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TABLE OF CONTENTS

LETTER FROM THE PASTOR 4 DEDICATION 6 DONORS 7 BLESSING OF THE ORGAN 12 PONTIFICAL HIGH MASS 15 DEDICATION RECITAL 23 BIOGRAPHIES OF OUR MUSICIANS 24 THE HISTORICAL RESTORATION OF THE CASAVANT ORGAN OPUS 1130 27 AN HISTORICAL ORGAN RESTORED FOR ANOTHER GENERATION 30

HEALEY WILLAN SOCIETY 32 ORGAN SPECIFICATION 33 PATRONS OF SACRED MUSIC 38

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LETTER FROM THE PASTOR

2013 ORGAN RESTORATION THE STORY OF “TINA MAE”

In 1926 the Casavant Frères Organ Company of Saint-Hyacinthe, Quebec, founded in 1879, was commissioned by Saint James Methodist-Episcopal Church, 4611 South Ellis Avenue, Chicago, to build a new pipe organ to replace the organ lost when the previous church burned in 1925. This 1926 organ project was directed by Miss Tina Mae Haines, the organist of the church, who had studied under a famous church

musician, the renowned Parisian organist and composer Félix-Alexandre Guilmant. This organ was dedicated in memory of Gustavus F. Swift, Founder of the Swift Meat-Processing Company, and was given by Ann Higgins Swift, his widow, and by their children. Miss Tina Mae Haines used her knowledge of the great Cavaillé-Coll Organs, which dominate the City of Paris, in helping Casavant to construct an organ which would reflect the highest quality of craftsmanship. As a consequence, this Casavant organ incorporates some pipework from the famous French Organ-Builder Aristide Cavaillé-Coll. A musical force in Chicago in the early twentieth century, Miss Tina Mae Haines helped found Chicago’s Sherwood Conservatory, where she served as a professor. She also collaborated with the Chicago Symphony Orchestra in giving lectures on opera and musical history, and was an accomplished conductor and organist. This 1926 Casavant Organ, Opus 1130, became one of the prominent concert organs of Chicago, and the famous Parisian organist and composer Marcel Dupré, a personal friend of Miss Haines, frequently concertized on this organ and gave it great acclaim. Over time this Casavant organ fell into disuse as Saint James Church went into decline. In 2011, as Saint James was closing, Stephen Schnurr of the Organ Historical Society and Jeff Weiler, of J.L. Weiler, Inc., a Chicago based Organ Restorer and Conservator, approached me about the possibility of acquiring this organ for Saint John Cantius Church, which was in need of a pipe organ that could serve the needs of the church’s musical program.

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In 2011, the Patrons of Sacred Music, the volunteer organization at Saint John Cantius which promotes the restoration of the sacred through music, worked in harmony with the Northern Illinois United Methodist Conference to purchase this organ. The organ’s removal from Saint James Church was timely, as the ceiling over the organ was beginning to collapse, and rain was leaking into the organ chambers, subjecting the organ to irreparable damage. The organ was then placed into the very capable hands of Casavant Frères and J.L. Weiler for historic restoration. Part of the 1926 Casavant returned to Quebec to the same room where the organ was made. Other parts of the Casavant Opus 1130 went to the Weiler studio in Chicago’s south loop for restoration. In 2013, the organ’s historical restoration is complete. The results are stunning. The Patrons of Sacred Music became responsible to raise the funds for the $1.5 million restoration of the Casavant Organ, Opus 1130, and for the costs of the refurbishment of the organ loft. To accomplish this monumental project, the Patrons of Sacred Music needed heaven’s help. Relying entirely upon the assistance of the Blessed Virgin Mary, Rev. Scott A. Haynes, S.J.C., Chaplain of the Patrons of Sacred Music, place the contract for restoration I had signed, on Our Lady’s Altar, praying to the Mother of God to direct this project and its every detail. By the goodness of our Lord Jesus Christ, and His Mother Mary, and through their intercession, the Patrons obtained all the funds needed for the completion of this project, as Savior and Blessed Lady inspired the generosity of over three hundred members of the Patrons of Sacred Music to support this worthy endeavor. When the reconstruction of the organ loft was completed in Lent of 2013, Mr. Thomas Diez, Facilities Manager of Saint John Cantius, who assisted the Patrons of Sacred Music in this project in many ways, filled the newly constructed organ loft with hundreds of Miraculous Medals of Our Lady, Holy Rosaries and Brown Scapulars of Our Lady of Mount Carmel, which Rev. Scott A. Haynes, S.J.C. had blessed. Thus, this newly restored Casavant Pipe organ rests upon Mary’s lap, just as Our Lord did in Bethlehem. With this in mind, we name this Casavant Pipe Organ, Opus 1130, “Tina Mae,” to honor Miss Tina Mae Haines. Furthermore, this name is most fitting, for “Tina,” the shortened form of the name “Christina” recalls the name of Christ our High Eternal High Priest, just as “Mae” is a variant of the Holy Name of “Mary.”

As we hear the music of this organ, blessed on the Feast of Saint John Cantius, October 20, 2013, by His Eminence, Francis Cardinal George, O.M.I., Archbishop of Chicago, we acknowledge how Our Lord and Savior Christ Jesus and Mary, the Mother of God, have blessed this work, which has been undertaken to help restore the sacred with the gift of music. Rev. C. Frank Phillips, C.R. Pastor of St. John Cantius AMDG Foundation, President

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2013 ORGAN

RESTORATION

IS DEDICATED TO

THE GREATER GLORY OF GOD

IN MEMORY OF

S. ORVILLE AND

ROSE M. RYAN

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MAY GOD BLESS OUR

GENEROUS DONORS

MR. RICHARD O. RYAN AND

S. ORVILLE RYAN FAMILY FOUNDATION

An Anonymous Donor

Mr. and Mrs. Erik D. Gershfeld

Mr. and Mrs. William Wendt

Four Hundred Members of The Patrons of Sacred Music

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PLATINUM ($5,001-$15,000) Anonymous Mr. William C. Brewer In Memory of William P. Connolly In Memory of Christopher Diez Mrs. Phyllis Diez The Phyllis Diez Trust Ms. Maureen Dooley Mr. and Mrs. David Geilen Mr. & Mrs. Christopher O'Malley The O'Malley Foundation Mr. & Mrs. Gerhard Perschke Mr. Barry P. Sebralla Ms. Beth Ann Svendsen GOLD Gold ($2,501-$5,000) Adoremus Society Anonymous (2) Mr. Charles A. Brizzolara Mrs. William J. Isaacson Ms. Geralynn A. Malloy Magnificat Choir Ms. Diane J. Pilibosian Resurrection Choir Resurrection Orchestra SILVER ($500-$2,500) Anonymous (2) Mr. and Mrs. Craig V. Adkins Mr. and Mrs. Terence D. Ahearn Mr. Arthur R. Ahrens Mr. Steven Anderson

Piotr Cabaj & Agnieszka Aramowicz Ms. Gail Archer Mr. & Mrs. Jeffry Arthur Bethel College Choir Mr. Kevin F. Blatchford Ms. Mary E. Bohne Mr. and Mrs. Theodore J. Boylan Mr. Robert J. Brack Mr. David K. Broschka Cantate Domino Choir Mr. Roger Chenosky Mr. & Mrs. Phillip A. Chomiak Mr. & Mrs. Robert J. Corsentino Ms. Mary Ann Costello Mrs. Colette Cox Mr. & Mrs. Frederick R. Dempsey Mr. & Mrs. Pasquale C. Depalma Mr. and Mrs. William J. Dixon Mr. & Mrs. Luke Douglas Mr. Philip M. Dripps Mr. Stephen Faydash Firebird Marketing Advisors Inc. Mr. and Mrs. Richard J. Fuchs Mr. and Mrs. Frederick C. Grane Mr. Michael H. Haak Mr. & Mrs. Earl Henrickson Mr. & Mrs. G.V. Herr Mr. William J. Hoffman Mr. & Mrs. R.H. Hoffmann Mr. John J. Holzbach Mr. Edward A. Janko Mr. Thomas L. Jefferson Mr. Jerry Kavouras Mr. Patrick B. Kelleher Mrs. Mary C. Kline

Ms. Catherine A. Kline Knights of Columbus, Lafayette Council Mr. & Mrs. Leroy J. Kochel Mr. and Mrs. Stephen Kraychy Ms. Mary Anne Krupa Mr. and Mrs. Robert J. Lajewski Mr. & Mrs. William E. Lamothe Mr. & Mrs. Jonathan Lanfear Mr. Albert J. Lazowski Mr. J. Lee Mr. Russell B. Lundsgaard Dr. and Mrs. Donald MacFarlane Franklin X. McCormick, Inc. Ms. Rita L. Meinhardt Mrs. Donna Morrone Mr. and Mrs. Michael Mrozak Mr. Jeffery T. Nguyen Organ Historical Society Inc. Chicago Midwest Chapter Organ Historical Society Richmond, Virginia Mr. and Mrs. Marco A. Pena, Sr. Mr. and Mrs. Richard J. Pfister In Memory of Frank and Eleanore Potempa Mr. and Mrs. Raymond M. Preston Janine Ptasinski Jeanette Ptasinski Mr. Ronald J.Pytel Mr. Robert L. Rettberg Mrs. Lillian K. Roeser Mr. and Mrs. James A. Roth Mr. and Mrs. Hugh J. Ryan

