Digital Photography and design Portfolio
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Transcript of Digital Photography and design Portfolio
DIGITAL PHOTOGRAPHY AND DESIGN PORTFOLIO
Gabi Marrero
NAME PLATE
LINE PHOTO SHOOT
SHAPE/FORM SHOOT
TEXTURE SHOOT
SPACE SHOOT
VALUE SHOOT
COLOR SHOOT
MONO WITH A SPLASH
REPETITION
BALANCE
EMPHASIS
CONTRAST
UNITY
ED PASCHKE
Ed Paschke was born in June 22, 1939.
He grew up in Chicago.
His father influenced him to be an artist.
Fireworks and colors were what gave Paschke so many ideas as a child.
He uses a lot of different colors and neon art with odd shapes.
He paints all the different things in the world that influence us differently like illnesses and public/economic/social issues.
PASCHKE PORTRAITFor most of my Paschke Portrait I changed the colors of my face with the quick select tool. I also used the rectangular/elliptical marquee
tool to add the circles around my eye and mouth as well as the stripes on the side of the
picture. To still show some of my eye and mouth I changed the opacity of the layer I was
working on. I added pink streaks to my hair with the paint brush tool and used the paint
filler to add the blue to my hair. I changed the texture of the photo and it is stained glass and I also changed the hue/saturation of the photo
to add some different colors to the photo.
IMPRESSIONIST RESEARCH
A group of rebel painters that changed the way people thought about art through their vision of the canvas.
Used loose brush work, broken color brush, dashes and dabs of paint to form edges
Impressionist art showed the general impression of the light on a scene or object and color reflected light
Instead of painting in studios impressionist artists began painting outdoors
More scenes and subjects doing things outdoors
IMPRESSIONIST PHOTO SHOP PRACTICE
IMPRESSIONIST PHOTO SHOP PAINTING PROJECT
TEXT PORTRAIT PRACTICE
TEXT PORTRAIT PROJECT
OPTICAL ILLUSION PRACTICE
OPTICAL ILLUSION
OP ART RESEARCH
Optical Art Illusion began in the 1960’s
Paintings would bend and bulge or sway, vibrate, and squiggle
Painters used hard edges, precise craftsmanship, and close color values to make these paintings
Optical Art is meant to fool the eyes in thinking something else is being presented in the painting
Artists- Bridget Riley(England), Victor Vasarely(America),
Richard Anuskiewicz(America), Carlos Cruz-Diaz, & Julian
Stanczak
PRIMARY COLORS
Red, Yellow, & Blue
SECONDARY COLORS
Orange, Violet, & Green
COMPLEMENTARY COLORS
Opposite colors on the color wheel
INTENSITY
Brightness of a color
TINT & SHADE
Tint – Any color plus white Shade – Any color plus black
WARM & COOL COLORS
Warm colors are red, yellow, and orange.
Cool colors are blue, green, and violet.
ANALOGOUS COLORS
Analogous colors are colors that sit side by side on the
color wheel and have a common hue. For example, orange, yellow, and green
are analogous because they all have yellow in common.
COLOR OPTICAL ART
SURREALISM
A style in which fantastical visual imagery from the subconscious mind is used with no intention of making the work logically comprehensible.
Techniques: Juxtaposition, distortion, disguising, fragmentation, and dislocation.
Began in the early 1920s with André Breton as the founder.
Salvador Dali was a major surrealist artist as well as René Magritte.
Was mostly popular in America and with high society.
JUXTAPOSITION PRACTICE
Juxtaposition is the transforming of one object into another or joining two
or more objects in an impossible combination.
FRAGMENTATION PRACTICEBreaking up an image and joining it together in
an unusual way.
DISTORTION PRACTICE
Changing an object or image by deformation, exaggeration, simplification, or a
progressive state of degradation, (burn, dissolve, crush, melt).
DISGUISING PRACTICE
Disguising is the use of hidden images and
obscuring the quality of an object by camouflaging it.
DISLOCATION PRACTICE
Dislocation is when you place an object outside of its
natural environment and into an unusual setting.
SURREALISM COLLAGE
TYPOGRAPHY PRACTICE #1
TYPOGRAPHY PRACTICE #2
TYPOGRAPHY PRACTICE #3
TYPOGRAPHY PRACTICE #4
TYPOGRAPHY PROJECT
MAGAZINE COVER
DAVID HOCKNEY
Born in Bradford, Yorkshire in 1937
Studied at Bradford School of Art and Royal College of Art
Begins making photo and painting collages that depict nature scenes or people being active from American inspiration
Many of his paintings depict his family
As an older adult, Hockney began painting and ma-
king art on his iPhone and iPad
PHOTO COLLAGE