iLife

iLife

LONDON

C I T Y O F L O N D O N

C I T Y O F L O N D O N

LONDON

LONDON

LONDON

020 1354 5506 020 1354 6655 info@london.uk

DING YUNCIN EvENt MaNaGEr10 Spring Gardens London, Greater London SW1A, UK.LONDON

LONDON

LONDON

t 020 1354 5506 F 020 1354 6655 E info@london.uk

DING YUNCIN Event Manager

10 Spring Gardens London, Greater London SW1A, UK.

50TH ANNIVE RSARYswitzerlan d–MALAYSIA

50TH ANNIVE RSARYMALAYSIA–SWITZERLAND

50TH ANNIVE RSARYMALAYSIA–SWITZERLAN D

16–18 JULY 2012This dance festival is cohering feature world renowned Swizertland compampy and 2 of the best Malaysian companies:

Swiszertland CompanyCaitlin Corbett Dance Company

Malaysian CompaniesThe One Academy StudioNational May Yong Sdn. Bhd.

At the Pentas 1, Kuala Lumpur Performing Arts Centre

More Info+036912736www.swissmy.org

Sub Events

A prefect combining of 2 countries dance festival.

50TH ANNIVE RSARYMALAYSIA–SWITZERLAN D

ANI-

MATE

THE

UNITY

A dance festival of perfect integration.

Date18JULY2012Time7.30PM Venue

Pentas 1, KLPACMore Info+036912736

ANIMATE THE UNITY dance festival is cohering world renowned Swizertland compampy and 2 of the most popular Malaysian company. We want to have a better future in both countries. In reaching the height of our abilities, Malaysia & Switzerland cohering each other. A dance festival organize to experience essence of Malaysia and Swizertland.

Old Style1/ Weight stress is at around 8 and 2 o’clock.2/ Contrast in stroke weight is not dramatic.3/ Hairlines tend to be on the heavy side. Some versions have a diagonal cross stroke of the lowercase e.4/ Serifs are bracketed; head serifs are angled.

transitional1/ Axis of curve strokes has a vertical stress.2/ Weight contrast is more pronounced than in old style designs.3/ Serifs are bracketed; head serifs are oblique.

Slab1/ These typefaces have very heavy serifs with no—or very little—bracketing.2/ Generally, changes in stroke weight are imperceptible.

Clarendon1/ Stroke contrast is slight and serifs tend to be short to medium length.

Glyphic1/ Contrast in stroke weight is at a minimum.2/ The axis of curved strokes is usually vertical.3/ Triangular-shaped serif design.

Serif

Sans–serif

1.1.1

Grotesque1/ Obvious contrast in stroke weight.2/ Slight “squared” quality to curves.3/ Many designs have the “bowl and loop” lowercase g.

Casual1/ Typefaces designed to look informal.

Calligraphic 1/ Script faces that mimic calligraphy.2/ Many appear to have been written with a flat-tipped writing instrument.

Blackletter and Lombardic 1/ Typefaces patterned to look like manuscript lettering prior to the invention of movable type. Square

1/ A definite squaring of normally curved strokes.2/ Often the typeface is condensed.

Geometric1/ Simple geometric shapes.2/ Strokes have the appearance of being strict monolines.3/ Shapes of character itself are made up of in appearance perfect geometric forms.

Humanistic1/ Based on proportions of Roman inscriptional letters.2/ Chracter contrast in stroke weight is apparent.3/ Strong calligraphic influence.

Formal1/ Derived from 17th-century formal writing styles.2/ Characters have strokes that join them to other letters.

Script

Ornamentalantiques, art Nouveau, art Deco1/ Typefaces used for display applications from mid- 1800 to early 1900, and their revivals.

Decorative1/ Typefaces that defy pigeonholing.

Chapter 1/ Typeface Chapter 1.1/ Typeface Classification