Dance-Tech Interfaces
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Transcript of Dance-Tech Interfaces
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Dance-Technologies Interfaces
a theoretical framework for performance in the digital domain
by Isabel Valverde
PhD Dance History and TheoryUniv. California, Riverside
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Technology & Format related Dance InterfacesTechnology & Format
related Dance Interfaces
mocap dance
webdancewebdance
telematic performance
interactive dance
dance installation/environme
nt
dance installation/environme
nt
robotic dancemultimedia dancemultimedia dance
digital dancedigital dance
hyperchoreographyhyperchoreography
virtual dancevirtual dance
dance animation
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Simulation Jean Baudrillard
(Simulations,1983)
Questioning Technology Martin Heidegger
(The Question Concerning Technology and Other Essays,1982)
Virtuality Pierre Levy
(Becoming Virtual: Reality in the Digital Age,1998)
Tecnocultural Matrix
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Hybrid models by key feminist authors theorizing corporeality, particularly on body and technology issues:
Möbius strip Elizabeth Grosz (Volatile bodies: toward a corporeal feminism, 1994)
Cyborg Donna Haraway ( Simians, Cyborgs and Women: The Reinvention of Nature, 1991)
Posthuman Katherine Hayles (How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatic, 1999)
Corporeality Matrix
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Performance/Dance MatrixNew Kinaesthesia Hillel
Schwartz
Ambulant Scholarship Susan Foster
Chiasm Susan Kozel
Televisual Flesh Amelia Jones
Cuna figures Michael Taussig
Surrogation Joseph Roach
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Dance-Technologies Interfaces
univocal
facetedrandom
reflexive
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/igloo
univocal interface
Brownian Motion/Richard Lord
Dumbtype/OR
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Biped/Cunningham, Kaiser, Eshkar, Girard
random interface
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CO3/Company in Space
faceted interface
Surfacing/TroikaRanch
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reflexive interface
telematic dreaming/Paul Sermon
TGarden/sponge&foam
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16revolutions/TroikaRanch
SeaUnsea/Carol Brown Dances
Swap/Costa,Quintas, Costa
univocal, faceted, random or reflexive interfaces?
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Will.0.w1sp/Kirk Woolford
entre-deux/kondition pluriel
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TOUCH TERRAINA Participatory Hybrid Performance Environment
By
Isabel Valverde (choreographer, performer & researcher)
Yiannis Melanitis (performance artist & researcher)
With the participation of
Tania Barr (Animazoo-Europe, Motion Capture)
Panos (Programmer)
From:
Portugal, Greece, and France
http://www.geocities.com/melanitis2004/TouchTerrain
http://home.earthlink.net/~isaval/data/entrada.html
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What For?# Towards active inter-subject intelligent embodied engagement
# Towards designing and choreographing experiences and interfaces that reverse the dominant perceptive hierarchy of vision to touch and kinaesthesia (our somatic sense of embodiment)
# To re-visite touch and kineasthesia as a basis for our relationship with our body, the world, and one another. And where visuals spring from the rich qualities of tactile and somatic experience.
# To contribute to rising awareness about and change attitudes towards subjective embodied experience within mediated/wired environments.
# To become familiar with hidden aspects of embodiment through new socializing situations.
# To address issues of body representations including cultural politics of gender, ethnicity, health and aesthetics.
# To permanently alter perceptions and consciousness.