DAECAN TEE PORTFOLIO /14

IARCHITECTURE DESIGN

‘10

‘13

A

B

CORE STUDIO

_ CV

COMMISSION

C COMPETITION

D PRACTICE

E FILMS

F GRAPHICS

CONTENTSWORKS 2010/2013

The Gap .........................................................04 - 09Entreprenuer Park ..........................................10 - 19Community and Civic Arts Forum ..................20 - 31Sculpting Elements .........................................32 - 35

The Icon .........................................................36 - 41

The Mirthy Sculpture ......................................44 - 45

Moon’s Bungalow ...........................................48 - 51

...................................................52 - 53

............................................54 - 57

Global Challenge: Future Workplace ..............46 -47

Earth Hour Pledge Bench ...............................42 - 43

DAECAN TEEDesigner and Architectural AssistantPractised in an architecture firm for a year, Daecan has matured considerably as a designer and thinker, with great obsession and sensitivity to materials and details. He has an addiction in creative problem solving and is in love with the process of making and craftsmanship.

Optimistic, accountable and a fast learner, he has a passion for films and visual imagery besides architecture. Aspire to be an eclectic designer, Daecan constantly challenges himself to venture into novelty and inventive ideas, eschewing orthodoxy in favour of augmenting his skills in every possible facet. His core interests are human culture, rejuvenation of urban spaces, and intervention of contemporary and traditional design products.

Experience

Education

Bangsar KL MalaysiaJan 2013 - Dec 2013 Architect

Involved in: Authority Drawings Submission, Tender Drawings, Detailing Design, Design & Built residential project, Dealing with suppliers, contractors and clients.

Arkitek Ari Methi

Taylor’s UniversityMar 2009 - Feb 2010

Taylor’s UniversityFeb 2010 - Jan 2013

BSc (Hons)(Architecture)

Foundation in Natural & Built Environments

Ampang KL MalaysiaDec 2011 - Jan 2012 Intern

Knowledge gained: Specification Tender Documentation, Master Planning Design and its Authoritical Standards, Special Detailing, PAM UBBL Fire Safety

ARC Partnership

Subang Jaya MalaysiaMay 2011 Curator

Initiated by The Creativists, the exhibition is an agglomeration of stone art, cyanotype, oil paintings, video art, machine art, sculpture, visual graphics, illustrations and installations.

EXHIBIT 2011

Subang Jaya MalaysiaApr 2010 - Apr 2012 Co-Founder and President (Club)

THE CREATIVISTS is a platform of no-boundary-creative-thinking for people of various passions and perspectives to come together as one towards the same direction, which is towards creating a better tomorrow. A CREATIVIST is an individual who is driven to make a change and implements creativity in his/her correspond-ing industry. Work scope involved: art installation, guerrilla marketing, art exhibition, event set design, music jam session, slam poetry.

The Creativists

Honors and Awards2012

Annual Architecture Students InterventionSecond RunnerUp (Short Film)

CertificationsNov 2013

Coursera

Developing Innovative Ideas for New Companies: The First Step in Entrepreneurship

Skills & Expertise Rhino, AutoCAD, ZW CAD, Photoshop, Illustrator, Adobe Premier Pro, Vray, Branding and Marketing

2011Pepsico Malaysia - Natural Art Design ChallengeGrand Prize

[email protected] / +6012 3040366 (Malaysia)

2010Taylor’s UniversityBest Club Awards - The Creativists

2010Taylor’s UniversityTertiary Merit Scholarship (Recipient)

Dec 2012Stanford UniversityCrash Course on Creativity

InterestsProduct Design, Craftsmanship, Graphic Design, Film-Making, Cultural Harnessing and Making, Guerilla Marketing, Backpack Travelling, Street Art

PROJECTThe Gap

PROGRAMDwelling Space

LOCATIONRedang Island, Malaysia

SITE AREA150sqm

YEAR2010

Redang Island is prominent for being a conservation site for sea turtles. Taking that as the concept, the rest of the de-sign is contextually driven. The hybridi-sation of beach and turtle resulted in creating a perfect space for meditation and contemplation.