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Ryan Electrical Services Miss Eva M. Salamon Mr. and Mrs. Allan P. Scholl Mrs. Jerome C. Slad Mr. & Mrs. Robert Smolar Ms. Jeanne M. Sowa Ms. Lorraine Stastny Miss Mary Joan Stentz Manuel V. Suarez and Josephine S. Suarez Mr. John Patrick Swee Mr. Robert J. Swee Transworld Exhibits, Inc Ms. Linda L. Tuggle Irene Tusinski Living Trust Ms. Melody Vasquez In Honor of the 20th Wedding Anniversary of Mr. and Mrs. Stephen Vining Mr. Kenneth J. Vruble Mr. Jeff Wieler Jeff Wieler & Associates, LLC Mr. & Mrs. John P. Wiet Mr. and Mrs. Francis X. Williams Ms. Claire J. Yashar Mr. Raymond J. Zittman BRONZE ($1-$499) Anonymous (65) Mr. & Mrs. Gary W. Adair Ms. Mary A. Adair Mr. and Mrs. Marco D. Ahumada Mr. & Mrs. Ken H. Alwahab Mr. and Mrs. James J. Amorella Ms. Cynthia Bartnik Mr. & Mrs. Jon L. Behm Mr. and Mrs. Larry E. Bergman

Mr. Merritt L. Bethig Mr. Paul T. Bivans Ms. Mary L. Borysewicz Mr. & Mrs. David W. Boyer Mr. and Mrs. James E. Boylan Ms. Corinne Kathleen Brodick Ms. Diana Jeane Brodick Mr. Marion Brown Ms. Mary K Brown Ms. Judith A. Burke Dr. and Mrs. William J. Cahill J. Calvillo Mr. R. Cary Capparelli Mr. Joseph R. Car Mr. and Mrs. Jeffery A. Carter Mrs. Agnes Cassiere Mr. & Mrs. Lee M. Ceresa Mr. and Mrs. John J. Chandler Mr. and Mrs. Ron Cicchini Mr. & Mrs. Stephen E. Cobb Mary .M. Conneely Mr. & Mrs. William R. Costello Mr. and Mrs. Frank R. Covington Mr. Gregory R. Cowell Cresta Communications, Inc. Mr. Oscar L. Crawford Mr. and Mrs. Henry Criz Mr. Philip T. Crotty, Jr. Mrs. Jerome R. Dambra Mr. and Mrs. Richard M. Danner Mr. John J. Davis Mr. & Mrs. James D. Day Mr. William G. Debner Mr. & Mrs. Gregory S. Dembowski

Ms. Helen A. Denlinger Mrs. Lucie DePercin Ms. Joy Donahue Mr. and Mrs. Michael W. Dietz Mr. and Mrs. Phil R. Dowd Mr. & Mrs. Bernard V.Eden, M.D. Ms. Ellen Eiten Mr. & Mrs. J. Nicholas Eiten Dr. and Mrs. Brian and Barbara Engelland Mr. Robert Klein Engler Mr. & Mrs. Fred R. Erickson Exposition Management Int. Frances Faller Mr. & Mrs. Dion F. Kendrick Ms. Carol A. Faig Mr. Peter M. Ferro Ms. Nancy I. Flick Ms. Kathryn A. Flores Mr. & Mrs. Hollis A. Fowler III Mrs. Myrta M. Garcia Mr. & Mrs. Raymond J. Geraci Mr. Richard Gnegy Most Rev. Raymond E. Goedert Mr. Kenneth Gregory Mr. & Mrs. John M. Guzick Ms. Mary A. Guzik Mr. & Mrs. Kenneth V. Hachikian Mr. and Mrs. Paul Kubacki Ms. Patricia Haney Mr. & Mrs. Gerald P. Harbison Mr. and Mrs. Jack W. Haynes Mr. Charles P. Hounihan

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Mr. & Mrs. James A. Hernon Mr. & Mrs. Norman L. Hollenbeck Mr. & Mrs. Ralph W. Holmen K.H. Ishmael Mr. Phillip D. Jackson Mr. B. Michael Jahns Mr. and Mrs. Benjamin M. Johnson Mr. Douglas Kelner Ms. Peggy M. Kendrick Mr. Richard P. Kiep Ms. Iordanka N. Kissiova Mr. and Mrs. James E. Kolak Mr. James M. Komaniecki, P.E. Mr. David J. Konczal Ms. Susan N. Kopczyk Mr. & Mrs. Paul V. Koprucki II Mr. & Mrs. Francis C Kowalik Mr. Stephen J. Kras L.J. & Marian Krupicka Mr. and Mrs. Jerome C. Krzeczowski Mr. Joseph Krzysiak Mr. & Mrs. Paul Kubacki Mr. & Mrs. Robert E. Kulasik Ms. Josephine & Ann Kuta Judith A. Lake & Genevieve Broaddus Mrs. Jacqueline M. Levernier Mr. and Mrs. James D. Lipa Lincoln Chamber Productions Ms. Lois J. Loumis Ms. Carol Loverde Mr. & Mrs. John Foster Macfarlane

Ms. Constance C. Malinowski Rev. Monsignor Xavier Mankel Holy Ghost Catholic Church, Knoxville, TN Mr. Dennis D. Martin Mr. Alex Martini Mr. John T. McEnroe Mr. & Mrs. Richard A. Mendralla Midwest Theological Forum Ms. Cynthia A Morales Mr. Hiram J. Mota Mr. John M. Mroczkowski Mrs. Elinore Mulcrone Mr. John Mulhern Ms. Jennifer L. Murtoff Mr. Mark Nawrot Mr. & Mrs. Morgan J. Neary Mr. Eric J. Nelson Mr. & Mrs. Daniel D. Northrop Mr. John Warren Novak Mr. Don P. Olstinske Mr. Dennis C. Opferman Ms. Laurel M. Panzer Mr. Robert F. Paprocki Mr. and Mrs. Thomas Pavel Mr. and Mrs. Richard Piasecki Ms. Joan M. Pinz Mr. Robyn M. Pio Mr. and Mrs. James Pitts Planned Lighting, Inc. Ms. Jane K. Pomykacz Mr. & Mrs. Roy M. Postel Ms. Nancy Prater Mrs. Gail E. & Mr. Neil Presnell Mr. Neil G. Presnell Mr. & Mrs. Todd F. Presnick Mr. Michael Preston Ms. Kathleen E. Quasey

Rago Brothers, Norridge Chapels Inc. Ms. Patricia Ramirez Mrs. Helen M. Ramirez- Odell Ms. Julia W. Ray Mr. Jack Rivoltorto Mr. Gerald Rogala Mr. and Mrs. Andrew J. Rosa Mr. Ernest T. Rossiello, Esq. Mr. Alan Rostoker Ms. Justine Rothstein Mr. & Mrs. William Rothstein The Royal History Society of America, Inc Mr. Justin S. Ryan Ms. Sandra D. Sample Ms. Gina Santana Ms. Damaris L. Santiago Mr. William H. Scarboro Mr. Donald Schmalz. Mr. & Mrs. Ronald A. Schmidt Mr. Gerald M. Schnabel Mr. E. R. and Ms. Carole Schneider Mr. & Mrs. James L. Schurder Jr. Mr. Andrew Schuster Mr. & Mrs. M.H. Serio Mr. and Mrs. John M. Severance Mrs. Fran J. Shambro & Mrs. Susan J. Beer Ms. Mary Rose Shaughnessy Mr. Ron Sieniawski Dr. Sharon M. Sikora Mr. and Mrs. Carl Skager Mr. James A. Sobczak Ms. Patricia A. Spencer Ms. Mary R. Stamler

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Mr. Michael S. Stosich, DMD, MS, PC Mr. Joseph Ryan Swee Mr. & Mrs Thomas R. Sweeney Mrs. Edward Swiech Mr. & Mrs. Albinop Tabas Ms. Coleen P. Taminger Transworld Exhibits, Inc. Mr. & Mrs. David J.Tutwiler Mr. John Uth & The Saint Vincent Orchestra

Ms. Joan M. Vaiana Mr. & Mrs. Joseph Z. Valdez Mr. Benedict M. Vruble Mr. Michael J. Walsh Ms. Susan L. Warner Mr. & Mrs. James Watkins In Memory of Paul Wasserman Ms. Susan E. Weiner Mr. & Mrs. I.J. Toby Westerman Mrs. Dorothy R. Williams Ms. Leora J. Williams Mr. and Mrs. Edward R.

Willneff Mr. & Mrs. Charles M. Wilson, Sr. Ms. Dorothy A. Wroble Mr. Damon E. Wurth Mr. Brian G. Yturralde Ms. Edith S. Zahn Ms. Teresa Zelkovich Ms. Elzbieta Zender Mr. & Mrs. Anthony S. Ziccarelli Mr. Harold Ziegler, Jr.

MAY GOD REWARD YOU FOR YOUR GENEROSITY AND SACRIFICE.

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BLESSING OF THE ORGAN

4:00 PM WELCOME AND INTRODUCTION: Rev. C. Frank Phillips, C.R., Pastor

INSTRUCTION ON SACRED MUSIC: His Eminence, Francis Cardinal George, O.M.I., Archbishop of Chicago

BENEDICTIO INSTRUMENTORUM ORGANI

Cardinal:

V. Adjutorium nostrum in nomine Domini.

All: R. Qui fecit caelum et terram.

