Denver Artists SocietyVolume 2, Issue 3 May2002

CHECK CASTINGS AT DENVERSTRADE.NET

DENVER MARKET ON UPSWING!

The Denver Civic flexes its artistic muscle again by boldly supporting (dare I say it?) “LOCALS!” DenverDirector, Joseph Norton challenged the (sic) mindset that local talent can’t match that of LA or New York with thebawdy, raucous and titillating dialogue, created by (another local) Helena Soister in MEASURED ENDS.

The award-winning play allows for even the most literary-challenged viewer to laugh at excerpts from the“stuff I can’t exactly remember where it came from, but I know I’ve heard it before” category. Spoofing Abbott &Costello, Billy Shakespeare would laugh, knowing his plays and sonnets were still being performed in the 21stcentury now being read by women who dress as men who hide the fact that they’re women!

This 3-act play was well framed in a well designed and artistically handsome set created by Mr. Nortonand Thane Boden. The broad comedy was well played by (more) local talent reflecting wide-eyed and gesticulateddouble entendres. Karen Slack (Mariana) was getting laughs that we all dream of getting at any gathering. . . making bawdy gestures andwell-timed puns that kept the funny little bits moving. Katherine Benfield, (Helena) coming in from the cold, quickly warmed and revealedher needs and discovers her greater strengths through the buffoon, Robin, played ever so willingly, by William Berry.

The bug-eyed snoop and catalyst for trouble, Mistress Quickly, was played by (understudy) Tina Phillips. Most of you will seeAnna Hadzi in the role, but I went specifically to see Tina, because I love her comic wit that makes me laugh. Throw in Tara M. E.Thompson, Anita Harkess and Suzanne Frisch as witches for Good Measure, As You Like It and the Comedy of Errors on a MidSpringNight and they will delight the senses.

MEASURED ENDS may not have the legs for 42nd Street, but it stands well all on its own. MEASURED ENDS plays Friday andSaturday nights at 7:30 p.m. and Sundays at 2 p.m. through June 1. Reservations can be made at 303-399-4662 or online atwww.denvercivic.com.

MEASURED ENDS ADD UP

Paul Rohrer

The Denver market is in an upswing, and current national inquiries aboutpossible productions may bring a busy summer and fall for actors and crew. Shoot-ing commercials this and last month are: MOREY EVENS, EMS, DENVERPOST, ROCKET PICTURES, NETWORK AFFILIATES, CPG, STARZ,ENCORE, AT&,T, to name a few.

Greg Babcock at the COLORADO FILM COMMISSION reportsthat there have been several inquiries in the last few weeks inculding some featurefilm projects as well as commercial work. When asked what we can do to build astrong market, Peter Deanello, local agent at BIG FISH, said “To build a strongmarket we need strong actors.”

Denver has many opportunities coming its way; actors need to be ready forthose opportunities.

If you are an actor and have questions about the market, send your ques-tions to DENVERSTRADE@MHO.COM. We will answer questions sent tous in our new “Ask The Actor” section of the paper starting in June.

by Paul Rohrer

MEMBER CASTINGSFOR THE MONTH OF

APRIL

Hollywood Audtion

Arvada Center

Voices in the Dark (Table Read)

Feature Film (Red Cow Prod.)

Everybody Loves Raymond (CBS)

On Sunday April 21, the who’s who of Denver turned out for a night of industry funand celebration. At 7pm the doors opened at TONY’S at the FLYING DOG BREWERY forDENVER SOCIETY MEMEBER’S friends and invited guests.Live music was supplied by ECHO, a local DENVER band.As the band played, some partook in business card black-jack while others viewed the huge headshot wall on dis-play. Others played pool and ate excellent food. AllFLYING DOG beers on tap were graciously supplied byTHE FLYING DOG and TONY’S restaurant, located at

2401 Blake Street.When people needed a

drink, there was plenty of ice coldwater supplied by Colorado’sown ELDORADO SPRING WA-TER. The host of directors, pro-ducers and actors partied up atthe FLYING DOG until 11pm and then moved the party to theDENVER TRADE invite-only suite at the WESTIN HOTEL AT TA-BOR CENTER on the 19th floor, overlooking downtown Denver.

With great people and free wine, beer, and champagne theparty ran until dawn. Many actors and agents were in attendance. In from Los Angeles wasDENVER trained actor Alan Simpson who is on FOXnetwork’s PASADENA.

