Deluze and Space

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Space



Deleuze Connections

Sees E: a Bhaa

and Spcedd y B d Ggg L

Giles Deleuze was argably the twetet enry's most spatia pilosoher ot onlydid he cotribute a lehora of ew oepts to engage spae, sae was his very measof doig hlosopy. He sad everythg akes lae on a ae of maee,envisagig a vast deser-le sace poplated by oeps ovig about ie oads

Deleue made piosohy spatial and gave s e oncets o sooth and siated,oadi ad sedentay, deeritorasation ad eteriorasatio the old, as we asay ohers o eable s to think saialy

Tis olletion taes te alege o tig saialy by exloing Delees satialoncets i apied cotes: archtetre, inea, ura lang poltical hosoyad metaphysis I doig so, it brngs ogether soe o the os acomlised Deeesholars writg today Rda Besaa, Ia haa, Caire olebroo, om Coley,

Mael Deada, Gay Geosko, Gregg aber and Ngel Trift



Dlz Coco

'It i not he elements or the ets whch dee te mulipliity. Whadees is he AND, a oehg whch ha it lae betee theeleen or bewn he sets AN AND, AN - aerng

Genera EdioIa Bhaa

Edoial Advisoy BoadKeit ellPearsoRoi BaidttiClaire ColebrkT ColeyGregg LabertPal PattoAdria arPatria isers

le n he Seie

Gille eleuze ad Claie Paret, Dialogues

a Bhaan and Clare Colebrook (ed) Deleuze and FemnitTheory

a Bhaa and John Mars (eds) Delee and LiteratueMak Bona ad Joh tev eds Deleue and Geophilosophya Bhaan and Mare Swibda eds Deleue and Music

ForhoigMari Fglsang ad Bet Meier S0fese ed, Deleuze and he

Social

OfRelated neesAdria arr ed The Delee Donay

Deleuze and Space

Edited by Ian Buchaanand Gregg Lambert

Edinburgh Uversty Prss



© this eiio, dibr UnverityPres, 205Q in e idivdual contbution is etaied by te thos

Edbrg Uirsiy Pss Ltd 2 eorg Sqa diur

ypest in 0.5/13 aboby evis Flstig Ltd,Maester, adpinted ad boud i Great Britai byAtoy Rowe Ltd Ciea Wits

A IP rord for ts book is available from te Bris Libary

BN 786 19 9 (ardback)BN 7486 1740 (paprbak

T rigt of te coriutorsto be idtied as autors of tis work \0L1?b 1as bee assrtd i acordae witte opyi. Desis ad Patts t 988.

Contes

Acknowldgements

ItroductioIan Bcaa and Grgg ambert

1

pac in te Ag of Non-Paea uanan

2 o S wit t Mid and k toug te Ey Dluzolding Achictur and imon odias Wats Tows

aul A. Hars

3 ealing o Gils ee e's Baoqe HousHn Ficho

4 Sae: Extnsiv ad ntesiv, Atual and VrtaManul DLanda

5Gnsis Eral A Pal KleeJo avid Dwsby and igl it

6 Aftr nformatic Striation: T Resignication o iscNumrs in Contmporary nuit opa ulture

Gary Gosko and Adam Bryx

7 iking avigBranka Asic

8 O Spita Atomaton' Spae and ime in ModCinma Aodg o Gs eleu

da BesmaYa

V

1 ,

16 ;

36

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89;

109 -

126

144



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' .

Introductio

Deleuze ad Space

In Bucnn nd Gegg Lmbe

t pig pgs f ng Bk n Pa Ewr Csy s st imgi wrl wit plc t is impssil t sys, itigs prf t ry trrr su tgt s W scrcly ti fytig mr trri, r s, t t sc lc ur lisr slce-riete lestrte

tt w tbei t m

pr, m lss f t, wt sr pllssss wl lisy 1993: i) utlss tis is cus w ituit t w cul t, i wul t , if we i t lc t T trmf tis psiti is iggrs cpt 0

i

rig wic isfftily ttmpt t ti trug tis prlm y isstuneri serti wt lu Guttri

t

ti sythesis f ursls plc rly mistrslti fDan s simply 'mS strct ts rspct t cwlgs rss t fct tt

Heir ws ruitt m is lcebeig,t ig i plc wr s Higgr wl w, itrlisig plI

wyes t rit t prlm f wt pl is is ltr

wr wi tur mr pliitly t t tm f wllig' wul tryt wys f rtitig it s ffct prciti f ist tis rspct is tiig ws iu tug t w grt tnt is iflt t ssss y t trsfrmtis wr wr Erp

As ls cut f pstwr cim rgus tiig t plci tis pri ws (urstly mit y rulstrw ists twitstig Csys ssrtis t t ctrry, umr f pilsprs ut ls rtsts lmmrs s wll, g t mgi wrl witut pl wrl f yscswtr

Wh is he Snd Wd War aen as a brea? e fa is ha i Eure, swar erid has greal nreased he siains whh we n lger

nw w rea in saes whih we n nger nww desribe



2 lu nd Sp

r ny p t rt u unnt, u u t ru n t ur mltn r rntutn.An n t aypt n r rtr rr, o mutnt y a rr n t y r r luz 989:

I , t qualnt of omout t t allgly t

gg nnr t fur t akrop to rm lm t trmtpyl mag ntrly frt T rt rt nay ulng gnfy not tat a popl luz a Guattr put) mg ut tat a n rgt for tmaton tok trat y lz a lm pot of pra mort m prly a potr lm rt t momt oar nmaof t nypt Altoug ork pn t pro of otoalm n a r ar no aypatr o t ypfoun n Rolln or or Htok o t ontrary, lmopat n gly ontr a loy or ulg: tapatmt lo, t motl, t mao t tra ou at t n

of t rt t ug lutropo tmopr of ontnt rlln out t m t of ork tat rtn t mot pott onan n otmporary oty) W oul not m from tor t pla' prt n tok a an n Rollan or an ta Htok ork a omo o of tp ttory tok fmou prfr for t ontg or lotonrult n n att y ung kprojton an mattta o t rl tng t a m of at aftr co) n notrt to Rolln oralm, mgt trm yprralm2t prap oly toay n p ar g lt oouly to rplatlm t tat a pprat t aogu on pa tat Htok

lm r tryng to ro3at logu a to o t tlty. quto, o, om-nt on lf of t ttt tury a t ky aaly uonrg pa At tak ptal prolm of at t tak tomak p atal o mak pl from t t t plamkng nftrutur trto mmory at n o fort) a nt troy or pla A Antony Vlr o ptl tkngfor t on Worl Wr or t t mngly magng fft pa a ang on t morn nal Mtropolraply am t prlg trrtory o ot o atrutrty to pal onton a tat too r pl tn tgnral ptmology of Bar nrana an arot yt ut

t a pa rlatop to tr uppo pyl au Vlr

Introduton

000 6 Agorpo a latropoa, trm t rt approm r for t rt of tntt ntury am tyg an yng of pata tkng n t mornt pro. Wtr t t uy torougfar, ptamgor of t ara or t op pa of t oulr tr a n aoat malay agofor n typ of ptl prn. Mor mportntly mly

to ol t ky to unrtang ontmporay lf rt akn of nal ymptom an t t al t unptoataar y oty roo tlf oal pa of t tyam mappal n lz' trm y trag pot o ntty of n ma u Bjmn fou on ar u mor ru-aly o pang tog gnWk t typa tty of tlt ntnt tury Ka zro on t ol loyH/ a t mlm of t n rtoalm l for mml t t tragr at o farnung an ung ta mot aml of n ra4

Ar t o Worl War or tnkn an am to

r gr u t y nton. Wr or t onn ow

p eted nual, o t mp ft to totr of t uato oul ual aft pa? I ffrnty Lfr a gg ta on t up of t m t oflty n tt ty o rgu tat t ul tl to tonttuto of pl tat to y t no ll l p. otr al to on of pa tat a mp or otr rnr unnat ut ntr a yt prpar to onr t polty of pa t r ontutly uatl gnrato ofnkr tat follo Aug or Crtau luz Fouault many otr o tto. outl a Foault

ook o t pro tat t to atg a or atmopr of t-utonal trumplm tat o n l ork oul ty to amlo youlnng a u vvnd for lf n t gl of urll kng p pul pon of partur Crtau rr tpt polary of tng p to tat pot ung pl to no ft rtrt a uomly an pa trto t gaton fo unnt a unnatl) to tor tnuou n form ofrom p o t lrty to prmt to try tgut t pr on annot kp at o gn. Emlmat of t npa t l, p roug togtr ponatntnty o jm' ara t any promuty o mmltrangr a p n rtu y poty all f t on

Foung o t prolrato o p o o m y t



Deluze ad Spae

to factat our 'passing through aports, an stations tram stops and) so forth, Aug taks this a stp furh and develops an da of th non-- plac that s, a pac which o longe coners the affect of place ad in

the procss cushes the ceative and deed anarchic spit o de Crtausnoto of spac Dbords dircon was both more anarchic and n asens more olor bcas fo

h

t was reay ony i t virtua spaceof art that on can nd an relief from

tharn

rssus of thraona sm of th a� his positon is cose to Deeuzes of cose, asmuc as e too invests reat aith in art, but h doesnt cone th anar-chic potntial of art to the virta he sees its explosive potntial tndingto the actual, if th artst has th strength to carry it though

n its fndamental ambvalence towards th nw space Euop waswll ahead of Amrca in fact it is not ntil redric amesons ssay onpostmodrnsm of 1984 that w encounter a comparable analysis; atleast part of th shock of amesons ssay came from his wllingness toproounce the new space uninhabitable and ths big a continntalnnui statsde61n complet contrast to rope postwar UA litraly

boomd mor partclaly i th dcade or so folowing the cessation ofhostilites in op the basic shape of contmpoary USA was put nplace: the nterstate eeways, sprawling subbs, and shoppig mallsthat dene the landscape of midde Aerica today all cam into bing atthis tme It s this that Hitchcocks cinema capures his is a cinema ofthe affect o shoppng ma th itestate ad the subub o whatKoolhaas calls 'jnk spac h modr act as Deleuze pt t 'is thatwe no ong bliv in this word W do not ve bev in th vntswhich happn to s, love, death as if they oy haf concrnd us It isnot w who make cnema; it is the wold whch ooks to us lik a bad lm (Dluz 18 71) This describes Hitchcocks ciema prcsly

his worlds do look lik bad lms and they have bee eviscerated ofbelif t is a cinema of nonplacs of a global style that could b any-whr and, as oolhaas puts it has spread verywhere like a virs8 fon must speak of a bak btwen Hitchcock and Rossllini it is bcausHitchcock could nt rconnct th sevrd link betwn man and thworld hs characters persist 'in th world as if in a pur optical andsound sitation (Deleuze 1989: 7) His words ke shopping mas,are iteiors whos aim is to elimnate he desire for the outside by rpodcig it in facsim Hitchcock creatd a radical immanence whose trifying dimsios wee pehaps only propely undrstood by dirctorslk Davd Lynch who ound a way o mbuing even locaton shoots withthis same afet Htchcock endes palpabe he spae of nversal

schizophenia Deleuze 8 17)

ntrduct 5

Given our tour though �and pac n postwar Eopean andAercan wastlands, somwhat k th schizoid stoll of Hary DeanStantons character in Wendrs r exs 1984 (who walks abastard lne straight acoss th Moave dsrt, t s mportant to notcth profraon of ew concepts o spac Deleuze and uaaris co-laboaive works and to s this antio to th pobm of space as

something distictv that beongs to th phosophy. ousnleu (8), new conguatios of the spata eld abound and even works

ti an composton signas

a spata ass b

eo Jan s

n s,

an twn t ese, points varatOn or 'becoming hisr pac s the tripartite ivsio

o

tspata nomay

associatedwith 'mental represntaton the eld o rality (the wold the eld ofreprsntation (the book, the eld of subjctivity the author) Deleuzeand Guatari 987: 3)" hus th work has a 'middle (mleu fromwhich it extracts territoris for anal sis but no cnt tas no normargins bt rather 'cuttin d s of dtrritoria sation. In act spaceitslf is nver netral to the particular assemblage in which t appears or

that produces it as its 'a prioi condtion thee arealwas

two kinds ofs ace 'smooth and stiatd s ac omad s ac and sedentary space 4the spac n which the war mac in vlops an t e space msute yt ate appaatus are not t sam ature e eze an uatta19 : 44). yet as thy immdaty go on to afy this dos otcreate a rigd dualism o oppostion snce any compositon is always amture melne) of smooth and stiatd spac ad the pot is todeveop a mor supp systm of analyss For exampe, nes ad segments a served to descrbe molar orgasatons whereas the desciptio of moleclar oganisatios of lows and quanta ae constantyshown to pass through o 'btwn, ogansed sgmnts o he social

space implied by a Stat Apparatus and by pocsses they dee asdecodng and deterritorialisation.his mapping of the different kinds of space that mix in each assem

blage (social political but also gologica, biological economic as-thetic or musical and so on) bcoms the maor task set out by theprojct they den as pragmatics o micropolitics Thus, f above wedescib a undamental action of ambivaence in df frnt post-wacritical evaluations o th new spacs prodced by latecapitalism, sch as Jameson's expresso o disorintatio and dizziness in the atrium ofthe Bonaveture Hotel, D� e

uz and Guattari's r sp

ons to problm is t set out to d v l

op a seies ofm ap

s

o ths s

a c s n a pragmat sense ndn ' r a manne of oieting

t emselves thy ofen say i th Couse of the aalysis: 'now we



8 D Sac

boros raty rom ot sors, hi pompts t qsion:a his poks bn pikd? rihot addrsss dty issu oat artts borrod' om uz and shos tat ts borro- gs ar aything but inonsidrab As is kno, uz's orkon t baroqu hous, it its sm o ods od, od rodxtrapoad rom Libiz has b importa to g Lyn and tr

isman bt riot pos ou ts dosnt t th ho sory Rahrit as bn Duz's amp to oi a piosophy o t nt hathas ad t gratst pa. As Fihot puts it t arhit, is rstdin o t sa s produd by t ruato o nts ght bratd matria orms o xprsso oding rs not so mu orrathr not ony, to th bding saps o t matias (ynn's iamousbobs but mor spiay to th onrgn o tought and matr,istory and substan

au Haris suggsts Simon Rodias Watts Tors in Los Angssoud b apprhndd as a onrt xamp o hat h dsribs as tbotomp piips o oding arhittr. Rrating u trough

t ns o Brad Cah's ork, Harris agus tat Rodias orsxmpiy oding arhtt o ony n tms o its stutua dsgand matrias, but mor spiay in tms o s buding mtods itray as botom up a o xpity dsribs is ork asuzian psd by ohr mans xpors trog ahittur addsign ryting om houss to utr o o u's orprobms, amy th probm o aiation In th irtua ram, that oth omptrisd dsign sysm, say, ahiing a so da o itad inisima ariaio s ratiy asy t matrias thmssa morp and rmoud tmss aording to h ahitts dsignagorhm Bt t atua od o onr ad st, i matiasat must o b aod to mop and rmoud thmss quit sorady tis is obousy a mh mo diut proposiion As omantias ty somtims sm about th ta it is oth raig thatu and uattai quit pointdy say tat struturs buit usingomad' pinips atr han roya sin, do ha a tndny to adon Th grat arits tn ar thos ho an us immobi pisto arry th y o io t horizon; ho an gab od o momtusng stai pinrs and rat a tutur at is ot ron mus bua orsra pi unoding n nit tm

As au Dada pos out, hr ar t kinds o aration iDzs ork arsing om th at ta thr a kinds o sub-stas: tos ith intsi proprtis ad tos th xtnsi propr

tis Ths trms nd tir most onr ang i physs paiuay

Iroo 9

trmodyamis You an stion a pi o ood, bu not a tmpa-tur yo a s a oa o bad, bt not a ind oiy; you an mako but yo an't hod o' in you ads That hih you an grasput tist and tur, is xtnsi; tat hi ats yo, but dos nt yidto your attmpt to ontain it is, ik ind i yt a, itnsnns dirns a, as uz rigy points out idisib As

ssib as ts distintion sms, it isnt suint or to grounds ontoogy, Landa argus, bas it assums a rathr too rgorosdstnron bn t insi ad xtnsi o Duz, ang soy possb i a substans a at ast party ns, tat s, apabo that om o aation dsribs as boming' Wa Ladasos is tat boming' is tiy a momt bn dirtorms o itsi om o orms, suh as on ds in th morumpish that is to a intts and purposs xtnsi' objts to yhigh orms o intnsiy, su as on nds in ompur dsigns Tis asanda dmonstrats, rqus an agi orm o matmatis to grasp

T rsuting spa s ra bt aays atua ad tis, as JohnDad

sbuy and Ng Ti argu maks ry diut or gographrs t anyon anting undak an apprntisip a Duzaorm o gography must, ty say, go austomd to a od o iu-aitis singuarits, and tstis a ord hy a tmpd to dsrbas hautd Hma gograprs a or may yars rid to onio a mans o artiating bot t broad strtura ators gograpy issupposd to nompass t disributio o iom or insta or tmix o raia grops ad th singa xpins, h arratis odaiy i Tos arg agoris o nssy (or so t is gnrayhougt rdu to at uz and uatta a staa'. i narrais ar obiosy mo oai tan staisia tabs, yt thout tdata tos abs oain th narat isks bing ratd as thrptiona a oo it o ra rry o th stadard obitrat-ing a othr ators In othr ords, it is th baa btn ths topositons that gography has bn striing or and ik riot's pikpokt arhitts, thy ay startd to ri troug Duzs apaious pokts T thy ha od a mod that suits hi ds

ograprs ty o artiua t spa umans mak or tmssimatras that in dnt ays ar gin to tm, somtims qutonty n Chapr6, ar osko and Adam rx tak p uand uaars otions o smoo and strad spa to proid a ana-yti aot o ays ih dgnous or First atios'pops paiaryt Iuit o tortmost parts o ort

Arian ontin opd ith t igorousy stating prats o"



1 0 Dlu nd Sp

heir coonal overor Cope i probably o paive a er or in achey creavely aope an p ino variaion he very evce ipoepon he a conrol echan n a i o conrc a ale e·ographc pcre o he ni he anaan govenen oo heeraonay ep o reqrng he o wear nbee ien ior og ag a hey wee ieaely bbe y her haple weare

hi ep wa eee necear becaei nang pracce are chha a caaloge o nae i no oy o o ae very icky oonle ino eaningene he Ini o no e rnae hey o nieniy wih a parcar faily ree in heir naing n o heygener nae; y he ae oken i i coon for everal people ohave he ae nae n honor o a fao her or eapleObvioly a an oral clre here wa no coniency in pellingor pronnciaion o he ae nae igh on or ook feenaccoring o he region Wha Genoko an Bry facinaingly narraei a wofol proce whereby he governen oveai a ale ieiyye an he ecipen of ha iae ye renere i ooh all

over agan hinkng eavng Branka Aric ice Deleze paialhogh wih reference o an Aerican ahor ha Delee elo i-ce b who ee o be piciy locae n he freqen eia-ion o he gre o Meville an eron naey eny Davihoea Ac how how Melvie keche o an eene herai o a hinking areay poe y hoea an eon a hiningha conceve he wol a an archipelago a ipici' n oherwor horea' wanerng pah ogh he woo o Waen ohogh i r of a he aaion o a wo n ro Deeze7 86). n hi lgh Aric ncle an een Deleze' everaleiaon on he new congraon o pace erriory an geologica eory invene by nineeenhcenry Aerican hinke ana horea o he l of hoe hinker who aw a re ha wolbe copoe o nceene one where every eleen ha a valein ielf b alo in reaion o oher iolae an loaing relaionilan an rai iobile pon an ino line' (De leze 86)

a Benaa aee he concep of he pirial aoaon haappear lae n Deleze work pariclary aron he new age ofpace an e n coneporar cinea Benaa nercore he par-iclar anner in which h oncep i vene in oer o accon ori obec h beong o he cla o ohe concepal peona'

ch a he inao 8wO awn o Ara whch are gen wha

ntroduton

Deleze ene a a igoro an ineac age ha nerlie Deleze'heory o concep creaion a he highe ak of a philoophy o epe-ion n racing he oigin o h concep in parcar Benaa e he eay encone wh he phoophy o pinoa an he princpeo paalleli owever a enaa reveal i i no a aer o apply-ng a concep erive o he caica phoophy o pnoa o anoher

heoreical e ch a oern cnea b raher one o ing cineao anor an exac concep' no an oraor o ana ha wolalow i o "give rie in o a new way o hinking cinea he ipoof hi ecrpion of he peciciy o concepceaion or he analyiof he cineaic procion of pace i ha in Deleze han cineael reveale a achine ha p hogh irecly ino conac wihan Oie ha bver he nae of he relaion o repreenaionbeween age an realiy

In Ahab an BecoingWhal he oaic bec in oohpace ain Lorrane eplore he alernaive concepon of pace haeerge in he concep o heerogeneo block of paceie an

ooh pace ha are oline by Deleze an Gaari in her an aau orrane r eaine he concep o erriorialiy(or ilie an o he rerain in Delee an Gaari' ecripon o heec a acaly conie by he vaio rh o he boy' coponen an heir elaion o inerior an eeror oc of paceieha becoe hoogenie ino he live eperience o an organi.Accoring o h new concepon o he conion o abili an en-iy orrane age he ogan a a ereglaing whole wih iown paial orienaion can hen e opene p o foce beyon iakng p he eqen reeence ha Deleze an Gaai epoy n uan Paau o Melville' Mb Dik an o he characer oAhab in pariclar orrane

xica he conc of he noaicbec which occr when a proce o becivi reache a criicalhrehol a p e o anoher aern of acvi h ac g arie a were

r vQ

on

p�i its w r

o affecane af c change a wel n keeping wih Benaa obervaion on epral aoaon a a philoophicalconcepal peronaLorraine illrae how he perona of Ahab or BecoingWhaleengages in an active synthesis o orces that exist outside of subject-concep of Ahab becoing raher a congraion of phyical an yboc force appe ino a viral eal noling force ha wereprevioy only iplici a he epene o he convenonal eaning hilie co be given

Grego laan in rancenenal Aeheic Deee hiloophy



1 2 Delez a Space

of Space' retns to take p Deleuzes cenra conontato wth theregme of Representaton and partclar, wth the phlosophy of Kantwho Deleuze oce descrbed as he eemy Of course, Deeze s knownor rcognsng the great reversal of me n at's crca phlosophy, nwhch tme s beated from the cada pots of epreseaon and,nstead, becomes the om n which eveythg chages and moves' t

the same tme, Flama ass, can we magne a coreatve evoluton ofspace? n espose to ths queston, aman undernes the mportaceof the observaton st made by eleze he preface to hs KantsCrtical hlosophy tat as a resut of this dscovery space wod have ond new determnatons as well, even though hs task would mostly beleft to fure phlosophers to ceate Noetheess the radca ask under-led by eeuzes tal declaraton wod be that any phlosophy ofspace mst begn by ransformg the very presppostons accordng towhch space tsef has been tradtonaly determned aman showsthat Deleuzes own response to ths provocaton concerns hs turn to theother arts tradtonaly reegated to the ed of aesthetcs n orde to

develop a nterogaton of space that wold o result from a pror codtons but, nstead, from an ntensve spatum whch percepton andthoght are mmanen, ad n whch depth s no ess an nensve quan-tty tha etensy I ths mane Flaman ages Deleuze resoves tobrng togethe the tw seses o the aesthec he trascendenal andthe emprcal orde tha, a s eeze says esewhere he condosof eperece geneal mst become condtons o real epeence'(eeze 1994, 68)

In he pace of Man: he Speccty of ffect Deleuze adGuattar Clare Colebroo takes up he sense o new spatal elaos,clarfyng boh eezes ad ocats respectve hstocal cofrotatons wth the pheomenology of Hsser! he ew spata concepts thatreslt from ths confrontaton are dscussed especally gh ofeleze's sbsequent evauao of the sense of space n FoucautwhereDeleuze clams the dscovery of the superfod' (o unlmted nty)whereby the thnkng of space s no longer ordered by a genera horzon(a world), but where each ocaed observe s the openg of a fod, aworld foded arond ts contempatons and rhythms' hs, f phenomeology earler argued that al percepton ad communcabe meangmus pesuppose a horzo, world of possbltes whch wold then begven repeatabe form and dea the strctes of sense, Coebrookreveas a eleze who akes grea past th the way n wch derent epressons o fe od dfe spaces reatons, eds o raec-

ores, acordng o e mmanen powe of corpoea n a mate'

Inroductio 1 3

(eleze and Guatta 987: 4). Conseqenly, as Colebrook arges,alongsde the crtque of the normalsaton of space n the gre of auned hmanty o world the second fudamena prolem post198 phosophy s the afrmao o dfeence tself, hat s, theproblem o postve possblt of the whoe he power o a sngathoght to magne space n geneal'

Tom Conley dscsses he mport of a pece of Deeuzes venaCaue et rasons des fes dsertes Cause and Reason o DesertIslands), whch has only ecently washed ashore o bcome the prcplettle of the st volume of elezes varous wrtngs assembled by Davdapouade n '!e dserte et autres textes he Desert sland and OtherWrtngs). Conley nderlnes the sgncance of ths early tex as offernga blueprnt of the cenral mportance of spatal thoght n Deeuze's eteoeuvre up throgh the projects undertaken wth Guattar to hemmensey mportant observatons concernng space and the structure ofprehenson n Le pl (Th od) In hs revew of Deeuzes earlest recordedpreoccupaton wth spatal forms and cartographes, Coney outnes the

proe of two dffeent sands, one based on scence and the other omagaton (a sland that crops up ate for eampe, n Deeuzes med-aton of the Othe Isand appearng n Mche ourners palmpsest ofRobnon Crusoe) Conley shows the mpoance of ths dualsm fordestandng elez's cocepto of he sbec of Ma' as havng adoubled orgn, one of he creaon and he oher of the beng of he slandAs Coley descbes ths pespectve tha nderscores elezes mpersona ontologyle dstncto s made beween the subect as supremelythnng ceatre (of scence ad magnaton that can fsh an adeqateontology fo tsef) and the oces o the earth tsef, wheher organc onorganc (that ceate a sense of conscence and of beng apat or separatefrom any necessary presence of ma) he sland, lke whoever desres t,s of a coscence to tself, la pure conscence de 1e (he pure conscence of the sland), beg at the same tme of the percever nd the peceved ake

Fnay Gregg Lambert returs o eplore the qeston of space fromthe perspectve of the Earth tsel. sng the occason of Hardt andNegrs recet argument concerng the creatve potet of detertor-alsaton that they aeady nd at the bass of what they dene asmpre' ambert sggess hat the concepta apparatus that eezeand Guaar empoy n her second voume of the Captasm andSchzopheia proect, A housand Plateaus mst be derstood in acetan sese as an abandomet of an ealer probem of Unversa

Hsor' and of the Hstory of Capasm, n partcJar tha had·



hp

Space i he Age of Non-Pace

In Bunn

A sciren r wk is eer m n nric ng e nss c.

eee n ri Anti-Oedpus

Swmmg thrugh

In iiqe e qiienne 1: nin, pbsed in 97Henr eebre drew geer w cnceps e eecie eeninsebe ee since in sdies e m enirmen nmesce nd eerd e He cnceied is rein diecc sc e eerd nd spce re neer in sep b ws smew ker eier bse e b enme s n ke ccn sr es n e New wn') r becse s mden sbcs wee rgen w cnc isr Nes Wrien One Snd ie enc nrside' e cenr snce, nmber scrs e wed Leebre b in minining e ink beween esew cnceps, d eir esseni esrngemen, bei wi e dier-e idegic gend in mid. Jen drird (eebre eimereserc ssisn), Mice de ere G Debrd nd Mrc Ag we n bis deb eebre eee d Gri re smemesken be pr is inege, , b eir is neer es ne

iscssins eir pce in is prcr cnn e be nd ine wk cr gegrpers sc s Nige Tri, erek Gregrnd Edwrd , pispers ke dwrd se nd piic scienss ike Wim nn b b pgisig e eerd in e we d, eeze nd ri snd p rm e mr erisseresed in e nes beween e eerd d e bi enirnmenw re r e ms p, ee prepred se erm e sci-

ren s mepr redric Jmesn s be ecein is

Sac Ag o ol 1

re, b e neeess er cs rmes is depmen scipreni s descrin e n dgss' mesn 199: 6) e ms pr, cnempr mn gegr e wling embrcese s r eebre's crc dd nme b spce serded r cnin wi sr n s scre Rebecc Si srges memriisin s e ms ericis rm bn ersre

since i preends presee e me iingbeg g i nwsmbses); b s been mc swer in grping w e secnd pe,ecep qie bn ws sspec e resn r is is wie nne s wiing mke e rmer e cse e er, e c seew ink e cnneci diere nd reprdce e mregdess bes inenins n e cne s rbemic eeed ris cim e sci ies sr, b s in sense se uxr e disce isrici, c be see s n imprdnce i inking b spce nd eerd ie n psmderni

Te persisece e nin isric s kid disnce ebes e se erceie ise in e ird ersn cn be seen een in

se es sc s nn Gddens' g infen (1990) enqnc f Mniy nd edrc Jmesns eq sem1991) menim e c f Le piim wcre premsed n e ss isrci. recrs s 1 w rge in wws in e rm deirs ee Gddens rrie describes prcess dsembeddng wereb we e been s i wee, eiced rme wd mkg mssibe eperence i in e sme w s mre cns rebers e res rdce wi wic we prsin sees is ger grwn b s deed ee we b i rme c ige mre i is nike e been grwn c m wn spermrke, I c b impred Mecn mnges, NewZed kiwi ri, des rm Ise nd bnns rm Bril, e pnbeing w we ke r grned s r eerd is e resul nincredibe nd isric recen prcess gbisn Fr gd ri wi i een smeng s mndne s mg sd r meeing me wd n be pssbe And g ms s embrcee ppniies gbisin rds s we neeess cnine sense nd ng r ps ne s s c knwn wen e cnnecins were c n gb, we e d n r pe ws e res r w i i e grden. is is e wrd, s imginr s i bis s, we e been eed rm b r w sccess rnsrm-ng r b e nn g nderpinning is eeing ee miessisef e rm disrienin: we c seem ge r berings in

is bre ew wrd w brders isreni brg n b e ·



8 elee d Spe

dsembedd process reqres s ur compes prcess f reembedd ccmode us o he lely fceless' wrld ofmodery hese pocesses whch Gddes cllecey refers o ssrc sysems of rus, re efecely wh holds posmder sceteher he bsece ser, mre cmm bods

he p m mk s h Gddes we he sccey ched

ll spe of he mmeus shfts h he ccurred hsorclterms (ew echoly ew socl strcures ew modes of producod so s l r dyody crcumsces h e chedd hoh hese ches he efecely redrw he ldscpe f oureerydy exsece hey do mpe r csu s secs.f curse, hey ffec hw we rele o ourseles, o o emed o ech oher u sme fudmelly hm lee we re sery dffere from our preIdustrl e forebers. A les Gddes ew. he fc h we he' ched s resered lmosmpecepbly he perssece o r dese r modes f soclbod h socl d hscl che hs redeed mpssble he

dsore we leedly eel he fce f s much d sch rpdche s edece f r w sldess b ls of he sur f hsorcy. We c sll see ourseles he hrd perso, s wereImpossbly, we'e sood sl s sues s he rd beeh our feeched o ew mllem lke fcol rercser.Jmeso cpes is prdx wh usl emy hs emp descre he effec o f he Boeue Hoel s sce f ew mf hyperspc cls us he sys o rw ew ors I's lke clmc che f y do dp you de bu wh ches reeeded s cler Cyberp wrers le Wllm Gbs coecrewe! eed me memry spce cpe wh he sesy erlod pr-eded by he fure, wile bleke proscs lke p K c seedpby sef (wheher o cer hcs r e s s heey r well eed o fser Jmes o res h we he oched o eep pce wh he mes d h s why we d he coemporry wold s dy We were frmed e whose coordeswere dere, he res d becse he ches re so rpd hs co-ues e e ee of h mes eero wre of mebefoe mobe phes d c' me fe wh eml

boh meso d Gddes, he, u re f oe wes he exsel quly f eerydy lfe psmdey s hersed erms f wh feels lke e rpped hllcec spe whch s ewess seems lerlly herwrldy d for whh o es er-

cl seems ppope s meso hmsel ps he s oss

Se te Ae of on·e 1 9

whe comes o cey he h self becuse he old le oflume or lmes' o loer pples Rher he lue f mmer-so seems beer sued hs prdclly dephless spce whch hees prcm hs ly succeeded rsced he pceso he dd hm bdy oce sel Umes 199 lsewhee hs wor essy Rber oe s hppes

prclrly cocered wh spce he rers o he heme f mmersd shows fers ew kd of ope o he loy f erhlyspce fr whch he Hedeer erm Smmg ler seems eherppose or rbs eh Umes 993 445) s pce, he ofessesorum cocep whch csses ed eee ces erms f ses d fec Jmes sess he ew spce lke ewmches c ly be represeed moo b he fc he csses hel d rre h experece s kd f swmm hrh( me brwed frm ery Mler h recurs eleze dGttr pehps dces r lyses shod exed dfferedreco s her he psmder sjec wh hs be repeseed

mot, o psmde spce We re d he lrch, heerh Jmesos descrpo f hs oere s recoecs hsemrells mmes scece c (whch obsly drw rellerure of ll ypes) whe hms ld o her ple d bhelydescrbe s sre d le d ee oce hk mh be hey whre o f pce

Not pJane weck, exatly but . . .

Obosly wod be ccre o sy h spce hs ched llbu he fcus o he mly of he subjec s, I w ses, he ec-essy key o udesd he wys whch hs ched f s

?�ly re h spce hs tsceded our cpc e ers e h s becuse we he ke he lc of pss hrh s lcl exeme d creed smoh frless spces h hry hepsmode sjec owrd lke slppery slpe6 s ered o keepyou moble s Mchel Herr ps he sec frm hs Vemmemor Jmes es e us sese o hw posmoder spceeeds e hoh b Umeso 99 he essel esso e f he ur es posmoder spce, g {om Vgs, s o so mch rchecurl s exse r rher he rchec-rl lessos hs o offer dere frm exse sdpo whchceps he ew spe hs s ow uhec loc e oe o mme-

dey ppe Rhe bemo he cky css commecsm o



20 Dluz and Spac

the Srip, which is esy d bu srcely insrie Ventri e l re-ed re tdidcic pprh: Lerning fr he exisingldspe is wy f beig relutinry fr rchitect Venri et l.1972 3 begin wih his ens settig side prenceptins buhe urbn hbi he Ls Vegs Srip is t chi sprl but setf iiies whse pern s ith ther ciies depends he echnl-

gy f eent nd cunitin d the eni le f helnd. We er i sprl, becuse i is ne pttern we he t yetundersd'Venuri e l 1972 7 he dinnt de f eenis biusly he cbt he quesi ht shuld be sed t his pitis whether r n s is nly ssed he cr hs desryed he iyr n he ctrry, de i ht it is. Speig ly f its rchiecture(he uhrs explicitly rule u ig y jdgees bt ht gesn in Ls Vegs, Ventri Sc Br d Izeurs pin is ht thebuildigs in Vegs re designed t be perceied by n utbile clureAs suh he ciys rchiere is, s they crefly lulte, built scle sied t beig seen by subje ig t speed

I his respe, Vetri, Sc Brw d zer ech nd eendeyer Bhs sti f Ls Ageles s ity uenlisedi its freeys Freewys nh sys, n buildigs, dee LsAngeles' hrcter spilly nd existetilly. Is urb d rhitetr ernlr is lguge eet. he ciy ill neer be nder-std he sys by thse h cn e fluently hrugh is diffseurb exre nt g with he l f its nprecedeed lifeh 971 5) Bt ne ight still bje h the utbile hsruied the ciy beuse pririty hs bee gie he needs but ls thepbilities, f he cr, he it ud quite esily he been herise.Where s Angeles is cncered sh rers re sly he sin len he pssig f its sreers, hih disppered in 196 id

gre furre, nd t deuce he sdls lc f wrblepblic rnspr syse despite he billis pred int the hite elephnt suby pre As nh shws, i ws he pblic trsprtsyste the rilys i prtl hich i fellig rel este specltin ge the ciy is shpe With he den f he r, this desigtrix did he be ltered nd ideed y f the rthrughfres si p he rbn plipses f defu ril lies Myiplicin is fr design pin f iew plining bu th e cr iswse f breth s Angeles is city f he utbie ge ll leeside he qesti f whether r nt th es i' sh sggests, eep sy d nt nd uh t disgree wih in

ebecc Sls uggesti tht wh trrfyg bu these e

Spac th Ag of Non-Plac 2 1

rbn ndscpes is tht they iply he pssibility f life lied s neng tte' (Slnit 04

Eeiely, Venuri, Sct Brn nd zenurs pi is h the rde s Vegs, s decryig its deleerius effecs s ie is quierghtly des speing r n enirnentl r sstible deelpentrher hn urbn design pint f ie) is frge he citys rgins Ls

Vegs wes its ery exisene een Althugh its fus Srip nddjiig freeys re nw experiecing the seeingly inexrble lw fdiinising retus sffered by ll freeys d w the ind f ngesin tht results suh frusrng irnies s t ting lger ge fr Mrr irpr by xi t the Strip th i des y here fr LsAngees the fct reins t is inepin, i ws pring lt, ple sp fr sdiers d ru driers n rscntinenl jurneys H Disdesrbes is urbn desig s hing the pprent lgi f plne rec'Dis 2002 96) yperble side his pes lest the spirit f theplce. Nne uld he hugh f spping i Ls Vegs uless heirr bre dn, r hey needed fel, befre the sins were buil, when

i ws jus het, dst nd ccti And ee hen, in he beginning t lest,he sps were plnned iprpu, if ccidentl here herenthig s expeed be, here were gdy en sigs nd he pisef irnditining, ld beer nd if nt gd tie, the les n restless, epy ie in eiherhererthere rdside el sequenly,i hs eer been wlble city. is t h fr h in ny cse. Wlingis de indrs in brnszed sins nd supersized shpping lls hrelice ther ples in nner ht hs bece synnyus ih LsVegs itself N plne wrec, excty, but still unexpeted unplnnedf built fr he ent withut uch f thugh f he uure

Lie lies cpliig tht the flypper desn he he se hld itused t riics see nly t be ble wie bt pstder spe in

es f is filure t engge he Wheher he pint f referene is LsAngeles widely hined s he cty hse presen s lselyresebles he plets iginry erppulted hypernsuig, crdinted future r Ls Vegs the Ginz r Psder lz, descrip-tins f psdern spes re iribly geered i he rix f cnfsi bu wht it feels lie lie i the, r re en he cn-ici h sh plces re esseilly unlieble ndeed ne uld gs fr s suggest the dening chrceristi f psdern ciy his sy, precisely wht sets it pr s psde, is is decrtedshed rchiere r plerec rbn design, but rher s itrctbil-ity t hbiin r bette yet delling (in eideggers sense) hese

iies re, fr existenl pn f e, de e hey repel



2 Dluz and Sac

ymphy or nmn whh mgh bry dr, dlbrly on-dmn gnn o dph of h unn In h rp, on mghvnur h hypoh Ornlm o rvl wh Odpu opyonly, pruppo nd m m m gb ubrrnn ohr world of gnn Bu f h o, n Dlund ur y of Odpu, ng ponl n mrly

rn bhnd w rl drngproduon go bou bunT bl urf/lgb dph dulm rprodud n h vrou h-or of rvl nd rvllng h ry o dnguh bwn rvllr ndour, h lr ng porryd by formr h poor unnlgh-nd oul unbl o d dpr mnng of ng.6 Bu vdnly bomng mor nd mor dful o un pomodrn p dono m o yld dp of mnng ll nd modrn n-dn dd h wh m N boo uh fn rf I prhp h l of nd gnun, bu ulmly fld mp ord p of pomodrny

&0 pproh mr ounry wh two f or rhr twopl on wll nown nd publ nd nohr on hddn n plng T dp only u blow h urf n NS pprl ofmr bu hddn ll h m ulvd uropn ndEuropnd mn hn of h Und S h om of hglndl yrpr nd of br pronm. Bu h ndS lo om of Suprmn, uprumn omrp rowo h bn n xn n 1' &0 16 Rvlng vrlty, Odpu on h gu of rnm n Eo wrng h whh h mu xpln bu lo pruppo, n ordr t nlghnh ulvd uropn nd Europnd rdr. wrng ooobrv nd of lnl dhmn, boh o nur y of hobrvon, bu lo o ur hm from rg of vng omow

rod ovr nd bom h hng drb n mrn Suprmnn' on rndom owvr h n mply ubquou m ofmrn n O' hnd, of p w ppl p nd foobll Suprmn' mounnou hdwy, h orr of Solud whr mnol go wn h nd o b on w h mmor ndwor hrough' h Kryponn ohrn, prhp, h r Eon y or Suprmn h or muum of mmor:ryng h ppnd n dvnurou lf rordd hr prf op or prrvd n murd form of h orgnl' (&06 5 Rmblng broqu Wukmm forr h onpl whr Suprm n b mlf, n l who p b obl

rd. o up h vrg mrrdr, n

or o

Sac i th A o NonPlac 25

hmlf, nno h gnn of h prv muum nd doublwould hv dfulty onnng o mrn nd nbl

d y mr hr r my rr f lud wh hr wxu, hr uom r l f nnl wondr Yhv nly g yd h m f dr r nd h gllrnd yu r r unvr h prv of h vrg mly, h

ur ol ( 986: 6

Oud h muum whr uropn ulur p n qurnn,onnd muh by lbl gh r w, hr r ohrpl, ubquouly mrn or rhr rn pl hmrn hmlv nno uh In Eo' wor r h mxpon Flubr h p b odd bu n frurd formT hr m no o b ny dph o mrn ulur. o' hory of hyprrl n mp o rul h log of od h um mub hr, bu n vr qu onvn hmf ully x H upon mply nd only hollow ommrlm Broqu rhor, l frny nd ompulv mon prvl whr wlh no ory Eo 6 256 Hyprrlty do no nlly dlo hddn dp of h mr &0 wn o onvy n h m wy Onlm funon for Flubr. h dffrn obvou For r,ubr dd no v o nvn Ornlm o xpln mlf, wdyond nd lrdy wdly pd nd undrood By onr,o ryng o xpln nw nd of ff gnrd by nw nd ofp for wh ommrlm prp n lrdy dqu xpln-on bu on h Dlu nd Gur mg pu nno bvowd hrfor &0 fl omplld o nvn omhng h n bblvd n orgnl mrn l of h volu of y t k llng n h rgrd Ulmly bgg p of fry on

noun n N x ory whh n' o y h wn' nr lborng yprrly l Odpu wh Dlu ndur l donourd rprnv onru wo lrpo o r our gul nd bl, o du dr no rowng n lo wh r

Th pomodrn rvll l &0 bu mor plly r ug wll how n mom, who ompln h w p rn' mnngful hy ud o b nly omplnng h p rn'odd. Th wy h ho br modl n h nuro on ouh: lr dwll n odd p ( Dlu nd ur vw,vryng n pyhonly rdu o mummyddym od, o

l Rrd oyrn o b dddy, h

o mummy nd o on.



26 Delee Spce

Augs wk is t y mmatic f t way tiking an wriingaut ctmrary sity has (sinc t ary 198s ruscitns f sa that riv frm a rfss iaiit t nnct tr rry scri t ris th sac itsf maks avaia itas ffrs a gims f t astract machi' at wrk i suh sri-tins Whi th yrmii f h stmr suct as as 'v

argu av chag th way w ri sac ur accuts fsa nt yt rct an awarnss f tis miiy n Aug w rhass t rasn i this ag r isctin tw sac an vyay if miity nctins as an astract main inuig thinkigwitut ing itsf tinka As Duz a Guattari ut it thastrat macin matriaiss w w ast ct it its signa fing( us tis trm iraty fr Duz an Guaari I f' ratr thaI s' I tink' is th frm takn y irium) is whatvr u havha t fr thigs t cm t tis

on-pce

ik t imag tat t fatfu mring f 2 Juy 14 t ayMar Aug narrats wit su assinat itrsctn i rru umourg, th authr ric wat is frmr tar Mic Crtau ca a sarig' ctmt r wat Du anGuattari ca cracking' cum rs ut f at 7 am,taking car as usua nt t ut th wrg ft frwar thn warsswy, a, fraky a it ainfuy int th itchn t mak cffTr sti a itt sy muss ramiy aut th ay aha actur t givn i arm wi in th akgru is si raicvys i a ts th ws f t ay catastrs in t ritth ur ranc arar a rct Gau an s frt A

sm int may whi is shrig it ccurs im tat cntm-rary if is truy marvus i t fashin ss f th rmsmthig itray t marv a raiian cff fus a mi haf-as i Paris ut aray hafway t iciy Atugh h's yt t avth hus, is u t at wit th atst gigsn in Parisia iticsan t ar East ut h tinks t himsf it is gttig harr ach ayt wr t nar s a th far gis; isi an utsi tav st mst f tir maning as hav uic a rvat wing t hwnigh iv iasi (t s hii K Dicks ras) f t assmia which trsasss a th uar is.

What is startig t rais rhas ny imy at rst, h has

ust wkn u ar a s at th vray vn at itsst

aa vs,

Spe n the Age o oPlce 2

is i fat uttry rmarka isn't th st t hav a tis thugy any mans afr a it is at h cntr f vrytig th suraists ant situatiists i Bu its fft is thinkig is ras mr sat-tring tan it was fr ay f is rcssrs (Lfvr Dr an Ctau) aus f t aarny ata imicati it tkns fr hisrfssin anthrgy, whih vn t th trai y aars suit

ny t th aaysis f arfy circumsri viags i faraway asin tay it n gr sms ssi itr t ink sf frm thntwrk f ratins w a gaisatin r n a a ut f t wayugh t t av n ntrat y it (it i t guis f turismr an ataism, r t it is a m f inquiry ws ct hasC a innts an urss vanish W iv i a wr withut trsAug suny thinks an it is a wr in wih athrgy wi it har t rtain a ac

f th truism tat n is y ns rfssia rtis hsfast, thn in nting tat athrgys t as a ut isaarAug u sary hav avi wring ust whr tat ft imWhat may hav gun as a i rvri must suy hav tak ashattrig ur. insity f rr u umourg w cannw ursta is tat f a man ngr rtain f his ist itmiuty rcrs t thughts a rftins f a man wh as gu f is't quit thr any mr In t manr f Jyc's ,th it attms avrt a sct int ntingnss tat is t actmaingssnss f t vray in its mst mua tai vn as itmracs it as its cssar cnitn y vatig th nti f th ayint an i nstruct in its w right T ara hr is that y fussing is ay this ay whi i fact is ust ik ay tr ms anct ay t fu imiatin f whch is that ay tr ay cu sim-iay rm. his i ffct, is th fantasy f iarists th funss

f tr iaris mts wih t mtiss f tir ivs as thy thm-svs rciv it r that is t ris task f t iary t imu mtiss with maing t giv it a y w might as say Aug wk uan antrgist ny t hat is anthrgia way f thikingaut th wr has him t t ccusi hat athrgy ngr ists caus t transfrmatis f at caitaism hav rr t a isi r f a rr t.

n can raiy sns th rkig r f an f f a famiiarystmrn kin f that ts situatn in wich n mysf rathrat in if s strang is in tis sns t tat th srnic is atr m tha a urt n a uch t aws us t mv utsi t

ram f t c t thirus

cat aust t th fact tat a



28 Deleuze n Spc

he rl offee n he mornng d h sn exo or re bu perfely sple ge used o he de h n ke brekfs Prsge leure Plermo mddy nd sll be home me for dnner s lmos lke beng n wo ples one or erer o he ruhperhps feels lke beng n neher ple one Somehow he sheerf of beng ble o be n Plermo mddy d sll ge home for der

dmnshes n wys he s ye o ulfy he exsenl ly of hsdwellng Hedeggers sense n Prs nd smlrly mkes lgh of hsbeng n Sly Cn one relly sy wh honesty h one hs been o y f one hs mere

ly ouhed down hee for n hor or wo uh no

erely dle houghs remnd me of gme my frends d used oply s kds ws essenlly gme of brggdoo: we used o ounup ll he ounres we'd been o d of orse he mos relled wonb ghs lwys broke ou s o wheher sopoer' (for exmple Chng rpor on he wy o Englnd) ouned. We generly greed hyou hd les o lee he rport for o on bu s we ouldnee ue dsmss he legmy of he lm o hg been somewhere

suh gobl psop el would ler ome o hnk of hese sop-oers s knd of rel h hs o be wre der ersure one hsgone here whou hng bee here

Ags po I hnk s h je re hs lghened m sep on erh;we no longer dwell s hely s we one dd We swm hrogh plesmore h we dwell here nd oseuenly new pe of sol spehs emerged whose pese ppose s o fle fronless pssge_ pors rn sos bus ermnls fs food oes spermrkesnd hoels Beuse hey do no oner sense of ple Ag lls heseples oples The poe f o he phlosopher of hs spe sBudrllrd whose ler books mrc oo Mmor Pomonly mke sense f you red hem s he feersh spred jongs oemkes hoe rooms n srnge es n he onely hours betwee rr-ng d deprng e does o wre bou ples ples wre hroghhm e wres bo where he s rgh ow who lookg forwrd orbk unless here hppes o be he room whh se elsewhere' s bemed le d oeless For hs reson he sops wrgwhen he lees ple he brp gps hs ex bewee eh phors prgrph sd he ple of dexs deemed rele pmoder spe s ehe here or here or rhe neher here o herehs menng eep s eeze d Gr pu s oppos poles ofn ndsble ondeomposble dse' elee nd Gur 1937

Spce i te Ag Nn-Pe 29

etetolistion nd etetolsto

The new spe whh Rem Koolhs ply erms junk spe (he resdueo psm does o onfer on us ny sense of ple s Aug boutless ohers s well he rgued s spe s mssmnfredgood s Rebe Soln rgues. Srbuks re sres of ll beuse hey

mpersone he sensby of he nonhns whle MDonlds s leshones bou s msspodo lues' (Sol nd Shwrenberg: 11) We gh sk hen why hese hn soes lke rbuksbu lso Borders nd rnes nd Noble whh ombne ruhless orporerdg pres wh ornersore mbene re so sessful &osnswer s wee seen s h we he fh n fkes we re n he grp of log of hyperrel whh wllngly embres he opy s he hgher formof orgnly Ths shold no be onfused wh Zeks poson dpedrom Mnnon nmely h we know s fke b re s rel ll hesme Alhogh here s n obos degree of symphy beee hese woposons he dfferene s h ulmely &0 sees o flse onsousess

n he log of hyperrelt u whou geg no he omple shf he srre of he busness enronmen he wesen world h hsfored he rse of hn sores perhps een neessed hem one sll see he lmon of y emp o red hese spes s oded hedeor of buk's nno be red n he sense of dng lyers of sg-nne o s refully hosen rough hewn wood pneng or s dyefreereyled rdbord up holders

fwe he moed o spe h sn oded nd herefore o bered hen s meso nrres n hs ou of he Bonene wold deed be mpossble o ge He s no doub ore n hsesme h pung p sgnposs s rerogrde sep e howeer muhhose of us who lked es lke S rso before gero se ngh bemo he effes of s posmodernso he rely s h hesees smooh s her spe mgh he beome do one o yeld pleoferrng ffe lbe oe h no ompleely erde heeelng of hng los somehg we neer possessed s he mode ofpleoferrng h hs hged. n lubers ge he mode wsoedpl (of whh orelsm s bu one of he beer kown srns)bu now s mode s deerrorlson d reerrorlson. heseo proesses go hnd n hnd eeuze nd ur lwys ss bh does o men hey re of he sme order or somehow repro _oe no hk of s he lef hd rerng whhe gh hnd eswy n lrng how hese erms opere hope beer o exp how

h sores fon o onfer upo sese of ple (n pleless



30 Dlu n Spc

world ad the proess aswer what Jameo desrbes as a embar-rasg questo' rased by ths proe whh h vew does ot eemvery dfferet from lassal exstetalm the loss of meag every-where the moder world, ollowed by the attempt loally to eedowt, ether by regreg to relgo or makg a abolte out of theprvate ad otget Jameo 998: 0)

A Jameo rghtly says deterrtoralsato abolute therefore twould e embarrassgly llogal to oeve reterrtoralato as somekd of retoratve proe that a, albet o a extremely loaledale reverse ts fes ad gve re to a feeg that wold have to bederbed a alog the le of preterrtoralato eterroralsatos ot a retreat to the vetgal ytem of prvate garde' ad prvaterelgo' of Jameos rekog, t rather the traposto of theeffet of terrtoralato from a patal arragemet that a usefully bethought of as a home oto tokes of vayg kd whh heeforth abe sad to have a home vale. There s lterally o retrto o thekds of thg tkes that a be mbued wth th value, as suh t

a dtorto to relegate the effets of reterrtoralsato to the rvatefat, the most obvou taes of t our pub The homey ambee of Starbuks dered by Solt ould well be attrbuted to the way whh t deor has bee made to take o a home vaue Ideed, thss presely what would argue, but that tll leaves uawered the ques-to of how th mght e made to happe Ths st to rle ut prvatereterrtoralsato effet, however, but to alfy that refratg terrtoralato through the le of a bary dstto uh as publ adprvate to make t to omethg t dededly ot amely a baryeterrtoralsato ad reterrtoralato are separate ad tt pro-esses that anot be fully dertood the absee of the prmary termterrtory whh ha a very omplex htory elee ad Guattars

workSo what he reterroralsato eterrtoralato must ot be

ofued wth a retur to a prmtve or older terrtralty t eessarlymple a et of arte by whh oe elemet telf deterrtoralsed,serve a a ew terrtralty for aother whh ha lot t terrtoraltyas well' eleuze ad Guattar 987 74. Aordgy, aythg aerve a a reterrtoralsato, other word, "tad for the lost terr-tory; oe a retertorale o a beg a obet a aparatu orystem ' eleue ad Guattar 987 8 ellp orgal Thew obet whh ha bee mae to tad for the lot terrtory ado hve home value, that , t a omeato ad bttute or the

home tha ha bee lot ebea Slt ommet that meoralat

Spc i th Ag o Non-Plc 3 1

paradoxally oe of the mot perou form of urba erasre mghtbe rewrtte thee term. pratally every getred ty theworld, ew apartmet stad the plae where oldtye maufatur-g, warehousg or stevedorg buee oe thrved Ofte theeapartmet are mply warehouse oversos but ust a ofte they arebrad ew strutres bult rom srath o leared lad from whh

every surfae trae of the prevo uage has bee removed pefysurfae trae beaue these soalled brow eld te a oteota a vsble legay of dededly uhealthy trae of past useThee latter type of otrto are geerally regarded as oulleeve by the people who buy them presely beaue they eem to lak ahtory by whh s meat a kd of orga attahmet to the fabr ofthe ty A de Certea argued, speakg of the destruto of Le ale ar ad the ubsequet overso of the te, very far from watgto exorse the past, we log to be hauted by t. the tys ghoststhat make t habtable. Th where memoralsato teps t poto rel of the pat a toke that stad for the lost terrtory.

f postmodersm deed by the prepoderae of deterrtoralsa-to ad dearth of reterrtoralato the lak o reterrtoralsatowould expla why Jameo fod the Boaveture so dsoretg,the vew of the desg for the reedom ower to be bult o the teofthe World Trade Ceter New York oe a perhap delare that ae-thet ofally dead The ew aethet, whatever oe wat to all tbu hopeflly omethg more magatve tha potpostmodersmemphasse reterroralato Both a plae of mourg of atoal gae t ow the mot vted tourst ste New York Cty adoe of the mot valable pees of real estate the world, Groud eropoes a perplexg problem to arhtet ad deveopers alke It wasear that whatever was blt there wold have to repet the memory ofthe dead by ot stadg o ther remas hee all the talk abot thebuldg' footprt but alo hoor hem wth t mageewhh why all the early talk about ot buldg aythg o tall aga leavg that to the Aa' was qukly dropped ad forgotte Allthe hortlted desg etres treated the footrt of the orgaltower as ared, beskd took th to ts logal extreme ad eshredthem

His Freedom Tower' will (f his orignal desgn is adhered to, some-thing that now seems increasngly unlikely) soar 541 metres (or ,776 feet. n remembrance of the year of Aerican independence) above theearth, dwarfng by a large margin both the original owers which stood

at 4 metre ad were brely the tallet buldg the world ad



3 Deleue nd Spce

gees beause hat is all it s wo, its heart ayig bee srivelled b theubiqitos freewas

8 Mike Davis 22 84 eport tat far he subwa as os a speta-lar $ llio pe le to cost.

See Kle 17 6-8 See Davis 202 811 As avis (202 86 pomso Las Vegasdoes' are h for te pas eiter

oe of the ioi hotels o te 1 a 16 the eda of te Rat Pak

is sl l sandig. Eve if te aes ave eaed te sae MGM Gradage Dues ad so o the bldigs ave.

