David Owen Hastings
description
Transcript of David Owen Hastings
![Page 1: David Owen Hastings](https://reader036.fdocuments.us/reader036/viewer/2022062518/5681438d550346895db00c47/html5/thumbnails/1.jpg)
David Owen Hastings
Collagraph- A print made from a collage of various materials glued to a plate which is than inked.
![Page 2: David Owen Hastings](https://reader036.fdocuments.us/reader036/viewer/2022062518/5681438d550346895db00c47/html5/thumbnails/2.jpg)
David Owen Hastings
![Page 3: David Owen Hastings](https://reader036.fdocuments.us/reader036/viewer/2022062518/5681438d550346895db00c47/html5/thumbnails/3.jpg)
John Ross
![Page 4: David Owen Hastings](https://reader036.fdocuments.us/reader036/viewer/2022062518/5681438d550346895db00c47/html5/thumbnails/4.jpg)
Jim Steg
![Page 5: David Owen Hastings](https://reader036.fdocuments.us/reader036/viewer/2022062518/5681438d550346895db00c47/html5/thumbnails/5.jpg)
Collagraph Prints - Mary Ann Wenniger
![Page 6: David Owen Hastings](https://reader036.fdocuments.us/reader036/viewer/2022062518/5681438d550346895db00c47/html5/thumbnails/6.jpg)
Stefan Barton
![Page 7: David Owen Hastings](https://reader036.fdocuments.us/reader036/viewer/2022062518/5681438d550346895db00c47/html5/thumbnails/7.jpg)
Gerda Roze
![Page 8: David Owen Hastings](https://reader036.fdocuments.us/reader036/viewer/2022062518/5681438d550346895db00c47/html5/thumbnails/8.jpg)
Gerda Roze
![Page 9: David Owen Hastings](https://reader036.fdocuments.us/reader036/viewer/2022062518/5681438d550346895db00c47/html5/thumbnails/9.jpg)
Bill Wheeler
![Page 10: David Owen Hastings](https://reader036.fdocuments.us/reader036/viewer/2022062518/5681438d550346895db00c47/html5/thumbnails/10.jpg)
Assignment:
Using the Collagraph process, compose a creative landscape or cityscape. This piece can be abstract or realistic, culturally inspired or fantasy.
Whatever you choose, make sure that you have sketches and research in your sketchbook.
![Page 11: David Owen Hastings](https://reader036.fdocuments.us/reader036/viewer/2022062518/5681438d550346895db00c47/html5/thumbnails/11.jpg)
Use various found materials to help you develop
your plate- these materials will be glued onto your
illustration board and than varnished to seal them
before inking
Materials: thin pieces of cardboard or oak tag,
raffia, string, yarn, pencil shavings, rice, leaves,
small dried flowers, reeds, burlap, sand, fine
meshed fabrics, netting, tin foil, embossed
wallpaper or other textured materials.
![Page 12: David Owen Hastings](https://reader036.fdocuments.us/reader036/viewer/2022062518/5681438d550346895db00c47/html5/thumbnails/12.jpg)
Anything will work as long as it
is not more than 1/8" high. If
you have objects that are higher
you will have trouble printing
properly.
![Page 13: David Owen Hastings](https://reader036.fdocuments.us/reader036/viewer/2022062518/5681438d550346895db00c47/html5/thumbnails/13.jpg)
Arthur Merric Bloomfield Boyd
All printing must be done on the blue press. The black press is used for more precision printing.
![Page 14: David Owen Hastings](https://reader036.fdocuments.us/reader036/viewer/2022062518/5681438d550346895db00c47/html5/thumbnails/14.jpg)
Ray Davenport
Make a series of at least 3 prints. You can make more if you wish. You can also change the look of each in the way that you ink it.
![Page 15: David Owen Hastings](https://reader036.fdocuments.us/reader036/viewer/2022062518/5681438d550346895db00c47/html5/thumbnails/15.jpg)
1 of your prints should be a blind print or embossing. This is done before you begin using ink, run the un-inked plate through the press with a damp piece of paper.
![Page 16: David Owen Hastings](https://reader036.fdocuments.us/reader036/viewer/2022062518/5681438d550346895db00c47/html5/thumbnails/16.jpg)