Design, the Future & the Human Spirit Victor Margolin

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Design, the Future & the Human Spirit Victor Margolin 1. Designers can work for the Public Good 2. Designers ‘ responsibility to contribute in constructive way’ 3. Ways designers can contribute? 4. Prescriptive Scenarios

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Design, the Future & the Human Spirit Victor Margolin. Designers can work for the Public Good Designers ‘ responsibility to contribute in constructive way’ Ways designers can contribute? Prescriptive Scenarios. Design for Socially Responsible Behavior Tromp, Kekkert , Verbeek. - PowerPoint PPT Presentation

Transcript of Design, the Future & the Human Spirit Victor Margolin

Page 1: Design, the Future & the Human Spirit Victor  Margolin

Design, the Future & the Human SpiritVictor Margolin

1. Designers can work for the Public Good 2. Designers ‘ responsibility to contribute in constructive

way’3. Ways designers can contribute?4. Prescriptive Scenarios

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Design for Socially Responsible BehaviorTromp, Kekkert, Verbeek

Principle argument: Designers can facilitate individual concerns to align with Collective Concerns to act based on the larger Public Good

• Intervention methods: Can change, User determines category 1. Coerce2. Persuade3. Seduce4. Decisive

Strategies Based on Individual Concerns- pp 13-17

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1949- 1995

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“His approach is eminently reasonable and certainly responds to the mix of tastes, styles, and ethnicities, that have asserted a presence within ouremerging vision of global culture.”

V Margolin

House Interior, DF @ 1978

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Be Radical.

• Think of your work as a significant element in the context of a more important, transcendental purpose.

• Use your work to become advocates of projects for the public good.

• Attempt to become a cultural provocateur; be a leader rather than a follower.

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Tibor Kalman, 1949-1999

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http://www.charlierose.com/view/interview/4306

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http://bombsite.com/issues/56/articles/1959

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“…Tibor Kalman’s famous quote – ‘designers, stayaway from corporations that want you to lie for them’, made into a billboard by Jonathan Barnbrook for the 1999 AIGA Las Vegas conference.”

http://blog.eyemagazine.com/?p=3484

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