk .... 15

©e ½Lk~Þk{ ík{kÁt Lkk{, MknòLktËS Ãkqhý fk{ .... 16

su {w¾u MknòLktË økkÞ, íkuLkkt Ëw:¾ku Ëwh Ãk÷kÞ .... 17

LkkhkÞý {wrLk þw¼ Lkk{, ¼õíksLkkuLke Ãkqhu nk{ .... 18

nrhf]»ý ÓrËÞk{kt Ähu, íkuLkk {LkkuhÚk Ãkqhý fhu .... 19

‘Lke÷ftX’ çkúñ[khe Lkk{, sÃkðkÚke ytíkh ykhk{ .... 20

‘©eS’ ‘©eS’ Lkk{ Wå[kh, MkhswËkMk fhþu ¼kðÃkkh .... 21

hk{f]»ý [kuðeMk yðíkkh, íkuýu nrýÞk yMkwh yÃkkh .... 22

Ä{o yufktríkf MÚkkÃkLk fks, yðrLk WÃkh «økxâk yks .... 23

yLktík Ãkh[k ykÃÞk ík{u, ¼õík¼uY ÚkÞk rðfx Mk{u .... 24

hiðíkrøkrh Ë¥kkºkuÞ Äk{, Ë¥k [hý Ãkh ©e ½Lk~Þk{ .... 25

W¼k Ë¥kYÃku ÚkE ykÃk, Ãkqòhe fheyku rLk»ÃkkÃk .... 26

LkhMkiÞkLk u [kuhu sE, hkMk{tz÷Lkk ËþoLk ËE .... 27

nkxfuïh ShýøkZ Äk{, rþð MkuðfLku ËeÄk Ëk{ .... 28

hkðý, ftMk, yMkwh ík{k{, fk{ ¢kuÄ ÷ku¼Lkk økw÷k{ .... 29

yu fk{, ¢kuÄLku SíÞk ík{u, fÞko Ãkh{ntMk MkkiLku øk{u .... 30

[kuðeMk yðíkkhkuLkkt YÃk, [kuðeMk íkeÚkOfh Mkw¾ YÃk .... 31

[kuðeMk Ãkuøktçkh YÃk ~Þk{, ík{u ËeÄkt ËþoLk Mkw¾Äk{ .... 32

fkXe, fku¤e, ÃkhÄLk nhu, ÄkzÃkkzwLkk ÄtÄk fhu .... 33

yVeý ËkY {w¾Úke s{u, íkuLku {k¤k ykÃke ík{u .... 34

{nk [hkuíkhLke {kuÍkh, [kuh [kuh íkýku MkhËkh .... 35







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Sarth Kirtnavali

239

Anek Yagno Aape Karya, Bhaktjanona Sankat Harya …13

Shikshapatri Sadgranth Karyo, Vachnamritthi Sansay Harya …14

Swaminarayan Pragatya Aap, Karva Shant Trividh Taap …15

Shree Ghanshyam Tamaru Nam, Sahjanandji Puran Kam…16

Je Mukhe Sahjanand Gay, Tena Dukho Dur Palay …17

Narayan Muni Shubh Nam, Bhaktjanoni Pure Ham…18

Harikrishna Hridiyama Dhare, Tena Manorath Puran Kare …19

‘Nilkanth’ Brahmchari Nam, Japavathi Antar Aaram …20

‘Shreeji’ ‘Shreeji’ Nam Ucchar, Sarjudas Karse Bhavpaar…21

Ramkrishna Chovis Avatar, Tene Haniya Asur Apar…22

Dharm Ekantik Sthapan Kaj, Avani Upar Pragtya Aaj …23

Anant Parcha Aapya Tame, Bhaktbheru Thaya Vikat Same …24

Raivatgiri Datatrey Dham, Datt Charan Par Shree Ghanshyam 25

Ubha Dattrupe Thai Aap, Pujari Kario Nispap …26

Narsaiyane Chore Jai, Rasmandalna Darshan Dai …27

Hatkeshwar Jirangadh Dham, Shiv Sevakne Didha Dam …28

Ravan, Kans, Asur Tamam, Kam Krodh Lobhna Gulam …29

E Kam, Krodhne Jitya Tame, Karya Paramhamsa Saune Game …30

Chovis Avatarona Rup, Chovis Tirthankar Sukh Rup …31

Chovis Pegambar Rup Shyam, Tame Didha Darshan Sukhdham…32

Kathi, Koli, Pardhan Hare, Dhadpaduna Dhandha Kare …33

Afin Daru Mukhthi Jame, Tene Mala Aapi Tame …34

Maha Charotarni Mozar, Chor Chor Tano Sardar ...35







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240

òuçkLk ÃkøkeLke ðkøku nkf, íkuLku þhý ÷E fheyku Ãkkf .... 36

ÃkkÃke su fhíkk Ãkt[ ÃkkÃk, íkuLku íkku feÄkt rLk»ÃkkÃk .... 37

ËþoLk ËE sÃkkÔÞk òÃk, yðíkkhLkk yðíkkhe ykÃk .... 38

Ä{o, ¿kkLk, ¼Âõík, ðihkøÞ, WÃkòÔÞku íkuLkku yLkwhkøk .... 39

Sð, {kÞk, EïhLkk YÃk, çkúñ yLku Ãkhçkúñ MðYÃk .... 40

íkuLkw t ËeÄw t ¿kkLk yLkwÃk, yufktríkf Ä{uo Mkw¾YÃk .... 41

ykí{MðYÃk yLkw¼ð ¿kkLk, ¼÷w fhe ËeÄwt ¼økðkLk .... 42

rð»ýwt rþð çkúñkrËf Ëuð, ÃkwÁ»kku¥k{Lke fhíkk Mkuðk .... 43

y{u MkíMktøke ík{khk çkk¤, MkËk y{khe ÷ku Mkt¼k¤ .... 44

MkíMktøk {tz¤ {køku Vhe, íkð [hýku{kt hk¾ku nhe .... 45

yÕÃk {ríkÚke fÁt MíkðLk, Mðefkhe Mkw¾ ãku ¼økðkLk .... 46

AuÕ÷e yhs ík{khe ÃkkMk, yûkhÄk{u Ëuòu ðkMk .... 47

{ktøkw Awt fh òuze ¾kMk, ð[Lk Ëeyku {ws ÓËÞu ðkMk .... 48

ËkMk òýeLku Ãkqhku nk{, Lk¾rþ¾ {qŠík ©e ½Lk~Þk{ .... 49

{køku íkeÚko {kÄðk LktË þhý ík{kÁt MknòLktË .... 50

©eS çkkðLke su fkuE økkÞ, MknòLktËS fhþu MknkÞ .... 51

ytíkh{kt ykLk tË, çkk u÷k u Mknw sLk MknòLktË .... 52







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Sarth Kirtnavali

241

Joban Pagini Vage Hak, Tene Sharan Lai Kario Pak …36

Papi Je Karta Panch Paap, Tene To Kidha Nishpap …37

Darshan Dai Japavya Jaap, Avatarna Avatari Aap …38

Dhrm, Gyan, Bhakti, Vairagya, Upjavyo Teno Anurag …39

Jiv, Maya, Ishwarna Rup, Brahm and Parbrahm Swarup …40

Tenu Didhu Gyan Anup, Ekantik Dharme Sukhrup …41

Atmswarup Anubhav Gyan, Bhalu Kari Didhu Bhagwan …42

Vishnu Shiv Brahmadik Dev, Purushottamni Karta Seva …43

Ame Satsangi Tamara Bal, Sada Amari Lo Sambhal …44

Satsang Mandal Mage Fari, Vat Charanoma Rakho Hari …45

Aop Matithi Karu Stavan, Swikari Sukh Dyo Bhagwan …46

Chheli Araj Tamari Paas, Akshardhame Dejo Vaas…47

Mangu Chhu Kar Jodi Khaas, Vachan Dio Muj Hridaye Vaas …48

Das Janine Puro Ham, Nakhsikh Murti Shree Ghanshyam …49

Mage Tirth Madhava Nand Sharan Tamaru Sahjanand …50

Shreeji Bavni Je Koi Gay, Sahjanandji Karse Sahay …51

Antarma Anand, Bolo Sahu Jan Sahjanand …52







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242

©enrh MÚkkrÃkík {q¤ Mkt«ËkÞLke yLÞ {krníke

n MkíMktøke fkuLku fnuðkÞ ?

su ðt[ðíko{kLk Ãkk¤íkku nkuÞ íkÚkk ©enrhLkk MÚkkrÃkík Ëuð, yk[kÞo,

Mktík yLku þk†{kt suLku áZ ©æÄk nkuÞ íkuLku MkíMktøke fnuðkÞ.

n MkíMktøkeykuyu õÞk yrøkÞkh rLkÞ{ku Ãkk¤ðk òuEyu ?

Sð-«kýeLke ®nMkk Lk fhðe, Ãkh†e íÞkøk, {ktMkLkku yknkh Lk

fhðku, ËkY Lk Ãkeðku, rðÄðkLkku Mktøk Lk fhðku, ykí{½kík Lk fhðku,

[kuhe Lk fhðe, fkuELku f÷tf Lk ÷køkzðwt, ËuðLke ®LkËk Lk fhðe,

yÃkrðºk yknkh Lk fhðku yLku rð{w¾ SðLkk {w¾uÚke nrhfÚkk Lk

Mkkt¼¤ðe.

n Mkt«ËkÞLkk {kLÞ Mktík fkuLku fnuðkÞ ?

rþûkkÃkºke «{kýu çkÒku ËuþLkk yk[kÞo îkhk suLku Ëeûkk ykÃkðk{kt

ykðe nkuÞ yLku ©enrh MÚkkrÃkík {nk {trËhkuLke Mkuðk{kt yLku íkuLkk

rðfkMk{kt s ÃkkuíkkLkwt SðLk Mk{ŠÃkík fhu÷ nkuÞ íku s íku Mkt«ËkÞLkk

{kLÞ Mktík fnuðkÞ.

n MktíkkuLku ¼køkðíke Ëeûkk fkuý ykÃke þfu ?

©enrh MÚkkrÃkík Mkt«ËkÞLkk Ä{oðtþe yk[kÞo©e nkuÞ yu s MktíkkuLku

¼køkðíke Ëeûkk ykÃke þfu.

n õÞk ykX ytøkkuÚke Mkküktøk «ýk{ ÚkkÞ Au ?

