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Chapter 2. The Self between the Bible and Literature over the Ages
O brave new world
That has such people in’t!”
—William Shakespeare, The Tempest (V, I???)
2.1. The self between the legends, ancient stories and myths
In the world of human beings for unknown reasons majority average of myths, ancient stories,
and ancestral legends hidden in occult meanings and symbols, arrives to present times often without
clear correspondent to the real object. These valuing for human beings the spiritual realms inherited
and giving to all them their so-called status, roles and representations in the real world many times
accepted without a deep discernment.
In these stories humans mirrors themselves in the entire cycle of life, from their arrival to their
departure from this world. Why men have accepted such elements of culture and spirituality as self-
shaping sources, all this cultural patterns, as primo principio in their lives was not explained
entirely or to convincingly for the majority. Why all this primordial elevating sources containing
self-contradictory character elements with opposed features had being accepted like a sine principio
what require no logical explanation is still a mystery to all scholars and researchers.
Whether is about Greek and Roman mythology and philosophy, the Hindu’s Upanishads and
Mahabrata writings, the Maya and Inca foretellers, the Chaldean, and Egyptian stories, the Coran
prophesies, and not in the last row Tanah with ‘Torah’, ‘Neviim’ and ‘Ketuviim’ of the mosaic
culture, and today the last part added to it, the New Testament , compounding the ‘Bible’, all these
writings are meeting a paradoxical central geographical inspirational pointing the inscrutable
Orient.
Therefore, all this writings concerns with six disciplines commonly classified as:
metaphysics, logic, ethics, psychology, epistemology and aesthetics. Manly P.Hall summarising the
situation more rigorously saying:To satisfy this common urge the unfolding human intellect has explored the
extremities of imaginable space without and the extremities of imaginable self
within, seeking to estimate the relationship between the one and the all; the effect
and the cause; Nature and the groundwork of Nature; the mind and the source of the
mind; the spirit and the substance of the spirit; the illusion and the reality. (1. Manly
P.Hall, The Secret Teachings of All Ages, pg.10)
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The vital questions like ‘From where we are? Where we go? Why we are here? Which is our
life’s purpose?’ are available even today for a great amount of people that are not content with the
so-called ready given answers.
If someone would know how to figure out from thousands and thousands of stories the main
stream, and even more, to sense the first source that produced the narrative piece of a certain pattern
of stories, no matter that the subject is about love, war, morality, society, faith, destiny or
spirituality, such a person will find prevailing two major domains. First category of literature will
be that that contains all the stories records men reflecting themselves in a continuous struggle for
life, for living conditions, and material aspirations beyond any other meanings, with some subdued
rays of spirituality. The second group of writings contains also the experience of humanity but this
time is in full accordance to the authority of the divine power of heavenly God, creator of men and
their home, the Earth.
2.2.1. The self between English literature and its hidden theosophical teachings
The first collection is that of all literature that spans from oldest time until today and contains
some interference between the so-called laic, secular, and ecumenical or ecclesiastical sources.
For instance, the Old English literature early written works, majority anonymous, spoke about
the ancient effort of men that had to face the threats of nature, and about changing traits of destiny.
Here in such remote times death is not so frightful than vicissitudes of life that had have to face
men. Beowulf ’s ballade identifies the origin of the evil in the life of men in the oldest legends,
where the biblical Cain seems to be the chief of all. Such a hero even if he knows about the great
power of evil seen also in the power of giants, he boasts that he overcame it with his own courage
and self-intrepid capacity, though that there are some gratefulness of a Christian spirituality’s
reminiscence in the ballade. (2. http://www.bartleby.com/211/0303.html)
In Chaucer‘s book The Tales of Canterbury the grotesque and the buffoonery being well mixed
in romance chivalry develops the same theme of the men destiny but in comic circumstances.
Layamon’s Brut , written early in the thirteenth century comes with a very similar approach, this
time implying the destiny of a whole nation, of English one, and from which descends all humanity
in a subtle intention of the author. The interest which the Brut possesses for modern readers arises
in part from the fact that much of its material is closely bound up with later English literature. But
the main interest centres round the Arthurian section, with its haunting story of a wondrous birth,
heroic deeds and a mysterious end. (3. http://www.bartleby.com/211/1112.html)
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All the incipient and early English literature along the centuries has the same structure where
men immersed under a veil of self-generation and self-fudge a view that is identically to the
theosophical writings. The common point of these two self-generating sources is inducing the idea
that probable man appearance in the Universe was a consequence of random circumstances where
his own further development depends on his own choices.
The Holy Grail of the Arthurian Legend links to the same branch of mystery and man initiation
in the unseen powers and his own inner generation, somehow denied by the literature critics that
consider that ‘nor is there any reason for assuming that the primitive formas of the story had any
religious motive’. (4. http://www.bartleby.com/211/1215.html)
These subdued spiritual elements spread in the works of many writers transpire the theosophical
dogmas. Such writings sustain that man is his own master and his own creation even if he has to
overcome some enemies and threats of nature, these entire obstacle being only there because of
inner created blocks in the spiritual realms that reflected in the real world like shadows of that man
fears has not been subdued yet. This kind of philosophy teaches that the completion of the great
work of social regeneration must be accomplished not in society but in man himself. Religion,
science, and philosophy are the three parts of essential learning in all these texts.
Religion is the spiritual part of learning, philosophy the mental part, and the
sciences, including the arts and crafts, the physical part. As man himself has a
spiritual, mental, and physical nature, and all of these natures manifest in his
daily living, he must become equally informed in all the parts of his nature if he
is to be self-governing. "Unbalanced forces perish in the void," declared a
prophet of old; and this is true beyond possibility of dispute. (5. Manly. P. Hall,
Secret destiny of America, p.33)
Some had studied these works just from an artistic view, of verse and prosody aspects and so on
but the spiritual aspects are of no less importance that they imply. In this turning point, enter the
famous work of Shakespeare, in fact Bacon-Shakespeare controversy. (6. Manlly P. Hall, , Secret
teachings of all ages, p.165).
Nevertheless, even here the ideas are not as linear as all expects but again unfold in the innocent
play of words, of signs, and with an appearance of a total unaffected meets the experience of two
different characters.
Now in this direction there is a theory of language's power, of the utterance of spells and
formulas whispered in the ether not clear to the profane. Thus if language is ritualised performed
by initiated ones, some like witches, shamans, priests of all sort and even literature writers, plain
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words becomes deadly weapons and with sure effect on aimed subject which is the inoculate human
being.
