Dialogues in Design

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Dialogues in Design on the French Riviera Master Workshop for Graphic Designers Massimo Vignelli Armando Milani 15 June 2008 to 21 June 2008

description

Workshop in Provence, France 2008 with Massimo Vignelli, Armando Milani and Roger Remington

Transcript of Dialogues in Design

Dialogues in Design on the French RivieraMaster Workshop for Graphic Designers

Massimo VignelliArmando Milani

15 June 2008 to 21 June 2008

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Introduction

Dialogues in Design was an intensive one-week studio experience in graphic design, working with two master designers. International in scope, the workshop was conducted between 15 June and 21 June, 2008.

The purpose of this book is to document the events of the workshop for the participants and others who may be interested in attending in the future.

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Sunday 15 June7:45 pm Pick up at Hotel8:00 pm -10:30 pm Provencal welcome barbeque at Moulin des Trois Arcs

Monday 16 June9:00 am Pick up at hotel9:15 am Coffee and croissants at Moulin des Trois Arcs9:30 am Introductions – Instructors, participants, and program1:00 pm - 2.00 pm Lunch at the Moulin Introductions – Instructors, participants, and programTour of Maeght Foundation and St. Paul-de-VenceDialogue #1: “Is there a Process for Creativity?” Workshop expectations – Cynthia MilaniMassimo Vignelli introduction to project6:00 pm Return to HotelEvening Free

Dialogues in DesignWorkshop Schedule

Tuesday 17 June9:00 am Pick up at hotel9:15 am Coffee and croissants at Moulin des Trois Arcs9:30 am Work on project1:00 pm – 2:00 pm Lunch at the Moulin2:00 pm Work on project6:00 pm Return to Hotel“Soccer night” and picnic dinner at the Moulin

Wednesday 18 June9:00 am Pick up at hotel9:15 amCoffee and croissants at Moulin des Trois Arcs9:30 amDialogue #2: “My Life in Design” Armando Milani11:00 am Work on project1:30 pmLunch at the Moulin3:00 pm Work on project6:00 pm Moules / frites dinner in Antibes

Thursday 19 June9:00 am Pick up at hotel9:15 am Coffee and croissants at Moulin des Trois Arcs9:30 amDialogue #3: “Vignelli Design: A Retrospect” Lella Vignelli / Work on project1:00 pm to 2:00 pm / Lunch at the Moulin2:00 pm / Work on project6:00 pm Dialogue #4: “My Life in Design”/ M. Vignelli8:00 pm Dinner at Clos des Pins / Roquefort-les-PinsDinner Dialogue with the Chef: “Creativity and Cooking - What it takes to be a Master Chef”

Friday 20 June9:00 am Pick up at hotel9:15 am Coffee and croissants at Moulin des Trois Arcs9:30 am / Work on project11:30 amMarket day and lunch in a medioeval village1:00 pm / Work on project6:00 pm Dialogue #5 “The Trials and Tribulations of Being a Master Designer” / Cynthia Milani 6:30 pm Individual presentations by participantsDialogue #6Critique and comment by Vignelli and MilaniDinner / Viewing of Helvetica film

Saturday 21 June9:00 am Pick up at hotel9:15 am Coffee and croissants at Moulin des Trois Arcs9:30 am Dialogue #7: “How to Illicit Visual Rhetoric” Professor R. Roger Remington Dialogue #8: “Cross-cultural Solutions to Corporate Branding” and “How to Create Your Own Brand”Cynthia Milani1:30 pm American barbeque at Moulin des Trois Arcs2:30 pmMaster Designer Workshop Awards Ceremony3:00 pm Tour Grasse and NiceEvening in Nice

Sunday 22 JuneAu revoir

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Roger Remington’s ex Schedule

Dialogues in Design was a dynamic experience as evidenced by these schedule sheets which were dutifully carried in Roger Remington’s pocket throughout the workshop. The interaction between the demands of the master designers, Massimo Vignelli and Armando Milani with Roger Remington and Cynthia Milani, who worked as facilitators, was often a vigorous process as the days progressed. The goal was to create effective solutions to the graphic design project as well as to enjoy the beauty of Provence.

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The workshop was conducted in a beautiful setting, the studio of Italian designer Armando Milani in Le Rouret, near Nice on the French Riviera. The area, Provence/Côte d’Azur, is nestled between the sea and the mountains, and is known the world over for its natural beauty. Located in the heart of this gentle and lush vegetation, is Milani’s home and studio, Les Moulin des Trois Arcs which was a former olive mill from the 1500s.Participants were able to reflect and exchange ideas with two master designers in a truly unique location where nature and the ancient architecture combine to produce a stimulating learning environment. Visits to neighboring Provencal villages, museums, cultural highlights and fishing ports were a popular part of the workshop.

SettingsWorkshop SettingThe Moulin

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Armando and Cynthia Milani, as part of their development of the Moulin des Trois Arcs, created a unique home in the old olive mill and, in an adjacent building, a modern design studio where the workshop was conducted. The facility served the work-shop very well for individual work space, wireless internet connection, library and lecture/projection use.

SettingsWorkshop settingsThe Studio

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Massimo VignelliMaster designer showcase

Above left: Museum of Fine Arts Houston, Texas.The name of the Museum, spelled out with monumental letters in pre-cast concrete applied to the facade of the building, 1999.Above right: The Donors’ Wall dominates the Museum Atriumwith its monumental scale, 1999.To the right: Trademark for ABDIiBRAHIM, Istanbul 2006. Trademark for OPS, Off Shore Atomic Power Plants, USA,1972.Right page: Diagram of the New York Subway System, 2008.

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Massimo VignelliMaster designer showcase

Above:Richard Meier Museums, book design, 2006.This is one of the many books we have designed for Richard Meier.Right page, above:Format design for the Architecture magazine AAA,published in Santo Domingo, 2007.Below:Easy chairs, cast in nylon, designed for Heller, USA, in 2006.

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Poster “War / Peace” for the 60th years Celebration of the United Nations / New York.

Poster for the collection “Tought on democracy”, for the Wolfsonian Museum / Miami.

Poster “Africa the forgotten continent”,for CESPI Foundation / Rome.

Poster against the smoking,for the Policlinico Hospital / Milano.

Armando MilaniMaster designer showcase

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Logo Euromar for import-export company.Milan.

Logo for Dialogos, publisher of psichology books.Milan.

Logo Uomo Moda (man fashion) for ICE.New York.

Logo for Brookehill Equities, investment.New York.

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Denise Lowery Maureen Lynch Elisabetta D’AffaraPetra Mueller Silvano Vitale Greg CunneyworthDan Pocock Marion DigelElle Yoon John Walsh Tom GloesenerAngela HaggmanAlberto Rigau

PeopleThe Participants

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Participants in the workshop were an international group, representing six countries. During the course of the workshop, they bonded into a strong group of friends in the quest of achieving new graphic design sensitivities. Close working relationships existed between the participants, master designers and faculty on a day by day basis. All participants enjoyed the unique opportunity of problem solving with the close support of Massimo Vignelli and Armando Milani.