Ãkøk, nkÚk, Zª[ý, ÓËÞ, {Míkf, árü, {Lk yLku ðkýe.

n Ãkkfku MkíMktøke fkuLku fnuðkÞ ?

rLkÞ{, ¼økðkLkLkk MðYÃkLkku rLkùÞ yLku ¼õíkkuLkku Ãkûk yk ºký

ðkLkkt su{kt ÃkrhÃkqýo nkuÞ íkuLku Ãkkfku MkíMktøke fnuðkÞ.

n ð[Lkk{]íkLke árüyu MktMkkhe Sð yLku ¼õík{kt þwt íkVkðík Au?

MktMkkhe Sð nkuÞ íkuLku íkku fkuE ÄLk ËuLkkhku {¤u fu Ëefhku ËuLkkhku {¤u

íÞkt íkhík «íkerík ykðu yLku ¼økðkLkLkk ¼õík nkuÞ íkuLku íkku stºk-

{tºk, Lkkxf ðøkuhu{kt õÞktÞ «íkerík ykðu s Lkrn. stºk-{tºk{kt

«íkerík fhu íkku íku MkíMktøke nkuÞ íkku Ãký yÄkuo rð{w¾ òýðku.







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Sarth Kirtnavali

243

n Mðkr{LkkhkÞý ¼økðkLku ÃkkuíkkLkk ¼õíkkuLku þwt rçkYË ykÃÞwt Au?

“{khk sLkLku ytíkfk¤u sYh {khu ykððwt, rçkÁË {kÁt yu Lk çkË÷u

Mkðo sLkLku sýkððwt.” ©eS {nkhks ¼õíkkuLku ytík Mk{Þu ÃkkuíkkLkk

rçkYË «{kýu yûkhÄk{{kt ÷E òÞ Au.

n rðrþüîiík yux÷u þwt ?

[uíkLk ykí{kyku yLku sz søkík ({kÞk) yu çku ¼økðkLkLkk

rðþu»kýku Au. yk çku rðþu»kýkuÚke rðrþü Ãkh{kí{kLkwt yufÃkýwt,

MkðkuoÃkrhÃkýwt íkuLkkÚke Ãkh fkuE LkÚke, íkuLke Mk{kLk fkuE LkÚke yuðe

{kLÞíkkðk¤ku ¿kkLk{køko íku rðrþükîiík {ík fnuðkÞ.

ºký þheh (1) MÚkw¤ (2) Mkqû{ (3) fkhý

n MÚkw÷ þheh yux÷u þwt ?

Ãkt[ef]ík ÚkÞu÷kt Ãkt[ {nk¼qíkkuÚke økkuXðkÞu÷wt, ÃkkÃk ÃkqÛÞ YÃk f{kuoÚke

WíÃkÒk ÚkÞu÷wt yLku Mkw¾-Ëw:¾ ðøkuhuLkk ¼kuøkLkk MÚkkLkYÃk su yk

þheh Au íku MÚkw÷ þheh fnuðkÞ Au fu su þheh WíÃkÒk Úkðk YÃk

WíÃkÒk ÚkÞk ÃkAe nkuðk YÃk, ðÄðk YÃk yLku Auðx Lkü ÚkE

sðkYÃk A rðfkhkuÚke Þwõík Au.

n Mkqû{ þheh fkuLku fnuðkÞ ?

yu Ãkt[ef]ík Ãkt[ {nk¼qíkkuÚke økkuXðkÞu÷wt, ÃkkÃk ÃkwÛÞ YÃk f{kuoLkk

ÞkuøkLku ÷eÄu yrðãkÚke ÚkÞu÷wt yLku Mkw¾-Ëw:¾ ðøkuhuLkk òuøkLkk

MkkÄLkYÃk su þheh Au íku Mkqû{ þheh yÚkðk ytíkfhý fu ®÷øk

þheh fðuÞk Au. yu Mkwû{ þheh Ãkkt[ «kýkrËfLkk {LkLkk yLku

çkwrØLkk Mk{wËkÞ YÃku hnu÷wt Au.

n fkhý þheh yux÷u þwt ?

yrLkðo[LkeÞ íkÚkk yLkkrË yrðãk YÃk MÚkw÷ íkÚkk Mkwû{ yu çktLku

þhehLkkt fkhýYÃk yLku rLkŠðfÕÃk (Ãkt[ {nk¼qíkkrËf ºkýu ðøkhLkwt)

su ÃkkuíkkLkk MðYÃkLkwt y¿kkLk Au íku fkhý þheh fnuðkÞ Au. yu ºkýu

þhehkuÚke LÞkhku Au yu{ yLkwMktÄkLk fhðwt.







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244

n Mkkík r[htSðe ÃkwY»kku :

(1) nLkw{kLkS (2) çkr÷hkò (3) ÔÞkMk (4) f]Ãkk[kÞo

(5) yïíÚkk{k (6) rðr¼»k{ (7) Ãkhþwhk{

n yü «fkhLke «rík{k :

(1) Ãkk»kký (2) fkü (3) Äkíkw (4) AkÃk (5) r[ºkk{ý

(6) huíke (7) {Lkku{Þ (8) {rýÞ{

n Mkku¤ MktMfkh :

(1) øk¼koÄkLk (2) Ãkw tMkðLk (3) Mke{Lík (4) òíkf{o

(5) Lkk{fh{ (6) rLk»¢{ý (7) yÒk«kþLk (8) [ki÷f{o

(9) fýoðuÄ (10) WÃkðeík (11) ðuËkht¼ (12) Mk{kðíkoLk

(13) WØMLkkLk (14) rððkn (yÂøLkLkku Ãkrhøkún) (15) ºkuíkkÂøLk

Mktøkún (16) yÂøLk MktMfkh

n »kkuzþkuÃk[kh :

(1) ykðknLk (2) ykMkLk (3) Ãkkã (4) yk[{Lk (5) yr¼»kuf

(6) ð†kuÃkðeík (7) øktÄ (8) Ãkw»Ãk (9) ÄqÃk (10) ËeÃk

(11) Lkiðuã (12) íkk tçk w÷ (13) Ërûkýk (14) V¤

(15) ykhíke (16) Ãkw»Ãkktsr÷

n ¼økðkLk{kt y¾tz ð]r¥k hk¾ðkLkkt [kh WÃkkÞ : ?

(1) r[¥kLkku [kuxðkLkku Mð¼kð (2) þqhðehÃkýwt (3) ðihkøÞ

(4) ¼Þ

¼økðkLkLku rð»ku yuf rLkck

{Lku {éÞk yu s {khk Mkk[k rníkfkhe fÕÞký «Ëkíkk, Mkuððk

ÞkuøÞ, Ãkqsðk ÞkuøÞ Ãkk{ðk ©e Mðkr{LkkhkÞý ¼økðkLk Au.

n MkíMktøkeLke çku Ãkkt¾ku

(1) yk¿kk (2) WÃkkMkLkk

n çku «fkhLke WÃkkMkLkk :

(1) Mkøkwý (2) rLkøkwoý







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Sarth Kirtnavali

245

n ºký økwý :

(1) Mkíðøkwý (2) hòuøkwý (3) ík{kuøkwý

n ºký yðMÚkk :

(1) òøkúík (2) MðÃLk (3) Mkw»kwÂÃík

n ºký ðkLkk :

(1) rLkÞ{ (2) rLkùÞ (3) Ãkûk

n ºký Éý :

(1) rÃkík]Éý (2) ðuËÉý (3) økwYÉý

n ºký Þkuøk :

(1) f{oÞkuøk (2) ¿kkLkÞkuøk (3) ¼ÂõíkÞkuøk

n ºký MkkÄLkk :

(1) ©ðý (2) {LkLk (3) rLkrËæÞkMk (¿kkLk«kÂÃíkLkkt)

[kh «fkhLkk ¼õík

(1) ykíko : rðÃkr¥k Mk{Þu Ãkwfkh fhLkkh

(2) rs¿kkMkw : «økxLke «kÂÃík yÚkuoLke Mkðuo r¢Þkyku ytøku MktÃkqýo òýfkhe

{u¤ððkLke EåAk hk¾Lkkh.

(3) yÚkkoÚkeo : fkuE [ku¬Mk ykþÞÚke ¼Âõík fhLkkh (Mkfk{)

(4) ¿kkLke : ¼økðkLk MktçktÄe Mkðuo çkkçkíkkuLkku òýfkh

[kh «fkhLke {wÂõík

(1) Mkk÷kuõÞ :- ¼økðkLkLkk ÷kuf{kt hnuðwt

(2) Mkk»xeo :- ¼økðkLkLkk suðk yiïÞo {u¤ððwt

(3) Mkk{eÃÞ :- ¼økðkLkLke Mk{eÃku hnuðwt

(4) MkkYÃÞ :- ¼økðkLkLkk suðwt YÃk Ãkk{ðwt.







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246

Þk[Lkk ðkõÞ

nu {nkhks ! {wõíkkLktË Mðk{e yLku çkúñkLktË Mðk{eLkk suðe {Lku

MkíMktøkLke Mk{sý ykÃkku. nu Mðk{e ! {w¤S çkúñ[khe íkÚkk ðkMkwËuðkLktË

çkúñ[kheLkk suðwt rLk»fkr{Ãkýwt {Lku ykÃkku. nu Mðk{e ! rLk»fw¤kLktË Mðk{e,

økwýkíkeíkkLktË Mðk{e yLku h½wLkkÚkkLktË Mðk{e suðku ðihkøÞ {Lku ykÃkku. nu

Mðk{e ! økkuÃkk¤kLktË Mðk{e yLku rLkíÞkLktË Mðk{eLkk suðwt W¥k{ ¿kkLk {Lku

ykÃkku. nu «¼ku ! ík{khk ¼õíkkuLkku {Lku y¾tz Mk{køk{ ykÃkku. nu

nrhf]»ý {nkhks ! {Lku òøkúíkk{kt íkÚkk MðÃLk{kt rLkhtíkh ík{u ËþoLk

ykÃkku. nu Mðk{e ! ík{khk ðkMíku ÷kufku{kt {kÁt ðøkkuýwt Úkkðku. nu {nkhks

! ík{khku fneLku ÷kufku {Lku çkku÷kðu. nu «¼ku ! yk Lku yk Ëunu {khe Mkðo

fMkh {xkzeLku, {Lku ík{khk Äk{{kt ÷E òð.

nu f]Ãkk®MkÄku ! nu þhýkøkík«ríkÃkk÷f ! fwzkÃktÚke þÂõíkÃktÚke,

þw»fðuËktíke yLku LkkÂMíkf yk [kh «fkhLkk fwMktøkeÚke {khe hûkk fhòu.