Lau-da-te Do-mi-num in san-ctis e- ius: * lau-da- te e-um in fir-ma-mento vir- tu- tis e-ius. Laudate eum in virtutibus ej-us: *

laudate eum secundum multitudinem magnitu-di-nis ejus. Laudate eum in sono tu-bae: *

laudate eum in psalteri-o et cithara. Laudate eum in tympano, et cho-ro: *

laudate eum in cordis, et organo. Laudate eum in cymbalis benesonantibus: (pause) laudate eum in cymbalis jubilati-o-nis: *

omnis spiritus lau-det Dominum. Gloria Patri et Fi-lio, *

et Spiritu-i Sancto. Sicut erat in principio et nunc et sem-per, *

et in saecula, saeculo-rum. Amen.

Cardinal: V. Laudate Dominum in tympano et choro.

All: R. Lau-da-te e-um in chor-dis et or-gan-o.

Cardinal: V. Dominus vobiscum.

All: R. Et cum spiritu tu-o.

V: Our help is in the name of the Lord. R: Who made heaven and earth.

Psalm 150 Praise ye the Lord in his holy places: praise ye him in the firmament of his power. Praise ye him for his mighty acts: praise ye him according to the multitude of his greatness. Praise him with sound of trumpet: praise him with psaltery and harp. Praise him with timbrel and choir: praise him with strings and organs. Praise him on high sounding cymbals: praise him on cymbals of joy: let every spirit praise the Lord. Glory be to the Father and to the Son and to the Holy Spirit, as it was in the beginning, is now, and ever shall be, world without end. Amen. V. Praise the Lord with timbrel and dance. R: Praise Him with strings and pipes. P: The Lord be with you. R: And with thy spirit.

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Cardinal: O-re-mus.

De-us, qui per Mo-ysen famulam tu-um tubas ad canendum super sacrificiis,

nomini tu-o offerendis, face-re praecepisti, quique per fili-os Isra-el in tubis

et cymbalis laudem tu-i nominis decantari volu- i-sti: bene dic, qaesumus,

hoc instrumentum organi, cultu-i tuo dedicatum; et praesta, ut fideles tu-i

in canticis spi-ritu-a-libus jubilantes in terris, ad gaudi-a aeterna pervenire

mere-antur in caelis. Per Dominum nostrum Jesum Christum Fi-li-um tu-um: Qui tecum viv-it

et regnat in uni-ta-te Spi-ri-tus San-cti De-us, per omni-a saecu-la saeculorum. R. A- men.

O PRAISE YE THE LORD, ALL THINGS THAT GIVE SOUND; EACH JUBILANT CHORD RE-ECHO AROUND;

LOUD ORGANS HIS GLORY FORTHTELL IN DEEP TONE, AND SWEET HARP THE STORY OF WHAT HE HAD DONE.

V. Let us pray. O God, who by Moses, your servant, ordered the sound of trumpets to accompany the sacrifices offered to your name, and willed that the children of Israel sing praise to your name with trumpets and timbrels; we beg you to bless this organ which we dedicate to your service. And grant that your faithful who are gladdened with holy songs here on earth may attain everlasting gladness in heaven; through our Lord Jesus Christ thy Son, who livest and reignest world without end. R. All: Amen.

The organ is sprinkled with holy water.

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Organist Thomas Schuster, who will play the 7:00 pm Organ Dedication Recital, is the first to have the honor of playing the newly blessed organ. For the glory of God and to thrill our souls, he will play the great “Carillon-Sortie” of Mulet.

ORGAN: Carillon-Sortie, Henri Mulet As a musical offering for the Lord the Festival Chorus, directed by Fr. Scott Haynes, S.J.C., and accompanied by Stephen Alltop and Thomas Zeman, organists, sings the festive motet, “Laudate Dominum,” of Marcel Dupré, the foremost French organ virtuoso of his time, a fine composer, and Professor of Organ at the Paris Conservatoire, who frequently concertized on Casavant’s Opus 1130 in its earlier years.

CHOIR: Laudate Dominum, Op. 9, No. 4, Marcel Dupré (1886-1971)

O praise the Lord, all ye heathen: praise him, all ye nations. For his merciful kindness is ever more and more towards us: and the truth of the Lord endureth for ever. (Psalm 116, Vulgate).

We thank Our Lord Jesus Christ for blessing us through the intercession of His Mother, the Virgin Mary. It is by her loving intercession that every obstacle has been overcome in achieving this organ restoration. May the choirs of angels and the whole court of heaven join their voices to the sweet and rich tones which find voice in this organ. HYMN: Immaculate Mary, Arr. Rev. Scott A. Haynes, S.J.C.

1. Immaculate Mary, thy praises we sing, who reignest in heaven with Jesus our King. Ave, Ave, Ave María! Ave, Ave María!

2. In heaven the blessed thy glory proclaim, on earth we thy children invoke thy fair name. Ave, Ave, Ave María! Ave, Ave María!

3. Thy name is our power, thy virtues our light, thy love is our comfort, thy pleading our might. Ave, Ave, Ave, María! Ave, Ave, María!

4. We pray for our Mother, the Church upon Earth: and bless dearest Lady, the Land of our birth. Ave, Ave, Ave, María! Ave, Ave, María!

Marcel Dupré (1886-1971)

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PONTIFICAL LATIN HIGH MASS

PROCESSIONAL MOTET: O Lord, Our Governor, Healey Willan

O Lord, our Governor, how excellent is thy Name in all the world! Behold, O God our defender: and look upon the face of thine Anointed. O hold thou up his goings in thy paths: that his footsteps slip not. Grant our Bishop a long life:

and make him glad with the joy of thy countenance. Save, Lord, and hear us, O King of heaven: when we call upon thee. Amen. (Psalms 8:1, 84:9, 17:5, 61:6, 21:6, 20:9).

INTROIT: Miserátio hóminis circa próximum Man may be merciful to his fellow man, but God’s mercy reaches all flesh. He has mercy, teaches and guides, as a shepherd does his flock. (Sirach 18:12-13) Happy the man who follows not the counsel of the wicked nor walks in the way of sinners, nor sits in the

company of the insolent. (Ps. 1:1) Glory be to the Father, and to the Son, and to the Holy Ghost…Amen.

KYRIE & GLORIA: Messe Solennelle, Op. 16, Louis Vierne

Lord have mercy. Christ have mercy. Lord have mercy.

Glory be to God on high, and on earth peace to men of good will. We praise Thee. We bless Thee. We adore Thee. We glorify Thee. We give Thee thanks for Thy great glory. O

Lord God, heavenly King, God the Father almighty. O Lord Jesus Christ, the only begotten Son. O Lord God, Lamb of God, Son of the Father. Who takest away the sins of

the world, have mercy on us. Who takest away the sins of the world, receive our prayer. Who sittest at the right hand of the Father, have mercy on us. For Thou only are holy. Thou only art the Lord. Thou only art most high, O Jesus Christ. Together with the Holy

Ghost in the glory of God the Father. Amen.

COLLECT: Da, quaesumus, omnípotens Deus

Grant, we beseech Thee, almighty God, that by following the example of blessed John (Cantius), Thy Confessor, we may advance in a knowledge of holiness and, by showing pity for others, obtain Your forgiveness through his merits Through Jesus Christ… Amen. EPISTLE: James 2:12-17

Dearly beloved: So speak and so act as en about to be judged by the law of liberty. For judgment is without mercy to him who has not shown mercy; but mercy triumphs over judgment. What will it profit, my brethren, if a man says he has faith, but does not have works? Can the faith save him? And if a brother or a sister be naked and in want of daily food, and one of you say to

them, Go in peace, be warmed and filled, yet you do not give them what is necessary for the body, what does it profit? So faith too, unless it has works, is dead in itself.

GRADUAL: Confiteántur Dómino misericórdiæ eius

Let them give thanks to the Lord for His kindness and His wondrous deeds to the children of men. Because He satisfied the longing soul and filled the hungry soul with good things. (Ps 106:8-9)

ALLELUIA: Alleluia. Manum suam apéruit ínopi

Alleluia. Alleluia. He extends his arms to the needy, and reaches out his hands to the poor. Alleluia. (Proverbs 31:20).

HOLY GOSPEL: Luke 12:35-40

At that time, Jesus said to His disciples, Let your loins be girt about and your lamps burning, and you yourselves like men waiting for their master’s return from the

wedding; so that when he comes and knocks, they may straight-way open to him. Blessed are those servants whom the master, on his return, shall find watching. Amen I say to you, he will gird himself, and will make them recline at table, and

will come and serve them. And if he comes in the second watch, and if in the third, and finds them so, blessed are those servants! But of this be assured, that if the

householder had known at what hour the thief was coming, he would certainly have watched, and not have let his house be broken into. You also must be ready,

because at an hour that you do not expect, the Son of Man is coming.

Louis Vierne

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CREDO I believe in one God, The Father Almighty, Maker of heaven and earth, and of all things visible and invisible. And in one Lord, Jesus Christ the Only-begotten Son of God. Born of the Father before all ages. God of God, Light of Light, true God of True God. Begotten, not made, of

one substance with the Father. By whom all things were made. Who for us men and for our salvation came down from heaven. And became incarnate by the Holy Spirit of the Virgin Mary: and became man. He was also crucified for us, suffered under Pontius Pilate, and

was buried. And on the third day He rose again according to the Scriptures. He ascended into heaven and sits at the right hand of the Father. He will come again in glory to judge the living and the dead and His kingdom will have no end. And in the Holy Spirit, the Lord

and Giver of life, Who proceeds from the Father and the Son. Who together with the Father and the Son is adored and glorified, and who spoke through the prophets. And one holy, Catholic and Apostolic Church. I confess one baptism for the forgiveness of sins and I await the

resurrection of the dead and the life of the world to come. Amen.