People

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Massimo and Lella Vignelli are New York-based designers of international reputation who have designed corporate identity programs,posters, publications, architectural graphics, products, interiors and furniture.Massimo lead a project in corporate identity and Lella Vignelli lectured about her work.

www.vignelli.com

Armando Milani is an internationally prominent graphic designer. Milani opened his design studio in Milan in 1970, and a New York branch in 1979. His current focus is on designing logos and corporate identity programs and posters for social causes. He is a member of the Alliance Graphique Internationale. During the Master workshop, Milani lead the project in graphic design.

www.moulin3arcs.com

Cynthia Milani is a corporate anthropologist and President of The Institute for Global Development which provides cross-cultural training and branding for multinational companies throughout the world. She brought anthropological, cultural, and psychological, perspectives to the project in her lecture on branding.

www.igd.moulin3arcs.com

R. Roger Remington is the Vignelli Distinguished Professor of Design at Rochester Institute of Technology. An acknowledged and published design historian, he has established a unique graphic design archive of over 25 collections of American Modernist designers. During the Master class, Remington presented a lecture on visual rhetoric and, with Cynthia Milani, served as Workshop facilitators.

www.rrogerremington.com

PeopleTeachers

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Massimo VignelliWords used by Massimo Vignelliin explaining his work to participants:

Powerful visualsIntellectually elegant and timelessConsistentTo stamp out vulgarityPurityEmotionMovementNever compromiseIntegrityEleganceGridCollaborationDematerializeLuminosityMinimalismDirectSystem

Armando Milani Words used by Armando Milani in explaining his work to participants:

Eye to heartInfluencesExpress concepts without wordsPersonalityInterventionRelationshipsInterpretationDouble meaningAmbiguityTransformationMemorableSimplicityHumorContrastMetaphorDreamingContrastInspirationalTimelessness

Lella Vignelli Words used by Lella Vignelli in explaining his work to participants:

Transformation and connection PurityConsistency FeasibilitySubtletySimple yet complexInvisible yet beautiful in functionTransparencyDetailDecorativeContextReflectionProportionIlluminationCraftsmanshipHarmonyPlay of lightSpaceSurpriseEngagementParticipationPartnershipUtilitarianClassicSpace free and luminous

Dialogues

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Cynthia Milani Questions posed by Cynthia Milani to workshop participants in her lecture on personal branding.

What makes you special?What do you want to be remembered for?What are your “blessings”?What are your core values/ethics?What do you do to demonstrate those values?What do you want to achieve in the next 15/10/5 years?What is your mission in life?What is your personal vision?How will you get there?What are your strengths, weaknesses, threats, opportunities?What are your goals and objectives?Are you being true to your brand?What is your Myers-Briggs Personality Type?How does that impact your life?

R. Roger RemingtonProfessor Remington presented an illustrated lecture on design theory, namely the application of Visual Rhetoric for graphic design applications. His talk identified the historical connection between ancient rhetoric and contemporary graphic design.He made the case for rhetoric as a basis in both analytical and generative processes of visual problem-solving. In his introductory remarks, he said, “This will be a lecture in design theory which hopefully will open your eyes to a new approach to creativity and the process of design. Today we are dealing here with both the head and the heart, not so much the hand. In that way we are adding a new dimension to the collective learning experience at the workshop.

Helvetica MovieDuring the workshop, at the urging of Massimo Vignelli, there was a late evening showing of the film Helvetica. This film is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which is celebrating its 50th birthday this year) as part of a larger conversation about the way type affects our lives.

Dialogues

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Dialogues

Theory map designed by Professor R. Roger Remington

Communication Philosophy

CulturalPsychology

Science Design

Economic Constructivist PedagogyBusiness

Hypertext

Narrative

Literary

Platonic

Kantian

Pragmatism

Simulation

Critical Thinking

Learning

Post-Modernism

Neo-Structuralism

Post-Structuralism

Aesthetics

CreativityStructuralism

Modernism

Human Factors

Anthropology

Multi-Culturism

Contrarian

Behaviorism

Humanism

Universalism

Ethnography

Gestalt

Cognitive

Evaluation

Feminist

Jungian

Freudian

MultipleIntelligences

Fuzzy Logic

Object-orientedProgramming

Artificial Intelligence

Marketing

Case Study

Management

Information

Interactivity

Network

Communication

RhetoricLinguistic

Sign Theory(Semiotics)

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Participants in the workshop were assigned the task of individually developing a graphic design identity system for the Maeght Foundation located in Saint-Paul-de–Vence.

“Having played a pioneering role in France, the Maeght Foundation since 1964 is today internationally recognized as one of the great centers of modern and contemporary art. Its image is that of bold enterprise, which owes its success to the personality of its founders, Marguerite and Aime Maeght and to the friendship of the artists they brought together.”(from Connaissance des Arts, 1998)

Master designers Massimo Vignelli and Armando Milani, supported by Lella Vignelli, Cynthia Milani andR. Roger Remington, worked with the participants in providing direction, clarification, advice and critique.

Vignelli and Milani asked each participant to develop the following:

A logotype or symbol.

Stationary System- Letterhead- Envelope- Business card- Fax and other forms.

Admission ticket.

Program folder (information on Maeght Foundation, collections, history, etc).

Publication format- Brochure- Book cover.

Signs- Building identification- Identification of art works- Directional signs- Informational signs.

Poster(s) for exhibitions.

Website.

Dialogues in Design Workshop Graphic Design Project

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Research and referenceMaeght Foundation

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Research and referenceMaeght Foundation

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Research and referenceMaeght FoundationSamples of existing signage

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Phase I Ideation and sketches

The first phase of the workshop projectinvolved translating the participantsimpressions from their trip to the MaeghtFoundation into concepts and ideas thatwould graphically symbolize the museum.

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Phase II Selection and refiniment

Each workshop participant developed identity logos or marks for the Maeght Foundation. The graphic work was evaluated by the master designers with advice and suggestions for further refinement.

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Phase II Presentation of Identity elements

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Phase III Application

With the identity marks selected and refined, each participant developed a series of graphic design applications in which their individual marks were shown on letterheads, signage, etc..

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Phase III Identity marks designed for Maeght Foundation

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Alberto RigauProposal for Maeght Foundation

19 juin 2008

à:Massimo VignelliArmando Milani

des:La Fondation Maeght

Un lieu unique dédié à l’art

La Fondation Marguerite et Aimé Maeght est un exemple unique de fondation privée en Europe. Inaugurée le 28 juillet 1964 par André Malraux, alors Ministre des

Aimé et Marguerite Maeght pour présenter l’art moderne et contemporain sous toutes ses formes. Des peintres et des sculpteurs ont étroitement collaboré à cette réalisation avec l’architecte catalan Josep Lluis Sert en créant des œuvres, souvent monumentales, intégrées au bâtiment et aux jardins : cour Giacometti, labyrinthe Miró peuplé de sculptures et de céramiques, mosaïques murales de Chagall et de Tal-Coat, bassin et vitrail de Braque, fontaine de Bury…

Véritable musée dans la nature, la Fondation Maeght est un lieu exceptionnel qui possède une des plus importantes collections en Europe de peintures, sculptures, dessins et oeuvres graphiques du XXème siècle : Bonnard, Braque, Calder, Chagall, Giacometti, Léger, Miró…

Plus de 200 000 visiteurs viennent chaque année à la Fondation Maeght qui a réalisé plus de 100 expositions monographiques ou thématiques depuis son ouverture.

A partir de ses collections, de nombreuses expositions sont également organisées, chaque année dans des musées, en France et à l’étranger.Des écrivains, poètes, philosophes, historiens d’art, sont invités chaque année à la Fondation Maeght pour donner des conférences thématiques autour des expositions.

Reconnue d’utilité publique, la Fondation Maeght est totalement autonome. Elle

subvention de l’Etat.