íkuLkku fkuE rËðMk Mktøk Úkkþku Lkrn. nu {nkhks ! fk{, ¢kuÄ, ÷ku¼, {kun,

yntfkh, E»Þko yLku Ëunkr¼{kLk yu ykrËf ytík:þºkw Úkfe {khe hûkk

fhòu. rLkíÞ ík{khk yufktríkf ¼õíkkuLkku Mk{køk{ Ëuòu. nu nrhf]»ý

{nkhks ! {khe yÕÃk çkwrØLke «kÚkoLkkLku Mkkt¼¤e {khk WÃkh MktÃkqýo f]Ãkk

fhku. ík{u {khk ytíkh{kt ðMkku.

nu Mðkr{LkkhkÞý ! nu {k Lku çkkÃk ! nu {nkhks ! nwt ík{khku Awt yLku

ík{ku {khk Aku, nu Mðk{e ! nu ËuðkrÄËuð ! nu Mðk{e MknòLktËS, nwt

ík{khk ËkMkLkku Ãký ËkMk Awt.

Ãkqò rðrÄ

«kík: fk¤{kt ðnu÷k WXðkÚke çk¤, çkwrØ yLku ykÞw»Þ ðÄu Au. Ëhuf

{Lkw»Þu hkºku 10 ðkøÞk MkwÄe{kt MkqE sðwt òuEyu yLku MkqÞkuoËÞ Ãknu÷kt çku

f÷kf ðnu÷k WXðwt òuEyu.

«Úk{ íkku ÃkkuíkkLkk ykí{kLku ºký ËunÚke rð÷ûký Mk¥kkYÃk {kLkeLku

ykí{kLku çkúñYÃk ¼ðkLkk fhe, íku ykí{kLku rð»ku {wõík {tz¤ Mkrník rËÔÞ







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Sarth Kirtnavali

247

{qŠík ©erhLkwt æÞkLk Ähðwt íku{s Ãkh{kí{k yLku {wõíkkuLkk Lkk{Lkwt MktfeíkoLk

«u{Úke fhðwt.

þkherhf þki[ rðrÄ

{¤íÞkøk fÞko ÃkAe þwt {]r¥kfk íkÚkk s¤Úke zkçkku nkÚk Ëþ ð¾ík

Äkuðku yLku çktLku nkÚk ¼uøkk fhe Mkkík ð¾ík Äkuðk. ÃkøkLkk ík¤eÞk {]r¥kfk

yLku s¤Úke ºký ð¾íku Äkuðk. nkÚkÃkøk ÄkuðkLke {]r¥kfk yÃkrðºk nkÚk ðzu

økúný Lk fhðe. fkuELkk nkÚkÃkøk Äkuíkk ðÄu÷k {]r¥kfk ÷ELku nkÚkÃkøk Äkuðk

Lk®n.

ËtíkÄkðLk rðrÄ

s¤Úke Ëkíký ÄkuELku yuf MÚkkLk{kt çkuMkeLku Ëkíký fhðwt Ãkhtíkw nhíkk

Vhíkk Lk fhðwt. MktòuøkkuðþkíkT õÞkhuf Ëkíký Lk {¤u íkku íkÚkk WÃkðkMkLkk

rËðMku Ëkíký Lk fhðwt, Ãký s¤Lkk (12) fkuøk¤k fhe {w¾Lke þwæÄe

fhðe. W÷ WíkkheLku ËktíkýLkk [erhÞkLku ÄkuELku VUfe Ëuðk.

MLkkLk rðrÄ

«kík: fk¤{kt MLkkLk fÞko rðLkk {Lkw»Þ Mkqíkfe {xíkku LkÚke. «kík:fk¤{kt

MLkkLk fhu íÞkhu íku {Lkw»Þ ËuðLkwt ÃkqsLk íkÚkk rÃkík] MktçktÄe ©kæÄ íkÃkoýkrËf

f{o fhðkLku yrÄfkhe ÚkkÞ Au. nt{uþk Xtzk s¤Úke s Mkþõík {Lkw»Þkuyu

MLkkLk fhðwt.

MLkkLk fhíke ð¾íku ¼økðík-M{hý ykËh Ãkqðof fhðwt, MLkkLk fÞko

ÃkAe ÄkuÞu÷wt ð† Ãknuhðwt yLku çkeswt yuf ykuZðwt. ykuZðkLkk ð† hrník

Ãkqò Lk fhðe íkÚkk ÃkuLx-þxo ÃknuheLku Ãký Ãkqò Lk fhðe.

Ãkqò rðrÄ

¼økðkLkLke Mkuðk-Ãkqò fhðk {kxu þwØ fhu÷e Ãk]Úðe Ãkh ÃkkÚkhu÷wt Lku

Mkkhe ÃkuXu çkuMkkÞ yuðk ykMkLk WÃkh Ãkqðo {w¾u yÚkðk W¥kh {w¾u çkuMkðwt.

Ë¼koMkLk, {]øk[{koMkLk, WLkLkwt ykMkLk yu ykMkLkku ©uc fnu÷k Au. ykMkLk

ðøkh ¼qr{ Ãkh çkuMkðkÚke ÞÚkkÚko V¤ {¤íkwt LkÚke. su{ MLkkLk ðzu þhehLkwt

þwrØ ÚkkÞ Au íku{ yk[{Lk ðzu «kýLke þwrØ ÚkkÞ Au.







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248

yk[{Lk rðrÄ

s{ýk nkÚkLkku ytøkwXku s{ýe {æÞ{kt yktøk¤eLkk {æÞ Ãkðo WÃkh

hk¾eLku yLku s{ýk nkÚkLke nÚku¤e{kt s¤ ÷ELku, zkçkku nkÚk nÚku¤eLku

ík¤u yzfkðeLku ºký ð¾ík yk[{Lk fhðwt.

Ãknu÷k yk[{Lk Mk{Þu : H LkkhkÞýkÞ Lk{:

çkeò yk[{Lk Mk{Þu : H ðkMkwËuðkÞ Lk{:

ºkeò yk[{Lk Mk{Þu : H rð»ýðu Lk{:

yk ºký {tºkku çkku÷e ºký ðkh yk[{Lk fðwt. yk[{Lk fÞko çkkË

þwØ s¤Úke nkÚk ÄkuE Lkk¾ðk. íku ÃkAe rþ¾kçktÄLk fhðwt.

rík÷f [ktË÷ku

MkíMktøke ÃkwY»kkuyu WæðoÃkwzÙ rík÷f yLku [ktË÷ku fhðku. rðÄðk

†eykuyu [kËt÷ku fu rík÷f fktE Ãký Lk fhðwt. MkÄðk †eykuyu fw{fw{Lkku

[kËt÷ku ÷÷kx{kt fhðku.

MkíkT þwÿkuyu rík÷f-[ktË÷ku ÷÷kx{kt fhðku yLku yMkíkT þwØkuyu

÷k÷x{kt fuð¤ [ktË÷ku s fhðku. ÷÷kx{kt rík÷f fhíke ð¾íku H

ðkMkwËuðkÞ Lk{: çkku÷ðwt, ÓËÞ{kt rík÷f fhíke ð¾íku H Mktf»koýkÞ Lk{:

çkku÷ðwt, s{ýk nkÚk{kt rík÷f fhíke ð¾íku H «ãwBLkkÞ Lk{: çkku÷ðwt

yLku zkçkk nkÚk{kt rík÷f fhíke ð¾íku H yrLkÁØkÞ Lk{: çkku÷ðwt. yk

Lkk{ku Wå[khý fheLku rík÷f fhðwt. rík÷f fÞko rðLkk ÃkqsLkkrËf fhu

íkku íku ÔÞÚko òÞ Au. rík÷f økkuÃke[tËLk yÚkðk [tËLk ðzu fhðwt, íkuLkk

{æÞ{kt fw{fw{Lkku [ktË÷ku fhðku. íÞkh ÃkAe yuLkk yus ði»ýð {tºkku ðzu

VheÚke ºkýðkh yk[{Lk fhðwt. rík÷f [ktË÷ku fÞko ÃkAe {kLkMke Ãkqò

fhðe. ÃkqsLk fhíke ð¾íku Lke[u «{kýu ykðknLk {tºk çkku÷ðku.

ykbknLk {tºk

Wríkükur¥kü nu LkkÚk, Mðkr{LkkhkÞý «¼ku >

Ä{oMkqLkku ËÞk®Mk½ku, Mðu»kkt©uÞ: Ãkht fwÁ >>1>>

Wríkükur¥kü økkurðLË, Wr¥kc økYzæðs >

Wríkc f{÷kfkLík, ºki÷kuõÞt {tøk÷t fwÁ >>2>>







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Sarth Kirtnavali

249

ykøkåA ¼økðLkT Ëuð, MðMÚkkLkkíÃkh{uïh >

ynt Ãkqò frh»Þkr{, MkËk íðt MkL{w¾ku¼ð >>

WÃkhLkk {tºkku ðzu ¼økðkLkLkwt Ãkx {qŠíkyku{kt ykðknLk fhðwt. ÃkAe

ÃkkuíkkLkk rLkÞ{kLkwMkkh yükûkh {tºk (yk[kÞo {nkhks©eyu ykÃku÷k

{tºk) Lkku sÃk fhðku. Ãkqò fhíke ð¾íku fkuE MkkÚku ðkík Lk fhðe.

sÃk{k¤k Vuhððe (©e Mðkr{LkkhkÞý {tºk çkku÷ðku) ÃkAe sÃk {k¤k yuf

Ãkøku W¼k hneLku Vuhððe. ÃkAe «Ërûkýkyku fhðe. ÃkAe ykX ytøk Mkrník

ËtzðíkT «ýk{ ykuAk{kt ykuAk 6 fhðk. ÃkAe ¼økðkLkLke «kíkoLkk Lke[u

{wsçk fhðe.

yÃkhkÄMkn†krý rfÞtíkuànorLkþt {Þk >

ËkMkkuàÞr{rík {kt {íðk ûk{Mð ÃkwÁ»kku¥k{ >>

þhýt {tºk :-

ÜU¢H¢}¢¢²¢Ð¢ÐÜU}¢ü²}¢Îê¼ |¢²¢Îã}¢ì JŸ¢èÜëUc‡¢Îï±æ à¢ÚÝæ ÐíÐó¢¢ïùçS}¢ S¢ Ð¢¼é }¢¢}¢ JJ

yükûkh {tºk :

(yk[kÞo {nkhks Úkfe yÃkkíkk {nk{tºkku)

Ÿ¢èÜëUc‡¢ y±æ x¢<¼}¢ü}¢ JÏ¢ír¢¢ãæ ÜëUc}¢Î¢S¢¢ïùçS}¢ JJWÃkhLkk {tºk çkku÷e ÃkqòLke Mk{kÂÃík çkkË rþûkkÃkºkeLkku ÃkkX fhðku.

