Digital Media Lecture 7: Color part 2 Georgia Gwinnett College School of Science and Technology Dr....

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Digital Media Lecture 7: Color part 2 Georgia Gwinnett College School of Science and Technology Dr. Jim Rowan

Transcript of Digital Media Lecture 7: Color part 2 Georgia Gwinnett College School of Science and Technology Dr....

Page 1: Digital Media Lecture 7: Color part 2 Georgia Gwinnett College School of Science and Technology Dr. Jim Rowan.

Digital Media

Lecture 7: Color part 2

Georgia Gwinnett CollegeSchool of Science and Technology

Dr. Jim Rowan

Page 2: Digital Media Lecture 7: Color part 2 Georgia Gwinnett College School of Science and Technology Dr. Jim Rowan.

Refer to Supplemental text:

Page 3: Digital Media Lecture 7: Color part 2 Georgia Gwinnett College School of Science and Technology Dr. Jim Rowan.

You have a blue ball and walk into a room lit with a red light. What color is the ball while in the room?

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Page 4: Digital Media Lecture 7: Color part 2 Georgia Gwinnett College School of Science and Technology Dr. Jim Rowan.

Color Models other than RGB

CMYK– cyan– magenta– yellow– key (black)

HSV, HSB, HSL– Hue– Saturation – value. brightness, lightness

Page 5: Digital Media Lecture 7: Color part 2 Georgia Gwinnett College School of Science and Technology Dr. Jim Rowan.

Colored light shining on a white surface

One red light, one blue light and one green light…

Arranged to overlap… Creating Cyan, Magenta and Yellow and… White

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Page 6: Digital Media Lecture 7: Color part 2 Georgia Gwinnett College School of Science and Technology Dr. Jim Rowan.

Cyan = Green + BlueCyan = White - Red

Yellow = Red + GreenYellow = White - Blue

Magenta = Red + BlueMagenta = White - Green

This color model can be used as an Additive model appropriate for use with light

This color model can also be used as a Subtractive model appropriate for use with ink and paint... things that absorb light

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White = Red + Green + Blue

Page 7: Digital Media Lecture 7: Color part 2 Georgia Gwinnett College School of Science and Technology Dr. Jim Rowan.

white paper

white paper cyan ink

magenta ink

white light

removes green

removes redwhite light

white light

removes green

removes red

leavingblue light

magentaleaving

light

magentaleaving

lightcyanleaving

light

Page 8: Digital Media Lecture 7: Color part 2 Georgia Gwinnett College School of Science and Technology Dr. Jim Rowan.

CMYK model

Cyan Magenta Yellow Key (black)

– While you should be able to make black by mixing Cyan, Magenta and Yellow…

– Paint (and ink) is not perfect

Subtractive model Used by the printing industry

Page 9: Digital Media Lecture 7: Color part 2 Georgia Gwinnett College School of Science and Technology Dr. Jim Rowan.

HSV model

Another way of looking at color Hue

– The color described as degrees from red Saturation

– How pale the color is– Think of it as adding white to the color

Brightness– How intense the color is– Thinks of it as adding black to the color

Page 10: Digital Media Lecture 7: Color part 2 Georgia Gwinnett College School of Science and Technology Dr. Jim Rowan.

Adjusting the Hue

Page 11: Digital Media Lecture 7: Color part 2 Georgia Gwinnett College School of Science and Technology Dr. Jim Rowan.

Adjusting the Hue

Page 12: Digital Media Lecture 7: Color part 2 Georgia Gwinnett College School of Science and Technology Dr. Jim Rowan.

Adjusting the Hue

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Adjusting the Hue

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Adjusting the Saturation

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Adjusting the Value

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Full-On Red in RGB model

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Full-On Green in RGB model

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Full-On Blue in RGB model

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The transition from B&W to Color TV

B&W just needs intensity changes to make white-gray-black– intensity varies as the electron beam is drawn across the screen

Color is RGB+Intensity for each– could transmit each color with its intensity and it would work for

color tv but– can’t use the same signal model for color because the B&W tv’s

wouldn’t work– Solution: Transmit the necessary color information during the

retrace.– Color is transmitted as luminance and two colors– B&W tv’s simply ignore it because the beam is off

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RGB RGB RGB

RGB RGB RGB

RGB RGB RGB

B B B

B B B

B B B

G G G

G G G

G G G

R R R

R R R

R R R

• Allows the use of the brightness and contrast of each individual color to be manipulated using levels and curves

• Allows a very fine level of control

• Very time consuming• Color balance, hue and

saturation adjustments on the whole image is a shortcut

RGB

Channels

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http://en.wikipedia.org/wiki/Channel_(digital_image)

Channels

Red Green

Blue

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