) )morning breeze

morning breeze

night breeze

night breeze

Discover The Undiscovered

4

SPOTTED SKIN PATTERN HARD VS SOFT WELL FITNESSIn its natural state, the patterns on the turtle’s skin shares similar char-acter with light dapples and loose rock. These characteristic leads to the ideation of the spaces in terms of materiality and mood.

The contrast of hard and soft is com-plimentarily blended and conveyed into the texture and materiality of the design. From the dappled light shadow to the light streak shines through the gabion wall to the ar-rangement of gabion rocks.

The spaces are encapsulated within the invisible spatial boundary of the nature, hence resulting in designing a site-hugging and site responsive shelter.

CORE STUDIOA

Bridging two sites of different conditions with a narrative journey, guided by emotional and multi-sensory experience.

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FLOOR PLAN

SPATIAL EXPERIENCE

BODY - EARTH

SOUL - WATER

MIND - LIGHT

ROOF PLAN7

The proposed site is well-seclud-ed and quiet area despite being a stone’s throw away from the nearest resort.

The elongated site is separated by a narrow 500mm wide gap between two rocks, which makes the path less travelled. Curiosity made me walk sideways through the gap to the beauty beyond. It was an awe to find a private cove with a breath-taking view of the sea.

Design of ‘The Gap’ follows the context and forms a more welcom-ing funnel-like tunnel for visitors to embrace the nature and relax in the shady gabion shelter, inside the dap-pled-lit glass box and on the deck over the cove of lapping waters.

Locally salvaged coconut timber is used to make the timber deck for its dark, earthy, warm tone, set to make the dwelling space comfortable and relax.

SIDE ELEVATION

SECTION AA

SECTION BB

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PROJECTEntreprenuer Park

PROGRAMMixed-Use Development

LOCATIONJalan TAR, KL, Malaysia

SITE AREA900sqm

YEAR2013

Vernacular HedonismLocated at the spine of Old Kuala Lumpur - Jalan Tunku Adbul Rahman, the area also known as Chow Kit, infamous for its markets, cheap wholesale goods, textile hub and as a red light district. Despite dense multicultural business, many shophouses have been long abandoned due to the environment and ma-jority are now occupied by immigrant work-ers. To invigorate the place, the proposed program is a fusion of urban farming park, cafe, communal spaces and SOHO units.

CORE STUDIOA

EXISTING TYPOLOGY:WORK, LIVE

& SHOP

SURPRISEPLEASANT PLEASURE

INFORMAL SPACESPERMEABILITY &TRANSPARENCYGOOD ENVIRONMENTBETTER LIVING

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BETTER ECONOMY

HAPPY COMMUNITY

BETTERHEALTH

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LOCAL CONTEXT

Volumetric Study

CAFE

SHOP

OFFICE

RESIDENTIAL

PARK

COMMON

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INTER-CITY DROP OFF ZONEFOR BUS AND MONORAIL

INTERSECTION OF COMMERCIAL DISTRICT AND FINANCIAL DISTRICT

MARKETS &BAZZAR

SITE

Food as Attraction Leisure as Lifestyle

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PEDESTRIAN ACCESS

VEHICULAR ACCESS

VEHICULAR DROP OFF

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PLAZA SIDEWALK

PLAZA SIDEWALK

Integration with Bus StopProviding more space for bus takers by expansion of sidewalk into the building. The bounda-riless space inevitably increases the security of the area.

The Active Corner Taking advantage of the huge tree which provide a good shade on site, the corner can be activated into an active frontage and a new identity.

Topographical PlazaPublic performance or activities can be held at the lowest area where the slope allows multiple levels of usage and views.

Design Strategies and Site Responses

Design Development Diagram

PLAZA SIDEWALK

+++

Mimick Traditional Shophouse Profile

Floor Levels Addition and Keep Pitch Roof

Open Plan and Transparency1 2 3

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PLAZA SIDEWALK

Permeable Ground LevelVisually and physically transparency can reactivate the quiet alley and thus providing passive security and comfort with extra setbacks for pedestrians.