ÃkAeÚke {trËh{kt sELku Ëuð-ËþoLk yLku ¼õík-ËþoLk fhðk. ÃkAe ÃkkuíkkLkwt

ÔÞðnkrhf fk{fks fhðwt.







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250

{k™‚e …qò™e rðrÄ

{k™‚e …qò fhðk™ku nuŒw yu Au fu, ¼„ðk™{kt «erŒ ÚkkÞ, {™™e

ÂMÚkhŒk rð™k {k™‚e …qò ÚkE þfŒe ™Úke {kxu {™™u ÂMÚkh fhðk «Úk{

ykí{rð[kh fhðku su, MÚkq÷, ‚qû{ y™u fkhý yu ºký ËunÚke ™ku¾ku

[iŒLÞ Y… su ykí{k, Œu {kYt MðY… Au, fnuŒk nwt yûkhƒúñ Awt. y™u

{khu rð»ku …wY»kku¥k{ ™khkÞý y¾tz rðhks{k™ Au. yk «{kýu …kuŒk™k

ykí{k™u yûkhƒúñ™e ‚kÚku ¼kð™k fhe™u, {™u fhe™u fÕ…u÷kt s¤,

[tË™, ðMºk, yk¼q»ký, …w»…, V¤ rð„uhu …ËkÚkkuoÚke ¼„ðk™™e {k™‚e

…qò fhðe.

«kŒ: fk¤™e …nu÷e {k™‚e …qò

«Úk{ …kuŒk™k ykí{k™u rð»ku {wõŒ {tz¤ ‚rnŒ rËÔÞ{qŠŒ ©enrh™wt

æÞk™ fhðwt. ©enrh …÷t„{kt …kuZu÷k Au yu{ ¼kð™k fhe, «kÚko™k fhe™u

s„kzðk. íÞkh…Ae {™w»Þ÷e÷k™k M{hý {kxu ¼„ðk™™u

þki[ËtŒÄkð™krË r¢Þk fhðe, ÉŒw y™w‚kh ½ýk s¤Úke M™k™ fhkððwt.

íÞkhƒkË ÉŒw y™w‚kh ©eS™k Ëhuf yt„{kt ÞÚkk ÞkuøÞ ðMºk ŒÚkk

y÷tfkh Äkhý fhkððk. íÞkhƒkË ÉŒw y™w‚kh [tË™krË W…[khkuÚke

©eS™e …qò fhðe. ÉŒw «{kýu …w»…™k nkh Ähkððk íÞkh …Ae …kuŒk™u

{™¼kðŒkt ¼kus™ ¼„ðk™™u Ähkððk, ‚kfh, fuþh, fMŒwhe, ƒËk{

ð„uhuÚke ÞwõŒ Wfk¤u÷ ËqÄ ŒÚkk {„s, s÷uƒe, yzËeÞk, …whe ð„uhu

…fðk™ ©eS™u s{kzðk, s¤…k™ fhkðe {w¾ðk‚ y…oý fhe ykhŒe

WŒkhe, «ËÂûkýk ËtzðŒ «ýk{, MŒwrŒ ykrËf fhe™u ©enrh™u {¤ðwt.

íÞkh …Ae «‚kËe™kt ¼kus™ s{kzðk, {™u …ý ©enrhyu «‚kË ykÃÞku

Œu nwt sBÞku. yuðe ¼kð™k fhðe. ©enrh {khk ykí{k{kt rðhks{k™ Au

y™u nwt Œu{™e ‚uðk{kt Awt yu{ ¼kð™k fhðe.







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Sarth Kirtnavali

251

s{Œe ð¾Œ™e ƒeS {k™‚e …qò

¼kus™ fhkðŒe ð¾Œu …kuŒk™k ykí{k{kt rðhkS hnu÷k ©enrh™wt

®[Œð™ fhe, ©enrh™u …eŒktƒh ykrËf ‚{Þ™u y™wfw¤ ðu»k Äkhý

fhkððku …Ae ƒk‚wtËe, ËqÄ…kf, þe¾tz, …whe, þehku, ft‚kh, rƒhts,

{k÷…wðk, ‚uðku, {kun™Úkk¤ ykrËf rðrðÄ «fkh™k þkf, yÚkkýk, ¼kŒ,

Ëk¤ ykrËf [kh «fkh™k ¼kus™ku, ‚wðýo™k Úkk¤{kt Äkhý fhe Œu Úkk¤

‚wðýo™k ƒkòux …h Äkhý fhðku y™u íÞkh …Ae Œu ¼kus™™k Úkk¤

‚L{w¾ ©e ‚nò™tË Mðk{e {nk«¼w™u ƒu‚ðk {kxu yuf ‚wðýo™ku ƒkòuX

{wfe™u Œu™k …h f‚wtƒ÷ yk‚™ …kÚkhe™u ©enrh™u ¼kus™ fhðk «kÚko™k

fhðe. “nu {nkhks, nu ¼õŒðí‚÷, nu Ä{oÄwhtÄh ! ‚ðo «fkh™kt

¼kus™ku {U ŒiÞkh fhu÷ Au. {kxu yk… f]…k¤w s{ðk …Äkhku yu{ «kÚko™k

fhe™u ©eS™u ‚wðýo ƒkòuX …h ƒu‚kze™u [tË™ yûkŒ …w»…krËÚke …qsðk

…Ae ‚wðýo™k Úkk¤{kt hnu÷k ¼ûÞ, ¼kußÞ, ÷un, [ku»ÞkrË [khu «fkh™k

¼kus™ku ©eS™u s{kzðk. íÞkh …Ae s{e™u Œ]ó ÚkÞu÷k òýe™u yk[{™

‚rnŒ s÷…k™ fhkðe™u {w¾ðk‚ y…oý fhe ykhŒe WŒkhe «ËÂûkýk

ËtzðŒ MŒwrŒ ykrËf fhe, ©enrh™u {¤ðwt. íÞkh …Ae ©enrhyu {™u …ý

«‚kË ykÃÞku Au yuðe ¼kð™k fhðe y™u {wõŒ {tz¤ ‚rnŒ ©enrh™u

yûkhÄk{ Y… …kuŒk™k ykí{k{kt ‚wtËh …÷t„ …h …kuZkzðk, y™u nwt

©eS™k [hýk‹ðË™e ‚uðk{kt Awt. yuðe ¼kð™k fhðe.

WíÚkk…™ ‚{Þ™e ºkeS {k™‚e …qò

[kh ðk„u WíÚkk…™ ‚{Þu …nu÷kt™e su{ ¼kð™k fhe™u, ©enrh™u

s„kzðk “nu {nkhks, WXðk™ku ‚{Þ ÚkÞku Au {kxu yk… ò„]Œ

Úkkyku.” yu{ «kÚko™k fhe™u …Ae ò„úŒ ÚkÞu÷k ©enrh™wt ‚w„tÄe{k™

…w»…ku™k nkh Œkuhk „wåA „shk ƒkswƒtÄ ð„uhuÚke …qs™ fhðwt. íÞkhƒkË

ÿkûk, fuhe, Ëkz{, ……iÞwt, òtƒw, ™kht„e, fksw ykrË ‚wfku-÷e÷ku {uðku

s{kze s÷…k™ fhkðe {w¾ðk‚ y…oý fhe «‚kËe™k W…[khkuÚke {wõŒku™wt







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252

…qs™ fhðwt. y™u «‚kËe™k V¤ku Œu{™u s{kzðkt. ©enrhyu {™u …ý

«‚kË ykÃÞku Œu nwt sBÞku y™u ©enrh {wõŒ {tz¤ ‚rnŒ yûkhÄk{Y…e

{khk ykí{k{kt rðhks{k™ Au yuðe ¼kð™k fhðe.

‚kÞtfk¤™e [kuÚke {k™‚e …qò

‚tæÞk ‚{Þu …nu÷kt™e …uXu ƒúñMðY…™e ¼kð™k fhe™u,

{nkhkòrÄhks™e þku¼kÚke ÞwõŒ y™uf fkurx {wõŒkuyu ‚uðu÷k ©enrhf]»ý

{nkhks™wt ®[Œð™ fhe™u íÞkh …Ae ¼khu ðMºk, y÷tfkh, …w»…ku™k

nkhkrËf WŒkhe™u ‚qû{ fku{¤ ½kxkt ðMºk …nuhe™u ƒuXu÷k ©enrh™wt

[tË™krË W…[khkuÚke …qs™ fhe™u ©eS™u ¾e[ze, fZe, …k…z, yÚkkýk,

þkf, ðzkt ykrËf ‚k{„úe ‚rnŒ þehku, …whe, ¼SÞkt ™u ËqÄ ¼kŒ ykrËf

¼kus™ku s{kze s÷…k™ fhkððwt íÞkh …Ae {w¾ðk‚ y…oý fhðku. …Ae

©enrh™u ‚wtËh ®‚nk‚™ …h rðhks{k™ fhe™u ykhŒe WŒkhe™u Äq™,

MŒwrŒ, «ËÂûkýk ËtzðŒ «ýk{ fhðk íÞkh …Ae «‚kËe™k W…[khkuÚke

{wõŒku™wt …qs™ fhe™u «‚kËe™k ¼kus™ku s{kze, s÷ …k™ fhkðe {w¾ðk‚

yk…ðku. …Ae {™u …ý ©eSyu «‚kË ykÃÞku Œu nwt sBÞku y™u ©enrh

{wõŒ {tz¤ ‚rnŒ {kuxe ‚¼k{kt rËÔÞ ®‚nk‚™ W…h rðhks{k™Au.

y™u nwt Œu{™e ‚uðk{kt Awt. yuðe ¼kð™k fhðe.

hkºke™e …kt[{e {k™‚e …qò

þÞ™ ykhŒe ‚{Þu ©enrh™wt [tË™krËf W…[khkuÚke …qs™ fhe

‚kfh ‚rnŒ Wfk¤u÷ ËqÄ™wt …k™ fhkðe yu÷[e, ‚ku…khe, fkÚkku, [w™ku yu

ykrËfu ÞwõŒ ™k„hðu÷™wt …k™ {w¾ðk‚ {kxu y…oý fhðwt. …Ae ykhŒe

Äq™, MŒwrŒ, «ËÂûkýk, ËtzðŒ ð„uhu fhe™u ©enrh™u {¤ðwt. …Ae «‚kËe™k

W…[khkuÚke {wõŒku™wt …qs™ fhe «‚kËe™wt ËqÄ…k™ fhkðe, s÷…k™ fhkðe

{w¾ðk‚ yk…ðku y™u {™u …ý ©enrhyu «‚kË ykÃÞku ™u nwt sBÞku yuðe

¼kð™k fhðe …Ae ©eS™u yûkhÄk{Y… …kuŒk™k ykí{k{kt «u{Y…e

…÷t„ W…h yÚkðk Œku ‚wtËh, fku{¤, {¾{÷™wt „kË÷wt, „k÷ {‚wheÞk,







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Sarth Kirtnavali

253

ykuþefwt, ykuAkz, {åAhËk™e ykrËf ‚k{„úeÚke ÞwõŒ ‚wtËh …÷t„ W…h

þÞ™ fhkððwt, ‚ðuo {wõŒku …ý ©eS™k æÞk™{kt r™{ø™ Au y™u nwt

©enrh™k [hý Ëƒkððk yu ykrËf ‚uðk fhŒkt Œu{™k {w¾™wt Ëþo™ fYt

Awt. ykðe ¼kð™k fhe …qò™e ‚{kÂó fhðe. W…h {wsƒ …kt[u {k™‚e

…qò fhðe.

