Dadra and Khemta
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Transcript of Dadra and Khemta
T A B L A A N D M A N J I R A B E A T S
P A R T 2
Dadra or Khempta
Dadra
One of the most common taals
Used mainly in garba type of bhajans Mukti Male ke naa Male
6 beat rhythm
Basic Strokes of Tabla
Basic Strokes of Tabla
Dha
Basic Strokes of Tabla
Dhin
Basic Strokes of Tabla
Na
Basic Strokes of Tabla
Tin
Basic Strokes of Tabla
Ga
Basic Strokes of Tabla
Ka
Basic Strokes of Tabla
Ti
Basic Strokes of Tabla
Dadra
Dha Dhin Na | Dha Tin Na
1 2 3 4 5 6
All are whole notes. Even distribution of time.
Double Speed
Dha (Tin-Na-Ka-ta) Na | Ga (Tin-Na-Ka-ta) Dha In fast speeds some of the beats are unrecognizable.
Taal Dadra (6 Beats) 1 2 3 4 5 6
Basic Beat Dha Dhin Na Dha Toon Na
Double Speed DhaDhin NaDha ToonNa DhaDhin NaDha ToonNa
Variation 1 Dha Dhin Na Ti Ti Na
Varitaion 2 Dha Toon Toon Na Dhin Dhin
Variation 3 Dha Dhin Dha Dha Toon Na
Variation 4 Dha Toon Toon Na Dhin Na
Variation 5 DhaDhin DhaDha ToonNa NaToon DhaDha DhinNa
Variation 6 DhaDhin DhaDha ToonNa NaToon DhaDha DhinNa
Variation 7 DhaGe DhinNa GeNa DhaGe ToonNa KiNa
Variation 8 DhinNa GeNa DhaDha ToonNa KiNa NaNa
Variation 9 KaTi KaTi Dha KaTi KaTi Dha
Variation 10 Dha KaTi KaTi Na KaTi KaTi
Variation 11 DhinNa GeNa DhaGe ToonNa KeNa NaGe
Khempta
Very similar to Dadra. Sometimes not considered a separate taal.
½ speed of Dadra Because of slower speed, must add extra beat as
filler Dha Dha Dhin Na | Ta Ta Tin Na 1 2 3 4 5 6 Similar to 2nd and 5th beat being doubled, you can also ½ others and double others also depending on the tempo of the bhajan and your style of play. MANY DIFFERENT VARIATIONS
Khempta Bhajans
Vandu Sahajanand Rasrup
Ram Krishna Govinda, Jay Jay Govinda
Bhajans during Navratri Taraa Vina Shyam, Raas ramvaane vehlo aavje
Maali taara mandiriyaa maa
Manjira Dadra and Kempta
Dadra Play each beat
emphasize 1st and 4th beats (with CLOSE or FLAT)
Khempta Play each beat
Play just like it sounds in tabla
Emphasize 1st and 4th beats (with CLOSE or FLAT)