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OFFERTORY COLLECTION

As the collection is received, donations made to the “Organ Fund” will assist us to complete this project,

and to supply ongoing funding for the care and maintenance of the organ. OFFERTORY CHANT: Iustítia indútus sum

I wore my honesty like a garment; justice was my robe and my turban. I was eyes to the blind, and feet

to the lame was I; I was a father to the needy. (Job 29:14-16).

OFFERTORY MOTET: Sacerdos et Pontifex, Charles-Marie Widor

Priest and Bishop, and worker of mighty things, and good shepherd among the people, pray for us to the Lord. PREFACE

SANCTUS: Messe Solennelle, Op. 16, Louis Vierne

Holy, Holy Holy, Lord God of Hosts. Heaven and earth are full of thy glory. Hosanna in the highest.

THE TRUE PRESENCE OF CHRIST IN THE EUCHARIST

“He is The Bread sown in the virgin, leavened in the Flesh, molded in His Passion, baked in the furnace of the Sepulchre, placed in the Churches, and set upon the Altars, which daily supplies Heavenly Food to the faithful.” - St. Peter Chrysologus (400-450 A.D.)

“We are as privileged in being called to adore Him today as were Mary, Joseph, the shepherds and Magi then, because here Jesus continues His incarnation on earth. Here Jesus loses His Heart to us in love. Love expresses itself to the object of its affection; the

Eucharist is the continual expression of God’s perfect, unselfish love for man. The Word again becomes flesh and dwells among us, veiled under the Species of the Sacred Host, where the same Jesus born two thousand years ago as a little babe in Bethlehem is

truly, really, bodily, and personally present to us in this Most Blessed Sacrament.” - Venerable Fulton J. Sheen (1895-1979 A.D.)

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CONSECRATION

Qui prídie quam paterétur, accépit panem in

sanctas ac venerábiles manus suas, Elevat oculos ad coelum, ad te Deum, Patrem suum omnipoténtem,

tibi grátias agens, bene ☩ dixit, fregit, dedítque discípulis suis, dicens: Accípite, et manducáte ex

hoc omnes.

Who, the day before He suffered, took bread into

His holy and venerable hands, and with His eyes lifted up towards heaven unto Thee, God, His

almighty Father, giving thanks to Thee, He

blessed ☩ it, broke it and gave it to His disciples saying: Take and eat ye all of this,

HOC EST ENIM CORPUS MEUM. FOR THIS IS MY BODY.

Símili modo postquam coenátum est, accípiens et

hunc præclárum Cálicem in sanctas ac venerábiles manus suas: tibi grátias agens, bene dixit, dedítque

discípulis suis, dicens: Accípite, et bíbite ex eo omnes.

HIC EST ENIM CALIX SANGUINIS MEI, NOVI ET AETERNI TESTAMENTI: MYSTERIUM FIDEI: QUI

PRO VOBIS ET PRO MULTIS EFFUNDETUR IN REMISSIONEM PECCATORUM.

Hæc quotiescúmque fecéritis, in mei

memóriam faciétis.

In like manner, after He had supped, taking also

this excellent chalice into His holy and venerable hands He blessed, and gave it to His disciples,

saying: Take and drink ye all of this, FOR THIS IS THE CHALICE OF MY BLOOD OF THE NEW AND ETERNAL TESTAMENT, THE MYSTERY

OF FAITH; WHICH SHALL BE SHED FOR YOU AND FOR MANY UNTO THE REMISSION OF SINS.

As often as ye do these things,

ye shall do them in remembrance of Me.

BENEDICTUS: Messe Solennelle, Op. 16, Louis Vierne

Blessed is He who cometh in the Name of the Lord. Hosanna in the highest.

PATER NOSTER

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AGNUS DEI: Messe Solennelle, Op. 16, Louis Vierne

Lamb of God who take away the sins of the world, have mercy on us. Lamb of God who take away the sins of the world, have mercy on us. Lamb of God who take away the sins of the world, grant us peace.

GUIDELINES FOR THE RECEPTION OF HOLY COMMUNION For Catholics: As Catholics, we fully participate in the celebration of the Eucharist when we receive Holy Communion. We are encouraged to receive Communion devoutly and frequently. In order to be properly disposed to receive Communion, participants should not be conscious of grave sin and normally should have fasted for one hour. A person who is conscious of grave sin is not to receive the Body and Blood of the Lord without prior sacramental confession except for a grave reason where there is no opportunity for confession. In this case, the person is to be mindful of the obligation to make an act of perfect contrition, including the intention of confessing as soon as possible (canon 916). A frequent reception of the Sacrament of Penance is encouraged for all. For our fellow Christians: We welcome our fellow Christians to this celebration of the Eucharist as our brothers and sisters. We pray that our common baptism and the action of the Holy Spirit in this Eucharist will draw us closer to one another and begin to dispel the sad divisions which separate us. We pray that these will lessen and finally disappear, in keeping with Christ's prayer for us "that they may all be one" (Jn. 17:21). Because Catholics believe that the celebration of the Eucharist is a sign of the reality of the oneness of faith, life, and worship, members of those churches with whom we are not yet fully united are ordinarily not admitted to Holy Communion. Eucharistic sharing in exceptional circumstances by other Christians requires permission according to the directives of the diocesan bishop and the provisions of canon law (canon 844 Section 4). Members of the Orthodox Churches, the Assyrian Church of the East, and the Polish National Catholic Church are urged to respect the discipline of their own Churches. According to Roman Catholic discipline, the Code of Canon Law does not object to the reception of Communion by Christians of these Churches (canon 844 Section 3). For those not receiving Holy Communion: All who are not receiving Holy Communion are encouraged to express in their hearts a prayerful desire for unity with the Lord Jesus and with one another. For non-Christians: We also welcome to this celebration those who do not share our faith in Jesus Christ. While we cannot admit them to Holy Communion, we ask them to offer their prayers for the peace and the unity of the human family.

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COMMUNION CHANT: Date, et dábitur vobis

Give, and it shall be given to you; good measure, pressed down, shaken together, running over, shall they pour into your lap. (Luke 6:38).

COMMUNION MOTET: Ave Verum, Félix-Alexandre Guilmant

Hail the true body, born of the Virgin Mary: Thou who truly suffered and were sacrificed on the cross for the sake of man. From whose pierced flank flowed water and blood: be a foretaste for us in the trial of death. O sweet, O merciful, O Jesus.

COMMUNION MOTET: O Salutaris, Op. 9, No. 1, Marcel Dupré

O Saving Victim who opens the gate of heaven, hostile wars press on us: give strength, bring aid. To the Lord, three in one, be everlasting glory,

for He gives us life without end us in His Kingdom.

POST-COMMUNION ORATION: Pretiósi Córporis et Sánguinis tui, Dómine

Filled with the good food of Your precious Body and Blood, we humbly implore Your clemency, O Lord, that by the merits and example of blessed John (Cantius), Your Confessor, we may imitate his charity and share in his glory. Who livest and reignest with God the Father, in the unity of the Holy Spirit, one God, world without end. Amen

ITE MISSA EST PONTIFICAL BLESSING

Bishop:

V. Sit nomen Do-mi-ni be-ne-dic-tum.

All: R. Ex hoc nunc et us-que in sae-cu-lum

Bishop:

V. Adjutorium nostrum in nomine Domini.

V: Blessed by the Name of the Lord. R: Both now and forever. V: Our help is in the name of the Lord. R: Who made heaven and earth. V. May almighty God bless you, the Father and the Son and the Holy Spirit. R. Amen.

PRAYERS FOR SPIRITUAL COMMUNION

I believe thou art present in the Blessed Sacrament, O Jesus. I love thee and desire thee. Come into my heart; I embrace

thee. O never leave me. I beseech thee, O Lord Jesus, may the burning and most sweet power of thy love absorb my

mind, that I may die through love of thy love, who wast graciously pleased to die through love of my love. Amen.

St. Francis of Assisi

Félix-Alexandre Guilmant The Organist who taught Tina Mae Haines

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All: R. Qui fecit caelum et terram.

Bishop: Benedícat vos omnípotens Deus, Pater, et Fílius, ☩ et Spíritus Sanctus.

All: Amen. LAST GOSPEL

In the beginning was the Word, and the Word was with God, and the Word was God. The same was in the beginning with God. All things were made by Him, and without Him was made nothing that was made: in Him was life, and the life was the Light of

men; and the Light shineth in darkness, and the darkness did not comprehend it. There was a man sent from God, whose name was John. This man came for a witness, to testify concerning the Light, that all might believe through Him. He was not the Light, but he was to testify concerning the Light. That was the true Light, which enlighteneth every man that cometh into this world. He was in

the world, and the world was made by Him, and the world knew Him not. He came unto His own, and His own received Him not. But as many as received Him to them He gave power to become sons of God, to them that believe in His Name, who are born not of blood, nor of the will of the flesh, nor of the will of man, but of God. (Here all kneel.) And the Word was made flesh, and

dwelt among us: and we saw His glory, the glory as of the Only begotten of the Father, full of grace and truth.