12 Noa Kle 204 ses te ter ersio to ot postode spaesa oe espeall wit te baroqe Wat s satlig abot tis otio is tat it was starig us i te fae i jaeos 11: 40 esipton ofte Boaveture as aspiig to be a toal spae a oplete world for whi tebaoqe te of e Geatkuwerk wold not ave bee iappropiateDeg suh spaes as k as Koolhaas instts as effetivel preveted usfo appeedig teir logi

1 Deleze a Gatar 187: 18-; 2714 I take ths ate fro hat give a te e te apter entited avels in

Hperealir i te ook of te sae ae whh was rt pulised i 186uder the title aih i ke Aordig er Adeso 18 postode' was st sed i te wa we ow destad iti 74, but idt ealld u trato til 177 wit te pbiatio of Carles Jes u elebrated Lguag o-me rhittr

15. We ave to avoid sig e ter deode i tis otext base i Deleze adGattars te cag doesnt ea deipe o iterpret t is ot he raslatio a is abigos owever bt Deleue and Gattas usage. at saidits logi is lea: the pe de as te eaig of ttg awa (as in deapitate) o eag ito (as i deipe. A deoed text is oe tha aobe iterpeted bease it o loger operaes aordg to the ules o odes sae ad ept b as stea beoe aioat pe surfae

16. Deleue ad Guatai 187: 82) ake a siila disttio betwee wat teall Goee trave ad Kleist ravel bt revese the polarit For te te betkid of travl is presel a wi sates aoss te surfae or bete etdost ove at al

17 ee s a iteestg reae here bewee & ad Kle i te wa eahot te postoer o te baoe

18 Deeu ad Guaai 87: 14. See also Bhaa 22.1 See aeso 20.20 I ase, ths is literall true I rst visted Sa Fraiso i 18 log ater

te getiatio proess ad beg o desro te i M odel for dersadig hs proess houg s he transfoatio of Feanle in WesteAsralia a it I lved i as a suet rst b pope developers ashig oe eas p te b he slow enoaet of oe Dae Uivesitwi is buig p all te old seafaes otes ad tig the to assroosad studet aoodaio

2 is is ot te pae ivestigate hat isto i fll, but it is perhaps worpogor tat suh a vgato would ave to begi w te stalgseees i te opeig pages of tOe where elee d atarao ha te Fedia oept of he dive us be reeed i tes oferrtoai. Tere i o oubt tat at this pot i hQ te euoti hepeve a he psot aOt be adeuael deed i tes of ives [pl

sios] or dves are sip desrigainesheselve he ust

beee

Spce n e Ag of -lce 3

inters of oder territoialties he euro is trapped wthi e esdal orariia territoralities of our soie a redues all of he to edips as teutiate territoriali Delee ad attari 18:

22 See e etea 18B or a oe eveoped onsieraio of tis poit see Bhaa 04



8 Deleue n Sp

Cach an Lyn whl ccptually vry lar u ffrnt t ftr t ntgrat Dluan thught t arctctur Cach' wrk nal n frgng t lk btwn Dlu a archtctur cat grun rgn tlgy f ag Cach utDluuattar' cun f cnlatn n A Tud lu aa rawr wtn wc t rthn th ntal lt f archtctur

Cach aaly yl a tratnt f pac that Dlu rw n n Fd partcularly Cach' ntn f nflc cncvng archtcturth way la Cach t an ag f th huan by ng t rct l� an trtchng ut a a kn fl n pac Fr ynn th rlatbwn th by a gtry ut b th tartng pnt fr rrawngarchtctur alng Dluan ln arly wrk tak up th prnttatc allanc btw rg gtry a whl rgan' n archtcturan k t rnr t r flxbl an fl thrugh h u uppr,frabl gtr (ynn 19 9a: ynn ay f t ary t 9 auc a crtqu f pac gt an th by that wrk thrghDluGuattar cun f a prtgtry f anxact, yt gu fr' n A ud tu an th ntlgy f curvlnar arn Fd wk culnat n a try an practc f anat fr'(prnt th 199 bk f tat ttl whr a cputrgnratg prc unfl n a pac hap by th ntgrat f tplgyt, an paatr nt archtctur ynn 199b

Dlu' phphy f pac th bth clar an xn twrk f Cach an y h applcatn f phlpcal cncpt narchtctu ra ntrtg tlgcal u flct by phlphy flg archtctr' tchn prat tpwn n tat tyv fr phlpcal patal cncpt t gnng abtract agrat pltng t plan a prct Tr a crta rny t gvn that t cntral cncpt flg archtctr ar al

fn n bttp prcpl. n tr wr, flng archtcturha cvr w t g btup cncpt but t hw t pract bup bulng pcur rr t rlct n w bt-up atral h cl b cjn t t patal cncpt f flgarctctr, n t vtur ut th paratr f flng arch-tctur lght f th u, Sn Ra Wa Twr f Angl prv t b vry pructv h t ral th bttup prn-cpl f flng archtctur r f trctral gn atralply an blng th Fr a plphal tapntthnkg abut Watt wr thrugh th ln f lu wrkyl a paggcal xprc, whr n lar t dd tk u 4

Delee, olng Archtectre 9

ernard ahe Conoidation and netion

h cncptal fatn n Brnar Cach E M rgn'tlgy f ag, tlf a crtcal lnt f Dlu thnkg abtpac Fr th utt, Cach n h bk a a clar f ag'a h nructn v fr th pcc n n whch ag func

tn a vual cunt' archtctur (ktc an pla t agnral crtcal analy arctctral ag Cach 99: Brgan trajctry f Cach' aaly vnt n h attpt thw r crat t kn f vt tat prr t th rprntatn tab bjct, a t ntruc a nw yac cncpt f bthag an archtcur yan 199 : v Cac hrtcal clacatn f patal ag rag fr ggrapy t blg t frnturAtracly, Cach th ag t nclu aythng that prtlf t th n' a gncant hft t th plphcal bcau wtht w pa fr vbl bjct t vblty tlf (Cach 199 3 Tpaag th pac wr w th pay btwn prcpt an cncptwhr thy cr ach tr, a wr arctctur plnt phlphy A fr Dl' nflunc h wrk Cac acknwlgthat bk aunt t a purut f [Dl] phlphy by hran {Cach 199 7} k Dl, Cach n h a tr pratv funct rathr than a c r prprty: archtctur th a f th fra (Cach 199 , jt a fr Dlu phlpy th nvntn f cncpt cntral prbl prb by Cac hwt ctruct fra that funct a f ratr than rg buarbw t an n, tat th vt f ag prva tbult tuctur T Cach prat wth:

a lg whr th wl t gvn ut alway t varatn aw thng a a r w rlatn a cratng w tn ut

f uh ntrva r par n th untal ya wrl n whh thygur, ag ar trfr n lngr n y vn nn an t athr th vn tl t h r v at r cau ral varatn r a ntnal vaat ra nwcnctn wth th ut yan 1

T fnat fr Cach' thry f arctctur a th art f thfra c rctly fr Dluatar analy pac alu ct f ud u 37 Of t fra.panng h trtcal pr, Cach pt that ra rucarchtctr t t t bac xprn an allw u t frat acncp that rv ry r gn Duprl wh phlpywa cntr ntrly n ntn fra a prbablty ah



40 Deleue n Spce

2233) Withi thi , Archiecture ould be the at of itroduci ineral in a erriory i ord to contuc fam of robabili' Cach 15 23) When conolidatio r o th aminroc il, the intal iduce moemet on a areed roud hau ito a aberato' and from it a hol rae of damic taear thu oducd (Cach 5 25). Cache omuatio her direcl

echo the behaourabiolocal machiic' DleuGuattari aboathouhout A ond Peu, eecially h diticion th makbn h rhiomatc' ad he arborie ad their dicuion ofDurel' otio of conodatio Th arboid mo fom o acorrect tructu om ithout or aboe herea he rhizomatic deduo aticuatio fom ithi acket of relatio eole ithout ablurit; coordiato ad iteractio ar diect o lia, butork, like eural etork, accordi to releae or ihibitio oaccout for ho milieu ad terrtore fold iard a it ere ad tako a coitc, Dluuaai iok Dul tho of coolidato, alludd to by Cache

Durel model of coolidatio i critical for a cocet of he framethat unctio a a old, bcaue t model ocee heeb aar o itatd ito a ii hol, but here the roc of co-olidatio cotiually mod he miliu Rah tha orkn from hid (h cte o a reeitn hoe) o th oud (he boudary)hr the hole e a membane ad cooldaio roceed fom tro to iterio Mot imortat e eerior bodar er im dc-tate ieriorty a a cau that oduc fct DuGuatai um uDu! mod a follo: Cotcy i th am a conolidatio, it th act tha roduc coolidaed aeat, of uccio a ll aof coenc, by mean of . three act . itercalated elemet iral, ad articulato o ueoitio' Deleuze ad Guatar 87

32) Conolidaio thu eer ufold a liear chai o et i co-oidatio: itcalatd lmt my that there o bii fromhich lia quc ould di itral dctate that coolidatiooccr hrouh aramt ad ditributio; ad aticulatio of ueroto tail that coolidatio etail diarat, oerlai rhythmcau it ocd bottomu, coolidatio i alay creati, alaybe o aai at ach oato but bcau it a mtroce i alo alay crate cotecy he reaon Cach ould uto hi aticular momt i Dluz houht become clear hnDeleuzeGuattar oe architecture a he materal realatio of cool-daton hey rooe a ectm beee architectural orm hrcooidation i ubordd to tatc trucure ad oe h cool

Deleue Flg Actectue 41

datio i embeddd i he buildi oce Archiecture a the art ofabode and errtor attet to hi: th a coolidaio tha ar madafeard, and th a coolidaio of he yoe ye that are cotuent art of the enemble (Deue ad Guttai 87 32)

But Cache do mo tha ml cut and at e trartDeeuzeuaari conc of coodaion o h theoy of archiec

te t ould be more ttin o a hat a Cach raft hi o otoh o, th abact mach ol n inicant ay The te lemt of the Durel conoldatio model (itecalated elemet, iter-al ad uoitio of diaat hyhm) a taod b Cachit thre act of achitcure: iflctio ector ad frame. th three abtract fuctio' of architectural frame are, reectiel,aatio, electo ad araemt Etially, Cach k to icororate the outid' foc of mattr ito th frami of architecte oraai to iduce the fame to functio a a fold betee outide adiid An architectural fram tat fom an unoited ace, that ofilectio A fam aaac mak a earatio of i from it iromet, ut a roerly rmab frame ill ot demarcate a iidboudar but oe a iteral th fram do ot ere a a caue oubqut effct, it i fd om di th form o fuctio of aedic f it i concid o tad a a co a edecy, th th archi-tcral iantiae a ram o obability. he robabiliic doe tcloe a reabicaed ace bu oen a eral: the oto of arame of robablt euo hat a dtance o dehcece be maitaied b a fame and cott: o kno ho th ier-al that i markd of b th am iU be lld' (Cach 28) Thuthe frame mar a ac of arranmt ather tha clour thcoe of Deleuze' ork o ace i i facnat o mark ho Cacheadatato of the eleuzeGuattai otio of cooidaon a the co-

ceal foudato for achittu iduc him o oit a atial otol-oy that atcat h o ariculatd by Deleuze i T Fold.

t Moe may thu be read a a kind of fod etee A Tundteu ad e Fold Cache ie a hyical roudi to the imaeotoloy in trm Dluze reeated i the tudy of the baroue. Imaecomrie ubtac' hich, lik Bero' imae are beee a reeetao ad a thi: For bod ad mind are made of the ame th,of the ol thi that i hch i nethr irtual nor cororeal adhich, lik other, ll call ubtace hi ubtace a rorinohin othr tha a ac of curature (Cache 5 20) Once theold i ee i tem o curatur rathr tha emy ace ad larform, the tee of ubanc th incluon of eeloe that fold

l l



42 lu n Spc

ito on aothr, mall irl into largr on (Cah 1995: 1)Withi uh an ontology, h Dupl mod of oolidation implitha, xprimntal imprio h ourrn of xptd vnt,a th ign that aliy i a hollow imag ad that it tutu i alvo-lar ntrval alway rmain and intaatd phnomna alway lip itothm, vn if thy nally brak th fam of probability apart (Cah99 3). n th volution of lu tking abot pa th notionthat aity i alvolar, a hollow imag, ubtnd om diio ofpa i A un Pu taking it mot xpliit form in a bif diuio of hoy a (Dlz ad uttai 197: 4315) Howvr,thi notion of pa om to fruitio at th outt of i ojution with Libniz' phyi:

Ma thu ffr an intly pr n, r an xwthu tin, avn nlly nain in avn n matrw all, ah y nain a wl rd with iula aa, urn an na y an inain va uid, t al ofi mlin a n f mattr i whi thr t in wan wa'. (u 99: 5

For Cah, thi ontology of pa iitiat a Bgoia imag ofthogh tatd in th trm of ibi, thi ontology impi that[wJ will thn rtainly ot aqi th oul or th body that w ar ath pain to u by btt nloing or ubt zo w mut athdlv down ito txt or go ba p into nvlop by gafting o-lv oto th world that rrond u ad by opig thi world withinu (Cah 199: 1) hi invtigatio of tim, Brgon oght toah bak to th ritial turn wh dation rg forth a a ontin-ou multipliity Th opondig patial btrat i Cah, takn upby Duz in T / i inltion ut a for rgon duration mayb apprhndd only through a mtal ffort of ituition, fo Cah a

dyami option ntail a rahig bak bhind th xity of ridbodi i thrdimnional pa Tak ay ufa nrally, wdib it rlif in trm of ummit and t, bain ad vally Btif w an maag to ra or oodiat ax, thn w will oly intio or othr intrin ingulaiti that drib th urfa pr-ily' (Cah 199: 36) n w n imag in trm of thir ualitativ uniqn, rathr tha aordig to an xtnal mtri, Cahpoit that w ad to anothr rgim of imag tha w will allprimary on (Cah 199 36 or Cah, th primary imag i ot aimag or th rt tag i a ri i i rathr pa t h irtality, what Dl, iting Cah, alld ot yt in th world it i thord itlf (luz 199 1) t a n duratin ul

Dlu Folng Achctu 43

otitut th ugig foth of tim a a ontinuo multipiity, primaryimag ta h wlling p of pa Thy pd dititio bwinid ad ouid, bfo ad aftr Cah tak th Mbiu trip a axampl of how a primary imag allow u to , if oly fo a itat,a uiv with no top or bottom, right or lft iid or otid' (Cah1995 7)

Itionand th primary imag ar itial to Cah opt of

pa (ad lu i Te ba in thir virtality thy maktpoint' whr pa bom idinib fom tim rimary imagalow u to glimp a pr tmporaliy to whih w at ad a ubt (Cah 1995: 39). Thi tim li byond o rathr prior to ubjtivity ba it i not yt a ow o hythm. Cah haati thmpoaiy of th primary imag a hytri, a gap i th tim of thworld through whih w piv pr intantaity It i th tim of aunivral lapping of wav that annot b ptd by a traight linor vn a wi, but oly by a urfa of variabl uvatu that i pptually out of pha (Cah 1995: 39 hu w will not ay that timow but that tim vari' (Cah 1995: 41) Th alvolar or pongy,

avrnou txtr of pa mt b undrtood dyamially pa avaabl uvatur unfold or i foldd aording to a multitmpoal-ty of diffnt oxiting hythm rathr than in a linar ri of vnt.Thu i o, inio a th fundamntal txtur of pa mtb undrtood in both graphi, mathmatial tm (uvilinarity, tan-gnt and in a languag borrowd from id dynami Ition itlfbom votial, and at th am tim it variation op oo uuaion, it bom utuatio (luz 99 17) n Dluz haohory intd aout of pa, th votial atur of th plat ofmattr' i mathmatially paing a fratal ad dynamially pakigtubuln viding ndy, th part of mattr fom lil voti i

a maltrom, ad in h ar found vn mor vorti, vn mall, adv mor a pining in th onav itrval of th whirl that touhon anoth' (Du 199: 5).

Th qtio Cah ltimaty onfont i how o inorporat ornfold intio into th ahittral fam r onvrly, how totanform th rigid futon of th fam a a paatio from thotid into a prmab mmbra whr iid ad outid bomid of a urfa Cah rt prod a hmati roltion to throbm h imply an th form of th gographial otidntO fuitur to gt th otid i' (Cah 99: 3 ogahy,dnd a th hap of otid, rat in trm wa niMandlbrot alld h fratal gomtry of natr Th topographial

l l h



Deleue n Spae

contos of te outside become folds a topoogica textre, wereintervas and zones of indeterminacy can open between any points(Cace 995 : 71 s exure ten passes oug e acitecuraame and is teaed in srfaces wtin te bil srctre. us Cacedesigns nite w crvinear surfaces tat emege o of e maeials e ses Fo instance a gre in Moves sows a bookcase ta

ooks ke a recilnea set o seves tat as been stretced and adwaves sen tog i. is sape is constitted by te rise o e omalpowers of its maerals As it is beng sanded down, te difeen strataof wood dilate an� appear as so many instances of fold and detourCace 1995: 71). e curvilinear textre of te outside passes insdeand s reconstitted as/on te oter surfaces of te interor Cacedescribes togout te book bookcases cairs tables, lamps us:It s as if arcitecture functioned as a topological operator: a framecrossed toug by a Moebius strip Passing ove to te nside of teframe ony sends s back to te otside of te strip Cace 995:

If we pursue te idea tat arcitecure is a topological operaor, isfolding of te forma contours o otsde ino te inside would ony be

te rst iteraton of a recursive funcion Cace retuns to is favoredspatial image to express tis terative process: te descrpion of aMoebius strp pespposes tat one go around it twce: once from teoutside toward e nside, ten a second tme from te insde towad teotside' (Cace 199: essence, e ote side' of e esionbecomes: once geograpy eers ito and transforms e abode owdoes e abode tansform e uman aial and eurn i to e otside?Arcectre as coverng also enails a barng: walls allow mans topeel of otes How, ten, as te ne iteation does te inside of tebody become par of ts outer surface Cace econts Micel Serresobservation tat animal forms evolved rom aving ard ouer sells o

forms were wat is ard gets interorised He ten posits, n Deeuzianterms, te nex iteration: we migt drop te bones alogeter, ten tees en te epidermis . . ermic power rises: te becoming of manas-skin (Cace 1995: 73). e evolution to modern man was markedby an ortogonal sf rom orizonta movement to mo ee woproudy raise teir spine against te gravitational vector Cace 1995:7). Cace imagines te abandonment of a vectorial sats in avor ofa spreading ot on te surface' Cace ten evokes one of Deleuzesavourite exampes, Bacons paintings of te Crucion ese workssretc te uman animal onto a otal pane wee te pojected esspreads o, sps and bends ike a suface o vaabe curvature on anabstac plane: e lctations of e es become e pay o dermic

elee Fng Achectue 5

forces (Cace 1995: 75) Here ten emeges a vsion were body andspace inere along abstract planes of infecion and evove in e variations allowed for by consodaion

g ynn Multiplicitous os At Fos

Wen it comes to pusng arcitece o become an impementaion ofre viral, Greg Lynn's work sretces e envelope Adopng Deleespilosopy of te virtual, Lynn seeks o recongure relations beween tebody and geometry in arcitecte Fo ynn, folding arcitece mstdeteritorialise' te arcitece of xed spatial types, itsef fonded ona pact between organic bodes and exac geomeric language ynn1998a: 41) Essentiay, ynns work envisions noting less tan a newdtto between te body and geometry as eac undergoes a transormaion conceived along Delezian nes e body becomes a multplici, and geometry becomes wat DeleuzeGuatari call (afer usser)a proto-geomety' of anexact yet rigoros orms Deleuze and Gtari1987: 39) Lynns work tus teoises and prodces alliances between

anexact, multiplicitios, temporal bodies and more spple deformable geomeries' (ynn 1998a: ) Like Cace Lynn seeks to replace exity o te arctecal ame wit a noton o e rame as a probabilistic enveope wtin wc bodes or oms may deveop to difeentcongratons

ynn ds oos wt wic to undersand mopoogica vaiation nte eld o bomerics (te measurement of biologcal objecs) becasesuc measurement and modeng tecniues must be suppe enoug toaccommodate unpredctable canges in mopology over time Biometicsdepends on probable geometries' because tey occupy a provisional relationsip to te maer tey describe ynn 998a: 86) Bio-mecal image

processing functions by integrating into a probable geometry a seres ofrandom sections or transectiona views of te object over timeeploying biometric tecniques in arcitectural design is critical because,ile arcitecture traditionally tarts from te ideal form, pobable geomeries can begn wit te amorpous and yet still yied te anexact yetigorous geometry called for by DeleuzeGattari (Lynn 1998a: 86)robable geometries generated by random section modes will provideacitecure wi te possibiity of wriing vomeric indeterminacywitin a precise and rigorous system of measuement: a series of seratansecions along wit eated coefcents of size, sape, and orientaton(Lynn 998a: 86) e broad ems in wc ynn conceptuases arcitecural design ts utmatey saes wt Cace e empasis on treang ·

l l



6 elee Spe

ietul fmes s ievls openin pobbites ee teteevents intevene s iel iffeentition ous i elion to extenlinfluees

n's eoeptlistion of te bo in itetue essetilleples te umn fom s te bsis fo sptil tpes it bioloilmoels of mopoloil ne Spliin toete te temiolo n

oeptul pptses of A oud leus Te old, Lnnees te bo s foe mtipliit: Mutplitious boes e lse etei o etos n lines ou multple ptosStues s s ese e ieill epeble otse of e ptiulties of tei itenl eements o tei extenl evomets'n 998: 45) e Deleuze, Ln eels in touin spei, viviemples Insnes of multiplitios boies ile sinuit pbleof beomin multipliit: te tom, i n be t oses in iffeent s, ts oin itin its bo ve spei onstellio of possibilties fo te polifetion of mltipt of boies 1998: 5 onvese, multiple boies tt fol to sil to psism: te pseuoopio' beteen oi ie sp ee te o seves s flse femle t sextts te sp, bsobs polli o its e s it ubs its enits on te floe. beomin soe sexul pte to te spte oi ins mobile enitli in te sp. e multipe os sps u to fom sinul bo is poptin unit is ot nenlose ole bt multipliit: te sps n ois e simlteousl oe mn boies L 998: 39)

L teoises foi iteue in tems of poesses tt i sese, epesent te iteto of pobbe eometies n mulptiousboes ee, Deeuz spt oepts beome mi enuesus elezes smoot spe is tnsfome b L ino tionl

opetion, smooin iopotes fee esities tou fluitts of miin n blein' ispe elements L 998: 1 0 11 .Smill, en Deleue's notio of te fol /) is mobilise s foliin itetue, e / beomes pli i implies st intellexibili n seon epenene on extenl foes fo selfenitionn 998 ) e folin poess itself s etin smootin oplint uli oli emplos neite ttion no eviseto bt sppe le' of eteoeneos eements L 998: 12) s spe omponets e oe ino smoot mixte, sil titeexue emees ions e intite onetos t te losufes of elements i oe note b neott iestiil tetn itenl onnetos' L 998 : 1 121) Ultimtel, fo

Delee, Folg Arctre

iteue o seek o bil stuues iopote tese po-esses n popeties e esult in oneptul fom oul be plexus', multile eto of ieevins iteinins n intitiosfo inste, of neves o bloo vessels' L 1998: 11.

istintive in 's iins s is bilit o emonstte inisivel tes i i itetl es teniques e ble to implemet

bstt ims t mimi e tn moel) te teistis nbevio of foli itetue ues t tete is opble of o etl i viul oepts e evel of es,ile miini eful istiio beee posop n enoloil seses i virul' m be estoo:

Te te vitul s eent bee so ebse tt it oten sipl efes toth dital spe f opteie esi t is oten use intenebli the tem siution. imulon, unlie itulit is not inee as adagam o fte ossile ete assemble ut is instead isulsustute us, se fte em l ee efes to n abstat shemett s te possibilit o beoin ulise oten i ie o possibleonuons Lnn 998:

L onepses te vitul, bstt ms e oks it intems of nimte fom'. nimte fom oes t simpl moel o epessnes in bo's moton o beviou ove tme us nn ssetstt, imio is tem tt ffes fom, b is often ofuse it,otion. Wile motio implies movement tio, nimtion implieste eoluton of fom n its spin foes; it sugests imlism,nimsm ot tutio, vili n vitulit' L 199 8b: 9) Inote os mte foms e ope oles tt evolve to ifeenes t spu es in ki e t eee. imte esi eises o mkes vsibe eleuzes oeptul psis of ol ee

boies iet uneo sfomtons s foes on tem stipultes tt, nimte fom s ee b te opesene of motion foe t te mome of foml oeption nimte foms e nOtunie o ietil foms tt move oun in eutl spe ste,te motio spe of fom is ene b multiple intetin vetostt unfol time pepetll opel Wt tese teiues entities e ive veoil poperies befoe te e eese ito speifeetite b ients o oe Ts, itl pte impemets te sese of son use o too) expoes virul i-ms:

Insead o neutl abstat sae o esi, e ontet o esibees n tie stt sae tt des o itin a ue o oes ·



D n Sp Dluz olng Achicu 5 1



D n Sp

diinguih bwn pioopy in, nd work of domin i hrrid by pi pln on whih nfoldPhiloophy r onp on pln of oniny, in work wifunion on pln of rfrn nd r work wih prp nd ffon pln of ompoiion n gnrl n rhiur work on llhr pln i h lwy mrgd philoopy, in nd r hrough

gomril pn onplid for i ron Folding rhir wor mor loly o lzuri prulr m, ough,bu i k [Q nl h u l ur o oninyo h pioopl onp nd pln no h or o h l mrl form i produ do no rol or unngl oni-ny of h ul Folding rhiur work wih obl nd mbl on pln of cu� 10 hi pln i br i pri in hniqu of opoogy, nimion, nd prmrbd modling hompur h md ibl I ow br digrm o unfold, d-pr, n b ulid n objil nd mg r riionon digrm rr n poibl mpl of p, i modl

On y r ion rmin, ow o w n nd inw wy h pro o oding hi uly ml On on hnd foldng rr do proid mn rog wh ul my irulid w n, nd ynn ir-ulid or rild r onp fo rlm of bodi, buid-ng nd p B on or nd, ul mpl of hi projrmin diful o pin down Ch fur diion of hi furniur exml of i hori, bu h onnion bwn m ildom lr in mo n n ndii fhion. Lynn rmin morimp lim bo oding iur proj ingnr onludng i nm om mnio, ynn i y lrou of i wor

cs o asac macins omaion o conc assm-las wn i ial aammaic laionsps ar acalis as acnica possiili Conc assmlas a al oly wh nwiaam can ma m cross cnical sol n spiio asac cnical smn y com conr h opoloisanimaion an paamas molin a in xplor In oo in hnli t icilin a as si ornin fro rl io onc, i is ncssa a w sinoa i asac sc Wt a ai sain o pomac as iaams an oanzaional cis s imos-sil o n a iscssion o anslaio ino acicUa om Ln

Dluz, olng Achicu 5 1

Foding rhi, n my b id o ngg n h innion ofrhirl dgm digrm in u n oppodo digrm in h n of rhrl pln In iring h ul,i rmin limid in h pln on whi i i h of primrilyh p of ompuionl dign

Pu diffrnly on od y nd Lynn work on h pln

of hni, dly mniping nd implmning irl dignh prn h onpul dily o prpion B prpion of i rmn irumibd wiin w moun o ymbo rpn-ion of il u n orm r from ingbl t dw nd kh ing l p onguron ofpil Viwd wihin h onology of img, h pln of niqrmin ugh in h poblm of rpnion i rprn rhrhn mbodi ur of h fold nd moo p A pui hi onology impi Or bin i no of nuronlinm h rprodu world; rr our prpion r inribdon h rf o hing ig mong img Ch 1995 3 nh di pro of foding riur of hingbom inm o h omp rn

rn irony p in folding rhir In i iniil or-mulion i om ro hmpioning h o, h oningn mril, in boomp or of wy Rll Lynn prolmion h fr i ingl ff produd in rhiur by folding i will b biy o ingr unrd lmn wihin nw oninuou miur(ynn 8 1) If w p ynn onion h foldng rhi-r hod oninu i nigion of r rur bor ik hi rnlion no riul form hn proj minin rr pdown g w iul digrm y o mril rr In n, unn gn poin ou foldng

riu h rmnd niUy hori in i proj o fold bwn h od nd inid of bilding proj h i dono do, gn ini i produ nw mril rlion bwn rhi- nd i dpi h uggin of h lngug ud' (gn2 12

on Roda Watt o o Lo Ang

owof o n wr l from 192 o 55 by SmonRodi, n Ilin immgrn lbour wo uly lld h iuro Pblo or o own.1 Rod ud kill grnrd rom work onron nd l workr, mn m nd il s o buid ·

52 lz Sac Dz Folg Arctectr 53



52 lz Sac

hree freesadg spipig owrs ecased ceme, a dcoaedwh shars of gass, chia, soda boes, ils ad oher debris Alhoughhe Was owers have bee compard o may ohr sis,12 hey elueor exceed amps o classify or de hem 3 Buildig o our prcd-ig discussio, h si may b se as a work of foldig archiecuret / ee he work of ele Cache ad y pipos hesalie feaurs of Rodias mhos ad marias, as w as he percepual ad cocepa dimsos of he sie h Was owrs facprovi a almos sragely eal exemu of folig archeseiiv charaeisics A h same me, Rodias work does more hambody he cocpual s of folig achicur accomplisheswha Haga argues foldg archiecur has fai o do amly oprodce a w maeria relao bewee archicr ad sie (aga2003 his maerial laio emerges moreovr, from a botomupbuildig process rahr ha implmeig folig coceps a lvlof dsig o a plae of echique, Rodia realised he foldig archiecureprojec i his aca cosrucio pracices hs pracics follow a ogicof cosodaio, moug hrogeeous maeials io a cosay

chagig whoeAs we have see, fodig archiecur s ded by a flui logic of co

eciviy' ha egrae[sJ urelaed elms wihi a couousmixure' (y 1998 10 ) here is a cerai ambiguiy as o wha eseerms mea spccally i pracice hey have played o i foldigarchiecue primarily o a formal level of desig he urelaed ele-mes may iclude aspcs of h si evirome ad he iclusio ofdifr fomal ypes wihi a projc odia's proc displays iovaiv forms of flui ogic of coeciviy o a srucura vl, ad iegas a asoshg hrogeeiy of maras he s's sklalsucurs ar composd of scap see ppig be io curviliear forms

o eaby railroad racks, ad boud ogeher by wrappig jois wihchicke wire ha wer h ecase i a ceme morar of his ow devis-ig erspersed amog he hree owrs (ha sad fyve iey-igh ad early 100 fee all, he las big h alls frsagsrcure of is kd are several oher cosrucios, icldig a gazebowih a hiryeighfoo all spire, a ship a cacus gad ad a fouah srres are iercoeced by mor ha 150 suppors o form amae of shfig paers, mulicoloed mosacs, a a dauig amouof ly ligreed eal he rucres make a irica mshwor haiducs h y o ac pas ha mov bwe maco a microscopic scals becomes, i eleuzes rms a labyrih ha is muli-pl becase i coas may folds ha o oly has may pars b is

Dz Folg Arctectr 53

also foed i may ways' eleu 992 4) A h Was owers, spacead matr bcome a iy porous spogy, o caverous xurewhou empiess (Dluze 1992 5.

large par, his ses of spac mrges becaus of he sheer rag ofrelad elemes of dbris ha odia has arraged io a coiuos mixure' his debris icludes 11,000 peces of whole ad brokeotry, ,000 glazed is, 6,000 peces of coloud bole glass, 0,000shes, hudres of rocks, ad pieces of marb, olum, a elephoelie isulaos Goso ad Godsoe 199 56. ecause Rodia cosaly chaged h marials he was usig a ved w mosaicpaters as he wokd, he exurs o f Nusro ueblo coiuously shfAlog crai sighlies boh ouies a sufacs are sharply irgu-laly jagged. som spos roude ceme srfaces are clutrd wihjagged hks of harsh, eavy maerials icdig was meal from heas furacs of see mills idusria slag ad lphoeie isulaors(cylidrical, groovd chuks of glass arou which power lis werwoud aop elepho poles Ye ohr viws yield a smooh series ofcoceric rigs simiarly i surfaces, curvia forms hie a

hrough h she of pachwor colous Eve a shor wa hrough hsi leads oe o a vivid xperece of folig achiecues logic a ogcwhere he who s o give bu always op o variao as ew hgsae aded or w relaios mad craig ew coiiis ou of suchiervals or dispariies' (oyma 199 ix.

odias cosrcio mhods ad process ac he heoreical pri-ciples of foldig archicure, playig ou physically ad marially whaLy ad Cache formulae a he leve of dsig cocps. or yormal exploraios of foldig archiece duc a mporal moduaio ha impls as much h bgs of a coiuous variaio ofmaer as a coiuous vopme of form y 999 9) oia's

labors ace precisly such a emporal mouaio a boomuppocess of local dcisios made wihou ay draw plas h earlymprovisaioal aur of his pojc rsoae srogly wih jazz musi-ia Carles Migus who recalls from hs Was childhood ha Rodiawas always chagig his ideas whil he worked ad arig dow wahe was sased wih a sarig ovr agai, so pacles al as a wo-sory buig would rse up ad disappa ad ris aga Wha washre yesday mgh be here ime you ooked, bu he aoherlacyookig Owr woul sprig up i s place Migus 199 7) heboomup oio of boosrappg, wher o vl o a whol iduceshe o merge, a so o, ds ieral raisao i he cosrcioof h h owers Workig wihou saffoldig, odia bil each rug

5 Deleue nd Spce eeze, ng Achtece 55



5 Deleue nd Spce

or rg o tower, te clibe ow, tote te et lo o teilp to te op rg, stoo o it, el oto te scte oly by wiowwser's belt bit te et ig Ro ws lwys wokig ote le o is pojec bilg sevel sclptres t oce wilewtig or te o to y e eog o sppor is itive is e e ssebe e et piece ecsg pipig wtceet settig gets it wle wet

or ce rciecte is te t o kig res oig ci-tecte s te t o cretig probbilistic res ro te stpoit orig, te Wtts

owers peset sigl cse wee ere s o is

io bewee e eio e oe ws eee bo-y o te oriotl ple, bt tei ctio s re is egtebecse te wlls re wre by te scle o te towes e ws seeoe lke prt o ski tt stetces ivisibly coss te skeletl srces trogot te site e eltio betwee eterl re ite- cotet lso breks ow we oe elises t te site resebles sip, wit te tee owers servg s ss t e stes trgspe tsos its ws ito te sps pow ll, t te c

otis log te wlls epese te wves o e se s Roi costcts re ro te isie, s it wee, rte t te otsie tee eeges o te ile rter t ecosig i. Te sie s eteses te ive olig rctecte ot oly to o te oseito te ise bt to ssebe stble yic wol' o iges o oge ee by e vsos bewee ise ose'were tis vsio itsel coes to si o ove s otse orces cseiterl vritios or s iterl vitios cete ew coectos witte otsie' (y 99 iX

Cce's cocept o rcitectrl costctio s cosolitio' lsos picl es o epessio t te Wts owes Ay seget

o secto o Ro's work y be see s iervl opeig opoteil el wii wic e isee tercle eleets' ec oeo wic cge te te o te itervl ecse tere is o siglewole tt c be ke , ec sit o te eyes essetilly tkes ieret crosssectiol view rog wole wic cges i teviewig so tt peceptio o te site ievibly iscers elios pters t eege tog iclios o speposito eesty o etil ivites te eye to slow ow, trce te eticosrrgeets o iciel evets tt ll y poro o te sie oeeies ke o rt s coceive by eeze ttriestro Peblo ctios i wose oiettos lks likges re i cotios vritio sc tt

eeze, ng Achtece 55

tere c be o biet spce wic e tiplicity wol beierse wic wol ke istces ivrt' eleze tti 98 49

obg eleets o rcitte, sclpte, r NestoPebo s peps ost tely cese s sseblge itis oe ssebge o o objects i te sese tt sseblges spoke o i te worl o weiecery rt ike rtistic sseblge( collge s well, Roi's work icopotes o teils tepress te b, istril ccte o oer epeiece bt it oesso o peceete sce Hee gi te ele spt vocb-lypoves picy pecy p crceisg e Wsowers e bscseeig teiology tt eezeGti se toescbe sseblges cptes ie sccictly te wys i wic Rocobie eterogeeos elees ito soetig tt evolve trogicreel steps ocl ecisios ito ototsble woe

ssebges e ee silteosy by tters o eressio t tkeo cosistecy ieeety o e orsbstce reto everse csl-

ties or vce' eteriiss ecoe te ctios rete to cts oiscere or electio rer t to lke rectios . i sort ewce roce by te brictio o te seiotic te terilelee ttri

o ook t te Wtts owers s o be ieitey egle i eig ite ste ccres iet pce' s ec teil piece ts ito evesitig cogtios s y pt becoes etgle i wole ergoig costt vito Roi epesses tis yc ptwolereltio by ipritg ptes tt essetilly ps o e site scs presso o wre bsket boos tt or tee sets o cocetc igs s i o epct te towes s see o bove Te olig

ete o te ste te wys i wc sie ose ee og srce, s epresso i e costt ispy o vete ots etioopic ioig eses ro iprite twie iges o ieret kis o rticts (toos, bskets, wie cir es Moreove,Roi eplicitly ice te te srce o is poject to tke oseiotic esios i ber o wys Roi's sigtre is biios wite iere sigiyg egies ite te peces spel ois itils e te tile ress o Nestr Peblo; i ypels e oter ws, e ipresse is tools ito te ceet cret-ig istctly ieoglypiceeligset o esgs sigtre t/is botvisl igistic sybol

Te sites sigtre oti tog y be o te osete esig

56 Delee a Spae Deee, og Ahte 5



56 Delee a Spae

Rodia printed a oer both the inside ad outside of the walls, sinrond outdoor tap nobs The rosee ay be read as a si expressithe specic ode of perception indced by the ats owers n an atO-istic scale, e rosette shows te aeolar nature o ater as an -nitey porous, spony, or caernous teture wthout eptiness, caernsedessly contained in other caers Deleze 99 ) the protoeoety of this fracta asseblae that addesses ae, i other words,aabod or oadic, orphooica esseces' elee and Gattari987 365, eery pa fctons as oh whoe ad hoe s ache psit, the osee desrates, that the teure of sstace is the iclsionof eelopes that fold to one anothe sall circles into lare ones Therosette us shows that, we will cerainly not acqire the soul or hebody that we are at sch pains o sece by etr eclosi or sbectzoes we ust rathe dele down io texture o o back up into ee-lopes by raftin orseles ono the world that srrounds us and byopeni this world wihi us Cache 1995 24) The atts owers bohebody and indce his double dynaic, his oeen of percepioa scrtiny narown down o elusie deta ad a fht p concentri

rins hs opens wthin us the word of what Deleze calls percepioin he folds, a swirl o nte percepios lacin an obect, that is, ha-lucinaory icroperceptions' eee 1992 86) hs is a ode of per-ception both restless and estful:

t i a lan wa a ruour a fo, r a a daning aril dut t a i th dpt ry ad were ade fro a nity oftiny ld inltin nlly rlng and nurin in ry dirin that th nad ntaniy rbl tha aitatd lr wh isand t on hi attr Dl 1992: 86

The wain dreaer walk throh he ats Towes is ersedin a world coposed of costant inection oded ito a elusie conss-tecy. Noadic oeents brin on onadic perception one shifsrm cmlc mcrcc u fm mcrcc mcc Deleue 992 8 he iaes in this world inhereo a plane of priary iaes that take

th an ablt xtririy tha i nt n th xtrriy anygin intririy bt whih ari r that ost inro la tha anbaly be ri r n ni whih ay in [h aradaode, that whh heriin il i radally ral r traniry:h nnuab h nnataliabl Cah 95 78

hi aradoxical ode' situaes notn less tan th fold bewee bodyand so, or i Delee's atectral alleor, between he floors in the

g

Baoe house This fold wold also be he fod bewee folds Roia,throh his site, ecoes he "cyptoapher who] is eeded,soeone who can at oce accot for natue and decpher the soul'(Deleuze 992 3) The cryptorapher ust understand that the para-doical ode no direct councation between body and soul is pos-sible Thus whie the astute eader of the atts owers asseblae seesthe ibrcation of the seiotic and the aera', sch an insit onlypesens the aterials hat st theseles e intepreted s Greabert pons o when here can be no direct pesentaon, or tras-ositon, o the percepta, he percepton st itself becoe a sin,ad the si Ut ecoe a ext tha st be read, deciphered' abet2 8) he reason that Rodias projec eacts this process of percep-ion, o that the site indces us to enact it, rests i he ode o percep-tion at play in the folds This is a cryptic perceptual ode whereercepton taes pace i the desin, and st be constrcted, piece byiece, apartent by aparte' Labert 2 48) he ats owersiites s to read its cryptic essaes that are all on he surface, liteallyas wel as raiey ut the aera isef poses a yste the so

tion to which s apparenty hdden n pan siht becase the ateialpresents isef in percepton as a aleoy o s own secret n a percep-ual lee, the sheer profusio o detail es the se an alost actiepysical presence The strctures saturate the eye with colours and texures and les and patterns so that the roi eye takes in ore than thestill d can process ne is iersed in a aleatory, cobinatoricworld of eleets in constant reconuraton his perceptio oerloadallows for a play o the conceptual lee as if, becase they eer crys-tallse as a sine perceied entiy, disinctly seen and capted y the eye,they cotinay ake o difeent conceptual shapes and siae df-feret lies of thoh ecep ad concep, siht and insiht, becoe

indiscenible, to the po tha the Towers etrain one o w m and k u n eleue's eoraphy, his writi of space, Sion Rodias atts

owers of os Aeles take shape as eibni's aroqe hose as reodelled y bius, with a nod to scher here is o loner a ector thadierentiates a lower floor wth windows o percepion and an upperloor wih folds of soul. At the Watts Towes, one is rather going p thedown staicase, caght n an escalatig expeience whee perception and onceptenter ino a chase afer one anoer; at he oent they appearas one they p ino the other Deleuzes version of Leibniz has becoeenanged with his account of Kan, where faculties are left 'to evlve

rly order to fo strae binain as sources o te arbitrary

8 Deee Space Delee, olg Arcitecre



8 Deee Space

fr pie iuitn' eeuze 98 xii) At e d dy andul wen perep and nept ene, age r rage bina-in a ure pae aleaOry fr f pble inletin Spe thubee araed wi and rered i ianen nnein t ieFr a able aive, ad endurin a ey are, e Watt wer are aupple, bile and endle ere n Watt wer here are y

Wa wer ye e

efereces

Bergson, H (990), Mate andMemory, rans W S ale and N Paul New York:

Zon Boos. ... Boyman, A 1995), Translato's Pface in Cache, B .

(19�5) pp. VII-XLI.

Cach 8. (199 ath Moves The unishing o etoes, ed M Spaks transA Byan, Cambridge: MIT Prss

eue G (984 Kant's tia Philosophy trans H oson and B Haberjam Mneapolis: Univrsity of Mnesota Press .

Delue G (9 86 nema I: The Movment·Image trans H omlnson and B.abbea nneapois: nivrsy of Mesota Pre� .

Duze G (992) TheFod ransT Coney,Mnnapolis: mvrsy of M

n

sot

PrssDuze, G (1 99), iferencand Reeition, tans. Paul Palourndn: thloneDeuze and uatar F (987), A Thousand ateaus Cptam and

Schizophena trans B Massu Minneapolis: nivesy of Minnsota PssGodston, B and Goldstone A P (1997) The Los Angees Watts ?we�s

(Conservaton and Cult/a Hetage) Los Angees ety Cnte for Educaon n h As

Hagan S (201), Takng hape A New Contat beteen Ahttue and atue

Boson and Oxford: Architecural PressLaert G 202), The NonPhosophy o Gles Dele/ze ew York Contnuum

BooksynnG 1998a), olds odes and Blobs, La Le Vol .L, G (998b Animate Form, rceton: PrinctonAr

cht

t

u

l Press

Lynn G (004 (ed), Fodng n Achtetue w ork: John Wi

ley

& on

Maney, R and Sloan M ( 997, ef-Made Wod: Vsona Fok Enonments

Nw York: Aperure ress Mngus C 1 991 J, Beneath the Undedog: Hs Wold as omposed by Mgus New

York: Vintage Books , Sp.s M 1995), Foding toward a Nw checure , n Cace B (199) pp

XIIIWad D and Sheldon Posen I 1985), Was Towers and the Giglo radon'Foklife Annual: 142-57.

es1. Ts sift n heoretca orenton in achcture s xmpl�e y Peter

Esemans rn o folding arctcre around 993 Ohr archteS mleced b Delu's thougt nclude Jfey Kpns, Cales ncks, dohn Frazer

2 Fo a dtaled compason o deconsucve and foldg

arc

h

ec

u

,

see Greg

g

Lnns essa e Foldd, t Pliant and he Supple', in ods Bods and Bobs(193

3 Another important gur in his rgard is Jacques Attal, an arcitet and ph-losopher wo has collaborad with Re Koolaus aong ohers See L plant I detal: Un pho50phi d I'achitr t d la 1 (201), Nimes:ditons Jacqueline Cambons

This phrase s taken fro Robert Hooes writngs about te icroscopeqoted n a wal panel in he Msm of urassic ecnolog in Culver CityCalforna

5 Cace's alur to ct elee's wrtgs would appa to b amost scandalousowv h circustances gat t suaon: Cach may av workedom lctur noes ater han wrtn txt, and apparntly wrot is ownwok wit no intent ev o publsh it s fact also shds igt on h manu-script's unconventional publcaton istory, st n a slghty abidgd form inEnglish and subsequent n comple form in French

6 e resemblance betwn Cac's wor and h old is so clos that onewonders whether n the smnas Cache atended eleu was working throughthe aterals ha would ac prnt in the ebni study I hav not ascertainedwhch ears Cace heard le, nor wen or if Delu dlivrd materia hatwould coprise Th od n hs lres Cache a also av drivd is ideasfrom Deeuzes extensv allusons to ebniz in Dfn and Rtiton.

7 f course at an specic location, a Moebius strp does hav a top and otor nsde and ouside Locall, hn, tere a spatal dstncons, wtin a global

space whout insde and outd8 n the prase ·topoogca opa on detcs te nunc on Cac of MicelSrs, the teoist o bn and topolog ost smlar Deleue n contmpora enc pilosophy.