When asked if the event was a success, Brian McCulley,co-owner of the DENVER TRADE, said “It was the first bigindustry party we’ve held. It was great to see so many peoplemeeting new industry folks in a fun, upbeat lavish environ-ment. A big thank you goes out to those people and compa-nies that support our industry by attending. As our marketchanges, it is important to change with it. It’s a very excit-ing time to be in the business and if you were here onSunday you could see and feel that.” McCulley also said“We’ll be doing this every three or four months. The nextparty will be in July. I think it will be even better.”For more information about DENVER TRADE call 303-446-8170

TRADE PARTY A NIGHT TO REMEMBER!By Scott Summers

Actors, producers, agents and directorsenjoy meeting new creative people atTONY’S inside the FLYING DOG BREW-ERY at Sunday’s DENVER TRADEPARTY.

Trade Members and invited guestsmingle at the private VIP after-party

in the Pikes Peak Suite at theWESTIN HOTEL at Tabor Centeroverlooking downtown DENVER.

Brian McCulley chats withformer client Alan Simpson fromFOX’S TV show PASADENA

COLORADO FILM COMMISSION WINS MARKETING AWARDS

The Association of Film Commissioners International (AFCI) recently awarded the Colorado Film Commission three market-ing awards. Colorado won second place in the following categories: Color & B/W ad campaign, Direct mail, and Full-page color ad(“Oh Yeah, They’re Real). Kudos go to creative directors Anthony Castellano of MGA Communications and Brian Hawkins, and to copywriter JimGlynn, all of Denver. Boulder photographer Allen Birnbach provided striking images, which also appear on the cover of the CPRG andthe Commission’s new website. Winners were announced on April 13 at the Locations Trade Show in Santa Monica.

The Colorado Film Commission’s official Web site, www.coloradofilm.org, is showing a major increase in the number ofpeople visiting the site. Total visitation to the site for the first quarter (Jan to March) is up 64 percent compared to the same time lastyear. Visitation to the site jumped 67 percent from December 2001 to January 2002. “We are excited about the response to the re-launch of our Web site,” said Colorado Film Commission Program Manager Stephanie

Big John FLYING DOG BREWERY / TONY’SJeremy Martin ELDORADO SPRING WATERSusan Moses CASASandra Murry ROCKY MOUNTAIN PICTURESRobert Newman DUCT TAPE ENTERTAINMENTMatt Leonard BIG AND TALL PRODUCTIONSPeter Deanello MGA ENTERTAINMENTLakmini Bindslev BIG FISH TALENTMark Groves WARRIOR QUESTJeff Nickolson MUSHROOM PRODUCTIONSKathey True MAXIMUM TALENTCarin Hansen HANSEN TALENTTomas Herrera SOUGHT PICTURESSteve Mudd CASABJ Kingsbaker DONNA BALDWIN TALENTKathleen Ham B. LANDIS PHOTOGRAPHYMax Styles MAX STYLES PHOTOGRAPHYEric Weber ERIC WEBER PHOTOGRAPHYJames Kelsay DOWNSIDE PRODUCTIONSRyan Parker IRON RYNO REAL ESTATEJason Stovel GRIM PRODUCTIONBrian Landis Folkins B lANDIS PHOTOTGRAPHYJason Van Vleet MGA ENTERTAINMENTBill LaVasseur CASANeal Betters SHORT & TALL PRODUCTIONSChad Schnackel SHORT & TALL PRODUCTONS

THE FOLLOWING IS A LIST OF SOME OF THE PEOPLE ANDCOMPANIES THAT SUPPORTED YOU AND OUR INDUSTRY

BY ATTENDING THE 1ST DENVER TRADE PARTY.

TOGETHER WE MAKE THE DIFFERENCEThe Denver Trade

Two Eagles. “These numbers have far surpassed our expectations.” Re-launched in January, www.coloradofilm.org features more content, listings and an improved navigation and searchsystem. Also provided is information on labor and permitting in Colorado, weather and climate data, and a special sectionfor locals. The searchable location database is a new function that offers two unique features: the ability to find sites byusing multiple search terms, and “My Location Folder,” a personal storage cart where the user can save, make notes andemail selected location photos.