PEDESTRIAN ACCESS

VEHICULAR ACCESS

VEHICULAR DROP OFF

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PEDESTRIAN ACCESS

VEHICULAR ACCESS

VEHICULAR DROP OFF

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PEDESTRIAN ACCESS

VEHICULAR ACCESS

VEHICULAR DROP OFF

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Buffer Screen For PrivacyView looking into one and other’s premises is filtered by vertical greeneries and simultaneously beautifying the environment.

Buffer Screen For Better Interior QualityA vertical green screen on the front facade does not just add a pleasant surprise to the streetscape, it also provide privacy for the living quarters, blocks out the noise and smell from the traffic.

Active Facade & Back Alley Access to MarketBuilding facade can be active with vertical connec-tion while viewing out to the city is an experience. Upkeeping the alley well will certainly increases its usage and eventually turning into a pedestrian street.

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Topographical Plaza Solid vs Void andVertical Interaction

Public and PrivateVertical Accessiblity

4 5 6

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Topographical PlazaUrban FarmCafeBack of HouseWashroom 1Communal CourtyardShops x4Office x4Washroom 2

Residential Units x8-

Basement CarparkServices Water TanksElectrical Switch RoomRefuse ChamberLoading BayDrop Off Area

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+13.0

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FRONT ELEVATION

SECTION

REAR ELEVATION

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PROJECTCommunity and CivicArts Forum

PROGRAMMixed-Use Development

LOCATIONSouth Klang, Malaysia

SITE AREA2000sqm

YEAR2013

This final project calls to constitute a sustainable public architectural scheme that will be given impetus to social, cultural and environmen-tal aspects of South Klang. How can the historical memory of an old port town be insinuated into and incorporated with the dynamics of the present in a contemporary manner? The amalgam balance of history and future is deployed with the theory of proxemics urbanism.

The New Vanguard and Creative Incubator

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SENIOR YOUTH

HISTORY

PASTRECORD

CONTENT

PROGRESSCONTEMPORARY

EXPRESSION

FUTUREWhoHowWhat

Approach

SENIOR YOUTH

HISTORY

PASTRECORD

CONTENT

PROGRESSCONTEMPORARY

EXPRESSION

FUTUREWhoHowWhat

Approach

USER

GRO

UP A

ROUN

D TH

E SI

TE

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User Group

Views and Axis Sculpture in The Park

Potential Access and Nodal PointsThe site finds itself to be situated in the middle of vast typologies. The design project will potentially be a gathering space that invites and connects all users from the neighbouring context.

Analysing from the flow of circulation, a new potential pedestrain path crossing the site will be introduced, solving the issue of missing pedestrian sidewalks and pedestrains’ safety at the same time.

The project will respond to the Royal Gallery symmetrically and align to the visual axis of the Mosque. The project also considers unblocked views across the site and towards the gallery.

Aware of taking over the vast green open space, the project is decided to retain the green, main-taining the sense of openness and projects itself as a sculpture in the ‘courtyard’ of the town.

POTE

NTIA

L AC

ESS

POIN

TS A

ND N

ODAL

POI

NTS

axis to the mosque

symmetry axis of the gallery

AB

CD

AXIS

AM

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SCUL

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THE

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The Contemporary vs The Past

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Visual Axis and New Path

New Perspective and Views

Symmetry and Parallel Tension Reduction

Continous Flow and Circulation

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3

2

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Design Strategies and Development

Relationship with The Royal Gallery

New Perspective and Unblocked Views

Attempt in Diffusing Views

X

Mini Theatre Concert and Events

Conventional Extended StageNew Perspective and Unblocked Views


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Conventional Extended StageNew Perspective and Unblocked Views


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Conventional Extended Stage

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MEZZANINE FLOOR PLAN

1ST FLOOR PLAN

GROUND FLOOR PLAN

LOWER GROUND FLOOR PLAN

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1011

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FRONT ELEVATION

SECTION BB - LONGITUDINAL

SIDE ELEVATION

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Quiet Reading Area

Resource Management Office

Discussion Rooms

Resouce Library

Gallery 2

Restrooms

Cafe Kitchen

Public Restroom

Cafe

Security Room

TNB Station

Refuse Chamber

Carparks

Public Event Field

Gallery 1

Restroom

Pantry

Services Room

Co-Working Studio

East Courtyard

Lift Lobby Courtyard

Workshop Space

AIR CONDITIONALOUTLET FROM FLOOR

AIR CONDITIONALOUTLET FROM FLOOR

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PROJECTSculpting Elements

PROGRAMExperimentation & Making

STATUSIdeation

ASPECTSSound, Water, Light, Wind

YEAR2013

Rethinking Sound-Proof Turning negative spaces in soundproofing materials to positive habitable spaces while taking the positive space of the material as the structure.