9 As laoatd below Bernard Cach edns t archtecural obje as objcte Earth MOs, and Deleuz tgrates te term n his analyss o the objctn Th Fold

10 rogou s work ynn adops th leueGattari notion of assemblagen A Thousand Patas as a term fo architectural forations In the laterscion of te presnt essa we wil see ow the ter taes on a diferent reso-nance wh arcitecture in relaion to te Watt owers and te CaliorniaAssblage Movement

11 Reads ineested n seng potos of the Wats owers o pu iags to the fol-lowng dsussion of Roda Was owers a view m wbbasd analsis ofte Wa Tower at htp://wbueduphariWatpaprht

1 Rodias decoratv t<qus ae quntl ompard to hos usd byRaymond Isodor, wo in 1938 began covring hs home near Chatrs wtbroen crockery Isdores ethod was ered piue assiee' . Lke Roda, hbeca notorious wh his neighbous, wo ocked Isodore's fanatic dvotonto

his wor and called h Picassiete' pehaps in order both o ridcule a per

cevd pretence to hgh at whl also in essence calling Isodore a plate steaerThog tere ae denite apparnt sual similartis btwen these sites whch terestngly, bgan constction almost smulaneously t dcoraiveaspect o Rda's project ncoporates a gater range of materias, and o cousenvolved muc o laborat acitctra elemns. In additon, Roda's te<h-nique was ess an aesthetc exps than a localy mbdded racce - hwokd as a tle sete fo te Mabu l Company, and owners of homes buli Mlbu n the 193s and 194 wondr whete ROa a ave done tlwo n thr showers or tcns The Towers ae on copaed to aud'schuch of a Sagrada ala n Bacelona Te stes sha nOt only dns

6 eleue n Spce hpe 3



p

dcoraion i mosaic stls, bu a gomry of canoidal curvs Wh Rodiawas pstd wi ictrs of Gau's work h as id av hlprs?'nd crowd M I dd it mysf! Goldson ad Goldso 199: 6

13 Th si has bn calld a collco of svn sculpurs (Goldston anGoldso 1997 11 ad is frqutly cd as a ampl of h rban vr-nacuar sty of arcitcu I t mor avangad arcriical vin, WillamSi ad ohrs av mad h Towrs as h gnsis o CafoniaAssmblag a radiion tat subsqunty icldd Gorg Hrms, B aar

Jon Ourbridg and Ed Kinol d and Goldson 1997 9. RogrCardial iclds h Wat Towr his inutial 9 sudy d ArtMos grally, h Watts Towrs consit wat Rogr Manly a MarkSloa cal a slfmad word i ir sudy of olk art iromns (Malyad oa 199 I Shldon Posn a Dail Frankli Ward whil way oflumpng th Towrs ito a allncompassig folk a catgor hav xamidh spcic ways hat Rodia's work dos in act fncto in a cain radio,wl briging inovaons of is ow

14 T olg btwn outsi ad insd at Nstro Pblo also oprats i mso ratos bw loca ad gloa okd by t si Rodias abors soimmrsd in local matias and pracics wr also fctiong o a imagina-iv, mmoc lvl, w was working back towards is childood andomad I. do Pos and Dai rankin Ward hav shown ha howrs rsmbl crmoia owrs paradd anally in t Giglo fstial aorgiatd in ola, a ow a th Itala villag whr Roia was bor Th

Gglio fsival, clbrad i Brookly as w, commmoras kdappnglibratio and rr of Sao aulnus, h Bsop of Nola T gral cosruio ad shap of h ig wood and ppr owers carrd h paadar simar o Rod's Towrs h cinhig li bwn Giglio ivl ndRodia's work s ha i addiion o h ows a ship modlld on a mdivagalon is aso carrid a t fsival T s srucu Roa bil closy rsm-bls shp in is homown parad tat commmoras Pais arrial homfrom Aica Roda calld is small sip t hip of Como or h Ship ofMarco Polo.

1 addion o sits dsral asps, i also svs as somthig lk amsm of ocal hstoy i ha i rcords sigicat facs of domstic lif ilat in ad arly witcur Los Angls Prsrd i hTowrs ar racs of imporan porclai mafacrig ad imporig com-panis of h m ad si rcs rns n h eoraiv ars, a gr-aly tasts of m: t plas popl a from ad botls y drank

from

p

Seag o Ges Deeuzes BaoqueHose

Hne Fihot

In f th os oes no sheler s fro cosc focs os lsad slcs h

Dleze n Gr, What Phlsophy?

Now we r ho ho oes no rees ws ncessry o w ccle on ncern n frl cnr, orgnse l lc.

Delez n r, A Thusand Pateau

he r refrn rses s w snc orsles fro h hose, eve f hss ore o r, snc no on wll reonse s ny or wn we coeback

Delee ad G, What hosoph?

h s ry n hoghDJz, Dece a Rpetito"

al s he oose of lgzn coyn n, or og likel a at, Dagu

In conser rchecr s n oec of veso h hose s heos obvos s po, erhs oo obvos ors s he vryrs hreshol beyo whch w re sbjec o nprcle forces.so Bchelr ws well wre of hs when he wro he et fSpae. he rchypl, eorl spcs we vs lonse h no-c s o h erswhle os ooks cnns of he hose s frnve of he blss oesc scen, lbe speccly Erop of s srcre,

wh s vrcl rrnge of c serl soreys, n

see We wll be hre whn he hose o h se se of hehreshol w srprse whs or, o h Mrcel rosslehy serch kes he cory hoe of hs chhoo s s o oeprre? h hos sees o b h os covncnly erl o ll

62 l a Spa Stlig no Gils D's Baro os 63



p

rhtturl orm th mot ptv m hrt wrmgh ho offr h ol bl rght of propt owrhpof prt hlhoo, o mtl hltr W w bg h hou bfo w r low to xt ro t ormbl thrholtow th ukow S m wth th htr t ofr, th goo ommo o fmll rtul rm or ptto o orrl, ul ur, o pt oto of lty Woul go o r o uggt th th hou ofr u our rt gtr ofmg fuhg u wh gto ht wll trvl wll thou worl

I frqu hrough ltrtur tht w r v to th fvmo o hbtto hr for t, ou h potb w o otllto o ltrr tto, mog whh w hpppo th m of Mrl Prout Shol w pu for momt tom lol th opg g o rot rh, wht w otmpl th o hou omb, but kloop rrgmt of llth room tht th rtor h hb h wl o ot t rmwh h puvw, but h mw tt th wrth, mgl

uffu wth brth Epg otrg though m,o room, o tmporl pok ftr othr vlop u, og thrtor mg lt pl W r ow th t, ow thotr th wl, hftg ptg thmlv to th hpo h uv room tht [th bo rmmbr, whrl ro t rk rou 19 7 h bo tht hbt th room ow owth lmb o hl, ow th hv vl bo of th ult h rtl lp rt tull h ho ot bult o brk mort bttrw t o ot lo or hbto u but mr of povol rm o otgt t o urg boW tht th ogog to of th omt ot b

tm o hl ggt; o mt lo ou or thtwhh homl both th rk orr o th tror thwlom for, whh, lk rught ovr pot of tr whrth ho h b mt

Wth th fllg o rpr of th ho th orgto oft r, tb rpto of mg r lo joprTrppg ovr th thrhol to w mllum th rhtt ov- th th tb o mg h b r utb hmpoo rhtur hor, Kt Nbtt, uggt th th pt rht-tur o wth mg h ou po u h t org, plr m, t ut popr th o oto btt 1996 89) h rltohp

btw htur mg hv b o th mot pr, vr,or t lt problm Th hou o log hv who u-mt tk tht o offrg ht Wht o t m o b wthoutmg or to b o th out o mg (whh ot to uggt thtrhttr ot otu to prou

Ft, to x uvrll vl t o rl tht tr-m th how' o htur h b t , or orfu tt, from Vtruvu, though ugr, to L obr,offr h rht rtg glog, but o logr provrto or w, th po boh orm oo-polt o th mor projt hv prov ttor Th hou mh for vg h h xpr tolm mpofrom th ot or trm v h b mpobl to m-, th tht form trtl olow futo o logr holPotmor rhttur, tu, t hllow pth of qu-htol mot ptr Ot mut h h ut th blto murt t

So, th rhttul po toog tvy, or o ht

ou o omplt orm o logr ttoTh wht of rhttu o logr b tv lot h o-truto o th hou vr h, b ubt to to rov-o wor ro, molto Wht w ovr ht th po, tt from th prout, o rhtturl g tk o w urg

hr, w o logr k wh? h rhttur h l t ttmpt o rprt bo or om tht bggr th tl w mu loo owr th mmt oto of rhturth pro mplo h r omto o t bu orm,ogthr wth ou quot pmpor prt

mh th m w tht th rhturl objt, ogthr wth t our h ugo rt fomto th rol o thrhtt h lo hft Th hrtr of th htt h b vrbl ov murg progtor (plg th ojot rol ofthr mothr) gr or xmpl of th mort hou m

or lvg, o of potmor ph (l bo,

tg l th rol th rhtt tll hrlf uthorrtor p of o th bov hrtr w wl or h ol of th rh-t pkpot ht h h bom wprt th tr-but of opt h h borow from o hr prtrr.

Dpt th problmto o rttr mg, th p



66 Deleuze n Spe Seang ito Glles Deeze's Broe oe 6



migh b masurd and h sac quanid and assssd wih mas Th n, rslss inhabian f his hus, is ha whch nihr hmarial nr immarial, nihr h grund nr r aamn,can nir accn fr h n wandrs abu ghs ngrasabl, inbwn lrs suring fxib mmbran ha has bndd b and Libni

This hrshld r lxibl mmbran bwn mara cnsinsand immarial frcs als rcalls in is n dails h surfac f sns,whic lu as ld frm ha marlls lin f sarain hSics drw bwn bdis and ncral fs s un his surfacha w dscr crculain f ns and cran f innmr-abl srfac cs. l afrms ha i is his surfac ha rndrshings ssibl Alhg l cauins us ha, h n suldn b rad as smhing whs sns is b sgh and disnan-gd (lu 990 , ur icck, h archic, rmans inrsd in hw [h sfac cs rducd b h circlain f nsmigh b crad n maral frms f xrssn

wha fllws, w am draw a diagam f h surfac f

sns, ha hshd which can b lcad bwn h lrs f DlusBarq hus Wh his diagram will rsn sm risinainsrucns fr s f a curis cllcin f cncs ha habn signd wih h nam , and als Dlu and Guaari hdiagram, mus b mmbrd, is a which inas a wr, bu bn mans can diagram b rsnd n is wn as a isd rduc,r a drabl blc f snsains I will fcus n hs cncs ha arkd h ms inrs and sm acin amng archics and archi-cural hrss hs will incld h n, a sur f h lan fimmannc as a gcal ld, h cmlx wrkings f [h fld hdnamc hrsld bwn iral and acual, im cncid r

rahr f as dan and h dagam and s mds f rain suld b nd ha his lis idnis nl a fw frd cncsA aricular sdcin fr h bcmingarchic s suggsd in

wa hs cncs ar arrangd and h unxcd surfac arnsha sm mrg alngsid cnsucin Dlu and uaaridscrb h rrangmn f cncs as h inac f h rughhwnrcs ha cms a dsn wal, ging n suggs a cncsar ind b l bridgs and a whn w cnsidr a larg numbr fcncs wa w a s sming ha amuns a an imma-nnc, hugh h lan shuld n b cnfsd wih cncs hacm inhabi a arc, n dub, arad bgins icr a landsa a gnd ha mgh awai r acy

form makng. In taking up the assemblages offered by the above philos ophers, he architect mus contend wih the perilos hreshold between sense and nonsense, or the meeting place beween the faming ca paciyof a provsional om and e foces which boh faclitate and toble iscnsrucn

h archicural ckck sals n h hus f hlsh andasks wha is an n ur rs cnc, h n, rarss w sidsf wha w ha calld h srfac f sns n sd blngng hmarial facici, r h las f mar, f nsanc, such ha mghnfrm a risna frm r framing dc, h hr sufac blngng h maial flds r ncra frcs w whch h maraculd nr ha bcm acuasd I is n s mch a mar f asingwa is an n, as hw can h surfac fcs mard b an n brdcd in h cnsrcin f smhing ha is minmall drablTh srfac f sns, srd b h n is a lgical laing ld,and h n is an rmbl frc ha draws lacs nc disanrlad un d i rimi f n an, rcuring as ids h arad f rmal dsanc uhr n w will s w h

cnc f h fld cnibus his aadx.h n is rad in sm dail wihin h wnrs sris f

Dlus Seewhr i is dscribd as a laing in lac f hwh bd h n is acalisd n s ms cnracd in n cung dg f an rain l 99 49 a sld, s sa. Th shd rganss n ir sd f is n n t dffrn cndins, and rmbil n rsasss backwards andfrwards acrss his lin r surfac ha is sa, h n surs twsids f h surfac f sns and as sch, can b rgisrd wic n n sid i bcms acuasd n a di rsn b a marial saf afais fr am, a buil frm ha cms b nabd b bdis

ha assmb hmss i shing arangmns On h imma-rial sd f h srfac f sns h mb insan f n cn-nus sca us b rsising h rsn and diiding ruall ina as and a fuur hs s h sr asc f h n ha Dluhas brrwd frm h Sics and cald a cunracualisain As wihh dy sn wal, an inxac rains bwn h n and is cmmngling wih a maral sa f affars, bu nr can h n baccud fr sll hugh immarial frcs and incrral fcs.unracualsain whch dubls h wrk f h n is alwas inxcss f a which has bn acaisd, r insanc, h buil frm andffcil allws an ning r uur acualsains fuur builfrms

68 Dee a Sae Stealig no Gile Deees Boe ose 6



Hence we discover such pckpockes as John Rajchman, ElizabethGros, and Bra Massumi, a of whom pacpae n he heoreca dscourse of archtecre cang for those econers tha are ye o comeand askg us o aemp o gasp he cug edge of nove forces knockng on our door.4 I s cruca, as Deeuze wh a Soica emphass eaboraes, hat we 'not be unworhy of what happens o us (Deeuze 0:18-9) Wih respec o he dscpine of architecre hs ca s an

atemp to arouse a gropg expermenaon and o dssuade he archiec from simpy folowng tried and esed methods thog esabshedechniqes shoud ever be uderesmated The sucture of he evetaways eaves eough n ts wake for fuher experimentaion

Deeuze ad Guaar ca he opoogica ed upon whch he everoams he plae of mmanence, our second concep Ths pane o panays ou ony the poena ogc of or pace, ad s, sef rahemore compcaed han he st cocep hs does no mea ha tcano be successfuy mapped, and here s where our dagrams are evenuay gong o come n handy If here s one hng hat archtecs ove todo, is to map capre, frame ad gasp space or, as Ba Massmi has

PU it, 'flsh forms ou of the chaotc sae of he pae of immanenceMassum 8a: 8 Why s he plane of mmanence chaoc? ecauseit gives us he penum of everythng at once more han we could ever percepuay accou for; overwhems our senses, ad our capac tomake sense. he pa{e s prephosophica n ha, for he phosopherat eas awas he constrcton of coceps The pane of immanenceeaves s wth boodshot eyes, ringng ears ground dow eehexhausted mbs and n a thorough stae of perpexy Neveheess, aswe rave pon he pae of mmaece every day we have moslybecome habtuaed o its conuous psrge of ovely As social actors,oe consraied wh xed scripts sscepibe o cch and opion, we

are happy o bush of he ntefering nose of immanence and s gedown o busness Day n, day ou mmaence s tha whch pemanenypervades and sustas and yet of whch we own or have mapped, bu themos rudmenary set of coceps Wheher we are phosophers arstsscenss, o for argumens sake, archects we w oy ever have aprovsiona ogc by whch we can negoiae our way across ths opoogca ed of edess sefvaaion

With respe to he pane of mmanece ged as a topologica edgrea eres has been aoused and has fenced the work of sucharchiecurapractiones as Eisenma ad Lyn he topoogica edhey cam oers ha medim across whch we an make our escapefom he socaed Caresia gd a rgd frame aways xed n advance

byhe , y ad z coordnaes whwhch he compue inteface has madehe archtera draftsperso so famar The idea s ha we can nowake our deparure from ths ed geomery of poins in order to surf hedeermnae contnuousy inerpeneratng momens of he muudnous numbe of fods tha compose he eusve suface of he pane ofmmaece Wh no sma amount of perplexed fascnaon we havebegun o regiser ha he concepa ad maeral errores across

whch we rave having neher begng nor end, ca ony ever beapproached om somewhere the midde This is also to say tha heres o sgula omnpesent, Gods eye po of view ha ca be caimed order srey he whoe of he plane or to take all n insantaneousy.

es slow down for a mome, and consder a shf n scae aheha aemp o apprehend a daunng and mmeasurabe ed, we mighconsder ust one fod a a me Le us conside in more deai he conceptof the fod, our hird cocep he pae of mmanece, o surface ofsese s comcaed and every excaon compcaes t furhe as i scomposed of an idenite nmber of fods whch in , ad addi

to o he even inform he phosophca costrcton of concepts Tefod (Ie , as achman araes, is eymologcay iked o such wordsas comcae, excae, mcae recae achman 998: 5 hethng abou a fold s ha ows at he vey east, a conve ad aconcve surface he French archec and heors Bernard ache usraes hat whe hese cuves are ernsicay formed by a mammand a mmum pont ndepende of hese xed pons a whoe seriesof sguar pons proferae These snguar pos ae wha ache caspos of infecon ormng a serial cotnuum hey are deed oy inreaion t themseves nfecion regses he ndeemacy of the fodas a sera contnuum of snguar po rendered n moton ache 1 995:

7 Very dfere condions ca be secreed no he pockets tha a foddeveops ets say, an nerior and an exeror condon ke he evetwth which we began, he fod aows for dverse condons o beough no a eswhe unfamar promiy ot ony can he fold beread across any number of heeogeneous codons, boh maeria admmaea s an odd assortmen o eves and hgs ha correspodo he fod), bu we can se he fold as a devce by whch we can brighe work of wo or more philosophers from derent cenures and sococulural contets into vcaos coact Hece we discover eezeong forces wih Hume eib pnoza Bergso and many otherpersoae phosophca, iera, ad so on

he concep of he fod has as muh to do wih the organsaon of ·

70 Deleue n Spce Selng o Glle Deleue oe Houe 7



lngug nd n t h to do wth h vrhtng mtr oldo our grmnt. Bor on cn old on nd urc d vrurc h wo d. T o o S, t pln o mmnc wv b pkg o bov, tt mlu rtcultd b old dcrbdntd t rc o nd luz wrt to th phc orc mtpcl urc ncr corrpod' luz 990:125 O th rght d rvr d o t rc w hv t mmtrl nd th mtrl t ncorporl nd t corporl, th concptuld th prctcl, prooton nd thng dtonl lgt nd th mur-murng dpth o od tngld n ordd tt o r cruclpo, or w mgt t crcl od, tht th crl doubldurc o old llow or wt Mm h dcrbd t mutulnvlopmt o thogt nd nton' (Mum 1998b 30 Cch,wo nmt t old trog h cocpt o nlcton, ggt, t n th trg tur o ncton tt t cg t oon ontr to grp t' Cch 1995: 83) luz, rpondng to Cc ormlto dd tt nlcto congr n ltc pont' nd thuurthr tt nlcton th pr Evt o th ln or o th pot, th

Vrtul, dl pr xcllnc (luz 1993: 15) h uttv orctht cotnu obtntl to cp u, th r tht nmt tnctd old luz dct bov, th vrtl

Wt th dnmc trhold btwn th vrt nd th ctul wrrv t our ourth concpt Approchng t thrhold lz nduttr norm rom vrtl w dcnd to ctul tt o rnd rom tt o r w cd to vrtl wtot bng bl toolt o rom th otr' (luz d uttr 199 60) Agn wcn obrv th tructur o luz Brou ou h p ommnnc or t urc o n oprt throld or whtMm clld dnmc thrhod btwn t vt nd th

ctul t not mtt o orgnng rc prt tht cn vntrort nd cptr vrtul orc or w r ot pkng hr o com-ptr gm th world wd wb or om vrtul mlton AMm rg th vtul ch, nccbl to th n' con-tng, th do not howvr prclud gurng t or contructngmg o t' Mum 1998b: 305) vrtul lw lrd prcdu, nd procd n dvnc o t h mmrng tt prt jtbond t thrhold o or n nd or cpct to k n. compod o ll to multudno mcroold tt w cnot prcvd tht prckl u w gvn noug o t mcopcpto d mcropcpton tht omtng w rll cn tk noto gong to mk prctbl t proc o dormton luz

993 8). kw t t othr nd o th cl, th nconcvbl lrg not gong to ctc our ttnton thr vn tough t dormtonlct wl contnu to nt u Wth t orc tht gvn pprntl grpbl how xctl do w gur t vrtl?

T vrtul h bn vol cd t un, t nvbl thunthought th urprntbl, n Murc Blnchot u t clldth Outd nd o on Tt whch w cn prcptl nd concpt-ll grp th ct nd th r Mor mportl, th r thtt w r gog to hv mor luck mnpultg or trormngA lu uggt whn wrtg on Brgon culton crto't proc n whch w cn prtcpt luz 1991: 98) Whrctulton ptn to h old n t o tho drp tt r wrtlrg noug tht w cn m cocpt o thm rlton gurdcro th plt o mttr or mpl, w cold rl mtrl bultorm lu 1991: 26) Th vrtul tht whc rt rprnttonh ctl, on t othr nd pctur t trhold o t vrul ndprnt tl bt n no w do t rmbl t wrthng orc o tvrtl. vr mportnt Thog h ctul d th rl th con

cptl d th mtrl c onl b rmd or cptrd bcu o thrrlon wth h vrt (thog trctl pkng t rl rlt morxctl to th pobl th tt br no rmblc whtovr toth vrtul h r drt knd nd tr ogc on o rlntdrnt/cton

h h rtd n rnt/cton dnot th dnmc troldtwn th vrtul nd t ctul Pton xpln ht wr d-rtto th vrtul cotnt o mltplct o old dnc-ton h ctlto o th mltplct on 000: 38) Thvrtul urprntbl, wc ot to tht t do not cottll u conrontng u wth ct tht r l cul n tr trctr

nd rtr lk rmg or ct o gt tht ppr nd dppn h h ctul or mor xctl, t proc o ctlton wht w cn grp n ordr to mk our crtv mov tll th ctlnd t vt r coprt, mc n th m w tht non dn r coprnt nd coproductv A dmc trold t th mtm prt d rtclt th two orc but wht ctl mkth thrhold dnmc uton.

Wth our concpt duton w hv old tht drw th wok olu longd t wok o th lt nntnthcntu phloophrHn Brgon ton concpton o t tht conoud th cronologcl cl tht wch cnnot b plnd b w o pt contruct nd mtphor. t own no uch nt ntd t tnv

2 eleue n Spe Steing nto Glles elees Boqu House 3



felt hoht t annOt be dved no dsrete baets as we ten to oon the ruts of the ofae, o our tetabed exstenes smade not of juxaosed, bu of nterenetrat momens s hese o uendn novel, este or habts and reamae oonstl, urao remas rreseve of all ths, ntmatel teronneedwth sae enwne n a lnhed embrae of ndsernb, fom whht, noetheless wthraws And so an osllaton ontnes. Duraton

aouns fo the old, nold, and refoldn of he ane of mma-nene and as suh, rodues the aradox of a heeroeneous ontnt tontnuall mafests

tself at he dnam threshold between the vrtual

and the atual, states whh ae both fndamentall dfferent n nd andntmatel relaed There s duraton ad smltaneousl there are mult-tudnos duratos desrbn a shema omosed of nnumerable maro-folds an mrofolds that are ever n moton

Examp n Rgtring Duaton

he arhtet, re Lnn, has set hmself te as of rensertn the om-

latos of the elsve foe of ato nto the el of ahtetureHe tes s tha for lon we have bee n the habt o assumn thatarhtetre s tmeess motonless ad sta' Lnn 998: 65 Insteahe wshes o afrm that thee are numerable oes tha ae bouht tobear o the ahetra form, whh he sss, s sube to sae an-mate hroh the olds o rato, and not sml sae oeved asa sat onton or otaner 's too of hoe toward hs exe-mentaton ona wth aton s he omte He s after what healls the eveloment of motonbased tehques (L 996: 9 hamons a oess of arhtetral des that emos temo-ral lows ad shan fores thouh he se of omterbased anma-

ton tehnques (n 996: 94 e desrbes a feeba betweetooloal elds and anmated forms, drve b temoral fores that areotnos as well as ben dfferentated b seres of sulartes onnumerable folds He wrtes, there are both stabl forms ad u-tuatn elds Eah s nleted b the other, et the reman dstnt' 996: 96 Arhteture s ben ased to on fores wth the even,to rodue a dsjntve snthess bewee a lutuatn eld and a ormthat erS n ts mst For the mos art ns exermets remanlode the eleton sae of he omte

ne annot he but suset ta dato ha on JUSt been madeavalabe to us as a ove ool; that we have ol now dsovered theroer tme to emanate i om ts omer oe to ii sae Perhas

anothe wa to address ths newfoun teest n the onet of dura-to s to onsder how the arhet as oet mht reves duraton o her own slnar mleu. The halee for the ahte show o onsde drato O as an aswer to her ormma atvtes,but as te medm wthn whh she a ontnue o nve roblemsrom wthn the deemnae, aoa ux o the real, the arhtetmust mae her ma even at the rs o oversmaton Wth a few

dstushn mars, a ensemble oratore es tats et des ahes desles et des zones des rats [oeatve se of brshstroes ad dabs oolo les ad areas] Deleue 994 66) as eleue wres ofrans aon's anterl tehque we breah the threshold of thevtal ad nstall the atal Wth ths daram we a dene a strethof tertor for the meanwhle

he mode of oeraton of the daram s or sxth onet hedaram s osttuted b a set of asfn ad onreresentatonaloeatos whh a be as smle as a seres o srathed es andzoes of aled olour, or as omlex as omuteraded dtal teh-nques ad exermetatos wh amato sofware t s that whh

aows or the estura deloment of matera, but ot a habtualmae. The esture ata to the arams atvaton s more ualhan what the deveon mars eresent and the daram tsef s onleve the ossbl of he fa of he ant he bdn, not he antn or bdn as s all formed he o o the daram s tosues a n esae from rato staon, ad rereseao or tond a wa out o hav o te he same stor ove aan It s a too thatftons exermetall wthou man an lams on the semoalfomed' or a eadmade sstem of ss stead, he daram delosshaeless maer that s nOt et hsa fomed' Deleze ad Guaar97: 4 A lttle l e atomat wtn the daram attemts to rde

the rest o the wave at the dnam theshold between the vrtual andthe atual as t nvents ts le of ht and onsrts a real that s etto ome a new te of realt Deleue ad uaar 97 42 As wththe lo of dferet/aton whh dvdes at the same tme as sharout the virtal and the ac ual, the dagram is fferent in kind from thatwhich it nally produces. eleze tells us that, J'esseniel du diagrammecest qu'l est fat po qe qelqe chose en sorte, et l rate si rie enSOt [rhe essential thg about the dagram s that it s made n order forsometing to emerge rom t and nothng emerges from it, t fas(Delee 1994b 102. Italcs n origal) Athogh t pomses a ureyet to come n s applcato the agam must be localised as a tool hat oends wth se robems

Dee n Spae Steaig n Gi Dee' aroque oue 75



Deeuze tell u tat te ainter a many ting in i ead and manyting tat urround im, and tat tee ineluctabe infence alreadydance acro te canva before e a lifed i bu (Deleze 99:7) e canva i neve a u but a noiy eld of foce of abt,oinon, and clic Te arit, and ere we can alo imagine te arcitectat te outet of te deign roce, aroace te canva wt a ready-made et of idea, fom wic it ten a matter of diencmbermen Te

dagram can be aled a an inererng force In te cae of e art,Fanc Bacon, ntefeence take e om o a manual cao of mear,mudge and blur, mo of wc anwe to cance Tee manoeve(te and i qute literay t to work callenge reackaged code,create rre, and roffer te gift of te nove e diagram forwardte oiby of a donaion of ene tranged

Examp wo Eisnman draws som diagrams

ot only doe Peter Eienman comoe wa e call i Dgme 999) wc ma te roge of arctecal work to date,

e ao give u qie cea ntrcton on ow e aciec can t tediagam to ue The rt ae of te dagram decrb a actice wic acitect ave almot away been adet Taking te given brieffor a rooed arcitectual oject, te arcitect et to work it, tefuncton tat te roject wll accommodate are ecied. Second, teefuncton are aranged according to ye Tird, te above arrangementaccoding to ye and fnction take ino condeation a given ie Tete i not imly made o geograca, clatc, and oter materaconditon, but i ilected by mnor iorie, entmenta attacmen,and te like nay, te aciec dcover e a i contaneEienman contne, te om o a contaner i cealy redetemned by

i nction a eler and enclore and becaue of ti a it ownmeaning, weter ntentonal or not' (Eienman 99: ) Bu te jobdoe not ni ere

e econd ae o te diagam i wee Eienman, aving decdedtat te traditional roce decribed above nfcient, draw dectlyon te work of Deleze and Gattari e econd diagram anwer to afoce ta i refeably derved om otde te eld o arcitecture oa o nve ew oibtie no te arctecal oce ake yourick diagram of oon wave rcre, id cryal, geomic ocee uc a ne wave acal, moring t u to youee diagram rom te outide are tn uerimoed acro te tra-dtona diagram e ida i to detroy one claiy wt anoer clariy

in order to ceae a brne, or wat we mgt call a one of obcr-ity, for, a enan ean, two clarite equal a b' (ienman97: 6) and wit t blur bale can be done wit te good andcomon ene of revailing aeeticoarcitecural tecnique

Eienman a caried ot i diagrammatic eeriment in a erie ofarcitectal degn many of wic are docmented in i DgmDre Tee diarie can be read a intrction for ue. ey exlain

ow e a generated diagram from te geomerc atern e a readacro rooed arciectural ie, om qd cya, om e waveattern emed by te uman brain ienman ao decibe ow e aredeloyed tet dawn om torical, narative, and mc ource, ntoi deign roce Sometme e gge i diagam are geneated fromondition tat are immanent to i gven roject, ometime e ggeti diagram are rater more abitrary. Finally, e tell u, te diagamattem to unmotivate lace, to nd witn lace ace a a void, a a neg-atviy or nonreence to be lled u wit te new gration of te ign'(ienman 999: ) Te motvated arctecural ign ame te con-flaton o gn and gnied and make a claim for te auonomy of ac-

ee By umotivatng te god of arcectre, a roce that mgtbe comaed to Bacon' activitie of bluring and mudgng, Eienanwie to invent a erie of novel gure for arcitecture.

Like te aiic cildren tat eole Deeze' eay, a CldrenSay', arcitect never tO taking about wa ty are dong or tryingto do exloring mie, by mean of dynamic trajectorie and drawingu ma of tem' (Deleze 998 6). eave een jut a glime of tiactviy above Arciect are already welltrained ayer wit reec tote job o conrcting dagam Te bgge ole ta tey can fall inoi te ta o ereentation ta i, wen ey attem o make teirbding look ke' te diagram tey inven o aoriae

Eamp hr Mius srip as diagam

ake, for examle, te geometrica model of te Mbiu r eMb tri or loo i a geometrical diagam at illtrate a aial

"

Fg 3 Mb m

76 Dleuz and Spce Stealng ito Glls Dleuze's Baroque House 77



paradox ne can build a Mius strip by cung a lengt of papertwisting it once, and ten attaching its ends togeter so tat it forms alooptat confounds any distinction between interior and exterior Wenwe trace our nger along one surface of tis construct we discover thatits pat is not only continuous ut tat it traces te entre surface otreverse and rigt sides of te loop It is a readymade conudrum a treedimensional diagram tat speaks of many things for instance of ideas

of surface, interiority and exteriority space, time, and inntude.n te realm of contemporary arcitecture we discover a house tat is

a Mbius strip tat �ants to be a diagram and a built form he arch-tects Ben van Berkal and Caroline Bos build a Mbius ouse as tougit were simply a matter of building a concept Tey suggest tat theouses diagram liberates architecture from anguage interpretation,and signication (Riley 1999 8) But by naming it a Mius ouseand by confusing ouse wit diagram, their gesture threatens to becomerecoded, to tell an old story he architects are aware of tese issues. Benvan Berkal claims tat teir design process as entered a cycle oftext/project/text, so tat concepual diagrams and concrete constructions

inflect eac other in turn (Lyn 995 7. We could take te Mbiushouse in its own rigt, describe te way its materials follow te twistinginsideout of te form the way the form is stretched so that its inabitants occupy te interiorcumexterior as though it were a choreograpedpromenade trough te countryside in which te ouse is sited butalongside these more concrete manifestations of the house there persistsre exploratory diagram Whars more the arcitects insist tat te twoare dfferent in kind tat despite re fact tat a readymade geometricaldiagram as been orrowed, the ouse does not ecome a mere illustraton of its form but responds instead to te virtual organisation of tecosen diagram so that a nonlinear and deformative passage is raversedbetween te wo.

n The Logic oSse, Deleuze borrows the geometrical model of teMbius strip and asks tat we break it open so as to examine sense Hesuggests tat it is difcult to respond to those wo wis to be satisedwit words tings images and ideas' for the process of constructing(arcitectural) sense neither exists in the mind nor in the tings witwic it contends Deleue 1990; 20 Unfoldng te Mbus strip, teexperence of sense must be stretced out so tat we fll neither on teside of ideas nor of tings but walk the tgtrope of te thresoldeween Supeadded to tis tigtrope act the actect ust set intoaction sees tat pertain to concepts, and series tat pertan to te

material of teir built forms It is ow these series are nally conjoinedand tere are so many ways of manifestng this conjunction tat locatesthe domain of prolems with wic arcitects and teir many stated andslent collaborators must contend

he dagram after the logic of different/ciation, can become diluted inte endless process of folding, unfolding and refolding, or else it canmake too muc of a mess of tings How does the arcitect decide on a

moment of capture wen should they say tOp and decisivey frame alittle bit of te caos tat presses in al around e diagram must beused as a tool of rarefaction; it must be selective even exclusive. AsDeeuze points out, we are obliged to favou this or that partial sequenceat ts or that time' (Deleuze 1993; 25 We can compose te caos andproduce wat Deleuze calls a bloc of sensation Art, following Deleuesaccount struggles wit caos in order to render it sensory and architecure as a task tat is similar e arcitect appreciating te combinatory of chance and necessity tat circulates with every design projectmust make an acrobatic leap and extract just a small framed moment ofdifference8

Wat do te above conceptual perambulations, lent to us by Deleuzeor poaced from wtin the disciplinay eld of pilosophy allow thearchitect? Now, rather than searcng out its idden meaning along otte false and the welltrodden trails, an attitude to te practice of arcitecturemight instead be described as anyting we like provided we makete whole ting work (Deleuze 2000: 146) is is not a licence to getcarried away In order to make te whole thng work we must appreciatete interplay of cance and necessiy that attends every problem erewill always be givens wit which the arcitect must contend tere arerecedents tat we can coose to embrace or ignore, tere is a contextand a clent and ten tere are all the accidents likely to appen alongthe

wayWat we can do is dispace the anchor of meaning wit the oper-ative promise of sense not the regulatory strictures of common and goodsense but a sense tat is produced according to contingent yet necessarycircumstances. e tresold beween archtecture and its outside mustbe made trafcable in both directions, backwards and forwards, and itmust be breaced not once bt every time a new set of material andimmaterial factors is confronted n order to become a successful pickpocket the arctect must learn about all te idden nooks and crannieson both floors of Deleue's Baroque house.

78 Deleuze n Space Steg to Gilles Deleze' Boque House 79



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Nots

1 ess is a bore' is te glib esose te postmode acitect Robert Vemade to the modenst acitt Mies va de Roes dicum, ess is more.

2 By cag that achitece is he rs of al e ars Deleze ad Gaar ae fact, echoig the claim made by Virvis a Roma architect of te stce B s eat, Te Bs Arhitere, tat rmte man gadualyadvanced from te conscon of bildings to the ote arts ad scecsrvs s ced n he nodcion o Nesbitts atholog 1996: 18

Delee wtes, te sace ad a which takes lace at he sface is wha"renders possile - i ohe words he event as tat wic is expessed(Deleze 1990: 186

4 achman wies o the chance of new histoies new possibiliies of lie adGrosz n so sggess ha te ftre o each dscilie eqires ha eachopen iself p o a econsideaio of te viual ad te promse i olds onewness oeess and divegence from wha crreny eais' (acan1999: 15 ee aso Grosz 001: 113

5 ee aso Deleze 1994a: 46 for a loely assage on e elaionsp beween eaca ad e virua

Deleuze isiss a e geaes impoace mus be aaced o he disinciefeaure of he t as he symbol of diffeece: dierenae and difereniae'Deleze 1994c 29

Lynn deelops hese deas in is book Aimte rm (19998 Massmi describes e ole of te acitect as a pocess eaer ad form

ushe Cofroned wi inumerabe possibilities each of whic g lead ohe fuifu resoluon of a design poblem the ache, accordig o Massumi,beomes a pospc of fomaie conini, a tracker i an eusie eld ofgeerave defomation (Massumi 998a: 10, 16).



82 Deleue nd Spe

d Whil hi h d b li i

Se: Extensve nd Intnsve, Atul Vitul 83

d b h h d i i b i d i i



"

word o nuon Whil ot phioophr do nor bliv in nuonGill Dlu th quo ov illtrt, rtnl do n othrword D ontolog i e ontoog. Bt whil ot rlitphoop po on o nohr or o nili, t bli twht giv t onn o h indindpndnt world t dnti th poion o n n, or Dz th dnit o n ng nnvr b tn or grntd nd lw nd xpntion in r o th

hitoil pro whih podud it w rtr h idntt otril bing dnd xtnit not onl b t ptil oundr•i bu lo b th on o tr nd nrg ontind within toboundri) thn th pro ht produ tho ing will b dndb intniti n thi n, hun bing not on inhbit xtnivp th thlv r xniv p Gnrling thi to nludnl phnon would involv dning phologil intnti notonl gri jo, ov ht, but lo bli nd dir whih lo o indiffnt intnii) wl th orrponding xtnii. n thi wi void ti portnt u nd tik to our bodil idntiti whido or xniv p in trghorwrd n

Dpt th t tht Dluz tk th ditintion bwn th tniv nd th intniv o phi, n th pg oowing th quo bovh rgu tht nintnth�ntur trodni nnot provid thoundton h nd o h ontolog Wh Bu ht brnh opi obd wit h nl quilibiu dnd tount o ntrop, n xnv qunit) t th xpn o t dir-n�drivn intniv po whh giv ri to tht Foruntlti hotoing o il throdni now n d in thtt vrion o thi d pproprtl d roquilibriuthrodni nd th o thi rpir h bn to k thi dipin U th o nrting philoophl. I nthll wh quilibriu throdni ou on wh hppn on th intnivdifrn hv bn nlld, rroquilibriu throdnitudi t ht r ontinuoul trvrd b trong low o nrgor ttr, low whih do not llow th diffrn in intnit to bnld tht i ow tht intin th difrn nd p thro nlling thlv ou n n, th nw ld tudi tin zoe of e e, nd it i on in thi zon tht drn�divn ophogn o into t own, nd ht tr o ntiv gnt, on whh do no nd or to o nd po itlo th oud, i h wh t n hot onl n thon o nni n w wtn th bt o xtn nd i idnt-dnng ontr

d bov ht h dtintion btwn xtniv nd intniv pi o o two diintion whih ndntl in Dlu ritontolog Frroquilibiu throdn lo trow ght on thond dtntion, ht bwn nd u p Evn qui-libiutrodni ntit t h t t givn tin w n ntniv din t, t nl tt o quilibru owhih th t tnd ohow lrd prnt prior t i tu-

ition ht i, th nl t n ttrto or th pro ndplin th tndn o th intniv dirn to nl it But whtontologil ttu do thtnl t hv prior to it oing into lxitn On thn tht th tgor o h poibl' i t ontologil tgor on would nd to dib ti ttu, but thi wodb wrong Dpt wht o ntilit odl logiin rgu,poibiliti r not indindpndnt ntiti though th do pophologil rit noon n dn tht hun bing n in ttrtin vriou pobl nrio in thir hd) tt ting trtor, on th otr hnd, po rtn objtiv vnwhil not bing ull ul, in th guid r pro owrd d

init outo prior to th lttr tulitionOn w o ppohing h ontoogil tu o ttrtor woud to tht wil t r n poiliti th do e uue of e of obe O h poib outo onl on, or w,bo g tulid, t ht ggt t t p o poibl outo i grtl ontrnd or in ot word, t rutur Wh t poibi kng p ti p r not l otr tnn purl polog w) t trutur o th p onid-r l rl nd indindpndnt But i h rl not ul dniion wt Dlu nwr would b th t i virtl, not nth n o virtul lit xplid oput iltion, or

vn in but in th n o e ut

n thi rgd th on-tibtion o th nw throdni i tht onl in th zon o ntn-i i plor do phil pr dipl t ull rproir ottrtor Whil in linr t nr quibriu onl tdttttror it, nonlinr rroquilibriu t dipl tdtt, priodi nd hoti ttrtor orovr, intd o th inglglob qulibri o th lil tho w now hv ultipl qilibri, whih n tht hitor ttr. Whil with ngl poiblto th difrnt ph olowd b t on hir w hr nb ignord, wh ultl poibl to th dtil o th htorollowd do r thi wht phiit ll h dpndn) Whi l thi portnt? Bu on h rih rur rvld t

8 Deleue n Spae

b rer for looer to gnore te ontologl eton

Spce: Extensive a Itensve Actul an Vrtl 85

for glob embeng e elmnte Dele ze



beome rer for looer to gnore te ontologl etonre by t

o tkle t otologl e oever, e nee to go beyo yn nto mtemt to ene te tt of vrl e Te mtemtl tton t e ee tt beeen d ece tt e n te onet of lengt' fnmentl ne n t ot Mtemtlly e ene by et of

ot n ento of relton of roxmt between ot noter or, of te relton ene gve be of te ont negboroo If roxmty ene v mmm legt (forexmle, ll ont le tn gven ne y from entre form negboroo te e to be metr {eter t nlen geometry or rve n te onElen veron} If omeoter rteron e te e to be nonmetr n rojetveerentl or toologl geometre Wt oter rteron of roxmty ol be e? n ferentl geometry for exmle one tke vn-tge of te ft tt te ll oerte on eton exreng reofge n tt oe of t oertor fferentto gve t ott

n ntnneo vle for tt rte of nge e ont tt form e ten be ee not by rg lengt from xe oorteytem ( n te metr e) bt by te ntntneo rte t cuu nge t tt ont Some rt of te e ll not be ng-ng t ll, oter rt ngng loly, oter gg ft Afferentl e efet, beome d od d n v tee nteml relton one n ey negborootot vng to e rg lengt. Mtemtn refer to f-eretl e mnfol' or mltlty'

o Deleze t noton of mtlty eer mortnt fetrert of ll en G Remnn ntroe te noton n te rtlf of te nneeet entry tey revotoe te very y n e oe tl roblem (Enten n oter ol ever eelter e tee e roblemog reore to n , revoltoeOUt e of yl etme) e fetre of t revoton toget r of te e tt e of gve mber of menon (y womeonl fole eet) mt be rbe tn e onemeo ger ( treemeo bo) orer for t to be roeryte e nee for te extr menon re rom te roere ofgng Crten oornte to every ot of te eet (v rglengt exreng te tne of e ot to one of te tree oor-te). t f te eet be ue g only ol nformto (ery or loe t rvtre nn t gve ot te

nee for glob embeng e elmnte Delezerge, lo elmte te extr menon relte to te ebeng te trnenentl menon A e t t, n ll ete mltlty ntrnlly ene, tot externl referene orreore to nform e n t ol be bmerge Deleze9% 183

Elmtng gobl embeg e n veng e rely

lol term rl for eleze bee to m t not forml en te looy of mtemt bt ontologl e bergrely on te tt of te vrtl e vtl trtre of obltye mt never be me nto ometng trneet bt ly on-eve e to te mterl orl A mltly Delezerte, oever mny meo t my ve eer lemetry menon to t trnre on t T loe mke tnr mment' (elee n r 198 t o oemy k, n geometr obet ve ontologl gnne? nt ene n t t te trtre of e of oblte? ener tt mltle or mfol n be e o ty yl

ytem f e of ter meo ge vle from one of teegree of freeom' (or relevnt y of gng of te ytem telft , te mltly or mnol beome te e of ll te oblette gven ytem ve ( e of oble tte refere to te e' or e e A moe mottlyle te ont n te mfol rereent ll te oblte for gvenytem ertn toologl fetre of t e rereet te nvrttrtre of tt e ee c r re t I referreo bove ttrtor. Wle te e temelve re otng btmtemtl rereentton (n te oblte tey ymbole reo meeent rete) ter toologl nvrnt (ter me-

onte glrte or ttrtor my ee be terete beng

flly relo oe goe from memtl rereeto ( mnfol to

rel nontl etty { vrul mltlty omlex e not tkle ere, bt I ve ree etl eleere. teven f t ere ler jt o n otologl move n be me ttol te only lf y trog ot of vrtl e, tee forme by ll tlte (te lne of otey or e ofmmnene A fll ont nee to ntroe yet noter nmlrvrt enty (referre to by me btrt mne', le oflt l oertor) oe ob ontoly to extrtmltte from te ytem tey re tle n me

86 eleu n Spce

he ogeer wou redu er heerogene a ge he

Spce Extensive Itensve Actul Virtu 87

Deuz, G (10 , Te Lo o{ene rans M Lester with C Stivale ew Yor



he ogeer wou redu er heerogene a ge heone a a pae) Agan, ju ow hee wo operaon are uppoed o be perfored ao be dued ere bu he ae ra fral pae o be rul aen ad o a eeral reeror of xedarhepe. oher word phloopher anno pl ue he abelane' and aue h og o elae ranedee, heu ge oree ea of aee7

Le aue for a oe a one a ge a full ao o wharal pae ad how oanl beng produed ad reproduedWha aeral wol ew eere ro hee dea a uhell heworld would on of a pologa noer pae oa alhe oran wh orae he pha heal bologa andoa proee whh produe he aual e plae oleulepee uo) whh nhab or falar ldea er andeee pae Noer ad er pae would be oneed aeredae pae whh would be ol nene hu e ral,e ee ad he aal wold onue he ree phere of realw rual ulple onra ad gud nene proee

whh wold eld pe aal ee he oppoe oe-e ro he aal o he nene o he rual would alo e onal happeng, araee he ndependene ad manee oflple Wh h aeral world ua ker of dfferenpe would foow one or he oher oee, en rak heaualaon of e ral ad fou on aual be, a well anene proee ad ploope rag he oppoe oon, haw reonue rual ulple a deal ee o of aualee and ge he one a a pae

co said that scic an phloophy a opos paths bcauphoophcal cocpts hav vts or consistcy whras scientic fc-

io

ha ae oafairs or mixrs for rfrc thouh co

c

pp

hlosophy oaly xacs a consistt even t from [he sates of affars whas hroughcton, scc contiually actualizes the evt i a statof affars, ti, or oy hat ca rrr to (Deleu a attai 16

RfrnDana M (202) nnv cene n oo, ondo ontinum

PessDleu G. (1 88) , Bnm trans Tomlison an abbejam, New ork

Zoe Boos

Deuz, G (10 , Te Lo o{ene rans M Lester with C Stivale ew YorComia Uivrs Prss

Dleuz, G (14, {{erenend Reitonras P Paton Nw York Columbianversity Pess

Dleuz G an Gatar 187), A Tond Pt ans Massumi,Mneapolis niversy o Minsota Prss

Deluze G ad Gatar 1) W Poso? tans. H. ominso adG. Burcell Nw York Columbia Univesiy Pess

ote

Actay elee dees th intsive ot as indivsibl' bt as wa cano bivd wthout changing na a dition that ackowgs h ac thatcritca poits do subivide an isiv li o valus but only y marking honst o an abrpt cang o stat As h writs

Wat is sigicanc o ths inivsib staces that ar caselessly ras·ormed ad canot b iv or transorme witot their lmnts cag·g atr ach tim? Is not th itesive caacter o this ype omultipiciys lmens and th relations bete thm Exacly like a speor a tempratre which is ot compos o othr spees or empratres, butathr is vop in o nvelops otrs, eac o wic mas a chag iatr mtrica pricipl of ths mutipicitis is ot b oud i ahomognous miliu ut resies lswhr i orces at wo within thm ipysical poma iabiting thm Dlu a Guattari 187 1)

Tis qot uses th trm dstac a s i it wr a nonmtic propthogh i its sal manig crtanly ots somthing mric Dluakes tis spcial isiv manig o istanc' rom Brad Russl

2 swhee he writes

Uny always operates n a empy imenso supplemetay to that o thesystm cosidere (overcoding) But aJ muiplicy never alows iel tob overcode nve has available a spplemeary imesio ove a aovets nmr o lins hat is over an aove te mltplicity o nmbesaachd o os ins (Dlez an Gattar 18 8)

This rmar is mae about the pane o consistncy no abo multiplicities.t th ormer s nog ut e viual space ome by the mltplicities them-selves.

4 W Delee dns is mlplcites he aways seems to be reerrng o maiolds whose imsios ae use to represent eees o eedom (or iepedent variabls o som yamic a ot maiols as mer geomticoects Thus in is rst itrodcto o m h says

ema ne as mltplcits' thos things that cou b termined ythir imensios or thei indpnent varabs H istngishd tn dscrete mltiplicis a continous mltplicities e omer contain the pr-cpl o eir own mercs . The aer od a mrical pincipe somehng ls, eve i oly i phenoma oling them o i th orcsacig thm. (Delu 188 )

An elsewhee says, using h word ea to eer to cocr niversals orvira mltplcities as rplacemes or ssences:

88 Deleue nd Spce

A dea a denal, c, dened ipliciy. l r

p 5

'Geesis Etena : Ater Pa Kee



A dea a denal, c , dened ipliciy. l rater e dea f clr i a reedennal liplicy y ennwe ean he ariable r crdae pn wch a hee depedby cnty, we ea he e rela betw cage thee ariabl. by den, we ean he eleen recprocaly deere by thee ela- elee wc ca cage le te pciy chage it rderad t etrc Deeze

5 S Deanda 2 36 a eleze cceive f iae ral pace i te f bt ltplct

ad f an addial eny wc weave e geher witt genge ear fr e llwg e

There wa a rt gp ni he dy wh Orga r deraedPlae f ntecy the Matter f he Plae ha whch ccr n he bdyr p1ne glar egeed ltplcite ced f ineie cin ei paticleg, cjnci f w); ad he bactMache Abtract Mace n far a ey cnrc ha bdy r dawte plae r diagra [tat ccr (ne lig r abe deerral·3tn) (Delee an Gattai 7: 72

7 The e echani f aece de y wledge cc inDeeze wr he expree helf n ila way

May vee wh a age ad deicate mecham, iterect that byea f wic bde ae aa, and xtre cdered i er

deph cceed fail he prdcn deal rface te plane f cn-ency]; and cerely a by ea whch the eent f the rface areactalizd i e preen f bde accrdace wit cple rle byipiig ther nglarie whin e li wrld nddal adperon. (Deeze 1 16 y epai

Geesis Etena : Ater Pa Kee

Jo Dvid Dewsby d Nige Tif

Ronans

s eraphers we are fte see as deleates ad curatrs f space' bytse w iabit e maities ad scia scieces We are emmed iby e thee dmiat ways i wich space s redered: 1) Space as aNea cceptualisati were it is see as a catery eqal t time,

tus allyi egraphy t isy Space ee is te sti t te questi te iteacti ad ierai f phemea s explaed temsf space I her wds, space s the ctae f acti Kat's isystem f bsevai a absract frame f referece idepedet fmae; 2 Mre simpy, ad me cmmly, space is destd as arelae bt acte, tem Here space s a material reality deal witquesis f scale space as a pae, as a distace, as smethat actsas a wea actat ad as effec (3 Mre pe t pssibility but fejust as csra i w it is ccepalised, space is tured it sme-titat is elae o e rasee Space is a prduc f sciety btals a factr i the prdcti f te scal becmi scially c-tructed, idealsed ad idelical Cra ad rift 2000)

Bt hw des space fare whe we se u Ot te pe seas feleuzes trascedetal empiricism at wilder Ort f empircism thatemeres ictras t everyti ta maes up the wrld f te sbjectand the object' (Deeuze 2001: 25)? For s, Deleze trs space ito amvig ccep: s le's reease i ad urselves it the strm.