RECESSIONAL HYMN: Crown him with many crowns, Arr. Rev. Scott A. Haynes, SJC

1. Crown him with many crowns, the Lamb upon his throne, Hark! how the heavenly anthem drowns all music but its own. Awake, my soul, and sing of him who died for thee, and hail him as thy matchless King through all eternity.

2. Crown Him the Virgin’s Son, the God incarnate born,

Whose arm those crimson trophies won which now His brow adorn; Fruit of the Mystic Rose, as of that Rose the Stem; The Root whence mercy ever flows, the Babe of Bethlehem.

3. Crown Him the Lord of peace, whose power a scepter sways From pole to pole, that wars may cease, and all be prayer and praise. His reign shall know no end, and round His piercèd feet Fair flowers of paradise extend their fragrance ever sweet.

4. Crown him the Lord of love; behold his hands and side, Those wounds, yet visible above, in beauty glorified. No angel in the sky can fully bear that sight, But downward bends his burning eye at mysteries so bright.

5. Crown him the Lord of life, who triumphed o'er the grave,

and rose victorious in the strife for those he came to save. His glories now we sing, who died, and rose on high, Who died, eternal life to bring, and lives that death may die.

Text: Matthew Bridges, 1800-1894, and Godfrey Thring, 1823-1903 Music: DIADEMATA, George J. Elvey, 1816-1893, arr. Rev. Scott A. Haynes, SJC, B. 1971

Organ Postlude: Tu es Petra, Henri Mulet (1878-1967)

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DEDICATION ORGAN RECITAL

7:00 pm

THOMAS SCHUSTER Concert Organist

THE PROGRAM

Variations de Concert, Opus 1 Joseph Bonnet (1884–1944)

Ave Maria (Meditation on the 1st Prelude of Bach)

Charles-François Gounod (1818-1893)

Br. Matthew Schuster, S.J.C., Violinist

Cortège and Litany, Opus 19, Number 2 Marcel Dupré (1886–1971)

Impromptu, Opus 54, Number 2

Louis Victor Jules Vierne (1870–1937)

Serene Alleluias from a soul longing for Heaven (L'Ascension) Olivier Messiaen (1908–1992)

Toccata, Adagio, Fugue in C, BWV 564 Johann Sebastian Bach (1685–1750)

Introduction, Passacaglia, and Fugue, Opus 149

Healey Willan (1880–1968)

Allegro molto appassionato, Violin Concerto in Em Felix Mendelssohn-Bartholdy (1809–1847)

Br. Matthew Schuster, S.J.C., Violinist

Variations on Nun Komm, der Heiden Heiland

Anton Heiller (1923–1979)

Claire de Lune (Suite Bergamasque) Achille-Claude Debussy (1862–1918)

Berceuse and Finale (Firebird)

Igor Fyodorovich Stravinsky (1882–1971)

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BIOGRAPHIES OF OUR MUSICIANS Stephen Alltop has built a career based on excellence in several disciplines, conducting both orchestral and choral ensembles, and performing as a keyboard artist. He is Music Director of the Apollo Chorus of Chicago, the Elmh urst Symphony Orchestra and the Green Lake Choral Institute. In April of this year he was named as the new Music Director and Conductor of the Champaign Urbana Symphony Orchestra. Dr. Alltop has served as a member of Northwestern University’s conducting and keyboard faculties since 1994 where he conducts the Alice Millar Chapel Choir and the Baroque Music Ensemble. Mr. Alltop has guest conducted numerous orchestras and choruses across the United States. He has led opera and orchestral concerts with a number of Italian orchestras, including I Soloisti di Perugia, Fondazione Arturo Toscanini (Bologna), Teatro

Reggio Orchestra (Parma), Festival Mozart (Roverto), Orchestra Sinfonica (Bari), Teatro Piccinni (Bari), and the Festival Duni (Matera). Dr. Alltop led the International Schools Choral Music Society Festival in Busan, South Korea in February of this year. He has worked closely with leading composers of the day, including residency projects with John Corigliano, Eleanor Daley and Eric Whitacre, and has conducted world premieres of works by John Luther Adams, Jan Bach, Miguel del Agila, Frank Ferko, Fabrizio Festa, Stephen Paulus, Alan Terricciano, and many others. In 2007, he made his Carnegie Hall debut conducting music of Eric Whitacre.

Stephen Alltop made his Chicago Symphony Orchestra subscription concert debut as a harpsichord soloist in 2009 playing Bach with conductor Pinchas Zukerman. He appeared as an organ soloist with the CSO at the Ravinia Festival of 200 8. In 2011, Mr. Alltop served as principal organist for Bach’s St. Matthew Passion for Soli Deo Gloria’s Chicago Bach Project, and with the Ensemble Orchestral de Paris and conductor John Nelson at the Basilique St. Denis. As a harpsichordist and organist, he has performed with the Boston’s Handel and Haydn Society, Chicago Chamber Musicians, Chicago Sinfonietta, Joffrey Ballet, Minnesota Orchestra, Milwaukee Symphony Orchestra, Omaha Symphony, and the Peninsula Music Festival. Mr. Alltop has recorded Bach’s Brandenburg Concerto No. 5 on the American Gramaphone label and a disc of baroque arias with soprano Julianne Baird and trumpeter Darin Kelly on the Albany label. As a conductor, his CD’s include The Divas of Mozart’s Day with soprano Patrice Michaels on the Cedille label, operatic and chamber works of Antonio Caldara with soprano Julianne Baird on the Albany label, and Handel’s complete Messiah with the Apollo Chorus and Orchestra of Chicago on the Clarion label. Stephen Alltop is represented by Joanne Rile Artist Management. Today we are most fortunate to have Mr. Alltop serving as our guest organist for the Organ Blessing and Pontifical Latin High Mass.

Fr. Scott A. Haynes, S.J.C. completed choral conducting studies at the University of Alabama under Dr. Sandra Willets in 1993, complimented by additional post-graduate classes in conducting with Dr. James Jordan at Westminster Choir College, Princeton, New Jersey. Having studied composition under Dr. Frederic Goosen at the University of Alabama, he won the American Society of Composers and Arrangers’ Raymond Hubbell Award for orchestral composition in 1992. He has performed in Organ Master Classes for Peter Hurford, Thomas Murray, and Todd Williamson. After college he studied organ and choral conducting at Washington’s National Cathedral from 1994-98 under the tutelage of Dr. Douglas Major, Organist and Choirmaster. Ordained in 2007 for the Archdiocese of Chicago as a member of the Canons Regular of St. John Cantius, Fr. Haynes serves as Associate Pastor of St. John Cantius Church, and also conducts the

Resurrection Choir and Orchestra, and the Cantate Domino Choir. He has directed several CD recording projects at Saint John Cantius, including two this year, Coronation Mass: Midnight Mass from St. John Cantius and Carols by Candlelight: Lessons and Carols from St. John Cantius. Today, he actively composes liturgical music for the choirs of St. John Cantius and serves as Chaplain to the Patrons of Sacred Music. In November he will lead over 130 choir and orchestra members in pilgrimage to Rome to sing for the choral festival celebrating the 500th Anniversary of the Cappella Giulia, the Vatican Choir once conducted by Paelstrina, which will be held at St. Peter’s Basilica, Vatican City.

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Thomas Schuster is currently the director of music and organist at Epiphany Catholic Church in Miami, Florida, where he oversees a large music program with several choirs. Their repertoire is focused on restoring the rich heritage of sacred music from Gregorian chant to the present, including regular performances of orchestral Masses by Mozart, Schubert, Rheinberger, and others. He also directs the annual concert series, Music at Epiphany, and is the founder/artistic director of the Miami International Organ Competition- now in its seventh year and recognized as one of the major events in the United States for young organists. Mr. Schuster received his Masters degree from the organ studio of Robert Bates at the University of Houston, and also holds a Bachelor of Music degree, Summa cum Laude, from Wayne State University in Detroit, with a double major in piano (Pauline Martin) and organ (Ray Ferguson) performance. Mr. Schuster has also attended music academies in Israel and Europe, and participated in masterclasses with Simon Preston, David Palmer, Jean-Bernard Pommier, David Craighead, and Vadim Monastirsky. He began his study of the organ with Fr. Eduard Perrone at age 14, and served as organist under him for eight years- the majority of that time at Assumption Grotto Church in Detroit. He began his piano study at age eleven; his early instructors included George Le Blanc and Thomas Green at the Academie Ste. Cecile, Ontario, Canada Mr. Schuster served as Professor of Organ at Florida International University in Miami from 2003-2006, and currently teaches privately. A winner of numerous piano and organ prizes, he was named the first-place winner of the 2011 North American Classical Organ Competition, the 2001 Albert Schweitzer Organ Festival/USA and the 2001 AGO/Quimby Region V Young Organists Competition. Thomas received prizes at the Wells Competition for Young Organists in Lubbock, TX and Shandon Competition in Columbia, SC, and was also a finalist in the Fort Wayne National Organ Playing Competition and the 2009 Jordan International

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Organ Competition. He has appeared at prestigious venues throughout the United States, Europe, and the Caribbean, including recitals at Stanford University and at the 2002 National AGO Convention in Philadelphia. Mr. Schuster was a recently a featured performer at the 2012 conference of the Westfield Center for Historical Keyboard Studies. His performances and recordings have been broadcast throughout the United States and Canada on National Public Radio’s Pipedreams, and CBC Radio II. Currently collaborating with trumpeter Brian Neal of the Dallas Brass in a series of concerts, Mr. Schuster has published a CD of trumpet and organ arrangements and original compositions titled Reflections. Thomas has publicly performed much of the standard repertoire for organ and orchestra, and has also released a critically acclaimed compact disc of twentieth-century organ concertos by Anton Heiller, Walter Braunfels, and Max Baumann. He resides in Florida with his wife, Erica, and their seven children.