This phenomenon used at a large scale in literature under the form of innocent romance stories,
of adventure, war is not only for entertainment or culture, but also for more serious purposes of an
inoculation of certain self-realisation in humans.
Today a similar manifestation takes place in the media. Nowadays the visual space that
surrounds the human mind contains all kinds of messages. Whether is within TV shows, movies,
music, the advertising industry or the most farthest in its intention, the unconventional graffiti on
the house’s walls of the whole city has one purpose: inoculation of a program or a direction. All
these sense to aim the self with all subliminal bombardments of language and signs valences. About
all these more largely in the third chapter, that will study the connection between life and an
artificial self-elaboration.
Others important figures of Elizabethan era like Christopher Marlowe with the story of Doctor
Faustus (1592) or Edmund Spencer The Faerie Queene (1590) shapes these suspicions. The works
and life of each of them disseminates more than the activity of an ordinary English poet, court
affairs and soldiers of culture as is revelled in “Four-Fold Vision See”: Allegory in the Poetry of
Edmund Spencer and William Black by Elisabeth Jane Darnill from the University of Exeter,
(7. https://eric.exeter.ac.uk/repository/bitstream/handle/10036/3156/DarnillE.pdf?sequence=8).
The next English literature periods involves all the main elements that feature a clear exoteric
path even if many times had been covered under historical, economic or social issues. In this list
deserve to be mentioned Ben Johnson The Alchemist . John Milton’s Paradise Lost , the Earl of
Rochester's Sodom, and Bunyan’s Pilgrim's Progress, completed by metaphysical poets of 17th
century John Donne, George Herbert with works transcending subtle torments of spiritual conflict
and both of Christian mysticism and eroticism.
2.2.2. The self between English literature and its symbols and ciphered codes
By unknown force the plays and the works of above authors are probable either as result of life
experience or either their own imagination. But why there are many times used codes and
duplicated meaning in the text is not quite clear. Shakespeare opera, for instance, abounds in such
doubled intention, one of the action itself and one that does not appertain to the story itself but to an
elevate beliefs that can be trace to the ancient wisdom buried in forgotten times. Indeed, the whole
canon of Shakespeare plays and poems embodies both the philosophy and the degrees of initiation
of private a club, expressed in various allegories that are akin to and hints at a kind of initiated ones.
(8. Manlly P.Hall, Secret Teachings of All Ages, p.169).
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This could be the discourse’s goal also of The Spectator by Joseph Addison and Richard Steele,
under the all its manner and polite stile to bring out a philosophy provided principally to the
interests of England's emerging middle class—merchants and traders large and small? Why the
external values of Enlightenment philosophies that transpire from the authors of The Spectator
promoted family, marriage, and courtesy that had to dwell in the selected clubs and private
assemblies within their internal values? (9. http://www.bartleby.com/224/0411.html)
Is Jonathan Swift a member of the above inner societies and in all his fabulous stories just wants
to collusive out their intentions and their narrow minds toward ordinary people? The beautiful
stories of Gulliver’s Travels and A Tale of a Tube only showed that Swift's satire was intended to
provide a genuine service by painting the portrait of conspiracy minded and injudicious writers or a
more sinister near future for ‘mob rule’?
(10. http://www.newworldencyclopedia.org/entry/Jonathan_Swift)
2.2.3. The self between English literature and biblical theme of 'Man's fall'
Likewise can be considered John Milton’s Paradise Lost with its self-determination poem’
message. Here the writer just ascertain just some facts in the light of the curse that has fallen on
humanity for disobeying God commandments in the Garden of Eden or he intends more regarding
the certain final destiny of men in his Ptolemaic system vision? (11. John Milton, Paradise Lost , by
Blackwell Publishing Ltd, 2007, p. xxx).
Great similarities has Alexander Pope’s poem An Essay on Man (1732) developing a theory of
man struggle for a place above beasts but underneath angels in ‘Great Chain of Being’.
(12.http://www.ccc.edu/colleges/wright/departments/Documents/Wright%20Great%20Books
%20Symposium%20Journal%20Issue%201.pdf)
Such ideas were considered to be inspirited from H. David Wenger’s essay A New look at
Theosophy, The great Chain of Being Revisited , that presents an exploration of the evolution and
multidimensional nature of the human consciousness.
(13.http://www.transpersonalstudies.org/ImagesRepository/ijts/Downloads/Wenger%20New
%20Look%20at%20Theosophy.pdf)
All these literature patterns find common features in the Book of Enoch. Here is mentioned by
the ancient narrator societies founded by the entities called ‘fallen angels’ that descended from
watch posts they had and lain with women of human beings gave birth to giants through unknown
and forbidden ‘released spells’ that breed earthly flesh with heavenly spirits. Holly Bible also
discloses this wickedness and the punishment that received these rebels in the sixth chapter of
‘Genesis Book’.
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The hidden messages of average literature contain teachings similar if not identical to the
leaders of these ‘Watchers-sons of Heaven’ how Enoch names the two hundred rebels that
abandoned their heavenly abode and mixed with men kind and ‘taught them the eternal secrets that
are made in Heaven’ (14. Book of Enoch, 9:6, p.16.)
Thus seems that on Earth fights for supremacy two main teachings for the self of humanity: one
of the ‘fallings angels’ that wants to lead astray human kind once they have had impure fatally their
heavenly integrity and the second the sacred knowledge from Holly Bible written by men inspired
by the heavenly messengers of God, the ‘Holy Ones of Heaven’.
The chief of all this mental theories seems to be puritan author Locke's S ome Thoughts
Concerning Education is an outline on how to educate this mob mind, and once with it the human
spirit:
Care is to be had of the forming Children‘s Minds, and giving them that
Seasoning early, which shall influence their Lives always after: For when they do
well or ill, the Praise and Blame will be laid there; and when any Thing is done
awkwardly, the common saying will pass upon them, that its suitable to their
Breeding.
(15.John Locke Some Thoughts Concerning Education. C.J. Clay and Sons,
Cambridge University Press Warehouse, London 1889, p. 21).
Furthermore no matter that the literature works brings in the discussion themes like love for
money, souls sold to enchanted spirits, incest and sodomies, murders and horrible plots, royal
impostors and necromancy the core message of the text often is impermeable to neophytes.
Majority of such literature products coincides in the one philosophy of an occult ancient sect.
These seem to be an elite group that emanates their own prefabricated cultural and life values.
These entities central interest is for the embodiment of a future horrendous human society. This
mystic group only purpose is to construct a false self in the mind of the men audience that were
convinced to digest the issues given off similar to superior culture elements.