{k™‚e …qò fhŒe ð¾Œu «Úk{ …kuŒk™u rð»ku ƒúñMðY…™e ¼kð™k

fÞko …Ae su ‚{Þ™e {k™‚e …qò fhðk™ku «kht¼ fhðku nkuÞ ŒuÚke

…nu÷k™e {k™‚e …qò ð¾Œu ¼„ðk™™u fuðk ðMºk y÷tfkhkrËf Äkhý

fhkðe™u rƒhks{k™ fÞko nŒk yÚkðk fuðe heŒu …kuZkzâk nŒk Œu ‚ðo

y™w‚tÄk™ hk¾e Œu «{kýu s Œu MðY…™wt ®[Œð™ fhe™u íÞkh …Ae ÞÚkk

‚{Þu {k™r‚f …qò fhðk™e þYykŒ fhðe.

yk «{kýu ¼õŒs™u nt{uþk …kt[ ð¾Œ swËe swËe {k™r‚f

…qòyku yrŒ ©Økyu fhe™u «u{…qðof fhðe. su ¼õŒs™ku …kuŒk™k Ä{o

r™Þ{{kt ‚kðÄk™ …ýu ðŒeo W…h fÌkk «{kýu «u{…qðof {k™‚e …qò

fhþu Œu™ku ©eS™u rð»ku yrŒþÞ M™un ð]ÂØ …k{þu.







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254

ð[Lkk{]ík

‚tðŒ 1876™k {k„þh ‚wËe 11 yufkËþe™u rËð‚u

©eS {nkhks ©e„Zzk {æÞu ËkËk¾k[h™k Ëhƒkh{kt

rðhks{k™ nŒk y™u ‚ðuo ïuŒ ðMºk Äkhý fÞkO nŒkt y™u

…kuŒk™k {w¾kh®ðË™e yk„¤ ‚kÄw ŒÚkk ËuþËuþ™k nrh¼õŒ™e

‚¼k ¼hkE™u ƒuXe nŒe.

…Ae ©eS {nhks ƒkuÕÞk su, “ErLÿÞku™e su r¢Þk Au Œu™u

òu ©ef]»ý ¼„ðk™ y™u Œu™k ¼õŒ™e ‚uðk™u rð»ku hk¾u Œku

ytŒ:fhý þwØ ÚkkÞ Au, y™u y™tŒ fk¤™kt su …k… Sð™u ð¤øÞkt

Au Œu™ku ™kþ ÚkE òÞ Au. y™u òu ErLÿÞku™e ð]Â¥kyku™u Mºke

ykrËf™k rð»kÞ{kt «ðŒkoðu Au Œku yu™wt ytŒ:fhý ¼úü ÚkkÞ Au

y™u fÕÞký™k {k„o Úkfe …ze òÞ Au. {kxu þkMºk{kt suðe heŒu

rð»kÞ ¼ku„ÔÞk™wt fÌkwt Au Œuðe heŒu r™Þ{{kt hne™u rð»kÞ™u

¼ku„ððk …ý þkMºk™e {ÞkoËk™u WÕ÷tÄ™ fhe™u ¼ku„ððk ™rn.

y™u ‚kÄw™ku ‚t„ hk¾ðku y™u fw‚t„™ku íÞk„ fhðku y™u ßÞkhu yu

fw‚t„™ku íÞk„ fhe™u ‚kÄw™ku ‚t„ fhu Au, íÞkhu yu™u Ëun™u rð»ku su

yntƒwÂØ Au Œu r™ð]Â¥k …k{u Au y™u Ëun™k ‚tƒtÄe™u rð»ku su

{{íðƒwÂØ Au Œu r™ð]Â¥k …k{u Au; y™u ¼„ðk™™u rð»ku y‚kÄkhý

«erŒ ÚkkÞ Au y™u ¼„ðk™ rð™k yLÞ™u rð»ku ðuhkøÞ ÚkkÞ Au.”

…Ae Œu™u Œu rËð‚ Mðk{e ©e‚nò™tËS {nkhks

ËkËk¾k[h™k Ëhƒkh{kt ÷ª{zk™e ‚k{k „ku¾{kt rðhksŒk nŒk

y™u rËð‚ Ãnkuh yuf [Zâku nŒku y™u ÷ª{zk nuXu …h{nt‚™e

‚¼k ƒuXe nŒe, y™u „]nMÚk ‚í‚t„e …ý ƒuXk nŒk y™u

‚ktÏÞÞku„e, f{oÞku„e ƒkÞwt™e …ý ‚¼k nŒe. Œu ‚{Þ™u rð»ku

©eS {nkhks yu{ ƒkuÕÞk su, “nu …h{nt‚ku ! su™u su yt„™e

yrŒþu áZŒk nkuÞ Œu ‚ðuo …kuŒ…kuŒk™k yt„™e ðkŒ fhku, y™u su







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Sarth Kirtnavali

255

yt„ fk[wt…ku[wt sýkŒw nkuÞ Œku Œu yt„™e ðkŒ fhþku {k y™u Œu áZ

yt„™e rð„Œe su su™u ¼„ðk™™k MðY…™ku yrŒ áZ r™ùÞ nkuÞ

Œku Œu yt„™e ðkŒ fhòu ™u su™u ykí{¿kk™™wt yrŒ ƒ¤ nkuÞ Œku

Œu yt„™e ðkŒ fhòu. su nwt Œku Ëun ™Úke, ™u ykí{k Awt y™u ð¤e

su™u r™÷kuo¼e ŒÚkk r™»fk{e ŒÚkk r™:M…]ne ŒÚkk r™:MðkËe ŒÚkk

r™{ko™e yu …t[ðŒo{k™{kt su su yt„™e yrŒ áZŒk nkuÞ Œu Œu

yt„™e ‚ðuo ðkŒ fnku.”