Br. Matthew Schuster, S.J.C. is a fully professed brother with the Canons Regular of St. John Cantius and is currently studying for the priesthood. He studied violin under Alvin Score of the Detroit Symphony Orchestra for seven years and was a long standing member of the Oakland Youth Orchestra, which in 2006 awarded him first prize in the symphony level solo competition. For a number of years he was also a member in the Detroit Symphony Civic Orchestra. Presently he is engaged in continuing violin studies under Henry Criz, former concertmaster of Chicago’s Lyric Opera. Thomas Edward Zeman studied piano and music theory with Mildred Adaska and Ada Gregor. Afterwards he studied violin with George Metskas. At the Sherwood School of Music he studied piano under Leo Podolsky. While completing his high school studies he began coursework in music at Morton Junior College. At DePaul University he studied piano with Thaddeus Kozack, villing with David Moll, chamber music, orchestra and orchestral conducting with Paul Stassevitch, and composition with Donald Jenni and John Downey. He obtained the Bachelor of Music degree at DePaul with a major in composition and a minor in piano.

At Indiana University in Bloomington he studied piano with Frederick Baldwin, and composition with Bernhard Heiden and Juan Orrego-Salas. He has studied organ with Arthur C. Becker, Sr. and Herdon Spillman. He holds the Master of Music degree from Indiana University with a major in composition and a minor in piano. He, furthermore, completed the coursework toward the Doctorate of Music degree with a major in composition and with minors in piano and theory. He has studied semiology and chironomy at the Gregorian Chant Institute at St. Joseph’s College in Rensselaer, Indiana. He performs in concerts and recitals as soloist and chamber musician. He is vice president of the Chicago Camerata, and organization of several chamber music groups. As a member of the Chicago Camerata Trio he has performed on “Live from WFMT.” He has also performed on the Chicago Symphony Chamber Music Series. With the Betty Haag Academy of Music, he plays piano for student and guest violin soloists and for the violin ensemble, for local concerts and on tour. At St. John Cantius Church he frequently plays organ as soloist and accompanist with the St. Cecilia Choir and the Resurrection Choir and Orchestra. In order to expand both classicism and romanticism, he has developed a highly ordered system of composition, employing a large number of pitches related through the ratios of integers. He has composed solo works, orchestral works, choral works and chamber works. He believes music, whether it be for concert or for worship, should have a positive influence on the listener. His specific purpose in life is to compose music that will help people better to appreciate true peace, joy and the glory of God. Today, he is playing the secondary organ parts on the small choir organ during the 4:00 p.m. Mass.

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THE HISTORICAL RESTORATION OF THE CASAVANT ORGAN OPUS 1130:

A FASCINATING JOURNEY The installation of a four-manual Casavant organ at St. John Cantius Church marks the first truly historic restoration of a large, unaltered Casavant organ designed and built under the direction of the founders of the world-renowned firm, which has occupied a prominent place in the organbuilding profession since the late nineteenth century. Historical Background The organ we just restored for and installed at St. John Cantius is the 1130th commission received by Casavant Frères since its founding in 1879. The organ was originally installed in 1926 in the then newly built St. James M. E. Church, located at the corner of Ellis Avenue and 46th Street in Chicago. The organ contract, for the sum of $28,890, was signed the previous year for a four-manual, 56-stop instrument, plus a 61-note Deagan Harp and 25-note Deagan Chimes (both operated by Casavant-made actions). Interestingly, the former St. James Church, which was destroyed by a fire in April 1924, was the home of a four-manual Casavant organ built in their South Haven, Michigan shop in 1915. Opus 1130 is intimately related to Tina May Haines, organist at St. James Church. A former student of the famous French organist, Alexandre Guilmant, Ms. Haines was a respected church musician at her time. She was instrumental in having the church select Casavant for this important project. Historical Significance How many unaltered four-manual, 85-year old pipe organs can we visit nowadays in large urban areas? For Casavant, Opus 1130 was the 37th four-manual organ installed in the United States (first installation in New York City in 1903). To our knowledge, there are very few unaltered four-manual organs left from the Casavant brothers’ years in the United States, and certainly none for hundreds of miles around Chicago. Of note is the use of electro-pneumatic, pitman-type windchests for the entire organ, which was an uncommon practice for Casavant at that time. The Casavant brothers were fond of their patented ventil-type windchests, which the firm used routinely until 1933, the very year Claver Casavant, the founding president, passed away. What We Found at St. James Church We made a comprehensive evaluation of the organ at St. James Church in February 2011. This enabled us to determine 1) the exceptional value of this Casavant organ; 2) that, with carefully planned work, it was possible to restore the organ to its original condition; and 3) how to divide the work between our two firms to achieve the best results possible. Basically, we found the organ as it was installed in 1926. We were amazed to see that all the original material was there. The pipework, which was in excellent condition, was still equipped with its original tuning devices (scrolls, etc.). However, the organ, which had probably never been cleaned in 85 years, was terribly dirty and had not been maintained for many years. There had been significant water damage in the Swell division coming from a leaking roof. At St. James Church, the organ was installed in two chambers on either side of the chancel (Great, Choir and Pedal divisions in the south chamber; Swell and Solo divisions in the north chamber), with the Echo located in an elevated chamber on the south side of the back gallery. A visit to St. John Cantius to take complete

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measurements of the back gallery and the north transept enabled us to do a space study, which confirmed that the organ could be reinstalled successfully. Restoration Process After reaching agreements with St. John Cantius in July 2011, our crews worked together to remove the entire organ from St. James Church. This huge task was made even more daunting by the fact that the ceiling of both organ chambers threatened to collapse―it had to be supported temporarily during the removal process. In order to undertake this historic restoration with a common understanding of the goals, approach, and techniques to be used, Jeff Weiler made a special trip to Saint-Hyacinthe for a full day of productive discussions with all the Casavant craftspeople involved in the project. The JL Weiler team was responsible for restoring all the pipework (repair damaged pipes, recondition all reed stops, repack stoppers, etc.), the original Casavant “Supremo” blower, the Harp, and the Chimes. The Casavant team was in charge of restoring the organ chassis (windchests, wind system, expression), replicating the ruined Swell windchest, reconfiguring the organ layout for installation in the back gallery at St. John Cantius, which involved modifications to the framework, expressions enclosures, and windlines, building new casework for both the main organ in the gallery and the Echo organ in the transept, and rebuilding the original console. After the organ chassis was assembled in the Casavant ateliers, the JL Weiler and Casavant teams met in Saint-Hyacinthe in April 2013 to plan the upcoming installation at St. John Cantius. Our crews worked together to install the organ at St. John Cantius Church, in June and July 2013. While the hot summer days made this complex task even more demanding, the work was done very efficiently, thanks to the careful planning and ongoing dialogue with the good people of St. John Cantius. After the installation was completed, Jeff Weiler did the tonal finishing of the organ on site, a painstaking process that involves cautious listening to make sure every pipe speaks well in its new home. In other words, recapturing the organ’s original voice. In the sumptuous acoustics of St. John Cantius, Opus 1130 sounds better than ever! Conclusion Restoring Opus 1130 has been a fascinating journey for our teams, who shared their respective expertise, and have complemented each other admirably in this multifaceted mission. We humbly believe that the outcome of this historic restoration speaks for itself. We want to salute the vision of St. John Cantius Church’s leadership, especially Fr. Frank Phillips and Fr. Scott Haynes, for making the decision of saving this historically significant Casavant organ, and for their much appreciated confidence in our abilities. We also want to express special thanks to Mr. Thomas Diez, Facilities Manager at St. John Cantius, for his outstanding guidance and exceptional collaboration throughout the entire restoration process. It is our hope this remarkable pipe organ will not only serve this parish but will also become a tool for outreach to the entire Chicago area. Jeff Weiler, President of JL Weiler, Inc. Simon Couture, Vice President of Casavant Frères