Thus, trough this entertainment channel with intellectual, instructional or spiritual allure takes
place soul/self nourishment. This process irradiated by these written texts, theater performances and
nowadays by media technologies that arrive be the only things worth ever to be thought, felt, and
also at a certain moment to be acted by so called 'elevated human being' from the auditorium, that
nourished themselves spiritually this way.
Some would consider that there are just simply coincidences in the direction of a society and its
culture or literature that consume huge resources to elaborate a human odd deviated society. But if
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this trend of cultural subsides within all its all elements some hundreds years later, than there can be
an intended design how can be seen today, on all media channels, and this cannot be an erroneous
interpretation with so many similarities over the ages. All these institutions and teachings have
remained the same to this day and have contributed to the stream of mystical, generally pantheistic
religious teachings and practices that have flowed together to become the New Age movement.
In this context a twenty century philosopher, Ernest Cassier (1874-1945) synthesized Plato,
Aristotle, Toma d’Aquino, Descartes, Popper’ ideas in his writings that man is a symbolic animal
and the exploration of ‘symbolic forms’ is the suitable method for restituting to anthropology his
philosophic dimension. Having defined man as an ‘animal symbolicum’, Cassirer introduces one
of the central questions of ‘The Logic of the Cultural Sciences’, the question that lies at the heart of
the worldview of life philosophy:
Does not this “mediation” of the symbolic function come at too high a price?
Does it not bring with it a certain “self-alienation” and “self-loss of human
existence”?
Do the symbolic formations not “separate” and “remove” us from nature and
engulf us in a myriad of “artificial needs”? Must we not rather overcome all
symbolic formation and “return to nature”.
(16.http://www.yale.edu/yup/pdf/081146_front_1.pdf)
2.2.4. The self between English literature and its esoteric teachings
Even in next centuries, the literature is abounding in such similar hidden messages toward the
human receptor that are being buried in the encoded texts of majority of writers. The culture of self-
deception met in The Vanity of Human Wishes (1749) is a poem by the English author Samuel
Johnson that continues from this remote tradition.
The pre-Romantic, Gothic, and Romanticism literature abounds in the elements of immemorial
occult rites origin. Robert Blair’s The Grave (1743), Edward Young whose The Complaint , or
Night Thoughts (1742-5) on Life, Death and Immortality, are examples for "skulls and coffins,
epitaphs and worms", in the context of the graveyard. Horatio Walpole, 4th Earl of Oxford 1764
novel The Castle of Otranto, or Ann Radcliffe’s The Mysteries of Udolpho (1795) combining
notable elements of vampire, horror and romance genre reminds some heathen esoteric ceremonies.
No mistake to add here Frankenstein or, The Modern Prometheus (1818) novels written by Mary
Shelley.
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If there are studied the sources that introduces this spirits, vampires, deaths, spells,
incantations, curses, within the rites and the ceremonies performed it will be found an astonish
resemblance to the Book of Enoch and other exoteric literature books.
The ancient scribe reveals also that these above spirits ‘fallen angels’ that forsook their abode
taught women and men about: war, astrology, portents, ‘the path of the moon’, ‘cast spells and cut
roots’, ‘the release of the spells’ (17. Book of Enoch, 8:1-4, p.16) that is present in every angle of
this literature gender. Enoch wrote in his book that even if Azazel and his oath comrades ‘reveled
the eternal secrets that are made in Heaven’; their wisdom was worthless and will lead only to bad
consequences (18. Book of Enoch, 9:6, p.25).
William Blake’s All Religions are One (1788), America a Prophecy (1793) a prophetic book and
Jerusalem, The Emanation of the Giant Albion (1804–1820) was elaborated by the author even with
a self-devised technique of "illuminated printing" confirms undoubted theosophical allegiance as in
the study of Shakespeare’s Heir: Black Door of Perception in ’Jerusalem’ and ’The Four Zoas’ by
David Withmarsh-Knight.
(19. http://www.thefourzoas.com/pdf/Shakespeare%27s%20Heir%20extract%20for%20web.pdf)
The cult of pantheism is another feature of the obscure teachings reuniting the second wave of
Romantic poets: Lord Byron’s The Corsair (1814), Percy Bysshe Shelley (1811) The Necessity of
Atheism (1812), The Devil's Walk a ballad and famous John Keats 1819 written odes.
The last two connected through the same deep philosophies values are first Ralph Waldo
Emerson's Representative Men, and Self-Reliance that enter in this category with archetypes of
transcendentalism beliefs. Throughout the Self-Reliance essay, Emerson gives a defense for his
famous catch-phrase "trust thyself". This argument follows three major points: the self-contained
genius, the disapproval of the world, and the value of self-worth. And the last one Henry David
Thoreau's Walden, or Life in the Woods had the self-sufficiency coined hard this philosophy.
H. P. Blavatsky holds the authority in this field. She defines the connection between ‘Thought
Divine’ and ‘self or reflective consciousnesses’ in the first volume of The Secret Doctrine ‘that is
the mysterious link between Mind and Matter, the animating principle electrifying every atom into
life’, (20. H. P. Blavatsky, The Secret Doctrine vol.1, Cosmogenesis. The Theosophical Publishing
Company, Limited, New York, 1888, p.16).
The most important Victorian author that comprises the values emanated by occult teachings is
Charles Dickens with the majority of his works: The Posthumous Papers of the Pickwick Club also
known as The Pickwick Papers, A Christmas Carol (1843), The Haunted Man, Great Expectations.
For instance, Dickens uses the ‘Wheel of Dharma’ to show in A Christmas Carol that the
knowledge of your past and present will allow you to predict your most likely future. This method
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of 'divination' where the character Scrooge took the ‘Middle Way’ after he had been warned by the
spirits is also of esoteric origin. (21. Rodney St. Michael, Healing and Developing the Mind ,
Writers Club Press, New York Lincoln Shanghai, 2002, p. 187).
In addition, Charles Dickens can be trace in James Mill's psychology for the utilitarian
superstructure where his chief philosophical work was Analysis of the Phenomena of the Human
Mind (1829) that laid the foundation of such ideology. Predecessors like Hume, Hartley was Mill's
lineage and William Wallace Hegel's Philosophy of Mind (1894) proofs this affinity.
(22. http://www.bartleby.com/224/)
2.2.5. The self between English literature and its private societies
It seems that with the passing of the centuries the core teachings and goals are beginning little by
little to be revealed to the public but of course, still not arrived a total transparency, in plain sight,
but can be seen some graduations and some clear hints that shows a tendency of disclosure .