+33 (0) 4 93 32 81 63 +33 (0) 4 93 32 53 22

[email protected] www.maeght.com

06570 Saint-Paul France

[email protected] www.maeght.com

06570 Saint-Paul, France

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AlbertoRigau_BusCard_Front.pdf 24-06-2008 17:06:54

+33 (0) 4 93 32 81 63

+33 (0) 4 93 32 53 22 [email protected]

www.maeght.com 06570 Saint-Paul

France

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Brochure covers

T-shirts Other applications

SignageBook covers

GIAC

OMETTI

MIRÒ

LIEU

CONC

EPT

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Dan PocockProposal for Maeght Foundation

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Tickets Book - cover and internal spread

07.2008

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Angela HaggmanProposal for Maeght Foundation

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Book Posters

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Elle YoonProposal for Maeght Foundation

Fondation Marguerite et Aime Maeght06570 Saint-Paul

www. fondation-maeght. com

telephone +33.0.4.93.32.81.63 telecopie +33.0.4.93.32.53.22

Qu’il trace une figure sur une toile, ou sur du papier, qu’il pétrisse l’argile, c’est toujours la même ligne frénétique,

acharnée. Deux thèmes chers à Alberto Giacometti sont déployés dans les salles.

Tout d’abord, face à la célèbre sculpture de l’Homme qui marche I,1960, sont présentées des lithographies et eaux-fortes

originalestraitant de la représentation humaine à travers le portrait et le nu,dont un très rare Autoportrait de 1964 ou le

portrait mystérieux M è rede l’artiste, de 1965. Ces oeuvres gravées sont les chefs-d’oeuvre de sa période dite «

classique », toutes sont tirées à peu d’exemplaires (trente ou cinquante). Le Buste d’homme de 1964, montre la

similitude de traitement du visage par le trait, qu’il s’agisse de sculpture ou de gravure .

La deuxième partie propose de découvrir la série des Ateliers initiée en 1954, emblématique de cette exposition, mais

aussi représentative de l’univers où l’artiste crée et où il vit. Alberto Giacometti, sans mise en scène, nous ouvre son

atelier de la rue Hippolyte Maindron et représente sur la plaque de cuivre ses chefs-d’oeuvre sculptés d’un trait sûr, vif

et direct. Ainsi, on peut reconnaître les sculptures en bronze La place, ou les Femmes de Venise … dans les lithographies

originales ou les eaux-fortes : Tête et tabouret, Figurines et poêle, Les Deux tabourets, L’Atelier aux deux seaux.

La deuxième partie propose de découvrir la série des Ateliers initiée

Sincerely,

Michelle Maeght

The Rockefeller Group1290 Avenue of the AmericasNew York, NY 10019

Mr. John Smith:

June 17, 2008

Fondation Marguerite et Aime Maeght06570 Saint-Paul

Mr. John Smith

The Rockefeller Group1290 Avenue of the AmericasNew York, NY 10019

www. fondation-maeght . com

telephone +33.0.4.93.32.81.63 telecopie +33.0.4.93.32.53.22

Fondation Marguerite et Aimé Maeght

06570 Saint-Paul

Michelle Maeght

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Menber Cards for woman and man Poster Brochure cover Brochure spreads

june 2008 á june 2009

MEM

BERSHIP:Entrée gratuite à la fondation M

aeghtInvitation à tous les vernissagesAccès à la Bibliothèque Affi ches des expositions tem

poraires Catalogues des expositions tem

poraires Affi ches des expositions tirage luxe

www.fondation-maeght.com

june 2008 á june 2009

MEM

BERSHIP:Entrée gratuite à la fondation M

aeghtInvitation à tous les vernissagesAccès à la Bibliothèque Affi ches des expositions tem

poraires Catalogues des expositions tem

poraires Affi ches des expositions tirage luxe

www.fondation-maeght.com

alberto

GIACOMETTI

www.fondation-maeght.comFondation Marguerite et Aime Maeght

7 avril – 17 juin 2008

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Petra MuellerProposal for Maeght Foundation

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TicketsFront and back

Brochure Grid and posters

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John WalshProposal for Maeght Foundation

06570 Saint-Paul, FranceTéléphone: +33 (0)4 93 32 81 63 Télécopie: +33 (0)4 93 32 53 22E-mail: [email protected] Site: www.fondation-maeght.com

Dear Massimo,Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Proin nec lorem. Phasellus augue. Vestibulum aliquam orci in ante. Duis laoreet, odio id egestas fringilla, urna velit ultricies sapien, feugiat mattis velit purus nec sapien. Pellentesque tristique velit sit amet est. Morbi consectetuer, metus ut semper pharetra, nunc diam faucibus urna, eu laoreet tortor orci id mauris. Nunc iaculis porta mi. Sed elit. Aliquam viverra vestibulum tortor. Proin pellentesque cursus pede. Pellentesque scelerisque magna nec pede. Vivamus mollis. Proin at eros.

Quisque nisl mauris, volutpat vel, hendrerit ac, aliquam eu, metus. Suspendisse interdum odio a massa. Maecenas diam tellus, faucibus vel, aliquam at, mattis vitae, eros. Integer mi orci, rhoncus non, molestie at, commodo quis, neque. Mauris lorem augue, lobortis eu, placerat sed, congue dignissim, nulla. Praesent commodo tincidunt leo. Suspendisse sed pede eget elit venenatis lacinia. Sed viverra enim sit amet risus. Integer tellus. Cras sodales congue neque. Aenean lobortis, risus ac congue pretium, velit lectus laoreet nulla, ut mollis eros mauris eu ligula.

Vivamus nunc. Integer ultricies. Duis nec lorem. Mauris sem risus, rhoncus a, varius eget, vehicula sed, lorem. Quisque est. Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Integer venenatis scelerisque neque. Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Morbi non ligula ac felis rhoncus pulvinar. Integer ornare. In magna dolor, sollicitudin vitae, tempor ut, hendrerit ac, nisl. Mauris mi.

Ut vel libero id metus tincidunt commodo. Curabitur nec erat. Morbi volutpat eleifend sapien. Praesent congue placerat risus. Praesent porttitor. Nulla turpis. Duis sodales erat non dui pharetra cursus. Vivamus malesuada ante non tellus. Aliquam sit amet eros. Cras feugiat, arcu non tincidunt iaculis, odio tellus imperdiet justo, a suscipit sapien augue nec massa. Nam porttitor. Vivamus augue lorem, laoreet ac, porta consectetuer, imperdiet vestibulum, tortor. Ut congue massa nec nibh. Vestibulum pharetra ante a arcu.