We want to capture the movemet of space i Deleuze's thought by seeg space i terms of a immaent spatiality. Wilst this cimes wi e dagam of the late toug of Deleuze, and, in partcua, that ofImmaece: A ife ' (see Agambe 1999: 24), it hats all s wrk.Ideed s sese f Deleuzia space is a kid f autg, a wld fphatms, f as wewat t shw, t speaks f space acig as a passage,

0 Deeze Se

wtht satial mmt btw a lif ad imma t s t s

Geei Eteal' After Pal Kl 1

ent fa difference, rsr bar anial and srpia repeitin



muh a mmt tw th tw fr th atua wrl is mad tf h ual has f mma ) Thus Dzia sa s always ralbt t always atual tha wl sap may rahs b bm a ai f Dlua spa a w t f rahrhas) is t rmy awa f bi a alm f tuaiis sad sgularitis at as a mplar w will adss a parta

ralm that f art i gral a that f th wrk f Paul Kl i ati-ular t is thuh h rpay f Kls wk ad ts rsawith th tigibl atriality f h wld that w sk ways t at utad addrss what ual 1998: 46) rfrrd t as rr pha-tms:

nrir pas ha qikly absrbd n r dphs by ssf sll, by , by e appeite xrly thin brans aa sls fr he srfas f bcts and prceed ipelur and ntr dp ihi r ys laing pdr sal idls;paass f far and dsir ld gds adrabl a f bld'israb h ranpred by ind')

is r rmis tha a immat satialit a b ahdd i thsitrr hatms ths affs f at whr ab all ths ti f aimmat satiali ms t b abut rgistri h wrld as a mi-liar mpl whih:

an fd ba n islf wth isecins and ns tha ntrhilsphy, sry f phlsphy, ht gnral, sns, and ars s g s ar s ay it n the pa fsng irg sa lie a hrlnd ha can aralis a ay in Dlz 1

h afft f at is a matrialisati that abs a ristrati fth wrld ly disribl thrugh th ls f hilshy thrh h-

lsphys pwr t rat ts that altr maig ad imps a wst f iisis this ad atis Dluz 99: 1 h wdiisi that is ahid hr is this immat satiality

W ar als gig t s ur ti f Dluzia sa t tr ita argumt with rstati brash rathr tha bar rpiti fth sam rathr tha f h diffrt i itsf his is t ris thatDluzia thuht is a thught r r tms:

Mdrn lif s a nrnted ith the s ehanial he teretial rs nid and utide rele, w endlsly ra litle diferene arian ad odcatos Cnrsly,r disgied and hidden repeitin, aiated t rpal diae

, p p ihn a wthut us In silara, riin alrady plays upn pti-tis ad dfr alray pays n diffrns. Rpns aslswl the iferena diffeenate itelf he a f if is all s rptis is i a sa whih dffrn s istib-d uz 1: i)

Fr us his is a aU t mbra immat spa i dr t d u la

i a wrld whr th s s mh pttial fr difftiati i s mayf th rits f h sial: m ar rligi frm th if sis tthlgial hamts frm mir liial mmts t altra-ti mmuitis ad frm rsa rlaishis t w gratisf r dis t is t a usti f th ist f ths wld but fqustiig its mmts ad itsits s as agai t gi birtht w mds f ist sr t aimals a ks. It may b thatbii i this wld i this lif bms ur mst difult taskDl a Guatar 994 : 75

W wat t sigal hr that i what flws th pathways rtsthrugh Dluzs tts frm a p tary: hr is hart ut ly

a prblm hat is a stribti f tabl its th is trbut always dti sis frm ahr with th lim f aprs ad a abs f a ss f a dy Fua 19:4) Ad hat with this sysm w disru this prblm fimmatspa ad prsai arss thr ma tras th arf us may hr ahways hat d b tak) s arss thralm f at ad h rl f gss ths rai s i h fa fa pltis f ri th fig ad thid i th ld f a sigraig with th atur wihi us ad th rl it playd i Kls -gramm f artisti ssi

Gni Etna prnting h wor anwgistrig th wrd i diffrt ways is smthig that w aways d it is just that rprstat dsiats a arwr ralm f th ps-sibl itrtatis aalabl t s rstati spaats ss frmits matrial ssi th distiti btw riti (rprpti) ad rmis thugh rpsat) Dz 194:4 fig s it a disubig ufamiariy wih smth walrady kw i lss s immat mui y way fsati f w ar alady stity d h wld byrgiti al by ts whih a fully b kw tl shtd I s th t aut udsta the wl bt ab

9 Deee n Spce

expessng dfferenly by kng n percepns whu repesen·

Gn trnl: Ate Pul 93

ndersd n hs wy dn s n dvsble n h hnges n



p g y y g p p pn hs s ned re srghtrwrdly f less phsphcllywhen elee wes f ngge sel steng hus n efec prdc-ng n fecve nd nensve presenn h hs nhng whn ecn f he ne wh experences he pn beng h suchn fen s rey epresennly srpe see elee 1817)

Cruclly hs prbles3n f represenn s ndelbly lnked vng n wrld f ples nd he nn f becng; s npssble d spc nd elee whu ccepng he knd f wrldh sch nn f spe spes u s herefre funen hwhen cnsrucng n pprecn f spce wh he dfferene engneer·ng f Delee yu re wre f he knd f wrld h y re frced beleve n Klee lerly belnged he se hurch s Delue seenghe wrld s he nne ncessnly eng ceed hrugh sc·erhly ensn Cncepully lee begn n he rgh ple esnngwh elen spl wreness h sked n he begnnng whws?' nsweng n wy whh edely rebus he represen·

n penchn fr n rgn nd sendg n ech Deleues lerhg h here s ny veen lees ll respnse ws h heere ny hngs s pdlly be:

taly t but o ppl to mov o a o moto ood o pal l otg p og patakg o od Caoad aay a tbd umbl agbl otg avy oglgt lgavy otg t otg bla otg d ogyllo otg blu oy a appoximat gy . . . No here o t lyeverywhere o logot oy v. N frer o ytdaytoday tomoo oly tomooytday Kl 973 3

These wrds re perhps se f he bes wh whch descrbe he

wrld f whh Deleuze wres hs wrld geness eernl B hw dwe ddress n pen wrld where ndng nes renn s s evenlynhel? n s regrd n he rgen f hs hper gegrphy snO he del plce serh fr hndle n spe s s pprehendedn Deleun ers Insed s we wl rgue he prducn f sclscen nwledge nd s den r speci expliins requres cncep spce whh fuses n he ua vt he evenself s sepe eny s l u n prehl plne f dr·n where n s ndesd s pne f nene h hs hepwer sepe sef n deren xes ndr n sngle urrenscdng he ne f enn cing eeze 2 5

nure n dvdng self:

May pilsphers ad alady ad h t ol a ehe ogvabl y mpy olddr s h he whle a magl e's lsn s very dfeen f he whle t gvabe ba s he pen becuse s re is to ag nsny oto gv to omtg in sh du. dr f he ui·

v mut tfo b on wh he lude o ato a d t pla So h a e we nd orlv ofotd t a dun or duato may onlde h t xt om a ol s agg ad op om Delue 986 9 quotgBgo Mar and Mmoy)

hs s spe hen whch hns he cul wrld n whh we nd n-gble epess f where we re v sensn f he ncpelvr nene f he pen whle f hs wrld f veen

Wh s funden s hw we ccess hs sensn hw we e pprehend he resnnces f hs spec f he wrld hw we rvesend ke ngble/vsbe specs f he rel vrul wrld nen

he re ctul wrld n whch we re plced. s hee h he ay fregserng he wrld n dfferen wys hrgh nd n prcr henepul ppus ndewrng he eperenn he r fKee ces n ts wn pdcng h qunessenly Delen spcebeween he vrt nd he cul wr. Te rs's r cs s hen rnsr n re he v nen nd pen nend ny My 200 wld h hs n ye nd s expessn unnes und n cy hrgh he rs's fs h cn reg-ser pssle experence creng wrls n new wys

f dto a bougt od to t pag tam of magad p T of dto natu ad lf bag ad

padg aay all oma wh t oo of t t Fom t oot ta lo he rs lo toug m lo to y ad . . . do otg ot ta gat ad pa o at om to m fom d t v r ul he rasm . Kl 9

In hs nner Deleuzes enggeen wh r pees n he leve fgeerl cnepns n he wy h rees n perue nO herul bh n es hgh nd presenn Ths enggeen sllusred by eee's reen cne h fr Deleze exsed sa de f hgh prdued y ges of e spe nd veenhrg hs genel r hgh udng culsns sgsevens ata nd cnree ens ce e eferened jus s

9 Dlu Sp

Deeuze reference individual wrks (ls painings, nvels and paric-

Gnss trn Atr Pul l 95

ie (eleze and Gatari 99 19). Art here restres the inie



ular intensitie (iage ud, phrases) Ar, he preens deteri-able bu O deterined afec ha cas t bth the wrld anew and in r becing herwise wihin i i.

h k f a is bloc of non, h o comoun ofcs n ffc. Ppt are n g pt thy a dpdt f a sae f t h prienc he Afft a lg flg

afft hy g byd th stn f th a uderg hmSati ppt ad affecs are bng validit lies in lvead d ay ld Deleuze and Gata 1994 14

t is ipan te that it is jus a esi f ay ld artDeleuze is acuely aware ha in ur ties art is fte drained f it fllunicence fr epreig and regitering the wrld by the w dinan b ualy eclsive cpeing syes f repreentatin that fverbal sign ad visual represetatin bh f which ed t fctintwards idelgical end In Klee we nd an ari wh reres ar hefllnes f it pteial

byhg t jutait f shape and h yta f ig i a ncer-

ain vbl atg a siuanuly pag ad ava pa advum tbk gaph ad gudsuveymap ad l. [Kl] p-du bh ym f pta h itavg f jut fabin ding vtud thi mm a and udtk t bud a Focal 998 199

Thi new space we here intiate as ianen pace b wha c-prise is diensin ad hw des this entirely ueplred errainfuish a dieren way f appraching he ti f life? (ee Deleze1988b 9 Agaben 999 1). Agai lees pasin fr his wrkherald hi as a witnes his discvered cry ha ianenlysurrund us:

At d t pdu at i vbl but akes is visile. arefgap at ay mak aba tmptig ad righy h mag-ay aat i b bud ad ha a faytal quality aut t a ate sae tm p itlf vy ply Th pu h gaph k t ga th imta attahd t th fmal lm ud i thgai a th m aduat th ppaa f ali-ti pati f vib ig K 19, Cv Confon; utd ath 2

Stretchig the fabric of our angible world, the universes evisaged in

art scater 'hemelve ino nebulae or difere ellar ysem, in accor-dance wih ualitative distaces ha are n lger the f space and

us Deleue and uatari 994 197) The wrld is eflded in each sul,which unflds thi r ha regin f i accrding he rder f space andte (whece he verall ary)

Deleze 995: 14) is ever a

cpletedwrld r is it an indierenly cld pen wrld f raw lti-liciy fr he acual wrld eis alngside he virtual wrld the wrldf ur particlar regin anifests and peaks t wider virual harnie

Thee harnies are hwever beer underd a a virta chassather ha as ually eclsive wrlds 'hence it is chas, ater all, nchas icnceivable, but chas cnceivabe as lgs Klee 1973 5)aly hi is lee grey pi which leap u f itelf and generates a elffring line b nly in rder t wrest sensain f bdiei rder fr a "cha a cpsiin f chaid senain hareder chas perceptible and ake psible a passage thrugh the nite the inie ge 003 7). n her wrds the artwrk presetsa leap fr chas t cpsitin ad fr the virual he acalaectig us in a way hat eable u regier he wrld anew (eeeleuze and uaari 199: 03) i herefre a real tha pes up

hewrld flding i wards that which we are nable represe iay fr nt just i wrds but a i paint and iage fr a repreenain is a static pssesin, a aery he wrld is capured de anddted which is n he Deleuzian wrld we are alking abut here) rKlee ar bh creae he wrld and aeds that hidde diensintha iewrld ha passage ad passig f the wrld which eistsbeside cuicati and within which resnance f is presece isrealiy strike he fabric f ur crret rdinary acualiy by recr-ring, uch resnances f the virual in he acua can ake up a rngerpresence i the rdinary a he wrld cnie unfld Awayshugh there is tha erabeing ha eceeds he eperiential diensinsfhe visible and in ding uspends bth afratin and egain by

aking appare he way the wrld is alway ewha beynd urere repreenainal uderstandings (ee eleze 199: 3) . hi ra-lae directly in a aifetatin f fuher key eeuzian ninsha pen the way fr he real f ar ener i he real f generalivg elee 99 14) tha f percepts and aec:

Affect and percept are thu the generic and mmanent elemens consttutive ofa lfe . life' i conruced on an immannt plane of cnstncytat know only relation between afects and percepts, and whose compo-sition, through he creaton of blocks of enations, take place n the ndef-t ad vtua m f th p v Smh 8: x

6 Deee and Space

Th p vn' s h frm nd whih h phnmnga r sn

Geness Etenal Afte Paul lee 97

i is n pssl rgisr l aln rrd i all hs h spa



sanal dam s dd in a s, ng nh f h suj nr h h suj ng h an ha is rurd mak sns fh sy wha is u ds nn wih hw h -gi maras f h wrd alrady as an aviy prp-n dsrmnain and dirnain' (D 993 9 n hsnsan f h innsy lu n paing (aff and n h p-

vav llsrain f pssl frm and s (pp r ds arakn h inrwrld as af and prp a gh us as l glimmings n h dak

dphs f a vas nnuum f nar f whh ur

dis ar jus a par (lu 995 Lf is hus nfldd and unddwhn ur dis n pariular hr y h nfrnan wh h par-ular affs ha ar dlivd us in ar and frm whih w ardlivrd n hs sns s rain h gnsis lw h srfa f awk (Kl qd n Pash 2003 20 hus lu nds n ar hng f ming a sns f xprmnain ha s plilyishan and n a all phnmnlgial r psyhanalyi Ar lkphilsphy has h apa nw slf nnay aus f is

(ungrunding in a maphysis f im as h ng f Bmng s n-nuay rassd hrugh rnal rn (Rdwk 200 7 Inh wrds ar aans a sial sa ynd h prsna and hranal f h nw spa i prsns in af s fdimnsnal andwvn u f ras and mings (Dz 99 6 T xplainin mr da: a panng s an aangmn n a sura pnngwards his h his u dmnsin h surfa shmmrs wihhr manings nlinng hgh flw h wll h wspsh nn-ss ha m and ris m h sufa rah han pull hugh dwnnah h surfa wards h dphs f fundans knwldg andmr dal npins Thus w d n ask Wha ds h nnf h panng man' u ahr nfrn h pn pahway lading u

f h panngs fm, askng nsad Wha d hs rajrs f rg-israin shw whr d hy ak us ajris a al n ha hyar h pahs ha w ak nx in srping ur invialy nwards livs:g his way g ha way hink his hink ha Wha dd jus hink s gn N wrry, hs s naural fr n nly ds h painingxhi hs rajris hs plas passag als frvsshngs frgng H hn, panigs ar als a mings has imaginay sngulariis pssiity and als as h nssanyngng prss whry disrniilty and mmry rak dwn Thsmngs lik silk wvn i h a a lh la hs ra-swih a vial imag nvrid in h atua. muh s gng n ha

wn ar and philsphy s au rain s y anhr prvain nk whin a and phlsphy ah n h wn dmanpn up h wrd wads h dffrn pning us p wards h wayh Dan wrd s

S wh ar w W a n laal sinw a spad u y hsrsnans h unhgh and h nsn vs ha a maks an-

gil Bu gh a's nv rgsrans and h afs ha snaupn s, w an gan an aliy s, vn f his s an nvirnmn whwhih hr a nw nly han rlains f mpy and disnndanyspawhavrs rplaing uald spa (lu 9 9 7. Thvisin h is lik ha f rsias: wha sph urs is als h invsha sigh ss nly hrugh larvyan and wha sigh ss is h unural rd in sph (lu 99 260 Unphnmnal ralmaginal u inassil al lv r aslu dsr xnsvwih h whl h va frm whih ras islf u addng h vual as ars away (D 99: 25

n s nssaily grwng wrd s n ngh xplr spa, as

ggraphrshav radinay n wn d Rahr i s nssary plr h dinsns ha mak spa pssi xprimn whilspshing knwldg s nnsnsal limis shing hugh hun f s mng wrld, rang rgsrs y whh w rinauslvs as a difrn ppl and mak h wld anw ssa mad p f np afcs r prps, and h dffrn pplha rs ar n rvunais hy ar y and ha n m hapausd in frn Kls Sh Cis W ay (n ash 003 60

Wa conue h uny ofa wok? Wha mae u nia' wiha wok? Wha nsis h uny of ar if ee uch a h? W haveven u eekin a uniy ha would nify pas, a whole ha would oale he ragmns Fo i is h harar ad nau f he a o fa-me ecude he Loo h as lgial ity ad a oanc oalty. Buee here mus be a niy ha he uny o vey mullcty awole ha he whole J hee famen a One and a Wole hawould no be he ncle bu on he conay, he eec of he mlc-y and of dconneced a One and Whole ha would ucon aefec effec o machne nead of a ncle eleuze 00: 16

h inal difrn f li sl dvlps n divrgn dirins and s hrgh hs dvrgn r disassainsfislf ha virualims ralis islf wing rgsn's hgh n rprahg hadinal and andn philsphia npualsans ng,luz prsns w asps ng h virtual and h atual T

98 Dlz Sp

nfoldn of h vrl n h cl n ohr word vrly rlnlf h f d ff l l f h

Gni Etal' Aft Pa Kl 99

world Dluz 1 11) h rc h clncl powr of o vwh ld f h l



lf h proc of dffrnon or Dluz lo rf o hproc of culon.4

h rlonhp bwn h vrul nd h cl oppo hchnry of houh producd hrouh h rprnonl blf n hrlonhp bwn h pobl nd h r Dluz u h pobl-rl hb of rprnon hnkn o k pprn h nw drc

on n houh d vbl hroh h vrulcul conncon bydln h h rncndnl r of ch coupl rl povly,o h nn r n h oppo coup rd 3 vrlpon follow r h vrul o b dnuhd fro h poblh pobl no rl opr funcon of n dl ch hh rl th whch rbl nd no h whch h pobldl n h n h pobl opr n brcon nd l-on bcu concpuy folow h hr wll lwy bpobl h do no p no h rl h no o y h h pobl concp do no hv n cl nc; cn b cul nh cn hv ffc n oppoon o h h vrul rl whou

bn cul dl who bn brc' Dlz qon rouforul 188c 6)Th vr pr of h objc of houh whrby vry objc

doubl whou bn h c h h wo hlv rb onnohr Dlz 14 4) Thrfor h objc of houh h boh vrul nd n cul d or Bdou h objc n nry rlcru On of h n drn wh h phloophyconrDluz' h Bdou prn n Clo of B, h Bdou who ru h h vrul nd c r cobnd o bohqul lcru of unvrl On no Dluz y 4 6776))o bn fuly cu h obc cn only b plyd ou n n nnhory of dobl; n ohr word pobl o hnk of pln of

nnc whn xpcy hnkn hrouh nconr wh h concr prcl rl h ncounr cully occur bu ony ohn chvd cld) hroh duron nn) hrlonhp wh dron h n h nn vrly of llhn h crucl pon h h nn rlon of h objc rncndnl quly f yo lk no locd byond culyrhr cod u of ul h rnndnllty for Dlz h whch byond h hun bu h byond'do no dno h rncndn bc ll pc. Dluzph n nohr wy n ofh Od hn or dnhn ny l wold Bu t lo ohn clo hn ny r

h world fo wo prpcv onc h prlc ovnof h oud whch rv o drfy xd nd bl dn ndproduc hrouh dobln proc nw pobl for n nnr ndor crv xnc AnllPron 1 84)

n ny wy Duz' phloophcl journy hrouh Bron ou h ffc of hnkn n wo pln of houh onc you hv

o hnk n two dyrcl j on of whch k ll h prnp on wh h ohr prrv ll h p' Duz 8 81) whr h prrvon of ll h p h vru Th h Opnwhol' h rncndnl pr of Dluz' rncndnl prcwhr h prn pn on h rl of h prc lo hhclprccl ovon or dr of Dz ploophy hncourn of h cron of nw vl nd n n h fr-v conon of lf nd hun xnc Hydn 8 6)

whol chvd lk l locld brhrok no l nrl vrnhn Dlz 16) ju ood pcur ncopl nl h l bruh rok' 164 3) n unrolvd

h pnn xhb ll h ln of yoco h dono x nn n of crn wy of coprhndn hworld rou quod n Dlz 16) hu yl do no do no rc xpln xl Dluz 16)yl nfold h world foldn no wh o: h cronlv n bnh h vbl urfc of h work A nllnopl ftr h fc b only h crv bfor h fcn h fur' 68 38) And hu whvr h yl of hnn nvr copd hr ju op bn pnd hjourny do no nd Bu h no o y h do no hv nn; ju lo ffc Slry n lnu oo hr h rk of flln ln nd nontyl cn ly co o rbl ll h rd-

r of n ll oo flr yl Th pon t kp ovnh crn. h on on op dffrnc rk bcon n-crv c non) Bn' br 13) n pnn onc hprculr pnn op bn pnd h Rprnon woopn nd ttp o nn rly n our nd Wh f l hdoppd fw n rlr or n hor lr W could o on pcl-n bu yo cn rlly op wh Dlz

Reaig does not csit n concludin from the idea of a precedi condi-tio e dea of he flln don b gran he eff o en-den b hh he flln condto telf ene f he eedi bmeans of a natual force. (Deleuze 1993: 72)

1 00 Deeze and Space

Nor with Kle:

'Genesis Eternal; Afer Paul Klee 0

ad te orei is eveywhere an ecoute ca even brn he oreigo t o onesel e oegn enco ners n Klee's life ae ease o der



A ed oe sould allow to row, ke the aal process as te resul oform·deter acvies ere t i is the act o o athe taorm itself for the process o ro, as eesis, raer tha as e lti-mate appeaace. ee 1973 43

What is eected is a explicaive stye wherei i our idividua

monadic orm, we can oly ever be appretices to, rather tha knowerso this becomi word It is eplicative i hat i produces tw eects:rst o a parta ojct ere the artwork as tat wic is a tanible oectaccessible i a sesoral way and secod of resonance ad orced movemets wherei there is a miimum o objective descriptio and associa-ive suestio he material coditos of te atwok incarate teartistc spiritual condition that speaks of that immaet harmoiouswhole or at east a small ego o i (see Deleuze 2000: 6, hus thedimesio that is he Deleuzia space we talk o here is a uniy ad totaity establised only or itse witou unifyig or totaLisin objecs osubects' a dimension i e witout coo measure wit te dmen-

sio tey occupy in space (eleuze2000 169).

I embraci his seseo space he eoraphy we evisae is oe ta adds more sprit o thesee maki secret visons visible' (Klee 1966: 51

Foregn terrioralisatoDs: enounerig te poitc within6

Wha knd of space are we yn to map or, wa are we akng aouwhe we alk aout space n a Deleuzia maner ad furer, wha idof space do we poduce i tat mappn? n formulatng hese questios,we are unoldn te world, creaig a poblem abet one at is presenwih us every day i tat it makes up te world Oe thig is sure witheeuze It is ta we are cotnually made aware o the beauty ad dreadof a icessatly ope and becomng word eautifu because it s ar-mative o te ooin potetial to create possible worlds aew ull odread because othin is certai and he created world miht solicituhappy ecouters e edge o this ear is a place wee you ae ntouch wit te raw eery of the word, o yousel as part o that wordunoldin Syoymous with his is a encouter with he ufamiarhe beauty and dread o the ew is available n every ecoue but ite uamiliar you uard is up, and you are more aware o you capacites (may or few) for neotiaig ways o wit the siuato wthiwhch you d youself Of corse, it is wellkow tat Deleuze dd noave far ut s s ot o say ha e d ot avel, for te uama

out o onesel e oegn encouners n Klee's life ae ease o uderstad as oc i taditonal noios of ravel er, Muich, Rome,usia Weima Dussedor Eypt cao ut from hem we canexact, he restaion of is paitns, tose eveywere' syacical operatios o oreiess out o wc we ae scrped

I convesatio wit georapy Deleuze's travelooy much e

Kakas impar of owede as opposed to te mporti o(ari)act is ot oe ta chars places Rate i presets orei encou-ters7 his is knowledge i a mior key, ad as Deleuze ad Guaariackowledge, this is eperimetaio without iterpreato or sni-cance resting istead ony o ests o eperiece' (Deleuze ad Guatai1986: 7 Foeigess subects us; it makes subjects out o us through eway in wic we couteractualise te encouters that we have with heother, the srange, the unique ad the elsewere ad ot kow thisspace we eperiece witout inerpretig, thus we experiment, moudigwhat we do kow with what is hiterto uknow to us We experimetwith experience with acualiy, acualising tus he eve ew There arespaces ad times wc coextualise ts process ad allow it to takeplace, but Deeuze urns eithe to istory o geograpy to epla teimpact o suc appenins (say Kee's ecoute wit usa) raher eaways urges us tou posopy o go eyond wat happeed oextract ad create ou o te municece o a1 tat coud ave ee whatca be Wst we live i e acual word we aso ave oe oot eviual; hus we ca tave whout movi Hstoy is' experetation i's ony he set of codtios, egaive codtos amost, tatmake i possible to eperience, experment wit, somet eyondhistory (E)xpeimetato sel is philosopica rathe tha istor-cal (Deleuze 995: 16).

Experimetaio ad travel lead one o he oher for eleuze, experi�

mentig in tought resuts i travel whie for Klee travelling subse-uently leads m to experiment i pait wit te resh sensatiosecouteed thereby Both practices are sujected trou teir odies.hrough hat subecthood they grapple wit te creatio of ew exprs-sios of the world out o wch te word ca te be made to beWhether it s troug philosopy creatng ew coceptual conectosit te world or through ar presei new orms by which to comprehed te world, boh cas te world n a ew t hus, subjec-caio was't or oucault a teoreical reu to te subject but apractica searc oranoer way oflife, a ew stye (Deleuze 199: 06)e of te fs o eleuze's wor comes om he sese hat he ab

1 0 Dluz ad Sac

to rave ths way s nOt natal to us ether n the sese of OU tmes(the pot made earer elato to the cotemoaey of Dee zes

tal' Aft Pa Kl 103

addressg s drecy o he stat of creaton ad becomg Life s tot d t f hi h th b d d



(the pot made earer elato to the cotemoaey of Deezeshogh o the sese that heretly we 3e ot aU aay reisosed to tavellig (see Deeue a Guaa he abl o searchractically for ifferet oeigs the fabic of he worl emerges ouof dspositios (of materials, places, boies, sbjects, evets) which wethe augmet fuher nvestgatons 'That s o somethg yo do

yo head bt he whee, hese ays, are the seeds of a ew way ofexsg commuay or dvally, begnig to aear; a are thereay of hese seeds i� me? (Deleue 1: 106 acg out the seeds ofotea that we ca mafest i our sglar ufodg from wh aeve of a ecouter s a obsce art but lees may day ad ote·book extracts sch developments ae dscernble

I am now trng to render lght spl as ufolig energ And when Ihandle eerg in black on a whte suface ought to hit the mark agan rall to mind the entirel reasonable black made b light on photograhi negates Moreove, the lesser thing is alwas made seial ote of so one ima-ges the situaon of ingling ou a few highight o a white urfae b

means of lnes To heap u a ntod qunty of energy lne beaue ofthese few hghlgts That would be the real negate! Kee 19

Sch abstracos ehbte here are nether ace or ae (Q oureisece fo they are a irisc albe pehas obscure pa of hedramatrgy of the eal Sometimes he smple beay ad shr e ofthe pai, seemgy comg from owhere familiar, epcaes fromwh or sesbites a bef ctcg hod of, sse wh o cae ofsomethg fast becomg ow an here amlar a volvg. Justbecase we neve say what we see and never see wha we say justbecase of ths s t real the vtal n the actua always moe tha whas possbe; ad for a bref momet we ow t: 'The vsbe bsts ot

betwee wo thgs Itetoaty gves way to a whoe theate; aedess terlay betwee the vsble ad t trab Kl 168:108

n ths ght, Kees atgs are eemars, estg as eamles thatcovey o so mch essos to ode as bref efecs whose force fadesalmost at oce (Foucaut 000: 17 Ad yet te force affected us adstetched or coceto of the worl t s the lie otside that socts athig, a thoughtapprehesion, that 'oent ome fom withn, btnor s somethg that happs in theeernawor comes from hsutse ad eus to it, it amos conong it (Deeue We ae betwee wols, folg the ine betwee eath ad fe,

stong and t s foreg his sese: hee s somethg beod andoutsde what we are caable of wthstadg the spae gven orcrret caacies

Wateve oud ae apeed for thgs to hae come to this? HeFzgerad] s te on one who ha been ale to carr this qeston to uha pont of ntensty . thik of t a an affar of erepton ou enter aroom and pereive omething a aeady here as jst havig hapeed,ee thogh t has not et bee done r ou know hat what is in theproess of happenng s apenig for the last time, it alread oer wth(Deleze and uatari 19: 1

The sace that Deee deals wth most and o whch he tavels, stherefore an mmanent oe mmaet i terms of the test of theaffect of being ths sace Beg mmaet, t s a space that s 'actual·sed at every momet i terms of the whoe of ones "aectons (wchare nonetheless n constant varato (Smth 00 6 hils mmaetthe thkng of ths sace s thoroghy groded beg mmaety relation to the actual eah ad ot cotget n that t s aey

bod wth he particua tertory that aects the thought that acs asa actuasato of the vrta mmaece (see Deee ad Guata 8. milarly, the comoso of a Kee ating presses the otside ofthis mmae word ad this romy the esug aecs evea to sthe potential of he inagbe effes of he viua word po the acahs s ot he, to tal abou the wo-dmesioa ad repesetatoaspace of the pantng tself but of the mmae space that the affethoght saces out i eato to the immaece of aU hat s currey ossble 'he eath s Ot oe eeme amog others but rather brngtogeher a te eemets wth a sgle embrace while usng one oranothe of them to deterrtoraliseterrto (elee and Guattar 1:

8

Diaoguing th Natue the ee of intint

he artt canot do wthout his dialogue wth natre, for he a man,hmenaure a pee of nature and wth the pae ofatre lee 19quoted n Klee 197 )

Its cear that the politcs solcit by Delezes thogt s a ca to atendto e ets roduced by hiosophy omotg the ceation of ewcies ad stcs ta open or soca les to te amatveconstion of the wod (Harso, Pile ad hri 4 here s an

1 0 ele n Spe

obou nt or h nturl word wthn Dlu wor, rng ouo Dluz trncndntl mrct concrn or th mmdt mm

Geness tern After Pul Klee 10

gnou but htrognou on communctng nd drntng wthothr uch mlu h communcton th rhhm th ln o ght



o Dluz trncndntl mrct concrn or th mmdt mm-nnc o th nrgtc dnmm o th bcomng world rn thoughtconjon wh h drt o th ntur world nd t rl condton omnnt drnc t multlc, dt nd contnuoubcomng ( Dluz 10: 26 W r mmrd n word ontur, nd l undrtood tht whn h ok o th ntur ong

omthng tht tk hold n both th mntl conttuton o h worknd t hcl uon K grld wh h mtrl'r lurd m ontO th whch dd not g wth th ml btrcton o th t uccul wor connd h grm o urthwok, whch, or th tm bng, wr nOt t whn th rlm o hcrtl obl Kl 68 7

Th grmnton not onl o th work but o th word, u ourlntur c o nur nd wthn th c o ntur, mr wthuz nozt ton nd h EcurnLucrtn ntulm(uz 1: 2667 Hr rthng h cn b d bout thworld rd down to ntur mlt nt, th tom: 'tht whch

mut b thought, nd tht whch cn on b thought D lu 0:268 othng cn b mor tol thn th root concton, nd thunthr tom nor th world orm totlt thr um nnt hr no drcton uch to th word nc th bc rton undwrtngt t unold th cinamn ontnou undcbl dtonA rult th wold tom mo n unu dcton n mnmum o contnuou tm (uz 10: 26 It bng uz,th mrcm connctd drctl to though wth th mnmum ocontnuou tm rrrng to th rhnon o hought 'h tommo wtl hought (Dluz 0: 26 om th tncth mntton o th wold nthr contngn nor ndmntbu rhr ungnbl o wht t mn n t ntur 'th rdu-

cb lult o cu or cul r nd th moblt o brng-ng cu togthr nto who (Dluz 1: 270 Imlctl w rclld on to rotct th drt o ntur nOt onl n trm o conr-on but n tm o rmntton n othr word o b on to thnw orm th cn b mnd n th nt um o th dr

ht h wdr cur But wh h hnd o th t th rmomnt o concton grd nd th rhnon o thought lmot tngbl, rt nd mtrl bcom oghrn th roductonoth nw work, n th contructon o nw rt At lhr co-moon, or out of h mng cho of rducbl llt com mlu, rhthm; th mrg boc of cm tht nO homo

othr uch mlu h communcton th rhhm th ln o ghtthough t cho rom on mlu o th n. h rnt wthnntg (coour ncountrng n, ohr bloc o colo or othln o comoon, nd co ntr nr counctngwth th r l or wth th tl o othr nr um:

r br n othr wor, block o ctm cotutd

b th rodc rtto o th coonnt Tu th ln tn nror lu o mtr, n tror of coon lnt ndcood btnc n tr of brn nd lm ndnnnd l o r orc n ctocton h mlur on to cho, whch hrt th o huton or tron hth th mlu nwr to cho Wht co d rthm h coon th nbn b two l, rhtco or coo luzd ttr 1988 13)

uch rhhm r otnl rn o th tu, n th th bcom w o rgng nd drtndng th wold h rrn trtol nd bcom r ( luz nd ur 88: 311.

Trto not md u out o nd but tll mcl trrtor non-thl or th mrg out o rhnonthought crtd out ontur rmt lu W h to on rmndng orl thtwh uz nd c w r mng bcomng world bcomng ntm t d, orm, nd hunt, nd bomng n c ourmondc rct tnou brt wth tht o ohr

I cot b rd n t hr d nowor I l wl wt th ddA w th ubonowh clor o th hf rto thn t fr fro clo noh

ul th (rtc 8

onluding o th Evnt 'h i a hitio tonight

h mo orn nt c or, whr th d r nto onloor or wor tl, or (l 99 160)

Dluzn c not bo nd bod nor t nd or outd btrthr lrrntl n t tm n nt h th c tht thcrton o conct dr unto contnt nd bolt t rgmnt crt nd lt nnt n t ur nd d but nt

06 Deeze a Space

in the movement that races that which comes ito vew see Deleuze anduattai 4: ) t is appaent art n ts pure sate o colours,

Geei Etea Afte a Klee 107

ntil the ast bush stroke (Klee 4: 3) perhaps, it wod be beter talk about what I want to do net (Deeue : 37) Geness eteal!



uattai 4: ) t is appaent art n ts pure sate o colours,nes songs. Heren at mmanenly spaces that interwold between theva and the acual, coniualy maing e word 'olandsh n away hat dsaccommodaes he subject in its ongoing emission and pro-dction o sgns incding spders webs and wol racs; d Deeze andGuaar 88 he wold that Delezian space speaks o s hereoe

one where we nd ourselves in mutua immanence to lie (Deleuze wherein thee is somehing that eists between a subect and anobject somehing

ncorporeal, sometg inheen within eveyhing

sch tha everyhing is a vtue o the same substance The evens, cap·tued in ar by way o its derent egiste people this immanence andcan be seen to be the eects o the interactions o bodies (organc or nonorgaic) as combinatons o action passion and circmstance hat haveno 'origin in the consciousness o the knowing sbect Hayden 15:) The encounter with art takes us ward by sing the spaces andspacings it opens p to construct a new vocabulary or presenting thawhich canno presenly be said is grammar connects us to the mma-nence o or organic mater, to the immanence in the eect o mateialspaces to our immateial sense o them, and to a syntacical appecationthat the paricular s immanent o a more geneal natre The eaion oDeleuze and space s hereore one hat adds to the copus o spataltheoy hough he way tha addesses an immanen and becomngwold It maps a word o evens not paces and in this:

t s almos a question of fath Ethr o sid wth deconstructon theee as always already onsttd dtrmd by the scene o e eenO yo gt a lttle more rlgo: h vnt as somethin enuiely xptd ortantly, ths nd Ot ivolv a transcendet aestheti atthr ma be a way o rongr the event as t o hs wold,as o arrvg ro ay tascndet plae but as emergng from th real

o the t n th realm o e itual art � art k � is no loner anobjet as such, or o only an ojct, ut rather a space a on, or watAlain Badiou mght all an evet sit' a pont o eie wher i s possiblethat soehing, nally might happe' At ay rate art a plae where onemht encounter the afft llvan 201: 17

t is o course up to you what space you creae and wheher you beievein this particular world o immanent spatiality Ad t is, o course ps·sible to map ou many dfferent spatialtes withn the work o Deleuze, orhe many concepual personae he addresses r ino each aother and getmxed up so tha the theory he oers s always ncomplete at the edges,compee only when you Stop readi A good pcture seems incompee

about what I want to do net (Deeue : 37) Geness ete al!

RfrsAamben G (1999), onii Saod Staord Uiverst esnsllPearson K. 999,Gmina i h Dinc nd Rptition o Dlz

odo: Rolede.

8ado, A (2000 D/z h lmo o ing, tas Brcill Mnneaois:iversiy o Minnesota PessBoue R 1996) Glls Dleu T Aestetics o orce' P aon ed

lz Citicl Rd od: Blackwel blishrs, 257-69Boue, R (003 Dlz on Mic ining nd h Lndon: RoutedeCran, M and N J hi (eds hinking pc odon: RoutledeDeleze G (1986), Cinm : h Movmn mg, trans H omliso and 8

abberam, ondo: e Athlone PessDleuze, G 1988), pino cticl hiloophy tans R urley, a Francisco:

City ihts BooksDeeuze, G (1988 ct trans S Hand, ondo: The Atlone PressDeleze, G 988), gonim tans ominso and B abberam, New

ok: one BooksDelee G (1989), Cinm h im-mg trans H Tomlison and R Galea

don: e Ahlone ess.

Dlee G 99 h ogic o n tas M ester with C. ale, London:e Aoe Press�le G 199 mpiicim nd bciviy n y on Hm' hoy o

Hmn Nt as C. Boas ew ork: lmia vesit ess.eze, G. (1993), h old ibni nd th oq tas T oey do:

e Atlone Pessele, G. 994,Dinc nd Rptition trans P Paon, ndon: Te Atloe

Press.eeu, G. 199), Ngottion 7-90 tas M. oi, ew York:

Colmia Uiversi PressDeleze, G (197 mmanene A Lie hoy l nd octy 142): 7.Deleuze G 1998 Ciicl nd lnicl tans O W Smth London: Veroeleue G. 000), o nd ign rans R owad Lodon: he Athlone ess.Dlee, G. 2001 mmnnc tras J Rajchma, New York Zone Books.Delee G 00), Dt Ilnd nd Oh , trans M aormina, Bookyn:

emoex(e)Deleue, G. and Guaai, (1986), K owd Mino i trans D

Polan, Mnneaols: Uversity o Mnesota Pesseeuze, G and Guattar, (1 98 8) hond l pitim nd

chizophni, tras B Massumi Londo: e Ahoe PressDelee G and Gattar 199 h i hilooph?, ans onson and

G Buchell London Veso.Fouault, M 199 8, Michl Fcl hic Mhod nd pitmology

nil o o ocl 5 Volm 2 tras R Hurley aI, NewYok: he New Pess

oucaut, M (000) Michl Fol ow nil Flt9 Volm , tans R Huley et aI, e k: e N ess.

ard M 199 GiU Dz n ppntichip in hiloophy odonUvesity College Lndo Pres.



1 1 0 Deleuze a Space

ut ci ctrtn nd n idividu riht n fc h mttccrn h rnitin n nti ppuin f th purp indi-

Aer Ioai Striato 1

t htric mmn nd ymic cmi, which t pit which w wi ccud Th iu f rjci' r vn f th rpc-



ppu pu p vdui dntici Scit tnd t ditnui bwn prvcynd rtn y mpr f th ni dcur urvinc ci iu in th cicin d mnmnt f rup nd pp-tin witn rk city (yn 2 Wthin thi ndcy w w tk up t cncptu tm f tritin nd mtn

v cic cncpt fr n ivitn f phnmnn cdnfrmtic tritin nd it rmt Sciit ik Wiim Brd( 6 hv dy ud uz nd Gutri wrk th cn-cpt nrich inhrid citrtic n f trtctin, p-ciy twrd h cmpxictin f mntriti.

nrmtic trii i cncpt ht idnti cmp cmmunic-ti btw tw kid f pc mth d ritd (Du ndGuttri 1 7) Gry, w wt t dcrib th u f infrmtcmn (dminitrtiv cdi) th trnti f mth cuturprctic cnidrd miuuy htrnu r nnfrm' int frmy rnd, mnb cctin f dtict yt hmnuy

cdd dt Our wrkin yph tt t rmnt mh

n in nuit cutur tt r n rn t burucrt cuuc ndundry dmnitrtr Atuh hi hypthi rmi prbmic nmy t di w wi dmnrt bw, it i n mpt tm n iiny mt thn n frt nd tri pi t cnduty pn t cndii t which th dic numr ym ndrd drwn t Acc rm th prpctv ri cifyin nd rdin nin buuccy pdd. Stritn cp-tur hruh t mpitin f criri dicrmt whr rtdpc my b mthd v r divd' by t dicntinutn crtn cdn r by th rintrductin mt mnt ritn cn-tinmnt r vdin crtin ubditin Wht w nrducn

th dicun f th mthtitd rtin i n ifrmic mdf ci rtin it prtin t ui pinc nd mr ny tirt tin princ in nd. h mthtritd pir i mb nd thi mk i ttrctiv fr ur purp. h hitry f dicnumbr nd thir pcmnt by nthr nmn ym udd tbv (rjct Surnm) in dditin t th ppctiv cntmp-rry rdpymt f d utffciu ytm i cnmprrynut ppur cutur, cntd n quit ivv p twn mx-u i nd unx mth nd ttd ifrmtic tin.

udnt f cuu wi fmir wt uti rnictin h uncn in w ctxt t t nd f in cud frm di

j pmnt trtn vrnmnt pctic nt d nt chfr nu int h rpprnc d myid u f dic numbr ndh dic hmv thuh h bn d y m f dityinvvd in it juictin innc ntm c rchr,Jhn cDnd irctr f t ik Rrch ntr, h min

indt A m prctc mpymnt dic num rcnty cmt my ni h' mn in k w wy u h Enumbr cmbitin ck nd v h bnkin cc crdbcu . it' th y numbr h rmmbr hi if' (Ai 11 h qutin hr ccrn n ny th ntin ffct ftriti but whthr vrydy dpymn f thm ftr t if fth dic numbr prrmm r in fct mthn nd, if , d thhv y ubvriv (withut vr ufcin t v u', Duznd Guttri mind thir rdr (17 5 rthr thn impdptiv dimnin

h cntx t tnfrmtin f titd t mt cpit icntr t th ny f uz nd Gutti (7 2 nd i thyput it, th nti thin Th inictn f trin k th dicnumbr in pcic' mthd pc f nrtn nd cntr mh cpii pc, m n h n hnd m pnt cnd-i th invibiy h cncuin ru dic numbr r hct f t pm my prtcpt in t nw nwrd inw trnvr w r mh. Yt th nrin qutn cncr th ncity d ucrtiny (Duz nd Guti 7: 3f uch p Ad in u c, th ri dic umbr in uch mh pc f cmpur itd mditn ut ht n muf burucrtic tritin cud ctn th mth mnt f nuitcutur tht uviv nd, in fc, cunt th rnmi rim f d by

rinvtin r rmtinA itrductry quictin, w rmin fcintd by th

mp th uz nd Gutti mutin f mt i ndmd nd kim ic pc drwn frm cuur thrpidmund rpntr (Gnk ). r u wht i iu pc thn t cuur prctic in rtin t tritin ndmthin pnrd by fd nd trrtri vnmn (d ci int pn curity nd ym curiy n cmmrci tnc-tin) dymc ctriu mvmt frm cnt t piphry nycinty mhd t r nd n th w f t nfrtincnmy ccuin n m d nnymu ym f victin,

2 Delez. Spe

and paray reloaed n creave produtos (onversely, uder whhoditons they afe no eoatabe).