Such can be mentioned the works of H. G. Wells. In The Time Machine (1895), and The War of
the Worlds (1898) It is obvious that Wells either based his writings on the actual plans of the
‘Fabian elitists’, or used his knowledge of what they had already done in order to formulate a theory
of what they were going to do in the future. Why was so vital for the Fabian sect to influence public
opinion especially with authors that were promoters of science themes literature would be more
helpful to find?
(23. http://modernhistoryproject.org/mhp?Article=FinalWarning&C=5.1#Wells)
What direction wanted to impulse Fabians using literary figures such as George Bernard Shaw
and H.G. Wells - ensured that they would be indeed influential among British intellectuals and
government officials? And such connections cannot be considered just an impromptu orientation for
the whole human society of those years of history.
(24. http://www.restoring-america.com/Documents/Fabian%20Society.pdf)
Also H.G. Wells wrote in 1928 The Open Conspiracy: Blueprints for a World Revolution which
was an elaboration of ideas from his 1926 book The World of William Clissold , which gave a seven-
point program for the development of the "new human community".
(25. http://modernhistoryproject.org/mhp?Article=FinalWarning&C=5.1#Wells)
These ideas had been fleshed out in his 1897 short story A Story of the Days to Come, and his
1901 book, Anticipations of the Reaction to Mechanical and Scientific Progress Upon Human Life
and Thought . Why it is there so great concern for the life and mind of the human beings, and all
society's levels from an obscure elitist group to lead this in a certain direction, would be a fair
question that waits a fair answers?
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(26. http://modernhistoryproject.org/mhp?Article=FinalWarning&C=5.1#Wells)
A peculiar opinion has Albert Pike what regards the action and reaction between leaders of
humanity and the mob in his book about ‘Morals and Dogma’. Thus in the second chapter, ‘Fellow-
Craft’ Pike relates the following:
To give a nation the franchise of the intellect is the only sure mode of
perpetuating freedom. This will compel exertion and generous care for the
people from those on the higher seats, and honorable and intelligent allegiance
from those below. (27. Albert Pike, Morals and Dogma, The Theosophical
Publishing Company, Limited, New York, 1888, p. 23.)
2.2.6. The self between English literature and its occult themes
Arthur Conan Doyle's detective stories that has as central character Sherlock Holmes is already
famous for the mystery and the shadows that intrigue the readers till their last brief. The plot
revolves around murders that are apparently connected with occult rituals. The “Ordo ab Chao” an
esoteric motto is the center of all these cases and issues compressed in Doyle stories.
(28. http://vigilantcitizen.com/moviesandtv/the-occult-symbolism-of-the-movie-sherlock-holmes/)
In Lewis Carroll’s books Alice In Wonderland (1865), and Through The Looking-Glass and
What Alice Found There (1871) deals with the issues surrounding reality versus the dream-world.
Theosophical studies also deal with many of these same issues of reality versus dreams.
(29. http://adventofdeception.com/movie-review-alice-in-wonderland/)
(30. http://www.apfn.org/apfn/oz.htm)
2.2.7. The self between English literature and its mind issues themes
The Strange Case of Dr. Jekyll and Mr. Hyde (1886) characters conceived and written by Robert
Louis Stevenson present the story of Dr. Henry Jekyll, a man with something within him that is his
dark side, as he tries to separate his two sides, he instead finds away to switch back and forth
between him self and his darker side Mr. Edward Hyde.
(30.https://bcc-cuny.digication.com/victoraviles/my_assignment3/published)
The work is commonly associated with the rare mental condition often spuriously called “split
personality”, wherein within the same person there are at least two distinct personalities. In this
case, the two personalities in Dr Jekyll are apparently good and evil, with completely opposite
levels of morality. The novella’s impact is such that it has become a part of the language, with the
phrase “Jekyll and Hyde” coming to mean a person who is vastly different in moral character from
one situation to the next.
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(31. http://thearrowsoftruth.com/tag/robert-louis-stevenson/page/2/)
Famous psychiatrist Sigmund Freud has a theory that states, there is three levels of self, the id,
ego, and super ego. According to cla.purdue.edu the definition of the id is as follows, ‘the id is the
great reservoir of the libido, from which the ego seeks to distinguish itself through various
mechanisms of repression. Because of that repression, the id seeks alternative expression for those
impulses that we consider evil or excessively sexual, impulses that we often felt as perfectly natural
at an earlier or archaic stage and have since repressed. The id is governed by the pleasure-principle
and is oriented towards one's internal instincts and passions’. Freud also argues on occasion that the
id represents the inheritance of the species, which is passed on to us at birth; and yet for Freud the
id is, at the same time, ‘the dark, inaccessible part of our personality’.
(32. ‘Terms used by Psychoanalysis’ cla.purdue.edu. General Introduction to Psychoanalysis. 2002,
20 March 2011.)
(33. Bendis, Brian Michael,’Illuminati’ New Avengers. The Road to Civil War. New York: Marvel,
2007.)
(34. Stevenson, Robert Louis. The Strange Case of Dr. Jekyll and Mr. Hyde. Longmans, Green and
Co, 1885.)
Dissociative identity disorder (DID), also known as multiple personality disorder (MPD) is an
issue studied from immemorial times under the forms of spiritualism, parapsychology, and hypnosis
that continued throughout the 19th and early 20th centuries, “running in parallel with John Locke's
views that there was an association of ideas requiring the coexistence of feelings with awareness of
the feelings”.
(35. http://en.wikipedia.org/wiki/Dissociative_identity_disorder#History)
2.2.8. The self between English literature and its themes about mob destiny
W.H. Auden modernist poet launches in his Musee des Beaux Arts, a poem after Pieter
Brueghel, The Fall of Icarus paint, an hidden message. The poem first discusses a 'miraculous
birth', and at the end 'the tragedy' of a death. The theme in the poem is about human suffering
brought from mythological times. If are added these things together, there might even get some
hints at religion, mainly at Christianity but under old Masters 'knowledge' that knew 'about the
suffering' and 'human position', most probably of the mob of course.
(36. http://poetrypages.lemon8.nl/life/musee/museebeauxarts.htm)
Rudyard Kipling, The Man Who Would Be King (1888) has the weirdest links between
spirituality, myths, old legends, religions, magic initiations and superstitions that converge in the
story with the following common points that can be found accidently in Book of Enoch also:
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a) the signing of a contract before departure;
b) the fallen beings given something that would make humans tremble;
c) the teaching of weapons and war;
d) the taking of a wives;
e) a sub-commander who's taken out to a desert and cast into a pit;
f) cast into a pit 20,000 miles deep ( bottomless pit, abyss );
g) a leader who gets burned.