The Colorado Film Commission (CFC) is a state agency designed to facilitate film and video production in Colorado. CFCmarkets the state as a location for filmmaking, assists production companies with location site searches, and works withthe local film industry and communities to make Colorado a strong viable production state. For additional informationcontact the Colorado Film Commission at 303-620-4500.

Are you an actor?

Do you know what’s casting?

Are you informed about the

TV & Film market?

Would you like to be?

303-446-8170

THE DENVER TRADE

LAKMINI BINDSLEV JOINS THE FISH!BIG FISH TALENT BIG FISH TALENT BIG FISH TALENT BIG FISH TALENT BIG FISH TALENT is proud to welcome Lakmini Bindslev to the team! Lakmini arrived at BIG FISHBIG FISHBIG FISHBIG FISHBIG FISH after a successful

four year reign over the Youth Division at the prestigious J. J. J. J. J. MICHAEL BLOOMMICHAEL BLOOMMICHAEL BLOOMMICHAEL BLOOMMICHAEL BLOOM agency in New York City and their liaison affiliate,Ford Models. Since January, Lakmini’s success in managing the Youth Division has also thust her into other areas of developmentwithin BIG FISH’SBIG FISH’SBIG FISH’SBIG FISH’SBIG FISH’S expansion project.

Lakmini is a graduate of Emerson College in Boston, a native New Yorker, and has spent several years studying in Europe.She has made Colorado her home now, with her husband Tao and daughter Zoe.

When asked about her success, Lakmini offers the credit to the talented youth who approach the world of show businesswith a refreshing “anything is possible” belief, fueled by huge dreams and an untainted focus. Along with the representation andacquisition of young talent, Lakmini is most excited to share in the nurturing and developmental aspects which have made BIGBIGBIGBIGBIGFISHFISHFISHFISHFISH unique in the talent marketplace.

Date: ___________If you have questions call us at 303-446-8170. or E-mail us at DenversTrade@mho.com

MEMBERS SIGN UP SHEETMembers receive all workshops and programs at no charge or at a discounted rate, and access to the casting web site.Please fill out and mail back to us at: The Denver Trade, 2901 Wyandot St. #19, Denver CO 80211

SEE LAST PAGE FOR LIST OF BENEFITS FOR YOU!!

Member Name: ________________________

Member Address: ____________________

Member Phone: ______________________

Member E-mail: ______________________

Circle all that apply: Actor Writer Director Producer Advertising Crew

Casting Production Filmmaker Theater Recording Artist Variety

See Members Schedule in the Denver Trade or on-line. All programs, workshops and events are subject to change. Enrollment is for aminimum of three months and will automatically renew each month unless cancellation is requested in writing.

Signed: ____________________________

Print name: __________________________

Form of payment: VISA MASTERCARD DISCOVER

Credit card number _____________________________ Expiration date: __________

Rate: Full membership only $38.00 a month

To be or not to be…….a stunt person? You don’t usually see their faces or even know thatthey’re in a scene. They’re often referred to as the “Unsung Heroes.” We all have an idea of what a stuntperson does, but do you ever think about how stunts are done? Are you wondering if you can do it?

Would you be interested in trying it out? If so, continue reading.

Mark Steven Grove of Warrior Quest and Asgard Entertainment is teaching an introduction tostunt work intensive in May 2002 (Saturday and Sunday 11 am – 2 pm). Interested? Keep going.

Here’s an excerpt from Mark Steven Grove’s bio: Mark has been a student of martial arts for over25 years. An accomplished practitioner in the art of the Ninja, he formed his own system in 1983 andbegan teaching to the public. He has remained on that path ever since. In 1989 Mark began a secondarycareer in the film industry as a stuntman. He was taken under the wing of veteran Hollywood stuntmanLars Lundgren. Mr. Lundgren taught him all aspects of the stunt industry as well as sharing his vast

knowledge of special effects, especially pyrotechnics. Mark became veryskilled at sculpting, prosthetic make-up, weather effects and firearms toname a few. Since that time he has served in such prestigious positions asActor, Stuntman, Fight Choreographer, Special Effects Supervisor, FirearmsHandler and Action Coordinator on films such as Mad Love, My Samurai,Tiger Street, 3 Ninjas: High Noon at Mega Mountain and many others. Special-izing in fight related stunts, Mark has been acknowledged by many in theindustry as an innovator in the action field with his development of Ameri-can Chambara (Japanese inspired theatrical combat), which takes traditionalMartial Arts skills and adapts them flawlessly to film. These skills combinehighly refined martial arts skills in-volving unarmed combat, weaponryand acrobatics with more conven-

tional stunt skills such as wire effects, body burns, high falls andfirearms.