John WalshSilver Birch CottageBirches LaneLostock GreenCheshireCW9 7SNUnited Kingdom

18th June 2008

Aimé MaeghtDirector06570 Saint-Paul, France

Téléphone: +33 (0)4 93 32 81 63

Télécopie: +33 (0)4 93 32 53 22

[email protected]

www.fondation-maeght.com

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Posters

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Ouvert tous les Jours10h à 18hEntree 11Etudiants 9Photographie 2.5Site sous Surveillance Video

PARKING ENTREE

s

La Bibliothéque / LibraryAmis de la Fondation / MembersLibraire / BookshopAdministration / OfficesLabyrinthe de MiróToilettes / ToiletsVestiare / Cloakroom

ss

ss

ss

s

Alberto Giacometti

Ouvert tous les jours sans exceptionOpen everyday without exception:

1 octobre - 30 Juin: 10h-18hoctober 1st - june 30th: 10am-6pm

1 juillet - 30 septembre: 10h-19hjuly 1st - september 30th: 10am-1pm

06570 Saint-Paul, France

du 5 avril au 8 juin 2008

Miró

du 5 avril au 8 juin 2008

Ouvert tous les jours sans exceptionOpen everyday without exception:

1 octobre - 30 Juin: 10h-18hoctober 1st - june 30th: 10am-6pm

1 juillet - 30 septembre: 10h-19hjuly 1st - september 30th: 10am-1pm

06570 Saint-Paul, France

La Fondation Marguerite et Aimé Maeght est un exemple unique de fondation privée en Europe. Inaugurée le 28 juillet 1964 par André Malraux, alors Ministre des Affaires Culturelles, cet ensemble architectural a été entièrement conçu et financé par Aimé et Marguerite Maeght pour présenter l’art moderne et contemporain sous toutes ses formes. Des peintres et des sculpteurs ont étroitement collaboré à cette réalisation avec l’architecte catalan Josep Lluis Sert en créant des œuvres, souvent monumentales, intégrées au bâtiment et aux jardins : cour Giacometti, labyrinthe Miró peuplé de sculptures et de céramiques, mosaïques murales de Chagall et de Tal-Coat, bassin et vitrail de Braque, fontaine de Bury…

Véritable musée dans la nature, la Fondation Maeght est un lieu exceptionnel qui possède une des plus importantes collections en Europe de peintures, sculptures, dessins et oeuvres graphiques du XXème siècle : Bonnard, Braque, Calder, Chagall, Giacometti, Léger, Miró…

Plus de 200 000 visiteurs viennent chaque année à la Fondation Maeght qui a réalisé plus de 100 expositions monographiques ou thématiques depuis son ouverture.

A partir de ses collections, de nombreuses expositions sont également organisées, chaque année dans des musées, en France et à l’étranger.

La Fondation Maeght: un lieu unique dédié à l’art

Des écrivains, poètes, philosophes, historiens d’art, sont invités chaque année à la Fondation Maeght pour donner des conférences thématiques autour des expositions.

Reconnue d’utilité publique, la Fondation Maeght est totalement autonome. Elle ne dépend pas de l’administration des Musées Nationaux et ne bénéficie d’aucune subvention de l’Etat.

The Marguerite and Aimé Maeght Foundation is a unique example of a private European Foundation. Inaugurated on July 28th 1964 by André Malraux, then Minister of Cultural Affairs, this architectural ensemble was entirely conceived and financed by Aimé and Marguerite Maeght to present modern and contemporary art in all its forms. Painters and sculptors collaborated closely in the realisation of this Foundation with Catalan architect Lluis Sert by creating frequently monumental works integrated into the building and gardens: the Giacometti courtyard, the Miró labyrinth filled with sculptures and ceramics, mural mosaics by Chaggall and Tal-Coat, a pool and stained glass window by Braque, a Bury fountain...

The Maeght Foundation: a unique site dedicated to art

A true museum in nature, the Maeght Foundation is an exceptional site that contains one of the most important collections in Europe, with paintings, sculptures; drawings and graphic works from the 20th century: Bonnard, Braque, Calder, Chagall, Giacometti, Léger, Miró...

More than 200 000 visitors come each year to the Maeght Foundation, which has put on over 100 monographic or thematic exhibitions since its opening. Many exhibitions are also organized every year in museums in France and abroad based on the Foundation’s collections.

Designated as being of public interest, the Maeght Foundation is autonomous. It is not linked to the National Museum Administration and receives no funding from the State.

La Fondation Marguerite et Aimé Maeght est un exemple unique de fondation privée en Europe. Inaugurée le 28 juillet 1964 par André Malraux, alors Ministre des Affaires Culturelles, cet ensemble architectural a été entièrement conçu et financé par Aimé et Marguerite Maeght pour présenter l’art moderne et contemporain sous toutes ses formes. Des peintres et des sculpteurs ont étroitement collaboré à cette réalisation avec l’architecte catalan Josep Lluis Sert en créant des œuvres, souvent monumentales, intégrées au bâtiment et aux jardins : cour Giacometti, labyrinthe Miró des œuvres, souvent monumentales, peuplé de sculptures et de céramiques, mosaïques murales de Chagall et de Tal-Coat, bassin et vitrail de Braque, fontaine de Bury…

Véritable musée dans la nature, la Fondation Maeght est un lieu exceptionnel qui possède une des plus importantes collections en Europe de peintures, sculptures, dessins et oeuvres graphiques du XXème siècle : Bonnard, Braque, Calder, Chagall, Giacometti, Léger, Miró…

La Bibliothèque The Library

Plus de 200 000 visiteurs viennent chaque année à la Fondation Maeght qui a réalisé plus de 100 expositions monographiques ou thématiques depuis son ouverture.

A partir de ses collections, de : cour Giacometti, labyrinthe Miró nombreuses expositions sont également organisées, chaque année dans des musées, en France et à l’étranger.

Des écrivains, poètes, philosophes, historiens d’art, sont invités chaque année à la Fondation Maeght pour donner des conférences thématiques autour des expositions.

Reconnue d’utilité publique, la Fondation Maeght est totalement autonome. Elle ne dépend pasde l’administration des MuséesNationaux et ne bénéficied’aucune subventionde l’Etat.

The Marguerite and Aimé Maeght Foundation is a unique example of a private European Foundation. Inaugurated on July 28th 1964 by André Malraux, then Minister of Cultural Affairs, this architectural ensemble was entirely conceived and financed by Aimé and Marguerite Maeght to present modern and contemporary art in all its forms. Painters and sculptors collaborated closely in the realisation of this Foundation with Catalan architect Lluis Sert by creating frequently monumental works integrated into the building and gardens: the Giacometti courtyard, the Miró labyrinth filled with sculptures and ceramics, mural mosaics by Chaggall André Malraux, then Minister of Cultural Affairs, this architectural ensemble and Tal-Coat, a pool and stained glass window by Braque, a Bury fountain...

06570 Saint-Paul, France

La Société des Amis La Librairie Tarifs/Fees: Accès/How to find us?

Visites Guidées/Guided Tours:

Individuel/Individual.......................11

Groupes, Etudiants:.........................9Renseignements/Information:

Téléphone : +33 (0)4 93 32 81 63Télécopie : +33 (0)4 93 32 53 22

Créée en 1966, l’Association rassemble aujourd’hui plus de 2000 membres (au niveau national et international). Les cotisations des adhérents permettent tout courtyard, the Miró labyrinth filled historians are invited every year to the particulièrement de disposer mosaics by Chaggall André Malraux, chaque année d’un budget d’acquisitions. Ainsi près d’une centaine d’œuvres (peintures, dessins, et sculptures) ont été acquises au fil des ans.

Writers, poets, philosophers, art historians are invited every year to the Maeght Foundation to give thematic conferences about the exhibitions..

La Société des Amis de la Fondation Maeght a pour but d’enrichir les collections de la Fondation Maeght et de contribuer à son rayonnement.