After Iformt Sttio 1 1 3

uraors are pehaps most amlar wth dsc numbes sne they workwth hem every day Most museum and gaery olletons hold sulp



The debts o Deeuze ad Guatar [ Carpenter, whle no oungamong her 'models (ehnologa, musa, matime mahematal,physal, aestheti are suen to ask aer, amog the many anthropologica soure maeas in A hua s, sne they help gve deiton o nomad hought Unlke Chstopher Mler (2 1

who reads he anthopoloa soe materals o nomad thought as'oegn o nomadolog itsel whle skippng over he materal borrowed om Carpnter we wat to reast the ssue o Eskmo spae(Deleuze and Guattar 987 494) (the use o this term skmo alreadysgnals aeptae o a depreiatory abe used by outsders, nludngahropologss, and seems que perod-bound! Ths s nOt to rseether Carpeters McLuhana enthusasms or so-alled skmoRealtes (hs prase o gea doumentary mmaker obert Flaherty,detor o aok f th Norh 922) rekdles a kind o prootypcal a o nematic prmtvsm oble, happy subjes n an ehographally thi drama set n the nematograph pesent or hsomissions (such as ds umbers despte an aute senstvty to the nauhentiit o govenmenta poles ad the eets o he welae staeespeally he inluence o James Houston ad sundy aeshe missonaes noaby Jak Molsons Canada Guld o Cras and theudsons Bay Company n he bokerig o ashess exhanges o goodsor arvgs and in he production o souvenr ar Capee9792 Indeed, Carpenters ole as oundg edo o what woudbeome Mcuhans amous joal o he 195, Exporio he nansalmet o the orignal seres o whh 959) eatured a speal issueskmo, by Carpener, Faher and rederk Varey makes lear hathe desve nuece o MLuhan on Carpeners vson o skmosocey s mplosve, an dvdual, audtory-tate hapcclose non

optal, nolnear, on-nomal n short, smooth Deeuze anduattars (19 7: 74 28 heavly ellpssed uotao rom Carpeteruns together paragraphs rom pages 2 and 2 o oetato ad gloosreatig an ntrated aggregate words perhaps adequate toCarpetes 97 78 desrptos o skmo language as cossng ondependent tght onglomerates, lke twsted kos A language o eltWe are not prepared simply to dsard these eamps o poetc anthropology o hey all settle o the same pont tha here s somehngsmooh abou nut e tha keeps ssug halenges o he sel-apponedbestowers o names and umber uhrs awa ad esewhere

ne o he oddties o nt a anada s ha art histoans ad

tues and prts 'sgned wth ds umbes oe but ot always i leuonames The complaon o a gven nu atiss bography s a ompleaar involvg up o s dierent names ommonly ow name; svarous speigs a surame one o he above is not such; ickamebaptismal name and ds umber Roh 1974 20 Names, then, mul

ply ad breaurats lose the beags r was aresed by the decsive stiato o the ds number but no even t ould hold the ncpentsmoohess that would esape rom t So the bureaurats asked aga:how do we ontain Iut names the le spaes on ou oms and documents? By 1970 a new plan o atak called Project Surname wasunched hs was a sponsored (Norhwest ertores Commssoneresuslke, seldetcao projet whih Iu ould hoose surnames even though hey had not used hem beore; they ould aso haverst names as long as these 'ould be wtte n oman Srpt or glshleters. 199: 24) like the souther eaders or shoolhldretroduced nto the goverment shools or Inui the 190 (iubaldo19 1 Fst and ast ames are odered in the standard lastnamerst-st-ameast route and semologally subjeted by Imperal language, lkig the equemet o he ormllabe esponse to aohernatoal projct the issuing o Soa nsuane mbers to a izensinludng Inut, who wee o yet nluded when the progamme wasntrodued n 1964, but who would be ssued the spngboard o daaveace that s the Caadan SI

he ssue o ontempoay skmo spae poses a problem o how ostudy is ormac stration and (resmoothing and, despe severe crtcsms remas eevant or eampe, i many ar northern commutessuh as he aoemetoed 19look at one tme houses had o streenumbers: 'e oupes wthou ountg to reous a musal eample

rom eleuze and Guattar 19 : 477). hs s qute ommon n smallcommunties rural and emote Canada (hat s, what we all unorgansed muncpaltes Wha happes when populaos dvers ad growand new servces appear suh as tax cabs and other devery vehcleshen, one ounts order to ocupy, you wll, so tha delveres canbe made. Whh umberg system s used I some staes t snt asystem at all but a mater o persona hoe Some houses n gloolkbear the ds numbes o ther inhabtants (MaDonald and Brx 200)Ths s a good eample o meldng smooh and sriated, o an mpeermre a Bowa address he halege here s o asp heone o he example n whih egister s i o be undersood: parody o·

1 1 eleze a Spae

sr numbrs? Prbably W will urn his baus undrsandng n is ky wha signiain mmunias

Afte fati Siato 5

nams, n mnn ha hr uld b a difrn sping and pnuniain sam nam in ry lnia insiin prsn in

d d b d i i i i i l li



Administaive Cveniene as dnalist ilen

impsiin ds numbs smims rfrd misadngly anduninninally naly as E-nmbrs us wy will b asy appr

a shly), das m 1 s da n is , whihwas a nss yar in Canada. aina nsus aking urrd dinghis prd ry yars On h ypia mhdlgial hallngsfaing nsus saisians was h undrnumrain f Fis Nainsppls, as wl as inaurais in h in f prsna infrmainabu hm, ha skwd h al daa Midway bwn nssyars, hn, grnmn burauras in parmns f ndianAffairs and Naural Rsurs bgan iniia hangs ha wuldaddrss a aiy f isss arund idniain and numrain f rsains pps Th nd r his had bn dping hrughu h13s hrugh paalll and mplmnary dniary as f ul�al insripn (Marus 1 33 aid a In a rangd frm sandadisain f splng f nams adapd wi diulty fr nglispnnain (ab and bynd a missnary naming rgm insribdin bapsma ias a prdud rdundany in prliranghns and Mays) gpring, impsin suams, disussns apppria mdl r ds numbs sysms (ha s, mary dgags baing ndiida and n nmbrs, and a rang f ad isssdrin ward by h in rliab ial saisis as w as p�ing issus in wa was hn nwn as h rhws rriris I wash rspnsbiliy f h yal Canadian Mund li CMP) upda ss, w hrby mad hir prsn fl n lying mmuniis, and whih alwd hm dniy indiidas spay in

rdr pa hm undr ars (A 13 3. n a sns srainis prisly h prai f idnifying indiiduals fr h dual prpssf nabling and nsraining hm

his gnal siuain was xarbad in h as f nui baus fural naming pais in whh many prsns migh ry wll hah sam nam a gra hunr fr insan; al f hs baring hnam wd b nnd wi ansr and mbdy h s irnamsak a ndiin fr his/r rsing in pan hg n ry�n barng nam wuld a sam nimay wih dasd(Aa 99: ) fa ha Inui nams wr gndrlss and whusurnams and a many prsns had sam nam, n Crsian

n, dnd a a smnss basd n innsiis spiriual aliains a aggaad h sar abl mds sran Enanmas d mpraily ld a nam un a nw hman bhurd

O ins s in prsna nams I s asy appria h pis

f namng as ras pnymy, a las by nsdring ha h planwsi as qalui an Inkiu wrd maning pla f sh[ari har, had bn knwn sin la sixn nry asrbishr Bay aftr is s-ad disrr Marn Frbishr parmn f aural Rsurs has auhiy graphialNams f Canada sysm f ahrisan and assigns is wn imprimaur Uniqu Idnir ds ial nams ang frm h laninnh nry, h Canadian Nams ad is a sa apparaus fapr, a mahini nslamn fial ggraphy and atgaphyand i nslidas ndlnial assin f srgnty h rriry i apprprias n s nams nainng h nam qalui in braks n d maps bw Fbshr ay) bu als nails a siasbin f Inui an xir b (l and uaari 1767 ha is nring prsss f saisial sbtain Iddh prss f ndlnialisain, whi ns prsss f lasdminan nwad n agd grups a gn sas ppainwihin is nainal bundars, maks a sb lya bdn, apud) w is a par f an ind nial mahn (n w an spakf nainalimprial sbain). Rssan h impsiin xnal r indignus nams has gaind mmns grnd sin A srng xampl f shrn aadmi and Ini abrainwards rgaining pla nams is fund in h wrk f ggraphrudgr Mllr-Will n Nunaik. Th rih gatr f pla

nams ha h prdud in labrain wih Ini ldrs rals uiqunss and suby namng wiin ral radiin MllrWll'spr n nly und h rasur f ulral radiin arrid uby mahini nslamn wi rnsamn f s nams whsspiiyrigh dwn sh dun pin and lin was rmarkabbu pidd nrgy fr nwing bnds wi land

Mahini nsamn has bn, hwr adanng and maingwih mpisain in h siy f surian s gnralisd nwrkd nslamn (Willams 1 Hard 13 alr�ad n h yars Snd Wrld War b passng n pstd frms nl w disin s mdulain·

1 6 lz ad Spc

ad flexibil. Te lisform aes up Inui peoples i Caada roe dis umbers seme b is s o ique for Firs aios aveb i i i C b d o r i of

Af Infotic Stiation

aded Te reverse sde el a sequee of eers ad umbers e diswas o a uamous oie of ieese sae ereseaives b i was

f d i Ali 199 3 T ii l f di



bee sie e miieee e Caaa sbeed o reimes ofeisrao for e roses of e osruio of as as as ie Ia eise Te reiser is maiaed b A, a sbe 0sfs oli (domaed a oe me b te riipe of assmilaio,e ameded b exadi eileme ro eirodio of i-ero exded aeories of persos deermied o polial osi-ios ake o lies of dese ad s i eislaio ei oiosof iluso or exlsio (kow durin e assimaios eriod as'eaiseme, doblespeak for disefraiseme fom sas orfored ieraio for e sake of reisraio Te dia Reiser ade ad iss omrisi i ierses wi aoer Reiser Reservead eilemes admiisered ro oaio ikes (uil 951ad ereafer eriaes of upaio ese dese maii sraios of iei ad loao are liked o exerior objes, as e arei e ase of e ui beause as ofes ris o federall admi-isered bee prorammes sei ax exempios ad so o TeCeriaes of Idia as o 'as Cards are oe paper idei

ards rodued b e Bas emselves ad ilude a reisraioumber wi vial sasis (dae of bi e, we, ee oor, sex,bad ame ad mber ad a poora (see eier 99 Imai99 as is e o of a iso of supere brearasraos of e wefare sae i oer wi rde eooloasrasm sil ave oa e osrios of ea kowlede abos aos eoes {dabees 'epidemi sudied b oudrie 003

e poliis of e erasre of persoal ames ad er eumberifor ofa uroses as bee desibed as a exerse admisaiveoveiee (Alia 199 0 Weari bre diss a a arod eek or a are ataed o e wris produed idividuall deiable

bodies (aed rou a proess of aimalisaio As Ala RudopMars (1995 desribes i, is 'axoomi srae was doe i eeres of ood admiisraio, ereb rasform[i] ui soieo a more maaeable ei Te diss emselves wee ri i semi-oi oveodi mall irlar ad brous, e bore e samp of eCrow o e ere of oe side aroud wi e words Eskimodeiaio aada ured (a io of semoi eslaveme Al le-eri was ls (aoal or oa lauae are oe of e exam-ples Gaar use o illusrae e semoloal eoomies of power ase e parameers of ompeee ad se e meas for omormead ommiaio (Gaari 199 15 ad slabs were disre

prefered o ie as Alia 199 3 Te iial rorame of disdesi ad eir disrbio i e ear 90s used ivdal dei-aio umbers o ea dis o o fo diis I adio o semiolo-ia sbeo ou e smbol of sae auori, ofial aaead eial ode, ere was a soial sbjeo iiaed ro ax

oomi apre ad assiaio Imoal, is soial subjeiomerel mea a lassiaio ould reprode isef exerimea-io or, as Marus p i lassiaio reeded eperieaio(Marus 1995 33

Te subjeio o a exerior obje was reewed is ime i 19 o195 wi e irodio of e Famil Allowae roram, e auiversal ssem of mol pames o families wi ildre uder eae o ears is was e oasio for e reviso of e dis mberroool o ilude eorai ideiers prior o e persoal ideirs welve disris ad wo eios semeed e Ari iiia ie e as ad ree i e Wes e rew o fouree i e 950s(A 993 3 ese ieiaio dsis were rereseed i e

form of E or W das 1 before persoal deiers idiati laeo bir (E is eier eeoi or skimo Te aforemeioedrobser a was 7 e eoai sriaio ased b reisraiodisris reae manipabe aeores oe o expermeal ombia-oris a aelerae i e 950s aa opulao reloaios obleak areas bei e mO severe ese were sbeos o disiparalulaos of federal wefare exedies risi i relaio oalleed sies of emlome oppoiies falli oeived wiomplex eferees o Col War eoloial developme; ad eariersu as e lai srip a Frobiser Ba b i 19 as a sopoveroi for U miliar fis o Erope Ad furer isa ar

Wari sems isalaios i Caadas Ari oortuiies foresoe exaio ad eoloial srves, livesok raisi semes (asead sream of seep ad pis we or i e 19s, bu ivesokfarmi simpl did work i e Ari ar ommodiaio pro-rammes soverei jiers i Caadas or ad esimaios of -uaiame reserves, o ame ol a few (Marus 995 3 Te saliepoi is a e eial maies of e sae sift eslaveme o sub-jeio (eleue ad Gaari 197 7 i wee sbjeed o eeial maies of aalis expasio i e or w umaisapooies provded b e saes welfare oliies ad 'wellieioeepermes ri e 90s ofsio reed abou wo was

8 Deeze d Spe

respsble r he u, s Du bseres (19: 0; s 939h e edel gere ssued 'respsbl r he u upree Cur ds O g d e d e 91 d

Aer forti Strato 9

gls; see u 9: 31, helh prgres d resure e e slled eebker Cd re Mser r 97 193 s (s 00: 1 ggreg s eessr pp



upree Cur ds O g d e d e 91 d970 d s he I ere elue Dld 9:4 Ee he pu r he Se Wrd Wr Cd W r-s s gg edel gere reed e d sh-er eple he h s uus peer he ers

rd Il d see serged prkg l r ehleshe rs he r he 1940s d 190s b he rre Rl d re s he s pr r he rdu hsr sr, he eprr ge eeee d r (197: 491 epll lk rk lr rg-s, bh hrg he pprpr he r he d he ul-l sh spe bu ls hrugh he se rgs res d he prdu supluses he r skpes eps duses he se he u he lk s srg bu -plee p rdl rge pers Iu grups ( srl bu sruure b bse ps d rp es shghug grups, he lsergs prded b he s sss

d de p ree e dses ple pers d l-s e he ersg luees eler hlg s-s, he r slls ree sg rs ee s h esg pes pp spes e be Hss p es he 90s he 190s, eered e ee gere pli here se elre dbe hs dsered uher, he rese shl sse s eeds el s g prgres he g e prle-rs Presses eerl elre prgres suh s he ld gees 1 97 ere el he r u edes le de ee dsru uds he erhelg eee s pl

luser gs he selee I, despe he pressres r '-gheg h d bee bldg r dedes Perl ss ele suppre b epdelgl rres u helh d hesqulr ru he bses (D 9 9, s ell s e spere pssru uepe selees rd lr dher ss, d RMP ers sl sles, ued 'dsurge ggregs despe he eers he gee sh ples s Frbsher brdge B eseee d,bhe 1960s he elss ppulsprdue bgereelre ls, husg e W e brg sussed husg h ee e hsg sse sr gls, h s sule

193 s (s 00: 1 ggreg s eessr pp-ul selle d ee pgre eler sr- ggeg e gh s s spee sr s geerse esee se pere 'bslue spee,, s e esued s sh ps spe

and Reded Fow

ll ppruses pe relese 'deded s Su s re er-s r espels pperg besde d ed he des h gerse he Deleuze d Gr 197 449 he s spl espe he re ke geher (e reded, eed,eere he ur espe e re u he hles hees he ds beee he g pl begs bsr, geerlsed u ' na ximic dcdd' h s pls Deleue d Gu 97: 45 s deser 'e hreshl d s hs rehed

hs press s ede he se s bers: he subrd u ulur g pres sre edgs purg he g g u s regulrsg igr beur srs e r he ds ueg d relesses h shesse e e re es epe, persl uers h e gegrph ss ere -eed h eses srg u ppuls d hus grupsere rb ree e ple er regrdless hersders Wh e he bee lg resg slps hghhe es erg. Resgs s bers rse beuse

�he des h ree he uld lger e he er-

gs h ge rse s bers ere dspled b e erdglled 'Pre Sre, d hs s serg re euse le r dspsl dss s uderke lr jse �e ds sse s h he uber ( eessrl he erl

sger reed he eres eh d ruled h hedg e reerel erls h h h eel. Se ihe per resg ur repprpr ( 994: 10he ssue s h dedg s led resg ed t eredgs e eples e he re ll r e 1990s r he egs h dube rse p hs e re essV h hse h e lble , gel euse he le re e

1 0 l n Sp

mr rcdig h cicl widly cmmdii h quf iy f uc cdg cn b dily ld y cr dy

Aftr formtc Sto 1 1

f uu i h m igic hif i dc mb hbcm igrd i bc mr f riu wr ddit g i lm l cpr big h dic mbr f h



cr dyA xmpl dr pmil ciiy w gd i

li fd iig fr h Eldr Sciy h fd hiuig f mc dc Qur d rgiri cric imd Qauaat (wh ppl wih bhy yw d igd by AOkp h k rigilly hd ndrk Pjc Srm Al1: 02 h pdic f mck dic ci mh-ig h cmmic w lu f cull cmg Hc dcd-ig ch mmic rcdg i prdc md h i frm iid Qaunaat gry i giry ik h AN c-rlld d mid Idi Rgiry d fm h idiyf h whi clbrii (hcky plyr mdi r) wh pricipd ii cp imuch i ccr i diff pc h f bcmig mpry miicly diupi l c l h cmmdh l f ifrmic li i crilig fi h ig f dcrbd rifc mbddd i idpdlcl wh h k b rcud d dircd

Dcdd lw h qickly chd cdig h iicrifc gd mp h Qcric piclly pid m r r Sm rcdg ccmb mr rdily impd frm d h ig prccliy h hr mc idy prdc rcdg I d 2002 w g f ppd cmpc dc: Su Agk ' d ciIdlu' 770 My Mh Nm. Bh C gphclly pdcigi dic d rig f um bdr r fm dh wk d lyric Bh Agkrk d Idlu fmly N d r wllkw b ihr li h dy pruigcr lwhr Bh igr mk dic umbr ubjc f g

d dlr cricim f mbr hf Hwr fy whwich dl dlir r mg f imlii (cd E) i clkig mchic ddcy f h grm fmig f mumb' h m bckgrud cii f ig f Emb d by Aglukrk i dimid i m qur yhfl dic-im ic h w ld ugh h cid dic mb likAglkk fr xmpl (Shiry d Bryx 2003

I mic llig culurl ggph prig h culpl d dcmry lmkig h rclimg f dc umr dr wy Sy i i t f t ptmim d prd i hcc f h d clim prc d h ri f riy

t g i lm l cpr big h dic mbr f hculpr bu ig h d McC 2003: 2 riic rcdig y p f h ry hy r ffm cdig h pd righ fm wrg m d dumbr i i f m hi phm d i lgd crrcii Prjc Surm h cm bjc f r f hNuu Lw Riw Cmmi mp cc h crrci Prjc Sum i Pjc Cci': y mpig mid rgii h rl d burucric prc fr xmpliligibiliy fr d g pi b d ligg u f dicumbr birh cic rul f big rlkd durigPrc Srm) icrrc birhd d mimch bw pic (Spir 2000 Cmprd with u f ubi m i lgldicur i fr xmp fm dpi c Dbr £78h wk f cur Lw Cmm i cfig d hbcl f h in ilc f h p Rmig h -ury fc f xpig ligrg ffc f ii.

h prblm wh whch w gpplig i h mii f mh-g frm i. h i h rl f dcdd flw bd dyd mprig ri d rcdig f ifrmic imp-i d h cdig f h dcdd flw r f n h h wh i rgi c mig pcic d h pcigify dic m w cm culrl prduc d ifr-m ym md d c w ubgi r cm-mdiy frm mic prduc frm d ) r i idtrmicy h fg f dcdg W k u dicumbr wmbil ib mi dd PIN umbr h ch mchi hu mbr p f h ubjc f wrk f

r r wh uch umb i dplyd i y ic rquirig prl idir (bu clily ic prl idir wici prtilly riig i cy i my pil ru f dicmbr uch i h prch f ly ick) hr i pi dblig ggm xiig bw igh d cpur hi i prcily hw urillc rmbl ric bh r blig drrici bcil d ufru lu d Guri t87 0. W ifmic ri r mbddd i h mmri fdiid d irc wih curl mig prcic dc umr xrd d d w cm. If i m r pi fi t cry m l ipirti fr) whl rig hr



12 Dluz an Spa

Duald R 9) The Govement o Cnada and the Init: 9-9Otawa: Re�ar ra ad pate li Ida ad rte Affarada

Duff R Q 19 The Roadto Naut: he Progressof the Este Arctic Inut

Af nfomat Stao 125

Note

I term ial i A Thosnd Pateaus rigall pbed 9 gget tat te ar were t awa tat it wet ut f u� te mid19



Duff R Q 19 The Road to Naut: he Progress of the Este Arctic Inutsnce the Seond World War, Mtealgt: MGillQee' ierte

EeetGree R 23) O Tp f e Wrl', 11 a The Globe & Mal.Gek, G (1999) McLhan and Badrlard: The Masters of Imploson d:

Rutlege.Guaari, (199) Cartographes Shzoanalytqes ar; Gall

Guattai, 996 emal ubet emii Eaemet' G Gekd.) he attai eade Oxfr lakwell pp 11-

ardt, M 199) e Glal e f Ctr' Discoure 2(3):139-52t, J 99) Conessions o an Igloo Dwer rt; M&ma, (199), The 999 Annated Indian A and Aoignal Cnstittonal

Provison rt: CarwllL, D. 23 ial rtig D. L ed) Sureane as Socal Sorting

Priac ik Od Dgital Disrimination Ld Rledge pp. 3-3Maald, . a rx A 23) telee terew, 7 uMar, A R 199), eloatng Eden The Imge and Polti of Inut Exle n the

Cndan Arti ae ad d: iert re ew gladMCa, 23 Relamg It Tag Cnadan eographic Magane

epO; 29Miler 21) Te tdetara redame e tte f A

Thousand Plateaus; Nmalg ntlg d Art', i G Gek ed)Deleuze and Guari rtial Assesments l 3, d: Rutlede pp1 39

MlrWile, L 97) Gaetteer o /nt Place Names n Nunak Ijak:Aaq Cultra titute

ugak,. 22 E9-19 Caan Film Cer Great Cadia tr Egettp:/wtregie.erleReadAt=9 Aeed Je

drier J (23) Raial Categre ad ealt Rk: pidelgarella amg Caadia rt at' (ed) Surellane asSoal Sotng d: Rutlege pp 1 1-3

Reiter, R A 199 The Fundametal Prnple5 o Idia Law Edmnt: FrtNati Re Ci

R, E. 974) (ed Arts of the skimo: Prnts Mtea: gum eirle, J ad rx, A. 3), al mmuiatipier A 2) Gettg te ame Rigt Fiall, Ntsq News

tp:/wtamTukt R ad talk, D 1 92) 2 DR (3d); 225William J 99) Mting Metapal Mdelig Or, w t redit e

Futre te mrn Ci', \rwik 10"al o Phlosoph 4 1-6

Othr Mea

Aglkak . 1999) Unsg Heroes, T: M Caadadlut L () £7 My Mother's Name tawa: eart rek Red

ttp:/w.liidm

get tat te ar were t awa tat it wet ut f u� te mid19a wa epaed b

ap 7

Thkig Leavng

ng vng 27

wy y prod la a my difn lion d oi r hugh ha w mipliiy ol rfor nlyimpal hgh ma f n f an ha , b o o n



Banka Arsic

r e m intl o hich l i i mtink, m ldy cclmt

au Wn h Wng

Gill Dl i mong h r piloop wh p h nof inkig ha wol no b ondiiond by im k whh ii poib o only o riii Kn in ordr o hy f hghfau y im i a oni wy, b lo o k rlly ff hgh wl b ir mporl, ioril, lxi ori, d d gogrpil iorgi pi d gal. iwll w n odr o lop h piy of hgh Dunu highly lbord rmologil appaa a wh w h hgh mulpliy o mor ply, hugh a miplii Mlipliciy i n imply mlipl ig or y mhig om-boy m) f mlipl i only ff of mlipla of i ffrn wihin o irod by im h ff puin f hng or of mpal iffrn) Mlipliiy p iff bwn o nd mlipl:

npl ofmtipli t i nl n mltiple is etil d ubn mutipli' o y latin t n ubt b nl o iil iy m n . r i n nit r pit in th bjc ii n ubjet i nt iy bt i th o rn in the ubjet. lipliy nih ubjet n b ly etemnatins mie, dim-i o i in nmb ith he mlipliiy nin in l n ri 987 8

o h n i h nt b o ob lipliiy nng ny nd o mporl (i i o ff o h rio of d ob wii , i d ofron

p g ,ary in d x i rio ion Dlz n gird of rpig ha i mag i ga an h wh o xn hgh i ma f ifrn ron wihl i lwy d a nw pa r mor prily, i is wp i a hugh ha ha m pa, a paial hgh iwy for Dlz o ink p i o hi iking

Dl lwy ii ha n hi f o ik poibiliy of ai og wa gui y a ain lin f ndrgron pilo-opr (ri Spioz Hm, rgon) nd bo ll, by mrinlirr Amian wrir h y id poibiliy oflig of brying wio ming ai, f ig orizonwio, owr nd i poin flling bk ino rp of imginry (rginig h l wl og nimn img of br on by myhgiig i) i h io f aig han nd l ilf d fl i liin n bol ling or bol lfbom ro Dlz lld n-

brk: l a mhng yo nno om bk om iia a ma h pa a i D an Pa187 8

w follow wi gg npain of bk of pi kg do , owr, fr o Dz' foixmp Mli, y am S Fizgr) popoin rdig ofh pimn i iig drk by haConig hau wih Dl i anyhig u ag i lz did no ofn mnio hau, b ox in wi mniod him nhng i ilming or Dlz prilymniod or rl im i i y on Mlill' Brby,

Th Scnr. Dirgrdig a h old o boMlill pri rr wa ndlim or, diffnly,rfing rd lirr h ympm nfi f h priprf f i or auh f xmpl, w i i Mlill id wor bo or dig hi onrionarrowd n w d ha rin of i wriig), lulmd ha Mlill kd o d d ri of ik-ing y pod by o mro, hiing oih world riplgo mipliiy Dl p i, og

1 28 Deleuze n Space

st of all th afao of a old prcess, aarchipelago. Not v apu, hos pcs h toth old osttt a hol, butath a all o oos, ucd stos h v lt has a vau

Thnking Levg 129

Stanley avll whn i his adg ofWlden, h ass a simple qesto:why wold aybody buld a hose oly i ode to leave t a t wasbt? Ho can aybodys coscosnss ad ts gesu of appopato



tslf t also lao to ohes solated ad oatg atos, sladsad stats ob ots a sous les eue 1997: 86)

elee states he tha hoea and Emeso veted a thought hatthoght tim o pocss as th dstibtio of spatial pots achipl-

ago hs tasatg time to spac t is ts sht tha stgats theaalysis that folos I w ty to ead hoeaus wo as th atmpt tovt a thoght of oose, ncemeted stons his s bt aoth ay osayg that Emesos thess fom Fate that each spit makes its housebt atads th hous cones the spit was a pesst obsssionmotvatig Thoas thk Readin Thoau i th lght of thsthess shold allow us to conclude nothng lss than that Thoeaus thik-ig was the most adical expeimet spatial thnkg eve dtakna xpimt to hos sson a stll ot sucintly acclimatisd

Hous Wals, Ceilings

Ats sight th staty of ad hoea as an expeimnt bakn down walls s stang Fo as t ot hoa ho ocd th pettlil dsi of hmas to b potced by ldig wa aft wal atewall? Was h o pecisely the oe who wthdew sef o solitdplacd hmsf i a foes ea a ae ad thee ult a hos od tosolae hmsf hs meely miplyin the layes and vops o slf-detty the fos as th hous o h hous hich s h hous of thesel which is th hous of th body and its acos, sesaons and peceptios)? n shot, dd he not try to conqu space ad place it i thesevc o th slfcostitton of tmpoal thoht? I his ay fa fomexplog th possiblty of spatial thoht (that s ot the thoht that

thnks space bt the thouht that s tsel made of spatal latios in asinl ow hoeau's effot wold wok towad ts sbvso spaceshould be oganised in such a way as to povid th contity of tem-poal thikig That is how quit a few citics ad hs tpis t istue that h talkd abot spacs, placs ad spata atons s uethat h was obsssd with on out of hmself and becoming a thng,pefably oganc o bcomg a vegtab o o bas); but he ddt oly od to tun to hmsl che fo wha h appopatd onhis xcusos, and imatd by t. hs, he asn dog ayhnoth tha xpandg coscosss ad ts tmpoalty. ov thatsomethg s wong wh ths tepetato s alady sggestd by

be riched and eafmd y hs abadonng o what t was a aban-donin wih no dialctca e to h aadoed?

Obviosly, ad sp of th maisteam iteptatios of hoeasgesue nothng is ss obvos han th hss accodin o whch h aspoccpd wth occupyin hmslf Le s thefo captulateThoeas esture i ode to hghlght its stagess A ma eavs ao o a fos, cuts th ps woyg all the tme if th pes lludestad him ad foiv him fo ct thm, ulds a hose ihch he wts about cuttg the pies and buldg the hose ad the,oe day, ops th pe doo of h hose, oes fo a walk thohthe foest as he would evey day, oly ths day h dos ot etu to theose is walk outlns a ln of fiht that could tacd all the wayto the tval whe he ally dsappas the foest dsappeagyod th hozo to mpcptlty A whol fost of qustosmpotant ot oly fo thikng itself but also fo its politcs, mmedi-ately appas. s th hose tha Thoa lf stll ad foeve hs? Whos

popry s t? Who has the ight o mov to t? Could th abadoedhos still b called a hos? A th thgs i h abadoed hose stihoas ae hoas wngs his witgs? Whee dd he disappeato ad what dos h do ow hat h s mpcpib? ow ca we ackhim do, dtiy hm ad call hm y hs am again At sak he sth whol poltcs of decato aming appopiato ad popy, th whoe tactcs of moto leavng comg, depatg aiv- Hove f leavg mas lav th hose, the spac ofheimlichket he sch a eaving is always a este of adcal dappo-paton of what s most my ow o most at home m nam ad dety he qston the is no ony why leave but ho? ow oe

eavs oes nam ad hos thus tanslates nto ho oe leaves oe'sw sf?Ant-Oedpu a ttl that could b ad as AntHouse) Deleu

ad Guatta mak tha th hole effot of spatal thnk doesot sde ally tachng us ho to de (ho to thk tme dff-etly), bt ablng us to lav and ths to com.

Sch a hng hch, as s ll kow thy call 'th schizo (need-lss to say, o should no has to dntf t wth schizophrea), sththng hat kos somethg about avg, aout tenstis adabout joy

10 Deleuze ad Space

h scio knw how t h h mae eaue n somehng assmp ng bon o yig ut t th m tm jurny trnglyttny n l . These me of esie o o thy ot y t rlk Z h h k i k

iki Leav 1 1

Arng t wllkw tprttn wh hr w rvwl u n th uk nty th rm pu y th lur th y n t trmn wht w wht n wht wll r mr



lk Zaathusta hy kow nr urng vetigos, a scknessesThey ave ei seces hy must rnn h gtur t suc maoces imsef fee ma, esosible, solitay, an oyous nllyable y n somehing mpl n is own name, wiout askng p-n Deleuze an Guai 983: 131

h ut thu hw mk lvg mtg mpl njyu yg ut t mk lvg mtng lght mplrur thg th tur tkg t ppg ut tm r lvng jyu t u w mur wht w h ltw pl ly y lvg t w l t t t l whtw hv lt r t pr, p ly y lvg whtv w rlvng w l lv ur l n th pl w n rrv thr l. Wht tk r t rl tnuty ttw v nt th tmprl ynt th lv prrmy murng, tr ptl prt T trk lv n l nm pl t mg n hr p wlyr l Whh

wy th nt l t tr m th gnng tm gt t vnt n lrn w mt mt, thught lngug v y y w t ul w hu h hu twh kw hw t l t tu rlly rnt rm th hu h w lrn hw t n t Thr r r mg thhu h utn wh hu hru lv?

r tt ru tht O mk y h nt thply nw thugt th plty rnt hu. rm u tt th G wm wth vr th l wrlhu r ul t rt hu (w t r t tlty ntrrty, rty r rllty t ul Hwvr, whn

t m t th hu t wul w nt t rly wm ut t ltnn t mu wh jtn t nrv w tht wmvn r humn nt lwy vry w It tt jtn ththru rtrt n rr

s unrn i ha was a val objecon ge y Momus against hehouse which Mineva mae, th she ha not mae i movable y wimeans a ba neighbouho mig avoie; an t may sill b uge,fo ou houses ae uh uwiy oety at we ae oten imisoneate tan hu n hem an e ba neihbohoo to be avoie ou own suvy selves hoeau 1962: 47

t th pt h ul h mmvl u th l tt t t l trpp wth h hvy wll t pt th l r lv wt t w wht t lgr Th l thu lvy murg t wn th vry hu ul m n mr th gv rg wtn t t t tt t l tty p nly t l ntty r t put t Thu wr h l hu tng t hn t tptr th m huult rg t t rtur th grv

uh t ons a ma, fosooh how few sticks ae slae him oune hm, an wh colous r aube uo h box wld gnisomewat, if, n ny rnt n h slate hem n u ut thit aving r out of the tenat t of a p wth cosucng how cofn th achitere of t rv an caente' s bu aoheame fo n make (hoea 9:

Ntg r t l rm tl ut t W mnpt urlm ur ntty n rm ur u nly y yg

know one o wo famlies at leas, n twn wo fo nearly a genea-tion, hv n wising to sell thr hoses n th outskts an move nth village but ave ot been able o accomlish t n only eah will tthm (hoau 19: 47

mprn try glgy rg, w tn tll wtg rt A rt n, Tru jkngly rmrk thgv mr a hu t th hu, thr mr l t th th u n t mr lvly th th hu ttr r thpYlly r thy mr lvly rt hru 1929 8

wl prmt unrtkn Wl h t gl gl t

plr th plty ulng hu tht ul jyuly lvhru r t hu r t ul t hu wtut lrn w t ntrry trty hu wthu l rm pt uh hu wul rrp mr t ptur utln thn t th lult pl rhtt. It u thtgv up n gurtn hu thr u Jk lk mgtp t

t was suggesve somewhat as te cue i outlns not n to goouoos tke he a, fo e atmoshee whin a os n oft n t was no so much withnoos as behi oo wee I sat even inthe riniest weahr hoeu 162 85

132 Dluz an Spac

I her wrd, i he ue i ever be eled bu ibeid whi i lwy behid me ieririy herever e i 'uh hue e lwy i he frehe f he uide, i e uide

f h i i i f h i l i i f h

iking aving 3 3

eide here i direly eed e uide i rm i drk) eiher i bluely wihdrw frm i wy i he r flrfr i lwy lk he life h i ki ple here Perpeivl pe

h d i [ h h bl lif f h f h b d ]



f wh i wii f hue i ly uei uei f heue if i ly lie, i i beue i embdie he prdx f frmed frme h he eh ime we lk i, pe he drle he wdw r mve he hir very mi he he he,eue e he i e Thre mephr li lud, de he mi f hi d peple i i: i frme hlyld w r f

ryllii rud me, d reed he builder

Treu 196 5 Te euer rei i wh iue fr mme) bh dweller d hue i he mphere r he md h d frure he iidee f evey pe

e lredy her bei: ue lih ld? flyiue? hue h i md mphere r pe ell,h i ll ie d e re wy i eve edve bu m

Houe, Though, Amopherei me dw e quei wh de i me live u-ue', hik uhue

e re fmilr wih elee redi f he Brque hue dBrque rhiere i eerl reure f e rque midrdi him he Brqe hue hd w rey. he r fr wihhe livi pe i he flr wih l he widw d dr Lih, d,dur d e me hrh hem They re like eye d er,muh d p hey re he bdy exped he wve d flw f e-i he r flr i hu he flr f he ple f mer r he flrf he bdy wi i i reeivity reeive he ei he uide)

h e ree wihi i Hee he equi bewee e reeprm d e reepive bdy e widw d dr hruh whih heei eer e hue mke i ieriry fli mphere. i em h he bdy we i eliiy d pliiy

liiy me h hebiliy i blue he mpherehe b he he remi he me k he frme f i wllBu hw d he wl remi e me? hey re eir bility'hk he fudi b he ed r

he ed r i diere ry ere re e e edr: i he pper lr h h widw i drk rm rhmber eleue 1 4 eedle y he ul r he md)

emere: he deree i [he heble life f he r f he bdy]repee vri r ifei, i be lled f S ihe bi f perpeivim Hwever, e ube e e wh live' he pper fr i , he wrd e ubeed wh i eeher i veree he bdy f he livi rm i hu ureed ih pe:

e ube i c b, hieed y pere Thp view i wh v whe be i , he rry he dii whh eveul ube pprehed vrii memrph, : mehi = x mrph reb f iee, fr ilim Hr J d fr hiehed wel pcvi n lv b he lvi w kefr red vrii f di he ube bu hei i whih he trh vrii . h ihe very ide f ue perpeive elee 1 20)

r ih e wuld hik h by i mrphi he

me brer, eer wi Lebi d hiehed, irded i he i rei hevyrqe perpeive r i i rueh ie he be' i bu vrii e p f view f e bei mde f reli m vrii, w i wy he ube himef i ble pi h expli why here re myere i ery me were e ee ly di e eebliquely wever, elee mde ler, i i y i he rie Fr ie he ube ill he flr bve he i e e whher eer he vriey f w he i upereed i rder rre i w rm. her wrd e he e w repree e-i d pi hi rm by he repreei Te drk hmber

i herefre e pe fr e derr d i iviy f merifrm u we lide frm he r ie r level r flr) where epi view i he dii i whih evel be pprehed rii he upper fr where he repreei i he vri-i f he ru rdi he be' bu he dii i whihe ru f vrii pper e ube There i ruh herh e ru f pii Oly lie rik' w eeded fr mrphi fl emeril perpeive pper he ubemy be died by he hppei i e livi rm bu ipper hm i diied by im i u wy hw deer-mie pe frm) he wh e ed up wth fued ze, riid

13 Dluz and Spac

sbjets ad ed hierarhies te dialets deeloped in almost all oames' oels)

a is ot all or the rst and seod loor are oeted by the lod d i h i ' l 99 4 h

nng Lavng 3

h cc cl cn n I hv h na l p w man chtcturl nt hv re trt, a nct, and hee a beaty, wr vn oim Al r wll perhaps rm his poin o vw b nl l beter n



ad red stairs that ps into spae' eleze 99 4 the aroqearitetre o te mind) sensatios trael to the pper loor by tered path o the sairs he sairs are te spae here sesations are notyet represented and apprehended bt o loner prey bodily ey arethe old he proper sense either inside or otside, neither body northot, bt somethin tat emeres hen boh body and mnd leaethemseles eite� the lit o te day nor he niht the dark hamber,b the da I te stairs are both o those thins at the same time it isbease they are i beteen hem they are the spae or the embodmentithin a spae o a pre relation. hey are te spae o erbs or motionsi indetermiate orm the spae o alkin, aiti leain, makiloe); one does ot ea o he stairs one does not seat oe's ests ontem, oe does not rte on them othin sbstantie or sbstantial antake shape o them. nly the appenin itsel, te oi o itsel

s loation o te stairs brins s oser to horeas ose bilt ona derent thoht ar rom be a ariation o the aroqe hose a

ariation isible in the to hoses ta horea old ae see, ithred sairs tat psh the spae all the ay to the pper loor),orea's hose is the annoement o a ne hose tat ill all themerian hose or te hose o the beyond' oee the rse o themerian hose s tat it annot be oneptalised ne does ot kno adae hat a merian ose il e sie it mst be a hose thatis ot bilt rom ay plans projetios or allations. he best oneold say is that the Ameria hose is the ery proess o bildin it hat horea alls deliberate bildin the proess that, sine t doesnot rely on aythin, s te proess o the pre experimentation o bld-in the hose o te exent that this proess aets te bilde bild

beomes te proess o experimetatio ih oe's o sel o bid ists to tk in a e ay hih is hy the most rent arhitetraestion is hat s it to tink? Wha is it to thk or horea?

We old bei to aser this qestion by lookin at te harateris-tis o his hose t is a hose ithot a ellar basemen or ondatiohe aritetre o te sbstane or spport is neessary or thoseho hae o olies nor ines i he ellar' horea 162 i otherords o roots or anyhi tha eeds tie or istory) to aste goodAnd it is a ouse wthot oramets. Te architecre of ornaments pre-spposes he play o bakrond and orerond, optal spae and perspeie

im Al r wll perhaps rm his poin o vw b nl l beter nh cn ln. {lu 99 56)

his raises anoter estion in a hose itot basement and ellar a ose itot a proper odation ha old be alled a ondation?t anot be, as as te ase it he aroe hose, the seond loorthat atered toeter te mltipliity o the rst bease, ad this is otmost importane horea's ose does o ae an pper oor Noasemet, no pper loor, no ornaments, only latness ith idos oall sides nd i his hose is the imae o tinki hat are e then tohink abot tat hikin? biosly te absene o te pper oor ishe absee o selsreillane ad semirrori. t ha is lessobios is tat the absee o the pper oor does ot sest a thot'naely reded to an objetiiy', objetie trth it o interentiono the sbje, and so on til less does it sest a strtre' in hihte seond loor old be sbstitted or te rst so tat tere old beonly the sel absorbed in itsel, the pre I' ithdran rom te orld, a

nae solipsismhe radiality o oreas experimentation ith tinkin is that e

loated it i the spae o te stairs ad then made o that spae the onlyloor there is n other ords, i the pper loor as alle and beomeone it te st t is oy bease both o them hae alle into testars beome the stairs To say that horea's ose is a hose made ostars s to sest that the hole hose as beome the oatin spae ibetee, or that thot as beome sesatio hih, or its part, andto the extent that it s also toht, is ot mere sensation ay more, btan aet orea ses a ery preise term to reer to tis kind otot e alls it ontemplation

Seeral pots sold be immedately made lear irst, orea ses theterm ontemplation systematially and alays reerrin to the speiorm it took in the rienal praxis o thinkn in Walden, or exampe Ireaied ha te rientals mean by ontemplatin sol) ts annon-in that the term does not ae te stas o a metaphor or thinkin ineneral. r, to ut it dierently, to onemplate is not aother ae ermor he ae ation e al to tik' bt a ery spei praxis o thik-in eond, horea insists that thini as ontemplation aims a sb-ersion o the Western meaphysial adtio that rejets it in aor ote appropriaion o the objet o thoht throh its rrnn intme Western philosophers ae not oneied o te siniane o

1 36 Dlz and Sp

neplai ' (hreau 43 e hu ae i anieae i que aware o hi reane t he donan areian del' nkig Third e een a i eape ereenain eplao neer eee inkig nr ure eng whi i why i ao e

ikig Lavg 1 37

tti ound are uliple The ow o eaple reeae and reeahe und gl g gl . .' he repein f inan whih i i Treau'word epreie o a id wh a eaed e gelanu ildewyage in th oiao f all eahy ad urageo hog'



neer eee inkig nr ure eng whi i why i ao eedued th anaogy r o he eelae (o th oe ogh

nd tht hw he ry neain egin y auningpreey ha e ind i a a diane o e ody ad a ye t th dy i a no diane r he ind ha heyee e ig e nene he deed and en edred aena eay ee o e ierruped The aene dianehweer i he aene ranlai r repreenain ad he pre-ene agage wiou eaphor he language ae pke yg and een Thoea pu i in Wae he rgeg alanguage i e danger wh we are eped We are in a danger oogeig he language wi all ing and een peak wiho tph whi alne i pu and adard Toreau 62: 05 We arein a danger rgeing he ue nohingne e a id a neer-hele eak how i pile underand ayhig wihou helao o he eapr and ralan Wha ind o udeading i

i a i reaed reaon?n Sund Toreau gae a aer elarae deripi hi

pre derandng:

I i re s e s sme I e bes. ay, ft i ber s hr wee mes we I oul no aord o ari h tt any w wee e e hand i in asur mi hin aken my usme b, I a n y suywy fm uise ill orea 1)

Thu aing e pe e ha eploy neiher ind no dyThrea ee a paie pae a i were n whih here a e

iried drely e peaking o e een wihou eapor uwha i hi ee whih he i epoed Srly peaing he i eped he repeiin he hai f anial and rd. h ird y he lieener he pder' we e rain rain and n. nd a happen wihu a egaiy ha i eoe ore preie a a lok and r ae re hai: They would egin ing al ih u prei-in a wihin e ine a paiular me reered (Q eeing he (oreau 162 14 Siin u or ur and dayepoed o he epeiin o e ae Thoreau rw e ai ofi he ha o ird ean or rn) his hi heai e anyu ond n his ie s it e oe

age in th oiao f all eahy ad urageo hog(horeau 6: The yl f i th idi an d repea i uni when? n ane wl epod he e-ei gl' u nw ne n ro ar wood i a ra adereally eldiu y diane h rer h' reau162: 15 We hae thfr a ere o gl ha rangely enough endup i he erie ' n her wrd th repeiin o he ae ange it r r Ti igh ange doe n hage heae ffr ag wl u i age eeryhing o he ol haelae i Fr e nelaie l thi age i hig ehn eing aeed y e new qualiy i i hu aeed y ehingieren. Deeze ade lear in hi aalyi o oneplain eepeii age ng in e e r he ae aair . On eer had a hange is prded i he ind whih neplae i adierene ehing ew i he id eleue 1 7

u hw de he d unio here i i de no ranlae he ae?

he anwe i qein lead u e re o neplan a Deleuze uggeed oneplan preciey he ind r he hauion a:

ccle : i siti t i reain one ae wen e eppes I ccs cses elees, s meeus nss rns ese itena qualitative impes ewe w ce we We aer, we epec w ce cespn e qulve impess ll he cce ABs elee

he eniie or onepaie plae ra e reeiion o oundi h a way a he epein wi i haiual rhyh i nraede ie wi a diere eniy' The reeii e ae hee ing ound ee e iee dierene hi new or ae i e een

o pae ad ie are aeed y he repeiio o onraion Frhe oraio de no ake plae in ie u produe t a he ynhei o a aial enouner eween w inan Wha i onraede ieiy sues a Deleuze pu

e lve o liin, ree. is i s ese ime is eplye o beln b e s e uure e ps i s s e peceiss e eie i e cnci e fue becuse is expecins ce i is se ccin e s e ese n·

138 Dluz n pc

designae instants distnc ro a sosed resent isat, bt ahe tedimensons of he resent iself in so far as i s a coracio o isas.(Deleze 994 7.

Th i i t h thi Si b th h t h

Thnkng ing 3

work that ytheie itelf throgh i own movemen, moio, 'feveror relesess. If i is passive therefore i is because it is not the effeche mind acive ynhei of represeaio Paive yhei i invol-tay motio without the power of elfappropriaio which i why i



Thoreau isists on he same thing Sice both he past an he presenare he epreeaios of wha is o hey cao be preented they areo affect or contraction: The pat canot be pesened; we canonow wha we are ot horeau 99: 97 Similarly in he pasagequoed from Wden when horea ay ha he would it i hisdoorway in ordernot to acrice the preent momen he was reerringto the coraction of time to the contractio of day or week ino heliving peen A he beging of 'Sod he explicitly refers to con-templaio a the synthesis o f afects into he 'now

y ays were not e days of e week, bearng he sa of ay heathendety, or were they nced into ours ad frette by the cing of a clockfor lied lie e Pu dian of wom i ai at fo yesterday, today,and omorrow they hae only one wod and they eress the varety ofeanng by ointig acward for yesterday orwar fo oorrow andovehea fo the ang day (horeau 9 1

In oher word, he did no live in a time tha wa the coditio of all posible ime (ime a a pr category or did he live i chronomericme (hi day were no freted by the tickig of a clock. He lived in apreent without past or fture boh pas and fure having becomemerely points i space (for past oe poins backward, for futreforward)

o the exen ha hs conraction the yhei of the present doesnot happen in ime bu contiute i it i not performed by the mind fi were he mid ha performed it we would have but another version oreexive hough he mid woud U gather he affec ino a framedimage and inead of conemplatio here wold be ye anoher form of

repreenatio ut istead of carrying he conracion or actvely per-forming the sythess the mind i only expoed to it; the ynthei occrin it not by meas of i b by mean of the motio of the intan.

eleue hough hat hi synhei mut be given a name 'I ay casehis synthesis ms be give a name: paive ynthei Although it is constitutive it is ot for all that acive. I is not carried out by the mind, buoccrs n the mind which cotemlates (elee 99: 71 As i immediaely clear, hs pasiveess is o simply the ooie of the active Fouch a ynthei i o passive because it is inert immobile or froen thai o ay becaue it s prely receive, for i that cae i would not bea synthesis at all Pasive synhe refers to the receptiveess tha

tay motio without the power of elfappropriaio, which i why itrying o explain coemplatio horeau qoted Kreeshnas thesis thatevey ma i involarily urged o ac horea 1929: 87, hi acionbeing he outcome of the force to which he i expoed and which hecannot appropriae I he momen i which i occurs the occurrence

hat constites he moment the I and he body fall ino one heybecome a ingle plae of conraction or aection a igle space (oftairs)

We can herefore dersand not only why horea houe doe othave an pper loor he dark chamber) bt also why here are no walson he only loor here i, which would separae it ino differen cham-es and room (ad which would in urn eparae enaion from per-cepios and perceptions from afecios Thoreau ideal houe a heimel decribed i h one pace where eveythig falls io theultiplicity of the one (he body ha become he mind ha ha becomehe body or the mind without the I

a sheler as yo wold be glad o reach in a emestuous nigt, conanig all he essentials of he hose ad othing or he hosekeeing;whee you ca see all he reasres of the house a oe vew, and everythingags o it eg tha a an shold use; a oce kiche, atr arlor,aber storehose, and garre. horea 192 22

Sch a helter is precisely he contemplative plate of the minbody owch various coractios occur. Or diferently such a sheler is at thesame ime speculatio ad acion peculaio ha akes place as acion(of contracion As Thoreau iied (agai qoing Oriena ource:Chilreoly and o he learned, peak of the peculaive and the pac-tcal

doctries as wo They are but oe (Thoreau 99: 4Howeve horea himelf tried to avoid the term 'passiviy probably of fear that he would be accsed a he only too oen was of advocaig immobility mere recepivity ad nonlabor or passiviy as underood by common sense the very ame common sense he accused ofdullness It was preciey in order to avoid such a miunderstadig thathe gave us the 'complementary verses o the chapter on ecoomy inWalden: 'We no require he dull sociey! Of your necesitated temperance, r hat unnatural suidity f Tha know nor oy nor sorrow; f nor yourforcd ! Falsely exalted asive fortitude Above he active hs 'strae-gicaly avoiding the term 'pasivity he tried to exla the conemplative·

0 elee n Spac

tate nddy by g ter ch a ncncne r he tate reee ete ply abentdedne t the ncnce he reer t hee de nt reebe aytg tat pycaaly wdcer (te pary prce dee eeaed r he ea the eg)

Thnng avng 1

e hld nt al t regter here tat bth d and bdy ce theele by abandg r leag heee and gng t hereetg place whch e tae ceplatn nether te wd enatn r te r pre tgh bt he beeze cnacted



dcer (te pary prce dee eeaed r he ea the eg)r abent-ndede the lazne a d hat nt eady t wFrterre te er tat Threa e epla he pae ynhe cnteplatn ld nt be read ynnyy bt c a waytat eac reer t te ther and expan : cnteplan cncbecae te nd abent r t becae the nd a abandned tetg elabanng th leag t w el behnd te ake t a tate retle reere whc ether the bty deat nr te apprpratng actty repeentatn bt an nteralbetween tw cntractn whc Threa wat t enter a n a e acclated engh r t

t nly w tha we can ndertand the prce Trea walkgad what t ean t bece a walker T walk t t eply thebdy n enele and brng exerce whle eablng the nd tbere bect al t eng ta wle walkg he d tnkwalkg T pt t ply t wa a ta r tnkg a tak wrty

beng addreed by anew hg nt becae walkng pen p the pby thkngb cae wakng kg: a aared whe happen ta 1 haewalked a e t the wd ody hou getg thee n prt hethght e wk wl rn y head ad a n were y bdy - am Ot of my senses. y wak I oud fan un o y sne(Thora 2: 32

Wat Trea ay n h nt paragrap nt tha h nd r wld ply al t h bdy bt rather tat t wld all twee the bdy Fr te bdy tel neer ply where t wa y

wakng t ed r where t wa (wereer t wa) t were t wle walkg t a abandned the depth' t rgan ha ce t t race t the ee (ch a perr te rle the ar thee the bdy) a te plate the tn eat a nlntary ctractle pwer By walkg the bdy aband tel ad wr ad bece the rle ryt gratn affect whch what rea call te cltat ee) Nw e te ' te t t tat pace the na nt whc te bdy a alreadygaed what Threa call t hk delberately' r the clta tght') We ta happen b d ad bdy al t ne n erwd nly te tha e t e trt' r t theele t

enatn r te r pre tgh bt he beeze cnactedaec And e repet e eac te dferet ctract thelagage eent ad ecnter a agage de te te heetaphr pata thght

t we th ecte take place hat a wa r t wal becewalkg' In a ee neteentcetry crc c a Jae ellLwell) were rgt t cla tat Wn wa the cha ragent anda c te relt t atr' dctn d What tey ntakenly eed r cn ene alway n gard) that an attack der lgc wa a ake tee Te nly tng they aled t ntce that ch a attack relted n te etn a lgc te eent thathappened a the renent a ey ld lgc naely that te tcthe act that Threa wa traed' clacal tde hld eer benderetated) Fr a well nwn der lgc allw r te etence a qalty r the attbte) nly ar a tee a bectthe btance) t whch that attrbte ca be arbted Qaly

alway the qalty etg r ebdy ad that bect watprde the ctny thgt) A Deleze (ater reeer c lgc reded e cee' de lgc bect-cpaatrbte: a wtg a taeg ta tc an away be (ad tbe redced t 1 a a traelng beg Hwee he lgc te tcte predcate t arbte redcbe t te cpla

he o aophd h by akng h v nih an au no aquay bt the nopora predcae a u of h popoon (noh green' bt the tree green .'J. hey onud that the propo-on ad a anner o beng o he thng an aect' that dd teioanaterate eene-acdent: r the eb t be they bttte

o foo' an tey pt anner te pa ofeence. Du 193: 3

hrea prded te ecnd tep he pt anner n the pace extence a well T the extece/eece becae the anner the atpere he d r t brrw anter wrd dear t Threa thechar a a walkg beng beae walkg and walkng' becaehnkng becae a a thkng beg becae thnkg wtt te Ince he el bede tel) th becng leag tgh th abandng te el) pt t te ply beg becae pag:ang a day It ly a tTanjects a raty yage kele te (rea 2 21

1 Du nd Sc

horeu w cre enoh to remrk tht thi bein bede itel inot innit bt new thouht needle to , one cn lw climtht n orm o inni i nohin other thn he propoition o newthinkin

Thnkng g 13

limit o the el: e nee to witne our own limt trnreed, ndome e pturn reel where we neer wonder horeu 9: 55).nce te imit o the el re trnreed, lie become not m lie, butome lie lie n imperon le. oweer, nd preciel bece



ikine my e eie ourele e ese y e ected eicl eiio; o the oher hnd y t e fecte cl eve, wic er to concern me mc moe on know mel umn entt e cene o t pek of hh nd ectio; nm enie of cei dolene y whic I c td reote romself fo oer. oweer ntene experience concio ofthe reece d criticim of of e whch it were, i no r me, bu eco, i o eeience kn nd ino moe n i ou horu 162 122

hinkn ke lce beide the e; it i the proce o lein the elnd becomn trne entit trne inor tht entit i not den-tble or i not the ubtnce bt n lw chneble cene othouht nd ecion, cene mde o ection The I tht coldie t uport contnc remote rom it nd ince it i notexpoed to the ection, ince it i not on te, i t were it i not prt

o the elle me The note it tke re, thereore, not note bot thete; the te, the bndle o ection, thinkin itel i not repreentble, it cnnot be thouht it i brepreenttie thinkin which iwh the reeie el, plin the role o the pecttor, cnnot rech itor, dierentl, it i wh there i no pecttor he pecttor i no more Ithn it i o it i neither nor o' but n emp hell o repreent-ion iniin nothin n the one nd, thereore, there exit therined hoe o the releie el, ded lmi reduced to nothinne,nd on the other nd, there i thinkin ht now oe in ll direction, t were, but doe not belon to nbod, ee me', n imperonllie hi lie i then mnner, n tmophere, ood or chrm

either mind nor bod but contrctile ol nd probbl reenethink m own o mut be briht niible reen horeu 9950) It i oul tht reen ht i the rdicl menin o leinhinkin or wlkin thinkin or wlkin i lein one own ebehnd Wlkin thu the prctce tht eercie wht i ot diclt,the prctice o adca dsde. t i not tht do ot poe thio tht tin; it i tht do ot poe nthin wtoeer; nothin ieer mine, becue do not poe mel, becue there i no mente there i t the reein' oul, the o ht s the reenin;there i lw nd onl he reeni uch w the i tk' o theefomne efomd in Wldn: o trre oneel, to bndon the

p , p peron lie cnnot be witnee wh mt be done cnnot be done:we wll neer wtne te tnreion or trnreion occr thernreion o witnein

ferncez G 993 h Fd ibniz nd th rq T l

Mnl rsi MnO Preleuz G 994 Difrnnd Rptiins P Pn Nw k: ub

nir leuze G (1997 Ess Crii nd Cni s D d M G

Mi: s f Mies Pseuz G Gr 193 AniOdis R Hrl M d

R L Mi: ver f Mies esez G d Gr (197 A Thsnd Pts; Cpitism nd

Shihni s. B. Mssi Ml iveri f M r G d r 197 igs rn H T d B.