Enhacing Space with Sound and WindImagining the scheme being adopted into the scale of a pavilion and by intro-ducing the strategy of domes within a dome, it certainly has enhancement to a space with different reverberations of echo, where sound can be visually per-ceived based on its pitch and volume.

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Beyond straight lines and restricted modularity, organic voids are now a containment of sound and activities, no longer as a buffer zone. The desire to soundproof a space but still maintain-ing visual connection can be achieved by simply creating a vacuum in a thin gap space. The isolation gap between public and private spaces can perhaps be brought closer together.

A Conjecture of Sound Void, Vacuum Body

Volume and The Helmholtz ResonanceThe sound of the air under the dome decreases as the volume of the enclosure reduces, however the pitch of the sound produced at the tip of the neck increases. Two different qualities are produced at the same time.

Bernoulli’s Principle and Spatial QualityWhen air or wind pressure is manipulated and controlled, the space un-der the enclosure will experience different spatial qualities and may even achieve a “vacuum” space.

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Amalgamation of Sound, Wind, Light and WaterInspired by the science of saltwa-ter lighting up a light bulb, the question is how can we take ad-vantage of this and scale it up?

For commercial use: Is it possible to be an electricity resource for housing on the sea or underwa-ter? Can it be a glowing shelter over swimming pool?

The ultimate idea is to change the perception of light (electricity) and water are never good friends. Where as sound and wind from sur-rounding movement serve as the manipulative variables that change the state of the light.

A 3d printed model was made to present the idea of a light installa-tion playground.

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With an open brief, the client has left the programme for us to de-cide what best fits. Approach taken towards this brief is to look at how a design icon belongs only to the proposed site and not a landed alien spaceship.

PROJECTThe Icon

PROGRAMIdentity & Landscape

LOCATIONTaylor’s Lakeside University,Malaysia

SITE AREA306.7sqm

STATUSOn Paper

YEAR2013

What is ‘ICON’?

COMMISSIONB

Hostel/Hotel

Admin

DropOff SITE

Hall

CommercialGallery

Faculty

ICON = ?Bold? Place-making? Symbolism?

Semiotics? Genuis loci? Sense of belonging? Purpose-driven? Representation? Tabula-rasa?

YOU DON’T DESIGN ICON. GOOD DESIGN BECOME ICON.

(function)

ICON IS SOMETHING THAT ONES PERCEIVE AS ICONIC AND LEFT A DEEP IMPRESSION IN THEIR MIND.

(relationship)

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Pragmatic Solution by Providing Shelter

Structural Stability + Permeability

Studying the site as a piece of puzzle from the panaromic view of the main entrance of the university, it is decided that the ‘icon’ should be visually and actively permeable as well as maintaining the architecture flow.

Solving problems while creating visual aesthetics, the diverse range of land-scape vocabularies generously prevalent within the site’s vicinity and the absence of ‘green’ and shade at the site itself have then inspired a study to conserve greenery in a built-up space – one that explores how green can be multiplied in a manner that is architecturally striking, integrated and sustainable.

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Extend Shelter Over Existing Seats

Social Space + Green Roof

Void Outside Fire Escape + Softening Edges

Function + Solutions + Social Interaction

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In conjunction with Earth Hour, a commis-sion is received to build a pledge board and benches. The opportunity is taken to rethink typical pledge board, its post-event life and how can we combine both.

PROJECTEarth Hour Pledge Bench

PROGRAMProduct & Activism

LOCATIONSolaris Dutamas, KLMalaysia

CLIENTPublika Shopping Gallery

SIZE5000 x 5000 x 450mm (H)

YEAR2011

Making the Afterlife

Made out of recycled industrial pallets, the benches are used as pledge board before event, then became seats during and after the event. The benches are designed in the form that when combined they form the number ‘60’- the symbol of Earth Hour; once separated after the event, benches are placed everywhere in the mall for cas-ual seating.