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AN HISTORICAL ORGAN RESTORED FOR ANOTHER GENERATION

The decade of the 1920’s was an exciting era for organ building in Chicago. Large concert and church organs were commissioned and installed with great frequency. One could tour the city and test brand new organs by America’s best known builders in the First Presbyterian Church (both in its Bronzeville church and, later that decade, in its present Woodlawn neighborhood edifice), Rockefeller Memorial Chapel, Saint Mary of Perpetual Help Catholic Church, and the Hyde Park Presbyterian Church, to name a few. Saint James Methodist Episcopal Church, located since 1895 at South Ellis Avenue and East Forty-Sixth Street in Kenwood, was then rising from the ashes of a catastrophic fire to build a grand new Gothic edifice of stone and brick to the designs of Chicago’s Tallmadge & Watson. A growing, wealthy congregation whose roster included the great commerce families of Harris and Swift, among others, Saint James determined to build as complete a campus as could be conceived for a Protestant church of that era. The expansive building included numerous classrooms, meeting spaces, lounges, an auditorium, and a gymnasium, in addition to a monumental nave to seat approximately 700 persons. The long-time organist of Saint James, Tina Mae Haines, arguably one of the city’s finest, in a manner just as determined as the church’s Board of Trustees, ensured the new church would be graced with a large and complete organ built by Casavant, the firm that had supplied a four-manual organ for the building that had burned. Haines campaigned vigorously for the organ contract to be awarded to Casavant rather than another firm that was decidedly more popular among other wealthy congregations. The Swift family was instrumental in funding both Casavant organs, as well as an organ in their previous church, Union Avenue Methodist Episcopal Church. In the 1920’s, Saint John Cantius Catholic Church, to the north, ordered a new organ from Geo. Kilgen & Son of Saint Louis, Missouri, for its equally glorious 1890’s church designed by Chicago’s Alphonse Druiding. This organ would replace (and perhaps include some pipework from) A. B. Felgemaker & Son opus 723, installed in the upper gallery in 1900. Both new organs served very active church music programs. The Saint James organ became well known and respected, not only for its part in a multiple choir program, but also as a concert instrument. In 1937, Marcel Dupré of Paris played a recital where “the audience filled every seat of the spacious St. James’ Methodist Church.” The two congregations changed dramatically over the next several generations. For a time, the populations of both declined. Fortunately, Saint John Cantius Church has experienced an extraordinary resurgence. Sadly, that did not happen at Saint James Church. I first visited Saint James Church in 1997 and became acquainted with some of the church members. The Chicago chapters of the American Guild of Organists and the Organ Historical Society included the organ in its “Organ Crawl” of March 1998. While water damage was already taking its toll on the instrument, all present reveled in the exquisite sounds. Many recalled the organ’s glory days with organists Bethuel Gross and George Williams. Amazingly, the congregation and the organists all respected the instrument and never altered it, despite changing tastes of the times. Saint James Church held its final service on December 26, 2010. Andrew Szymanski, a friend who had informed me of the church’s impending closure, joined me that day at Saint James. At the conclusion of the service, we gathered around the organ console and sang hymns, ending with “Abide with Me,” and the Hallelujah Chorus of George Frederick Handel. This was the first time the organ had been used in many years.

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The loss of Saint James Church was emotional to church members present that day. Faced with the loss of their spiritual home as well as an historic building, several faithful commented that if one thing were to survive the closure, they hoped it would be their beloved pipe organ that had accompanied them through times of joy and sorrow. There were many tears shed that day. I have been privileged to participate in a number of projects to relocate endangered organs in the past twenty years. It usually takes several years to accomplish this task, and all too often, orphaned organs do not find a new home. Having contacted the Methodist Conference to begin to find a new home, the question became, how do I get the word out that yet another great organ needs relocation? There are surely moments when one feels the hand of God guiding. Amazingly, I made one telephone call, to Jeff Weiler, a call that immediately began the process leading to today’s dedication. The stories of Saint John Cantius Catholic Church and the former Saint James Methodist Church now share an amazing juncture. Today begins a new era for Casavant opus 1130, fully restored and ready to lead music to the glory of God for generations to come, to once again become one of Chicago’s finest concert organs (in a better acoustic than experienced at Saint James), an instrument that begins a new era in the same city where it was dedicated nearly ninety years ago. What an extraordinary gift of past generations that has now been preserved for present and future generations in glorious sounds of worship! Dr. Stephen Schurr Organ Historical Society

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HEALEY WILLAN SOCIETY

Mary Willan Mason, the daughter of the late composer and organist Healey Willan, has managed the Musical Estate of Healey Willan, fostering his music, managing royalties, permissions and copyrights, etc. since his death in 1968. With great zeal and fervor, she has tirelessly promoted his music in publications, recordings and in performances. In June, 2011, Mary Willan Mason assigned the responsibility of continuing the musical legacy of Healey Willan to the Canons Regular of St. John Cantius in Chicago, Illinois, USA, by legally entrusting his musical estate to the Canons. Fr. Scott A. Haynes, S.J.C., a priest of the Canons Regular of St. John Cantius, Chaplain to the Patrons of Sacred Music, and director of the Resurrection Choir and Orchestra, as well as of the Cantate Domino Choir at St. John Cantius Church in Chicago, has been placed in charge of the musical estate of Healey Willan. The Canons Regular of St. John Cantius has formed the Healey Willan Society in consultation with Mrs. Mary Willan Mason, for the purpose of fostering the musical heritage of Healey Willan. While Maestro Willan’s music is known and loved by church choirs, organists and instrumental ensembles, much of his music in no longer in print or has never been published. After Johann Sebastian Bach, Healey Willan is the most prolific composer of church music. It is the goal of the Healey Willan Society to bring back into print as many musical works of Healey Willan as possible.

These Willan musical works are to be available at www.BirettaBooks.com, the webstore of Biretta Books, the publishing house of the Canons Regular of St. John Cantius & Patrons of Sacred Music. Recently Biretta Books has republished two of Willan’s Masses and created a new English version of his famous Missa de Sancta Maria Magdalena in D. The Healey Willan Society will foster an increase in the public performance of his musical works in churches, concert halls, etc., will produce audio recordings, and promote Maestro Willan through film, radio, the Internet and television, etc. Today we are honored to have Mary Willan Mason as our special guest as we hear two of Willan’s famous works on this day of dedication.

Fr. C. Frank Phillips, C.R. Pastor of

St. John Cantius with Mary Willan Mason,

an honorary member of the

Canons Regular of St. John Cantius.

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ORGAN SPECIFICATION

ST. JOHN CANTIUS CATHOLIC CHURCH CHICAGO, ILLINOIS

CASAVANT OPUS 1130

Originally installed at Saint James Methodist Episcopal Church, Chicago, Illinois

(1926)

Restored for and reinstalled at Saint John Cantius Catholic Church, Chicago, Illinois

(2011-2013)

GREAT ORGAN (II) Wind pressure: 4” #

pipes 16 Double Open Diapason Metal 73 8 First Open Diapason Metal 73 8 Second Open Diapason Metal 73 8 Doppel Flöte Wood 73 8 Gemshorn Metal 73 4 Octave Metal 73 4 Harmonic Flute Metal 73 Mixture IV Metal 292 8 Trumpet Metal 73 Chimes From Echo SWELL ORGAN (III) Wind pressure: 4½ & 7” (stops marked *) #

pipes 16 Bourdon Wood 73 8 Open Diapason * Metal 73 8 Violin Diapason Metal 73 8 Salicional Metal 73 8 Stopped Diapason Wood 73 8 Viola da Gamba Metal 73 8 Voix Celeste Metal, from CC 73 8 Aeoline Metal 73 4 Violina Metal 73 4 Flauto Traverso * Wood 73 2 Piccolo Metal 61 III Dolce Cornet Metal 219 16 Double Trumpet Metal 73 8 Cornopean * Metal 73 8 Oboe Metal 73 8 Vox Humana Metal 73 4 Clarion * Metal 73 Tremulant Chimes From Echo

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CHOIR ORGAN (I)

Wind pressure: 6”

# pipes

16 Contra Gamba Metal 73 8 Open Diapason Metal 73 8 Concert Flute Wood 73 8 Dulciana Metal 73 8 Unda Maris Metal 73 4 Flute d’Amour Wood 73 2

2/3 Nazard Metal 73

2 Flageolet Metal 61 8 Cor Anglais Metal 73 8 Clarinet Metal 73 Tremulant Celesta 61 bars Harp Celesta Sub

SOLO ORGAN (IV) Wind pressure: 12” #

pipes 8 Stentorphone Metal 73 8 Gross Flute Wood 73 8 Viole d’Orchestre Metal 73 8 Viole Celeste Metal 73 8 Tuba Metal 73 Tremulant ECHO ORGAN Wind pressure: 3½” #

pipes 8 Echo Diapason Metal 73 8 Cor de Nuit Wood 73 4 Fern Flute Wood 73 8 Musette Metal 73 Tremulant Chimes 25 tubes PEDAL ORGAN Wind pressures: 4 & 6” (Trombone) #

pipes 32 Double Open Diapason Resultant, with independent

quints, extension of Open Diapason 16

12

16 Open Diapason Wood 32 16 Bourdon Wood 32 16 Gamba Choir ― 16 Lieblich Gedeckt Swell ―

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8 Flute Extension of Open Diapason 16

12

8 Stopped Flute Extension of Bourdon 16 12 8 Cello Metal 32 16 Trombone Metal 32 Chimes From Echo COUPLERS Great 8 to Pedal Swell 8 to Pedal Choir 8 to Pedal Solo 8 to Pedal Echo 8 to Pedal Swell 4 to Pedal Solo 4 to Pedal All Swells to Swell Pedal Swell 16 to Great Swell 8 to Great Swell 4 to Great Choir 16 to Great Choir 8 to Great Choir 4 to Great Solo 16 to Great Solo 8 to Great Solo 4 to Great Echo 16 to Great Echo 8 to Great Echo 4 to Great Great 4 to Great Echo on Great Off

Swell 16 to Swell Swell 8 to Swell Swell 4 to Swell Swell 16 to Choir Swell 8 to Choir Swell 4 to Choir Solo 16 to Choir Solo 8 to Choir Solo 4 to Choir Choir 16 to Choir Choir 4 to Choir Echo 16 to Solo Echo 8 to Solo Echo 4 to Solo Echo on Solo Off Great 8 to Solo Swell 8 to Solo Solo 16 to Solo Solo 4 to Solo