be ew Yk: lb vei Pres

Tr . . 199) A W n h Cnrd nd Mrrimk is B Td Ein. . D 1962 h Vrirm Wdn rd b W

rdng Nw Yrk: Twe Pulishe D 2000 Wlkig Bk ed) Wdn nd Otr

Witings ew Yk: Md L

Cap 8

On he 'Sprta Aomaton, Space ame Moer Cema Accoig oGies eleze

Sp m Modrn Cma 15

pyiari) Sm yar la w wrkng wi Fli aai,lu wl again ak p gur, m gvng i a ruial rl play, Anti-Oius9 y man f i anfr, naur anniin f np wu mpy ang n ngr rawng



Rd Benm'

T uniig ra f i aril i piria auma a pa appar rlaivly la i Gill Dluz wrk, in Cnma hovmntIma (198 a Cinma h im-Ima 989, bn a nnl play a ruial rl in gral nmy f lian npin f way pa an im ar pr anngia in inma

A ra famaiy wi wr f Dluz mak aiy apparn

b a p ra n n appar i il f a bk ra apr play a mpan l in hi analy, an a ay aminain f np m b akn p lig f al pbl-ma in w wr an rvalua m Apar fm var pin, a zian np ann b ra a , r a l pr by a givn plpia rain' T rginaiy wi wiDlz prai hiry f pilpy an bra vra ww u i annial np av bn n by a nmbr ri a n w bk n lm w n u afr rDl n brak wi i prai y aing np frmir rigia ral n i abl raiva m, r-

vala ir nr an mak m play nw rl in a wr, iabl

ranfrm m in pual prna n i way, pilpialnp ar nvr fr Dluz ai ii a fr al buar, ar mar b fr wrk hrug an rnn, vall in rii an rinvn piriual auma i, i n, f n ampl f a ppinpal prnaa lm ry a vr nv au fr i b

ug pr animaing ran f u pna i m-pli by nn f y wi rgan' nru fr r im in h oic of n 99 Dluz w rall, prn ia brrw m Annn Ara (a p a m ila Pankw (a

p p g g galn an y frm wk f ar w a iginayfr i a a nuin, wO w raw m a la w nwm f ug mlv frring w w rial rgimn a An ir lmba a aply wn in i arl

n np a wrk,lik l in A hosan lataus (lmba1991: 124, np f BwO, ariula aru ia fnn a vlp by Ara an wi arll, prn at ona an gg' (a i, a a bilgial mapr) an a a Spinzi ub-an i im a a prprly pilpial np). nviably, uapiin f w apparnly inmpaibl l f plana-in a nn r, if yu will a f maning a ar inll a imagiain in mvm np f "y wiu Organ wil rf b n in btwn w r-gu ri, an a nvnig to-an-ro motion bwnuz npin f gg brrw frm Fran alq an

npin f Spinzi ban' (mba 991 4, wi riv i m frm wn nrpai f Spinza Ethics(Dluz 1990 n A housan ataus 1987, wO mg play a ill mr mpl r, r mr ay, i rr an i rir by nw minan , wO ill rmmb avngbn an gg an a Spinzi uban, b i al rva lf b aninnv a unap ma' (mba 99 14 plan n-iy p ir' Spnza Ethics, ligabalu, Loosrmaticos an ( an Guaai 1987 149. A a igru a ina np wO i nan mamrpiupying bwn pa a alw inii a irig

flw rula bfr aualiing mlv in iffrn ap fug a i living rganim n a pyia r a mapyial plan(Cmba 1991 4

Wi p f prial aman w rv amin f g pr wi rp m Alug iniially aknfm Spinza ratis on th mnation of th Intct (Spinza99: 55 pirial aman w n b ranfrm ina np f Jabbrwky, Snark, r wO yp Ta i ay, wav n mr grapp wi n a an rigru' np ravg Dluz wrk an maing fr rn f rial a praa aw frm m

46 Dl ad Sp

T spirtual autmat is rst and frmst an iact ccptbcas it is diclt i t impssibl t assig it a sigla ad stabg Idd Dlz ds nt hsitat t brg its s ad fcivnss bar wits, atsts hisrians crars ad triss as df

Spac ad m m 17

Wat hlds luzs attti i Spinzas autmatsm thn s thmultipl cnsncs nfrs frm Spinza's rst ams t armatin f t dpndc f tw sis t sris f tings frm t srsf das and immdiatly traftr t dpdc f t srs f



frn as li Far Ja pstin ad S M Eissin, am but afw, wm immdaty asscats and cncts i a cmpl adctradctry way t an autr lk ad and mmakrs lk PrPal aslini ad JanLuc Gdard nly arriv at ad hs t tak

up th ustn anw) a pt lk aul Valry r plsphs Spza ad iggr

t sam tim th cncpt f th spiritual autma ca stl bcalld rgrus n that as sggstd abv, what ar clarly th trasfrnc ad traslatin' undrg by t cnct ar nithr gratuit nr imprvisd n th cntrary ty y th mst cnsisntthgt prcss t accrding t what crita ar w t judg ths cnsistncy w can w say f a cncpt that it is at nc inact ad rigrus Why th rcratin and ractivatin f a cncp n thparticar ccasin f a rlctin n cinma nd naly: i what wayds tis ccpt affct in m

luzs intrst in th Spizst cncpt f th spirtual amats s mc in ay autmatic r mchanical aspct Spza is way a mcastc philsphr bt rathr i what as sincSpiza b rfrd t as a mhd tat ahug brwing ts staig p rm gmty nnlss y ds its trsc rm acti i t tght prcss tat mas t cd its wn rdnarylimits rasing t t an ssnc as t gnc ras all kwabl prpts luz 1990 5 r luz intrst in th Spizst spirtual autmatn stms frm at ast w indissciab acs: thimmannc f tught ad th thry f paralllsm Sprtual autmatn Dlz writs, mans rst f all that an ida, bng a md f

thght as ts fcint and frmal) caus nwhr but in th atrbutf Tught ually any bjct whatvr has its fct ad frmalcaus nly in th attribt f which t s a md and whs cncpt itivlvs luz 199 115

Ths ditins may sm rathr abstract wn ts fmulatd utf cntt, bt thy bcm much mr ffctiv and cncrt nc wundrtad tat fr Spiza, thy impld n tr than th powr fparallsm: t say that a da r a bjct nds ts fcnt and frmalcas nly t attrbut f whch t s th md s t afrm {at allfcit r frma (ad vn mr, matra ad al causay sxcu bw a a a a' (my mpass

mags m {h sris f bjcts tgs r bdis sis f wrds rmimags and s Duz wd cs spcially n t atnmy' adautmatism f tgt

Lk Spza's lz's mtd in Cma ad icds (a ast

th grat mmnts ach arrwly implicatd n t trs: a rstmmnt in which t apprsin f mvmt and t bjcs tcars is grantd t intti t th immdiat cnnts f csciusnss als th mmnt f lm aalysis as smpl imagmvmntr imagrprsntatin'3 a mmnt whn it is lgr mvm asc, but t dslcatn f mvmnt that prcds analyss, and tusth rtin f imagtm and imaggur and nally a thirdmmnt, n f synthsis albit disjctv wn it s an unthinkablsid that taks t rdr f thught th thght f t unthikabl spiriua autmat

uch is scmatcally draw t prgramm laid t by t racti

vat f t ccpt t spirtual atmat' rm t vgl unflds bcaus as sggsd abv i bringig tis ccpt t bat was vr a stn fr Dlz f apyg' t as such cima; nth cntray t was a mar sg cima t trasfrm a act'cncpt ac h wrk f Spinza a opraor o aay a accratr f cncp r vn a inact and rgruscncpt that wld alw it t giv rs in s t a nw way f tnkgcinma n tr wrds h spiital autmat acts as a tansfrmr'f th rg f ccpts and imags in lm As Dlz wrtsomac movm gvs is t a prua auomao i s wichracts i turn n mvmt' Frtrmr frm th mmnt f its cfrntatin with th dsjunctiv lgc at wrk cinma, t ccpt fth

ta autmatn lr ss - s t s lac shy - [rl] lc r abstract ssty f frly cs fr r, bu crc t whch thy nt w tm, h sr pwr f frcs k an watks r sck a hck. Duz 989 17

hus h ffct dsplacg th atmat' frm gvn thrcal ld t antr s twfld a am m tha ys Spnzistplsphy ad praps all pspy frm s atnt frmasm, t

8 Duz nd Sce

ar ca r t patnt cha th p hck' t valthrn wha rc u t thk (ynd h pptn vtag and act-ag A n a th natur th pral atatn v n l undrd, t a ca wr llng

h h h h h k hi h

Spce and Mod Cne 9

qunc n Th Gra i r apl En culd tll lvn cna a a dvc that allwd h g ack t ag and trngth tgthr accrdng t th dand an ntr lgu' hath cd dc t th cr hght a an

d h l d f h h



wth wth th ag-vnt, yu can cap th hck whicharuss h hikr i yu A uctv and clctv autan aautac v th a h a" l 99: 16 ypha

A lng a hy had avalal t th ly a al cncpn vnt and h prductn da n cna da that tllrand rprsaiv lar ad l hrt nvtalyd t ic dnn r thy cud th hck wh thnhck and thry ducd th vratn th vnt-agt th guratv vlc th rprntd uch a rduct, nnd y a cfusi wd ckly and unduly alat cna aprtal atatn wth cna a th art prpagada r thrprductn ralty! Accrdng t lu, vn a lakr wh thgn S M. En, wh all h thrcal vglanc, culd lhl ta y an ntrly chaca cncp th ntc

d cnatgaphc autat' Etn dd ndd lcat th vnt' n ca that g rth hck w ag t th thght r, a h hl ad, t hccp h had ndd pd th wtd dalctc tha tn th tvnt upd dw a t pa r th cncp h afct andr h rganc t h pathc h nvr anagd prduc an adqua da th atur th autat a wrk n cna ADlu aply pt t, wth Etn, w n lng g h vnt-ag t th ar thkg th whl that t pr w frm hii f h wh which i pruppd ad scur h aiad mixd-up mas which xpr i (Dlu 989: 19 y pha th , Entn anagd t ntut t cpl nat thcnatgraphc hck th r ppt, a wll a thtught that t ngagd n th r pptn vrc, r thtranratn ppt (Du 1989: 158 ut n rdr t dalctcal, th trarat culd n rnunc th da a talya a harc ynth part ht that pr-td th n aSujct' r a Wrld h clarly gal th daltal paag ag that un th pat' t a ath that th th and pradut h' hat , t hc rundng r th nccu cncpt a whl t th attr-ag untan ra untan luu watr, purtg g-ag rng r, a n th a

rd hl a cncp cna tndng c f h hcal dnn hat dtrnd t n gca and gaatca dn Etn wld hav had t apprcat th r ply ic"rag ca r althugh cna wa awaknd, wth h t th

pwr th gr-ag', that , t h ral play, that [n cagv th ag an actv charg that wll tnfy th nry hck,dd nt tak accunt wha agan cna, can rr t an utdhat hr rduc t an ntrry a uctvy r an trrty a r xa r trr' wrld W ut thrr nv ahr n that lngr cnt n gg r ag t thughtprcpt t cncpt r r ccpt t act (thught t ag utwhch rpa th dalctc t crat a v i which ccp admag ar h ccpt n l n th ag, and th ag rtl h cncp Th lgr rganc ad pathtc u dramaicpramaic praxis r aci-huh (Du 1989 16 y pha

n th n, r Dlu, Ent wuld hav n th thrtlakr t dtach arratv-prntav ca r t pratv and wh llwng h, wuld hav arkd th cur acimaraphic ic - cp ha vryhng happn a h hadrducd t t quckly t an atat an nr th vc th htrcal rvn r dalctcal a. Wth ntn,th prual autan ca rvltnary Ma' a r nntahl wuld c th nr act Ma' I thca h aud-va a' ndd a l hat d th t aadnthr pry t g chang aftr hadw: n pt vryhng th advual at ca a pwl trunt r capturg th trrwrld ur wrld wthut knwng that t drw r th rgarc an ural and urd Outd

At th lvl what w wllngly call th prta Auatnranrr rva t ull fc cau tad ladng t apa th lat acknwdgnt partcpat a vval th prms ndd, thak t th vrtal tranrr' ccpt that thpta autatn, Dl al t pt ut that th aur thvag and h ac-ag n cna, a wll a th grdcry hat l n wat r t crcal prdctn can attrutd nhr t th pvrty dlg nr t h ac prducn (Dl 99 15) - afr al Rntah ad al

10 Dlu d pc

lms b mre nedly hh h dd n lwys knw hw rse sel he heh he cnemrhc msms nrnscwer erthn hens r Deleuze s cnem hd led keccun nd ly ully s enles n becuse n exes msm bu becuse lck rdclsm I s hs leel h

p d im i Modr Cim 1 1

se cmes suber he nure he relns eresenn exs-n n cnem beween me nd rely e mh sy h r Deleuzecnem becmes he rducer n rnl cmsn scemeh memrhses he rel Fce wh such n Ousde en us bycnem lke n ern he reresene rely es s llu



I

msm bu becuse lck rdclsm I s hs leel hhe wrk wer lke Ard lys such n mrn rle

h Aud he SAT wld be nesed wh new lence llwnhe renewed hnkn he ecnmy such key cnces s mntage

nd a whe n cnem ndeed n lner cnceed s the [smle]lcl ssblY huh whch wld rmlly ece s desrm ech her' r emle Esensens mnekn' nd eenless s he hysc wer hh h wld be lced n crcuwh he mc me r exmle he xressns shckme'Delee 1989: 66 nsln mded) he SA wuld nsed becnceed s Mummy' h wuld n lner sere s cun enders lke hse sll lyed u n he sensen eshec hunderke ecenre he Subjec s Pele Hsry esn' nd sn) Hencerh cnem culd nlly be hh n s dlecclr lcl nsrumen reerrl wrld' nd sbjec lwys

lredy en bu s he ndcr rul wrl nd sbjec cme) h Esensen he umn lwe n m he me he huh hn rked he shck r he brn h ws su-se e rse huh n huh' elee 1989: 166 bu mhuh me here ws sll he selncrnn ure n he ne-r mnlue cbe n s he shck n dleccl umn

h Aud we wness n leher dferen reme huh swel s he cn n herwse mre cmlex dlecc:

Wa nem [heneh advae e e hgh bu un' ll lge e need em sle h

b ha e nem uld ng s m he usde b hs enalnhb h nenal lae d ltn e hgh' h hugh cs get d c Duz 66

Once rsed he heh srl umsm' cnem wuld nlner be cnceed s n nsrmen ser rerduce hh rreresen he re bu wuld nsed be undersd s mchne suerr rder ne h ses huh n reln n Osde h cnnbe educed wld sd be exerr' em s sul umn mhne' h us hh cnc wh n Ousde h

cnem lke n ern he reresene rely es s llufec cnemrhc rules

y wy llusrn I wll ke secc exmle nlysed byDeleuze: h he Whe, he de he whle n cnem. he hle

Deleuze ells us s ec nn h cn be rced bck t Rlke bu sls hlshcl nn elbred by Bersn. s herere ls rrus nd nec' cnce As Deleuze ns u hweer smrn n cnuse he hle he de whle n cnem wh he de se In c r ll h se unes ery erse ele-ens s srucure mus remn n less clsed r seled . my reer be nclded n lrer se b hs ler wl n s rn wsh rclsure nd s n nny he hle Deleuze ells us s nher nre enrely cnn be ssmed se becse s he rder Tme' Deleuze 198: 4) qe Deleuze: he hlererses ll ses nd s recsely wh reens hem rm lly elzn

her er endency whch s sy rm cmleely clsn hemsees ' Deleuze 1983: 0)llwn ersn Deleuze sys n hs rn: me s he en s

wh chnes nd kees chnn s nre n ech nsn eleze198 0) 8 e cn rnsle hs hess by syn h Tme s he Oen s wh chnes ll hns n cesn chne he ne hnsn ech sn me n cnem s hs hle whch s recsely n sebu s her he ereul sse rm ne se nher he rnsr-mn ne se nhe My wrkn hyhess hererebecmes he llwn: Deleze creed he nn he sulumn n n em hnk bu he reln ime-whepenHe des n sy th nly cnem hnks hs reln he meely sys h

s cem h mkes eser r us hnk '. In hs sense here sr Deleze smehn lke edcl' dmensn rer cnem.Ad n c s demnsrn s relely smle nce cnem s use sn err nlyss r nun such snulr henmenn lluse hs ew Deleuze kes s mdel' he llwnhree leels rnsn nd cln he me: rmn ctnnd memen

I qe: mn s he deermnn n rcly clsed r-snl se h ll ernces des n ehs wh s ske n nemrhc me; ye s cnsnly ersed by cutn wch

2 Dz ad Spa

i, he deerio o ovee o ovee ditrbed i the ee-e o the et bt oveet i it tr lo epree ge or vrto i the whole, whih i the job o otge' (Delee 989: 4. Ithi ee, te Whole i the power te m tht t ro etd peilly prevet the o beig tolly loed o To illte

Spac and Tm Modr nma 1 3

t pe o ew ie beig ot eery led (oly to oetehi or hiorl ptiy bt lied ol hrteti o ie i geel, whih loe ke ( deree': wh ihe te o te exitig lik betwee the lige or bette te lhgh d teworld Dele diovertht eprtigtheiot o



d peilly prevet the o beig tolly loed o To illtehi e, Delee tke the exple o the oto o oe' thtree, ordig to hi, to wo ditt relitie oe hd he idi-e th y gve e i prt o greter e o two or three dieio

(tere re obje od o t ide o te door d objet t re ot-oeld, o th oher ide The secre beyod he doo! he oterhd, he idite tht et, pge to whoe o oher te,t of orh d fh dmeo tht keep hgig thogh the etit trvere, o tter how vt they e the oe e it i ptild teril exteio, whle the othe it i pirit deteritio'(Delee 1989 40 y ephi, Aog the ero expe'Delee peilly lye re o ore the work o reyer dreo, whoe l how jt how dilt it i to eprte the twotype o deio': the er d te piritl, the ptil d theteporl E e t eee o te grod p he relto

or elio to te Whole tht wi trvere the et or, Delee y,i gret i ll work o , here i wy oethig ope(eee 989: 40 Ad yoe eekig to kow wh t i will dioverit i tie, it the whoe, proded tey re by the totobee the toto i oe other th the he' tht llow theddig o dieio to te t d he eod dieio o teige: hotrevere hot

ere the, i te ide o he Whole evered ro y de o ogio dilet toliy. h i ot te oplee toy o the AT loebe eee o oregrod the dferee bewee theoeid problet' regie o l thoght ledig hi o ethk opetely ie· reltio to it lgge d it obje deed, red

with te A, eee eily how tht the ie o Eieei oodd or exple, refer ot oly to ideologil or etheti dieree bt ore poitedly to pio dieree o poitio vivi thetre o the proble poed by ie d t wy o reolvig teh ro oe lker to other, ro oe etheti to otethere ex ot oly tw orotig or oppoig etheti, bt w eigiyig rege d wo ew regie o hoght he probletrege d te theoreti regie w rege tht et te wy wete te d he wy te et

ly lo revel thkgi to the A thede

hgh, d te world Dele diover tht eprtig the i ot oh y prtilr worldly dreeme brek i the seoryoor l (ioige) d more rofodly he lik bewee d the world (gret orgi opoito (eee 989 73 y

eph We hve ee rheologil o eve tedet d-ovey tht e dieee' bece it o oge eto ow egotitig he reltoip o e o the world i pyhologo pril er, bt i oe o opeig p ew ed o thog: prepyhi eld d ittio d the pe ode o gey o opigd oig tht be obilied by ler i they re to be pto the tk o ig viio tht wll rry he o to ideite,lie beoig ht i too powerl o he: the thikble t ooetl! Too hrd to ke' (Roell) Ipoibe to y! o or-lte!' (Godrd Cie o he eer

h odio d thi i he orbto o he A te

work o Eete rtered le by y or t' o ideologee th by te priy he gt to hoght whih the terlreltioipro priiple to oeee' (Delee 1989: 174 wodrevil By otrt the work o Godrd o olii i hrteriedby he probleti hrter o the eoter o ige (opig dd oig) wih te world' th i o be privileged Thi ibroght bot by he itervetio o evet [thi te] ro theotide eovl, dditio, ttig whh otte t ow od-tio d deterie the e (eee 989: 17 ie io loger oeved o devie or ppt llowg to rep-reet the world i ore or e reli or dete wy, bt toto i ti t i lled piritl' tht llow t brig theUoso mehm o hogh to ooe' (Delee 989:1, y eph hee preie relt i te rdilly dieretor or type' hieved ordig to the oriettio or hoie e ke A ltipliiy o or orrepodig to vriey o ewbelie re preeted ot eerily oppoio to, bt i dditotthe ietei type: the smmoble o Welle the exlble o obbegriet he dedble' o Re, the moble or, o gi, the ommerble' o Godd, eh opiedb t ow eitivit o tie (Delee 989: 18 y epi) o yritio wold hve bee ipoible o big to light Delee like



8 Deee nd Sc

4. W a, o lz a l blo, onalcal oraaal,an orocal

rf r o n aal lz propod of adoval opl a ork cl Focal o S lz 198 94123 avdodok o poanc of ocal a for l o of confroao b of vl' ad r of o

Chapter 9

Ahab and Beomi-Whae h eNomad Sbje Smooh Spae



oal:

Rar a on o lf, cao o o a pal focdrv fro acrad ob of pbl rp o a d of vl T vloc of r aa o lk

ao n a par alaor a n l a onp or pobl of o ad aao ll b crad? Wa pob ofbraon or alnao ll rald Roock 199: 33

Ovr pap o crpac a orp' 20 ad doCoo ork o val' a 1988 and 1998 v a adqa daof n pobl ofrd o ca for k rlao of cnaoap a o a'.

I fo A odr o kp oprav, a acc'do d: pral aoao a alraor of concp!

Or a dad parazd, prd frozn na c "pob o k a o lz 1986b: 66

8 I Te Timemge, d ao forla: T Wol ca ol b o,a it i te nd epesenttn otime wi olw m mvemen'l 1989 18, pa R

9 Fo a orcal pod on o r lz 1989173f. a r on pa

T problac dnd fro ora or orvfro aoac n a o vlop ral laop roprcpl o onc l pob o a v ro o rova adon c o on condoand d a or a

aa aoa of a r z, c prodc o od a o c po, a kabl o llaaoa' z 1989 18-9

Tamsn Loane

he work of Gille eleuze deelop a wa of oeiig reali i erof dai poe ha priilege diferee raher a idei oee raher ha ai ad age raher ha wha reai e ae wa of ikig alege o ol radiioal oologie fouedo he derlig eee of hifig appearae u eorie of paead ie relaed o oe oologie O eleuze iew oo eeoo of pae ad ie a oalied whole wihi whih eerhig

a e eiher paiall or roologiall relaed wih repe o eerg ele are o ore ha reropeie oru e oee oflfe are reaed o oe aoher i heerogeeou blok of paeie hadef uh repreeaio Of ore we a ad do loae ourele wihrepe o paia oru grd of ile or ere for eale orie-lie a we a oordiae wih e paial ad eporal or o oher B o eleuze' iew oio eperee iforeda he paial ad eporal orieaio of diida a well ahe oodiaio of idiidal eperiee io a olleie eperiee ofa oiall hare pae ad e are he eerge efe of ol perceptible processes.

he orae uje of oeporar ulure orie herel wihrepe o oeioal oio of pae ad ie he oadi ujeha appea i he work of eleze ad eleuze work wh liuaari eperiee ad hk pae ad ie i er of lok of paee ha are o eearil liked o a aioa whole of eauraleui he raforaio of he paraoid uje of oeporar ulureio a hizo ue ale o eole reaiel i ierdepede ouio wi oer equire o o reiqg oaie oepio ofel i alo require ehiig he pae-ie oordiae of e oeioal reali roug whh oraie uje ore eele

I eplore e aleaie oepio of pae ha eerge e

6 Dl n Sp

concept of heterogeneou block of pacete and ooth pace deeloped b eleuze and Guattar n A usa laaus (18 Lkeeleuze' concept o the teage n ma (18 or the nonpuled te of on n Lc ose (1 the concept of blockof pace-te and ooth pace challenge the reader not onl to thnk

T Nmdc Sbjct n St Sp 6

pace n Wa s Plsp ( Deleuze and Guattar ugget thatch panter depct the bod a eh that opened onto a urrondngpace the houe' (Deleuze and Gattar 1: 181 h pace orterrtor a pace of ntate exchange of the bod th t edateroundng that allo the el-regulaton of the organ that utan



p p g u eperence reaty dfferentl n partcular the foter entty tothe pace that ght drupt procee of hat Deleuze and Gattar callterrtoralaton that hoogene heterogeneou bock of pace-te

nto the regulated unt of ocal pace thu openng up ne poblten ng he noadc ubect open to unconentonal pata orentaton can ake ne connecton n keepng th the oeent of lfe at unfod conder the cae of hab the ea capan obeed thchang the great hte hae Mob-ck n ordet to eplore theopportnte a ell a the rk uch eperent n lng can ena.

To and Rfan

eleuze concee of a bod be t phcal or conceptual a a et ohabtuall patterned force that utan telf though t poer to

afect and be afected b the force urrondng t he nonperonapoer to aect and be aected of the rad procee of a huanubect utan pattern of the pat n eepng th the condton of thepreent onco aarene ncludng the patal orentaton thatnlect t the eegen effect of procee that are perceptbe aell a perceptble. hcal and boc procee copre eent orngularte pont at hch crtcal threhod are reached that reutn a et of eleent ong fro one knd of tate nto another. achtate n the ere of tate that copre the bect a conergence ofhabtal pater of thee procee relaton of oeent and ret andcapacte to affect and be affeced that are ether actua or potentalhee tate of reate equlbru are ala on the erge of hftng nkeepng th hfng condton that brng the eleen of t pattern tohrehold hat conttte h n pattern hee procee take place atleel belo a ell a aboe the threhold of aarene

Pantng ke other ar or can alert to the fragty of our patalorentaon rt can create onuent hat eoke perceptbleorce that affect the bod a a lee tpcall belo the threhold of norate concoune h the brhtroke o panter ke Van Goghand ranc acon brng t aenton to coercepton of the ehthat de conentonal noton of oect and ther boundare ncludng or on bode a hca thng ccng dente poton n

g g gt contnued etence h terrto n t open onto the coounere or the nee a hole Openng the eh to the coo-unerethout the protecte pace of a houe or peronal terrtor ould

lead to the dee of the nddual Refung an connecton to thecoo-nere ecept thoe pertted b one' terrtor can lead toeadenng repetton rt can thnk' our relatonhp to the unere na a that can open u up to a realt beneath the threhold of conentonal eperence thout copletel detrong our patal orentatonn the proce

n A Tusa Plaaus eleuze and Guattar charactere tertoralanal a natural artt ho etablh relaton to perceptble a ella perceptble force throgh the refran of ong brd or oeentand arkng (ole rabbt that create a knd of pace of lfetanng regularte thn the chaotc pace of the coo Lng organ

hae nteror e (cellular foraton oganc fncton and exterole (food to eat ater to drnk ground to alk on Eer leu brator n other ord a block of pace-te conttuted b the perodc repetton of the coponent (Deleuze and Guattar 18: 1 the leu of the organ hae ther on paern and thee patternnteract th the paern of the other le th hch the concate. e rhth of the nteracton beteen thee dfferent ledoe not operate n a hoogeneou pacete but b heterogeneoblock' eleuze and Guattar 18: 11 he perodc repetton of theerent leu cannot be correlated accordng to the etre of reglarte Rhh the nequal or the ncoenurable of the dfferenceaong the perodc repetton of dtnct leu. hu an organeege fro chao (the le of all leu' a brator le orlock of pacete that create rhth thn the organ a ell ath the le eteror o the organ he refran allo the terrtoaaton of leu and rhth that create a hoe the arouhth of the bod' coponent and ther relaton to nteror andeteror block of pacete becoe hoogened nto the led eperence of the organ he organ a a elfregulatng hole th ton pata orentaton can then be opened up to orce beond t

Deleze and Guattar decrbe the ntal eergence o a chld terrtore n A ua Plaau

12 Duz n Spc

A hd n th dk rp wth r mrts s by sii ud hsbth wks d his s Lst s sr r ritshmswih is t s s bs h h s s ik ruh skth m d sbii m d sb, nr n h h hs. ri 19: 311

omad Sbj n Smh Sp 13

c sp d tim kpi with scly sctd ttisdwh msub uits th th thshld lity pstdthuh such cdits h htrus spctims th itri milius i pcsss s wll s th rcts th mus th dividu symbli s w s c wih th myd mius



I tks whil r chd dvp th ss sp thuh whihsh is bl ditivy pipi dit lcis Vius kids ris s hbitul ctivitis vurit wds phss hlp

hr t ct sp th llws h t l m t hm Th spcs sd d su d wtr rss d sky d trs uil d cib d m dstiushbl t thuh th dirt is thy cupy thJsy sh ctd twhur driv m th bckyrd hus thths hr bdm th scd lr but thruh th dirt lisd sstis sscitd with th rutis tht m i plyi thbch wli i th bckyd d yi i bd t tks th dily p-titi hbitu tivitis (dw th stis t brkst up th stis bd) d ptd trips (r w thr yt?') b th dt sps vius ctiviis bi b ctd it ciuus dstbl spc A ruptu i th chds uti mistk i spd hythm

r hmy wud b ctsrphic bcus it wuld br b ths hs dsry bth cr d ct' Dlu dGuti 18 1. h sps chdhd y d thhmisd ultd spc vi rly is i . hprs bdy ds d stiscts cd i ly iy ud h hythms ruts d hbts tht hp th child rs hsuudi virmt th dui curs hm

Idivduls Orts d t susti thi pw t ct d btd Ths rquis min prs slult But idditi t cti spc ht ws t susti th cmtihyhms mili pcs must s b bl t rt th w ps th circl cck . luchs rth hds impvisi. But t imprvis is t i with th Wld r mld with it vtus rm hm th thrd tu D lu d Guttri 1811 Mitii s hmsp ruis rpti is tht hvbcm miir but t withstd th vl rhythms i tht wyscch must b bl t imprvis w rris tht br smliship t ld rhythms h rmtv bc tmprysiy ds { sust itsl th m s tht svs rms rpit tht i ciu bmnthr n ddit t thbiry mhis ps d si id wmm duhrs bk/wt Pts/w) his ms rt s pr�

wthwhch i cms t tct. uz d Guri dvc th cstui mdc is h' d t pmt with implicitctis cuty impcptibl t th subjt tht uld b cul-

isd t w rtisTh mdc subt bl t supcd ps dtity i kpiwith virtul rltis tht dy vti ccptis spc willpciv s w s thik dily us ti th virtul tils upsbl ity cditii wht hpps. A prtiur stt irs cus wh bdis ct th bdis i spcic wys. Butbdis mpis m th wht thy ctuy d; thy ls mpris thpttl t c dity iv dit cicumstcs Th virtul rlis trscdtl d virtul ltis tht cd h cstritsprstd by ctuisd subjcts d thir bjcts spic vitu l-tis tus thy rsult i sts irs tht xclud thr sts

s but th xcludd vitu ltis stil isist i wht tusswith implcit c ht culd yt ud wih shi i crmscsBh d phlsphy c st md subjcivi Acrts pr-ps t sh us ut u hbtul spss t th wld d pup thr pssibtis pcv d hi by ulsin vrrltis hus rdri impptibl s prcpibl lsphy ui thiki much wht psss philsphil thuht iscdi t Dluz Stt thiki) ctulss vitul ltis sshruh th ri ps2 Dlu d Gutti hv ctdvrius cpts ( mpl schizlysis dtrristi dcstructi bdy withut s) tii th pi idividulslsusti ptts dymi lws prcss tht mutt ths

pts it bcmith But i such is iht r t d tth prlirti livi cctis with th wrd rthr th thdm th idvidul (v mid th dstructi hs rudhr) sch cstucti must b d with cr. t is v mt simply opnn s t th cs th uivrs but wys tivy vvi 's pwrs t t d b ctd by i irt with surrudi cs

64 De d Sc

Th Smooh Spa o Wha Hnng

eezeconses he mpc o vual foce of a pocess o e as mpo-an as s acua nconng The sngaes o a pocess have valelaons h he sngulaes of ohe pocesses hen a pocess eaches

h h l h h h f h

Th od Sut n Soot Spa 65

mens, an sensaonsemoons hey hs esonae h he virual eahee no poe o affec o be affece has een exclue ue o he spe-cc foms an nvas lfe has aken

Wa eee n nma 986 calls anyspacehaeve' s aspaal haccey ee fom convenonal ocaon hn a oaly o

h h ll h h f h l ll



a cca heshol ha pshes o anohe paen of acvy, hsacasng sngulaes ha ee pevousy ony mplc s poe oafec an be afece changes as ell eman Mevlle escbes sch a

momen n hs novel, o When Aab les sck afe losng hsleg o he gea e hale, he s foce no a peo of nacvy Acca heshol s eache, an nefusng' of boy an soul ha acu-alses a capacy n Ahab fo becomnghale3 Fom ha pon onahe no onge meely hns hales he becomes obsesse h seconguessng he movemens of one hale n oe o enac hs evenge Thevual foce of he ohe paens pocesses coul fom s a ynamcaspec of pesen ealy Va poes of affecng an beng affeceae aspecs of he pas ha conse mplc foces of he pesen Thesefoces unfol n ocs o spaceme ha ae only coelae o hespacemes o ohes hough eoalsaon of man paens no a

egulae hole If Ahab ha eoalse he oss o hs leg o ha ofa sea capan cayng ou a j ob h can sks he oul have pusuepaens of lvng paens of eelng meanng, an acon haepeae eans ohes co cose Insea, somehng some co-gaon of oces a he physca an symbolc leves pushes hm onfo he mpecepe oce o ipc singulaes no a couse oacon h a ogc of s on

n A usan aeau, Delee an Guaa say ha, [s]moohspace s lle by evens o haeccees fa moe han by ome an pe-ceve hngs I s a space of afecs, moe han one of popees Deleuean Guaa 1987 4789 Smooh space s a space o mplces con-sce hough local opeaons nvolvng changes of econ ha

may shf n eepng h he joney self o he shng nae of hejoney's goal Evens of sense haeccees an afecs ae sngulaesof sense, movemens, an sensaonemoon ha ean he elaons ohe vual eal4 Human nvals as senen language speaes hboes ha neac h ohe boes ae noes of all hee An nvual hman beng acualses specc congaons of meanng (Ahab s asea capan, nO an accounan, movemen hab on boa a shpleavng Nanucke an sensaonemoon hab sans on eck eemne o ea evenge pon Moyck) vens o sese haecceesan affecs compse va as e as aa elaons o sense, move

hch all spaces can e eae n he chaoc eam of he val allmovemens ae elae o ohe movemens n a scsson of heconcep of he movemenmage nspe by Hen Begson, Deleuze s-

ngushes movemen fom space space covee s pas, movemen spesen he ac of coveng Deleuze 986: Spaces covee by move-men ae vsbe an elong o a sngle homogeneous space hlemovemen canno be ve ho changng qualavely each me s ve Deleuze 986 Movemens of ha Deleue anuaa n A usan lataus call eeoalsaon nfol hespec o one anohe ahe han occng hn space as a vo heyae acs of uncoveng ha ae no efee o space conceve as anfom aea of measable uns hn hch changes occu.5

gaic lfe nclung human le eqes susane paens heespaal elaons ae epeae A haeccey s a specic coguraon of

elaons ha s nvae no hough an asolue locaon in a space-me epeence o hough as a oalse hole u ahe hough heelaons hemselves When a m pesen an n a ay ha ecs oaenon o, no ha an eally s bu he ay n hch appeashen, slen an connuous, ps fom leaf o lea', pesens nehehe concep of an o he sae o a any me an place6 Insea he ans a se of sngulaes hch pesens he an as s n sf pue poeo qualy hch combnes hou absacon all posse ans anmakes up he coesponng anyspacehaeve (eleue 1986 11Cnema ca h' hngs as hey ae n hemselves by pesenng hem nelaon o a val ea ahe han famla acves he camea ooms allong ou aenon o lnge upon he anops glsenng on a

leaf We ca hen expeece an beyon he convenonal efans each o o pesona selves he haeccey of a an even s no e o convenonally emacae space locae n a homogense holensea foms a lnk o ohe spaces ha evoke a sma se of elaons a epeon of he conguaon of molecules o ae an a h hepoena as ell as acual capaces o affec an be afece (he an-ops glsenng on he eaf evoe no ho many mles ll have o alo ge home, b an nney vaable congaon o eaf an an haompsee evens o beng an glsenng' an beng a eaf n sh-g conex h ohe boes ha can affec o e aee by hem)

1 66 lz d Sp

A huma idvda ca rint hrl a p up a catlin trm h gitd ad attud mappd ut thugh a cnvti thrgh wig th cnt rck and ach h dicv a hg I th mr ca hr cal mvmt ar chartd with pct talrad pd pt (thu impig a pa rganiat upn th

h d) h l h h h

Th Nod Sct i Smoot Sp 16

thr h madic ut a t xpric pac in trm hacciti ad th gh th gap twn prcpti ad aci in rdt rat wth mprcpti rc act hi ca tr lad ta cratv p q itd t th acta ad vual atin th prt itatin rathr than a rptti haita par

i d d i h



mvt that und) n th lar ca hr pac h at achmmnt a th mutiplicti which h i a par hi (rcka-hip tad-achvd-in-a-hp) l and attari advcat think

ig in trm mltiplicti: Multpcit ar dnd thtid: th atract , th lin lght r dtrriraliatiaccrding t which th chang in atur and cnnct with thr multplicit. h pla cnitnc (grid) th utid a multipliiti'(Dluz and Guaari 9 9 A hit in mtipliciti d t ccur inpac rah it taih a dirnt cguratin th rlatin prc in mvmnt: lwl-vlving-rckchppagiding-hip trlativ-atmving-and-calmr-watr-hip-almt-atatandtill:

ur rain p and wn n partic imp mvmnt dritriaiain ut a pur ac imp an nrpi ducicain T pan rgaian i cntant wrkng awa a h pa

nit awa ing pug t i ght tp r itrrp tmvmnt drriaian wgh tm dw rtrai hmrntiu m ad n a dimi dp nvr hpan citn i nan xriang i m h pan rania aung pa p t taa cramng m di pd w rang d c man amag rmiramag nc again much caun i dd t prvnt thpan citnc rm cng a p pan aiin r dah fprvt h invuin rm turnng in a rgrin th undirtiad u and uattari 1987 697

A jct wh rint hr with rpct mvmt rathr than artrpctivl crad ctruc pac actai cngrati

gulariti that nvr t it ann pattrn Sh xprinc pacnt in rm a ttait t which it i cnnctd wak acr th awnnar th park and th highwa) ut rathr pur ratin pd andwn (gra udr mving t a wind it har) that vk pwrt act and actd th acta ad ptnta (t puhing agaigrund cd ph h grnd r un) Pu act ar intnti capaciti t act and actd nt uctd th hmgniing dictat cciu awan Onc an act i xpricd aa ling r thght it ha arad udrgn a pr tiwh m it apaii hav mphad at th xp

acti dvpd in th path wha huntg th nitth tur Hrma vi

dci by-ik ctitut a mtipic mn hip and a

that r th mt pat prat in mth pac Unlik hp r planwith pcic dtatin and t chdl th whaig hip Nauckt diratl crui m th mt ilatd watr thgl i puuit th whal il thrugh which th hip wnr cama a prt Althugh th captain whaling hp mak aquadrat which th ca acrta thir pitin accrdig t xdpint lattud and lngitd, th mt part li a hip plaut in th umarkd pac th pn a Athugh th t ga awhal hntig vntur i taing whal l th huntg wha mutunld kpg with th mvmt th whal thmlv h hipg t th watr mt ik t runtd wha, t hir itinrari

in kpng with wha ghing and p th wha with whichth actall c path Wav pla acr th a ac r di dwi rhth with chagg wind and currnt Wha trav grat ditac i thir ca ah r d Wrk th hip i ritdrm da t da kpg with hitg cgurati th ip, rw,a wathr ad wha

v th rk aur th wrk; th tak quid thunt a wha ad xtract t l ar pri that n a mv at anpit ang h wa man dath t th m invlvd mr thcrw mut prpard t imprv kpig wth hig cnditiip ar u at a r ar at a tim, nl rcivig w and th ccaina tr rm hm thrugh chanc mting wih thr whaing

hip h ighting a wha r anthr hip i rativ t th mvmnt th th whal r hp and n w hip. a a markd intrm wha caught, arr lld with i mr wha ightdr th ccaia ncutr with anthr hip h am crat anu hm n a hip pn t th cmic rc th a A dividua rganm with pcic patia ritati h diparat pac-tmck hir di hav n hmgnid int ditct whlill pnt th mmr th crw a cuu pnaitiach with a uni prpctv hi wn h cia pac h har icratdhrgh tatil ratn with ahr and th vnmn

1 68 Dluz and Spa

ryhms ha ufld amg m hy lca hmslvs n wsp h w ha crch whch all h mmbrs f hr w whhr hy kw m r av a ascaab spaal ra-sp, b rahr h m w wm y wr, ass hy hav prfrm, ad whas (always m a vrchagg sa) T h f a

md Sb n Smh Sp 69

val rlas f h aful cr as wll as h acal fcs flsg a g

Ahabs rsps hs gagm wh MbyDck s ha dsdscrp s sprd by fgs ha h ca sar, b by -ss ha rsa wh va las y acualsd hs mprcpbl rcs psh m d habl dac f h



y ps Ty hmsvs ss ms f mgs spac crlgca m ha rms f h sfg mlpcs whchhy a a pa

Aab s dsgshd m hs my crw lss by hs cccsha dagrs dc hy hav ak Alhg a rs s bsss wh avgg hmslf agas MbyDck s cmpabl whrhyhms sabshd by yars f whal hg wh Ahab lushsh scc' us f qadra avgag hs spac, s wll hs way frsakg hs m as wll as hmslf fr sak f hs bsss. By rg a bcmgwhal Ahab sks h rrralrfras f whal ug ad bcms a amalus mmbr f hpack f whal hurs (Dluz ad Guaar 18: 2445) h slluflds s acs kpg wh sablshd rhyms f wrk, buhs rhyhms bg dva vr mr abrra pas WhAab

abads h qadra h abads a alrady s whh srad spac f cval l prsu h smh spac f hmadc sb l p h wa ug mplcy fwhch h s a par

Aabs ac h ss f s lg as h frm f a dsbjcdafc a sy ha as csqcs fr w xprcs a s-a ad hs fr 's acs, bu whch s slf byd h rach cscus awarss. Ts raal' rupr hs xprc f cval raly mas vrual ral hs bsssv qs fr v-gac has appd a vrual cjc ha rsas wh whacld b as wll as wha s hs dpg f h lg f prsalrvg smhg largr csus a lghg f h gap

bw prcp ad ac ha allws Ahab rsa wh vral ral Ahab xrcs h spacm bw h lss f hs lgad h ac ha wll avg as a vrual whl whch al pssbls bh raal ad rraal ar lscpd amps smpy avg hmslf, b mafs h cav frcs wh whchh sas H rmmbrs hs faul cr w MbyDc rms f h parcular lgud ad lad w s hs lg, bu rms f a spacm byd rpsa h wd hs fac ad mvm f h shp ach m sads dck, sghs a whal, drs h wg f bas prs f a wal rsa wh h

cpbl rcs psh m d habl dac f hgrad pas yars hs prfss rsks vryg rd d h ac ha ca d sc h ss f hs xprc As

ab ds (hrw h sa by harp p cag ard hsck, hs shp (avg b aackd by Mbyck gs dw kllgvry bard xcp Ishmal, arar f bk hs absl f gh dsp sy f s crav frc, sccds ly dsryg hs shp, hs cw ad hmslf

Wh w ca hgs rms f a cval f spac adm hr ds ca b xd A subjc hkg accrdg classc ag f hugh pss h Whl as h al grud f bgr allcmpassg hr, ad bc as h prcpl ha cvrs bg bgfrs' (D ad Guaar 87: 37) Thsals a srad mal spac whch all h vars f ral adru d h plac (lu ad aar

87: 37Ths sbjc av-

gas a rgulad spac w crdas a ca dfy bjcs Thmadc sbc wh avgas smh spac ds hgs dffrlysh rs hrsf vsvs a sglar rac ra ha a vrsal h-g subj, ad a hrzlss mlu ra ha a acmpassgaly: <A b h ds sad f a vrsal subjc w hrz f allcmpassg Bg' (Du ad aar 18: 3)

Ahab s lgr h vsa sbc h sa capa wh svyshs shp ad h ca rms f a aly w whch has a sp-cc lca hs bcmghr h bcms may slvs all f whmar ccd ly by h cuy f a l bcg s prcp-s affcv rspss ad acs ar lgr csldad ms

f a sf ha rmas h sam vr m wh a spcc lca a alsd sac Th sgulars slcd acals haccs f mv-ms affcs r ss ha csu vral rlas capacs affc r b afcd, ad vs f ss fllw abrra ls adamrcal rhyhms dac f cval spac, mal racs, r mags hab ds d dsy hs sp, hs m adhmslf sp s bsss, ads hs ds fr as lg as hs abl. Oc Ahab passs a crcal hrsld hwv h lgrrlas h sa rms f a prsa sf H s a bcmg-whal. s a cga f pysca ad symblc frcs appd

1 7 lz and Space

a vinual rea ufodig forces hat were prevosy oy mpici at heexpese of the covetioa meaigs is fe co be give. He thusoriets imsef o wit respect to patters of ivg areay eacte ite past (for exampe, those of beig he capi o a whae htig ship)or te omogeise space-tmes of covetioa ife, bt ather ikeepig wit haecceities a evets free from te egaios of orma

oadic Sbjct St Spac 1 7 1

ick it s as i tha pas momet a the peset are decty iked Foreee, the past is aways preset it isists i the preset cogratio of forces that form or siato wit vta forces hat mayfo more tha oe way. Like the processes of a boy or the speecpatters of a poem beig rea ao the past is brogt to the pesettrogh the foce of impict paters a eaios that are ever ac



keepig wit haecceities a evets free from te egaios of ormatve expecatios

Bomngthr a h Vual Pat

Deeuze's cocepio of iviaity suggests tha te se as a k othig wth cetai attribtes is o more tha a stae of reative eqiibrim comprisg a covegece of mtpe ies o foce o myria adheerogeeos eemets that is aways abo to move ito aother stateTese ies of force or agage speakers ike orseves are composedof symboic as we as physica eemets Just as a physica boy ca bea rest a a perso ee a momet of stabiiy as a sef so ca a beief orobsessio propel a boy ito motio To coceive of he ivia items of oe of its states of eibium is to ey its mmersio aword of becomg were i both affects ad s affece by oher formsof becomig Normative sbjectvy tes to emphasise states o ebrium a assimiate its space a time to sociay recogisabe coorates A griike coceptio of space sggests xe cooriates withespec to whch ay a a movemet ca be mappe his aows sto coceve of space as a iform voi ihabite by a shared reaiy Achrooogca coceptio of time suggests a tempora gri of isatsta aows the coordatio of dfferet tempora perspecives accordig o a set of ogcay compatbe happegs hs aows us t coceve of the wo erms of static eites that ca be ocae wit ahomogeeous cotaier of time te way hat static objes ca beocae i space coceved as a emp cotaier Aab as a omac

sbject foowig a ie o ight that chages the atre of te waehtig mtipicity expereces a eterritoriase space a time It isthe aomos atre of the spacetime bock he shares with Mobyckhat aows him to free himsef from the refrais of ife marke ot wihOhers is exampe emostrates just ow eticig a ow rsky eteg eterritoiase space-tmes ca be

eees a Guatars oto o te vrta caeges covetoa erstags of time. he past as a trasceeta e ofvra reatios es eaios tat ey chrooog; Ahabs ramamay have happee i te past b is obsessive prsit of Moby-

trogh the foce of impict paters a eaios that are ever acaised as we as hose that are his past s ot he repesetabe pas ofa coUectve histoy, bt a o-persoa past that exceeds ay aratve o

a recogsabe set of ieities A ye a ove, a paig, a heory careease some of tese virua possibties by actig as a vector o foceeteig ito a ed of forces wit precedete effecs

eees a Gattais oio of te vta ikewise chaegescovetoa estaigs of space he trascedeta e of evira reatios of movemets ce eatos that ef the oto ofspace as a iversa grid witi which objects ca be ocate. Jst as theevets of sese have virta eaios tat may eve be actuaise aemboie hie so o spatia haecceities have via reatios thatisis he expeiece of emboie pecevers eve f tey ae impecepibe While he ormative sbjec expeieces te perceptbe reay ofcovetoa space a tme, te omaic sbect resoaes wih heimperceptibe reatios impict i her experiece After Ahab's shift itoobsessio, he experiece eac movemet of is sp ad crestg of awave as a aeccety resoat wit te foce of space as a virta whoeistea of a voi with which he hte a wae, his space was experiece i terms of haecceiies resoat wit te represetabe force ofthe vira reaty tat codtio ay give whae hut Symboic vectorsoverge wth the forces o boes cities, staes a the eviromet iways hat ca cosoiae habiua repeios or set ew pattes omoto eees a Guatar's) omadc subect ca oriet ersefhogh the estabshmet of refrais ta may creativey dffer fromestabshe oms Deeue a attar 198 1 A omaic

e of sbjectivity cosists i he foig of patters that are otreferre to a extera pa of orgaisatio or covetioa otios ofspace a time, bt raher evove from the force of patters mmaet tothe iva i its specc miie

Aab's encouner with Moby-Dick in conjunction wit hs years n hesmooh space of lie on sea ed to the acualisaion of a line of ght thatunfole accordng o a ogc increasngy foreign o hose aroun him wih sastos rests e esso oe migt take om hs exampe isthat it is by vng n the sared bock of omogenise space-tme tat weare able to coordinate a life we can lve togeter. And yet, despte the ·

1 7 Dluz ad Spac

orror of a a of acion hat detroed ot ut Aab b hi iad crew here i omehig abou Ahab a acae u The virualeal i alwa wit u no maer how regulaed our live become.Umeaured ad meaurable ace becko u beond te reauringl familiar ace of our hared real For eeue, ma aceae alwa rg here wit , beckog u o ake rik our hiing