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+ +PLEDGE!

?

COMMISSIONB

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Incorporating the brand identity of Pepsico’s beverage- 7UP & Lipton with The Roman Colossuem and everything else we do, we strategized it to be a whole package as if it was a serious collaborative work rather than merely a sculpture competition.

Grand Prize Winner

With the Ancient Roman Colossuem (cho-sen from the 7 Wonders of The World given by the brief) as inspiration, our team - WE, MIRTHS interprets it as a fun and carefree idea embodied in a larger conceptual scheme of ‘diverse levels’, hence our proposed sculp-ture design does not rigidify spaces and allow interactions at different levels.

PROJECTThe Mirthy Sculpture

PROGRAMDesign, Branding & Marketing

LOCATIONTaylor’s Lakeside University

ORGANISERPepsico

SIZE2m (W) x 5 x 2.5m (H)

MATERIALSRecycled Plastic Bottles, Salvaged Wire Mesh, Cable Ties

YEAR2010

Playful and Radical

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Restricted to reusing Pepsico’s plastic bot-tles as the main material, we were the only one who came up an radical abstract form among all competitors. The form was inspired from playing with a strip of paper. The design was initially to be a Mobius loop, which consists of a tunnel and was eventually left with a canti-levering curve after calculating the amount of material and time we need.

In the whole branding process, we design a logo for ourselves, turn that logo into a mas-cot for plastic bottles collection; we stick to the colours of the beverage brands, carefully carried it through to the sculpture; we took to an unorthodox yet fun marketing campaign by doing guerrilla marketing, street art tagging and also early adopter of using QR code to link with our Facebook page for updates and vot-ing. - We,Mirths: A bubbly good time.

Visit our Facebook page.

Watch the FullStory here.

COMPETITIONC

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FUTU

RE W

ORK

CULT

URE

TOW

ARDS

LIVA

BLE C

ITY

PROJECT-BASEDSTRUCTURE

FLEXIBLEWORKING HOURS

TRANSPARENCYCULTURE

INTERNATIONALCROSS-DISCIPLINARY

CORP

INC

FROM CONCRETEWALLS TO NATURE

PERSONAL SPACEVIRTUAL INTERACTION

COLLABORATIVE SPACEPHYSICAL INTERACTION SWITCHABLE GLASS

TECHNOLOGY

NO CUBICLE, OPEN PLAN SPACE, MULTIPURPOSE

CLOUDTECHNOLOGY

MOBILEWORKSTATION

CLE

AR

DIF

FUSE

DAT

A

BLI

ND

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TRA

NSL

UC

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TIN

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BLA

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BETTER LIFESTYLEWITH CLOSE PROXIMITY

SOCIAL

TRAVELLIVING

SHOP & EATRECREATION



TRANSPARENCYCULTURE


CORP

INC




TECHNOLOGY


CLOUDTECHNOLOGY

MOBILEWORKSTATION

CLE

AR

DIF

FUSE

DAT

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BLI

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S

TRA

NSL

UC

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TIN

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BLA

CK

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SOCIAL

TRAVELLIVING




TRANSPARENCYCULTURE


CORP

INC




TECHNOLOGY


CLOUDTECHNOLOGY

MOBILEWORKSTATION

CLE

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DIF

FUSE

DAT

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BLI

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TRA

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SOCIAL

TRAVELLIVING


A workplace now is a dead space after work. It is later evolved into a communal mixed-use space for urban community-grown farm, so-cial, recreational and work. Lifting pedestrians off the ground level, the “pocket spaces” also function as connecting bridges from one building to another.

