Dividing up British Audiences

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Dividing up British Audiences

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Dividing up British Audiences . British Film Council Statistics for 2008-9. On average, there are 450 UK films produced a year The top 20 earn 50% of all UK box office takings The top 50 earn 75% of all box office takings The top 100 earn 92% of all box office takings - PowerPoint PPT Presentation

Transcript of Dividing up British Audiences

Page 1: Dividing up British Audiences

Dividing up British Audiences

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• On average, there are 450 UK films produced a year

• The top 20 earn 50% of all UK box office takings

• The top 50 earn 75% of all box office takings

• The top 100 earn 92% of all box office takings

• The last 350 sink without trace…

British Film Council Statistics for 2008-9

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More audience statistics

• People aged 7-34 form 64% of UK audiences

• But, people aged 7-34 only form 39% of the UK population

• What factors influence this uneven spread?

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A way of dividing audience tastes

The ‘buff’ spectrum

Mainstream only

(only watch mainstream films)

Mainstream plus

(mostly watch mainstream, but will watch the odd ‘art house’ film if it is a big enough event)

Aficionados

(Associate themselves with specialised films, but will also watch an equal amount of mainstream cinema)

Buffs

(usually reject mainstream cinema)

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Where does the potential for most box office returns lie?

Mainstream only Mainstream plus Aficionados Buffs

So, should all British films be aiming for a mainstream audience?

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• Ok, so it’s not cost effective to market to film buffs.

• Think about the role of film to a mainstream audience:

• Fun• Excitement

• Release/Escape• Social Activity

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So, what’s wrong with Hollywood films then?British film Hollywood film

Good points Knowing & clever

Uplifting & glamorous

Bad points Unglamorous & too gritty

Schmaltzy & moralising

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Hollywood axis

Art House axis

+

- +

-

Mainstream Audiences Chart

Unglamorous & gritty

Uplifting & glamorous

Knowing & clever

Schmaltzy & moralising

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So what are the barriers to a mainstream audience?

• Unclear genre• Cultural dissonance (seems too ‘alien’)• A downbeat experience• Difficult subject matter

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What qualities make a non-Hollywood film marketable?

• Clear genre• Positioning aligned with the mainstream• ‘Barriers’ played down• A good ‘hook’• Buzz• Recommendations from trusted sources• A sense of being ‘new’ & fresh

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UK Box Office: 11 - 13 February 2011

No. 2 The King's Speech

Weekend gross: £1,986,871 Playing in 543 cinemas

Total gross to date: £33,740,153

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UK Box Office: 11 - 13 February 2011

No. 9 Never Let Me Go (UK/USA co-production)

Weekend gross: £625,496Playing in 265 cinemas

Total gross to date: £625,496

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