Th Noad Subjct Soot Spac 1 73

obilie Aab' evege i o j a revege, but a revenge o ga ta hi own lie, a wel a he ive of i me become rivial incomarion e haecce of aoo hiing wae include everhgof imorace o Ahab i reoae wih al he lace and al themoment wen e cofroed or dd o cono deepe log-ig ad deeet fea I obeve uet for revege, Aab eeed



ae alwa rg here wit , beckog u o ake rik our hiinga well a our livig uc exeimen in living deie e rk teeail, a can, if we are caeful, hel u to evolve creaive wi e

becomingoher of lifee omadic bjec orien herelf o hrog e alread eab-lihed norm of ociall actioed hrehold, but raher hrough eeve of ene and haecceitie of efleed memor A Roi Braidotiut it:

h ntenive zn, yl, and me e f remembering doe even aim at retrieving nfrmatin i a linear maner t iml intuively edes I dsls idei b enng scs were virtualiilitie e clsd Is s eween al that wa trgrammed witin te dnn e Bd : 3

elee aoach ental atedg o he imerceble force ofmeaning, o our bodie, and of he word aroud u orde o reondcreaivel to our iaion a wa ha ll reonan wh he peena well a the va a iing tat reet Dr adpii, eleuze ugget hat conologcal time i ooted theabual conracon of orgac reoe ad he caacere a kind otme he ird nei of ime, a eail uereding auomaicreoe in orde to draw pon he geeraive eld of he va heubjec able o lve thi third ntei of tme would change wit imeitelf raher than mark out her movement wit reect o a meaurablechronolog u a living te temorali of he third hei of timefoer a omadic ubject more inereed i creaive evoio a re-

erving a normaive elf o doe living the aiali o mooh acefoer creaive aunemen o aec of our atialit that def regula-tion

Where Aab failed wa no in hi willingne to oen himef o imer-ceibe force in deance of a omogenied acetime lived wit other,b raer i h inabilt to aow i exerme to reoae wi theexermet of oter in a hared ligh hat took the efleed and m-bolic memore o a commit into acco e eerece hi uruiof Mobck a omehig uniue, a eve tried of habitua con-ecio to othe whale ut ad iead reoag with uprecedened

ig ad deeet fea I obeve uet for revege, Aab eeeda mooh ace coiued in elaio o MobDick Aab' aialorienaton were thu, in a ee redced from e mooh ace creaed

in relaion o hi i and cew a well a he roundg envonento thoe relatio of movement cocerg i ow becomgwaleeie Ahab' oene o orce beond the tertorial cone of heetabied refrain of whale hing he i trangel olated Hi obe-ive foc o Mobick a whale with wc e i in actual cotact forl hort eriod of time exclde the foce of i dail ineractiowit the men ad evrome o hi dail life

or a more conrcive examle of a omadc bject on a lie ofigt wit an alternaive aial ad temora orienaion, we ma eedto turn o Vrginia Woolf for guidance who, accordig o eeze andGuatari

sys at it s necear t atrate ever atm', and t d h s neces-s ate, t eliinae al tat i resmblance ad ny bt lst t eveynto t': elimiate everting tat exceed he mme tt i evetng tat it iclude and te momen nt he ntatneu, i the haeccei io wc ne l ad ta sls int e haecceite traarenc e i then ike gra: ne a made he world, eve-d/everhing, int becoming, becaue oe a made a neceari cm-mucatig wrld ecae one ha ureed n nesel eveting hareve u frm ling beeen s ad grwig i e ds tns atrate elminae ut evertig in (eleuze n G 17: 8

Ahab exeience of ace deeeed to include ot jt the ath of avoage he ad done before, but haecceie of whale ad ea ad hi re-

onant with ace e ad ever exerienced a well a hoe he ad Ahaby ave been ucceful at eliminatg reemblace and anlog tererain tha mig have normalied i behaviour from hi itatiout e failed o aae hi world wit everig i included Aabexerienced ace in term of ure relaion of movemet rater than aretroective conrct of a ociall hared ace, but te acetimeblock of Aab and Mobick excluded he imrovied rhtm ofAhab' men u the refrai coectig hab to humat muatedad h becomg�oter became a path of dercton he ha a crea-tive evoutio at cod diemiate througout he ocal ed

1 74 Dlu nd pc

ny il orinon nil h rioiliion of iin miuno on whol n u h uliion of i inulrii hn of ohr rur of bomin w mu imrov hrhyhm h k u onn wih lif wihou omlly rriori-liin from h rfrin h uin our hom h riion of oli rovi olliv rfrin h my ihr rown ou or hl

Th Nmdc jct n th pc 17

Massmi, 00)aable fo he Vual Movemen Ae Senaon DamDe nivesity ess

Mevie, H 1967 MoyD ew o atam oos.

oe

D l d l t t f t i t l h h t h F l



li rovi olliv rfrin h my ihr rown ou or hlrmoni our imroviion Bu h ri of onvnionlil orinion i no h only lrniv h rfrin w volv in

h mroviion of ily inrion ou unfol mooh hrouh n inni uion of lnk n hn in irion' hr hifin mo of im ou of h hronou blok ofiffrn miliu Dluz n Guri 87: ) o ur hmomn w mu b willin o rlinuh our m o moy howr of lif iniviul n mu our lin of ih in kin wihh imroviion of ho roun u. unin ourlv o lif-bomin ruir iorinin oulv from blih il normin orr o n o unfol in h ly of movmn Bu if wr no o roy ourv in h ro i lo ruir h ourmooh b r from h mril im of n on-n humniy h w n unfol ohr

eferene

aidot, R 00) Meamohose: owad a Matealt heoy of Beomng,ambide ol ess.

oleboo . 00) Glle Deleuze New o RoutledeDeee, G 1986 Cnema : he Movement-Image, tas H Tomiso ad

Habejam, Mieapolis nives of nesota essDeleze, G 1989) Cinema he me-Image, tas H Tomlison ad R Galeta,

Mineapolis: Uives of Minesota essDeleze G 1990) he og of Sene, tas M. Leste, ew o: Colmba

Uvesit essDelee G 1991 Besonm,tas. . Tomiso ad . Habbeam New o:

Zone oosDeleue, G. 199, Deene and Reetton ans atto, ew o Colmba

Uivesity essDeleze, G 001 ue Jmmaene; Eay a fe, ans A Byma, ew o

Zone oosDeleuze, G. 00) ans Baon: he Lo of ensaton ans D W. mit,

Mneapolis nivesi o Mnesota essDeee, G ad Gatai, 198), Aneds Catalm an Shohena,

as. ule, M Seem, H R ae, Mineaos Uivesi ofMinesoa eseleuze, G and Guata, 198 hosad lateau atalm and

Shhenaans. Massum, Mieaois Uiversiy of Miesota essDeuze, G ad Gatta, 1994) hat hlosoh as Tomliso ad

G cell ew o Cluia Uversiy Pess

Deleue develos te noto of te vitual hohot hs wo Fo eamle,see Deeze 991: -3 8-3 Deleze 199: 0714 Deee and Guata199 16- ad Deeze 001 5-33 Fo some e helpul commenta,see oeboo 00 97 ad Massmi 00 eeal

Amo the foces affeci man exstece is te foce o sense Deleuze adGaai ti o te sese of aae as a vitua eld tha s actuased i tecocee wods of embodied dvidals ocets ae eves of hiosopicalhnn tat ove ove cocete states of affais; the sese can eve beeasted i a secc se of a tem, bu fods n cocete means acalised n shifig cotexs. Specic meanis come ito la whe I hink, sea,o we t tee ae alwas ote meais viual impicit n lanae tatcoul be acalised

. To put it n Mevile's wods

[ve sce tat almost fatal ecote, Aab had cheised a wild vindctveess aainst te wale, al te moe fel o tat in is aic moidness heat last came o identif wit im, ot o all is bodl woes, b all is itellectal ad spitual easeatos. Te Wie Wale swam eoe im as hemoomaac icanatio of a tose mlicos aecies wic some deep me

eel eai n tem, till e ae left livn o wit al a heat ad af au [W]e b tis collision foced to owads ome, ad fo omos of das and wees, Aab ad auis a stetched toehe oeammoc, oudi n d wite ta dea, howi ataonian Cape;te it was, tat is to bod ad ased so bled nto oe aote; ad sonteusi made im mad (Melville 1967: 17)

he Lo of Sene, Deleue distigshesevets of sese fom specic positios and states of aais. A event o sense - o ut whales - ca be apliedto a umbe o walehntn siatos ves ae e becomns tatDeleue ais wit a alteatve conceto of me - te ime of Aio tetme of te pue evet o of beomi, wic atcates elaive seeds andsownesses idependet o te conometic o cooloical vales tat timeassmes i te ohe modes Deleuze ad Guatai 1987 6) I te tme oAio evets ae coected i te incompossble wole of dato o he viua

ea Fo a eul desctio of he esonian noion o sace as a etosecivecostuct, see Massmi 00 6

6 Deee 1986 110 quoti la as. ee a Massmis ecellent and nt accont of aects i Te

Aoom of Afect 00: )

p 1 0

Tascedea Aeshecs Deezeshosophy o Space

Dluz Phloophy of Spac 177

luz' wrk ffr unl difr li f ppr hiprblm bu h pr pn p iniy f diffrn rrr rr difr p n b m lrly undrd bynidrin h wy h ddr Kn riil pilphy npr h r fr i li i luz w dini f mldy fprnin mulifri ympm f wi lwy iud



Gregory Flax,man

ri h nly inl nr uu nd ri ppind n nun fl dh d n bu bl nd hn

uz Dff R

he Problem wit Spa

f p niu n f m prplxin nd lui np in llf Gill lz' philpy hi i ndbdly bu i npu-lin r mn ny ind f rdiil dii. n luz dlp wl ri f pil mdlii frm h mhd rid' mr d mlulr drid d dripi' diin y r fu ny mr rl n fp Wh w y wi riny b wh luz m byp in i? W mi rpnd hr by ui hi qinuurin i d impiin f n rrhi hry prmiih dniin p rnd drmiin r mpyil ry prupp h y rim f rprnin wi luz ippd rm hi rli mrph mir pilphr hi

nl lbrin f philpy f mmnn luz r ini h pri bin by rfi rdr n h dlimili f rlppin prpi f mmunii di dir-n d diprii f hru pil d iiilu 997: 50 n hr wrd rprnin widl f hry xprin f diffrn ply diffrn f p nd fri rn h r p qui wih whih w ih bi i hi: wn w undrd p in h nx f luz dir drri-rili rund (bgund) f rpnin nd h h rldd rulr dmiin f ll prpi?

p y p yrn h ubjfrm nd minly h lbri f xp-in ilf rud ri inilbl ndiin f pibiliy. ndd

Kn pp drmin p rdin h ry priipl fprnin h h nlyi f a pi prinipl h nr p h rm f ll pprn bj) nd y, m u wr i fr rin ubbr prdipiinKn mi h hi pn iu fr ibri p frm iiud rprnin hi rp lz n nly rur Kn f p bu k rfrm i rdl pr byubmiin dinin f inrnl fm nd xl b rdil rii: i f w mih y luz dil h mu-y rfrd prin f inid d uid Innv nd Uv, h w h nihr drmin p ihbi r drminprinipl f p inhbi u n irmn wh h ryp f p i l uinbl lz prn h hllf ur philphy mly nd w drmiin wi whih rri immnn f prpi nd uh.

pae wihou Snaion

llwin in h rdiin blihd by iz, luz' k nprni mur bh i frfln nd nun by rurnin h u f hi in h mphyi rdii ppriblyn iffn and ptin bu l lwhr lz m h im f rprin nd rl i h dmin f

ibl xpin. i rn h hi h i f h n-b) uld b fundd n wh b rprd' luz mlz 1997: 56). n r wrd w lz d rn i hhilphr wld w nin ilf r w h ll rliy h rl infr i i uh d h ind idr hri dnd ndiin pibl pin luz 1997:68). f hi urn n b dd r philph lndp bu li n rhq wh rmr n b rd bk r nr n w r hi rdiin prj fin pyi n h Cqu f Pu , n n

178 Dluz Sac

speule reso mus beg by lesg judgeme of e oll emprsm For s reso, e dds we mus dsow e rdoof eses soug o refle uo ul seso uder e spes of se:

ms e e oy po wo uy m use of wo s· od o sgfy w os l of s s usg

Dz' Pooy Spac 19

uo of our md (K 1965 68 e ery groud ordg o wwe experee e world s s e po o w our dsusso sbee drg se we e lly rred e juure we K'sese be udersood s rulr mes of elborg eoep of spe oe words we ould sy e delmo ofeses s see of e sesble deermes spe o s sgul



od o sgfy w os l of s s usgogd e bo emp md by mgr, dmblly o g rl rm of e eu de o·

l prls d so rse s rues o rk o s sudour r ruless sd s o r r, s grds sours mly emprl oseuy o s s deere po by w ou judgmes of s mus e dd (K 1966.

Wle s rbly red s pssge, rgubly K's mosfmous foooe lg of e remrkbe ge o er mrkse subseue C ojgmn, we eed o look s e Cqeo P Ran o fee dsqueg sese o odo K'sesue of merely eml' judgemes dors e x's oegseo e Tredel Aese' w uros o desbe emes o our ede (ue) reo o e world so skowledge begs w seso, K expls, e md mus beffeed er wy orde o prode e subs of kg:bjes re gvn o us by mes of sesbly d loe yeds usntn; y re g rog e udersdg d from udersdg rse cnc K 1965 65) Hg sd s mu,owee e key o udersdg e sede ese emegeswe we gs seso s medely dfereed fom mes of s subjee sesby I s prme o Kan' CPy 196) Deleuze mrs s dso w e ey ooof rereseo, uog we mus lwys dsrme beweew s preseed o us qa ssble dersy o eome d e

odos of ose preseos q e pue forms of ou uod our sesbly Deleu 199 8

us we e Cq P Ran begs by kowledgg se·so s kowledgeme u ookes osdeo of ourorm py o be ffeed: K dsles osdero of ulsesatos, w sufe rom e sstudes of empra umstaes

ad judgmets, w a elaborao of te tasedeal odos of

ossbly deg wat a be eesetd. Te trasedetal aes·

tt exguses bot te maks o empra exee ad of oga (or dsurs udrsdg ode o soe e subjee os

p grrgeme o ggege o sesos bu, rer, s e form wsesos ke ple be sede ese we s, ere

fore, s sole sesby K exls e resu o w s wed ee re wO pure oms of sesbe uo serg s res o pror kowledge, mely spe d me' K 1965 67)r from beg smle exse rersg e wold lrge spes deed log w me) s e subjee form redes ll sueperee, d wou s form e ul experee of spe wouldbe uerly megless s K resos, e bsee of spe s umgble beuse spe s e groud of ll pers

Innr an O Sn

order ruly o udesd e omplexy of eeues em o dee·orse e groud of represeo w s by o mes smplerepudo of K's rl losopy, we mg beg ere by osderg ow e ler dees e form of s lg of e form of mee rso for s les e rl dergee ese forms udergo e rs Cq despe e osesble symmey deed e rsede ese lly ppers o e ded up e eld of represeo bewee se d me, d s sese of ropoo would seemo be ormed by K's orelo o ese deemos esey w ouer sese' d er sese' Wle es erms e morebulous ey pper, we mg ollow Hery Allso ere we eexpls by oue sese" s me sese roug w oe

bome perepully wre o objes s ds from e self d ses. ly, by er sse" s me sese roug w oe beome perepully wre of e self d s ses' (so 19838) us spe s ded s e sese by w, we reprs o ourseles objes ousde us' d lkewse me s deed s e sese byw e md us se or s r se (K 965 67 epoblem w s formulo, o lss w wol sse of symmey perdg e sedel se s obes ousde o usas m w spe, re o less me. Weer reprseos e o e obes oue gs or o' y l qufy s

1 80 Dlu n Spc

eermiaios o he mi ha belo o our er sese ha is, imeThus whereas spae, serves as he a pror oiio oly o ouerappearaces', ime is he ormal a prior coiio o all appearaes'Ka 1965 77

Reaers o eleze will liely recall he varios oasios o whih heelebraes he ea Kaia reversal o ime a i lare par he jus-

Dluz hsphy f Sp 8

io s i really possible o provie a rasceeal aou o spae haeses he coiios eermie by iealism, whih s o say, he oriial represeao o space I a sese we mus ami ha or allelezes iscussio o he hisorial repressio o ie i avour ospace, space isel is o less subjae, o less limie a ha ay philosophy o space mus bei by rasorm he very presupposiios



iaio or aoii such a revoluio a be rae bak o he pec-liar saus o ime as boh ier a ouer sese3 O he oe ha,

eleuze creis Ka wih reversi he aie suboiaio o ie ospae, suh ha ime is o loer ee aori o, he arialpois hrouh whih he perioical movemes ha i measures passeleuze 1990 vii) ree rom is ieiaio wih moveme, imebeomes, he orm o everyhi ha haes a moves. O he oherha, houh, we have alreay see ha his reversal is preicae poa uersai o he subje aor o wich ime also serves ashe orm o ier sese o our ier perepios a hai saeslike he eposiio o space which impliaes subje a obje i amually separae isicio, he eposiio o me elaboraes heimbriaio o ouer sese a ier sese es, ime lays he ro-work or ouer appearaes, suh ha ime is o loer simply aamou o a moe o successio or moveme bu his oly oursbease ime miraes io he sbjec, ri like a rak or aul ehouh he raseeal srcure Whe Ka says ha ime, isoi bu he orm o ier sese, ha is o he iuiio o orselvesa o ier sae, we mus uersa him o mea ha he empiri-cal eo isel is bahe ime, aece by he waves a luuaios ome a, hereby ivie om he ieal o apperepo he Iwhich emas he syeses o ime Ka 196

Is i possible o mae a correlaive revoluio o space hepreace o Ka' Crical hlosophy eleze observes ha he eiio o sesibili eeorh eais ha, bJoh space a ime have o

compleely ew eermiaios, as i o sues ha he rase-eal aesheic ha liberae spae as well u by he ime ha elezeeurs o he problem o as meaphysis i iere aRepeio rs publishe i 96, he seems o have aepe ha suhew eermiaios' have bee le o ure philosophes o reaeWhereas he Kaia orm o ime eermies he coiios o represe-aios b also orms he becomi o osiosess spae is everrae ay sh reciprociy: he a prior principles o pace coiue o

eemie he coiios o possibili o spae as oer sese bu a o poi o we rasp h ue pce ca ve rse o ew orms opercep

aori o whih spae isel has bee raiioally eemie.

tnion

I orer o iauurae his proje, o realise he poeial reisribuioo wha is calle spae, le us reu o he mos recive a pessimis- cirumsaes o Ka's raseeal aesheic, he poi a whicho aleaive seems possible a space has bee surreere o a ial-erable a priori orm. We a bes rasp his sae o afairs by reriohe uesio o represeaio a, i pariular he vesme o sesao rom he sesible As we have oe, as oray io sesaiooly serves o clear he rou or a eve moe raial rerea rom hesesble, or i he rasceeal aeshei esablishes our reepivi osesaio i ulimaely oes so orer o isiuish wha par o represeaio ao be aribue o he afecios we ecouer hespeci oe o represeaio Ka seeks o lari he isiciobewee sesaio a he sesible i erms o, respecively, maer aorm The s is always a poterior epei as i oes o a empircally ive sesao while e seco ieie wih spae mus lieeay or he sesaios a prior i he mi Ka 1965 66) Oly whehe laer has bee eauae o he aribes o sesaio as well as heisursive empaio o he uersai o all a is empirial aall ha is ieal ca we speak o a pure iuiio

I e away o he prn a oy a whch he ue-

sai hk i o i, b, oce, viiii, ec, a lke-wie wha el enn, ieerabii, hess, coor, echn ll reais v h cl i, aely, eeioa e hese bel e iio which, eve wiho n clojec o e eses n ei i he mi as a mee nbl Kn 1965: 66)I a sense, Kan's procedure strikes us as ounter-ittive, since the

orm of pre nuition empties space of the very properties ta we tendto cosider impotant or even necessay. I i had to imagine muc ofaythig depedig 'upon! a red wheel!barrow glazed with rai!



8 ele ad Sp

esses swr derences, rs ree, wd r tedderences, rery derent nd rg sce nd te eee

Fr et, te, e s ge tt bene he rnd eresenttn nd he srce extes ne exerence sce rsn her wds, we st esse exes bt, rter, res-

zs hhy Spa 1 85

cnssts n sggestng tht reesentn dees r the genetc ce dference tt extens eeres r dference eee's ees, the, csss n ng he nense ntre dference, nd te d-eren nre tensy, cnste te cndns r te sensbee sese r sensby de, whc eces extesty d whc s t e ceed by extensy ( ess by the whe cnsdet,

h d ' b h



se eesn s te secndrder cess, te sry reresen dfeece r n ershed esece. s whe exesty

wys ces t grnd sce, extesty ua sce s wys ced n dehs n sy s s e densn bt s the destt ces sce t rs wht Deee s ced ts ex' dbt deth s s ssbe ength nd se' eee sys:

bts ssbty s ny ed n r s n bserer chnes ce ndghers n n bstrct cnce h hch s enh tse nd tt cs enth r thers n c, s wys n e bss new deth ht ted ne eces engt r s exce n enth eeze : )

I he wrds, ee s deh s trnsred extensty, n enth her ersecte, eeze sggests h ersecte tse s brnt deh, r he deths ercetn Afer e exensty bects nd r ccy grs he wd be ssbe sebects dd n sse t r he recess sdn d shdws, ey dd dfferee tesees r te be extensy hew gre nd grnd wd eer hd bects dstgsed r ne bcgrnd bcgrd er bects ess te bjecttse enterned ens t s w deh, wch s sy sese wc the essece y bject were s wn sedfeeg der rter te sedfere n deth te bject he grnd fo es extesy wd hrdy be ssbe were nt therject sehng deeer ro Deeze : )

ne te hgenes ed extensty hen, he ntensty deh

s nn derence, n Deeze ges s r s t cnsder eery nn dfeence ntensy t be ttgc Eery nenstys se dfferet, by se derence, sch tht te dsry d-erece, nesty, r te derence ntensty, cstes the, resn heen te cndtn t whch ers Deee :222).8 Whence he great formula of Difference and Repetiio' that, 'di-

feence is nOt diversiy, bu difference is ha by wic te given is ive,

that by wic te ven s ien as diverse. We tend o take for ganted

hat diference prespposes a ground of esemblance, and te tradio

of repesentation essenially codies ts belief bt Deleze's argme

hsc nd terwse erces', s serbe r hewer dnn esty t we eerence Deee ereets,

ensy s stesy he ercebe d tt whch cnny be sensed, Ut s de s snesy the ercebe ndth wc cn ny be erceed (Deee : )

rm Spa to Spatium

t why we ght s, s te genetc wer derence s ese? Whye Knt nd whe trdtn sy ed t tt dfferencend creted nsted te cndtns n ershed dersty -d) he nswer t ts rdde, we w see cn be nderstd whewe rese tht ntensy rens ercbe r exensy, wc trn cces te ernce derence by te rdcg gener

tes t s, ysc es, r tas nd ercebe es,r ae) I sr, we nw esy y s redy deeed wh etensy d s cered e by tes (eeze srerbe tess ct be ed wt nderstdng ts rtn de s es eees st rnd reers Kt, wseste' ws dene ts s eese ntes d,hereby resere ntense nty r he tter whch s eexensy t se deree r ter' eeze Hence scetse s reegted t a ror cnd, the r ntt, nd sthe sensbe sbsnce ernces s esy sbsed ccrd-ng t the ws rnscende des Derence, s cceed n

so r s t s drwn sde se, n extesty nd n the y ht sextensy,tg exensty wd n est wtht te enec rce derencetse, whch cretes eensty d hs ty Deee :8

n hs cnext, t s wrh wnderng wether we cn een se sce ny re Pers y s nd cncet renscence nthe Onttns nd dsrtns dern rt d de cne, heethysc d sce s recsed nd ts s why Deeze'scs r new deternts sce nd e We cnt recnceesthecs wt s resn r sese sce, nd een re t

86 Dz d Spc

poin w mgh y h h ry roniliio o h mugi rom h ry po o iig p Th ollion o li,gl, d oj h diuo o gulri hing po) would o rul om riri odion u, id, woud om honiun o ii pium' in wh ppio d ougr imm, in whh dph y dp o ld in h inm i o ii uniy Admdly Dluz uio i i poil o go

Dluz hlpy o Spc 187

w drmn ondiion o rl pri whih r o lrgr nh odiod nd whih dir in kid rom h gori h wo o h hi om on o poin wr h ing o hi rl i i h wor o r, wh h m m h woro r ppr prmo Dluz 7: 6



ii uniy Admdly, Dluz uio, i i poil o gooo r i h dirion o h il, o lp io h on o pu -o nd pr dirn hi produr, in o rdionlmp o rin h ondion o poiiiy or non Omuh r oniing o h mp o wdrw h pur nl romrprnion nd o drmin i h whih rmi o rprnion i rmod ( ordiory u or xml or rhpody oon) (Dluz 1997 56

Rhr proj o ri h drminion o p nd, mor gn-rlly, o ror hi o i pl i philoophy o nion mudlop d mhodology h nihr drm nion idn or prnd o l o lr nion rom n lrdy o-iud dirn h polm Dluz ly ou, hould rd in ig o n ow prolm in h rdnl h

o rhr, normio o h orin o i o iiliy n h o hd w h rpdy n i ord oormul nd whou dwing upo mpinion, u h h orm o iiy will a rir u o hohr hnd n min h rd i o ddud u n h riri orm o niiliy nno pir o duri' or grl u' wihou omplly rmoing hm rom rlm o iiliy Thi i why h rdl h i nihrdud om mpirl judgmn or ddud rom logil prmiu rhr, i u o n xpoiion xsii whih dn h r hough no nrily xui rprio o

whih long o onp h xpoiion i mphyl wh i oin h wih xhii h onp gin riri (n 196 68.W migh y h Dluz' onpuliion o p ld him o

udrk hi ow rncndnl hc bu whr Kn rolv

o xclud h purly mpiric nd h purly logicl Duz rolv

o ring oghr h wo o h hic -h rcndnl nd

the empircal. As Deleuze says elsewhere, 'the coditios of experene

in geneal must become condiios of ea expeiene', such hat he work

of at oms eac case its ow tracedeal conditions - codiions

that do not pecede expeece but aise from t. Eveyhig cages oce

Rfnc

Alln, H E 3), an acndntal dalm: An ntptan ann ew Have Yale Univrty Pre

eeze, 0) an tcal hlophy tran. Tln and BHaberja, Mneapli Unvry Mnta e

eleze, G 1) Dnad Rptn,tan . at, New Yr: ClbiaUvery re

eleze 20) The dea Gn Kant Ehet tan M Tarna, in apjade d., Dt lad ad Oh t 17174 Agele aNew Yr: Setexte.

at . 6) h o Raon, tra . th, ew r tMan' Pre.

No

1 hi br t ndate, wat we all pae appar elee der th ape rn date and etenatn th rel whih i that wan eer l n any eta e what pae etal -and , a arg,i preiey lz nt n tr wd, pae a a pt ieparabl iglar tanta a and tie dlay pt and iitan) ly n the ra, t ty prp i heir real dpth ar e vlin aed, and trbd dre that ant be bd der anept th dirn dpth, lx prer a lit dernt d pae getral, phyal, hyal al and liiti - eah whh,preably t be ted a a drt dn wha i aled pae (eelee 17 51)

ven n the an when eprentatn e t eterai the ltplatn perpetive wh pae, ele ay, th pn view ae reble t any prtatn beae, repreetatn already epeiey an ty rprta either by enrg all pn view n

the ae je r he a wrd r y aing al ent prprtie theae e ele 17: Se eleze 1 : vi4 As Deleze wrtes o this Kant: orgasation n Kant' Critcal Philosophy, on

he ne hand

te Eg.o tself is in tim and thus costanty chaging: i s a passive or raterreceptIve Eo,whch xpeiencs changes in time But, on the othe had, h I s an act wich costantly caris out synhss of time ad of that whch happensi tim, by dvdg u t presen, the past ad he fue at eveOstant. Th I and t go ar hus sparatd by the lin of time wch rlaesthem o ach other, but dr condtions o a fnametal diffec.elee 1 v)

1 88 Dluz and Spa

5 n elees o hlosop e mt sa, space es n e etermnatoso l te partcar aeshetc mea ha he cosers at theate,cema t aso n he eneal coseatn f memen tat caracterses sk Whereas epesentao alas emans the etn o a qe pespece, eee ares n eee d Reei that moeme, mles a p[rat ceners, a semoso of persectes, a tae of pnts f e, acoesece o moments c essetall stot epesetan eleze 997

A D l t l Th t h

Chape 1 1

The Space of Man O he Specifciy ofec Deeze ad Gaar



As Delee rtes n a elae conex, The eate s he mae ereceb a lattene an ere mae lke he cale n he ee an o he eeof the alectca eamn of a ftle comba Deee 997 51

7 ar from be aote meson of extens ten eph ncates te ntense el pn om hch etens sses: Deth as the ltmate a onal heterees mesn s he matrx of all extens, c ts threso cosee t be homoeneos th the other o eee 1997:229)

. Te ese o manfl s roce ferece b he recle neqalta spart ha ans os efecto lke a emae Ths as eeesas t s no Gs pefec cacaons hch fom te rcle f sfceteas f te rl b, ather the perecton o hse eqatos thealas esen, alas necoeable ferece - that maes he l beno's back as ee

9 What s elee arn t espect to sace I a sense, a antcateseees on tansceeta emrcsm n s ecato o sace an mehen e consers possle obectons hs o eoso Thse ho

ea space an me as reatons of apearaces, alose o sccessot one anoher relatons abstrace from expeence a hs soatoconfselreresene . are obe to en ha a ror mahemacal octrnes hae a alt esec of real thns for nstace space) r aeas e her apectc ceat

sa as an means eome b mahemacal ctnes a sofar as teclea o o sace an he etonan noton of spaceme o hchKan ases so mc o s exposo hae een larel smale, e hae oreal robe t ts oec Wat sol eest s hee, s he concson tat Kant ras ao ths tasceental emcsm

on hs e, nee he a por concepts of space an tme are meel creaes o he manao hose sorce ms ea e soh eperece,he maaton fram ot of he reatns absacte fm eeence someh hat oes nee cnta at s eeal hese eaons, t hch

can exs tot he estctns tat nate as atache o them ant19:

lie Colebook

The o twee hc a h e ocd nea: the queso o ht of qt or ea han prpeest ther, he e ha, tat fean hu ets an hee haofeeon as hanet the otos ofa prem.

(Dluze, c n

h Sn of pac

w d he aa eahr aded Deee and a n hery wrk reae a her f aua ae When Fa n Ted o n 90 deaed a ere f hra a ror, he ehef he ak f nern he ae ar whh he er fhh were dred He a referred ae f knwede andnded wh reen n he hr f hh a dened arfdn rdn an nerr and eerr One f he an e whh a' wrk wa rendn wa Ednd e so te Euoen cnce 190 whh a errda ned nwneed he wa n whh a haned and arhen nenf ae ndernned he ranendena rje errda 19 A

n jee reenae and ena eannf wrd wahe elos n n a a f eann a f he er deaof eann a h n rder r henen eah nne a he era nhe ha ne a wrd and ha ha wrd a jee reen fr her h nw and n he rene ree a ae an a wrd whe ene h rderand eer awa e reene een f n een fo anje whaeer. Ay ra ha r ehnaha rearee n a e hrzn n wrd re-a we thhh rea ake ae

0 Dlz n Spc

Whrs rri rs tht this rchittoni ssption of hnspc in nrl nrpins philosophy s sch, whih ncssrily prsp-poss tht ll sns n lttly b broht to prsn Fol17 rs tht this tnsnn conrn is historilly spicior o ornty sp ws htonos: slvs wr constittorlly n ccorn to hir trrtory n ts nors oclt17 38; bt t is with th trnscnnl projct th ny locl

n t Spccy f Afct 1

rn of sns hnonoloy h r tht ll prcpton nonibl nin prsppos horizon, worl of possibilitiswhich wol thn b ivn rptbl for n iliy in th strctursof sns Th lws o oy y, thrfor, hv bn inscrib byli bt thir ene trnscns ny spcic sbjt n onrns nysbjt whtvr ns rs fro lol i n spc bt thnllows for th thoht n bin of wht is t for sp n ti n



17 38; bt t is with th trnscnnl projct th ny loclpprn of n is sn s n pril rlistion of nrl hn-

ity. An ntiry nw spil tphoris plins th xistn of clsps: thr cn ny b this lolis worl hr bs hnty isst ht trnscnntl ovnt ht will nfol itsf throh ti inll ths conrt insions Now, in his ltr work on oclt,lz ssts tht w cn ov byon olts hrtin of thoshn or ctl sps th nfol fo trnsnntl principl ofsp in nl h phnonolol i of onsiosnss s thnss of sp towrs spfol' Th rnt os sothinlik this (l 188: 1 Firs thr is th r of h nfol: nytl pprn of lif is sn to b nt xprssion of n innityHn bins r frnts of th osos con, n h nintnthcntry, wth th phsis on n, w nontr h fol: n' is

nit, bt his sbjction o th worl is prsly wht pros his his-torl linist n politicl vlopnt A sns of ti, sp, ln- n lif in nrl is broht ino bin only bcs nit nn rn bck n o to rconis th wys in whih h is nfol bylif h is th borr whr locl trintion nrsns itsf s loc-lis In ths rst two s of knowl th vry styl of or thohs orint by sptil rltions th wy in whih w iin wht i isto think Th vry i tht thoht lrs historilly th it hs nornttion or sptil iinry is wht opns p th sprfol y on-frontin ll thos vnts fro whh thoht rs, by thinkin howthr n b prcptions of sps, w no lonr prsppos n inity

to b rprsnt nor nit bin who onstitts his hn worl(s n phnonoloy) bt n nliit nity' Ech ot obsrv ish opnin of fol worl fol ron its ontptions nrhyths. hr r s ny spcs or fols s thr r syls of prption If fol s th wy prcptions rv ron' or r orintcorn to n ctin boy, hn th tut of ths rvs procs ftht cn thnk not jst is own hn worl th spof n btth sns of sp s sch.

Wht nt ssr! in h riin of or, n rri withot in thi ritis of phnonooy ws th pobl of th

llows for th thoht n bin of wht is t for sp n ti nnrl For rri ths horizon of ny sbt whtvr' prspposs

nortiv i of hnity, sb orint towrs th isclosr

of n objctiv n sinticlly niplbl worl For Folt thishorizon fils to confront th tsi' th unuvns tht orntth horions of sns or ilis wthin whh w ov n thnk hpobl of sns, thn, is th probl of th wy in whih ctu sces th ili in whih w orint orslvs n iv r obl by sp of sns istn' or istribtion fro whih w n hink orliv lolis is n sps wol b fr too sipl, thn, to syh phnonoloy ss th onpt of horizon' tphorilly orh th trritory is rl in Tusn leus 87. Rh thvry ffrn btwn litrl n r th vry possibility ofhoht rs fro bt th ovnts of bois n h is

hos bois proc of ch ohrAs rly s 1 in Te c ense lz ontrst two

nss of sns: th rst is ssrlin n is stti Sns is rls byn vn ht psss fo noic tribt sin sothn ssothn bt thn rlss th priv for l ti on ss n thh n now (th cl) potntil th ol b piv for ll tith rnl n pr sinlrity, sinlr bs no ntwn with wor! of rltions) h noti ttribt of sns is th vnt, for ws not jst wht ctlly s bt lso th sn s t iht b rb,iin, rpt hllcint Any priv nssbos to r. It is in this sns ht th sfc of sns is only

sisl stril n inorporl; it is th i of bois proro n ncontr bt is so no lonr bon p wih bois n -trs. Sns is h vn tht rs fro n nontr, sns of r potntil or powr to . . . lzs stti nss is thrfor losto phnonooy in rin tht th onition for ny priv ortl wor is virtl isn t whrs Hssrl sw sns s prit jin th worl to b ths l ss sns s th vrbrlsin fo this wol of fft rtions this trrtory ssbor tr th potntil for othr rltions, othr worls In tiono th srf of proction, or th sp tht s proc fro th ·

192 Dl Spa

eouer of gular poer ere alo e mphysic surc, e age of oe poe no a e ae aualed bu a eg be We ould a, for exaple a eve e al la o geog-rap o a eapal urae, exag o elao erapoe o rl Bu oe e hough gee of a eapaurae doblg of e aa orld ee e e oldbe oblged o oder e poeal o oe ord or a Qe

O th Spcty A 19

Bod ou Orga a e orga ube o groud, ro e erore or oe ere fored poaa er, edere o bode eae paa obje or aae, are erured b Oedpu e brea e brea o e oer, e pe e pallu o e faer ad all eear beaue e are obted o uure e ll all bak o e ab of preOedpadfferee e od ou Orga aued o be a groud or



be oblged o oder e poeal o oe ord or a Qeaualao.

e eod gee da o a expeg or ee-oug perepo eerge? Ho e ee apabe o veg aord, o ju a o bu a ould be, or ould be, fo a ubjeaever, fo all e? ere, eleuze dra upo a poaal ofparal obje bode beg a o o fore ad dere, ou adbrea ou ad ger, exee ad au a zod pooof fore, ad ade up o par ad frage Bu e ubeqedepreve poo e urae overake b a eg, e eg o egood obje a pree e oe a age of olee ad e-grao, a poper po fro e urfae urveed. ere aae of ee a e a derbe aa a e deee beeeaual age ad e age a oud be fo oer beod ere

ad o, o poble beaue of e da relao ofbode. e ou beoe a orga o peakg produg a ubjeoe orld o o loger a ee or elf, bu aorld a urveed If e ave a oro, lved ord, oex oraal pae, beaue a eve a ourred e peular -ure of a bode e od ou Oga rs ju a depprodued b e fore a ae ad p u paal obe bu e elevao of e good obe' e bod ou orga beoe a fulldep'

If e ove forard Q e polao o gee AnOdiuse are gve a urer do gimly e od ou Oga

efeed fro e produo of fore (So o da upo a eld ea-p a goe bak a lea a far a Spoa: le ore e pla offore ad e erpla o ee fore produe oe or e of qal-e ee o a ere a pae a e ualed raefore produe uale ad uale pode eld or pae blo obeog) e Bod o Orga poded alogde e o-eo of derg lo e zoe add up o a ere o pae bu ole ever gve or ere ala e poeal or urer oeo ad produo egael, e od ou Orga eeed dep legael, oeve oe a oe o beleve a e

dfferee e od ou Orga aued o be a groud orle gins whih a uture dee ef olal, eror

a of preuppog a o al e erore ad rege o g do ee a pob or hinking eroral a or aabolue deerroraao, e age a ee exee a ul-ae error a u ad fro oal pae aelved

Abolue erroralao , e eoni o ee, e poeao e bra o k e gee of paa fro a loa paeo ju age a ere for e, olded aroud bod buagg a u Ha o a peoeolog e e po e old fro e orld folded a fe efor o e kg ba is e e ere e poeal o pae euo of ua fodg of pae a be aualed ad ouer-aualed or eleuze e, e ua or e poeal o e ba ala ore a a oued age ee alo a agea allo u o k e poeal of agg a u eleze 54. J a ouaul geealog of a a aopaed b a ar-ao of e elf a a a ur bak upo elf, probleaeelf ad ereb ope e a o og, o Deleue ll arFoaul upera' o o loger bak upo elf bu opeou o foe a ll ree le' fro wihin him' (Deeuze 88) deed, a eleue oe ok o Fouaul, o hink eureovg beod forao of koledge ad dpered vble o eopae' fro a e ee ad a e a eerge (Deleze

188 38 ode' o sy r fro e orld elve raer e oude' og ore a e relao o forerog e lve, ee, ad a (eleuze 88 8 ere pae,e experee o pae ol beaue of a opaal ode a og oe a a pla of ore (Deleuze 188 86)

o a

ere a perepo e ouldave readg eeuze ad aar ae oleular good, le e olar bad a affe lberag ad ·

1 9 Dele n Sp

obiliing ile ening o onpuliy i rigidiyng Su orliing rding ould b enbled by pling lez nd Guri in erdiion o po1968 diffrn inkr o i e ur of idniynd ho, uppoedly, gn n enl rdili o nonnier se. n u n undrnding onepuliy ideliy nd for ry o rrding nd norliing h flo nd for of lif, hil rndo ingu or unough rle lif ino i open nd innie

n te Speccty Aect 19

of difrn: h probl or poiie poibily of e ole he poerof ingulr hough o igin p in gnrl rinly, ru-uli onrned ielf i he dirupi quion of gni: ho iny ld, y of diffrn or pln of knoble er generdnd o do one er explin, nd rby old, h gni of nyrur u hr i lo n frion of he rurl poibiliy ofi gni: o do ny ld or of rlion produe poin or



g g pponiliy. h rlion bn ie nd pe ould ordingly,lo b hioriid nd poliid hiloopy priilgd uniforpe of poin pe y b eured or ried preielybu ny poin in p i uln o nd inerngebl ih nyohr e poin re hid ihr by diion o f unifor eror by e loion of bodie ro e pne of er ie i enrgdd he eure of oeen or poin ihin i unifor eldWrn phyi h ly priilgd xd ord of for, pil uniy nd prgin ordr or h pro nd n hprode order Whn red Deluze nd Guri eig ele-ron of ooh or id p (eeuz nd Gri 1987: 33),of ulipl plu rr n lin of hiory (Dluz nd Gri1987: 393, of rin rhr hn ri (Deluz nd Gri

1987: 02, nd of nodology rer hn dnry phnoenology(eez nd Guri 1987: 38), i ould o ugge h eoe fro duli h piilge founding r pil oordin, euring i, ordr o n fion o h ingulrii froi l dli nd ordr rg A in Drridn donruion ould rogni ny orl or binry oppoion ffed fro differnil ld no goernd by ny doinn r n r of pehi od ee o ugge h pe fr fo bing eld iin ihpoi re pped i beer oneid pln of ingulr ff nden i, in Wrn hog, rily odd on gnrl erriory.

or, phi in poDluzin eory on f, ingulr-i nd nodology i h fri ndernding o ene,ind nd philoopy h i longde eeuz riil projhroughou i ork eez i pin o poin ou h i no do-ing rrn o priiii, nd i h bn pd l enoughor, h lbrion of he inor e in leu nd Grnondi bini doe e o ugg prefern for h ffi,ingul hpi nd ebodid or n, onpliy nd idlilongid e riique of e norliion of p in h gur of nid huiy, hr i nohr rbem n h po98 fio

g y p pige of h hih exed h ? or Dluz nd Guri, i i io pproh h probl of genei nd ruure differenly (Dluznd Guri 987: 42): rur i of xrnl rlion, e yin hih life i ied or generd fro o poin A rr i onide of riion oer ide i hat whch trucured b hideerinble onn i nt nderenaed r frmes Ad o forDeuz nd Guri e ned o o byond rr on on id ndrurd on h oher o h br in fro i boh runfoldd i ould n king oun of h pro of difereni-on he dyni nfolding of diffrn h ubnd diffrenion or ul nd rlied diiion bn r Dluz 1994:267 I hould b poible o hin inn ndni, h y inh diffrn xprion of lif unfold differen pe, relion

eld or jorie, inn por of orporliy in ll rDeeuz nd Gri 1987: 11

Gene an Structure

Srurli prnd ilf brk i h Weern epoh of ephyi h d groundd bing nd idnii upon o prior plnefo ih ey eerge diffrn r no longr dirn ihinpe hr hn eping h diferen re grondd on prororde nd diribued o ld uurli dribd r-gne of ny eld fro e difrniion of poin or r id o

dffrne iho poii r llo u o igin differeniingeld h produe poin only in rlion o h ohr nd h noinrini orenion Sp ould, hn, b h ff of ynei ofpoin, no oniner or gound Spe i h f of lion hiould ppy boh o p in poril ene, uh h pe ored of grr or ol ruure, nd lirl pe Goery i no prgien nd ide ordr of pe h br i on ; rhr, oup i oniud hrog e ene e ke of i, he ppng of orld of orinion. Sruur herfore prig exena rlion oo o poin Thr i nohing in y poin or bing ielf (no ·



1 98 Dlz and Spa

t lnu u td y fr; t d Vtttn t n rttr tt t n rttur h -nr rahr han t d n tt ur trc r py f a . . a r n ffna rt tt ar an d ha f uty Tu 8:

ctrt t t pr dtrbtn d t pnt dffr-nttd y D pt rwrd t d f xtr rt

t Spfty Afft 1 99

ndn ffct Idd D' tc wk w r f gngy b w crt ffc t wt fcvwng ctv y, nd bn d ubjcd bdy t t f drnty d g trrtry f cpt Tr trdc p but ffct but t tugt f ffct t pwr f p-py r tr tk t p byd ffct nd t t tutdfrnt gg, tugt f n t pwr t dfr i

2



y ptt cnt b fd w t ngr pwr r w

rt ectd r t ct f prce df-rnttn r dtut Rtr, pwr dffr xpr fdrnty n f t prdcd rt, wt c fftd pt rtr br pwr t d tf d t tb w rttt wud t crt nw p Pt ccrty, w gtgn rt pwr t dfr gt prduc ptru cr, tt t dfn r fct t ty f dfr-c ut w t gt r rng t rtn wt ty trby pduc vby tt n r w t d w Ay pc r p tn, t d r wt r-n fctd by pcc xp wc r v f pcpwr to lt

hr n ranarly n ly ha nt n n rbj rar n cct n rlan (wn unulan fw a h g h an r rk f t tal u-t f bh) I l a rrahr pt' a r u rtn vual a. T variabily t lyvaly f rn nal far t a h rhi t nd alr trarrahy l a Gaar 187: 382

wt u dw Spz d r trvd n ttc bn td t trv tn cr rtnd t b rrrd ck t d r tr pwr t dffr r

r nt pt r ptv tr tt r dfrttd r dtrud n anf pc n tr ptty r pnctutn u w ny b tugt r t t Rtr, c rtn xpv fa pwr tt b ptt t ntr nt tr rt uc tt ad dtrut pt u t rv f pwr b d t bc ti tt qulty dpd up tv td by tr r

v , w t yd f f fv r tvr t r t pduti p rr n r tr rt n z wrk t tut, hlhY

i ly ily cJ2 pwr f rt tc tpwr nt t pt t r t fc r xp-rc ffcty r f t ft tt t ct. A nt judgnt n bt frt f f

Spae in General

z ncpt f t cur, ffct, ccty nd utpct fr trvng t tnk py tt utd t d t dtrn,w t tg fdtbtn pn pc t und tnd t d qr nd xp ppry bnt nd pt uz dc t rdcy tr d untnkt t n pt f tt xp tf y nd t

b rd n t tut f lif d f pc t f f rdy bnt rc p·

tn tt td t d t pc v w t utd n nybttd c t r ptd tf pur vntt nd utpcy Wy t tdy w rv ubtdt t gn nbt w r yt f rtn pd by nOtr w d t t r f y , pc wt Odpn pc tt xprd pr ry ty rtd by p tt wd w fr ny dy wt-vr pc t ntg r tn cpy r xcrptt I p t t pc f n d pur try D

u tt fr fr rturnng t prtv try, nd r frddn n r dnn t t pn tt gt alw u t tkp n gr w t t utpy t dnn pc n rd x t pwr r tt crtc ndvu w a tn g nt k D d t , wt pn u tt t cn tnkt wn fd d d py crt t pn f tw, t D fr, rv tnk t pd t wy A u ltu a dcr lf rug p fn ry gy rt pt ry hry dl: al wy n w f fd upn tf n rdr n



202 lz n Sp

to a yt that gv h g, ad who ut n nc alray dto ay othr pol pakr

he caical iae o thouht an the tratin of ental ac it effectairs to univeaity It n efect oeraes wth two univeral' e Wholea e nal roun of bein or allencoain horion an the Subect athe rincile tha converts bin into infru. (eleuze ad uattari97 379)

n t Spy of Afct 203

atau or conttu th oca ut: th wht fac of th vwg uctth lack hol of y xrg a tro a ody donad ypch ad dtd through t falal poto a eter othr orfathr Dlu ad uatta 93: hat th vtg prcpto of a crta ody art th apphnon of th powr of th faca orgag ct ufold a of pac a way of orietin a lcrucal to th trrtory of a Th facaly fucton howd u th for

d h h tt t th j t th h t d



Fro unvocy, whr pac ad prcpton ar ad aco a t

ad urfac that r�nc th hua kow uvocy tah asngle and formasabe coditio of spatiality the logic of the subject

_ which is oh iescapable ad umasterable. Both Foucault ad

Deleuze ote that this historical shift does ot just have political impi-

cato ut d to a th vry gato of th poltcal

Athough thy oth hav a coo targt th quvocal otology

whereby cosciousness is the substace from which the world's spaces

are costtuted Foucault and Deleuze difer as to the possibiy of he

oltcaon of acHul ha aady argu that h forag o alg powr of

gomtry allow o to rpat th ruth of pac to y. On tab-

lishes a scece trough a orietatio or poblem which goes beyodth gvn to t futu ad rpatabl potta S for both Hurl

ad eleuze, is this radical corporeal power to release what is esse-

tal a vt fro t atral ocal. he cottuto of foral go-

metrical sace therefore emeges from a crtain se1, strivg or roject.