…Ae Œku ©eS {nkhks …kuŒu «‚Òk ÚkE™u ƒkuÕÞk su, “«Úk{

Œku y{u y{khk yt„™e ðkŒ fheyu. …Ae Œ{u Œ{khk yt„™e ðkŒ

fhòu” yu{ fne™u …Ae ©eS {nkhks yu{ ƒkuÕÞk su,

“©e™h™khkÞý™k «Œk… Úkfe y{™u yuðwt ðŒuo Au su nwt ykí{k Awt,

yAuã Awt, y¼uã Awt, ‚Âå[Ëk™tË Aw y™u y{khe su {kux… Au Œu

Œku MðMðY…™ku «fkþ ŒÚkk ©e™h™khkÞý™e W…k‚™k Œu ðzu Au,

…ý ¼khu ¼khu ðMºk ŒÚkk y{qÕÞ-yk¼q»ký ŒÚkk hÚk, …k÷¾e,

nkÚke ½kuzk Œu™e su y‚ðkhe Œu ðzu fhe™u {kux… ™Úke y™u

s„Œ™kt ‚ðuo {ký‚ y™u s„Œ™k ‚ðuo hkò ‚í‚t„e ÚkE™u nkÚk

òuze™u Q¼k hnu Œu ðzu fhe™u …ý y{khu {kuxkE ™Úke y™u yk

‚í‚t„e ‚ðuo Au Œu rð{w¾ ÚkE òÞ y™u {w™u fkuE {k™u ™rn y™u

…nuhðk™u ðMºk y™u hnuðk™e søÞk ™ {¤u Œuýu fhe™u y{khe

neý… ÚkŒe ™Úke. y{khe {kux… Œku ©e™h™khkÞý™e W…k‚™k

ðzu fhe™u nwt ƒúñ Awt, nwt ykí{k Awt yuðe heŒ™e su {khe {kux…

Œu Œku nwt {qfðk™u EåAwt yÚkðk ƒeò fkuE ƒúñkrËf suðk Au Œu

{wfkððk™u EåAu ŒkuÞ …ý y{khe {kux… x¤u ™rn. y™u y{khu

©e™h™khkÞý™e W…k‚™k Au Œu …kuŒk™wt su ƒúñY… Œu™u rð»ku

…hƒúñ ™u …h{kí{k yuðk su ©e™h™khkÞý Œu{™e ‚kfkh {qŠŒ

Œu™e W…k‚™k Au. Œu fkuE …kuŒk™u y™w¼ðu fhe™u fnu yÚkðk þkMºku







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256

fhe™u fnu, su …hƒúñ, su …wÁ»kku¥k{ Œu ykfkhu hrnŒ Au Œku Œu ðkŒ

y{™u {™kÞ ™nª fkt su Œu …wÁ»kku¥k{™e f]…k Úkfe yu …wÁ»kku¥k{™wt

‚kfkh MðY… Œu™u nwt «íÞûk Ëu¾wt Awt y™u y{khk ÓËÞ{kt yu{

‚{òÞ Au su …hƒúñ yuðk su …wÁ»kku¥k{ Œu™u ykfkhu hrnŒ fnu

Au, Œu™u …h{uïh™e ðkŒ …ý ‚{òŒe ™Úke ™u Œu™u Œu MðY…™wt

Ëþo™ …ý ™Úke y™u Œu þkMºk™u ‚{S òýŒk ™Úke. y™u þkMºk{kt

su ¼„ðk™™wt r™hkfkh MðY… fÌkwt Au, Œu Œku {krÞf ykfkh™u

¾kuxk fhðk™u yÚkuo fÌkwt Au. fkt su ¼„ðk™™e {qŠŒ™u rð»ku {krÞf

su …t[¼qŒ ŒÚkk Ëþ ErLÿÞku ŒÚkk [kh ytŒ:fhý Œu «kf]Œ Sð™k

suðkt ™Úke. {kxu þkMºku r™hkfkh fÌkkt Au. y™u ¼„ðk™™u y÷kirff

ykfkh Œku Au ¾hku. òu ¼„ðk™™u ™uºk Au Œku ™uºku fhe™u …wÁ»kîkhu

{kÞk ‚k{wt swyu Au íÞkhu Œu {kÞk{ktÚke y™tŒfkurx ƒúñktz Wí…Òk

ÚkkÞ Au. Œu ƒúñktzku™u rð»ku ƒúñkrËf Ëuð y™tŒfkurx Wí…Òk ÚkkÞ Au

y™u ƒúñktz{kt ‚hßÞk yuðk su MÚkkðh, st„{ Sð, yu ‚ðuo

Wí…Òk ÚkkÞ Au. {kxu ¼„ðk™™u ™uºk …ý Au y™u su Ënkzu MÚkkðh,

st„{ ‚]Âü ‚ðuo™ku ™kþ ÚkkÞ Au, ™u {nk «÷Þ ÚkkÞ Au, íÞkhu yuf

s …wÁ»kku¥k{ hnu Au. Œu Ënkzu ðuË ykðe™u ¼„ðk™™e MŒwrŒ fhu

Au. Œu MŒwrŒ™u ‚kt¼¤e™u ¼„ðk™ rðï™u ‚hsu Au. Œku ¼„ðk™™u

fk™ …ý Au. yuðe heŒu [kiËu ErLÿÞku Au …ý y÷kirff Au, y™u

{™ ðkýeÚke …h Au, y™u hk{ f]»ýkrËf Y…u fhe™u Sð™k

fÕÞký™u yÚkuo «ðŒuo Au. íÞkhu yrŒþu ËÞk fhe™u Sð™u áÂü„ku[h

ÚkkÞ Au, ™u yu{ Äkhu Au su nwt áÂü„ku[h ™rn ÚkkW Œku Sð {kÁt

æÞk™ ŒÚkk M{hý, …qs™ y[o™krËf þe heŒu fhþu ? {kxu ¿kk™e,

y¿kk™e ‚ðuo™u «íÞûk sýkÞ yuðk ÚkkÞ Au. …ý ¼„ðk™ Œku suðk

Au Œuðk ™u Œuðk s Au, ™u Sð™u áÂü„ku[h ÚkÞk {kxu fktE {krÞf

yuðkt su Ëun y™u ErLÿÞku ÞwõŒ ™Úke. {kxu su ¼„ðk™™u r™hkfkh







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Sarth Kirtnavali

257

fnu Au Œu y{™u fkuE fk¤u {™kÞ ™rn. y™u Œu ©e™h™khkÞý™e

W…k‚™k™u «Œk…u fhe™u yk ƒúñktz™wt hkßÞ ykðu y™u ƒúñktz{kt

sux÷e Ëuðkt„™k ykrË Mºkeyku Au Œu ‚ðuo ykðe™u ‚uðk{kt nksh

Q¼e hnu y™u sux÷kt ƒúñktz{kt ‚khkt …ËkÚko Au Œu ‚ðuo ÷kðe™u

nksh fhu Œku …ý yu ‚ðuo {¤e™u y{™u {kun …{kzðk ‚{Úko ™Úke.

y™u Äkheyu su y{ku {kun …k{e™u yu{kt ƒtÄkEyu Œku …ý fkuE

heŒu y{khu ƒtÄ™ s ÚkkÞ ™rn, yuðe y{khu EüËuð™e f]…kÞu

fhe™u MðMðY…™e áZŒk Au. y™u fkuE™u Ëefhku Ëuðku, fu fkuE™u

ÿÔÞ Ëuðwt fu {wðk™u SðŒku fhðku, fu fkuE™u {khðku yu Œku y{™u

™Úke ykðzŒwt. …ý Sð™wt su heŒu fÕÞký ÚkkÞ y™u Sð™u

¼„ðk™™k Äk{{kt …nkU[kzðku Œu Œku y{™u ykðzu Au. y™u nðu

Œku y{u ðÄw ™rn fneyu, ™u òu ƒku÷eyu Œku ƒku÷Œkt ƒku÷Œkt ðÄw

ƒku÷kE sðkÞ.” yuðkt ð[™ fne™u ‚wtËh þhËÉŒw™k f{÷

‚h¾kt ™uºku fhe™u ‚ðo …ht{nt‚ ‚k{wt òuE™u n‚Œu {w¾u ‚tŒku «íÞu

ƒkuÕÞk su, “nu ‚tŒku! nðu Œ{u Œ{khk yt„™e ðkŒ fnku.”

…Ae …kuŒu yu{ ƒkuÕÞk su y{ku ™u Œ{ku yuf yt„ðk¤k

Aeyu. {kxu y{khk yt„{kt Œ{khku ¼k„ Au. {kxu y{u fÌkwt Œu

heŒu ‚ðuo áZ r™ùÞ hk¾òu. yuðe heŒu ©eS {nkhksu …kuŒk™wt

yt„ fne Ëu¾kzâwt Œu ¼õŒs™™u yÚkuo Au y™u …kuŒu Œku ‚kûkkŒT

…wÁ»kkuu¥k{ ™khkÞý Au. ErŒ ð[™k{]Œ{T „Zzk «Úk{ >> 8 >>

‚tðŒ 1876™k {k½ ‚wËe 13 Œuhþ™u rËð‚ Mðk{e

©e‚nò™tËS {nkhks ©e„Zzk {æÞu ËkËk¾k[h™k Ëhƒkh{kt

©eðk‚wËuð ™khkÞý™k {trËh™e yk„¤ ®÷ƒzk™k ð]ûk™e

nuXu, ykuxk {æÞu Zkur÷Þk W…h ykÚk{ýu {w¾kh®ðËu ‚tæÞk

‚{u rðhks{k™ nŒk y™u ‚ðuo ïuŒ ðMºk …nuÞkO nŒkt y™u

…kuŒk™k {w¾kh®ðË™e yk„¤ {wr™ ŒÚkk ËuþËuþ™k nrh¼õŒ™e







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258

‚¼k ¼hkE™u ƒuXe nŒe y™u …kuŒk™k {w¾kh®ðË™e yk„¤

ƒu {þk÷wt ƒ¤Œe nŒe. y™u ©e ðk‚wËuð ™khkÞý™e ‚tæÞk

ykhŒe ŒÚkk ™khkÞý ÄqLÞ ÚkE hne.

Œu fuzu ©eS{nkhks ƒkuÕÞk, su “‚ðuo ‚kðÄk™ ÚkE™u

‚kt¼¤ku, yuf ðkŒko fheyu Aeyu.” íÞkhu ‚ðuo {wr™ ŒÚkk nrh¼õŒ

ƒkuÕÞk su “nu {nkhks ! fnku.” …Ae ©eS{nkhks ƒkuÕÞk su,

“yu y{khe yk¿kk Au su, nrh¼õŒ {kºk™u ©e™h™khkÞý™e {qŠŒ

fk„¤{kt ÷¾kðe ËEþwt, Œu …qsòu, y™u yu …qò ‚ðuo þkMºku fhe™u

«{ký Au y™u ©e{ËT ¼k„ðŒ™u rð»ku …ý yü «fkh™e {qŠŒ fne

Au. {kxu r[ºk {qŠŒ …ý yrŒ «{ký Au y™u y{khe yk¿kk …ý

Au. {kxu nrh¼õŒ {kºk™u «kŒ: fk¤{kt M™k™ fhe™u

©e™h™khkÞý™e …qò fhðe y™u …qò fÞko …Ae «ËÂûkýk fhðe

y™u ‚kükt„ «ýk{ fhðk, …Ae ¼„ðk™ …k‚u yu{ {k„ðwt, su ‘nu

{nkhks ! y{khe fw‚t„ Úkfe hûkk fhßÞku.’ Œu fw‚t„ [kh

«fkh™ku Au. yuf Œku fwzk …tÚke, ƒeòu þÂõŒ …tÚke, ºkeòu þw»f

ðuËktŒe y™u [kuÚkku ™kÂMŒf, yu [kh «fkh™ku fw‚t„ Au. Œu{kt òu

fwzk …tÚke™ku ‚t„ ÚkkÞ Œku, ðŒo{k™{ktÚke [wfkze™u ¼úü fhu y™u òu

þÂõŒ …tÚke™ku, ‚t„ ÚkkÞ Œku ËkY, {kt‚ ¾ðhkðe™u MðÄ{o Úkfe

¼úü fhu y™u òu þw»f ðuËktŒe™ku ‚t„ ÚkkÞ Œku ykfkh {kºk ¾kuxk

fhu y™u ¼„ðk™™kt Äk{ ŒÚkk ¼„ðk™™e {qŠŒyku™u ¾kuxe fhe

Ëu¾kzu y™u ¼„ðk™™e ¼ÂõŒ ™u W…k‚™k Úkfe ¼úü fhu y™u òu

™kÂMŒf™ku ‚t„ ÚkkÞ Œku f{o™u s ‚k[kt fhe™u …h{uïh yuðk su

©ef]»ý ¼„ðk™ Œu{™u ¾kuxk fhe Ëu¾kzu y™u y™krË ‚åAkMºk™k

{k„o Úkfe ¼úü fhu. {kxu ¼„ðk™™e …k‚u {k„ðwt su yu [kh

«fkh™k {ký‚™ku fkuE rËð‚ ‚t„ Úkþku ™rn. y™u ð¤e yu{

«kÚko™k fhðe su ‘nu {nkhks! fk{, ¢kuÄ, ÷ku¼, {kun, yntfkh,

E»Þko y™u Ëunkr¼{k™ yu ykrËf su ytŒ:þºkw Œu Úkfe hûkk fhòu,







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Sarth Kirtnavali

259

y™u r™íÞu Œ{khk ¼õŒ™ku ‚{k„{ Ëuòu’ yuðe heŒu r™íÞu

¼„ðk™™e «kÚko™k fhðe.

y™u Œ{u ‚ðuo nrh¼õŒ yu{ {™{kt ÷kðþku {kt, su yu Œku

fk„¤ W…h r[ºkk{ý Au Œu yk…ýe fu{ fw‚t„ Úkfe hûkk fhþu ?