A New Public Space

PROJECTGlobal Challenge:Future Workplace

PROGRAMConcept Design

ORGANISERFentress Architects

STATUSOn Paper

YEAR2012

FUTU

RE TE

CHNO

LOGY



TRANSPARENCYCULTURE


CORP

INC




TECHNOLOGY


CLOUDTECHNOLOGY

MOBILEWORKSTATION

CLE

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DIF

FUSE

DAT

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BLI

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TRA

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UC

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BLA

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SOCIAL

TRAVELLIVING


COMPETITIONC

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PUBLIC

PARENT

MAID

MASTER

KITCHEN AS CORE

PRIVATE

WATER FEATURE

TO MASK NOISE

LANDSCAPE FOR BUFFER & PRIVACYPROJECTMoon’s Bungalow

PROGRAMResidential

LOCATIONBukit Ceylon, Kl, Malaysia

CLIENTMr Chan Moon Kien

SITE AREA472sqm

YEAR2013

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Due to the urgency to move in, the project spans 6 to 7 months and all the construction drawings and detailing are hand-drawn. I have the opportunity to work one-on-one with the client, landscape architect, suppliers and contractors.

MASTER

GUESTThe project is a refurbishment of an old bungalow/shop. The client’s brief is to maximize the space, mini-malist, clean, simple, practical and homey with a touch of contemporary.

Deconstruct!

PRACTICED

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In the initial stage of redesigning the old building, we strategically tore down walls to create a boundariless interior, and also created openings to bring the ‘outside’ inside, so the house appears to be more spacious.

We have carefully chosen the cli-ent’s salvaged timber louver windows and doors, selected a suitable warm tint for them to create a cosy interior. In addition, we have selected warm lightings for the majority spaces of the house. We also made sure all the white paints are off-white so that it does not appear to be sterile and cold, even on the exterior.

Multiple alternative materials and construction methods have been thought out to satisfy the client’s budget.

The landscape is kept as hon-est and rustic as possible with the use of old railway sleepers for the deck, unfinished red bricks for walls and fence, and complimenting rein-forced concrete plinth with aggre-gate for the perimeter walkway as well as drain covers. These elements are left in their natural state, ready to receive the domination of creepers and the wild.

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We Are Divine (2013)An experimental piece that morphs a typical travelogue footages taken in Bali into a philo-rant and personal ethos with a sprinkle of quirks.

Urban Farming (2012)In defiance of the dogma of sustainability, which has become a gimmick in modern mar-keting, and the ever-ameliorating sustainable technology, we decided to return to the grass root of how we once practiced and lived.

2nd Runner-Up (Short Film)Annual Architecture Students Intervention

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The Next Klang (2012)An old port town is now facing the phe-nomenon of urban decay. This documen-tary tells the history of the place, culture, the present development, issues and future through the voices of the locals.

Charcoal Factory (2012)A mini documentary explains the process of making under the roof of the oldest charcoal-making factory in Kuala Sepetang, Perak, Malaysia.

FILMSE

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Appointed to be the creative director to build the brand identity of the exhibition, I took the theme ‘1051’, which represents the number of days spent in the course, and disrupt the norm of how a logo should be.

Inspired from construction scaffolding and frameworks, the image of wireframe and fragmentation of form-mak-ing is instilled to the logo with the notion of expressing the evolution and progressive growth of the graduates.

The identity is consistently carry throughout from poster to banner to flyer to booklet to ‘Thankyou’ card.

Architecture Graduate Exhibition 2013

WORKS AND PROGRESS 22 FEB - 27 FEB 2013

AN

ARCHITECTURE

GRADUATE

EXHIBITION

GRAPHICSF

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The Creativists is a multi-disciplinary creative-thinking platform for people of various passions and perspectives to come together as one towards the same direction, which is towards making a better tomorrow by experimenting constantly. (2010 - 2012)

EXHIBIT 2011 is an art exhibition initiated by The Creativists. Works exhibited are stone art, cyanotype, oil paintings, conceptual video art, machine art, sculp-ture, visual graphics, illustrations and installations.

FUNDLIC- combination of two words, funding and public: is a crowdfunding platform to collect funds from the public to support poor students to study. The logo is a new currency symbol for crowdfunding and its symmetry represents the connection of two sides of users. (2013)

DEKAN- a personal brand identity that speaks about simplicity, honesty and cycle in the logo. If you read backwards, it says NAKED. (2014)

FUNDLIC

DK

A

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GRAPHICSF

IARCHITECTURE DESIGN

‘10

‘13

DAECAN TEE PORTFOLIO /14

Documents

Transcript of DAECAN TEE PORTFOLIO /14