Development Perspectives || FACULTY OF ARTS
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FACULTY OF ARTS Author(s): BRIDGET JONES Source: Caribbean Quarterly, Vol. 26, No. 3, Development Perspectives (September, 1980), p. 52 Published by: University of the West Indies and Caribbean Quarterly Stable URL: http://www.jstor.org/stable/40793418 . Accessed: 15/06/2014 04:15 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . University of the West Indies and Caribbean Quarterly are collaborating with JSTOR to digitize, preserve and extend access to Caribbean Quarterly. http://www.jstor.org This content downloaded from 91.229.229.101 on Sun, 15 Jun 2014 04:15:21 AM All use subject to JSTOR Terms and Conditions
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Transcript of Development Perspectives || FACULTY OF ARTS
FACULTY OF ARTSAuthor(s): BRIDGET JONESSource: Caribbean Quarterly, Vol. 26, No. 3, Development Perspectives (September, 1980), p. 52Published by: University of the West Indies and Caribbean QuarterlyStable URL: http://www.jstor.org/stable/40793418 .
Accessed: 15/06/2014 04:15
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp
.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].
.
University of the West Indies and Caribbean Quarterly are collaborating with JSTOR to digitize, preserve andextend access to Caribbean Quarterly.
http://www.jstor.org
This content downloaded from 91.229.229.101 on Sun, 15 Jun 2014 04:15:21 AMAll use subject to JSTOR Terms and Conditions
52
FACULTY OF ARTS
Sundays the place belongs to boys and mauger dogs nosing into bins or stoning fruit lifting a leg against the dented chairs marked EDUCATION
Fat girl reciting GNP and LDC Did you leave behind a greasy box of Truth?
SWITCHED TO RECORD IN THE MUSIC ROOM
Four writers (m) A public mostly (f) Letting the quartet tinkle on a theme Careful not to cough or clap before Each thought had drifted
to the floor The poses chinked like Spode A Master briefly bowed -
No-one said THEY PAY ME FOR THE BLOODY STUFF IT WAS MY ONLY LIFELINE IN THAT WARD AND GOD WHAT CRAP IT WAS
Tonight the Muse was fingered (ringlets only please) Until There being still no news of rape Politely folding paper birds We went.
BRIDGET JONES
This content downloaded from 91.229.229.101 on Sun, 15 Jun 2014 04:15:21 AMAll use subject to JSTOR Terms and Conditions
