Dezyne E'cole college fashion design student work
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Transcript of Dezyne E'cole college fashion design student work
DRAPING
Tasmiya SiddiquiAdvance Diploma Fashion TechnologyDezyne E’cole
Art Of Draping
ARCHITECTURAL MOTIFTRADITIONAL TEXTILES MOTIFS
Concept - Concept of saree is tradational percianmotif these flowers of egypt are very spritual. These motifs are mostly seen in their jwellary and spritual fabrics.
Concept
colour
Embroidery
Embroidery used in this dress are with silk thread on silk blink fabric.
c70,m56,y84,k71
c53,m78,y73,k78
c23,m100,y100,k27
c15,m33,y58,k0
Arrangement Of Motif
Streching ,Sliming and or ThickningOf Motif.
The variation obtainas a circle divide withstraight and curved linesmay develop simple and intricate design.
1 Grouping2 Repeating3 Overlapping4 Turning
Egyptian lotus motif
SUIT DESIGNPROJECT
36”
36”
Seat L
engt
h
Seat L
engt
h
Seat Length
1/3 of Length+1”
½ R
ound
L
eg
½ R
ound
Bot
tom
+1/2”
1/3 of Total Length1/4 of Total Length
½ R
ound
Bot
tom
½ Round Bottom
CHURADAAR PYJAMI
On Fold
Total Length-36”Round Leg -14”Round Bottom-12”Seat Length-13”
Cut 4 Piece
Cut 2 piece
Full Length-23.1”Cap Height-6.3”Bicep Circumference-12.4”Elbow Circumference-10.6
SLEEVE MEASUREMENT
On F
old
Fu
ll L
en
gth
Cap Height
½ BicepCircumference
½ Elbow Circumference
36”
7”
3” KAMEEZ MEASUREMENT
Full Length-36”Round Chest- 34”Shoulder-3”Neck Depth-7”Round Waist-26”Round Hip-36”Back Neck-9”
On
Fol
d
5”
3”
FRONT BACK
36”
Length of dupatta 95”width of dupatta-30”width of border-3”circular motif- 3”
Design Detaling
Tasmiya SiddiquiAdvance Diploma Fashion TechnologyDezyne E’cole
Trims
Vardhman Thread Ykk Zipper
Pantone 138 C Pantone 7526 C
Pantone 720 CPantone 5797 C
Printed Chiffon and cotton checks
Chiffon
Composition
Desig
n O
n C
AD
Back View
Composition
Composition
Fabric Color Ways
Upper Part
Seam Line
Front View
Side View
Cap sleeve
Back
Attached with
Upper & Lower
Part
Round
Neckline
Front
Circular
Hemline
Assymetric
curved dart
Composition
Fabric
Trims
Vardhman Thread
Color Ways
Pantone 174 C Pantone 7832 C
Printed Chiffon
Chiffon
Composition
De
sig
n O
n C
AD
Front ViewBack View
Side View
Upper Part
Seam Line
Composition
Ykk Zipper
Attached with gathers
Upper & Lower
Part
Back
Front
Gathers
Uneven
Hemline
Composition
Fabric
Trims
Vardhman Thread Ykk Zipper
Color Ways
Pantone 138 C Pantone 7526 C
Pantone 720 CPantone 5797 C
Printed Chiffon
Chiffon
Composition
Desi
gn O
n C
AD
Front View
Back View
Side View
Lower Part
Seam Line
Gathers
Yoke
Aline Flared Dress
Uneven
Hemline
Belt(2”)
Attached with
Upper & Lower
Part
Asymmetric
Neckline
Front Back
Composition
Composition
Fabric
Trims
Vardhman Thread
Color Ways
Pantone 364 Pantone 463 C
Printed Chiffon
Chiffon
Composition
De
sig
n O
n C
AD
Front View Back ViewSide View
Upper Part
Seam Line
Composition
Ykk Zipper
Attached with gathers
Upper & Lower
Part
BackFront
Gathers Uneven
Hemline
Tasmiya SiddiquiAdvance Diploma Fashion TechnologyDezyne E’cole
Garment Construction Through Cad
Composition
Fabric
Vardhman Thread
Color Ways
Pantone 794 C Pantone 125 C
Plain cotton
Chiffon
Composition
Desi
gn O
n C
AD
Front ViewSide View
Upper Part
Seam Line
Composition
Ykk Zipper
Trims
Back View
Back FrontYoke
one piece
short dress
Composition
Fabric
Vardhman Thread
Plain and printed cotton
Chiffon
Composition
Desi
gn
On
CA
D
Side View
Lower Part
Seam Line