Aéroport: Nice Côte d’AzurGare SNCF: Cagnes sur MerBus: N˚ 400 Direction Vence par Saint-Paul de la Gare routière de Nice ou de la Gare SNCF de Cagnes sur Mer, arrêt Saint-Paul/La PosteAutoroute:

sortie N˚ 48 Villeneuve-Loubetsortie N˚ 47 Villeneuve-

Loubet/Cagnes sur Mer puis suivre la direction de Saint-Paul

Airport: Nice Côte d’AzurTrain Station: Cagnes sur MerBus: take the number 400 bus in direction of Vence by Saint-Paul from the bus station in Nice or at the train station in Cagnes sur Mer, the bus stop is Saint-paul/La PosteAutoroute:

sortie N˚ 48 Villeneuve-Loubetsortie N˚ 47 Villeneuve-

Loubet/Cagnes sur Mer puis suivre la direction de Saint-Paul.

06570 Saint-Paul, France

La Société des Amis de la Fondation Maeght a pour but d’enrichir les collections de la Fondation Maeght et de contribuer à son rayonnement.

La Société des Amis prend également en charge le fonctionnement de la Bibliothèque de la Fondation Maeght en permettant l’achat régulier d’ouvrages (thématiques ou monographiques, catalogues raisonnés, etc.) et l’abonnement aux principales revues. Grâce à la Société des Amis, la Bibliothèque de la Fondation Maeght conserve ainsi plus de 40 000 volumes, ce qui en fait l’une des plus particulièrement de disposer chaque année d’un budget d’acquisitions. importantes bibliothèques d’art du Sud de la France.

06570 Saint-Paul, France

Téléphone : +33 (0)4 93 32 81 63Télécopie : +33 (0)4 93 32 53 22

La Fondation Maeght est ouverte tous les jours.1er octobre - 30 juin : 10h - 18h.1er juillet - 30 septembre : 10h - 19h.

Visites guidées sur rendez-vous.Bibliothèque, Librairie et Cafeteria :Ouverture aux mêmes horaires que le musée.

Tarifs :Adulte : 11 euros.Etudiant, Enfant : 9 euros.Enfant -10 ans : Gratuit.

Home Foundation Library Members Bookstore Contacts

Brochure Signage Shopping bag and web site

38

Marion DigelProposal for Maeght Foundation

Noelle Gillót85 Rue de Palliers07410 Poitiers France

Saint-Paul, 23.5.2008

subjét: Henry Moore

Chére Madame Gilot,

nous reservons votre imprints et les livres de Henry Moore pour vous. Si vouz voullez, nous vous donnerons les materiaux á '87 le vernissage, á '87 le 28.5. ou nous vous apporterons avec Fed Ex a la maison.

Comme vous veux prendre, rsvp. nous reservons votre imprints et les livres de Henry Moore pour vous. Si vouz voullez, nous vous donnerons les materiaux á '87 le vernissage, á '87 le 28.5. ou nous vous apporterons avec Fed Ex a la maison. Comme vous veux prendre, rsvp. nous reservons votre imprints et les livres de Henry Moore pour vous.

Cordialement,Mdm. Juliette Marais

fondation marguerite et aimé maeght 06570 saint-paul, francetel +33 049 3328163 fax +33 049 3328163email [email protected] siteweb www.fondation-maeght.com

maeght

aimé maeght, presidentfondation marguerite et aime maeght06570 saint-paul, france

+33 049 3328163 fax +33 049 3328163email [email protected] siteweb www.fondation-maeght.commaeght

Noelle Gillót85 Rue de Palliers07410 Poitiers France

fondation marguerite et aimé maeght

maeght

aimé maeght, president

fondation marguerite et aime maeght

06570 saint-paul, france

tel +33 049 3328163 fax +33 049 3328163

email [email protected]

siteweb www.fondation-maeght.com

maeght

39

maeght l’invitation

les sculptures de mirò

fondation marguerite et aimé maeght

maeght exposition

les sculptures de mirò

ouvert tous les jours 1er octobre - 30 juin 10h - 19h I open everydayoctober 1st - june 30th

29 juin - 22 octobre 2008 I vernissage - vendredi 28 juin I19h

fondation marguerite et aimé maeght 06570 saint-paul, francetel +33 049 3328163 fax +33 049 3328163email [email protected] siteweb www.fondation-maeght.com

fondation marguerite et aimé maeght

ouvert tous les jours 1er octobre - 30 juin 10h - 19h I open everydayoctober 1st - june 30th

29 juin - 22 octobre 2008 I vernissage - vendredi 28 juin I19h

fondation marguerite et aimé maeght 06570 saint-paul, francetel +33 049 3328163 fax +33 049 3328163email [email protected] siteweb www.fondation-maeght.com

les sculptures de giacometti

maeght exposition

Invitation Tickets

Posters Brochure Signage

fondation marguerite et aimé maeght

l’art & l’architecture

maeghtmaeght

fondation marguerite et aimé maeght 06570 saint-paul, francetel +33 049 3328163 fax +33 049 3328163email [email protected] siteweb www.fondation-maeght.com

ouvert tous les jours 1er octobre - 30 juin 10h - 19h I open everydayoctober 1st - june 30th

Saint-PaulNice

Vence

accés

la société des amis

La Fondation Marguerite et Aimé Maeght est un exemple unique de fondation privée en Europe. Inaugurée le 28 juillet 1964 par André Malraux, alors Ministre des Affaires Culturelles, cet ensemble archi-tectural a été entièrement conçu et financé par Aimé et Marguerite Maeght pour présenter l'art moderne et contemporain sous toutes ses formes.Véritable musée dans la nature, la Fondation Maeght est un lieu exceptionnel qui possède une des plus importantes collections en Europe de peintures, sculptures.

the friends of the maeght foundationassociation

The Marguerite and Aimé Maeght Foundation is a unique example of a private European Foundation. Inaugurated on July 28th 1964 by André Malraux, then Minister of Cultural Affairs, this architectural ensemble was entirely conceived and financed by Aimé and Marguerite Maeght to present modern and contemporary art in all its forms. Painters and sculptors collaborated closely in the realisation of this Foundation with Catalan architect Lluis Sert by creating frequently monumental works integrated into the building and gardens:.

fondation marguerite et aimé maeght

La Fondation Marguerite et Aimé Maeght est un exemple unique de fondation privée en Europe. Inaugurée le 28 juillet 1964 par André Malraux, alors Ministre des Affaires Culturelles, cet ensemble archi-tectural a été entièrement conçu et financé par Aimé et Marguerite Maeght pour présenter l'art moderne et contemporain sous toutes ses formes.

Véritable musée dans la nature, la Fondation Maeght est un lieu exceptionnel qui possède une des plus importantes collections en Europe de peintures, sculp-tures, dessins et oeuvres graphiques du XXème siècle : Braque, Calder, Chagall, Giacometti, Miró… et a réalisé plus de 100 expositions monographiques.

The Marguerite and Aimé Maeght Foundation is a unique example of a private European Foundation. Inaugurated on July 28th 1964 by André Malraux, then Minister of Cultural Affairs, this architectural ensemble was entirely conceived and financed by Aimé and Marguerite Maeght to present modern and contemporary art in all its forms.

Painters and sculptors collaborated closely in the realisation of this Foundation with Catalan architect Lluis Sert by creating frequently monumental works integrated into the building and gardens: the Giacometti courtyard, the Miró labyrinth filled with sculptures and ceramics, mural mosaics by Chaggall and Tal-Coat, a pool and stained glass window by Braque.fountain...

La Fondation Marguerite et Aimé Maeght est un exemple unique de fondation privée en Europe. Inaugurée le 28 juillet 1964 par André Malraux, alors Ministre des Affaires Culturelles, cet ensemble archi-tectural a été entièrement conçu et financé par Aimé et Marguerite Maeght pour présenter l'art moderne et contemporain sous toutes ses formes.Véritable musée dans la nature, la Fondation Maeght est un lieu exceptionnel.

