Doing Digital Scholarship: Art Librarian Recast

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Doing Digital Scholarship: Art Librarian Recast by Lyndsay Bratton Digital Scholarship & Visual Resources Librarian Connecticut College, New London, CT ARLIS/NY Symposium Bard Graduate Center May 27, 2015

Transcript of Doing Digital Scholarship: Art Librarian Recast

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Doing Digital Scholarship: Art Librarian Recast

by Lyndsay BrattonDigital Scholarship & Visual Resources Librarian Connecticut College, New London, CT

ARLIS/NY SymposiumBard Graduate CenterMay 27, 2015

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Connecticut College, New London, CT

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Digital Scholarship & Curriculum Center (DSCC)

DSCC: Five workstations, scanners, videoconferencing system, two hardware racks for old-media formats

Advanced Technology Lab: Six dual-monitor workstations, digitization equipment, teaching station and projector, potential maker’s space and 3D printing lab

Visualization Wall: Christie Digital Microtiles with 4k resolution, interactivity kit, and simultaneous display of multiple inputs and mobile devices

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Defining Digital Scholarship at Connecticut College

Villemard, À l' École, 1910, chromolithograph, Paris, Bibliothèque nationale de France

Left: Connecticut College Instructional Technology blog--https://teachtechconncoll.wordpress.com/

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Charles E. Shain Library, since 1976

Kurt Vonnegut at the library dedication, The Noodle Factory, October 1, 1976

Shain Library, pre-renovation

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Library Renovation 2014-15

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Library Renovation 2014-15

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IS/IT Merged Organizational Structure

(Technical Services) (IT Services)(Academic Liaisons)(Media Services)(Labs & Software)

(Digital Scholarship)

Two hybrid Instructional Technology/Research Librarian positions:● Instructional Design Librarian● Digital Scholarship and Visual Resources Librarian

(Academic Liaisons)

Instructional Technology

Research Support and Instruction

Information Resources

Enterprise and Technical Systems

Special Collections

and Archives

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Reflections on the 2012 Kress Report at CAA 2015

● Including digital scholarship in the tenure process and promotion considerations

● Training opportunities● Studies of how research is

conducted in different disciplines and how DH can be developed successfully

● Open access initiatives● Online publications● New digital platforms

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Reflections on the 2012 Kress Report at CAA 2015

● More collaboration across DH sectors and centers

● Participation in developing image analysis tools

● Discoverability of projects and tools● Integrating DH into undergraduate

and graduate curricula

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Instructional Technology Initiatives

• Tempel Summer Institute• Technology Fellows Program• Visualization Wall• Embedded Librarian for Arts & Technology Program

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Tempel Summer Institute

Workshop topics this year will include:

• Multimedia and digital images to increase course source material

• Students as digital content creators: multimedia assignments

• New modes of delivering instruction and content (such as the visualization wall)

Instructional Technologists and Faculty Technology Fellows planning Tempel 2015

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Technology Fellows ProgramConceptualized as a resource for faculty to implement digital technology in their pedagogy to achieve the following goals:

1. enhance pedagogy and learning on campus through blended and progressive learning, flipped classrooms, and application of digital hardware and media in course assignments;

2. augment student digital literacy

3. enrich extant curricula with quantitative and computational skills, including the application of data visualization, informatics, and statistical analysis.

Omeka exhibition created by the History FYS using Special Collections 19th-century Japanese crepe paper books digitized, researched, and analyzed by students

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Anthropologist

Technology Fellows Program

Historian

Art Historian

Digital Scholarship LibrarianGermanist

Instructional Technologist

Instructional Technologist

En route to the Bryn Mawr Blended Learning conference, May 2015

Presented together in a session on “Creating Institutional Support for Blended Learning and Tech-Enabled Teaching”

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Technology Fellows Program

Virtual exhibition, Nineteenth-Century Art course by Professor Karen Gonzalez Rice, Spring 2015

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Technology Fellows Program

Virtual exhibition, Nineteenth-Century Art course by Professor Karen Gonzalez Rice, Spring 2015

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Visualization Wall

Left: Demonstrating the wall’s interactivity and high resolution using the Google Art Project

Above: Professor Nadav Assor, Strip / Lakeshore East, 2012-2013, panoramic, time-delayed video installation, March 2015

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Visualization Wall

Art Professor Andrea Wollensak testing her Processing program, Ph(r)ase Transitions: A Poetic Generatively Constructed Environment, in which user interaction relocates poetic phrases, March 2015

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Visualization Wall

Doodle Gibs game designed for the visualization wall, Spring 2015,Entertainment Software Design course in Computer Science

Creative Director: Zoe Chodosh, Computer Science & Art major

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Embedded Librarian for Arts & Technology

Left: Phenomenology by Sara Rubino, Center for Arts & Tech Senior Thesis project, 2014Above: Physical Computing Winter Workshop with visiting artist Kate Sicchio, January 2015, students designed projects using Arduino kits

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Embedded Librarian for Arts & Technology

Simulation of augmented reality campus tour,Senior Thesis Project, Colin Forsyth

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Embedded Librarian for Arts & Technology

AT201 Lab Project: Interactive interface visualizing administrative hierarchies at Connecticut College

AT201 Lab Project: Interactive interface exploring the potential for emotional bonds in human-computer interaction

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Art Librarians Doing Digital Scholarship

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References

“Doing Digital Art History: Reflections on the Field.” Panel at the Annual Conference of the College Art Association, New York, NY, February 14, 2014.

Long, Matthew P. and Roger C. Shonfeld. “Supporting the Changing Research Practices of Art Historians.” Ithaka S+R, April 30, 2014.

Pannapacker, William. “No More Digitally Challenged Liberal-Arts Majors.” The Chronicle of Higher Education. November 18, 2013.

Zorich, Diane M. “Transitioning to a Digital World: Art History, its Research Centers, and Digital Scholarship.” A report to the Samuel H. Kress Foundation and the Roy Rozenweig Center for History and New Media, May 2012.