Composition
Trims
Color Ways
Pantone 137 C Pantone 785 C
Pantone 642 CPantone 9854 C
Front View
Back View
Back Front
one piece short dress
Armhole princess style line
Ykk Zipper
Composition
Fabric
Trims
Vardhman Thread
Color Ways
Pantone 464 CComposition
Desi
gn O
n C
AD
Front ViewBack View
Side View Composition
FrontBack
cap sleevecap sleeve
Round hemline Round hemline
cotton
Plain cotton
Composition
Fabric
Vardhman Thread
Striped fabric cotton
Cotton
Composition
De
sig
n O
n C
AD
Side View
Seam Line
Composition
Trims
Color Ways
Pantone 137 C Pantone 785 C
Front View Back View
BackFront
Kimono
sleeve
t-shirt
Garment Construction Through CadTasmiya SiddiquiAdvance Diploma Fashion TechnologyDezyne E’cole
FUCHSIA RED
PALACE BLUE LUCITE GREEN
SUPER LEMON
LAVENDER VIBRANT GREEN
SLATE GRAY
SALMON ROSE
ROSE DUST
PANTONE2328
PANTONE16-1026
PANTONE18-4043
PANTONE18-4043
PANTONE14-0754
DARK CITRON
PANTONE16-0436
PANTONE15-3817
PANTONE16-5804
PANTONE14-1307
PANTONE16-6338
FASH
ION
DES
IGN
ER
TASMIYA SIDDIQUI
PORTFOLIO
BEAUTY OF
CURVES
This dress is made for a person whose age is 20-25. she has a good heightand a mature body with a fair completion her height is 5.7. Feeling of mo-dernityare shown by girl by her silhouette and the way she carry the dress and her carefree attitude. A dress is about curves and curves are shown byfolds of fabric to bring out sensual curves. It shows feeling of softness, delicacy. Cuts of dress express feeling of sensuousness proper fitting of dress makes her look attractive makes her silhouette beautiful accessories are very beautiful and delicate which reflect light. Hair color are deep blackwhich suits her completion and dress type her hairs are with soft curls andmedium height. Shoes are high heel but not very slopy.eye color is little lighter other dress and eye makeup is little darker to dress lipstick is dull and little lighter and highlited fromdark shades of same color. Color of dress may differ from party ware to casual ware for party ware vivid color aroused and for casual ware deep and dark color are used. Fabric for my dress vary from party ware to casual ware silk, satin, net, chiffon, georgette, with very light gsm and for casual ware spandex and Lycia type of fabric which gives perfect fitting.
storyboard
ha i r s
lip colour
nail p
olish
shoes
textu
re
fa b r ic
f o l ds
assesor
ies
col
o r
ey
e m a k eup
material
hairs with soft curls and and black color
matching dull lip color with dark lip liner
light color eye shadewith dark highligher
matching dull nail polishretro red 147
high heel without slope
self texture and net
fabric folds on silk, satinand velvet
stone assessories
suitable color
velvet, georget,and silk
MY CREATION
LAYOUT
Tasmiya SiddiquiAdvance Diploma Fashion TechnologyDezyne E’cole
origami dress
Tasmiya SiddiquiAdvance Diploma Fashion TechnologyDezyne E’cole
Submitted to
Dezyne E’cole College towards the
partial fulfilment fot the awards of
Advance Diploma in Fashion Technology
By
TASMIYA SIDDIQUI
Advance Diploma in Fashion Technology
Project Advisor
Mrs. PRIYANKA SAXENA
Dezyne E’cole College Ajmer2009-2011
tremiendous values and has enabled me to complete this project
successful.
MRS. VINITA MATHUR,Director of Dezyne E’cole College, Ajmer
who has given me an opportunity to work on my project in their
Organisation.
Finally I am grateful to a those who have help me come out with
such a volume in this from.