The Marguerite and Aimé Maeght Foundation is a unique example of a private European Foundation. Inaugurated on July 28th 1964 by André Malraux, then Minister of Cultural Affairs, this architectural ensemble was entirely conceived and financed by Aimé and Marguerite Maeght to present modern and contemporary art in all its forms. Painters and sculptors collaborated closely in the realisation of this Foundation with Catalan architect Lluis Sert by creating frequently monumental works integrated into the building and gardens.

la bibliothéque

the library

La Fondation Marguerite et Aimé Maeght est un exemple unique de fondation privée en Europe. Inaugurée le 28 juillet 1964 par André Malraux, alors Ministre des Affaires Culturelles, cet ensemble archi-tectural a été entièrement conçu et financé par Aimé et Marguerite Maeght pour présenter l'art moderne et contemporain sous toutes ses formes.Véritable musée dans la nature, la Fondation Maeght est un lieu exceptionnel qui possède une des plus importantes collections en Europe de peintures, sculp-tures, dessins et oeuvres graphiques du XXème siècle.

The Marguerite and Aimé Maeght Foundation is a unique example of a private European Foundation. Inaugurated on July 28th 1964 by André Malraux, then Minister of Cultural Affairs, this architectural ensemble was entirely conceived and financed by Aimé and Marguerite Maeght to present modern and contemporary art in all its forms. Painters and sculptors collaborated closely in the realisation of this Foundation with Catalan architect Lluis Sert by creating frequently monumental works integrated into the building and gardens.

l’art

art

l’architecture

architecture

la librairie

the bookstore

40

Maureen LynchProposal for Maeght Foundation

06570 saint-paul, francetéléphone : +33 (0)4 93 32 81 63 télécopie : +33 (0)4 93 32 81 63www.fondation-maeght.com/amis/index.htm

fondation marguerite et aimé maeght

fondation mauguerite et aimé maeght06570 saint-paul, francetéléphone : +33 (0)4 93 32 81 63 télécopie : +33 (0)4 93 32 81 63www.fondation-maeght.com

Chér Monsieur,

Veuillez voir la copie ci-jointe de la lettre récente d’AT& ; et ma lettre de previos à AT& ; à ce sujet, car je me référerai à lui dans le récit suivant. 1. Comme procuration de Mary Scullane, je l’aide dehors sur sa requête. 2. Mme Scullane a recevoir encore les disques des appels d’aide d’annuaire pour lesquels elle est charge, nous croient inexactement. Nous avons appelé votre ligne de service à la clientèle (800-288-2747) et avons parlé avec deux de vos représentants, la première Denise puis son surveillant, Alan le 24 mars 2008. J’avais expliqué à eux que Mme Scullane m’a dit qu’elle n’a fait aucun appel d’aide d’annuaire. Notez que 109 appels ont été alledgedly faits à partir de son téléphone et affichés donc contre son compte. Il y a seulement deux personnes avec l’accès au téléphone de Mme Scullane’s, elle et moi ont accès.

Cordialement,

Maureen L.Wood

AT&T

B.P. 16795

Mesa, AZ 85211-6795

Mr. John WoodMonarchia Matt International 611 Decatur AvenuePeekskill, NY 10566

fondation maeght

06570 saint-paul, france

téléphone : +33 (0)4 93 32 81 63

télécopie : +33 (0)4 93 32 81 63

www.fondation-maeght.com

jean-louis prat, director [email protected]

41

Ticket Banner Brochure Announcement Cards

fondation maeght fo

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fondation maeght fo

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fondation maeght fo

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42

Denise LoweryProposal for Maeght Foundation

foundation marguerite et aimé maeght

0657 Saint-Paul, France

tel. +33(4) 93 32 45 91

fax +33(4) 93 32 53 22

www.foundation-maeght.com

16 juin 2008

Denise Lowery

PO Box 242

Lima, New York 14485

Cher Rob,

Mon nom est Meagan Mahar et j’ai récemment reçu un diplôme de l’université et jointif les

ventes team chez ImageNow. ImageNow est un service de publicité par courrier individuel de

plein-paquet avec une nouvelle division des possibilités numériques et des actions spécia-

lisées ; pendant que nous sommes situés bien ici à Elmira nous pouvons être utiles à vous.

J’espère que vous trouverez quelques informations passionnantes et utiles dans cette garan-

tie, qui illustre l’éventail de produits que nous offrons. Si vous avez n’importe quelles ques-

tions ou demandes des informations supplémentaires, veuillez ne pas hésiter à me contacter.

Merci de votre considération ; J’espère que nous aurons une occasion de travailler ensemble

à l’avenir. Je serai en contact avec vous bientôt !

Mon nom est Meagan Mahar et j’ai récemment reçu un diplôme de l’université et jointif les

ventes team chez ImageNow. ImageNow est un service de publicité par courrier individuel de

plein-paquet avec une nouvelle division des possibilités numériques et des actions spécia-

lisées ; pendant que nous sommes situés bien ici à Elmira nous pouvons être utiles à vous.

J’espère que vous trouverez quelques informations passionnantes et utiles dans cette garan-

tie, qui illustre l’éventail de produits que nous offrons. Si vous avez n’importe quelles ques-

tions ou demandes des informations supplémentaires, veuillez ne pas hésiter à me contacter.

Merci de votre considération ; J’espère que nous aurons une occasion de travailler ensemble

à l’avenir. Je serai en contact avec vous bientôt !

J’espère que vous trouverez quelques informations passionnantes et utiles dans cette garan-

tie, qui illustre l’éventail de produits que nous offrons. Si vous avez n’importe quelles ques-

tions ou demandes des informations supplémentaires, veuillez ne pas hésiter à me contacter.

Merci de votre considération ; J’espère que nous aurons une occasion de travailler ensemble

à l’avenir. Je serai en contact avec vous bientôt !

Sincèrement,

Denise Lowery

foundation marguerite et aimé maeght

0657 Saint-Paul, France

43

Ticket

Brochure

Book

2 3

foundation marguerite et aimé maeght0657 Saint-Paul, Francetel. +33(4) 93 32 45 91fax +33(4) 93 32 53 22www.foundation-maeght.com

mir ò

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8

44

Greg CunneyworthProposal for Maeght Foundation

Greg Cunneyworth141 Caversham WoodsPittsford NY, 14534

June 18, 2008

Dear Mr. Vignelli

Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur.

Best Regards,

Greg Cunneyworth

Mr. Pierre Heraux

Project Manager

Address: 06570, Saint - Paul, France

Telephone:

+33 (0) 4 93 32 81 63

E-mail: [email protected]

www.fondation-maeght.com

45

JOAN MIRÓ

Jose MiróExposition printemps 2008du 5 avril au juin 2008 Ta

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Ticket Advertising Pages External banners Posters

Joan

Mir

ó

Joan Miró i Ferrà (April 20, 1893 – December 25,1983)

was an ethnic Catalan (of Spanish nationality) painter, sculptor

and ceramicist born in Barcelona, Catalonia, Spain.