yuðku ¼kð Œku fkuE Ënkzku ÷kðþku s {k. fkt su y{u Œku ‚í…wÁ»k

Aeyu Œu y{khe yk¿kk yu fhe™u Œ{u ‚ðuo ™h™khkÞý™e …qò

hk¾þku Œku y{khu y™u ™h™khkÞý™u Œku ‚wÄku {™{u¤k… Au. Œu

y{u ™h™khkÞý™u fneþwt su nu {nkhks ! su …t[ ðŒo{k™{kt

hne™u y{khe yk…u÷ su Œ{khe {qŠŒ Œu™u …qsu Œu{kt Œ{u y¾tz

ðk‚ fhe™u hnuòu. {kxu yu ™h ™khkÞý Ëuð Au Œu™u y{u M™unY…e

…kþu ƒktÄe™u òuhkðhe hk¾eþwt {kxu Œ{u ‚ðuo yu{ r™ùu òýòu su

yu {qŠŒ Œu ™h™khkÞýËuð …tzu s Au yuðwt òýe™u fkuE Ënkzku {qŠŒ

y…qs hnuðk Ëuþku{k y™u «kŒ:fk¤{kt M™k™ fhe™u ¼„ðk™™e

…qò fhðe y™u …Ae ƒeòu ÄtÄku fhðku y™u ßÞkt ‚wÄe …t[

ðŒo{k™{kt hne™u yu ™h™khkÞý Ëuð™e …qò fhþku íÞkt ‚wÄeyuu

{qŠŒ™u rð»ku ©e™h™khkÞý rðhks{k™ hnuþu. yu y{khe yk¿kk

Au Œu ‚ðuo áZ fhe™u {k™òu.” yuðe heŒu ©eS {nkhks ƒkuÕÞk Œu

ð[™ ‚ðuo nrh¼õŒu {kÚku [zkÔÞkt. ErŒ ð[™k{]Œ{T „Zzk «Úk{

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260

fü¼tsLkËuð ©eðehnLkw{kLkS {nkhks yMkkhðk

{kÁríkLk tËLk ©enLk w{kLkS ykÃkýk EüËuð ¼økðkLk

©eMðkr{LkkhkÞýLkk fw¤Ëuð Au, Mkðoðíkkhe MkðkuoÃkhe ¼økðkLk©e

Mðkr{LkkhkÞýu ©erþûkkÃkºke{kt ÃkkuíkkLkk ykr©ík {kºkLku nLkw{kLkSLke

Ãkqò yLku {tºk sÃk fhðkLke yk¿kk fhu÷ Au. fkuR Ãký ykÃkífk¤ ykðe

Ãkzu íkku nLkw{kLkSLkk {tºkLkku yk©Þ ÷uðku Ãký çkeò fkuR þwÿËuðíkkLkk

{tºkLkku yk©Þ ÷uðku Lkne íkuðe MÃkü yk¿kk Au. Ä{ofw÷Lkk íkku rðþu»ku

fheLku fw¤Ëuð nkuðkÚke íku{Lke Mkðo«fkhu hûkk fhðkLke sðkçkËkhe ©enrhyu

nLkw{kLkSLku MkkUÃku÷ Au. yLku Ä{ofw÷Lkk su ykr©ík ÚkkÞ íku{Lke Ãký

Mkðo«fkhu hûkk nLkw{kLkS fhu yLku íku{Lkk çkÄks «fkhLkk Ëw:¾ku yLku

füku Ëqh fheLku íku{Lke ¼Âõík WÃkkMkLkk fhðk{kt MknkÞ fhu Au.

©eMðkr{LkkhkÞý ¼økðkLkLkk Ãk wºk ykrË yk[kÞo

{nkhks©eyÞkuæÞk«MkkËS {nkhks©eLku æÞkLkLkwt ytøk níkwt . Ëhhkus

Mkðkhu rLkíÞ ÃkqòfheLku ÃkAe Ãkkt[ f÷kf æÞLk fhðk çkuMkíkkt . æÞkLk yuðwt

fhíkkt fu íku{kt ËunkæÞkMk Lku AkuzeLku RüËuð Ãkh{uïh Ãkhçkúñ Ãkh{kí{k

Mkðkoðíkkhe ©enrhLkk MðÁÃk{kt íkÕ÷eLk ÚkR síkkt . þkherhf Ëw:¾ ®[íkk

WÃkkrÄÚke rðøkuhuÚke Ãkh ÚkRLku çkúñkLktËLkk ykLktË{kt rLk{øLk ÚkRLku

¼økðkLk©eMðkr{LkkhkÞý MkkÚku yufíkk MÚkkrÃkík fhe÷uðkLkwt Lkk{s æÞkLk

Au, íkuðwt æÞkLk íkuyku©e fkÞ{ fhíkkt yLku íku s íkuyku©eLkk SðLk{kt yuf

{kºk ÷ûÞ níkwt . yuðk æÞkLk rLkc ÃkkuíkkLkk s Ãkwºk ykrË yk[kÞo ©e

yÞkuæÞk«MkkËS {nkhksLku íkuyku©eLke ô[ ÂMÚkrík òuRLku ¼økðkLk ©e

nrh Ãkqò{kt fkÞ{ «íÞûk ËþoLk ykÃkeLku íkuyku©eLke Mkuðk ytøkefkh

fhíkkt. íkuyku©eyu yÃkoý fhu÷ ÃkqsLk y[oLk MðnMíku n{Uþk Mðefkh

fhíkkt Úkk¤ s{íkkt yLku íkuLkku rËÔÞ {nk«MkkË ËkË©eLku n{Uþk ykÃkíkkt

. ykðku rËÔÞ {nk«MkkË «kó fhðk ËkËk©eLke Ãkqò Ãkqýo ÚkkÞ íkuLke

«ríkûkk fhíkkt {kuxk {kuxk LktË Mktíkku yLku ¼õíkku hkn òuRLku çkuMke hnuíkkt

ykðe níke ËkËk©eLke Ãkqò fhðkLke heík yLku ¼økðkLk©eMðkr{LkkhkÞý







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Sarth Kirtnavali

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MkkÚkuLke yufíkk.

ykrË yk[kÞo {nkhks©e yÞkuæÞk«MkkËS {nkhks©eLkk

SðLk{kt çkLku÷e fux÷ef rËÔÞ [{ífkhef ½xLkkyku{ktÚke yuf yrík

{níðLke yLku íkuyku©eLkk ÔÞÂõíkíð{kt [kh [ktË ÷økkðu íkuðe yuf ½xLkk

rð»ku ykÃkýu yºku ðkík fheþwt . þwt níke íku rËðMkLke ½xLkk fuðe heíku íku

çkLkkð çkLÞku ykLkkÚke søkíkLku yLku ykÃkýLku þwt {éÞwt yLku íkuLkkÚke

ykÃkýu SðLk{kt þwt rþ¾eLku fuðwt yLkwMktÄkLk Mkkiyu hk¾ðwt òuRyu íku Ãký

òýðk {¤þu.