ACKNOWLEDGEMENT
I am deeply greatful to all those whose guidance has been of
TASMIYA SIDDIQUI
Advance Diploma in Fashion Technology
CONTENT
Traditional Indian Motif
Concept Board
New Motif Development
Material Board
Saree Layout
4.SALWAR KAMEEZ PROJECT
Layout Of Draft Of Salwar Kameez
Salwar Kameez
5.CONCULISION
6.BIBLOGRAPHY
1. INTRODUCTION
2. TRADITIONAL MOTIF USED IN INDIAN SAREES
3.SAREE PROJECT
Paisley Motif
Rudraksh Motif
Floral Motif
Human Motif
Geometric Motif
Mythological Motif
Animal And Birds MotifTempel motof
INTRODUCTION
Design is backbone of graphic art, design that is a part of art actually a part of our life Personality and influences the enjoyment of everything to do and of everything to select. Textile designs developed from three sources the quality of the fibers, the size and type of yarn and the way they are combined if more than one is used. The process by which they are woven and any ornament incorporated during the weaving and the Ornamentation applied after the weaving. Design is classified into two types:
Structural and Decorative Designs: Structural design is a form of construction that is built into the cloth during the Process of its manufacturing. Decorative design is applied to the surface of the cloth to ornament it. Like weaving knitting, lace making printing, dyeing, embroidery, appliqué and painting. Motif: the most important factor in any design, determines the family to which the Pattern belongs. This is the basic image –a rose, a square, a clown a paisley Layout: It describes the arrangement of the motif- whether it is spaced widely or closely On the ground, in neat order or apparently at random, or in rows that form stripes. Color: designs are so classified when a particular dye- indigo, madder or Turkey red Say –is the strongest element of their look. Naturalistic designs / conversational: This depicts real objects in a natural manner. Flowers, animals, plant forms, Stylized designs/ floral designs: These distort real objects. In this natural designs are simplified, exaggerated, rearranged or even distorted to achieve the purpose of the design.
a) All over non-directional b) Allover set c) Baskets, flowerpots and vases d) Bouquets and nosegays
Geometric designs: These are based on pure forms of the circle, rectangle and triangles etc. Geometric motifs include stripes, dots, checks, and plaids Abstract designs: These have little or no reference to real object. Abstract implies an element of impression and a greater freedom than is found in most geometric designs. This type of design is used in modern art. Ethnic designs: The ethnic styles have their day in western design and then submerge, to reappear Examples are American Indian look, batik and Indonesian look, Egyptian look, Mexican design and paisley, tie and dye patterns. Art movements and period styles: Designs like these are often the links between cloth and the fine arts. Examples are Jacobean looks and super graphics. 7 Repeats in Motifs • Side repeats pattern. • Half drop pattern • Brick pattern • Border pattern • Spotted pattern • Striped pattern
The Half –Drop repeat: In half drop repeat given size will not come just straight across to the next repeat, but will move up or down half of one repeat in the vertical direction. Brick pattern: It is structured, as a brick wall Might be build. The repeat line up perfectly Horizontally Border designs: Most border designs are composed of units or series of units or lines repeated at Intervals over the given area. Stripe pattern: They can be anything from plain stripes, all exactly the same width, to After doing this project I got knowledge about traditional textiles of India whole India In fabrics I personally like silk fabric of different variety or in surface design techniques Like weaving in colors I like traditional Indian colors in motifs I like kalash and paisley Motifs or in textiles I like ikat patola
Placement of motifs
Step-1 Draw a motif by difference sources.
Step-2 Simplify to motif with straight line or curve line using a ruler or a compas
Step-3 Stylising a motif by stretching, sliming, or thickning.
Step-4 Rotate the motif.
Step-5 The variation obtain as a circle divide with straight and curve line may develope
simple and intricate design
PAITHANE SAREE OF HYDRABAD
IKAT SAREE
CHANDEREE SAREEBROCADE OF BANARS
MAHESHWARE SAREE OF MADHYA PRADESH
STYLIZE MOTIF
RUDRAKSHA MOTIF
Rudraksha motifs are mostly used in all types of saree but specially used in pochampally saree of Orissa and rajasthan
silk saree
Paisley moifs originaed in maxico, America are mostly used in all types of saree but Rajasthan, Brocade of Banaras, West Bengal, Kashmir, and Uttar Pradesh.
PAISLEY MOTIF
KANTHA SAREE OF BENGOL
PAOLA SAREE OF GUJRAT
CHANDERI SAREE OFMADHYA PRADESH
SILK SAREE OF MAHARSATRA
BROCADE OF BANARS
STYLIZE MOTIF
KALASH MOTIF
Kalash motifs are mostly used in all types of saree but specially use in gujraty and rajasthane saree.