I had the opportunity to sit down with Mark and talk aboutstunt work, as well as register to attend his workshop.Denver Trade: What recommendation(s) do you have for ac-tors who are interested in stunt work?Mark Groves: The biggest thing is to try it. You don’t know ifyou’ll like it or don’t like it until you try it. Some people look at itand it doesn’t seem palatable. Once people do it, it’s very intoxi-cating because it’s a complete blast. Lots of people have self-doubt and they talk themselves out of it. The idea is to just try it.Once you do it, you stop doubting yourself. The reality is thateach person is unique. I look at each person as a super hero with a different power. I don’t comparethem to one another; it’s exactly the opposite. What are your gifts? I want to elevate you, not standtogether like clones. Don’t be your own worst judge.DT: How does one go about getting started in stunt work?MG: It’s all about the training. It’s talent. Certain things can be taught and certain things you just have.And if you’re one of those people who have it, screen presence, the ability to simulate damage, to act animpact, to act pain without any dialogue. We call that physical dialogue - the ability to project an emotionwithout saying a word, a lot like a mime would because you’re taking a hit in the face with a crow bar. Andyou can make someone believe that you’re hit without damaging yourself. These people must be in tunewith how physical things work, a sense of awareness. Preparation is key and that’s all about homework.Learning the rules. The reality is to get off your butt and go. Strive forward. Train, train, train. You haveto be able to perform beyond what a normal person could do. If all you can do is what the other personnext to you can do with a couple days of training, that’s not enough. You’ve got to be able to go thatextra mile. If it’s something each person could do down the line then why would they hire you? You’vegot to strive to do a little more physical. People have their own specialties. If you’re afraid of heights,you don’t list it. Everybody gets specializations similar to an actor’s resume. Never advertise doinganything you can’t do as a stunt person because a lot of people can put themselves in danger. A stuntperson can’t afford to do that because they’re going to be placing everything in a dangerous situation.And if they don’t perform well, they can hold up the entire film, which makes the Coordinator look bad.Make sure what you say, you can do. It’s about research. You go into the studio to train and work thefalls and all the other things. You figure out “What are my parameters?” Once you know what those

TO BE OR NOT TO BE…….A STUNT PERSON?BY TAMMY QUON

Mark Groves goes over stunt moveson the film set BOUNTY

A local actor take a fall Saterday at WARRIORQUEST stunt workshop.

parameters are, you go and sell yourself. It’s no different than acting class. You know what you’re capable of andwhat needs work. It’s no different: training, preparation, research and intelligence.DT: What type of training does one need to start stunt work?MG: Being physically able. It takes all looks and sizes. Martial art skills, soccer, something physical so that weknow that they’re fit, especially for falls and that their bodies are resilient to take impact. As far as fight choreog-raphy, I can teach an actor that’s not trained and teach them to do a great fight in a couple of days. I can do betterif they were trained, but I can’t fake a fall because they have to do that.DT: What stunt opportunities are there for actors?MG: Union or Non-Union? Better chance for Non-Union pictures as long as you’re skilled. Union jobs take a lot.Who’s going to hire an actor when you’re competing with other actors? But if you’re capable of stunts sometimesthey’ll put you in because their normal actors may not be capable. It’s a great back door if you want to get yourUnion card, if you’re capable of doing physical action.DT: How does stunt work keep actors competitive in the acting mar-ket place?MG: It’s like anything. How many things do actors do to try to enhancetheir marketability? Piano, modeling, etc. It’s one more skill to add to yourresume. Physical action is such a unique skill. Action translates to every cul-ture. It’s the most marketable product out there. Action translates well tofilm.DT: Who hires stunt workers?MG: Stunt Coordinators generally hire the stunt workers. Fight Arrangershandle physical fights as in a martial arts film or Second Unit Directors handleshooting on-location scenes.DT: What type of background is a stunt coordinator looking for?MG: I think that they’re looking for someone with a good look and they’relooking at the resume. They definitely want to see a demo tape. They want to know what you’ve done. They’revery careful to hire people with skillsDT: What’s a stunt person’s typical day like?MG: Depends on the stunt and preparation involved on any given film. Just like an actor you check-in in themorning, you have your call sheet, you go to wardrobe. You do everything an actor does. You go and rig your gag;even though there’s an effects person there, you check to make sure your own gear is double-checked and it’s ingood working order. You may do a few run-throughs for an afternoon shot. Anytime you’re working with anotheractor; you’ve got to hit marks together. If you’re in a bar scene, you want to check to see if it’s rigged properly.You have a lot of things to think about your safety. There may be several people to watch for your safety. It mighttake five people to pull off stunts. Not much different than an actor.DT: What types of stunts are most requested of stunt workers?MG: Most requested are physical fights and physical confrontation. Most requested specialty is driving stunts.DT: Least requested?MG: Probably specialized things that require terrain like snowmobiling, more of an environment issue or waterstunts.DT: What changes have you noticed in the stunt industry?MG: In terms of the stunt films, shooting out of the country a lot, which is driving me insane. The biggest changeis using computer graphics. It’s like replacing an actor with a cartoon. Whole fight scenes where no humans areinvolved. People used to have to perform these skills. I don’t mind if theyuse computer graphics to enhance a stunt, like an explosion, but when theycompletely replace somebody, that’s one of the annoying things. So one ofmy goals here is to face that change as well. We want to do our films wherepeople question, “Was that real or not?”DT: What advice would you give a beginning stunt person?MG: Don’t take yourself too seriously. Come in with a happy go luckyspirit. Don’t come in trying to prove anything. Just come in and absorb it.