ADJUSTABLE COMBINATIONS 256 levels of memory Great 1-5 Swell 1-7 Choir 1-5 Solo 1-3 Echo 1-3 Pedal 1-5 General 1-10 Four manual and pedal console, moveable Five manual divisions and pedal 56 stops

3790 pipes

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PATRONS OF SACRED MUSIC

I guess there is romance associated with being the ‘starving artist.’ But, in reality, musicians need to make a living like everyone else. Church musicians make large sacrifices of their time and talent throughout the liturgical year so that our ears can be enriched with sacred chant and polyphony. Sadly, the organists, singers and orchestral musicians who render the musical offering before God’s holy altar are rarely compensated according to the professional level of their musicianship. And in many places their talents are not appreciated at all, nor is the Church’s patrimony of music. But here at St. John Cantius, we

want to provide the most beautiful gems from the Catholic treasury of sacred music so that the sense of the sacred can be restored through the awesome gift of music. This means the Church needs your ongoing financial support in order to provide for the needs of our organists, vocalists and orchestral musicians. The composer Franz Haydn relied upon the support of the wealthy Esterhazy family. One of Mozart’s patrons was Emperor Joseph II, the “Musical King,” who steered Austria into high culture through the arts. Since there aren’t many princes left to approach today, it is now the role to the common man to be a patron of the arts through donations large or small. Your donations to the “Patrons of Sacred Music” fund the choir and orchestra which sings the beautiful sacred Masses of Mozart, Haydn, Palestrina, Victoria, etc. each week at St. John Cantius. And your donations to the “Organ Fund” will maintain this great Casavant Organ for generations to come. For more information contact:

Fr. Scott A. Haynes, SJC Patrons of Sacred Music 825 N. Carpenter Street Chicago, Illinois, 60642 Phone: 312-243-7373 x 111 Email: music@cantius.org

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SACRED MUSIC SCHEDULE

Sunday, October 27, 12:30 pm Mass

Solemn Feast of Christ the King

Missa Vulnerasti Cor Meum

Cristòbal de Morales (1500–1553)

Domine Jesu Christe Rex

August Soderman (1832–1876)

In Voce Exsultationis

Giuseppe Ottavio Pitoni (1657–1743) St. Cecilia Choir Friday, November 1, 7:30 pm Mass Solemn Feast of All Saints Messe Brève, Leo Delibes (1836-1891) Gaudent in Caelis, Richard Dering (c. 1580–1630) O Salutaris César Franck (1822-1890) Cantate Domino Choir Sunday, November 3, 12:30 pm Mass 24th Sunday after Pentecost Mass in C, K220 (Sparrow) Wolfgang Amadeus Mozart (1756–1791) Sancta Maria, KV 273 Wolfgang Amadeus Mozart (1756–1791) O Lord our Governor, Healey Willan (1880-1968) Ave Verum, Colin Mawby (b. 1936) Salve Regina, Franz Schubert (1797-1828) Benedixisti, Josef Rheinberger (1839-1901) Te Deum, Healey Willan (1880-1968) Resurrection Choir and Orchestra

Wednesday, November 6, 7:30 pm Mass During the Octave of All Souls Requiem Wolfgang Amadeus Mozart (1756–1791) Beati Mortui Felix Mendelssohn-Bartholdy (1809–1847) Ave Verum Corpus Wolfgang Amadeus Mozart (1756–1791) St. Cecilia Choir and Orchestra Sunday, November 10, 12:30 pm Mass 25th Sunday after Pentecost Madrid Mass, Alessandro Scarlatti (1660–1725) Locus Iste, Anton Bruckner (1824–1896) O Quam Amabile Es, Pierre Villette (1926–1998) St. Cecelia Choir

Sunday, November 24, 11:00 am Mass Solemn Feast of Christ the King Missa Brevis, James MacMillan (b. 1959) Postula á Me, Russell Woollen (1923–1994) Inviolata, Paul-Isaac Franks (b. 1983) St. Cecilia Choir Sunday, December 1, 12:30 pm Mass 1st Sunday of Advent Missa Brevis for Three Voices, Stephanie Martin O Salutaris, Andrè Messager (1853–1929) Veni Domine Felix Mendelssohn-Bartholdy (1809-1847) Cantate Domino Choir Sunday, December 8, 12:30 pm Mass Immaculate Conception Missa de Beata Virgine Gregor Aichinger (1565–1628) Benedicta Es Tu Josef Gabriel Rheinberger (1839–1901) Inviolata, Paul-Isaac Franks (b. 1983) St. Cecilia Choir Sunday, December 15, 11:00 am Mass 3rd Sunday of Advent Pastoralmesse Op. 72 Johann Baptist Schiedermayr (1779–1840) Benedixisti, Josef Gabriel Rheinberger (1839–1901) Populus Sion, Heinrich Isaac (1445–1517) St. Cecilia Choir Sunday, December 15, 12:30 pm Mass 3rd Sunday of Advent Pastoralmesse Op. 72 Johann Baptist Schiedermayr (1779–1840) Benedixisti, Josef Gabriel Rheinberger (1839–1901) Populus Sion, Heinrich Isaac (1445–1517) St. Cecilia Choir Tuesday, December 24, 11:00 pm Carols Solemn Feast of the Nativity of Our Lord Christmas Carols and Motets at 11:00 pm Away in a Manger, Arr. Rev. Scott Haynes (b. 1971) Ave Maria, Bach/Gounod Arr. Rev. Scott A. Haynes, SJC (b. 1971) Transeamus usque Betlehem Joseph Ignaz Schnabel (1767-1831)

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Resonemus Laudibus Malcolm Archer (b. 1952) Pueri concinite Johann Ritter von Herbeck (1831-1877) Hark the Herald Angel Sings Arr. Sir David Willcocks (b. 1919) O Come all ye faithful Arr. Sir David Willcocks (b. 1919) God rest ye merry gentlemen Arr. Sir David Willcocks (b. 1919) The First Nowell Arr. Sir David Willcocks (b. 1919) O Holy Night Arr. Rene Clausen (b. 1953) Alma Redemptoris Mater Charles-François Gounod (1818-1893) Personet hodie Gustav Theodore Holst (1874-1934) Let All Mortal Flesh Keep Silence Gustav Theodore Holst (1874-1934) Midnight Mass Mass in C, K 317 (Coronation) Wolfgang Amadeus Mozart (1756–1791) Dixit Dominus, K 339 Wolfgang Amadeus Mozart (1756–1791) Magnificat, K 339 Wolfgang Amadeus Mozart (1756–1791) Te Deum, K 141 Wolfgang Amadeus Mozart (1756–1791) Silent Night, Arr. Rev. S. Haynes, SJC (b. 1971) Resurrection Choir and Orchestra

Tuesday, December 31, 11:00 pm Deo Gratias Holy Hour & Midnight Mass Solemn Feast of the Circumcision of Our Lord, Octave of Christmas Messe brève No. 4 in C Major Charles-François Gounod (1818-1893) Ave Maria, Josef Rheinberger (1839-1901) Alma Redemptoris Josef Rheinberger (1839-1901) Cantate Domino Choir Sunday, January 5 at 11:00 am External Solemnity of the Epiphany Krippenmesse, Joseph Kronesteiner (1910–1988) Reges Tharsis, Joseph Leopold Eybler (1765–1846) Ob Oriente, Jan Pieterszoon Sweelinck (1562–1621) St. Cecilia Choir Sunday, January 19, 12:30 pm Christchurch Mass, Malcolm Archer Puer natus in Bethlehem Josef Rheinberger (1839-1901) Alma Redemptoris, Josef Rheinberger (1839-1901) How Far is it to Bethlehem, Nicholas White (b. 1967) Cantate Domino Choir Sunday, February 2, 12:30 pm Presentation of Our Lord – Candlemas Missa de Bomba, Pedro Bermudez (1558–1605) Suscepimus, Leoš Janáček (1854–1928) Adorna Thalamum Jacobus Clemens Non Papa (c. 1510-1555)

THANK YOU TO OUR VOLUNTEERS

COVER DESIGN: Julie Streeter and Streeter Design, Inc.; streeterdesign.net PHOTOGRAPHY: Br. Andrew Panzer, SJC MUSIC LIBRARIANS: Br. Nathan Ford, SJC & Br. Andrew Panzer, SJC STAFF: Joseph Phelps, Elvis Castro, Joan Pinz, Juana Tiscareno, Elia Rivera, Nick and Faye Chapello Family, Michael Gregorarz, David McDonough, Maciek Gregorarz, Craig Johnson, Tom Diez, Myrta Garcia, Myles Ahearn, David Contreras, Irene Blacharczyk, Maria Rocha, Daniel Lynch, Laura Ehrhardt, Kinga Lipinska, Sharon Grossklas, Adrian Sanchez, Jesse Sanchez, St. Joseph Guild, Knights of Columbus THE SAINTS: Jim Vey, Peggy Slabosheski, Gail Szulc, Kevin Odonnell, Robert Helmintoller

MOZART REQUIEM

To sponsor the annual Mozart Requiem we need to raise a total of $8,000. One generous donor has given $4,000 towards this goal and so we now need to raise the other $4,000. Donations large and small are all important and helpful to reaching this goal together! Contact Fr. Scott A. Haynes, SJC, at 312-243-7373 x111 (email: music@cantius.org) if you have questions. Send donations made payable to “Patrons of Sacred Music” and mail to: Patrons of Sacred Music, Mozart Requiem, 825 N. Carpenter St., Chicago, IL 60642.

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