Ditson's music for the photoplay [by] Otto Langey [and ...

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Ditson's music for the photoplay [by] Otto Langey [and] Christopher O'Hare. Langey, Otto, 1851-1922. Boston, O. Ditson Co. [c1918] http://hdl.handle.net/2027/mdp.39015007828091 Public Domain, Google-digitized http://www.hathitrust.org/access_use#pd-google We have determined this work to be in the public domain, meaning that it is not subject to copyright. Users are free to copy, use, and redistribute the work in part or in whole. It is possible that current copyright holders, heirs or the estate of the authors of individual portions of the work, such as illustrations or photographs, assert copyrights over these portions. Depending on the nature of subsequent use that is made, additional rights may need to be obtained independently of anything we can address. The digital images and OCR of this work were produced by Google, Inc. (indicated by a watermark on each page in the PageTurner). Google requests that the images and OCR not be re-hosted, redistributed or used commercially. The images are provided for educational, scholarly, non-commercial purposes.

Transcript of Ditson's music for the photoplay [by] Otto Langey [and ...

Ditson's music for the photoplay [by] Otto Langey [and] ChristopherO'Hare.Langey, Otto, 1851-1922.Boston, O. Ditson Co. [c1918]

http://hdl.handle.net/2027/mdp.39015007828091

Public Domain, Google-digitizedhttp://www.hathitrust.org/access_use#pd-google

We have determined this work to be in the public domain,meaning that it is not subject to copyright. Users arefree to copy, use, and redistribute the work in part orin whole. It is possible that current copyright holders,heirs or the estate of the authors of individual portionsof the work, such as illustrations or photographs, assertcopyrights over these portions. Depending on the natureof subsequent use that is made, additional rights mayneed to be obtained independently of anything we canaddress. The digital images and OCR of this work wereproduced by Google, Inc. (indicated by a watermarkon each page in the PageTurner). Google requests thatthe images and OCR not be re-hosted, redistributedor used commercially. The images are provided foreducational, scholarly, non-commercial purposes.

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DITSON'SMUSIC FOR THEPHOTOPLAY

OTTO LANGEY

OTTO LANGEY

CHRISTOPHER O'HARE

1 et VIOLIN

1. AGITATOFor scenes of excitement, anxiety, unrest, fear, impending danger, etc.

2. FURIOSOFor scenes depicting riots, fights, tumultuous crowds, etc.

3. AGITATED MYSTERIOSO оDepicting anguish, fear, or kindred emotions caused by escapes or hiding.

4. HURRY OTTO LANGE"For riots, fire scenes, street fights, pursuit, scenes of excitement and general use.

5. STORM MUSIC OTTO LANGEYFor thunderstorms, storms at sea, or scenes of a destructive character.

6. PLAINTIVEFor love scenes, tender retrospects, etc.

7. COMIC HURRY CHRISTOPHFor live comedies, railroad trains, races, aeroplanes, serio-comic pursuit, etc.

8. DRAMATIC ALLEGRO CHRISTOPHER O'HARIFor wild west, mining towns, indians, cowboys and r;»nch scenes with horse-hoof effects,indian drum, etc.

9. PASTORALE OTTO LANGEYFor scenes of a rural character, waterfalls, wood? and brooks, introducing cowbells, birdwhistle, etc.

10. MILITARY SCENE CHRISTOPHER O'HAREFor military pageants, parade or gathering of troops, scenes in camp, trench, "Over theTop," etc.

Organ partsare includedin thecombinations.Piano partsare thoroughlycued

Price, eachnumber: Full OrchestraandPiano, $1.00; SmallOrchestraandPiano. 70 cents;

Piano. 25cents;Organ, 15cents;othersingleparts,10centseach

The Whole Seriesin one order: Full Orchestraand Piano. $5.50; SmallOrchestraandPiano, $4.00;Piano, 65 cents;Organ, 50 cents:otherparts,40 centseach

BOSTON: OLIVER DITSON COMPANYNEW YORK: CHAS. H. DITSON &- CO. CHICAGO: LYON & HEALY

^^^^^^-ff^^^^- ^^^^^^^^^. ^^^^^^^^m

SPECIAL NUMBERSFROM OUR

CONCERT EDITION FOR ORCHESTRASUITABLE FOR PHOTOPLAYS

Numbers marked * have organ parts included

Piano parts are thoroughly cued

EditionNo.

43. GIPSY CARAVAN Otto Langey

A fine character piece with oriental effects. Suitable for gipsy,Turkish or Arahian scenes.

149. THE DANCER OF BAGDADAdapted for oriental scenes.

156. BRIDAL CHORUS FROM "LOHENGRIN"

162. A CHINESE EPISODEIt is characteristically Chinese.

255. SPIDER DANCEPractically a lively tarantella and good-for many reels of a wildcharacter.

265. THE WAYSIDE CHAPEL G. D. WilsonA beautiful characteristic idyl. It will "fit in" for many scenes.

280. AVE MARIA. Cello solo R. Gruenwald

Suitable for religious and quiet scenes.

329. A LOVE STORY. Idyl Harry Pab.tFor love-making and quiet scenes in the woods or by a quiet lake.

330. THE WHIRLING DERVISHES T. H. RollinsonA desert episode in a wild style and galop tempo. Good for anywild scene, excitement, etc.

337. CUBA. Habanera G. С SantittebanFor Spanish, Mexican or South American scenes.

344. SOBRE LA PLAZA. Mexican Dance349. MELODY, IN FFor quiet scenes.

372. TWILIGHT IN ALABAMADepicts an evening on the wharves of Mojoile. Good for southerndock scenes.

376. IN CAIRO. Oriental Patrol

414. BY MOONLIGHT. SerenadeFor boating or canoeing episodes.

421. EVENING CHIMES. With bell effectsFor a balmy pleasant evening, or love-making

427. COMMEMORATION MARCHA grand march suitable for receptions or religious processionals.

432. EL MAURESQUE Rollinson Bernier

For oriental and harbaric scenes.

438. A LEAFLET R. GruenwaldIn concert gavotte style. Good for high society receptions"

Full SmallOrch.& Orch.& PianoPiano Piano Part

$1.55 Si. 05 $ .30

Otto Langey 1.25 . .85 .25

¡chard Wagner 1.15 .85 .25

Theo. Bendix 1.25 .95 .25

R. Gruenwald 1.55 1.05 .30

T. H. Rollimon

A. Rubinstein

Harry Pab«t

F. von Blon

T. H. Rollinson

T. H. Rollinson

R. Gruenwald

1.10 .80 .20

1.30 .90 .30

1.25 1.05 \.30

1.45 1.05 .30

1.15

1.30

1.20

1.10

1.10

1.3d

1.20

.75 .25

1.30 .90

1.25 .80

1.55 1.05

.90

.80

.70

.70

.90

.80

.30

.30

.30

.30

.30

.20

.20

.30

.20

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