Thanks to Mark for taking his time to help us understand the stuntworld better. Also, don’t forget to watch for the Second Annual World StuntAwards on ABC at 8:00 pm EST/PT on Friday, May 31, 2002. For more infor-mation on the World Stunt Awards, go to their website atwww.worldstuntawards.com.

Lastly, for additional information check out the following websites:

www.warriorquest.com www.asgardentertainment.comwww.stuntwomen.comwww.stuntmen.com

Mark Groves explains to a lead actor onBOUNTY how acting and stunts blendtogether to make a good performance

Colorado Film Commission303-620-4500

Colorado Film & Video Association303-772-5220

Screen Actors Guild303-757-6226

Denver Center for the Performing Arts

303-893-4000

NUMBERS EVERY ACTORSHOULD HAVE

REAL ESTATEIRON RYNO real estate has great properties for all types of creatives!

Support our sponsors for the DENVER TRADE PARTY

Thank you from the DenverTrade.

Tony’s at 555 Blake Street: greatfood, great beer, great times. And

Eldorado Spring water and theFlying Dog Brewery.

Members may go to as many workshops as they choose at no charge. To sign up, e-mail DenversTrade.net. Give us your name and the workshop you want to attend.

STUNT WORKSHOP WEEKEND STUNT WORKSHOP WEEKEND STUNT WORKSHOP WEEKEND STUNT WORKSHOP WEEKEND STUNT WORKSHOP WEEKEND with Mark Groves. Learn many types of stunts used in today’s cinema. E-mail for details and registration to

DENVERSTRADE@MHO.COMDENVERSTRADE@MHO.COMDENVERSTRADE@MHO.COMDENVERSTRADE@MHO.COMDENVERSTRADE@MHO.COM. Cost is $120.00. Members receive 50% 50% 50% 50% 50% off and pay only $60.00. E-mail now to reserve your spot.

THE FIVE STEPS TO A SUCCESSFUL MONOLOGUE THE FIVE STEPS TO A SUCCESSFUL MONOLOGUE THE FIVE STEPS TO A SUCCESSFUL MONOLOGUE THE FIVE STEPS TO A SUCCESSFUL MONOLOGUE THE FIVE STEPS TO A SUCCESSFUL MONOLOGUE with Peter DeAnello of Big Fish T Big Fish T Big Fish T Big Fish T Big Fish Talentalentalentalentalent, in May 27. Open to all members. 7:30pm-8:30pm at Big Fish T Big Fish T Big Fish T Big Fish T Big Fish Talent.alent.alent.alent.alent.

FREE FOR DENVER TRADE MEMBERS!