STYLIZE MOTIF
DIFFERENT TEXTILES KALASH MOTIF SAREE
FLORAL MOTIF
SILK BROCADE SAREE
PAITHANE SAREE OF HYDREBAD
BROCADE OF BANARS
CHANDERI SAREE OFMADHYA PRADESH
CHANDERI SAREE OFMADHYA PRADESH
Floral motifs are mostly used in all types of saree but specially use inGujrat, Rajasthan, Himachal Pradesh, Orissa, Maharastra, Uttar pradesh,Kashmir, Punjab, Bengal, Bihar.
STYLIZE MOTIF
GEOMETRIC MOTIF
Geometric motifs are mostly used in all types of saree but specially use in
Orissa ,Gujarat, Madhya Pradesh, Rajasthan, Maharashtra
BROCADE OF BANARAS
PATOLA SAREE OF GUJRAT
POCHAMPALY SAREEOF ORISSA
MAHESHWAREE SAREE OF MADHYA PRADESH
STYLIZE MOTIF
TEMPEL MOTIF
CHANDERI SAREE OFMADHYA PRADESH
BROCADE OF BANARS
BROCADE OF BANARS
SILK SAREE OF MAHARSATRA
SILK SAREE OF MAHARSATRA
Tempel Motifs are used all over the world according to their tradations like persian and egyptians used coin tempel motifsin India is used all parts but specially Andra pradesh, Orissa.
STYLIZE MOTIF
SILK PERSIAN TABREEZ WORK
BATIKWORK
SILK EMBROIDERY
PAITHANE SAREE OF HYDREBAD
PAITHANE SAREE OF HYDREBAD
Animal and bird motif are using every region according to their local style. These motifs are using in following places:Bihar, Maharashtra, Jammu & Kashmir, Punjab, West Bengal.
ANIMAL AND BIRD MOTIF
STYLIZE MOTIF
MYTHOLOGICAL MOTIF
Mythological motifs are mostly used in all types of sareethese motifs are telling stories of God and Godesses specially use in bihar, Andra pradesh, Orissa.
KALAMKAREE SAREE OF MADHYA PRADESH
BALUCHARE SAREE OF WEST BENGOL
PESHWA SAREE OF HYDRABAD
MAHESHWARE SAREE OF MADHYA PRADESH
KALAMKAREE SAREE OF ANDHRA PRADESH
BALUCHARY SAREE
BALUCHARY SAREE
BALUCHARY SAREE
MADHUBANY OF BIHAR
MADHUBANY OF BIHAR
HUMAN MOTIF
PAITHANE SAREE OF HYDREBAD
MADHUBANE SAREE OF BIHAR CHAMBA RUMAL SAREE OF
ORISSA
CHAMBA RUMAL SAREE OF ORISSA
KALAMKARE SAREE OF ANDHRA PRADESH
KALAMKARE SAREE OF ANDHRA PRADESH
BALUCHARE SAREE
Human motifs are mostly used in all types of sareebut specially use in Bengal, Rajasthan and Bihar.
Biblography
In this project I got help from internet and from that
Google and yahoo are best among them some web
sites are there.
www.thebeautygirl.com
www.expat.or.id
www.jaintextiles.com
www.textilearts.com
www.baliblog.com
www.timorousbeasties.com
www.btsadventures.com
www.mexicantextiles.com
www.jaintextiles.com
www.dreamstime.com
www.goodreads.com
www.seasonsindia.com
www.bestindiansites.com
www.chillibreeze.com
www.pubarticles.com
Conclusion
Before doing this project I think there is no need to do this project but After completing this project I realized I got the knowledge about all traditional textiles, and all traditional designs of India. I got the knowledgeofall textiles of India Motifs, Tradational Colors, Embroidery, etc.
Igot knowledge that Indian tradational motifs are Temple motif, flowers, lotus, buta, kalga, peeple , sun, peacock, parrot, fish, elephant, tortoise, hunting scene, etc
Indian tradational motifs are Kalash, Flora, Fauna, Rudraksha, Geometric,Mythological Paisley, Human, Tempel etc
At last I can say this project was very necessary for me because I got a lots of knowledge and experience about Traditional Textiles. I got the knowlwdge about all fibres, yarns, fabrics(natural and man made and their uses and properties, and formation too.I learnt about all design techniques surface or decorative.
India has a diverse and rich textile tradition. The origin of Indian textiles can be traced to the Indus valley civilization.
The first literary information about textiles in India is available in the RigVeda, which refers to
weaving. The ancient Hindu epics, the Ramayana and the Mahabharatamention a variety of
fabrics in vogue during those times. The Ramayana refers to the rich garments worn by the
aristocracy,