(37. http://www.abovetopsecret.com/forum/thread815785/pg)
(38. http://www.biblio.com/rudyard-kipling~96895~author)
Aldous Huxley (1894-1963) published his famous dystopia Brave New World in 1932, remains
one of the most important books of the twentieth century. The phrase “brave new world” is rooteddeeply in our culture. His book's literature spheres is so ranging that will need an entire library to
compressed it, from the entomology, economic innovations, development of genetics, information
sciences, medical technologies or social sciences to the oldest bookshelves where can be found
spritism, esoterism and magicism. But some of the critics even wondered 'if Huxley put any original
ideas into his book'
(39..http://www.academia.edu/218384/Dostoyevsky_extended_Aldous_Huxley_on_Grand_Inquisit
or_Specialisation_and_Future_of_Science). Huxley’s ideas allegedly come from the works of J.B.S.
Haldane and Bertrand Russell in terms of science and technology and Mathew Arnold, Eugene
Zamiatin, H.G. Wells, Dostoevsky, Shakespeare, and Einstein when it comes to literary form and
his perception of metaphysics in the form of a new religious consciousness.
(40.http://www.academia.edu/218384/Dostoyevsky_extended_Aldous_Huxley_on_Grand_Inquisito
r_Specialisation_and_Future_of_Science)
Huxley novel register even records an evolution of thought in the following manner:
- from dystopian passive vision of state-control society;
- to ideas of pure pessimism and mix of pessimism and optimism;
(41.http://greglewicki.files.wordpress.com/2010/01/grzegorz_lewicki_dostoyevsky_extended_huxle
y_science_brave_new_world.pdf)
-from the satire of the drug-happy culture as the gateway to the ultimate reality;
- to the rejection of the possibility of change (individual, spiritual self-perfection and a some what
pantheistic worldview);
- from harnessing science and technology to establish and determine the fate of humanity through a
reflection on the destructive powers of technology
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- to the superiority of the quality of human life over some aspects of technological progress
(42.http://greglewicki.files.wordpress.com/2010/01/grzegorz_lewicki_dostoyevsky_extended_huxle
y_science_brave_new_world.pdf).
The conclusion of this piece of literature is that the price for technological progress is the loss
of individuality and human freedom. The triumph of reason over passion and science over art leads
to distortions of human nature.
(43. http://eolit.hrw.com/hlla/novelguides/hs/Mini-Guide.Huxley.pdf)
(44.http://ar2.podbean.com/pb/888a1aec8f321212993252b0b05448e2/5114ea7e/ar2/blogs18/26047
4/babylon_observer_article_0004.pdf)
21st century repeats the same themes and motifs in literature, theater, film, and everything that
is prepared to the human audience that has to be guided like the previous generations of generations
before them without full awareness of the spirituals values culture men kind absorb mentally.
Like H. G. Wells, Aldous Huxley, George Orwell wrote after a century the similar ideas about a
human mind tested to horrendous experiences and a shocking society order. Orwell's satire of
totalitarianism, 1984, was published in 1949. The significance in the title of Orwell's book is in fact
that 1984 is the centenary year of the 'Fabian Society'. Like other writers mentioned before
appertaining to occult societies, the author is considered to became disillusioned within the society
and the novel was written not as a fiction but an expose of the knowledge of the 'Fabian agenda'.
(45. http://www.conspiracytruths.co.uk/georgeorwell1984.html)
Paul Girard a remnant guest columnist notes on the catholic remnantpaper.com site the
following observations about books, movies, music, and the subjects that contain such occult
culture of our times:
We live in treacherous times, where more and more things are not at all (or
simply not only) what they appear to be. Much is hidden, concealed and kept
secret in about every sphere of modern life, from politics to culture, and when
it comes out, it is usually in the form of a scandal. “Do not judge a book by its
cover” is a word to the wise that could realistically be reinterpreted as “blow
its cover first” and things will appear in an entirely different light.
(46. http://www.remnantnewspaper.com/Archives/2011-0725-harry-potter-girard.htm)
According to Diane Andrews Henningfeld reads three different allegories into William
Golding’ Lord of the Flies 1954, a political, a Freudian and a Christian. Yet such ‘Christianity’ can
feel justified doubts coming from an author whose main themes include rebellion, witches and
magic and whose title ‘Lord of the Flies’ is another name for Beelzebub (Bel=Baal=lord +
zebub=flies) whose bloody statue is all covered with flies. Likewise, the French writer Nicolas
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Bonnal, considers Johnatan Swift, that wrote his Gulliver’s Travels in such a way as to allow more
than one reading of the same narrative (satire, allegory, esoteric initiation) how was seen above
already.
(47. http://pragmaticwitness.com/category/propaganda/page/2/)
(48. Diane Andrews Henningfeld, An overview of Lord of the Flies in an essay for Exploring
Novels, Gale, 1998.)
(49. Nicolas BONNAL, Internet, la nouvelle voie initiatique, Les Belles Lettres, 2000, 238 p.)
(50. Philippe BRETON, Le culte de l'Internet, une menace pour le lien social ?, La Découverte,
octobre 2000, 128 p.)
To the same above category appertain the Anthony Burgess that is especially remembered for
his dystopian novel A oClockwork Orange (1962), set in the not-too-distant future. A Clockwork
Orange point out that the title is supposed to symbolize the Sun, the Eye of Horus and by
association the Eye of Providence.
(51. http://www.cracked.com/article_18747_5-absurd-but-mind-blowing-pop-culture-conspiracy-
theories_p2.html)
This book shadows like in the earlier stories about mind another theory of mental development.
The tabula rasa (Latin: blank slate) refers to the epistemological thesis that individuals are born
without built-in mental content and that their knowledge comes from experience and perception.
Generally, proponents of the tabula rasa thesis favour the "nurture" side of the nature versus nurture
debate, when it comes to aspects of one's personality, social and emotional behaviour and
intelligence. Thus, the character of the Anthony Burgess, Alex records such trajectory.
Lee Kounstantinou in 'Los Angeles Review of Books' site on A Clockwork Orange make the
following remark 'one cannot help but wonder if Burgess is in sympathy not with God but with the
devil'.
(52. http://lareviewofbooks.org/article.php?id=1163&fulltext=1)
Likewise, by the same author in The Wanting Seed gives the reader three or four dystopian
future worlds for the price of one. This process of radical social transformation, from one dystopian
world to another and then another, expose the very essence of Burgess’s vision of history. In the
future historiography of The Wanting Seed , history is understood to be cyclical, moving in great
repeating spirals through three distinct stages: the Pelephase, the Interphase, and the Gusphase.