For Husserl this is the sense of oe humaity, occupyig a sigle teritory

ad htory of truth ad knowldg Wha Foucault and Drda ar

crtca of th o concou lf, th pupo 'w or goun of co

scousness, Deleuze afrms the power of thought ad hilosophy to

ituit life as the source of difference, folds relaions ad spaces. Sese

philosophy, ituitio thikig ad cocets al ame the power t

uleash other territoies by imagiig the give as a expressio of a lifethat xcd ay of t d t and agg th pottal that ca

ufoldd fro that prv powr'Ma or he modern subject of psychoaalyss or liguistics, oses

own thikig if he is seen as the poit from whch difeeces and ea-

tos unfold Accordigly, space see as the ed occuped, measued

and constute by hs ma of consciousess, s a el of iteioriy a

space withn which we thik, a space reducible to ecetions of his spe-

cc orgaism. Such a space operates from a comnaio of sense ad

afect. Tere are h affets of Weten man, the ag that organ a

udr whch an conttut th ajorty, or athr h tadar upowhch th ajory ad wt, a, adut, "ratoal tc, n ho,th avag uroan h uct of nuncao' Dluz a uatta97 9).

ro th pcc affct of pakg a a uc ad ctr lua uatta th dcr th xpano or trapolato of th affcto for a of pac ad t n gnral Th ctral pot aluvocty, whr on prvlgd tr th ogag groud of thothr a co th utac upo whch ohr tr dpd ah alo al a gl tporal pan

olowi the aw of aroresnce it is th ca Poit tat oves acrossal of sace or th tr cee an at evey tur ourhes a cetan s-tinctiv oositon eenin on which faciaity trat s retane ale-(feale ault(chi, white(lac, yellow or re raonalanial Thecentral oint or thir eye, thu ha the roerty of oranizin binary i-ibution wihin the uali achines, an of rerocin itelf in therincial ter of the oosition; t entir oosition at the ae tie re-onate in te central oint The constition of a ajoriy a reuancyMan constitutes hiself as a iantic ory throuh the oition of thectral oit Deleue a Guaari 1987 9

a th achv a th xp of th n ovt, d andtajctor a uordat th r or pot thy roduc hffct of rlaton a dr ot ar tak a oal, ad thcottuto of a orgn Mory upplant or

What contitute arorescnce is the biion of the line o the oint Ofcours, th ci the woan the blac hav eoie; but the Meoryha collect thoe eos is till a viril ajoritarian aency treatinhe a chilhoo eories, a conjual, or colonal eorie Deleuan Guattari 9 29)

u oc th xpano of n yod t ocaato nan, th xpanon of th potntal of goy yo t ppov orarchtctonc h tracta proct, th trvg to thk th of sace, ha yt to carrd out yond t pdc o an



2 1 0 Dluz ad Spac

pheaval or a ondig separatio hat, paradoxicay, denes ther origarity: E]es sont spares dun continent es d'une dsarticulatio,dne rosio, d'ue racure, ees survveta I'egoissement de ce uiles retenait hey are separated rom a contient, bor o a dsartica-tion, o an erosio, o a ractre, they survve beig swalowed p bywha retaed them

hat is why it seems strage that oceanic isads wod be called orig-iary, essetia', in view o te creatie rpture that ormed their deriva

Th sert Island 2 1

the percepio tha cetain o the circes were o dierent axes, such thatearthe circumerence, athough iscribed in the aqueous surrond,exceeded its conaner at the Noh Pole openicus rated the poit byshowng hat there do not exist to dstict spheres, one o earth and theother o waer that "penetated each other, bt that in their place s asigle terestria sphere whose depressed saces are the basns of the seasSheories o the baance and ow of water moving about masses o and,thanks to the speculatio that there existed an asra contient ihabited



iary, essetia , in view o te creatie rpture that ormed their derivative coeqas I sye o the descriptio hese isads woud be erra,mercrial beings, tricksters perhaps, even Chapliesque orms that popout o and disappear io the ocea that wod eg them hey surgeo o what esewhere Deleuze cas an orgary world o ower depthsor 'bas-fond,.J hey canot be coonised or aexed O the contetThey could be gured possiby as craters of volcaoes tha draw elemeta orce from he earh the atmosphee hey might also be cone-aced as grea accreios o calcium that cora vegeato has soaccumated submarine places hat they have become rees and indeedpatches o tera {rma

a events the opposition bewee he o kds enabes eee tomobilise inherited ristoteian wordpictures or the pupose o creat-

ng a geography o orce ad intensity These t kinds o sands, oig-ay o contetal, atest O a prood oppositon beteen the oceaand the earth' In his cotext the historia o geography recalls that inmany diagrams o the ceestia spheres the wod is at the crux o te co-centic circes that describe, aer eah ad wate at the coe, ar and re,ad then the uar and paetary spheres4n hese congratios gobeis seen in dark ad lght patches that depct aqeos and teuric regiosroghy comprisg a sum o oceans ad contets. To ths heitedimage eeze adds however that he elements generally detest eachother the one is horrible O the other. al this othing very reassing'

What had bee x ad ow bearig wiess to symmety ad com

plemetaritieso a thigs in God's creation is trned ito war and co-ict in a way that renews a sese o geographical adventre known theReassace, a moment whe eathy begngs are ecreaed andrehearsed he two eements o the eemeary rego, hed wihin thecires o air ad re are earth and water hey are olded pon eachoher and ae ofeed to the eye as the diverse layes of he egg or theonion Broc 190: 68f) Alberus Magns' provideial hypothesSargued that in the beginnig he earth was covered with water but thatod let a pat o the earth vered to allow man ad aimals to ive

he ieni �terpa o he theolgcal plaaon was based on

pby the Antpodes, were deed new erms of a geera geography that

included isand, penisua cap, shmus and connent The seas andivers o the earth were thought to be i a dynamic process, due to a marveo natre by which oceanjc currents desced rom cetain paces to othersand hat as a esut ad a veication o the hypohess rvers boh ow inothe sea and the sea (evetually ad by oen strange itineraries) nto riversYet speclation amog cosmographers was so varied that there reigned asmch conict in the atributed causes o the paces and movements omasses o water ad and as the places and movements themseves

Deleuze vitaises inherited cosmography when he personies the landand he sea hs poemoogy hese cotray bodies ae mtual eemeswho use srategies to win over each other he sea that covers much o

the eah, takes advatage o the slightest sinkig o the highest structes of he ad tsef, whie he eah tha ies nder the sea can erorise its advesary by cutting hrough and reting its aqueous surace Asa conseqence no inherited explanato o the chaacter o the planetgoes without conc ad stgge It foows, too, hat the cases' adreasos' or isads are hemseves at war with each other ad that thecondition o possibili o a deserted sand would be based on a truce inthe ogoig conict o land ad waer

he o other eements i the uadrant, the poits o view of sciencead o the imagiation ae ceary interwoven in the discose o the distcto being made beteen the eath ad waer B the magato,

he arges, had already preempted the scientc expaation in its geaterpsychogeesis o isands

la f uans at ad th Oward sands taks u the ueovmn that poducs th slads in thslvs o dram o slands(with al ,th andant agush and jo s [Q dra o sparatng onslf,that on I alad sparatd far rom contnts,thathat s alon and lost- or s to dram that on begns again at zro, that o rcras that orconcs Thr wr drivd slads, but th isan is also what ondrivd toward, and thr wr orinary islands but the slmd is lso the

origin, th adica and absolu orn. Dlze 202; x)

Deez d S

Rereato ad seaato ar warrg foces, le he ae o he co-poste eleets of slads, whch ae reproded the ovees a thebass of he cases for slads The a o he slad he alls desered sno oe sepaated fo he world han the sad s a a dsace foa spposed conent fo whch was deahed o oge does heslad ceae self by peg the srfae o he sea fo he boo ofthe earh tha he a, sadg aloof ad aloe o a shorele, woldeceates he world o he bass of wha he peceves o be the slad ad

Dr nd

he ln A ee f s t ony sees to brea e desert o theslad n all lelhd taes n olon the la t roced helae as a desert slad far fr rsg e rgs t o efe- to s ) eee 00 3Whe he desert s broe fo he sad, all of a sdde we ealse

ha he reao of the adetve, , o ts sbsantve, , der-goes a eo shft he slad was a cote ash as oaeda srt say wha we age to be a aste ease of sad



pts sodg waers

he radca pcao of he cssossg o ers s tha hs soao a a asrbes o hs beg w dfee ogs, oe o he cea-o ad he ohe o he beg o the sland. Man reeacs he ogaryad derved reao of slads hogh the agao of begngshat geology ad osography had ascbed o he brth ad evoloof he core eleets of the terrestral sphee Lle dsco s adebewee he sbec as speely thg reatre of see ad agato hat an fsh a adeqae onology or tsel) ad the foresof he earh self whehe oga o ogac {tha eae a sese ocosee ad of beg apar o searate fro ay ecessary peseceo a} he slad, le whoever desres t s of a osece to tsel,

a pe cosece de le he pre osee of he slad Delee002 1, beg a he sae te of he peceve ad he peeved ale

A ths oet the e thee occrs a eve ha acpaes hof Delees wo oerg the veo of spae Whe he casesbarrers o eode betwee the sbet ad obect he fo of a andhe slad elee ply egages ew reletos o abtus What,why ad whee he deser slad? Its ases ad reasos ove wh hesyax hat aes oh he place ad he hypohea as desre o bethere t a prod o he agao Deee ages ha o say a slads habed does o ea t s o oge desered ca be deseredwhere s habted he trope tha leads e t he slad reprodes

hat of s ow reato pror to or ate ha terveo Bybeg

sepaae ad separated fro the sea the otet ad a t reans a eave codo he spae that reates of self s efleted hsynacc shfs he seee hat ope to age the sensao of heshpweced salos attaon t he slad

[Il y a q sser n nton e ouemet une I'oeu Ple Un tel oueen e en quen ee oe e dser ee en t l ree et olone n q ot elle ome ete l de e ooee l e e sa erfeco n omle (ues t u nto te nton te oeent tt rns uon

a srt, say wha we age to be a aste ease of sad

he torrd oe of Arca the eyes of he peson drven by a ln valhe slad all s pled esy as a dese wod be as shony whe he peceved s separaed ro wha he o she perceves_ hedesert sad o wh the agato If e were:

scetly searaed sfetly creae hey wld ly ge o heln ynm age f sel, a see f he vee at o-e the a rgh n he slad [ travers I'hmme l'leJwou aly aes see f tself as deseed w or wht haseslad wold y be te as drea, e n the re seefe sa elee 00 13

Deluze's words move h ere f sbjevity i the periver o

he slad itsel as a ceative fe. Ihabitaio, or a sese of beig ad beomgi-hewold begis whe he illsion of masey of the slad iseoed i favou o eig the spae ealise a cosiosess of ts ow

A hs ue i he reveag omula hat makes he slad he dream of ma ad Ihmme, a pue cosiece de Ie, he appos-o tha makes osciee somethig shared by ma ad the islad alike here is ceaed or ecreated a space hat becomes as sh whe pereiver ad eceved exchage oes The paraaxis atiipaes whaDleuze lae calls the spae tha beomes the momenary prod of aneve' n he coex of another dese ad a isad his stace a pyramid ha piees he surfae of the barren adscae whe

Naoleons toops marh arss noher Egyt. In quesi is prehen-sion, he ac of akig hod seizing, or gasing' an objec of one ind Or anther Living beings prehed waer, earth, abon, and sals The pyramd a a given moment pehends Boapate's soldiers (orty ceu-�ies ae coempag you) and eproally' (Deeue 1988: 106). pace S created whe he sodiers realise whether in paanoid faasy or i reality of military enones hat the pyramids are obseving hem When he daum tha wld be a pyramid erus from he flor of he desert he be f he soldiers sesory ediaio rs into a sube ad the sldes ito he rediae r bjet of the pyamids gaze.



2 1 6 Deeuze and Space

wih myts argues Deleue, and belongs more o mytoogy tan tesciene of geography nasmu as most peope preer ot o understandter myths they need terate to intervee and to, interpret ingeniouslythe myths at can no loger be nderstood', especially a those momentswhen myts annot be either dreamt or reproduced wo novels builtfrom te theme o the deser isad, Jean Giraudoux's Suzanne et IePaifqe and eoe's Robnon Crue atest o the end of mtologn he ater, a book so nsffeably boring that i is sad to see cdren

ill di i ' l 00 15 h l f

The Deert Islad 2 1 7

trog a cosmic egg hat eads to te creaton o Medieranean islands ir ad Calypso where a separaton o genders promotes reommeneme trog parteogeesis, and where n an ideal of te recommencement there is someting the preedes ommenement iseleleue 002: 17) wi taes up te latte in order to eepen i anto ave it recede in time

he dese island, no mater f i is in te Pacic or in teMeteranean, becomes te emblemati plae wee tere a be pe



still eading it', eleuze 00 15, the proagonst an exemplar of te

Protesant idea, tas he sland as i it wee a piece of prvate proper:e myhic rereation o the world rom the very being of te desetisland gives way to a recostrution of everyday ourgeois lie base oncapital investment' (Deee 002: 15). Every healthy reader, he avows,would wis tat Friday te slave would nally annibalise obison inorder to have the narrative averte the assimilation o the mytolog ote desert island ito the purian etic By onrast Suzanne's desertisland in Giraudou's reatio is a plae were myhology dies beausete ojects in te herone's midst repoe te ommodites tat circuate in modern ties epi and tasteess, se s no n te ompany oorignary ges o the likes of Aam, bt of young aavers and wen

se soves living men, she loves tem wih a unifom affection, temanner of priests, as i ove were te minimm threshold of her pereptio (Deeze 002: 6)

ese f novels vividly adduce te ailre o the ihabitat o adesert island to reach te powe of mt in a spae whih mhabounds hey atest to te death o myt that in Deees essay broaderrefecion on desertic space is bougt orwad [0 revive ad e-enegseGiraudou's and DeoesOworks, gena symptoms of a parabola thaeas om myth to e novel, inite an implementaton of what mg beaed te teory ad praice o te esert isand9 n the conding paragrap of he essay eleuze begins, as if in a maniesto [t]he stakesivolve rcovering the mythologial life of the desert islan' As a orollary returning to te movement of the imagiation . turs te desertisad into a mode a prototype o the coletive sol (eleze 00:

). Te latter is impe not to be a social movement but an immaentpresene of energy and vita fore Vial orce is made manest lesshrough the ceation o te isand tan is recreaton, its ebirh or renaissance ate a caastrope foowng ts birth One principe of a eative repeiton and variaion s brought forwar trog te imagationof he island a mounain (or bo at once) pushng above te sea, were

srvivos of a orgiary delge recoene lie as sc Anoter comes

ceived orinary myts and e concuren oces tat generate hem

Once is togt o in tis way te deset slan ecomes e val spaceo reave dferee and repeiton Surely, in e historcal paraola ofDeezes writing Causes and Reasons of the Desert sland' gures as aparable or the longer work on differene an epeiton or a tresold,following his comparsons of eggs to Bodes witout Organs, or te distintion o smoot' an striated' spaces (Deeze 168; Deeze andGattar 180) More impotantly, in the unoscious register of conceps and te words tat are conveyed in a language ta s coninalyeing bo of isef, Deee's le dert can be imagined as sometngnsula inslar to he egree at remains, espe bot to sef andother entties, entely singar Desert islans in te ealy essay comprse

a gative geograpy of ngularie in oer witngs They can be sadto belong to a carograpic genre, te islad-boo' or so/ari witwich a good dea of Deeuzes work is directly or indirectly afliated1 tese works, writen and illustrated at the time of discovery and globalepanson, te word is oeived not as ontnents and teir ambientoceas ad seas, bt as a qasi�inite umber of slans, each of anunknow (or expanding) sm bearg unue rais in omparison wioter islands

It may e in the asion o a pojective conclusion ta the islancould e magined as a spae of siglaity. If indeed Deleuze alls singularit the power of te Iea', then te deserted island is one of a tou

sand sites of bot diferee ad repetition (Delee 198 41) oreleuze te islad is ot a geograpial representatio bt, rather, a plotpoint and a plateau or any of te philosopher's lines of flight and of

igratio e island becomes an enhante space wee cocept otually moves in all iretions and renvents itsel

Refrencs

Apa, P (1529) Cosmogaph Aw R. 8ollan.Badiou A. (17) Gils D/ete:LClamur d I', Prs: Hachete.



2 Deeze a d Sae

ug f ' r plir r w urg wil fi f pw fll b priv iiviul ir

I rli iviw u fr jurl Acl, lri flwig wi rgr i prbl

h whol usion uns on a Sta apparatus hy would you look to paty ra Stat apparaus o libat i t's bia. anting impovjsi l waning good judgs g p goo bosss, lan

Wat te at 223

iv p? i wl iul pv r gi ful i i l lgi, bill p w f lii r vrgyrg frgg w lli wi iblil pwr' vlw b j i g f mr, v i w pr p i will brig b w Rubi lvl ip b u xpri f wg l, bi p i fr bii plgilx' wi pi i f w ac i wr i



r . w a old: w o you propos nfy ilsrggls withot apparatus? h vlu lrl ds wrmah, but ha is [ a Sta apparas I also s analyi for,an analy of t dsrs f th masss u [ xrnal manism ofsynthsis hat i ibr dsir? dsi ha saps h impass findi-vidual privat fanasy ts no abou adaptig dsr soialiing ad iipln it, bu hookng it up i su a way hat s pross is uninupdin ial body, so its prssio b olli l 20; 22

r irvw ur urg pi fr publi f Oepu F plg Pir Clr w f b Dlu ) bri i ivr pig ugu Dlz uri' rgu rp il prbl u f privppru f SFr ir rvli v f i f priiiv .

Ys th Sa xists i h mos primiiv sois v ih smallst baofnomadi hntrs t xsts bu it is aslssly wardd f t is aslsslyprvntd from boming a rli Aprimiiv so dits all i ortstoward prg i f fom boming f go as fa mrr If i is hsor o l rugg (I sois ha lasss) h th history o a lasslss soi i hiso of rstruggl aains a l at. Thir histoy ih ffor to od h lowsof powr Dlu 200 2

w i ful iui fr pr Sg,Brbi, Civili M' i fi i r prl if Emre, g wi i rvl fr viwp f Uvl iry f ll wi Mulu -fll ig pwr wiu rrig g SF , w i Mli bu piv ocu wlli ii f lpii, v b glb flw fpil, virl fig ulipl w riii' ur i ufig an ssially i fr f l

x wi pi i f w ac i wr i-

ill p f Mulu' will rg fr ui' bg u Fll f Epir' I r wr, wri w , w r brbr will ri iv vu Epi' Ng 000 7)

f pb S f Svrig b f il ui rlv iri, i g r pp Dluz u l wk Wa loopy?997) l qi f w gpil-p, fu pbl f w k plpwi Er' l ppr r gru i upi b -r il fi b i ii pp

lik w f v gr i, w ig lui b pil urlv, i lu i l b g w Spiz i' pri il ig f f blgig irl i rwr w l lu pr fi il u l v b g pl f p ipi, wi i il gu luzk i p l k ;, r pi g fr rli p f vy p bk r p l i i y bu i i b-g pr Du uri 997: 9)fr, rr ur b pii f pl pprp Dluz Gr' gpilp, wb i pbl bg wll i p i u igi f pviu ri f plii pilp fMrxi, piulr), fllwig pg I w p iu x Dz ur' p b xplrig fllwig qi w i r? rv, w ' or w Duz ui ri pr f riation') W i cu i piul i gr

4 Dlu and Spac

by a prmive erritoria-macne, and of a Sae-Fom)? Ad ay:what, acuay, is mean b he concept o 'deerrioriasao

A Cspray f he arh? A ae om es

Takg up ou s queson, I ws o rern o a very eal source:Hesods ny. hough some mg iediael beeve ths o bea Weser souce, ere are man early Egypia, Babyoan adNorhern Arican hs and races so a hgs ge cosed ad coa

Wht th arh hs

all-ecompassig an Gaias previous suios moreove a receyee has bee a noiceabe oss o aih, among e termedae surfacedweUes, n he exsece of a ew a of ambush in he eu o odKonos or n he dea o forging a ew consray wih te ar

do o recout ts eay myh of Geek theodc ere smy o bedramac I would argue tha oe ca d he wrngs o Deleue adGuaar a versio i a revision of Hesiods fabe i e descipionof he Eah wose body is sad o be boaed r r) poc-maedby erriores over-burdeed and weighted down by he despoic forms



"

Norhern Arican hs and races so a hgs ge cosed ad coa

dctory. ay c�se, i one of he original ceaon myhs assembed byHesiod, ere is he or of he ar (Gaia), ad Heaven (Ouaos), ada cerain proge caed Kronos (wo is gured as he archac forerunnerof me) n tis sory i is said ha Gaa s overed up by Ouranos, somu so a e ever ifs is bod from her da ad g bu consanyfonicaes ad pushes Gaias progen no e ner recesses of her bodyul as he Gree as i Gaia is a 'crowded ou suffed u wh erown geeraons, o e poin of busg is a is poin in he soyha someting srange occus A hird par comes n te sceeKronos wo myseriousy is repored o be e s ogeny of Gaa andKronos and o course don ask ese sories o make sese, since we

mus mage ha one of Gaas cidre maaged to esape e eernalae of Heave and te mariage bed of is wo arents!2 I is said taGaia devised a 'cafy, evi devce an, or consiraoial pot, whKronos to rid he o er unwecome suio and se hm to hide in a paceo ambush x,te acie wn of lThe ex e Ouaos camegurativey I magine Kronos eap om is lace of ambus and casraed is fathe Heave wich s wy e wor was divded in wo oma oin oward, so a no pa of Heave actual ouced e at3

his act of separaio was o terribe eoug, e ten sead heseed from Ouanos bood genias over he eire surface o Gaia: 'Thedops of bood feriize Gaa ad generae Furies Gats ad Meianmps; he severed pars fa ino he sea Kir ad Raven 17 )

us, from ese seeds sprang e race of ians (e basard sons ofHeaven wo woud aer assume he roes of poeic gures e earhlpowers he monars ad despos he Caesars and, nay, modernaionstaes Ahoug, of course he as ca o be pre-gured allegoricay i Hesiods oigina fabe, oda we mgh perceve e oueace of a new Heaven in e obese gue of gobaisaion, te giancoossus wit wo bacs who es a ie oo eaviy o te arh adwch ternaises a desirig prodion wiin is everexpadgbody s because his ew re of Heae appears moe powerfu ad

by erriores, over-burdeed and weighted down by he despoic forms

of sovereiny ad heological forms of he sae o may Heaves havebeen invened o ie heavy o he arh, ie obese overs ha over erbod day ad gh n fac, we mig k of eac Heaven as e represenaion of a distinc sraum, and e mue straa a pie on topof oe aoer as he mulipicao of aers or paeaus e geoogica diagram a eeuze and Guaar empoy in heir cocepion o'sraicaion as probem of oiica geoog and of he ar as sufering from oo muc sracaion Here r wi refer o he detiooffeed b Professor aenger, a chaacer drawn from e oves ofAr onan Doye and dgar Rice Buroughs, who s appears i A

Tuand aau o exoud upon he concep of sracaon4

Accodg to aenger:aa are ae, els ey sis vi rm mae impris inensies r n snularies in ssems resae nd eddan o prn n e bd e eart meces ae a smal an aniz em n moa areaes raa ae a capre aree bac oes r ccsis srvi seize waever cmes erreac e perae b cin an reerririaisain upn e ear epreed b e an b eririai e srata are judmens of saican in enera is te enire ssem e udmen bu e earr e bd wiu rans sany eues a uen ees anemes esraie ee de-erriiae eeue an aari1987, 40

A surface of sraicaion is dened as, 'a more compac pae of conssenc ying beween wo aers Deeuze and Guaari 7: 40) Bu, ase aso observe 'sraa aways come in pairs one serving as a subsraum for e oer is can be readiy iusaed in Hesiods fabe, wihGaia he ar formig e subsraum of Ouraos (Heaven howevesomeing comes beween hem, he surace occupied by Koos esurface a exfoiaes from the bood geas o Oanos w repesets a orgal oin of deterrioraisaion ha produces sraehogh w peopes ad terioies ae st sbued

226 Dluze ad Space

Prior o his even ere was no srface, ad o space' sricly speakig or raher, between he wo layers or sraa represened by e bodyof uraos lying o Gaia day and nigh' here was no exerior place forGaia o prodce new sraa as hese were consany crammed back inohe inner recesses of her ever more crowded and populous body. wasonly hrough he inervenion of Konos who came beween his ancienpair of sraa ha he idea o an externalised ane, separaed from heimmediae joinig of e twO primiive sraa was rs possible ecoradicion we have noed he exteralisaion of he surface Kronos

Wht t Eart Tinks 227

logical eiies and become elemens of an eirey differen assemblagecalled a socius or social machie' ur his creaes he codiio forhe emergence of he grea erriorial machies ha ave disribuedhemseles across e srface of he Earh which have bodies of umanbeings as her parts and heir organs are now aached diecly o heEarh hrough he iermediay of erriorial signs, which are composedof maer drawn fom he hybrid inscripios of soil and blood I is fromese primiive erriorial machies ha he grea races and he erriorial bands emerge and srap emselves o he Earhs body like lines ha



"

coradicion we have noed he exteralisaion of he surface Kronos,

occpied as a place of ambsh prior o he division of earh ad sky ino twO separae sraa, can s be inerpreed as he reroacive image of

he 'ac creaed aferwards as he necessary condiion of is possibiliy.

Moreove, the original Greek meaings of techain (as plot or secret pact

beween Gaia ad Kronos and loxos (a place of ambush hidden away

from uranos) also poin o he poliical ad sraegic deermiaion of

a surface or place even no) place from wic the revolt against

Heave folded -two external relations to power or domiation whose

utopian meanigs are obvios: (1) Conspiraorial plot or ra fy device

iveted by a evolutionary assemblage (or wha Deleze and Gatari

later call a war macine'); (2) a utopian (non) place tat constitutes the

virtual point of emergence (or point of deterritorialisation) of new strata and particularly those strata tat concern us wc are composed

of mans (bt not exclusively sice they also iclde vegetable mineral

and even macinic phyla as well and are dened less by species tha by

a distribtion of strata tat takes the distinctive form of a soius.

Social Bodies, r the Priniples f Terrioriality

I turing to our second question, specically we are interesed in wO

ypes or organisaios of a socius frequenly discssed in A Thousand

Plateas: the primitive territoialmachie and the Stateorm. From the

perspectve of the Eart (the immobile cotinuum te ground of prodc

tio, the Body without rgans) socalled huma societies' oly appear

as coded blocks (eier mobile or saic or as iscripions orgaised io

disicive paters of ciies and errioies more recenly ino popula-

ions Te Earh is atooed by he socieies which emerge o epresen

the poits of its surface that are over-coded, and human beings do not

appear on the sface', as hey ae attaced to it by their organs (by te

eyes their hands, their mouths their genitals, by their great ad over-

developed auses) i order to make another meta-body. It is at this pot,

as with Arstotle that man beings cease to be deed primarily as bio-

g p y

crisscross he Dogn egg, carving o inernal eigbourig zones,remoe exerior precincs, frontiers and waselands, bodaries ad boderlines and wha Ka earlier described as he vas spaces of communicaion (he oceans, desers he air ha lie between he doorseps orporicos of he domus, he omeland (Heimat), he naive soil (naton).Far from beig a saic oio, e concep of space ha his process ofsraicaio express is wildly producive. The specic caacerisic ofspace a he processes of sraicaion express can be dened as a vactia by e endecy o proliferae ad o muliply ad become a manifod' someing ha Deeue laer explores rog he concep of efold' {e pi Throughou is process however, he arh mus be

dened as a Tig ha remais consisen immanenly connecedhrough all is pois or srfaces (inerior and exerior) or raher a planeofcosisency ha becomes more compac and ardened he more sraao layers are produced. In oher words wih eac ew surface acalyproduced rough sraicaion he arh wihdraws even fuher inoiself, becomig more impeerable ad In-Itsef (I will reurn ocommen on is endency below whe we come back o e oio ofdeerriorialisaion') Human socieies can herefore be described asmegamachines' a cover e Eah - we recall he descripion ofuraos, he sreched himself and spread al over her and hus comprise is new surfaces of iscripion ad ecoding he quesion haveraised above cocers wheher hese surfaces ca be arraged sccessiely i a hisorica descripion or wheher heir arrangeme mus besough n he disicive process of sraicaion iself.

The descripio of socieies as megamachines' reqires us, onceagai, o clarify all is alk of machines in Deleuze ad Guaaris wriings Simply pu, a machie' is acually a much moe accrae mannerofspeaking of socieies as being, i fa composed of e relaions of producio and surfaces of iscripion or wha hey call recordg; ha ishe relaios of prodcion and recording ha ae inscribed direcly oobodies which form he differen sfaces of social macines As hey



34 Deleuze n Space

be a poics of deerioialisaio A polics o GaiaKroos8owever, we ms reur o make oe small correcion I woud appearfrom he illusraio offered above ha he ah ca simply be denedas a primiive sram, perhaps eve he rs or he origial sram nhe corary Deleuze and Gaar do no dee he Earh as a sram,origia or oherwse, b raher as a more compac plae of cosisecyha lies bewee layers or sraa: I effec, he body wiho organswhich has aready bee ideied as he Eath he ealier passage ciedaboveJ s isef he pae o cossecy whch becomes compac o hick

Wat the Eart is 235

or reappeas ouside he sraa hemseves; however, his is oy a -so caused by he aile of is paicuar mater o be arcuaed by heprocess of sracao

he poi of al hs is agai, o be discovered i he hesis of Professorhaenger ha he Earh absouely resiss all sraicaio, awaysveering oward a poin of absolue deerriorialisaio' ad i is hsdegree of resisace ha appears i he resides ha cosie he ea-ve ad varyg degrees of deerorasao ha belog o he sraahemseves Ths, absolue deerroriasaio (he Eah) appeas wice



es a he evel o h� saa' Deleze ad Gatar 98 4). hs show hey avoid he charges of a rer o Naure, as i hey wee sayigha he plae o cossecy (icudig he consisecy of desie) is aaral sae ha exiss prior o he mome of sraicaio whichcauses i o deviae from is rue niary composiion or o becomeosde iself wih iself' This woud jus be a veed egeliaismad perhaps we were ed asray here by he mora associaios of rape he sory of esod There is always a danger sig fables o cios') expicaig coceps, which are made up of ies ad o o mages,ad which s why we eed t esoe a poper degee of absacio he image of he Eah ofeed eaier o

From or earlier descipo, we seem o have two mually excusiveproposiios i deig he Earh. he oe hand, i is deed as abso-lue deerriorialisaion, ad rofessor haenger has aready describedhe Earh, or he ody wiho rgas, as wha consany fees adbecomes desraied decoded, deerriorialized he oher hand, heah has aso bee deed as, he pane of cosisecy ha hickens adcompacs betwee sraa This wod appea o be coradicoy if hemoveme o deerroiaisaio was aways opposed o formaios ofcogeame or saicao or wha Deeze ad Guatai call reerrioiaisaio') B, as hey wrie Absolue deerrioriaisaio is odened as a gia acceleraor is absolueess does o hige o how fasi goes is acuay possbe o reach he absoe by way of pheomeaof slowess ad deay (Deeze and Gaari 1987 6 Cosequely,hickess ad desiy aso resis saicaio, as much as a surface hais characerised by dispeso and by eeralised elemes, ad wemigh imae ha deerioialisaio mus also be gured as hosepois ha are mpermeabe ad iiely dese ha ca occr wihiay sraa ormg back holes o pos where he arh becomes Odese ad udereiaed I each case he ocess ofsaicaofailso capure maer ad rasorm io a suae o ecodg; he arho oge fucios as a sbsaum' bu comes doe ad goes adrif

or is douby aricaed, ad appears reave oy aer stracaiooccurs o ha plae or body (Deeze ad Guaari 987 This swhy, accordig o Deeze ad Gaari, here is a perpeua imaneceof absoue deerriorialisaion wihi relave deeriorialisaio andwhy he ane of consisecy [he arh] is always immanen o hesraa (Deeuze and Guaari 87: 5-7), Reuring o apply hisisigh o he abe by Hesiod, he Earh ms be gured as boh a, prsoe o sraicaios ad eveloped i a cerai specic sam hadees is uy o composio (Gaa) ad, a he same ime, as hamos fomed, desraed eeme ha beogs o s pae of cosis-ecy' Koos Ths removes ay remaig hn of auraism om

Deleue ad Gattar's geophilosophy, sice he Eah can oly bedened as he mobile coiuum betwee wo saes o deerrioialisa-io, he plae of cossecy ha appears betwee relaive ad absoluedeeriorialisaion or as he ippig poi ha causes oe sae o passio anoher B again he saa hemseves ae oly resides of hesepassages from oe sae o anoher, which is why hey are cosayhaued from wihi by he movemes of reaive deerrioriasaioha aways hreae o become absolue herefore, he Earh ca olybe deed by his degree of imbaace, or dsebr i he sameway ha ay surface of saicao (of eriory, or he sraied sufaceof he Earh der capiaism) is aways foud o be aimaed by deerriorialised ad decoded lows his is Deeze ad Gaaris thesis co-cernig capia for eample, which is said o be eakng eveywhere adedessly crossing is ow limis, which i keeps pushig farher ou Ahe same me i is pecisey ough his ac ha he Earh is awaysexpadng is ow borders, as Deeze argues ad aways nds isef a suao where i ms ose of ew escape roues ad psh hemback ito is ow body Deeze 2004: 270. Ths, if he cople ormedbyaiauraos woud orm oe age of he Earh i wch e arhis show o expad by ieraisg all saa no he boaed body, hehe coule gured by aaKronos cod provide aohe image ( ·



238 Dluz ad Spac

pheomena of conemporay forms o nomadism i latecapalsm or wheer imerely nios ecally as a heoreica ction alluding back to eleuze adGuaari's ceatve use o s esis cocenig the scoid ad deerroraidlows of desie

2 Krk ad Rave noe hat e deails of Hesiods version sugges at Ouaosdid sepaat from Gaa, a leas i he dayime but it is probab tha n oheversios o the sory Ouaos covered Gaia day ad nigt as Rang covers Papain he Maori mh 50 tha a maner of speakg "te sy ad eart we oneform' (Kik an Raven 197: .

3. e origial tet eads

ll [ came from Gaia ad Ouranos he most d of childen, from te

Wa Ea s 239

already economice way ibdo invess he economic ants e economicand fosters h polTcal foms of reression (eleze204 3

7 s mpora to ?bsrve ta Marx i te s adopted hs image

f absoluedertoasaJo i ode o poay he sccessve ransorma

Ions o caTSelf hich upotedly always encounes s own limit as e

heet codTof

TS �volo

ad hisoca rasformaton, al te way o

heend whn S wI oetaly ecome etealised a new form at

IS If ter I a nec

essary lmt mea o capia tsef, w fions bo as

econdtIn of

s prdcto and reoduco and as he moment whe

captea

usss:f ad rns abou' o aother fom tha s he mome

of Jt IS a lm t ad rs of al o fom e Eart as the absoute



bgnng wee ated by eir own bgeer; and st as soon as any of hemcame no beig e hd them away ad did not let tem ito he lig, in teiward places of Gaia; ad Oranos rejoced ove te vi deed n d se podgos Gaa groaed wiin for se was cowded ot ad se devised aca evl device . se set im Kronos] ito a hidden pace of ambus,paced n is ands a jagged-otd sicle and ejoined on im the wholedeceip. Grea Oranos came brnging ig with hm, and ove Gaa, desiing love he seced msef and spread a over he; and he, hs son, omhs pace of ambus stretched ot his lef and ad with s igh he graspedte monsos sickle long ad jagged-tooted and swl seaed of tegetals o his dea faher, and lng them beind o be carred away k and Rave 9: 3

Alogh less kow ha his azan novels, Burogs ceated a ses onovels wi a ienis and an advenre travel by mecanical cie

hroug he ath's cust to nd anoter Earh inged side te at's co wths ball of ery lasma as a scoday sun, whic s called Pellcidu Weteror o this alusion was coscios o elee and Gaai's par am assmg at vetion of Pofessor Calenger s based o the ybd cionacharace o he nteenh-ceury geolog-exporer of e Eath's saa

One canot say fo eamle ha he curen lne of developmet of capiaism Cinese ey is denical o wat ook place in Eupe or meica swold edce by a appeal o te over-arcing myth of totaliy the myiadeffecs o gloasation a term used to epresen e etre ecumenon o globalised marke) and ofen reasser the vesai of te Weste le of developmet accordg o e alegoy of te ce' and he peripey' For eleuzead aari it is no a maer of a otal isng cetre and a localsed, remote adexea gio bt rater a noplace' u) ha deeioralises hsform of saicaon

t is no by accde ha e mos recen ciques of capia st soces have been

reoreed aond locag a rical limi at s iteral to capa self ad deveopig heir aalysis from a posto of immaence, aher an ascendece or from te esptv of eenal syesis of a sca agency sevenforms a ceta u cou a many heores oday all sae, avng beetedfrom eleze and Gatars ealie iuitions coceg he prodctvelm of capal tef ad fom the nution at the mos ccal elato o caalism s t exeal, bt is rate immaet to capals processe of encodng desre directly at the leve o odes As Deleuze aged

deoogy s ot imoan hee wat maes s ot dolog o eve e ecoomdeoogca dscon oppson w otf w ecause he orgaao of owe e he way whch desie s

I !e mobile contnum e gound of odcon.S O h: lcS of daY-

eaza' n fac euze's ealy readig of Mche

orer s ov:l u l u Pciu echoes an cany

me the gal fable by Hesiod and eds wi e peaa (h Ea)bemg emacIaed

om e sad sexa ecoomy' of obinson rusoe he

global persocaon of Euopean colonisaton an eve wic is brogtabout by he gue of riday'. ee Delee 199 -20

9 Deleze and Guaa ave oten refred o Maism as a culu of memoryoe whose heoetical pactice aways oceeds by he captaliato of h;mmoy of soca fomation' Del�ze 2004 7). s have aged hoghot, hS wold have o �dsmgUshed fom te heoretical praice poposedby ele

e

ad Gua s oo of geopilosophy w roceeds rog

te cUltvt f a orce of ogeig a hey already d he processes o

deTsao

adreterToasaon and n h example o the Eah

Per

ps tS prac1ce mght moe esembe e scece of e oaans fomtaslav Lems novel o/' whch is wy refeed to Deeuzes eary saemen fom the preface o ffc 4 hat a fue pilosophywold hve o be arly a ovel of dect10 and pay sciece cio (eleze994: ;• ut as asked n the beginng of s chapter, woud ts o be egee of hosopy ta oe aready nds A Tou P

Indexcld cldren 62, 75, 17 161-2

203, 216, 224 237n 23ciem, 24, 10-1 51 65,3 93

144 146-56 15 156 'NaavReprea 149 154

Colomb, Ad Perr, 145comps, compig, 9, 36 3 4

49-5 69-70 -3 3, Ill, 122concepts 1 5 7 1012 14, 6 19,

34n 361,43 4654, 575 ,63,65-71 73, 76 0, 4 6,

Index 241

xpressonsm n hlosophpno 45 157,206

The o Lebniz and the Baroue3 37- 4-346, 4953 56_7,59n 65 70 77, 96 99, 325,4 213-14

Fcault 15 190 193ran acon: The Logc of

Sensaton 734Immnece: A Life . 9, 106Kant's Crtcal hlosophy 5 17,



'.

eeics, 12 52, 177-9 13 5afect affec 34, 9 1 5 1-9

22 25,29,50 90 94-7 103 1060n 134-, 14-1 146 4-9152 55, 160 16270 175 131934 96-7 199 2025

Agamben Gorgio 9 94Agkrk s, 10Aab 11 159 160, 164, 673, 5;

see also Melill, HermaAmeica (USA 4 24 25, 2, 34 23aimation 47-50, 723

animate form 3 47, 5 acitecue, 7, 1921 36-56 5n

59n 60, 61-9, 72 7-7 79n131-2 34,135 196820

rt 4 6-7, 25 3941 50, 545 5960n 77, 90-1, 93-7, 99 10-2106 17, 152, 61 163 1316-7 196-7, 25

d etics, 199Ini 11modern 15

nomd 54popl 145 14as popgand, 14souen 112 117

Atud, Antoni, 10 146, 150 232Aug Marc 3 4, 6 259uomon 146- 150-3 155atomtism, 14750 54-6 1 5

spt 11 1450, 54 1555n 5

tomobes s 20, 21

Bcelard Gston 612Bcon rncis 36 44, 73-5 160Baio Alain 9 106, 0n 20Baoq 25 57 6 65 70, 77,

1325 2021 Bdll Jen 16 2Bejamn, Waler, 3Bergo Heni 39 41-2 69 71 93,

97 99, 127 151 15 165Banco Marce, 6 71 156

bobs, , 4boy bodies, II, 19 27 3-8 41 42,

448, 56-7 58n 62 64 67, 81-2,

86, 88n 126 128 32, 136

139-42, 1546 16H l70-1

175, 8 190 192-3 196-7,

199, 2035 221-2 2247

229-30,2325

Boge Ronad 64 95Bcann a 15n 34n 35wO 'body wout ogs) 10,

145; see also Arud, Anon

Cae Brnr 3745, 45 56,59n 69-70

Caada 090 12-17

Capitlism S 27 29, 19 122 199,

204,220 222 28-33 235, 238n

catography 3 115 98, 209217;

see also mps, mppgsy Ewd 1 16Call Stany 129Cert Mchel d 3-4 1626 31, 35cosmos 95 105, 56

990 97, 9 05, 0 10144-51 155 15 160 163 165,176-9 3416 17n 19 199202215, 217 2n,2205 227, 234, 2367

cocousne 29 106 2-9 14753, 55 160 10 9-90,202 204 21 3-14

cosodion 3 40-2 45 , 52 54223 see also Cac, Bernad

cotemplon 13541cckg (craquement) satterg

ctement 267

crfy deice 224 226 23n

Deord, Guy 3 1627decoded fo see o, decoeddecoing 5 119-20 232deconsrction 36-7 106 94 197Deand, Manl, -9 0, Deleze, Gile

Dleun spce 9-90, 93 100,05

Begsonsm, 71 7 9 75Cnema 1: The Movement Image 93

44,47, 15 165, 75,2Cnema2: The Tme Image 2 4 79

97, 99 147-50 152-5 15, 160The Desert Island and the Tex:

597 3, 209 21123-1 2, 222 229 2332357 239

Derence and Repetton 2 73479 1 5 91 9 137_,1757, 2 1951

Essas Crtal and Clncal 10, 7592, 96 12

0 7The Log ofSense 66, 70 76 79

90 95 104 19239Negotatons 9-99 90 95

99 10-2, 105 107 19323' poogrpie es dj tir dans

lecoses intervi, 5, 56roust and Sgns, 77 92 97

99-00ure Immanence: ays on a e

9 15Deleze Gll d Flx Guri

A Thouand lateaus Capalm

and Shzophrena 1, 13 3033 34n 3, 40, 46 59, 61 65,735 , 7 , 103 1051-13 15 1719 125 145,160-2 16 6-9 171 173-4,175, 191, 1945, 19-9 202-3217 22, 225 234-5, 239n

Ant-Oedpus aptalsm andSchzophrena 14, 162, 34n35n 29-30 45, 192 203 206n221-2 22-32

Kaa Toward a Mno Lterature5n 0

What sPhlosoph? 6 61 64, 706,91 95 1023 06, 10,157n, 161 175n 196 219n 223

Dridaces 36 19-91 197202204

Deaes 6, 4, 133 36'dest sld 207 2-7ds 4 122 24-5 64 90 97 109

12 130 140 45 176 19219-9,205 206n22 221_2,2 2324 236 237n 23n

242 Id

det�rr{oialsation 5 7 1314, 22-32931 45 88n 103, 163, 165176 179 193 ,201 205 220222, 227 2302, 234-6 237n239n

dffeenc 13 22, 25, 29 8-9 782-3, 92 97 99, 104, 126 152-3,159 16- 182-8, 1912, 19496-20 24 206, 208,23 1

disc nbers 109 11-14 116,

h fold 7 37, 46, 502, 57, 58n,65-7 69-72, 13 190 201

Foucat, Mich 3 6 12, 90-, 9410-2, 158n 189-91 1 93 200-2204,22

gensis 60n 912 96 99, 100, 1903195-6 201

Giddens, Ahony 17-8GodardJeanLc 2 46, 152-Gros, aet, 68, 79

intnson 89 2 , 80-3, 86 87n88n 92, 2 145 172, 82,185- 188n 206n

inensity 3 9, 22, 27 80-3 96 03137, 1689 177, 183-5, 198206n 210, 21

Init, 9-0 10923 125island, 13 2079, 211-17 219 ; see

alo deser island

ams nry 127, 133

Index 243

Mar Kar 1,220-1 228, 230-,239n

Marism, 220-1 223, 239nMassumi Bran 68, 70 79n 175Melville rman 101, 12, 64,

167, 175o, 160 164, 673

mmory 2, 6 10 18 3 1, 96 122, 55,, 197201 203, 228236239n

metaphysics, 2, 70 96 135, 5,



.

11923disjnctiv syntesis 72Dupr!, ugn, 39-2duration 42 66, 713, 923, 98 15n

24

earth, 3 19 2228 31 103 2104,225-6 23-2, 238n

Eco meo, 2, 15n 23-5, 29, 3Eisenan, Ptr 8 36, 58n 65, 68

74-5Emerson, alp Waldo 10 12-8 13 6epsteology 2, 215 29eqivocy 202-3

essnce 39 4, 5 59n, 62 82 141,146 155 182 18, 202

'ag essnce 9rope U t, 4 11 238nevnt

pre 956 15the 8 66-9 7, 79n, 86, 88n, 92,

106 136-7 11 165 91, 198214

tnson 8-9 59n, 803, 86 15,18-5, 206n, 2115, 220

extensy, 12,71, 82 1825 18 8

itzgrald, Sco 103, 1 27labrt Gstave 223 25, 29lows 20 423 48-9 2 81-2,

88n 93, 11 119-20 122, 32,145 163 92 19 20911 222228, 230 232, 236 237n, 238n

'decoded ows 11 9 1212 232235

fods 12, 37, 40-, 46 69, 71 90folding, 8, 36-8, 47 49 50-5

58n, 60n 77 99, 02

Guaari i 116 122, 145, 15925 222 237n

agan Ssnah 36, 5-2ardt, Micael, 1398 108n 115

22-1 223 237ardt, Micael and Ngri Antonio

2201 22323Empire, 13 220-3 229 236-7

Hgl, G W. 234Hidger Martn 1, 3 15n 1921

28, 146Hsiod 2245, 230, 2345 238n

239nheeognity, 11 37 46, 52 55 69

72, 86, 05, 10 145 159,160-1 163 170 174 176, 188n

190history 2, 8, 15n 1 6-17,25 30-1

34n 59n, 60n, 83 89-90, 101

109 ItO, 116 13 1 134 144 11

189 194, 199, 200, 202 219n

222-3 230-1, 233 236

nesa 230itchcoc rd 2 15homogenity 87n 37, 156, 161 165,

168 10 184 188srl mnd, 12, 45 18 9-91 200,202

hyperality, 25 29

immannce, 4 15n 66 68-70 85-

88n 90 93 98 103- 106 46,155, 76-7, 219n 235 238n

inetion 38 1-3 5, 48 56 6970,122 133 see also ach rnad

inr sens $ee sen, nnr

Jamson, Fredric, 5 15n, 619,2931 33n 3

Kant mmanel, -7, 12 5n 5, 8189 126 17-83 1856 18n88n, 201, 227

le, au 97, 99-05 10-8Koolhaas, Rem, 4, 29 3

Lamber, Gregg 15n, 57 99languag 14 19 2023 3,4548

51 70, 76, 92 99 112-13 1 1713- 1 52 16 170, 75n

190, 98, 2002 7,220as Vegas 1921, 3nLebr, nr 3 16-17, 27, 33viSrass Clad 29Leini, G W 8 2, 49, 57 59n

656, 69 133,2 024Libeskind Danil 31-2n(s) of ligh, 7, 88n, 05 129

163 166, 16971 74,217Los Angels 8, 20 21, 22 33n, 38 5 ,

5, 60nLync David 15ynn reg 8 37-8 45-53, 59n 65,

68 7 76, 9

McDonads restaurants 22 29macnes, J1 26 41 63 85, 115-16

18-23 150 52,155 158n, 195221 238n

desiing, 3nerritorial, 1 224,2268 23 1war 18, 226

maps mapping 6 68 9 100 106200 207 ee lo catography

1767, 180, 85 192 9-5,200

miropoitics see poitics, micoMingus Charls 53Mbis 43 57 5-6Montgne, 215

Nsbitt, t, 62, 79ietsche, Friedrch 133, 157n 177'nomadic sujec see subjec, nomadicnomads noadism nomadoog 5, 8,

54, 11 1-12, 94,223238nnonlace see plac

Odipus Odipal, 245 29, 35n, 193199 205 230,232

ontoogy 9, 3 19 3891-2 5180-5, 122,159 200-2,208 212215,219

Oientalsm 22 2 9ote snse see sens outr

Paris 22, 26 28, 31prception 6 12 37, 51, 54 56- 9,

96 103 15, 678 17- 182,84 186 190-3,201- 21 216

28prcep, 50, 945, 97 163, 96phnomnoogy 6 2 ,96 189-91

193-philosophy 5-8 11 3,36 389,45

47-8 50, 59 679, 77 801,85-6,90 9697,99 10 103,15, 147 15 , 157n 163, 15n6- 179, 181 18, 85-6, 88n190 94, 96 1989202,2024-5, 223232, 235-, 239n

244 Index

plce -5 7, 16 19 21-2. 24, 26-931 340, 53 567, 6 63, 65 67-8,75, 79 913, 95 1-1 16,1 4-15, 117 119, 128 13 33,137, 139, 141-2, 16,165 169,179, 184186, 189 28211-1221-17,224, 229232, 238

non-plc 7 28 193 238n'plan o f immnnc 66 68-7 2

9223oitial hology 22 36

4 26 9 13 115 6

snsion 6-7 19 77793 956135 64 1 178 1813 86197,29212

sns inn v. oue 19, 18srn (icateme) v crcking

crquee) 26-7sinicion 76, 21sinli 9 11 42 46, 48 72, 85

88, 9, 96 16 164-6 169 17,183186 9 94 19621722522'

11 13 15 22

15-16 121, 13 126, 133135 14 15155 157, 159-6,162-3 166, 169-72 177 8186 189, 191-3 967, 21-5,212-14

nomdic sj 1 , 159-6, 163167,168 169171 172, 173

sbjcvi 1 , 22 43 149171 28,213 23

spfold (nlimid niy) 2 19

e 5

97 11 1118, 122 135 144159, 176-8, 181-2, 18-6 194221, 3

jcoies 12, 75, 96 195, 23-4nscndnc 86 18, 236 238vl 19 225 28, 34n, 62 68-9

1-3, 134 141 167, 238Tscmi Bnd 36 197-8

nivociy 22

f



•

poiis 4,269 O 13 115629 199, 2334 236 239n

micro-poliics Sposmodnsm 4, 31poducon 11 18, 24, 29 49, 88 89,

92 14, 16 112118, 126148-9, 54 191, 192 198, 2522 2268 23122390

Pos Mrcl 612 98-9 28psyhoanalyis 24-5 4 9 22 v s vnt e

Rjmn Jon 689, 79

vili ee viui ealpiion 9, 15 136, 141, 161 162,\6, 167, 199 2829,216

rpesnion -7, 1 1-12 39, 41 51 73,7, 85 912 94-5 133135-, 138-4, 12 47 151,5 158n 159, 168 176-918 -6 87n 88n 217 5

sinicon 11 14 19122-3

rsonn 2 5 34, 59n, 9 9395, 97 1 4, 225

rroralison 7, 29-31, 225, 234,239

Rodi imon 8, 36, 38 51-8 59 6Rossin Robo 2, 4, 153

id Edwd 23shizophre 4 15n 617 2 29

237nivrl 6

sen 68 13 19, 5, 86 91-2 13168 1779, 18 86 99, 28_1, 2116, 36 239

smooh 11, 13 15 22; seelo sp smoo

ou, 222 223 226-9, 2313 235spc 2 9 13 15n, 16-19

216, 28-9, 32 34, 369 4-34551 53-5, 5, 58n 59, 64 65,66, 68, 72 75, 76 883,84,85,86, 87, 88 899 11136 11-13 11 8-2 273132-5 37 45 151 1615974 175n 76 177 17982,186 187n 188 189-25,26 28-9 117 218n, 22

2267smoo spe S 9- 19, 29 4649, 51 53 11-13, 118-19, 61679, 11, 176 194 98 214,217

srid spS 9-1 11-11, 113122 68-9174, 17694217

Sp 2, 186pinoz Bch 7 I , 69 127, 14-7,

92 198, 26 221, 223spiril uomism ee omis

spiiubucks co sops, 293s pps 115

sorm 14 221-4, 226sr 9, 4 166, 223 2258 234,

238sicaion 14 1, 121 195 223

225, 22 229 231, 236238n

siion 111 1 3-15 1 -19 ee/ spce srid

sbc 6-7, 11, 13 19-2 26 42 56,61, 63, 72 8996 11, 6

errioil min ee mainioil

ioili 11, 3 34, 35n, 193225

rioy 2 , 1, 143-14-64,69, 73 13 S 115, 12 16119-1 193, 199 2-5 22-6,228235

ore Hny Dvid 1, 126-3213443

ime 4, 78 11316 8 21, 248,32, 38 42-5 47-9 5-3 57 58n6, 66 69, 71-3, 76-7 87 89,

936 1, 13-5 13, 116-17,119, 122, 26 1283, 132,1349 41, 144-7, 51-6, 157158, 15961 163-5, 16 7-7317, 179-81 1835, 18 188192, 19-5 197 2-5 21225, 21722 2234 228-9231235

oponymy 1 1 5rdiion 2, 1245 49, 6n 4 81

nlimied niy see sprfoldUnivesl isor ee isoynivrsl

opi opin 198226

v ssne ee ssn v¥dlr Anony 2, 15n 65vioen 21 148virly 4 7-8 1 1, 37, 42 43, 45

4751 66 -3 76 79 8,83-6 8 88 9 93 95911-3 6 8n 15 154 156,158, 1635 67-2 75n 19121 22226

83

w mcin ee mcin wrWs owes ee Rod imonWs he 34, 1 7 13 195, 22

2-5 224, 29-32 238nWihd ld N. 133Wold ae Cnr 3 1

Zie lvoj 15 29

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