Fondation Maeght

Tarifs & HeursAddress: 06570, Saint - Paul, France Adulte: 11 euros.Telephone: +33 (0) 4 93 32 81 63 Entudiant: 9 eurosE-mail: [email protected] Enfant – 10 ans: Gratuit

Visites guidées sur rendez-vous. La Fondation Maeght est ouverte tous les jours.Bibliothèque, Librairie et Cafeteria : 1er octobre - 30 juin : 10h – 18h.Ouverture aux mêmes horaires que le musée. 1er juillet - 30 septembre : 10h –19h.

www.fondation-maeght.com

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Joan

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Joan Miró i Ferrà (April 20, 1893 – December 25,1983) was an ethnic Catalan (of Spanish nationality) painter, sculptor and ceramicist born in Barcelona, Catalonia, Spain.

Fondation Maeght Tarifs & HeursAddress: 06570, Saint - Paul, France Adulte: 11 euros.Telephone: +33 (0) 4 93 32 81 63 Entudiant: 9 eurosE-mail: [email protected] Enfant – 10 ans: Gratuit

Visites guidées sur rendez-vous. La Fondation Maeght est ouverte tous les jours.Bibliothèque, Librairie et Cafeteria : 1er octobre - 30 juin : 10h – 18h. Ouverture aux mêmes horaires que le musée. 1er juillet - 30 septembre : 10h –19h.

www.fondation-maeght.com

Joan

Mir

ó

JOAN MIRÓ1er octobre - 30 juin : 10h – 18h.1er juillet - 30 septembre : 10h – 19h.

ALBERTO GIACOMETTI1er octobre - 30 juin : 10h – 18h.1er juillet - 30 septembre : 10h – 19h.

46

Tom Gloesener and Silvano VidaleProposal for Maeght Foundation

47

TakisSignal éolien, 2005Don de l’Artiste

Alberto GiacomettiBorgonovo (Suisse) 1901

Tête de Diego au col rouléBronze, 1952-1952Exemplaire Fondation Maeght 34 x 13,5 x 13 cmDon Aimé Maeght, 1981

AdamiValerio

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Tour Eiffel

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La adionsecte mod magna augait, sustin vel ipsummy nonse feugait, vel dolessit wis augait verat augait iliquam irilisl enis accumsandio eugait wis nostrud tinsed ero eum quat. Umsan henit in henit lorper aliscing et, quam ipis amet lum dunt incip ea feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing exerit am dolobor se feui tinis nim nosto con velis ad dolorem in henit lore tat augait, volorero odit ip enissequat del in velit la faccum voluptate tum in utat velis deleniamet lor ipis nullums andiam iusto consed ea facilis num eraessequat. Sumsan-digna faciduis del dolese dolortie modolore magna adit lum er sim iriure tio erilis nibh eu facil inim accum duismod ionsequ iscilla ndipsum iliquat ipisit dipisi tat, vendignis nos num veraesecte mo-diat ad tatio ex ent lum dolore eum vel et eugiam, suscilisi. Vulla consed te consendit wis ad tatum et am il ullandre ming eugiam ipsum vullum vendigna alit autatio nsequat exerat.¨ La adionsecte mod magna augait, sustin vel ipsummy nonse feugait, vel dolessit wis augait verat augait iliquam irilisl enis accumsandio eugait wis nostrud tinsed ero eum quat. Umsan henit in henit lorper aliscing et, quam ipis amet lum dunt incip ea feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing exerit am dolobor se feui tinis nim nosto con velis ad dolorem in henit lore tat augait, volorero odit ip enissequat del in velit la faccum vo-luptatetum in utat velis deleniamet lor ipis nullums andiam iusto consed ea facilis num eraessequat. Sumsandigna faciduis del do-lese dolortie modolore magna adit lum er sim iriure tio erilis nibh eu facil inim accum duismod ionsequ iscilla ndipsum iliquat ipisit

dipisi tat, vendignis nos num veraesecte modiat ad tatio ex ent lum dolore eumvel et eugiam, suscilisi. Vulla consed te consendit wis ad tatum et am il ullandre ming eugiam ipsum vullum vendigna alit autatio nsequat exerat.¨

Ud tat alit lametueratum vel et aut init dip eugue doluptat nim quat. Sre ero odit velestrud diam dolobore vercilis nit am nos-tionsed. La adionsecte mod magna augait, sustin vel ipsummy nonse feugait, vel dolessit wis augait verat augait iliquam irilisl enis accumsandio eugait wis nostrud tinsed ero eum quat. Umsan henit in henit lorper aliscing et, quam ipis amet lum dunt incip ea feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing exerit am dolobor se feui tinis nim nosto con velis ad dolorem in henit lore tat augait, volorero odit ip enisse-quat del in velit la faccum voluptate tum in utat velis deleniamet lor ipis nullums andiam iusto consed ea facilis num eraessequat. Umsan henit in henit lorper aliscing et, quam ipis amet lum dunt incip ea feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing

La adionsecte mod magna augait, sustin vel ipsummy nonse feugait, vel dolessit wis augait verat augait iliquam irilisl enis accumsandio eugait wis nostrud tinsed ero eum quat. Umsan henit in henit lorper aliscing et, quam ipis amet lum dunt incip ea feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing exerit am dolobor se feui tinis nim nosto con velis ad dolorem in henit lore tat augait, volorero odit ip enissequat del in velit la faccum voluptatetum in utat velis deleniamet lor ipis nullums andiam iusto consed ea facilis num eraessequat. Sumsan-digna faciduis del dolese dolortie modolore magna adit lum er sim

Luptate Deleniamet1938, peinture sur toile50 x 75 cm

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velis ad dolorem in henit lore tat augait, volorero odit ip enissequat del in velit la faccum voluptate tum in utat velis deleniamet lor ipis nullums andiam iusto consed ea facilis num eraessequat.

La adionsecte mod magna augait, sustin vel ipsummy nonse feugait, vel dolessit wis augait verat augait iliquam irilisl enis accumsandio eugait wis nostrud tinsed ero eum quat. Umsan henit in henit lorper aliscing et, quam ipis amet lum dunt incip ea feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing exerit am dolobor se feui tinis nim nosto con velis ad dolorem in henit lore tat augait, volorero odit ip enissequat del in velit la faccum voluptate tum in utat velis deleniamet lor ipis nullums andiam iusto consed ea facilis num eraessequat. Sumsan-digna faciduis del dolese dolortie modolore magna adit lum er sim iriure tio erilis nibh eu facil inim accum duismod ionsequ iscilla ndipsum iliquat ipisit dipisi tat, vendignis nos num veraesecte mo-diat ad tatio ex ent lum dolore eum vel et eugiam, suscilisi. Vulla consed te consendit wis ad tatum et am il ullandre ming eugiam ipsum vullum vendigna alit autatio nsequat exerat.¨ La adionsecte mod magna augait, sustin vel ipsummy nonse feugait, vel dolessit wis augait verat augait iliquam irilisl enis accumsandio eugait wis nostrud tinsed ero eum quat. Umsan henit in henit lorper aliscing et, quam ipis amet lum dunt incip ea feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing exerit am dolobor se feui tinis nim nosto con velis ad dolorem in henit lore tat augait, volorero odit ip enissequat del in velit la faccum vo-luptatetum in utat velis deleniamet lor ipis nullums andiam iusto consed ea facilis num eraessequat. Sumsandigna faciduis del do-lese dolortie modolore magna adit lum er sim iriure tio erilis nibh eu facil inim accum duismod ionsequ iscilla ndipsum iliquat ipisit

dipisi tat, vendignis nos num veraesecte modiat ad tatio ex ent lum dolore eumvel et eugiam, suscilisi. Vulla consed te consendit wis ad tatum et am il ullandre ming eugiam ipsum vullum vendigna alit autatio nsequat exerat.¨