These phases represent, by Tristram Fox’s description, the main character of The Wanting Seed , a
'subsumption of the two main opposing political ideologies under essentially theologico-mythical
concepts'.
(53. http://lareviewofbooks.org/article.php?id=1163&fulltext=1)
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A Clockwork Orange and The Wanting Seed are minor masterpieces of the dystopian subgenre
and are unusually clear in their anxieties, with its emphasis on plot, its obsession with world-
building, its suggestion that everything always changes not just innerly but also outwardly.
Another aspect of these last books concern with mind control issues. Whether is about
brainwashing, coercive persuasion, mind abuse, thought control or thought reform all refers to a
process in which a group or individual 'systematically uses unethically manipulative methods to
persuade others to conform to the wishes of the manipulator(s), often to the detriment of the person
being manipulated'. (54. http://www.conspiracyarchive.com/Blog/?tag=mkultra)
Like in the ‘Ludovico technique’ are used key words that belong to this mental manipulaton
arsenal. Such key terms has been applied to any tactic, psychological or otherwise, which can be
seen as subverting an individual’s sense of control over humans own thinking, behaviour, emotions
or decision making. For instance in the novel A Clockwork Orang e by Anthony Burgess, the
protagonist undergoes a scientific re-education process called the ‘Ludovico technique’ in an
attempt to remove his violent tendencies. Likewise, in George Orwell’s novel Nineteen Eighty-Four
the fictional totalitarian government of Oceania uses brainwashing-style techniques to erase
nonconformist thought and rebellious personalities.
(55. http://www.cracked.com/article_18747_5-absurd-but-mind-blowing-pop-culture-conspiracy-
theories_p2.html#ixzz2KkFbxRSJ)
Gothic fantasy Mervyn Peake (1911–68) published his highly successful Gormenghast trilogy
between 1946 and 1959. His work was influenced and adopted the style of the scientific romances
and fantasies of 19th century by Charles Dickens, Arthur Conan Doyle, Mary Shelley, Bram Stoker,
H.G. Wells and others, some already mentioned in this essay.
Mervyn Peake like his predecessors shapes in very influential in terms of setting as character
and the idea that a place can create certain fatalism in the people who live there. Like a conclusion
to all the issues developed until this point, the author of Gomenghast trilogy, confirms in his
literature that the theory of human beings mental configuration or self constitution is not only
defined but determined by the culture, place, time and all that surrounds them. He conveys that
people are shaped, molded, and even overwhelmed by the location they have chosen in.
2.2.9. The self between English literature and its anti-theologian plays
In the 1950s, the absurd genre represented by play Waiting for Godot (1955) (originally En
attendant Godot , 1952), by the French resident, Irishman Samuel Beckett. As the artist Francis
Bacon (1909-1992), the writer Samuel Beckett (1906-1989) transmits in his work a sense of
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prophetical and dim ritualistic spaces. Such play identifies many similarities between the spaces,
activities Beckett evoke, and the initiatory practices of fraternal orders and secret societies. Waiting
for Godot absurd play is in fact a message of spiritual fulfilling in a so-called waited 'god' divinity.
In the same way, Tom Stoppard in Rosencrantz and Guildenstern are Dead (1966) is an
absurd, existentialist and a tragicomedy play. Here the existentialism philosophy create for the
individuals, like two main characters Rosencrants and Guildenstern, meaning and essence in their
lives, as opposed to deities or authorities creating it for them. Walter Kaufmann described
existentialism as 'The refusal to belong to any school of thought, the repudiation of the adequacy of
any body of beliefs whatever, and especially of systems, and a marked dissatisfaction with
traditional philosophy as superficial, academic, and remote from life'.
(56. http://www.citizendia.org/Existentialism)
Thus the play Rosencrantz and Guildenstern are Dead implie existentialism themes such as
'dread, boredom, alienation, the absurd, freedom, and nothingness'. These ideas similarly to ultimate
order of metaphysical principles aims human brains to convince that human existence has nothing at
the core of the existence itself. The philosophers, critics, theologians and cultural movements that
used these conceptions in literature, cinematography and theatre promoted this vacuum of self-
alienation in the following order. First emphasis was on existence and materialism. Than it was
considered that existence, precede consciousness. Third phase was defined as that existence
preceded essence. Reason was considered due these conceptions a defence against anxiety. From
here, next step was the absurd concept that gave birth to dystopian visions with a nietzschen
perspective of an obsolete God.
Critic Martin Esslin in his book Theatre of the Absurd pointed out how many contemporary
playwrights such as Samuel Beckett, Eugene Ionesco, Tom Stoppard, and Arthur Adamov wove
into their plays the existential belief that man is an absurd creature loose in a universe empty of real
meaning. Esslin noted that many of these playwrights demonstrated the philosophy better than did
the plays by Sartre and Camus.
(57. http://www.citizendia.org/Existentialism)
Being in-itself, being-for itself, non-positional consciousness, positional consciousness, and
identity constructed from an explicit awareness of consciousness and the like vocabulary
terminology was well coined for this late state of mind evolution. Thus the plays and certain texts
above mentioned in this essay exposed to the public various cultural products that shadowed the
under conceptions in absurd and non-logical dialogs or monologues hard to be read by non-
initiated.
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2.2.10. The self between English literature and its multi-religious issues
Salman Rushdie The Satanic Verses 1988 novel is the last literature piece representative for the
essay that cumulates in the inner composition all the connection with the esoteric and theosophical
writings especially being a magic realism genre.
Esoteric schools of thought are schools, currents or movements that have an occult system of
thought based on esoteric knowledge. They aid to prepare the individual toward spiritual evolution.
It almost always deals with some system of esoteric cosmology and contain some common themes
as rebirth, occult history of human evolution, planes of existence, and initiation into those same
planes or inner worlds that all the literature above contain in less or high degree.
The same happens in the most controversial Indian novel that ever produced in this decade.
Thus, for instance in the Salman Rushdie novel characters are evolving around these cycles upward
and downward. The Satanic Verses contains from karma, gnosticism, reincarnation, obscurantism,
hermeticism, mysticism to archeosophy, clairvoyance and spiritual evolution teachings. Many
modern Esoteric movements admit reincarnation among their beliefs, as well as a complex energetic
structure for the human being (such as etheric body, astral body,mental body and causal body).