ðkík yu{ níke [ku{kMkkLkk ðhMkkËe rËðMkku Xtzw rþík¤ ðkíkkðhý

Mkðoºk AðkR økÞu÷ níkwt íkuðk ykLktËËkÞf Mk{Þ{kt Mkðkhu rLkíÞ Ãkqò

Ãkqýo fheLku ykrË yk[kÞo {nkhks©e yÞkuæÞk«MkkËS {nkhks©e

ÃkkuíkkLkk rLkðkMk MÚkkLk ©eMðkr{LkkhkÞý ðkze yMkkhðk{kt ßÞkt ÃkkuíkkLkwt

rLkðkMk MÚkkLk níkwt íÞkt {trËh Lkk rLkðkMk MÚkkLku nðu÷eLkwt çkktÄ fk{ [k÷íkw

níkwt íku ËhBÞkLk rðþu»k Mk{Þ yMkkhðk ©eMðkr{LkkhkÞý ðkzeLkk

çktøk÷k{kt s rLkðkMk fhíkkt níkkt . yuf rËðMkLke ðkík Au , rLkíÞ ¢{

«{kýu Mkðkh{kt ðnu÷kt MLkkLk ÃkqòÚke ÃkhðkheLku ËkËS ÃkkuíkkLke xuð

«{kýu æÞkLk fhðk ÃkÈkMkLk ðk¤eLku rðhks{kLk ÚkÞk Au. çku yuf f÷kf

rðíÞkt nþu íÞkt yuf Ãkk»koË ËkËkLkk ËþoLk fhðk ykÔÞk yLku òuÞwt fu Xtzku

ÃkðLk ðkÞ Au yLku ËkËk©e íkku fuð¤ Ãkkík¤ku ¾uMk ykuZeLku s æÞkLk{kt

rðhksu Au. íkuLku rð[kh ykÔÞku fu ÷kÔÞLku ËkËkSLku Xtze Lk ÷køku íku {kxu

yk Ãkzu÷e þk÷ ykuZkze Ëô yk rð[khLkku íkuýu íkífk¤ y{÷ fÞkuo yLku

ËþoLk fheLku rLkf¤e økÞku . Ãkhtíkw yk þk÷{kt XtzeÚke çk[ðk {kxu {kuxku

®ðAe ykðeLku ¼hkR Ãkzâku níkku . Úkkuze ðkh{kt íkuLku yf¤k{ý Úkðk

{ktze íkuÚke yk{ íku{ Vhðk {ktzâku Ãký çknkh rLkf¤ðkLke søÞk Lk

{¤íkkt íkuLkk Mð¼kð «{kýu ®ðAeyu íkku ËkËk©eLkk çkhzk{kt ¼Þtfh

suhe Ãkkt[ Mkkík Ëtþ {khe ËeÄk. ËkËk©eLkk þheh{kt suhe ËtþÚke ÷k÷

÷k÷ {kuxk [fk{k Ãkze økÞk Ãký ßÞkt MkwÄe æÞkLk{kt çkuXk Au íÞkt MkwÄe







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262

íkku fktR ¾çkh s Lk Ãkze Ãkhtíkw æÞkLkLkku Mk{Þ Ãkwhku Úkíkkt s þheh {kt

çk¤íkhkt Úkðk {ktze íÞkhu Ãkk»koËLku þk÷ WíkkheLku ykÃke yLku fÌkwt fu swðku

íkku ¾hk yk{kt fktRf Sð stíkw ÷køku Au. ßÞkt òuÞwt íÞkt íkku íku{ktÚke {kuxku

suhe÷ku ®ðAe rLkféÞku . yk òuíkkt s þk÷ ykuZz Lkkhk Ãkk»koË íkku

¼Þ¼eík ÚkR økÞk .yLku Ãkkuíku økÞk Mkuðk fhðk yLku yk ¼ÞkLkf

fwMkuðk ÚkR {kuxku yÃkhkÄ ÚkÞku Au íku{ òýe íkuLkk rË÷{kt ¼khu Ëw:¾ ÚkÞwt

yLku hzðk {ktzâwt , {kVe {ktøkðk MkkÚku yÃkhkÄLke ûk{k {ktøkðkLkwt þÁ

fÞwO íÞkhu WËkh {qŠík ËkËk©e fnuðk ÷køÞk fu Ãkk»koËS ík{khku ykþÞ

íkku þw¼ s níkkuLku {kxu íku{kt ík{khku fkuR Ëku»k fu ðktf økwLkku LkÚke {kxu

Ëw:¾e ÚkðkLke fkuR sÁh LkÚke ykíkku þhehLkku Ä{o Au. íku yk Lkkþðtík

þheh Lku íkux÷wt fü ÷ÏÞwt nþu íku ÚkÞwt . Ãkhtíkw Ãkk»koËLku yux÷wt çkÄwt ÷køke

ykÔÞwt fu íkuýu ¾kÄk ÃkeÄk ðøkh s yk¾ku rËðMk rðíkkðe rËÄku .MkktsLkk

Mk{Þu yLÞ Ãkk»koËu ÃkqßÞ ËkËk©eLku yk ðkíkLke òý fhe íÞkhu ËkËk©eyu

íkuLku çkku÷kðeLku fÌkwt òu nðu {khk þhehu Ãký rð»kLkku «¼kð shkÞ LkÚke

{kxu ®[íkk fÞko rðLkk ykíkku ¼økðkLkLke {hS Au íku{ Mk{SLku ¼kusLk

fheLku VheÚke Mkuðk{kt ÷køke òð yk{ fnuðk Aíkkt Ãkk»koËLkk ÓËÞ{kt

Ëw:¾ ykuAwt Lk ÚkÞwt íÞkhu ËkËk©eyu MkkiLku fÌkwt fu y{khe hûkk fhðkLke

sðkçkËkhe íkku ykÃkýk EüËuð ¼økðkLk ©e Mðkr{LkkhkÞýu y{khk

fw¤ Ëuð nLkw{kLkSLku MkkUÃku÷ Au. {kxu y{Lku su fü Ãkzâwt íku{kt ík{khk

fkuRLkku s fkuR Ãký «fkhLkku Ëku»k LkÚke. yk çkÄe s ðkík nLkw{kLkSLke

Au , {kxu nwt íku{Lku s fnwt Awt yLku nLkw{kLkS {nkhksLkwt M{hý fhíkkt

s r[htSðe yuðk {kÁríkLktËLk ðeh {qÿk{kt nLkw{kLkS {nkhks «økx

ÚkÞk , yux÷u ÃkqßÞ ËkËk©eyu íku{Lku s ÃkwAâwt fu y{Lku ykx÷wt rðAeLkkt

ËtMkLkwt fü Ãkzâwt yLku yk Ãkk»koË ykx÷kt çkÄk Ëw:¾e ÚkÞk Au . íkku ík{kuyu

y{khe hûkk fu{ Lk fhe . íÞkhu nLkw{kLkS {nkhks çkkuÕÞk fu

{nkhks©e ykÃkLku ßÞkhu ®ðAe Ëtþ ÚkÞku íÞkhu nwt ynª nksh Lk níkku

. íkuÚke ykÃkLku ykðwt fü Ãkzâwt . òu nwt ynª s nkuík íkku fkuR Ãký «fkhLkwt







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Sarth Kirtnavali

263

fü Ãkzðk Lk Ëuík . çkMk yk s ðkík ËkËk©e Mðefkhe ÷eÄe yLku

nLkw{kLkS {nkhksLku òý fhe fu nðuÚke ík{khu ynªÚke õÞktÞ sðwt s

Lknª MkËk ynª s nksh hnuðwt . yk ðkík nLkw{kLkS {nkhksu Mkn»ko

Mðefkhe ÷eÄe yLku ð[Lk ykÃÞwt fu nðuÚke nwt ynª s nksh hneLku

ykÃk Mkki Lke yLku yk søkkÞkLke Mkðo «fkhu hûkk fheþ . çkMk íÞkhÚke

nLkw{kLkS {nkhks ËkËk©eLkk ð[Lk{kt çktÄkRLku hÌkk Au. íku çktÄLk

õÞkhuÞ Lk Awxu íku {kxu yk ©eMðkr{LkkhkÞý ðkze yMkkhðk{kt ßÞkt

fwðku Au. íÞkt ©eMðkr{LkkhkÞý ¼økkðkLk ðkhtðkh ÃkÄkheLku MLkkLk fhíkkt

níkkt íku fwðkLkk {nk«MkkrËLkk Úkk¤kLkk {kuxk ÃkÚÚkh{k t Úke nLkw{kLkS

{nkhksLke Ãkwhk fËLke ðeh {wÿk ðk¤e MkwtËh {wŠík çkLkkðhkðeLku íkuLke

çkuze{kt çkktÄeLku ©eMðkr{LkkhkÞý ¼økðkLkLkk Ãkwºk ykrË yk[kÞo ©e

yÞkuæÞ«MkkËS {nkhksu yk ðkze{kt s «ký «ríkck fhe Au.

«ríkckLkk Mk{Þu ykbkLk fÞwO íÞkhu ©enLkw{kLkS {nkhks «íÞûk «økx

ÚkÞk yLku MkkiLku yLku ÃkqßÞ ËkËk©eLku WÆuþeLku fÌkwt fu ykÃkíkku MðÞt {khk

EüËuð ¼økðkLk ©eMðkr{LkkhkÞýLkk Ãkwºk Aku, íkuÚke ykÃkLkk çktÄLk{kt nwt

ykÔÞku Awt , fkhý fu «¼w ©ehk{kðíkkh{kt «økxâkt níkkt íÞkhu íku{Lkk

Ãkwºk ÁÃku sL{u÷kt yuðk ÷ð yLku fwþu {Lku çkktæÞku níkku . yLku yk Þwøk{kt

ykÃk©eLkk çktÄLkÚke nwt çktÄkýku Awt . {khk EüËuð Ãkh{uïh Ãkh{kí{kLkk

Ãkwºk rðLkk {Lku çkktÄðkLke fkuRLkeÞ íkkfkík fu þÂõík LkÚke fu {Lku çkktÄe

þfu . {kxu nðuÚke nwt ynª s fkÞ{ nksh hneLku MkðoLku fü yLku

Ëw:¾kuÚke AkuzkðeLku íku{Lkk çkÄk s {LkkuhÚkku Ãkqýo fheþ yk {Át ð[Lk Au

íku{kt fkuR Vuh Lknª Ãkzðk Ëô .

íÞkhÚke ykht¼eLku yks rËLk MkwÄe ©enLkw{kLkS {nkhks yk

©e Mðkr{LkkhkÞý ðkze yMkkhðk{kt Mkíkík nkshk nswh rðhks{kLk Au

, yLku ykðLkkhk Ëhuf ËþoLkkÚkeoykuLkk çkÄks «fkhLkk {LkkuhÚkku Ãkqýo fhu

Au. ykðk [{ífkhe «MktøkLkk fkhýus Ä{oðtþe yk[kÞo {nkhks©e

yLku Mk{økú Ä{ofw¤Lkk fw¤Ëuð yuðk ©eMðkr{LkkhkÞý ðkze yMkkhðk{kt







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264

rðhksíkkt nLkw{kLkS {nkhksLkk ËþoLk fhðk ykððkLke MkkiLku ½ýe s

«çk¤ EåAk hÌkkfhu Au. yLku su ¼õíkku ynª ykðeLku fkuR Ãký «fkhLke

çkkÄk fu {kLkíkk hk¾u Au íku{Lke {Lkkufk{Lkk íkífk¤ Ãkwhe ÚkkÞ Au. ¼qík

«uík fu yLÞ fkuR òíkLkk {tºk íktºk fu fk{ý xw{ý Lke fkuR Ãký òíkLke

WÃkkÄe nkuÞ yLku yk ðehnLkw{kLkS {nkhksLkk ËþoLk fhu yLku çkÄwts

þktík ÚkR òÞ Au yk «íÞûk ËþoLkkÚkeoykuLkku fux÷kÞLkku MðkLkw¼ð Au. íku

òýðk {¤u Au.

rð»k uþ{kt ykÃkýk Mk t«ËkÞLkk ÓËÞ Mk{úkx Mkkûkkík

©eMðkr{LkkhkÞý ¼økðkLkLkk yÃkh MðÁÃk yuðk Ãkh{ÃkqßÞ {kuxk

{nkhks©e Ëh þrLkðkhu ÃkkuíkkLkk ËkËk©eyu MÚkkÃkLk fhu÷ yLku ÃkkuíkkLkk

s fw¤Ëuð yuðk yk nLkw{kLkS {nkhksLkk ËþoLk yLku ÃkqsLk fhðk

yð~Þ ÃkÄkheLku y[wf heíku Mkðkhu çkhkuçkh Ãkkuýk Lkð ðkøÞu ÃkÄkheLku

Mkki Lku Mkw¾ ykÃku Au. ykhíke yLku ÃkqsLkLkk ËþoLkLkku rËÔÞ ÷k¼ ykÃku Au.

ðíko{kLk Mk{Þu yk Ä{oðtþe yk[kÞo {nkhks©eLkk rLkðkMk MÚkkLk

yLku sL{ MÚkkLk yuðe yk ©eMðkr{LkkhkÞý ðkze yMkkhðk{kt

©eLkhLkkhkÞýËuðLke MktÃkqýo {k÷efeLkwt ©e MknòLktË økwÁfw¤ [k÷u Au.

su{kt LkMkohe ,swrLkÞh fuS , rMkrLkÞh fuS yLku Äkuhý 1 Úke 12

MkwÄeLkk MkíMktøkeykuLkk çkk¤fku Mkkhk MktMfkh MkkÚku Wå[ rþûký {u¤ðeLku

Mkk[k yÚko{kt MknòLktËe ®Mkn suðk MkíMktøkeyku íkiÞkh ÚkkÞ Au. ykðe

heíku 300 , çkk¤fku hneLku MktMfkh Þwõík rðãkÇÞkMk fhu Au yLku

nLkw{kLkS {nkhksLke MkwhûkkÚke Mkwhûkeík hnu Au .

¼khíkeÞ MktMf]rík{kt økki {kíkkLkw t rðþu»k {níð Au yLku

¼økðkLk©eMðkr{LkkhkÞý yLku ¼økðkLk©ef]»ýyu Ãký MðÞt økki [hý

÷e÷k fheLku MkkiLku íkuLkwt yLkwMkhý fhðk «uhýk ykÃku÷ Au . økkÞ {kíkkLkk

þheh{kt íkuºkeMk fhkuz ËuðkuLkku ðkMk Au . íku{ Ãký rnLËw Ä{o{kt «rMkØ Au

. yuðe Ãkrðºk økkÞkuLke MkuðkLkku Þ¿k Ãký yk Ãkrðºk MÚk¤u n{Uþk ÚkkÞ

íku {kxu MkwtËh økki þk¤kLkwt Ãký rLk{koý fhu÷ Au.

©e ™h™khkÞýküf{T - Swaminarayan · 2019. 2. 11. · Lord Shree Krishna, and Ramanand Swami...

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