BASIC IMPROV BASIC IMPROV BASIC IMPROV BASIC IMPROV BASIC IMPROV with John Crockett on May 16th, 7-8pm. When was the last time you worked with Improv? Get the basics and have tons of fun with Master LA ImproverJohn Crockett. At AEC Studios 2901 Wyandot # 19. Cost is $75.00 for non-members. FREE FOR DENVER TRADE MEMBERS!FREE FOR DENVER TRADE MEMBERS!FREE FOR DENVER TRADE MEMBERS!FREE FOR DENVER TRADE MEMBERS!FREE FOR DENVER TRADE MEMBERS!

BEGINNING AUDITION BEGINNING AUDITION BEGINNING AUDITION BEGINNING AUDITION BEGINNING AUDITION with Susan Moses on Tuesdays in March. What goes into a winning monologue? Come find out! FREE FOR DENVER TRADE MEMBERS!FREE FOR DENVER TRADE MEMBERS!FREE FOR DENVER TRADE MEMBERS!FREE FOR DENVER TRADE MEMBERS!FREE FOR DENVER TRADE MEMBERS!

AUDIO SENSORY WORKSHOP AUDIO SENSORY WORKSHOP AUDIO SENSORY WORKSHOP AUDIO SENSORY WORKSHOP AUDIO SENSORY WORKSHOP with Brian McCulley on May 25th at 11am to 12:30pm at AEC STUDIOS AEC STUDIOS AEC STUDIOS AEC STUDIOS AEC STUDIOS 2901 Wyandot St. # 19. Expand your creative process of acting

with a sensory experience you won’t soon forget. Cost is $125.00 for non-members. FREE FOR DENVER TRADE MEMBERS!FREE FOR DENVER TRADE MEMBERS!FREE FOR DENVER TRADE MEMBERS!FREE FOR DENVER TRADE MEMBERS!FREE FOR DENVER TRADE MEMBERS!

FILM CLUB FILM CLUB FILM CLUB FILM CLUB FILM CLUB with Tony Fox on May 9th and 23th at 7:00pm. Somewhere between book club and fightclub lies Film Club. Watch films and have the chance to talk,

analyze and debate afterward (fist fights optional). To get times, see our web-site at DenversTDenversTDenversTDenversTDenversTrade.netrade.netrade.netrade.netrade.net FREE FOR DENVER TRADE MEMEBERS! FREE FOR DENVER TRADE MEMEBERS! FREE FOR DENVER TRADE MEMEBERS! FREE FOR DENVER TRADE MEMEBERS! FREE FOR DENVER TRADE MEMEBERS!

Time for you to get new headshots? Give these great photographers a call! Members receive a discount with the following photographers!Members receive a discount with the following photographers!Members receive a discount with the following photographers!Members receive a discount with the following photographers!Members receive a discount with the following photographers!

Michael EnsmingerMichael EnsmingerMichael EnsmingerMichael EnsmingerMichael Ensminger 303-292-5446303-292-5446303-292-5446303-292-5446303-292-5446Max StylesMax StylesMax StylesMax StylesMax Styles 720-276-0164720-276-0164720-276-0164720-276-0164720-276-0164Eric WeberEric WeberEric WeberEric WeberEric Weber 303-292-0250303-292-0250303-292-0250303-292-0250303-292-0250

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NOT A MEMBER? JOIN TODA NOT A MEMBER? JOIN TODA NOT A MEMBER? JOIN TODA NOT A MEMBER? JOIN TODA NOT A MEMBER? JOIN TODAY AND STOP MISSING OUT!!Y AND STOP MISSING OUT!!Y AND STOP MISSING OUT!!Y AND STOP MISSING OUT!!Y AND STOP MISSING OUT!!To become a member of the Denver Artists Society call 303-446-8170. Only $38 a month for all programs events and discounts. Thereis no limit to the number of events or workshops you can sign up for in a month.

DENVER TRADE’S MEMBER SCHEDULE FOR MAY

FREE WORKSHOPS AND DISCOUNTS FOR ALL MEMBERS!!!FREE WORKSHOPS AND DISCOUNTS FOR ALL MEMBERS!!!FREE WORKSHOPS AND DISCOUNTS FOR ALL MEMBERS!!!FREE WORKSHOPS AND DISCOUNTS FOR ALL MEMBERS!!!FREE WORKSHOPS AND DISCOUNTS FOR ALL MEMBERS!!!Not a member call 303-446-8170 to join nowNot a member call 303-446-8170 to join nowNot a member call 303-446-8170 to join nowNot a member call 303-446-8170 to join nowNot a member call 303-446-8170 to join now

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