The critics considered that is subtle an allusion regarding the Muslim's religion truthfulness in
the novel of Salman Rushdie. The Prophet Muhammad before the revelation of verses to Quraysh
that represents the base of monotheistic of Quran writings religion had to distinguish between the
voice of God and of Satan. Karen Armstrong wrote in Muhammad: A biography of the Prophet , that
Islam was accepted close to a foot of disaster. However, on the other side apocrypha records the
entire story about the ‘satanic verses’ of the 'exalted birds' that were considered by Muslims
inventions of infidels or disbelievers.
(58. http://middleeast.about.com/od/religionsectarianism/a/me080921.htm)
The literature works of remote times and of nowadays final battle is not only on the absolutist
system of beliefs like on the Christians, Muslims, Hinduisms, Buddhist disavowed but is also
preparing the entering in the new era of Aquarius that in fact with New Age Movement . Event that
occurs to be very exploited by prophetical literature sources and the like that launch the following
pattern of messages: One Self or Mental for all humans, One Language for all people, One Religion
for all nations, One Government for the entire Planet, One Army, One Monetary system and of
course a One Leader that seems to not be a Human or less from this dimension.
Like a confirmation esoteric Christians today also incorporate New Age and traditional
"magical" practices in their beliefs, such as Qabalah, theurgy, goetia, alchemy, astrology, and
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hermetism things that has to nothing with the bible teachings that forbids clearly such dark rituals.
Deut. 18:9-14. And such borrowings seems to be a trend in all the system beliefs around the globe.
Interpreting and the reinterpreted text and literature sources gives head aches to all that try to
find a connection through all the text from the beginning of the world and human civilization and
until those arrived to our times. For these reasons, the vision on interpretation and reinterpretation
of Ernest Cassirer in The Logic of the Cultural Sciences (1942) would bring some well-received
justifications:
The Logic of the Cultural Sciences [Cassirer 1942] presents Cassirer's most
developed and systematic articulation of how it is possible to achieve
objective and universal validity in both the domain of the natural and
mathematical sciences and the domain of practical, cultural, moral, and
aesthetic phenomenon. Cassirer argues, in the first place, that an ungrounded
prejudice privileging “thing perception [ Dingwahrnehmen]” — based on the
representative function ( Darstellungsfunktion) of thought — over “expressive
perception [ Ausdruckswahrnehmen]” is a primary motivation for the
widespread idea that the natural sciences have a more secure evidential base
than do the cultural sciences (and it is here, in particular, that he presents his
criticism of Rudolf Carnap's “physicalism” alluded to above). In reality,
however, neither form of perception can be reduced to the other — both are
what Cassirer calls “primary phenomena [Urphänomene].” Thus, whereas the
natural sciences take their evidential base from the sphere of thing perception,
the cultural sciences take theirs from the sphere of expressive perception, and,
more specifically, from the fundamental experience of other human beings as
fellow selves sharing a common intersubjective world of “cultural meanings.”
In the second place, moreover, whereas intersubjective or objective validity
in the natural sciences rests ultimately on universal laws of nature ranging
over all (physical) places and times, an analogous type of intersubjective or
objective validity arises in the cultural sciences quite independent of such
universal laws. In particular, although every “cultural object” (a text, a work
of art, a monument, and so on) has its own individual place in (historical)
time and (geographical-cultural) space, it nevertheless has a trans-historical
and trans-local cultural meaning that emerges precisely as it is continually
and successively interpreted and reinterpreted at other such times and places.
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The truly universal cultural meaning of such an object only emerges
asymptotically, as it were, as the never to be fully completed limit of such a
sequence. In the end, it is only such a never to be fully completed process of
historical-philosophical interpretation of symbolic meanings that confers
objectivity on both the Naturwissenschaften and the Geisteswissenschaften —
and thereby reunites the two distinct sides of Kant's original synthesis. (59.
http://plato.stanford.edu/entries/cassirer/#4)
2.3. The self between Bible and its ancient teachings
The second collection brought into study is that literature that was written under the inspiration
of the Holly Spirit and contains only ecumenical sources. This literature sources is contained only in
one book, the Bible, that contain a whole literature that spans on least 1600 years from
aproximativelly A. D. 40 to A. D. 40. (60.Henry H. Halley, Halley's Bible Handbook. Published by
Zondervan, Grand Rapids, Michigan 1965). It was written by over 40 different authors from all
walks of life: shepherds, farmers, tent-makers, physycians, fishermen, priests, philosophers and
kings. Despite these differences in ocupation and the span of years it took to write it, the Bible is an
extremely cohesive and unified book.
The Bible also covers a variety of subjects. These include the existence and nature of God, the
creation of the universe, the meaning of human existence, the purpose of human beings, and the
final destiny of humankind and the planeth earth. In fact the Bible contains an entire library and
survived to all tests of the time, having an unique continuity, a unique circulation around the world,
being unique in its translations, over 1400 languages, and being unique in withstanding all attacks.
Thus, the Bible even if it was fifteen hundread years in the making, written by many authors
with many occupations, written in different literary forms, upon three continents, composed in
different circumstances, where three different languages were employed in Holly Scripture, most
authors did not know one another, some would expect chaos to result from these diverse
circumstances but there is only one unfoulding story in the Bible that not a human mind could
project and preserve such mega hevenly design. Therefore God is the source of the Holly Scripture
with one clear message 'that men follow all the words of this law' (Deut. 29:29) and the Holy Spirit
is the Divine author of Scripture (2 Pet. 1:20, 21).
From this point can be seen that also this literature, like the privious one, has a spiritual message
but direct and unfould revelead to all human beings that allow to enter in their hearths the word of
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Salvation. Likewise, the elevation of human being into a high spiritual entity ask like in the
esotheric literature a dedication of apostlesheep and deep understanding of the precepts of the Holly
One.
There is an old story, lost in the shelves of many books, or worse often premeditatedly distorted
that will make clearer the difference between the two kinds of literature mentioned above, and the
characteristic features that makes one to be opposed to the other.
To understand the elements that construct the inner part of humanity, of each individual that
assume such and such values influenced by one of the two cultural emulators mentioned above it is
a necessity to be known that the main authors forms today through these cultural tools the self of
men kind.
The story begins in immemorial times when God made the first generation of angels, his first
contingent of servants, beings used to Govern the Universe. First, here might need some answers to
the following questions: ‘Why were angels created?’, ‘How were angels created?’, and ‘When were
they created?’