Ud tat alit lametueratum vel et aut init dip eugue doluptat nim quat. Sre ero odit velestrud diam dolobore vercilis nit am nos-tionsed. La adionsecte mod magna augait, sustin vel ipsummy nonse feugait, vel dolessit wis augait verat augait iliquam irilisl enis accumsandio eugait wis nostrud tinsed ero eum quat. Umsan henit in henit lorper aliscing et, quam ipis amet lum dunt incip ea feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing exerit am dolobor se feui tinis nim nosto con velis ad dolorem in henit lore tat augait, volorero odit ip enisse-quat del in velit la faccum voluptate tum in utat velis deleniamet lor ipis nullums andiam iusto consed ea facilis num eraessequat. Umsan henit in henit lorper aliscing et, quam ipis amet lum dunt incip ea feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing

La adionsecte mod magna augait, sustin vel ipsummy nonse feugait, vel dolessit wis augait verat augait iliquam irilisl enis accumsandio eugait wis nostrud tinsed ero eum quat. Umsan henit in henit lorper aliscing et, quam ipis amet lum dunt incip ea feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing exerit am dolobor se feui tinis nim nosto con velis ad dolorem in henit lore tat augait, volorero odit ip enissequat del in velit la faccum voluptatetum in utat velis deleniamet lor ipis nullums andiam iusto consed ea facilis num eraessequat. Sumsan-digna faciduis del dolese dolortie modolore magna adit lum er sim

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TicketShopping bagPosters

Publications Signage

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Fun and games

The Moulin, Nice and surrounding towns provided a special location for participants to enjoy the special Provencal country. Breaks from the rigorous project work schedule were a welcome relief.

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Calypso the Milani cat and Roger the Workshop magpie became the workshop mascots.

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St. Paul de Vence

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Antibes

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Antibes

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Vallbonne

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GrasseThe village of parfums

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GrasseThe village of parfums

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GrasseThe village of parfums

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Awards

The hard work and dedication of the participants was acknowledged at the conclusion of the workshop with a special awards ceremony. Certificates were given to the participants and to the master designers and faculty. Everyone celebrated a newly planted olive tree at the Moulin.

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Summary comments by Master Designers Massimo Vignelli

The pleasant setting of the Moulin de Trois Arcs in the beautiful landscape of Provence made it an ideal place to have the week long seminar on graphic design.Some of the participants were students from the last year of school, some others were professionals with several years of practice, some others were teachers in Design schools. Their diversity of background added to the liveliness of the course, as well it underlined some of the problems that have emerged as a consequence of the different teaching of typography in many schools in the last twenty years.With few exceptions among the participants, we noticed a great diversity of typographic knowledge, both in terms of structure, awareness and sensibility By the end, these diversities were overcome by the quality of the results.Our major efforts were addressing the issue of consistent handling of the identifiers within a given project.The positive aspect was the willingness of the participants to implement our corrections, sometime with great efforts, due more to different backgrounds than willingness to follow instructions, however the final results of the projects were remarkably good.Some of the participants displayed a mature dose of creativity and talent and that contributed to rise the spirit of the group.

On the last day of the seminar we had a very interesting lecture by Roger Remington on the issue of Rhetoric in Graphic Design. The presentation was paired by a series of brilliant examples supporting a list of rhetoric issues. A rare and excellent opportunity to learn about reaches of Design approaches.As a closing event Cynthia Milani gave us a very interactive presentation about personal branding and a test based on the Myers-Briggs questionnaire. It was a very entertaining and informative lecture which engaged the whole audience till the end.How much of the benefits of this week will be saved in the future is too soon to determine. but this not withstanding I am in favor of repeating this experiment and extending its participation to a wider international group of students.The presentations of the Speakers and the guidance of the Masters represents in itself an opportunity not to be missed by people coming to this seminars from different places and less exposed to this kind of opportunities.I hope this initiative will continue in the next future, and I thank Armando and Cynthia Milani for giving birth to it.

Massimo Vignelli

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Summary comments by Master Designers in facultyArmando Milani

Two years ago Massimo Vignelli introduced me to Roger Remington in New York and we immediately liked each other. The next year, Roger came to visit us at the Moulin and later I visited Roger at the Rochester Institute of Technology for a lecture to his students. We started to envision the seminars and workshops at the Moulin with Massimo and Lella. That idea now is transformed into a beautiful reality.I really enjoyed this week with Lella, Massimo, Roger, Cynthia and our 12 motivated participants.Working with the students, it was clear that in order to express their creativity they needed more knowledge of the typography and, in some cases, it was difficult to achieve the perfection that we demanded. My recommendation to all the students is to look for constant improvement reading design books,magazine articles on creativity, to be always alert and show passion, passion, passion for their work.It is very important to achieve more confidence in yourself and learn how to be in contact with your emotions in order to be able to transmit that to the reader. Synthesis from the eye to the heart is a must: teaching, particularly with designers of the Vignelli caliber is a continuous stimulation toward the research of new expression and the deeper descover of one’s self.

For me, the most important part of this workshop were the presentations followed by the dialogues and analysis with the students with the documentation of the words that are the interpretation of our values and our creativity. My wife Cynthia was a master provoking this dialogue and understanding how to apply the principles to our own lives, and Roger Remington made the entire experience possible with his excellent organizational and oratory skills. Finally, I would like to say that it was an honor and priviledge to have Massimo and Lella Vignelli with us, Their intelligence, humor, dedication and genius for design will be an inspiritation to all who were able to join us in the Dialogues in Design, 2008. The olive tree dedicated to our experience has been christened and is thriving. The lovely yellow flowers Cynthia received have been planted and grace our garden with the memories of each and everyone of our participants. It is my wish that this workshop will be just the beginning of many more years of such beautiful programs at our Moulin.

Armando Milani

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The last wordR. Roger Remington

While planning and implementing Dialogues in Design, I found myself creating certain hopes and expectations for the workshop. Having visited the Moulin, I knew that the setting would be perfect. Knowing Massimo Vignelli and Armando Milani as our master teachers, I was completely certain that the workshop participants would gain a great deal from the experience. How could we not succeed with two world-class designers as teachers? What I did not factor in was the special chemistry of the unique group of individuals that would attend this summer. It was exceptional and, for me, made all the difference in what actually happened. Therefore my hopes and dreams for the workshop were exceeded in every respect. It was a great pleasure to work with Massimo and Armando. Having Lella with us made the week a very special occasion and we all appreciated so much her contributions. Finally a great big thank you to Cynthia Milani. Beyond the substantive intellectual contributions to the workshop, she made sure that we were all fed so well and that the balance of project work to enjoyment of Provence was made real.In conclusion what comes to mind are the words of a colleague which seem an appropriate way for me to conclude. “It is out of the relationships we establish among ourselves, while participating in

this enterprise and it is with the fruits of our cumulative efforts, born as we proceed toward clearer expressions of an understanding of our times, that we can expect a prophetic style to emerge.”

DIALOGUE IS EDUCATION IS COMMUNICATION

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Colophon

Design and productionElisabetta D’Affara with guidancefrom Massimo, Armando,Roger and Cynthia

PhotographyAll the workshop participants, especially Alberto Rigauand Roger Remington

SupportMilani Designvia Vivaio 2120122 Milan, Italy