The only reliable sources regarding this domain is the Bible; other fountains but inverted being,
unsure and with language not quite accessible to everyone, often open only to initiated or private
literature clubs novices are Theosophical Society writings or other similar occult branches
documents that mystified the truth for personal interests by their trustful adepts than to expose the
original version.
Thus, question one, receives the answer that angels are the agents through whom the Most High
keeps the balance of evil and good in the Universe. Second question refers to methodology of
production of such celestial beings. In all the Bible references about angels, God created them
through power of language, He spoke, He commanded, He ordered and they come into being, all
His heavenly creatures. (Psa. 148:2-5)
The time when all this happened it would be quite clear to consider that, they were already
present at the creation of man and Earth (Job 38:4-7). Like in all things on earth and heaven, the
angels also have a hierarchy. Some of them are only angels, others archangels and there was even
the mightiest of them all them, the chief of all angels, Semyazah that could sit near God throne and
to receive from His creator the commandments for the entire celestial beings (Ezekiel 28:12-15).
This last privileged angel mentioned also in the previous chapter, was the one who changed the
state of man in the Garden of Eden, and he was also known under the name Angel of Light. Today
this fallen angel known as Lucifer became the most ferocious enemy of man. There is no one else
so dedicated to the depravation and to the total destruction of man than this ruthless foe of humanity
in the entire Universe. Such angel provoked, in the story of Babel tower, by intending to putt his
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own throne above the clouds with the help of humans, which in fact is the abode of God (Isa. 14:12-
15) the confusion of man language.
All this happened, already recorded, in the first chapter of the essay, in the detriment of most
beloved creation of God, Man. Man does not lost only his place from the presence of God, his
Heavenly Father, but also his self and integrity. Later instigated by Satan, man lost even his own
heavenly language, the last reminisce of what was he once. When men had to part from his cradle,
which was the Garden of Eden, he lost not only the communion he had in God but also his rights he
had in the garden of God.
Man here was sovereign over all the things and he had in the Garden, the only condition to obey
this precepts and commandments that he received there. All this had been given for maintaining the
harmony and with all things that had been created for man: The Three of Life, The Three of Good
and Evil and so forth. Once man had been lead into error, he was doomed and separated from his
initial self that was in His heavenly Father. Man lost thus his state of total harmony he had in God.
The infringement of heavenly precepts divided him from his state of being one with his Creator.
Today men have through Christ a mediator toward their Creator. If sin entered in the world trough
one man, Adam, than the plan of God was to propitiate humanity sin through one man, His only
Son, Christ. But like in the past, today Antichrist is trying by any means to fail this Heavenly plan.
Now because the enemy of the men was present at creation of man, the devil knew that God
made him from two fundamental elemets, one from Earth, perisable, the flesh body, named also in
biblical terminology 'tent' or 'vasel' (2Cor 5:1, 1Thess.4:4) , and the second from Heaven, named
'soul' or 'the spirit from God' (Gen.2:7). Thus there was a weak part and a strong one. For this can
be seen everywhere very convingcingly in nowadays human culture of the external things the
folowing feature: 1) lust of the flesh, with adiacent checkpoint cloths snobism as seen in
excerbation of fashion trends; victuals as seen in Junk Food Industry and food advertising around
the world); 2) the lust of the eye, developed ceaselessly by visual media; 3) the pride of life (self-
interests), and other disguisted traps that are aimed to neglect the inner part verry well recorded by
the folclor wisdom: 'An ape's an ape, a varlet's a varlet, though they be clad in silk or scarlet.'
(61.The Penguin Dictionary of Proverbs, Rosalind Fergusson, Market House Books LTD. London
1995, p.10)
take the cross and deny yourself
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Words of Wisdom: If I Were the Devil
I would gain control of the most powerful nation in the world; I would delude
their minds into thinking that they had come from man's effort, instead of God's
blessings; I would promote an attitude of loving things and using people, instead
of the other way around; I would dupe entire states into relying on gambling for
their state revenue; I would convince people that character is not an issue when it
comes to leadership; I would make it legal to take the life of unborn babies; I
would make it socially acceptable to take one's own life, and invent machines to
make it convenient; I would cheapen human life as much as possible so that the
life of animals are valued more than human beings; I would take God out of the
schools, where even the mention of His name was grounds for a lawsuit; I would
come up with drugs that sedate the mind and target the young, and I would get
sports heroes to advertise them; I would get control of the media, so that every
night I could pollute the mind of every family member for my agenda; I would
attack the family, the backbone of any nation; I would make divorce acceptable
and easy, even fashionable. If the family crumbles, so does the nation; I would
compel people to express their most depraved fantasies on canvas and movie
screens, and I would call it art; I would convince the world that people are born
homosexuals, and that their lifestyles should be accepted and marvelled; I would
convince the people that right and wrong are determined by a few who call
themselves authorities and refer to their agenda as politically correct; I would
persuade people that the church is irrelevant and out of date, and the Bible is for
the naive; I would dull the minds of Christians, and make them believe that
prayer is not important, and that faithfulness and obedience are optional; I guess I
would leave things pretty much the way they are.
Author: Paul Harvey 1999
http://www.scborromeo.org/wisdom/devil.pdf
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Today all the literature written beside Bible has such purpose of aver humanity to reconcile with its
Creator.
Notes
1. Manly P.Hall, The Secret Teachings of All Ages, p. 10.
2. http://www.bartleby.com/211/0303.html
3. http://www.bartleby.com/211/1112.html
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4. http://www.bartleby.com/211/1215.html
5. Manly P. Hall, Secret Destiny of America, p.33.
6. Manlly P. Hall, Secret Teachings of All Ages, p.165.
7. https://eric.exeter.ac.uk/repository/bitstream/handle/10036/3156/DarnillE.pdf?sequence=8
8. Manlly P. Hall, Secret Teachings of All Ages, p.169.
9. http://www.bartleby.com/224/0411.html.
10. http://www.newworldencyclopedia.org/entry/Jonathan_Swift
11. John Milton, Paradise Lost , by Blackwell Publishing Ltd, 2007, p. xxx.
12.http://www.ccc.edu/colleges/wright/departments/Documents/Wright%20Great%20Books
%20Symposium%20Journal%20Issue%201.pdf
13.http://www.transpersonalstudies.org/ImagesRepository/ijts/Downloads/Wenger%20New
%20Look%20at%20Theosophy.pdf
14. Book of Enoch, The Ethiopic Book of Enoch translated by Michael A. Knibb, Oxford University
Press, London, 1978, 9:6, p.16.
15. John Locke Some Thoughts Concerning Education. C.J. Clay and Sons, Cambridge University
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